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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:51,452 --> 00:00:53,287 UH! 2 00:01:07,335 --> 00:01:09,737 AAH! 3 00:01:21,549 --> 00:01:23,684 AAH! 4 00:01:35,229 --> 00:01:37,165 UH! 5 00:01:48,642 --> 00:01:50,711 UH! 6 00:02:02,423 --> 00:02:04,692 AAH! 7 00:02:15,936 --> 00:02:18,138 UH! 8 00:02:30,484 --> 00:02:33,354 UH! UH! 9 00:02:34,255 --> 00:02:37,191 OH, ISABEL. 10 00:02:38,559 --> 00:02:40,828 WON'T YOU SAVE ME? 11 00:02:44,432 --> 00:02:47,167 WON'T YOU SAVE ME? 12 00:02:47,501 --> 00:02:49,403 WON'T YOU SAVE ME? 13 00:02:49,437 --> 00:02:50,704 TAKE THE SHOT, JACK. 14 00:02:50,738 --> 00:02:52,673 WON'T YOU SAVE ME? 15 00:02:52,706 --> 00:02:54,208 TAKE THE SHOT, JACK? 16 00:02:54,242 --> 00:02:58,346 JUST ONE LAST TIME? 17 00:02:58,846 --> 00:03:00,281 TAKE THE SHOT, JACK? 18 00:03:00,314 --> 00:03:03,351 ISABEL, PLEASE. 19 00:03:05,953 --> 00:03:07,588 O.K. 20 00:03:08,289 --> 00:03:10,724 O.K., O.K. 21 00:03:11,725 --> 00:03:16,530 THEN I'LL SEE YOU IN HELL, HONEY. 22 00:03:29,277 --> 00:03:31,712 ALL OF YOU. 23 00:03:57,871 --> 00:04:05,746 NO! 24 00:04:31,505 --> 00:04:32,740 THIS WAS A DREAM, RIGHT? 25 00:04:32,773 --> 00:04:34,708 IT DIDN'T FEEL LIKE IT, HONEY. 26 00:04:34,742 --> 00:04:37,345 NO, JACK. YOU WERE DREAMING, HONEY. 27 00:04:37,378 --> 00:04:39,580 YOU WERE STILL ASLEEP. 28 00:04:42,082 --> 00:04:43,951 COME HERE. 29 00:04:45,686 --> 00:04:49,423 JACK, DO YOU REMEMBER ANYTHING ELSE? 30 00:04:49,457 --> 00:04:51,492 YES. I KILLED SOMEBODY, 31 00:04:51,525 --> 00:04:53,527 OR THE POLICE THOUGHT I HAD, 32 00:04:53,561 --> 00:04:55,529 AND THEY WERE CHASING ME. 33 00:04:55,563 --> 00:04:57,565 AND I WAS LOOKING FOR YOU, 34 00:04:57,598 --> 00:04:58,799 BUT YOU WOULDN'T HELP, 35 00:04:58,832 --> 00:05:00,901 AND I WAS BEGGING YOU TO COME BACK. 36 00:05:00,934 --> 00:05:04,071 I WAS BEGGING, BUT YOU WOULDN'T LISTEN TO ME. 37 00:05:04,104 --> 00:05:06,974 ISABEL, YOU HUNG UP. YOU HUNG UP. 38 00:05:07,007 --> 00:05:10,010 OH, HONEY, I'M SORRY. 39 00:05:10,043 --> 00:05:11,111 I'M SORRY. 40 00:05:11,144 --> 00:05:11,945 ME, TOO. 41 00:05:11,979 --> 00:05:13,046 YOU KNOW I LOVE YOU. 42 00:05:13,080 --> 00:05:16,750 YOU KNOW I'LL ALWAYS BE THERE FOR YOU. 43 00:05:17,150 --> 00:05:18,586 I KNOW. 44 00:05:18,619 --> 00:05:19,420 I KNOW. 45 00:05:19,453 --> 00:05:24,057 DO YOU REMEMBER WHY I WAS LEAVING YOU? 46 00:05:24,091 --> 00:05:27,761 YEAH. YOU THOUGHT I CHEATED ON YOU. 47 00:05:27,795 --> 00:05:30,364 OH. NO WONDER YOU SHOT YOURSELF. 48 00:05:30,398 --> 00:05:33,033 YOU'RE LUCKY IT WAS JUST A DREAM. 49 00:05:33,066 --> 00:05:34,735 OH, REALLY? 50 00:05:39,673 --> 00:05:41,942 O.K., YOU READY FOR MY INTERPRETATION? 51 00:05:41,975 --> 00:05:43,544 DO I HAVE A CHOICE? 52 00:05:43,577 --> 00:05:44,712 WHAT'S TODAY, JACK? 53 00:05:44,745 --> 00:05:45,413 MONDAY. 54 00:05:45,446 --> 00:05:47,881 THE FIRST DAY OF YOUR NEW JOB. 55 00:05:47,915 --> 00:05:49,583 WHAT'S THE JOB ABOUT? 56 00:05:49,617 --> 00:05:50,584 TAKING PICTURES. 57 00:05:50,618 --> 00:05:53,120 PHOTOGRAPHING WEIRD SHIT FOR THE POLICE, RIGHT? 58 00:05:53,153 --> 00:05:54,021 RIGHT. 59 00:05:54,054 --> 00:05:54,988 IT'S OBVIOUS. 60 00:05:55,022 --> 00:05:56,123 YOU'RE AFRAID YOU'RE GOING TO SEE SOMETHING 61 00:05:56,156 --> 00:05:58,859 THAT CHANGES YOU, THAT KILLS SOME ASPECT OF YOURSELF, 62 00:05:58,892 --> 00:06:01,862 AND YOU'RE FRIGHTENED WHEN THAT PART OF YOU DIES, 63 00:06:01,895 --> 00:06:03,130 I'LL STOP LOVING YOU. 64 00:06:03,163 --> 00:06:05,499 ISABEL, WHY DOES THE WHOLE THING 65 00:06:05,533 --> 00:06:06,500 HAVE TO BE ABOUT YOU? 66 00:06:06,534 --> 00:06:08,936 BECAUSE I'M INCREDIBLY IMPORTANT TO YOU, JACK. 67 00:06:08,969 --> 00:06:12,440 I KNOW IT'S HARD FOR YOU TO ADMIT SOMETIMES, 68 00:06:12,473 --> 00:06:14,675 BUT IN A VERY REAL WAY, 69 00:06:14,708 --> 00:06:16,043 I AM YOU, 70 00:06:16,076 --> 00:06:17,611 YOU ARE ME. 71 00:06:17,645 --> 00:06:18,345 HEAVEN FORBID. 72 00:06:18,378 --> 00:06:21,415 OUR LIVES ARE TOTALLY ENTWINED. 73 00:06:21,782 --> 00:06:23,584 ON THAT NOTE...AHEM... 74 00:06:23,617 --> 00:06:26,119 I THINK I'LL GO BACK TO BED. 75 00:06:26,153 --> 00:06:27,154 JACK. 76 00:06:27,187 --> 00:06:27,821 HUH? 77 00:06:27,855 --> 00:06:29,757 WHEN ARE YOU GOING TO GIVE ME 78 00:06:29,790 --> 00:06:30,724 YOUR GRANDMA'S ENGAGEMENT RING? 79 00:06:30,758 --> 00:06:34,462 WAIT A MINUTE. IS THAT WHAT THIS IS ALL ABOUT? 80 00:06:34,495 --> 00:06:35,996 JUST LET ME TRY IT ON. 81 00:06:36,029 --> 00:06:38,065 I SHOULD NEVER HAVE TOLD YOU ABOUT IT. 82 00:06:38,098 --> 00:06:39,867 AS FAR AS I'M CONCERNED, WE'RE ALREADY MARRIED. 83 00:06:39,900 --> 00:06:43,804 YOU MARRIED ME WHEN YOU ASKED ME TO COME OUT HERE. 84 00:06:43,837 --> 00:06:45,939 THE RING IS JUST A FORMALITY. 85 00:06:45,973 --> 00:06:47,207 [ALARM CLOCK BUZZING] 86 00:06:47,240 --> 00:06:48,709 THEN WHAT'S THE BIG HURRY? 87 00:06:48,742 --> 00:06:51,712 BE PATIENT FOR ONCE IN YOUR LIFE. 88 00:06:51,745 --> 00:06:52,446 PATIENT? 89 00:06:52,480 --> 00:06:54,081 YOU ARE A SADISTIC BASTARD, JACK. 90 00:06:54,114 --> 00:06:56,517 YOU'VE BEEN TEASING ME WITH THAT RING 91 00:06:56,550 --> 00:06:57,685 FOR OVER A MONTH NOW. 92 00:06:57,718 --> 00:06:59,620 "DO THIS, I'LL LET YOU SEE THE RING. 93 00:06:59,653 --> 00:07:02,022 DO THAT, I'LL LET YOU TRY THE RING ON." 94 00:07:02,055 --> 00:07:04,725 I KNOW EXACTLY WHERE YOU KEEP IT HIDDEN. 95 00:07:04,758 --> 00:07:05,358 WHERE? 96 00:07:05,392 --> 00:07:06,727 THE POCKET OF YOUR BLAZER. 97 00:07:06,760 --> 00:07:08,862 RELAX. NEVER EVEN LOOKED AT IT. 98 00:07:08,896 --> 00:07:10,130 YOU NEVER LOOKED AT IT? 99 00:07:10,163 --> 00:07:12,466 I WANT IT TO BE A SPECIAL MOMENT 100 00:07:12,500 --> 00:07:14,702 WHEN YOU GIVE IT TO ME. 101 00:07:14,735 --> 00:07:15,736 [GARGLES] 102 00:07:15,769 --> 00:07:16,336 [SPITS] 103 00:07:16,369 --> 00:07:18,005 YOU KNOW, YOU'RE SWEET. 104 00:07:18,038 --> 00:07:19,473 YOU'RE WONDERFUL. 105 00:07:19,507 --> 00:07:21,108 YEAH... YOU'RE STUPID. 106 00:07:21,141 --> 00:07:22,109 [FLUSHES] 107 00:07:22,142 --> 00:07:24,478 JACK, OPEN THIS DOOR! 108 00:07:24,512 --> 00:07:25,846 I DON'T BELIEVE THIS! 109 00:07:25,879 --> 00:07:27,981 OPEN THIS DOOR, JACK HART! 110 00:07:28,015 --> 00:07:29,216 O.K., MY TIMING IS LOUSY, 111 00:07:29,249 --> 00:07:30,684 BUT YOURS IS NONEXISTENT. 112 00:07:30,718 --> 00:07:32,553 YOU HAVE THE COMMUNICATION SKILLS 113 00:07:32,586 --> 00:07:33,420 OF A FOURTH GRADER. 114 00:07:33,453 --> 00:07:36,857 OPEN THE DOOR! LET ME OUT OF THIS ROOM! 115 00:07:36,890 --> 00:07:39,159 JACK, LET ME OUT NOW! 116 00:07:40,160 --> 00:07:41,128 JACK? 117 00:07:41,161 --> 00:07:42,162 JACK? 118 00:07:42,195 --> 00:07:43,997 JACK, PLEASE. 119 00:07:44,031 --> 00:07:45,265 HEY, WISH ME LUCK 120 00:07:45,298 --> 00:07:47,267 AT MY FIRST DAY OF WORK. 121 00:07:47,300 --> 00:07:49,970 GOOD LUCK, YOU BASTARD. 122 00:07:51,038 --> 00:07:52,272 I LOVE YOU, JACK. 123 00:07:52,305 --> 00:07:54,508 HAVE A GREAT FIRST DAY. 124 00:07:54,542 --> 00:07:57,177 I LOVE YOU, TOO, ISABEL. 125 00:08:05,152 --> 00:08:08,055 TAKE A GOOD LOOK, GENTLEMEN. 126 00:08:08,889 --> 00:08:09,723 [WHISTLES] 127 00:08:09,757 --> 00:08:11,892 TAKE A GOOD LOOK... 128 00:08:14,061 --> 00:08:15,663 BECAUSE AS OF TODAY 129 00:08:15,696 --> 00:08:17,130 ALL SUCH SOUVENIRS 130 00:08:17,164 --> 00:08:20,500 ARE GOING INTO THE TRASH... 131 00:08:20,768 --> 00:08:21,869 WHERE THEY BELONG. 132 00:08:21,902 --> 00:08:24,638 BOO. BOO. BOO. 133 00:08:24,672 --> 00:08:25,873 NOW A REMINDER, GENTLEMEN. 134 00:08:25,906 --> 00:08:27,808 THE DEADLINE FOR THIS YEAR'S 135 00:08:27,841 --> 00:08:29,610 DEPARTMENTAL PHOTO COMPETITION 136 00:08:29,643 --> 00:08:30,711 IS AUGUST 17th. 137 00:08:30,744 --> 00:08:33,614 THAT'S RIGHT. THAT GIVES YOU A LITTLE OVER THREE WEEKS 138 00:08:33,647 --> 00:08:35,983 TO GET YOUR PRINTING AND YOUR MOUNTING DONE. 139 00:08:36,016 --> 00:08:37,985 FOR THE BENEFIT OF MR. HART, 140 00:08:38,018 --> 00:08:41,321 THE NEWEST MEMBER OF OUR LITTLE FRATERNITY... 141 00:08:41,354 --> 00:08:42,623 WHOO! WHOO! 142 00:08:42,656 --> 00:08:43,490 I WILL REITERATE. 143 00:08:43,523 --> 00:08:47,294 EACH ENTRY MUST CONSIST OF THREE IMAGES 144 00:08:47,327 --> 00:08:50,330 ILLUSTRATING THE PHRASE... 145 00:08:50,363 --> 00:08:52,265 A WOMAN'S PLACE. 146 00:08:52,299 --> 00:08:55,736 A WOMAN'S PLACE IS ON MY FACE. 147 00:08:55,769 --> 00:08:57,170 THAT'S NOTHING. 148 00:08:57,204 --> 00:09:00,007 NOT ONLY DOES MY FACE SEAT SIX, 149 00:09:00,040 --> 00:09:03,711 BUT I KNOW HOW TO BREATHE THROUGH MY EARS. 150 00:09:03,744 --> 00:09:06,046 MR. HART, YOU'LL BE SPENDING THIS AFTERNOON 151 00:09:06,079 --> 00:09:08,115 WITH MR. TYNAN IN THE FIELD 152 00:09:08,148 --> 00:09:09,683 STRICTLY AS AN OBSERVER, 153 00:09:09,717 --> 00:09:10,984 AND THEN TOMORROW MORNING 154 00:09:11,018 --> 00:09:13,020 MR. LIEBOVITZ HERE WILL GO OVER 155 00:09:13,053 --> 00:09:14,855 OUR LAB PROCEDURES WITH YOU. 156 00:09:14,888 --> 00:09:18,792 ALL RIGHT, GENTLEMEN, LET'S GET TO WORK. 157 00:09:19,827 --> 00:09:23,631 YOU NEVER KNOW WHEN THAT FIRST CALL'S GOING TO COME IN, 158 00:09:23,664 --> 00:09:26,099 SO I SUGGEST YOU TAKE THE NEXT FEW MINUTES 159 00:09:26,133 --> 00:09:28,602 AND GET YOUR LOCKER STRAIGHTENED AWAY. 160 00:09:28,636 --> 00:09:29,502 OH, I ALMOST FORGOT. 161 00:09:29,536 --> 00:09:33,273 ON BEHALF OF THE LAPD FORENSIC PHOTO LAB, 162 00:09:33,306 --> 00:09:36,209 WELCOME TO HELL, MR. HART. 163 00:09:36,777 --> 00:09:38,779 THANKS. 164 00:09:39,747 --> 00:09:41,682 [HUMMING] 165 00:09:41,715 --> 00:09:46,053 * I GOT A COCKEYED WOMAN * 166 00:09:46,086 --> 00:09:47,788 [WHISTLES] 167 00:09:47,821 --> 00:09:49,923 JACK. 168 00:09:50,758 --> 00:09:53,326 OH, JACK. 169 00:09:53,360 --> 00:09:56,329 [HUMMING] 170 00:10:05,072 --> 00:10:07,207 TA-DA! 171 00:10:07,240 --> 00:10:08,909 OH, JESUS. 172 00:10:08,942 --> 00:10:10,177 TALK ABOUT A CHICK 173 00:10:10,210 --> 00:10:12,179 WITH A SPLIT PERSONALITY... 174 00:10:12,212 --> 00:10:13,046 WELL... 175 00:10:13,080 --> 00:10:17,417 THERE'S PLENTY MORE WHERE SHE CAME FROM. 176 00:10:17,450 --> 00:10:19,052 I'M OUT OF HERE, JACK. 177 00:10:19,086 --> 00:10:21,021 PEACE IN THE MIDDLE EAST, 178 00:10:21,054 --> 00:10:23,991 AND I DON'T MEAN PITTSBURGH. 179 00:10:24,758 --> 00:10:28,762 AND I DON'T MEAN PITTSBURGH. 180 00:10:28,796 --> 00:10:30,197 YEAH. 181 00:10:45,112 --> 00:10:48,015 "JEAN STARR... 182 00:10:48,048 --> 00:10:51,819 555-7239." 183 00:10:58,258 --> 00:11:00,761 WOW. 184 00:11:04,932 --> 00:11:08,335 WHAT...NO FIXER? 185 00:11:13,941 --> 00:11:15,976 JACK... 186 00:11:16,009 --> 00:11:20,080 LOOKS LIKE WE GOT A BODY FOR YOU. 187 00:11:31,825 --> 00:11:34,828 SO THIS IS YOUR FIRST BODY, HUH? 188 00:11:34,862 --> 00:11:37,464 NO, JUST MY FIRST DEAD ONE. 189 00:11:37,497 --> 00:11:38,265 OH, YEAH. 190 00:11:38,298 --> 00:11:40,868 WELL, IF YOU START TO HAVE A PROBLEM, 191 00:11:40,901 --> 00:11:43,103 JUST SAY WHAT I ALWAYS SAY. 192 00:11:43,136 --> 00:11:43,937 WHAT'S THAT? 193 00:11:43,971 --> 00:11:46,206 IT'S NOT ME LAYING DOWN THERE BLEEDING, 194 00:11:46,239 --> 00:11:48,275 SO WHY THE HELL SHOULD I CARE? 195 00:11:48,308 --> 00:11:50,177 I'LL TRY TO REMEMBER THAT. 196 00:11:50,210 --> 00:11:51,144 LET'S DO IT. 197 00:11:51,178 --> 00:11:53,480 I DON'T GIVE A DAMN WHAT YOUR SUPERVISOR SAID. 198 00:11:53,513 --> 00:11:56,283 I'M THE BOSS HERE. I SAID DON'T DUST IT. 199 00:11:56,316 --> 00:11:59,987 BAG IT, TAG IT, AND FILE IT. THAT'S IT. 200 00:12:00,020 --> 00:12:01,188 BOOTS. 201 00:12:01,221 --> 00:12:02,455 FRANK. 202 00:12:02,489 --> 00:12:04,057 HEY, BOOTSY. 203 00:12:04,091 --> 00:12:05,158 [CAR HONKS HORN] 204 00:12:05,192 --> 00:12:06,994 DON'T MAKE NO BIG DEAL OUT OF THIS. 205 00:12:07,027 --> 00:12:10,330 WE GOT NO WITNESSES. KNOW WHAT WE'LL END UP WITH? 206 00:12:10,363 --> 00:12:11,231 ANOTHER GODDAMN UNSOLVABLES. 207 00:12:11,264 --> 00:12:14,501 I GOT ENOUGH UNSOLVABLES AS IT IS, DON'T I? 208 00:12:14,534 --> 00:12:17,070 LOOKS LIKE AN ACCIDENT TO ME, FRANK. 209 00:12:17,104 --> 00:12:19,072 I LIKE YOUR ATTITUDE. I WANT THREE SHOTS-- 210 00:12:19,106 --> 00:12:22,509 FRONT, BACK, ONE OF THE BURGER. THAT'S IT. 211 00:12:22,542 --> 00:12:23,443 YOU GOT IT. 212 00:12:23,476 --> 00:12:26,346 BY THE WAY, WATCH OUT FOR THAT SECRET SAUCE. 213 00:12:26,379 --> 00:12:29,316 THEY TELL ME THAT SHIT IS ZESTY THIS MORNING. 214 00:12:29,349 --> 00:12:32,019 HEY, WHO IN THE HELL ARE YOU? 215 00:12:32,052 --> 00:12:33,821 GET ME A UNIFORM OVER HERE. 216 00:12:33,854 --> 00:12:35,055 WHAT'S THIS GUY DOING? 217 00:12:35,088 --> 00:12:36,256 HE'S IN TRAINING. 218 00:12:36,289 --> 00:12:38,959 ONE OF YOUR GUYS AT THE LAB. 219 00:12:38,992 --> 00:12:40,193 YEAH, HE'S COOL, FRANK. 220 00:12:40,227 --> 00:12:43,063 KEEP HIM OUT OF THE WAY. 221 00:12:47,500 --> 00:12:48,969 WHO WAS THAT GUY? 222 00:12:49,002 --> 00:12:49,870 FRANK DEACON, DETECTIVE. 223 00:12:49,903 --> 00:12:53,440 HE'S A NICE GUY WHEN YOU GET TO KNOW HIM. 224 00:12:53,473 --> 00:12:54,842 WHAT'S HIS PROBLEM? 225 00:12:54,875 --> 00:12:56,543 I'M SORRY. WHAT WERE YOU SAYING 226 00:12:56,576 --> 00:12:59,246 ABOUT THE DETECTIVE, AND YOU FELT SOMETHING WEIRD? 227 00:12:59,279 --> 00:13:03,283 REMEMBER THAT TIME WE WENT TO THAT PARTY ON LONG ISLAND, 228 00:13:03,316 --> 00:13:05,218 AND THERE WAS A GUY THERE 229 00:13:05,252 --> 00:13:06,887 WE BOTH THOUGHT WE RECOGNIZED, 230 00:13:06,920 --> 00:13:08,388 BUT WE COULDN'T PLACE HIM? 231 00:13:08,421 --> 00:13:09,489 THE ONE WHO TURNED OUT 232 00:13:09,522 --> 00:13:12,092 TO BE THE WEATHER MAN ON THE LOCAL NEWS? 233 00:13:12,125 --> 00:13:14,828 I FELT THE SAME THING WHEN I SAW DEACON. 234 00:13:14,862 --> 00:13:17,597 THAT YOU'D SEEN HIM BEFORE ON TV? 235 00:13:17,630 --> 00:13:19,867 ISABEL, YOU'RE BUGGING ME. LISTEN. 236 00:13:19,900 --> 00:13:21,902 I'M TALKING ABOUT A FEELING, 237 00:13:21,935 --> 00:13:23,270 ABOUT YOU KNOWING SOMEONE 238 00:13:23,303 --> 00:13:25,538 BUT NOT KNOWING FROM WHERE. 239 00:13:25,572 --> 00:13:26,874 THAT'S INTERESTING. 240 00:13:26,907 --> 00:13:30,110 MAYBE YOU DREAMED ABOUT HIM. 241 00:13:30,978 --> 00:13:32,445 WHAT MAKES YOU SAY THAT? 242 00:13:32,479 --> 00:13:35,548 I DON'T KNOW. I WAS ONLY JOKING. 243 00:13:37,250 --> 00:13:40,287 WELL, I'M GOING TO GET BACK TO WORK 244 00:13:40,320 --> 00:13:42,055 WHILE I'M FEELING INSPIRED. 245 00:13:42,089 --> 00:13:44,591 ISN'T THERE ANY OF THAT FOR ME? 246 00:13:44,624 --> 00:13:46,226 OH, I'M SORRY, HONEY. 247 00:13:46,259 --> 00:13:49,362 IT WAS ONLY A SINGLE SERVING. 248 00:13:49,396 --> 00:13:51,231 OH, AND BY THE WAY, 249 00:13:51,264 --> 00:13:54,067 LATELY I FIND MYSELF SIDING WITH THE POPE 250 00:13:54,101 --> 00:13:56,303 ON THE ISSUE OF PREMARITAL SEX. 251 00:13:56,336 --> 00:13:57,004 THAT'S BLACKMAIL. 252 00:13:57,037 --> 00:13:59,039 HOW CAN IT BE BLACKMAIL, JACK? 253 00:13:59,072 --> 00:14:02,309 THERE'S NOTHING OF YOURS I WANT. 254 00:14:05,012 --> 00:14:07,847 AAH! HERE, IT'S YOURS. 255 00:14:08,515 --> 00:14:11,451 ALL RIGHT, BUT IF WE'RE GOING TO HAVE SEX, 256 00:14:11,484 --> 00:14:15,022 YOU HAVE TO CLOSE THE DOOR AND PULL THE BLINDS. 257 00:14:15,055 --> 00:14:18,091 THE NEIGHBORS CAN SEE RIGHT THROUGH THE WINDOW. 258 00:14:18,125 --> 00:14:19,159 [CAMERA SNAPS] 259 00:14:19,192 --> 00:14:21,394 NICE WINDOW. 260 00:14:22,662 --> 00:14:25,933 LET'S GET A SHOT OF THE FRONT. 261 00:14:25,966 --> 00:14:30,237 HEY, MIKE, GIVE ME A HAND WITH THE GURNEY. 262 00:14:32,439 --> 00:14:33,941 WHERE'S THE BODY? 263 00:14:33,974 --> 00:14:36,977 OH, WE'LL GET TO THAT. 264 00:14:40,347 --> 00:14:42,182 NOW, MR. HART... 265 00:14:42,215 --> 00:14:44,251 SHOWTIME. 266 00:14:45,986 --> 00:14:49,122 UH, IS THAT HIM? 267 00:14:49,156 --> 00:14:53,526 ALWAYS MAKES ME WONDER IF DEAD MEN DREAM. 268 00:15:36,269 --> 00:15:37,604 AHEM. 269 00:15:37,637 --> 00:15:39,372 YES? 270 00:15:39,406 --> 00:15:40,607 WHAT'S THE PROBLEM? 271 00:15:40,640 --> 00:15:43,543 UM, MY WATCH. IT JUST STOPPED. 272 00:15:43,576 --> 00:15:45,678 LET'S SEE IT. 273 00:15:47,147 --> 00:15:48,982 IT JUST STOPPED, YOU SAY. 274 00:15:49,016 --> 00:15:49,749 MM-HMM. 275 00:15:49,782 --> 00:15:50,383 WHEN? 276 00:15:50,417 --> 00:15:53,120 OH, THE NIGHT BEFORE LAST. 277 00:15:53,153 --> 00:15:55,622 WOULD YOU MIND SHARING WITH ME 278 00:15:55,655 --> 00:15:57,557 WHAT IT WAS THAT HAPPENED 279 00:15:57,590 --> 00:16:02,029 AT 5:59 AND 51 SECONDS 280 00:16:02,062 --> 00:16:03,630 THE NIGHT BEFORE LAST? 281 00:16:03,663 --> 00:16:05,132 WHAT DO YOU MEAN? 282 00:16:05,165 --> 00:16:08,401 A WATCH OF THIS QUALITY DOESN'T JUST STOP 283 00:16:08,435 --> 00:16:10,203 OF ITS OWN ACCORD, SIR. 284 00:16:10,237 --> 00:16:13,373 DID WE DROP IT, SMACK IT, KNOCK IT? 285 00:16:13,406 --> 00:16:15,175 I DON'T KNOW. I MEAN... 286 00:16:15,208 --> 00:16:19,779 I MIGHT HAVE BUMPED IT IN MY SLEEP OR SOMETHING. 287 00:16:19,812 --> 00:16:20,513 AHH, BUMPED. 288 00:16:20,547 --> 00:16:23,416 WE BUMPED IT WHEN WE WERE ASLEEP. 289 00:16:23,450 --> 00:16:26,353 WELL, AS I SAID, MR., UH... 290 00:16:26,386 --> 00:16:27,154 HART. 291 00:16:27,187 --> 00:16:29,656 WATCH THIS QUALITY DOESN'T JUST STOP. 292 00:16:29,689 --> 00:16:32,092 FILL OUT A TICKET, NAME AND NUMBER. 293 00:16:32,125 --> 00:16:35,095 I'LL SEE WHAT I CAN DO. 294 00:16:35,128 --> 00:16:38,631 DO YOU HAVE ANY IDEA WHEN IT MIGHT BE READY? 295 00:16:38,665 --> 00:16:44,537 5:59 AND 52 SECONDS, MR. HART. 296 00:16:44,571 --> 00:16:49,776 UNTIL THEN, TIME HAS NO MEANING, DOES IT? 297 00:16:49,809 --> 00:16:50,443 [DING] 298 00:16:50,477 --> 00:16:54,481 * HAPPY BARF DAY TO YOU * 299 00:16:54,514 --> 00:16:55,615 THANK YOU VERY MUCH. 300 00:16:55,648 --> 00:16:59,652 * HAPPY BARF DAY TO YOU 301 00:16:59,686 --> 00:17:01,121 YOU SHOULDN'T HAVE, GUYS. 302 00:17:01,154 --> 00:17:07,094 * HAPPY BARF DAY, DEAR JACK * 303 00:17:07,127 --> 00:17:08,128 THANK YOU VERY MUCH. 304 00:17:08,161 --> 00:17:14,367 * HAPPY BARF DAY TO YOU 305 00:17:14,401 --> 00:17:15,635 YOU SHOULDN'T HAVE, BOOTS. 306 00:17:15,668 --> 00:17:19,672 WHAT THE HELL'S GOING ON OUT HERE! 307 00:17:22,609 --> 00:17:24,611 NOW FIRST THINGS FIRST, JACK. 308 00:17:24,644 --> 00:17:28,548 WE WANT YOU TO SHOOT THE WHOLE CRIME SCENE IN SEQUENCE. 309 00:17:28,581 --> 00:17:30,717 START WITH A WIDE SHOT OF THE SCENE, 310 00:17:30,750 --> 00:17:32,585 THEN MOVE IN FOR THE DETAILS. 311 00:17:32,619 --> 00:17:35,522 THINK OF IT AS A LITTLE STORY, GOT IT? 312 00:17:35,555 --> 00:17:37,557 NOW THESE PARTICULAR NEGATIVES WERE EXPOSED 313 00:17:37,590 --> 00:17:40,827 AT THE SITE OF AN ARMED ROBBERY IN DOWNEY. 314 00:17:40,860 --> 00:17:42,529 YOU SEE THE FOOTPRINT? 315 00:17:42,562 --> 00:17:43,563 MM-HMM. 316 00:17:43,596 --> 00:17:45,832 ONE OF THE SUSPECTS STEPPED IN GREASE COMING IN. 317 00:17:45,865 --> 00:17:49,636 THAT WOULD BE ENOUGH TO CONVICT A BROTHER RIGHT THERE. 318 00:17:49,669 --> 00:17:53,273 THEY BUSTED IN AND SURPRISED THE NIGHT MANAGER AFTER CLOSING, 319 00:17:53,306 --> 00:17:56,343 FORCED HER TO OPEN UP THE SAFE AT GUNPOINT, 320 00:17:56,376 --> 00:17:57,877 THEN THEY TIED HER UP WITH DUCT TAPE. 321 00:17:57,910 --> 00:18:01,148 HERE'S WHERE THIS PARTICULAR STORY STARTS TO GET GOOD. 322 00:18:01,181 --> 00:18:02,749 IT JUST SO HAPPENS A GROUP OF DETECTIVES 323 00:18:02,782 --> 00:18:05,518 HAD BEEN RUNNING SURVEILLANCE ON THESE GUYS FOR WEEKS, 324 00:18:05,552 --> 00:18:10,157 FOLLOWING THEM AROUND, AND WAITING FOR THEM TO COMMIT A CRIME. 325 00:18:10,190 --> 00:18:11,324 COPS CAN DO THAT? 326 00:18:11,358 --> 00:18:12,792 WHY NOT? THESE GUYS WERE SUSPECTS 327 00:18:12,825 --> 00:18:15,695 IN A WHOLE STRING OF ROBBERIES WITH SIMILAR M.O.s. 328 00:18:15,728 --> 00:18:19,232 WHEN THE SUSPECTS RETURNED TO THE VEHICLE, MONEY IN HAND, 329 00:18:19,266 --> 00:18:20,733 THE DETECTIVES WERE LAYING FOR THEM. 330 00:18:20,767 --> 00:18:23,803 ONE OF THE SUSPECTS BRANDISHED A WEAPON, 331 00:18:23,836 --> 00:18:25,605 AND THE OFFICERS OPENED FIRE. 332 00:18:25,638 --> 00:18:29,142 I GUESS THIS NEXT SHOT TELLS THE WHOLE STORY. 333 00:18:29,176 --> 00:18:32,179 THEY TRIED TO MAKE A RUN FOR IT 334 00:18:32,212 --> 00:18:33,513 AND GOT CUT DOWN, 335 00:18:33,546 --> 00:18:35,482 I THINK IN ALL I COUNTED 336 00:18:35,515 --> 00:18:36,783 24 12-GAUGE SHOTGUN SHELLS 337 00:18:36,816 --> 00:18:39,519 AND 19 .45 CALIBER MAGNUM CASINGS... 338 00:18:39,552 --> 00:18:42,522 WHOA. IT WAS A FIRESTORM. 339 00:18:42,555 --> 00:18:43,623 THIS IS THE ONLY WEAPON 340 00:18:43,656 --> 00:18:47,527 THE POLICE FOUND AT THE SCENE. HERE. 341 00:18:47,560 --> 00:18:49,696 LOOK AT IT CLOSELY. 342 00:18:56,536 --> 00:18:58,171 A MARKSMAN REPEATER? 343 00:18:58,205 --> 00:18:59,005 A PELLET GUN, JACK. 344 00:18:59,038 --> 00:19:01,408 THE NEXT GUY HERE MADE IT THE FURTHEST 345 00:19:01,441 --> 00:19:03,443 BEFORE THE SHOTGUN HERE TOOK HIM DOWN. 346 00:19:03,476 --> 00:19:05,512 THEY SHOT HIM IN THE FUCKING BACK. 347 00:19:05,545 --> 00:19:06,946 HE WAS TRYING TO ESCAPE, JACK. 348 00:19:06,979 --> 00:19:11,251 IT WAS A MASSACRE. THESE SUSPECTS DIDN'T FIRE A SHOT. 349 00:19:11,284 --> 00:19:11,951 GENTLEMEN. 350 00:19:11,984 --> 00:19:14,821 AIN'T LIFE GRAND? 351 00:19:15,488 --> 00:19:16,956 HOW'S IT GOING IN HERE? 352 00:19:16,989 --> 00:19:17,924 FINE, AL. FINE. 353 00:19:17,957 --> 00:19:21,528 I HOPE MR. HART HASN'T BEEN TOO MUCH TROUBLE. 354 00:19:21,561 --> 00:19:22,762 NOT AT ALL, AL. 355 00:19:22,795 --> 00:19:24,264 FAST LEARNER, IS HE? 356 00:19:24,297 --> 00:19:25,532 I THINK JACK'S PICKING UP 357 00:19:25,565 --> 00:19:29,168 ON HOW THINGS WORK AROUND HERE REAL QUICK. 358 00:19:42,415 --> 00:19:44,717 DID YOU HEAR ABOUT THE ONE 359 00:19:44,751 --> 00:19:47,287 IN WEST HOLLYWOOD LAST NIGHT? 360 00:19:47,320 --> 00:19:48,288 UH-UH. 361 00:19:48,321 --> 00:19:50,823 SOMEONE CUT THIS GUY'S UNIT OFF, 362 00:19:50,857 --> 00:19:52,792 AND HE BLED TO DEATH. 363 00:19:52,825 --> 00:19:56,329 THEY SEARCHED THE APARTMENT ALL OVER FOR IT. 364 00:19:56,363 --> 00:19:57,764 THEY COULDN'T FIND IT. 365 00:19:57,797 --> 00:20:01,000 THEN FINALLY SOMEBODY FOUND IT IN THE KITCHEN 366 00:20:01,033 --> 00:20:05,472 ON THE STOVE IN A FRYING PAN. 367 00:20:07,307 --> 00:20:10,310 IT HAD BEEN COOKED. 368 00:20:10,843 --> 00:20:12,945 BRAISED, I THINK. 369 00:20:12,979 --> 00:20:15,482 WOOF. 370 00:20:16,749 --> 00:20:17,984 WOW. 371 00:20:18,017 --> 00:20:20,553 ARE YOU DOING THE PHOTO COMPETITION? 372 00:20:20,587 --> 00:20:22,955 I DON'T KNOW. I HADN'T THOUGHT ABOUT IT. 373 00:20:22,989 --> 00:20:25,658 IF YOU'RE GOING TO, YOU BETTER GET CRACKING 374 00:20:25,692 --> 00:20:28,661 BECAUSE YOU'LL BE COMPETING WITH... 375 00:20:28,695 --> 00:20:30,263 THIS BABY. 376 00:20:30,297 --> 00:20:31,464 OOH, WOW. 377 00:20:31,498 --> 00:20:32,932 THAT'S FANTASTIC, DIETER. 378 00:20:32,965 --> 00:20:34,467 HEY, THIS IS NOTHING. 379 00:20:34,501 --> 00:20:36,769 WAIT TILL YOU SEE WHAT I DID 380 00:20:36,803 --> 00:20:39,339 WITH WASHINGTON'S MONUMENT. 381 00:20:40,973 --> 00:20:42,675 TOODLE-OO, BUBBY. 382 00:20:42,709 --> 00:20:44,311 SEE YA. 383 00:20:57,824 --> 00:21:00,727 JEAN STARR. 384 00:21:12,038 --> 00:21:12,839 NO. 385 00:21:12,872 --> 00:21:14,441 OH, NO, NO, NO, 386 00:21:14,474 --> 00:21:15,842 NO, NO, NO, NO, 387 00:21:15,875 --> 00:21:16,943 NO, NO, NO. DAMN. 388 00:21:16,976 --> 00:21:19,446 HEY, BABY, JEAN STARR'S WHO YOU GOT. 389 00:21:19,479 --> 00:21:22,715 TO BE HERE TO ANSWER THE PHONE, MAYBE I'M NOT. 390 00:21:22,749 --> 00:21:24,817 I WOULD HAVE TRIED TO STICK AROUND 391 00:21:24,851 --> 00:21:26,118 IF I'D KNOWN I WAS SOUGHT. 392 00:21:26,152 --> 00:21:29,422 SO PLEASE LEAVE A MESSAGE AFTER THIS THOUGHT. 393 00:21:29,456 --> 00:21:30,089 [BEEP] 394 00:21:30,122 --> 00:21:31,424 HEY, GREAT OUTGOING MESSAGE. 395 00:21:31,458 --> 00:21:33,960 MY NAME IS JACK HART. I'M A PHOTOGRAPHER. 396 00:21:33,993 --> 00:21:36,963 AND, WELL, I SAW SOME OF YOUR WORK RECENTLY. 397 00:21:36,996 --> 00:21:39,466 I WAS WONDERING IF YOU'D DO SOME MODELING 398 00:21:39,499 --> 00:21:40,733 OVER THE WEEKEND FOR ME. 399 00:21:40,767 --> 00:21:43,035 I'M WORKING ON A PHOTO ESSAY-- 400 00:21:43,069 --> 00:21:44,036 JACK, LUNCH? 401 00:21:44,070 --> 00:21:44,704 LUNCH, YEAH. 402 00:21:44,737 --> 00:21:46,539 TITLED A WOMAN'S PLACE, 403 00:21:46,573 --> 00:21:48,040 AND WHAT CAN I SAY? 404 00:21:48,074 --> 00:21:51,511 I THINK YOU'D BE PERFECT FOR THE PIECE. 405 00:21:51,544 --> 00:21:55,348 MY NUMBER IS 555-0493. 406 00:21:55,648 --> 00:21:57,850 WELL, I FINALLY MAKE IT INTO HIS OFFICE, 407 00:21:57,884 --> 00:21:59,118 HE OPENS UP MY PORTFOLIO, 408 00:21:59,151 --> 00:22:00,953 LOOKS AT IT FOR ALL OF 30 SECONDS, 409 00:22:00,987 --> 00:22:04,457 ZIPS IT UP, AND SAYS IN THAT TINY VOICE OF HIS, 410 00:22:04,491 --> 00:22:08,027 "THESE WERE SHOT A FRACTION OF A SECOND TOO LATE." 411 00:22:08,060 --> 00:22:09,429 OUCH. 412 00:22:09,462 --> 00:22:10,363 YOU KIDDING. 413 00:22:10,397 --> 00:22:13,500 NO, MAN. DEAD SERIOUS. 414 00:22:17,637 --> 00:22:18,938 HOW WOULD YOU LIKE TO DO 415 00:22:18,971 --> 00:22:21,941 SOME FREELANCE WORK FOR THE TRIBUNE? 416 00:22:21,974 --> 00:22:23,576 YES. YES, THAT WOULD BE GREAT 417 00:22:23,610 --> 00:22:27,580 AS LONG AS IT DOESN'T INTERFERE WITH MY CURRENT JOB. 418 00:22:27,614 --> 00:22:30,417 HEY, YOU'RE AMONGST FRIENDS HERE, JACK. 419 00:22:30,450 --> 00:22:31,751 WHAT ARE WE TALKING ABOUT? 420 00:22:31,784 --> 00:22:35,622 I WANT YOU TO BE STRAIGHT WITH ME, JACK. 421 00:22:35,655 --> 00:22:38,357 IS IT STARTING AGAIN? 422 00:22:38,925 --> 00:22:40,159 IS WHAT STARTING AGAIN? 423 00:22:40,192 --> 00:22:41,861 YOU KNOW, THE WHOLE SYNDROME-- 424 00:22:41,894 --> 00:22:43,029 I PRESSURE YOU A LITTLE, 425 00:22:43,062 --> 00:22:44,997 YOU DANGLE ANOTHER WOMAN IN MY FACE, 426 00:22:45,031 --> 00:22:47,800 I GET ANGRY, YOU CALL ME A JEALOUS BITCH. 427 00:22:47,834 --> 00:22:48,768 WHERE IS THIS COMING FROM? 428 00:22:48,801 --> 00:22:52,572 I WANT YOU TO KNOW I CAN PLAY THAT GAME, TOO. 429 00:22:52,605 --> 00:22:55,542 I WILL NOT GO THROUGH IT WITH YOU AGAIN. 430 00:22:55,575 --> 00:22:57,043 WHO'S ASKING YOU TO? 431 00:22:57,076 --> 00:22:58,044 JEAN CALLED. 432 00:22:58,077 --> 00:22:59,746 OH, MY GOD. 433 00:22:59,779 --> 00:23:01,481 HONEY, LOOK, SHE'S A MODEL 434 00:23:01,514 --> 00:23:04,451 I WAS THINKING OF USING FOR A PHOTO CONTEST 435 00:23:04,484 --> 00:23:05,685 WE'RE HAVING AT WORK. 436 00:23:05,718 --> 00:23:07,954 A PHOTO CONTEST AT WORK. 437 00:23:07,987 --> 00:23:08,721 MM-HMM. 438 00:23:08,755 --> 00:23:10,590 WHAT'S THIS ABOUT A WOMAN'S PLACE? 439 00:23:10,623 --> 00:23:13,059 THAT'S THE THEME OF THE CONTEST. 440 00:23:13,092 --> 00:23:16,463 DON'T LOOK AT ME. I DIDN'T MAKE IT UP. 441 00:23:16,496 --> 00:23:17,730 SHE DIDN'T SAY ANYTHING 442 00:23:17,764 --> 00:23:19,799 ABOUT ANY PHOTO CONTEST, JACK. 443 00:23:19,832 --> 00:23:21,634 WELL, I DIDN'T TELL HER. 444 00:23:21,668 --> 00:23:24,671 I DIDN'T WANT TO SCARE HER OFF. 445 00:23:24,704 --> 00:23:26,739 I WISH YOU WORRIED THAT MUCH 446 00:23:26,773 --> 00:23:27,674 ABOUT SCARING ME OFF. 447 00:23:27,707 --> 00:23:30,543 LOOK, JACK, I'M GOING TO THE MOVIES, O.K.? 448 00:23:30,577 --> 00:23:33,813 HER ADDRESS IS BY THE PHONE IN MY OFFICE. 449 00:23:33,846 --> 00:23:35,715 SHE WANTED ME TO TELL YOU 450 00:23:35,748 --> 00:23:37,784 SHE'LL BE HOME ALL DAY TOMORROW, 451 00:23:37,817 --> 00:23:39,586 AND YOU CAN DROP BY ANYTIME. 452 00:23:39,619 --> 00:23:44,123 WHAT DO I HAVE TO DO TO MAKE YOU TRUST ME? 453 00:23:44,156 --> 00:23:46,559 HONEY, YOU KNOW IT'S NOT HERE. 454 00:23:46,593 --> 00:23:47,694 THEN GO AND GET IT. 455 00:23:47,727 --> 00:23:50,597 IT'S AT WORK. I CAN'T GET IT TILL MONDAY. 456 00:23:50,630 --> 00:23:52,164 THEN CALL HER AND CANCEL. 457 00:23:52,198 --> 00:23:56,068 COME ON, BABY. WE CAN'T FUNCTION THAT WAY. 458 00:23:56,102 --> 00:23:57,637 O.K. 459 00:23:58,037 --> 00:23:58,938 WAIT RIGHT HERE. 460 00:23:58,971 --> 00:24:02,174 OH, GOD. I DON'T HAVE TIME FOR THIS, JACK. 461 00:24:02,208 --> 00:24:04,877 THE MOVIE STARTS IN 15 MINUTES. 462 00:24:04,911 --> 00:24:07,179 [SHUFFLING THROUGH CABINETS] 463 00:24:08,114 --> 00:24:10,449 WHAT? 464 00:24:11,984 --> 00:24:14,754 WHAT ARE YOU DOING? 465 00:24:17,724 --> 00:24:21,460 WILL YOU BE MY MRS. HART? 466 00:24:23,930 --> 00:24:26,799 NO MORE GAMES? 467 00:24:27,534 --> 00:24:28,601 WE'RE REALLY ENGAGED? 468 00:24:28,635 --> 00:24:31,671 YOU BRING THE RING HOME ON MONDAY? 469 00:24:31,704 --> 00:24:34,907 CROSS MY HEART. 470 00:24:35,174 --> 00:24:38,778 AND I HOPE TO KISS YOU TO DEATH. 471 00:24:41,981 --> 00:24:44,183 THAT'S A GOOD KISSER. 472 00:24:47,319 --> 00:24:49,288 O.K., 4136. THIS IS IT. 473 00:24:49,321 --> 00:24:51,290 JACK, LOOK AT THIS PLACE. 474 00:24:51,323 --> 00:24:54,594 SHE WOULDN'T LIVE IN A PLACE LIKE THIS. 475 00:24:54,627 --> 00:24:55,895 NO, THIS IS IT. 476 00:24:55,928 --> 00:24:56,896 WHAT MAKES YOU SAY THAT? 477 00:24:56,929 --> 00:24:59,699 THAT GARAGE. I'VE SEEN IT BEFORE IN A PICTURE. 478 00:24:59,732 --> 00:25:02,535 YOU STILL WANT TO SET UP THE SHOTS? 479 00:25:02,569 --> 00:25:03,670 YOU STILL WANT ME TO? 480 00:25:03,703 --> 00:25:06,272 YOU'RE THE ONE WITH ALL THE GOOD IDEAS 481 00:25:06,305 --> 00:25:07,774 ABOUT A WOMAN'S PLACE. 482 00:25:07,807 --> 00:25:11,177 YOU ONLY LIKE ME FOR MY BRAIN. 483 00:25:14,814 --> 00:25:18,184 WELL, SOMEBODY'S EXPECTING US. 484 00:25:19,185 --> 00:25:21,187 HELLO! 485 00:25:25,291 --> 00:25:28,795 WOW. CHECK OUT THIS MIRROR. 486 00:25:34,734 --> 00:25:36,836 JACK, THERE ARE HAND-PAINTED MURALS 487 00:25:36,869 --> 00:25:38,805 ON THE WALLS IN THIS ROOM, 488 00:25:38,838 --> 00:25:41,774 AND IN THE DINING ROOM, TOO. 489 00:25:55,822 --> 00:25:57,189 WOW. 490 00:25:57,657 --> 00:26:00,192 [SHOWER RUNNING] 491 00:26:14,073 --> 00:26:17,076 JACK, DON'T LOOK. 492 00:26:45,872 --> 00:26:47,807 I TRIED CALLING YOU AT WORK, 493 00:26:47,840 --> 00:26:49,776 BUT YOU HAD ALREADY GONE HOME. 494 00:26:49,809 --> 00:26:53,212 SO THEY GAVE ME YOUR HOME NUMBER. 495 00:26:53,946 --> 00:26:56,048 YOU WORK FOR THE COPS, HUH? 496 00:26:56,082 --> 00:26:56,983 AS A PHOTOGRAPHER. 497 00:26:57,016 --> 00:27:00,653 IT'S A TEMPORARY THING JUST TO PAY THE BILLS. 498 00:27:00,687 --> 00:27:01,921 I GUESS I'M LUCKY. 499 00:27:01,954 --> 00:27:03,723 I HAVE A HUSBAND TO DO THAT. 500 00:27:03,756 --> 00:27:05,424 YOU KNOW, THIS IS FASCINATING WORK. 501 00:27:05,457 --> 00:27:09,128 I DIDN'T KNOW YOU WERE A PHOTOGRAPHER, TOO. 502 00:27:09,328 --> 00:27:11,263 IT'S ALL I'VE EVER BEEN. 503 00:27:11,297 --> 00:27:13,032 WHAT ABOUT YOUR MODELING? 504 00:27:13,065 --> 00:27:15,401 WELL, I SHOT MYSELF FOR THESE, 505 00:27:15,434 --> 00:27:16,903 BUT OTHER THAN THAT, 506 00:27:16,936 --> 00:27:18,771 THIS WILL BE THE FIRST TIME 507 00:27:18,805 --> 00:27:21,808 THAT I'VE EVER POSED FOR SOMEBODY. 508 00:27:22,374 --> 00:27:24,911 SO YOU SHOT YOU IN THE WHITE DRESS? 509 00:27:24,944 --> 00:27:27,446 I DON'T THINK I'VE EVER TAKEN A SHOT 510 00:27:27,479 --> 00:27:29,315 IN A WHITE DRESS. 511 00:27:29,348 --> 00:27:31,650 I ONLY DO NUDES. 512 00:27:32,484 --> 00:27:33,953 NO, NO. I SAW THEM. 513 00:27:33,986 --> 00:27:35,187 THEY WERE IN AN ENVELOPE 514 00:27:35,221 --> 00:27:37,156 WITH YOUR NAME AND PHONE NUMBER, 515 00:27:37,189 --> 00:27:39,025 BUT SOMEBODY HADN'T FIXED THEM RIGHT. 516 00:27:39,058 --> 00:27:42,428 WHEN THEY HIT THE LIGHT, THEY TURNED BLACK. 517 00:27:44,163 --> 00:27:46,365 OH, THOSE. 518 00:27:46,398 --> 00:27:48,701 YOU'RE GOING WAY BACK. 519 00:27:48,735 --> 00:27:51,838 THEY'RE FROM WHEN I WAS JUST STARTING. 520 00:27:51,871 --> 00:27:54,006 I FORGOT ABOUT THEM. 521 00:27:55,174 --> 00:27:56,242 STARR... 522 00:27:56,275 --> 00:27:58,444 IS THAT YOUR HUSBAND'S NAME? 523 00:27:58,477 --> 00:28:02,715 NO, IT'S MY PROFESSIONAL NAME. 524 00:28:03,349 --> 00:28:08,020 SO...WHAT DID YOU HAVE IN MIND, JACK? 525 00:28:08,054 --> 00:28:09,288 A WOMAN'S PLACE? 526 00:28:09,321 --> 00:28:11,257 A WOMAN'S PLACE, YOU KNOW, 527 00:28:11,290 --> 00:28:13,492 IT'S JUST A DEPARTURE POINT. 528 00:28:13,525 --> 00:28:15,361 IT'S A, UH... 529 00:28:15,394 --> 00:28:16,996 AHEM. 530 00:28:17,029 --> 00:28:19,899 IT'S A PLACE TO BEGIN, 531 00:28:19,932 --> 00:28:22,068 TO START WITH. 532 00:28:22,101 --> 00:28:24,136 WE HAD ALL KINDS OF IDEAS, 533 00:28:24,170 --> 00:28:25,471 BUT WE SAW THIS HOUSE, 534 00:28:25,504 --> 00:28:27,506 AND IT JUST BLEW US AWAY. 535 00:28:27,539 --> 00:28:30,977 SO, UM... WE THOUGHT MAYBE... 536 00:28:32,178 --> 00:28:33,780 JACK. 537 00:28:33,813 --> 00:28:36,816 SO WHAT'S THE STORY BEHIND THIS PLACE? 538 00:28:36,849 --> 00:28:37,950 THE STORY? 539 00:28:37,984 --> 00:28:43,322 MM-HMM. HOW DID YOU COME TO LIVE HERE AND EVERYTHING? 540 00:28:43,355 --> 00:28:47,093 I DON'T LIVE HERE, REALLY. 541 00:28:47,126 --> 00:28:50,429 I STAY HERE SOMETIMES WHEN I'M IN TOWN. 542 00:28:50,462 --> 00:28:52,865 I INHERITED THE PLACE FROM MY MOTHER 543 00:28:52,899 --> 00:28:54,200 WHEN SHE PASSED AWAY. 544 00:28:54,233 --> 00:28:56,368 OH, I'M SORRY. 545 00:28:56,402 --> 00:28:57,937 DON'T BE. 546 00:28:57,970 --> 00:29:01,073 NOTHING REALLY DIES, JACK. 547 00:29:04,476 --> 00:29:06,112 SO WOULD YOU MIND 548 00:29:06,145 --> 00:29:09,215 IF WE TOOK A FEW SHOTS AROUND HERE? 549 00:29:09,248 --> 00:29:12,451 WHATEVER YOU WANT. I'M HERE FOR YOU. 550 00:29:12,484 --> 00:29:16,188 COULDN'T ASK FOR MORE THAN THAT. 551 00:29:16,222 --> 00:29:17,957 GREAT. 552 00:29:21,493 --> 00:29:24,230 WHAT IS THIS ALL SUPPOSED TO MEAN, ANYWAY? 553 00:29:24,263 --> 00:29:29,201 FROM THE MOMENT THE BRIDE LIES BACK ON THE MARRIAGE BED 554 00:29:29,235 --> 00:29:32,805 TO PERFORM HER CARNAL DUTY TO CONCEIVE A CHILD, 555 00:29:32,839 --> 00:29:37,143 SHE TAKES HER PLACE AMONG THE PORTRAITS OF HER ANCESTORS. 556 00:29:37,176 --> 00:29:40,246 AFTER SHE'S PERFORMED THIS VITAL FUNCTION, 557 00:29:40,279 --> 00:29:43,950 SHE'S NO LONGER PART OF THE PRESENT 558 00:29:43,983 --> 00:29:45,151 OR THE FUTURE... 559 00:29:45,184 --> 00:29:45,952 OH, MY GOD. 560 00:29:45,985 --> 00:29:48,387 BUT SHE BECOMES A PART OF THE PAST. 561 00:29:48,420 --> 00:29:50,823 I'M ALMOST SORRY I ASKED. 562 00:29:50,857 --> 00:29:52,892 LADIES, I GOT TO TELL YOU. 563 00:29:52,925 --> 00:29:54,894 THIS HAS ALL HAPPENED BEFORE. 564 00:29:54,927 --> 00:29:55,962 THAT'S SO WEIRD. 565 00:29:55,995 --> 00:29:58,564 I WAS JUST THINKING THE SAME THING. 566 00:29:58,597 --> 00:30:00,499 YES. THIS HOUSE, THAT BED, 567 00:30:00,532 --> 00:30:02,334 THOSE PORTRAITS, THE WHITE DRESS, 568 00:30:02,368 --> 00:30:05,838 IT WAS ALL IN THE PHOTOS I SAW OF YOU. 569 00:30:05,872 --> 00:30:08,975 WHAT ARE YOU TALKING ABOUT? 570 00:30:12,378 --> 00:30:13,612 YOU GUYS... 571 00:30:13,645 --> 00:30:17,216 YOU GUYS ARE PLAYING A TRICK ON ME. 572 00:30:17,249 --> 00:30:20,086 ISABEL PUT YOU UP TO THIS, DIDN'T SHE? 573 00:30:20,119 --> 00:30:21,888 ISABEL, VERY CLEVER. HA HA. 574 00:30:21,921 --> 00:30:25,424 FOR JUST A MINUTE, YOU HAD ME THINKING 575 00:30:25,457 --> 00:30:28,227 THAT I SAW THESE... 576 00:30:28,260 --> 00:30:32,098 QUIT FOOLING AROUND, JACK. TAKE THE SHOT. 577 00:30:32,131 --> 00:30:35,201 QUIT FOOLING AROUND, JACK. TAKE THE SHOT. 578 00:30:35,234 --> 00:30:38,404 YEAH, JACK. TAKE THE SHOT. 579 00:30:38,437 --> 00:30:40,239 GOD. 580 00:30:43,375 --> 00:30:46,045 THIS OUGHT TO BE AN INTERESTING JUXTAPOSITION. 581 00:30:46,078 --> 00:30:48,881 THE PERFECT BRIDE TAKING OUT THE GARBAGE. 582 00:30:48,915 --> 00:30:52,518 IF YOU'RE NOT PLAYING A JOKE, THIS IS TOO MUCH. 583 00:30:52,551 --> 00:30:54,887 THIS PHOTOGRAPH HAS ALREADY BEEN TAKEN. 584 00:30:54,921 --> 00:30:56,655 I'VE SEEN IT WITH MY OWN EYES. 585 00:30:56,688 --> 00:30:58,490 THERE WON'T BE ANY SHOT AT ALL 586 00:30:58,524 --> 00:31:01,093 IF YOU'VE GOT THE GARAGE IN THE BACKGROUND. 587 00:31:01,127 --> 00:31:03,963 THE AMERICAN DREAM WORKS GREAT FOR MEN, 588 00:31:03,996 --> 00:31:06,232 BUT THE BRIDE STILL TAKES OUT THE GARBAGE. 589 00:31:06,265 --> 00:31:07,599 DID YOU HEAR WHAT I SAID? 590 00:31:07,633 --> 00:31:10,102 JUST IMAGINE IF A WOMAN HAD TO WEAR 591 00:31:10,136 --> 00:31:12,404 THE DRESS SHE WORE ON HER WEDDING DAY 592 00:31:12,438 --> 00:31:14,606 EVERY SINGLE DAY THE REST OF HER LIFE. 593 00:31:14,640 --> 00:31:19,678 THERE WON'T BE A SHOT IF YOU GOT THE GARAGE IN THE BACKGROUND. 594 00:31:19,711 --> 00:31:21,513 NO! 595 00:31:26,052 --> 00:31:30,656 WAS THAT SOME KIND OF REVERSE PSYCHOLOGY? LOOK WHAT YOU'VE DONE. 596 00:31:30,689 --> 00:31:32,959 YOU'RE THE ONE, JACK, NOT ME. 597 00:31:32,992 --> 00:31:34,626 STAY. STAY RIGHT HERE. 598 00:31:34,660 --> 00:31:37,263 [CRYING] 599 00:31:41,667 --> 00:31:43,269 JEAN? 600 00:31:43,635 --> 00:31:45,404 WHAT'S THE MATTER? 601 00:31:45,437 --> 00:31:48,207 I ASKED YOU NOT TO TAKE THE SHOT. 602 00:31:48,240 --> 00:31:49,441 I BEGGED YOU, 603 00:31:49,475 --> 00:31:51,077 BUT YOU WOULDN'T LISTEN. 604 00:31:51,110 --> 00:31:52,278 YOU JUST WENT AHEAD 605 00:31:52,311 --> 00:31:55,481 AND DID EXACTLY WHAT SHE WANTED. 606 00:31:55,514 --> 00:31:57,716 AW, JEAN, COME ON. 607 00:31:57,749 --> 00:32:02,454 MY FATHER COMMITTED SUICIDE IN THAT GARAGE. 608 00:32:02,488 --> 00:32:05,524 OH, MY GOD. 609 00:32:05,557 --> 00:32:08,127 I'M SO SORRY. 610 00:32:08,160 --> 00:32:09,261 WHEN I WAS 9, 611 00:32:09,295 --> 00:32:12,598 HE HAD A BAD FIGHT WITH MY MOM. 612 00:32:12,631 --> 00:32:16,735 SO SHE TOOK ME AND MY SISTER TO MY GRANDMA'S 613 00:32:16,768 --> 00:32:18,104 FOR THE DAY. 614 00:32:18,137 --> 00:32:21,407 DADDY WENT OUT TO THE GARAGE 615 00:32:21,440 --> 00:32:24,210 AND STARTED THE ENGINE. 616 00:32:24,243 --> 00:32:25,411 [COUGHING] 617 00:32:25,444 --> 00:32:30,316 BUT SOMETHING MADE HIM CHANGE HIS MIND. 618 00:32:30,349 --> 00:32:35,387 SO HE MADE IT TO THE GARAGE DOOR, 619 00:32:35,421 --> 00:32:39,758 BUT HE FELL ON THE FLOOR 620 00:32:39,791 --> 00:32:43,262 AND CRACKED HIS HEAD OPEN. 621 00:32:44,163 --> 00:32:45,497 OH, JEAN. 622 00:32:45,531 --> 00:32:47,633 WHEN WE GOT HOME, 623 00:32:47,666 --> 00:32:50,769 THERE WAS JUST THAT... 624 00:32:50,802 --> 00:32:54,373 LITTLE TRICKLE OF BLOOD... 625 00:32:54,406 --> 00:32:56,642 DID YOU HEAR WHAT I SAID? 626 00:32:56,675 --> 00:32:58,777 COMING FROM UNDER THAT BIG DOOR. 627 00:32:58,810 --> 00:33:00,546 OH. 628 00:33:01,247 --> 00:33:04,316 OH, JEAN. 629 00:33:39,551 --> 00:33:41,053 MM-HMM. 630 00:33:41,087 --> 00:33:41,987 THAT'S HOW IT'S DONE. 631 00:33:42,020 --> 00:33:45,491 WHAT THE HELL ARE YOU DOING IN HERE, HART? 632 00:33:45,524 --> 00:33:46,658 DO YOU HAVE ANY IDEA 633 00:33:46,692 --> 00:33:49,528 HOW MUCH EACH SHEET OF THAT PAPER COSTS THE DEPARTMENT? 634 00:33:49,561 --> 00:33:52,231 IT'S JUST AN EXPERIMENT FOR THE PHOTO CONTEST. 635 00:33:52,264 --> 00:33:55,301 YOU'LL BE GOING OUT ON A 187, SOLO, 636 00:33:55,334 --> 00:33:57,769 IN APPROXIMATELY 12 MINUTES. 637 00:33:57,803 --> 00:33:58,770 O.K. 638 00:33:58,804 --> 00:34:02,374 I SUGGEST YOU GET YOUR ASS IN GEAR, MR. HART. 639 00:34:02,408 --> 00:34:05,277 GIVE ME A WIDE SHOT. 640 00:34:06,545 --> 00:34:10,149 HOW ABOUT A MEDIUM ON THE PASSENGER DOOR? 641 00:34:11,617 --> 00:34:13,819 GIVE ME ONE FROM RIGHT HERE 642 00:34:13,852 --> 00:34:16,655 WHERE THE GUN WAS, O.K.? 643 00:34:16,688 --> 00:34:19,325 * TAKE A BULLET IN THE BRAIN * 644 00:34:19,358 --> 00:34:23,595 * AWAY GOES TROUBLE DOWN THE DRAIN * 645 00:34:23,629 --> 00:34:24,430 JACK HART... 646 00:34:24,463 --> 00:34:26,198 DETECTIVE FRANK DEACON. 647 00:34:26,232 --> 00:34:27,533 REMEMBER ME? 648 00:34:27,566 --> 00:34:28,600 HOW CAN I FORGET? 649 00:34:28,634 --> 00:34:32,138 HOPE THERE'S NO HARD FEELINGS ABOUT LAST TIME, JACK. 650 00:34:32,171 --> 00:34:33,739 NO, I'M A BIG BOY. 651 00:34:33,772 --> 00:34:36,375 I UNDERSTAND YOUR SITUATION. 652 00:34:36,408 --> 00:34:39,678 YOU KNOW, THESE GUYS GOT LESS THAN 20 BUCKS. 653 00:34:39,711 --> 00:34:41,280 BASTARDS. MAKES YOU WANT TO-- 654 00:34:41,313 --> 00:34:43,282 MAKES YOU WANT TO WHAT, JACK, 655 00:34:43,315 --> 00:34:46,685 BUY A GUN, BECOME A VIGILANTE? 656 00:34:46,918 --> 00:34:47,753 NO. MOVE TO MONTANA. 657 00:34:47,786 --> 00:34:51,523 YOU KNOW, LIFE'S A VICIOUS CIRCLE, JACK. 658 00:34:51,557 --> 00:34:52,658 I BET GOOD MONEY 659 00:34:52,691 --> 00:34:55,261 THAT THE TRIGGER MAN IN THIS DEAL 660 00:34:55,294 --> 00:34:57,163 SERVED A STINT IN GLADIATOR SCHOOL, 661 00:34:57,196 --> 00:34:58,897 LEARNED A FEW THINGS FROM HIS CLASSMATES, 662 00:34:58,930 --> 00:35:02,434 CAME OUT PROMISING HIMSELF THAT ON THE NEXT JOB 663 00:35:02,468 --> 00:35:04,136 HE'D LEAVE NO WITNESSES. 664 00:35:04,170 --> 00:35:05,337 NO WITS, NO CRIME. 665 00:35:05,371 --> 00:35:07,339 I TAKE IT YOU DON'T BELIEVE 666 00:35:07,373 --> 00:35:09,175 IN REHABILITATION, DETECTIVE. 667 00:35:09,208 --> 00:35:10,676 CALL ME FRANK. 668 00:35:10,709 --> 00:35:11,710 YOU TAKE IT RIGHT. 669 00:35:11,743 --> 00:35:15,281 THESE GUYS DON'T GIVE A DAMN IF THEY GET CAUGHT. 670 00:35:15,314 --> 00:35:17,449 WHAT'S THE WORSE THAT CAN HAPPEN? 671 00:35:17,483 --> 00:35:18,450 THEY GO BACK TO PRISON 672 00:35:18,484 --> 00:35:20,652 WHERE THEY CAN HANG WITH THEIR HOMEBOYS, RIGHT? 673 00:35:20,686 --> 00:35:22,654 YOU THINK PRISON'S A DETERRENT? HA! 674 00:35:22,688 --> 00:35:24,890 MOST OF THESE GUYS LIKE IT INSIDE-- 675 00:35:24,923 --> 00:35:28,527 THREE SQUARES A DAY, BASKETBALL, WEIGHTLIFTING, 676 00:35:28,560 --> 00:35:29,595 COLOR TELEVISION. 677 00:35:29,628 --> 00:35:32,764 SO WHAT'S THE SOLUTION, FRANK? 678 00:35:34,733 --> 00:35:36,568 POW. 679 00:35:51,517 --> 00:35:54,820 HI, HONEY. JUST LET ME FINISH THIS PARAGRAPH. 680 00:35:54,853 --> 00:35:57,723 I'M TOTALLY IN A GROOVE. 681 00:36:06,965 --> 00:36:10,569 [TELEPHONE RINGS] 682 00:36:13,305 --> 00:36:16,442 [RING] 683 00:36:18,310 --> 00:36:18,910 HELLO. 684 00:36:18,944 --> 00:36:20,279 JACK, THIS IS JEAN. 685 00:36:20,312 --> 00:36:22,981 I JUST WANTED TO CALL AND APOLOGIZE 686 00:36:23,014 --> 00:36:23,815 FOR SATURDAY. 687 00:36:23,849 --> 00:36:26,585 THAT'S O.K. YOU DON'T HAVE TO EXPLAIN. 688 00:36:26,618 --> 00:36:27,686 I UNDERSTAND. 689 00:36:27,719 --> 00:36:28,620 DO YOU? 690 00:36:28,654 --> 00:36:29,688 YEAH, SURE. 691 00:36:29,721 --> 00:36:30,456 REALLY? 692 00:36:30,489 --> 00:36:32,491 JACK, SOMETHING IS UNSPOKEN HERE, 693 00:36:32,524 --> 00:36:35,694 AND I THINK WE SHOULD GET TOGETHER AND TALK. 694 00:36:35,727 --> 00:36:38,964 WELL, TALK AWAY. I'M LISTENING. 695 00:36:38,997 --> 00:36:42,534 O.K. REMEMBER WHAT YOU SAID AT MY HOUSE 696 00:36:42,568 --> 00:36:43,635 ABOUT HOW IT FELT 697 00:36:43,669 --> 00:36:46,272 LIKE EVERYTHING HAD HAPPENED BEFORE? 698 00:36:46,305 --> 00:36:46,838 YEAH. 699 00:36:46,872 --> 00:36:48,940 WELL, YOU WERE RIGHT, 700 00:36:48,974 --> 00:36:50,676 AND I CAN EXPLAIN. 701 00:36:50,709 --> 00:36:52,744 WELL, EXPLAIN AWAY. I'M LISTENING. 702 00:36:52,778 --> 00:36:54,946 NO. IT'S GOT TO BE IN PERSON, 703 00:36:54,980 --> 00:36:58,016 AWAY FROM HER, AND BRING THE PHOTOGRAPHS. 704 00:36:58,049 --> 00:36:59,718 [DIAL TONE] 705 00:37:00,752 --> 00:37:02,721 OH, MY. 706 00:37:17,969 --> 00:37:20,706 HONEY, HONEY, HONEY. THE PHOTO LAB JUST CALLED, 707 00:37:20,739 --> 00:37:22,841 AND THERE'S BEEN A BIG ACCIDENT. 708 00:37:22,874 --> 00:37:24,710 THEY WANT ME TO COME IN. 709 00:37:24,743 --> 00:37:27,846 I'LL SEE YOU WHEN YOU GET HOME. 710 00:37:50,101 --> 00:37:53,739 [RATTLING] 711 00:38:28,574 --> 00:38:30,041 [CAMERA SNAPS] 712 00:38:47,626 --> 00:38:49,428 AHEM. 713 00:38:50,629 --> 00:38:51,897 WHAT ARE YOU DOING, 714 00:38:51,930 --> 00:38:54,132 TRYING TO KILL YOURSELF? 715 00:38:54,165 --> 00:38:56,735 SHH. 716 00:38:56,935 --> 00:38:59,805 DO YOU HEAR IT, JACK? 717 00:39:01,607 --> 00:39:03,509 HEAR WHAT? 718 00:39:03,542 --> 00:39:06,712 SOMEWHERE WAY IN THE VERY BACK OF YOUR HEAD, 719 00:39:06,745 --> 00:39:09,615 ISN'T THERE A TINY LITTLE VOICE 720 00:39:09,648 --> 00:39:12,484 TALKING TO YOU RIGHT NOW? 721 00:39:13,519 --> 00:39:16,522 A TINY LITTLE VOICE THAT KEEPS SAYING, 722 00:39:16,555 --> 00:39:17,456 "SHE'S PERFECT FOR ME. 723 00:39:17,489 --> 00:39:20,726 "SHE'S THE ANSWER TO MY DREAMS AND PRAYERS. 724 00:39:20,759 --> 00:39:25,030 SHE COULD BE EVERY WOMAN TO ME." 725 00:39:27,733 --> 00:39:30,101 THE ONLY TINY LITTLE VOICE I HEAR 726 00:39:30,135 --> 00:39:32,838 IS THE ONE THAT KEEPS ASKING ME 727 00:39:32,871 --> 00:39:35,006 WHERE YOUR OLD MAN IS. 728 00:39:35,040 --> 00:39:36,508 SAN FRANCISCO. 729 00:39:36,542 --> 00:39:38,510 THAT'S WHERE HE LIVES, 730 00:39:38,544 --> 00:39:39,711 WHERE WE LIVE. 731 00:39:39,745 --> 00:39:43,582 I COME AND GO AS I PLEASE. 732 00:39:43,615 --> 00:39:44,983 HOW CONVENIENT. 733 00:39:45,016 --> 00:39:47,786 THAT'S EXACTLY WHAT IT IS, JACK. 734 00:39:47,819 --> 00:39:50,889 NOTHING MORE, NOTHING LESS. 735 00:39:50,922 --> 00:39:52,991 THEN, UH... 736 00:39:53,024 --> 00:39:55,727 WHY DO YOU STAY? 737 00:39:56,795 --> 00:40:00,131 WHY DO YOU STAY WITH ISABEL? 738 00:40:01,800 --> 00:40:03,535 WHY? 739 00:40:03,835 --> 00:40:06,772 YOU WANT TO SEE MY DARKROOM? 740 00:40:06,805 --> 00:40:08,940 I BUILT IT MYSELF. 741 00:40:09,608 --> 00:40:11,076 I MIGHT AS WELL. 742 00:40:11,109 --> 00:40:11,943 I MEAN... 743 00:40:11,977 --> 00:40:14,746 AS LONG AS I'M HERE. 744 00:40:23,489 --> 00:40:24,389 HEY, PRETTY NICE. 745 00:40:24,422 --> 00:40:27,158 IS THIS WHERE YOU PRINTED THOSE SHOTS OF YOU 746 00:40:27,192 --> 00:40:29,728 I FOUND AT WORK IN MY LOCKER? 747 00:40:29,761 --> 00:40:32,731 I DIDN'T TAKE THOSE SHOTS, JACK. 748 00:40:32,764 --> 00:40:33,465 YOU DID. 749 00:40:33,499 --> 00:40:35,734 WAIT A MINUTE. YOU SAID BEFORE-- 750 00:40:35,767 --> 00:40:36,702 I LIED. 751 00:40:36,735 --> 00:40:37,435 YOU LIED? 752 00:40:37,469 --> 00:40:39,738 I LIED BECAUSE ISABEL WAS AROUND, 753 00:40:39,771 --> 00:40:41,940 AND SHE WOULD NEVER UNDERSTAND. 754 00:40:41,973 --> 00:40:44,175 UNDERSTAND WHAT, JEAN? 755 00:40:45,511 --> 00:40:47,513 THAT YOU SAW THE FUTURE 756 00:40:47,546 --> 00:40:48,647 IN THOSE PHOTOGRAPHS. 757 00:40:48,680 --> 00:40:53,184 IT WAS DESTINY BRINGING US TOGETHER. 758 00:40:54,119 --> 00:40:54,886 EXCUSE ME. 759 00:40:54,920 --> 00:40:58,757 FOR A SECOND I THINK I FORGOT, BUT... 760 00:40:59,290 --> 00:41:00,726 JUST EXACTLY WHAT UNIVERSE 761 00:41:00,759 --> 00:41:02,861 ARE WE TALKING ABOUT HERE, JEAN? 762 00:41:02,894 --> 00:41:04,596 IF YOU DON'T BELIEVE ME, 763 00:41:04,630 --> 00:41:05,831 WHY ARE YOU HERE? 764 00:41:05,864 --> 00:41:08,767 WHY DON'T YOU JUST LEAVE? 765 00:41:21,813 --> 00:41:24,716 YOU REALLY LOVED ME ONCE, JACK. 766 00:41:24,750 --> 00:41:27,118 [COUGHING] 767 00:41:27,152 --> 00:41:28,887 EXCUSE ME? 768 00:41:28,920 --> 00:41:31,189 YOU DID, AND YOU KNOW IT. 769 00:41:31,222 --> 00:41:36,061 YOU FELT IT THE MOMENT YOU LAID EYES ON ME... 770 00:41:36,094 --> 00:41:37,863 WE BOTH DID. 771 00:41:37,896 --> 00:41:43,769 SOMETHING OLD, STRONG, AND DEEP. 772 00:41:44,235 --> 00:41:46,905 NOW YOU CAN HAVE ME BACK... 773 00:41:46,938 --> 00:41:49,074 BUT YOU HAVE TO WANT ME 774 00:41:49,107 --> 00:41:53,178 MORE THAN ANYTHING ELSE IN THIS WORLD. 775 00:42:13,665 --> 00:42:16,802 [GASPING FOR BREATH] 776 00:42:58,176 --> 00:43:01,112 AHH. 777 00:43:04,082 --> 00:43:06,017 OH. 778 00:43:09,320 --> 00:43:12,658 AY YI YI YI YI. 779 00:43:19,364 --> 00:43:21,066 FUCK ME, JACK. 780 00:43:21,099 --> 00:43:24,169 IT WILL ALL COME BACK. 781 00:43:25,704 --> 00:43:27,072 OH. 782 00:43:28,339 --> 00:43:31,943 [UNBUCKLING BELT] 783 00:43:43,822 --> 00:43:46,057 OH. 784 00:43:46,091 --> 00:43:47,192 OH! 785 00:43:47,225 --> 00:43:49,194 OH. 786 00:44:06,077 --> 00:44:08,146 OH, NO, PLEASE. 787 00:44:08,179 --> 00:44:10,081 I'M READY. 788 00:44:18,456 --> 00:44:19,390 OH. 789 00:44:19,424 --> 00:44:21,326 OH. 790 00:44:36,107 --> 00:44:38,209 OH! HO-HO! OH! 791 00:44:38,243 --> 00:44:39,177 AH! 792 00:44:39,210 --> 00:44:40,445 OH! OH! 793 00:44:40,478 --> 00:44:41,346 AAH! OH. 794 00:44:41,379 --> 00:44:42,814 THERE'S SOMEBODY THERE. 795 00:44:42,848 --> 00:44:46,051 I GOT IT. I GOT IT. I GOT IT. 796 00:44:46,084 --> 00:44:49,320 OH, YOU SCARED THE LIVING SHIT OUT OF ME. 797 00:44:49,354 --> 00:44:51,356 YOU'RE A LITTLE JUMPY YOURSELF. 798 00:44:51,389 --> 00:44:53,024 THERE MUST BE A REASON. 799 00:44:53,058 --> 00:44:53,892 YEAH. YOU SCREAMED. 800 00:44:53,925 --> 00:44:57,062 IS THERE SOMETHING YOU'RE NOT TELLING ME? 801 00:44:57,095 --> 00:44:58,864 OH, GET OFF IT. 802 00:44:58,897 --> 00:45:00,799 NO. I HAVEN'T SAID ANYTHING. 803 00:45:00,832 --> 00:45:03,034 BUT IT'S BEEN OVER A WEEK NOW. 804 00:45:03,068 --> 00:45:06,271 YOU STILL HAVEN'T BROUGHT HOME THE RING. 805 00:45:06,304 --> 00:45:07,773 HAVE YOU CHANGED YOUR MIND, 806 00:45:07,806 --> 00:45:09,875 FALLEN IN LOVE WITH SOMEBODY ELSE? 807 00:45:09,908 --> 00:45:13,178 YOU WAKE UP SCREAMING, "THERE'S SOMEONE IN THE ROOM," 808 00:45:13,211 --> 00:45:15,513 AND YOU ASK ME ABOUT ANOTHER WOMAN? 809 00:45:15,546 --> 00:45:18,216 I SHOULD BE ASKING YOU THE SAME THING. 810 00:45:18,249 --> 00:45:20,886 YOU KNOW I COULD NEVER BE UNFAITHFUL. 811 00:45:20,919 --> 00:45:22,053 AND YOU HAVE BEEN UNFAITHFUL. 812 00:45:22,087 --> 00:45:26,324 AND YOU'RE NEVER GOING TO LET ME LIVE THAT DOWN, ARE YOU? 813 00:45:26,357 --> 00:45:28,126 LOOK, IS THERE SOMEBODY ELSE? 814 00:45:28,159 --> 00:45:30,829 'CAUSE I WOULD UNDERSTAND IF THERE WAS. 815 00:45:30,862 --> 00:45:32,530 THINGS HAVE BEEN HARD LATELY. 816 00:45:32,563 --> 00:45:34,900 I'VE BEEN PREOCCUPIED WITH MY WRITING. 817 00:45:34,933 --> 00:45:36,301 YOU'RE FRUSTRATED AT WORK. 818 00:45:36,334 --> 00:45:39,137 NO. IT'S NOT ABOUT THAT. 819 00:45:40,305 --> 00:45:43,108 OH, MY GOD. 820 00:45:43,141 --> 00:45:45,944 I WAS RIGHT. 821 00:45:45,977 --> 00:45:47,045 NO, ISABEL, HONEY. 822 00:45:47,078 --> 00:45:51,149 HONEY, IT'S NOT WHAT YOU THINK, ISABEL. 823 00:45:51,182 --> 00:45:52,183 ISABEL... 824 00:45:52,217 --> 00:45:53,151 HONEY... 825 00:45:53,184 --> 00:45:55,386 NOTHING... 826 00:45:55,420 --> 00:45:57,455 NOTHING HAS HAPPENED. 827 00:45:57,488 --> 00:45:59,390 I MEAN, I--I... 828 00:45:59,424 --> 00:46:02,928 I HAVE BEEN TEMPTED... 829 00:46:02,961 --> 00:46:05,864 BUT NOTHING HAS HAPPENED. 830 00:46:06,164 --> 00:46:07,532 WHO? WHO IS SHE, JACK? 831 00:46:07,565 --> 00:46:09,868 WE'RE NOT GOING TO ACCOMPLISH ANYTHING 832 00:46:09,901 --> 00:46:10,836 BY DISCUSSING THIS, REALLY. 833 00:46:10,869 --> 00:46:13,839 YOU MAKE ME POWERLESS BY WITHHOLDING FROM ME. 834 00:46:13,872 --> 00:46:15,473 YOU'RE DECIDING WHETHER OR NOT 835 00:46:15,506 --> 00:46:18,910 YOU WANT TO BE IN A RELATIONSHIP WITH ME, 836 00:46:18,944 --> 00:46:20,511 AND I DON'T EVEN KNOW IT! 837 00:46:20,545 --> 00:46:24,015 WHY DO YOU ALWAYS HAVE TO BE IN CONTROL? 838 00:46:24,049 --> 00:46:25,450 OH, BABY, COME HERE. 839 00:46:25,483 --> 00:46:27,585 OH, NOW. COME ON. 840 00:46:27,618 --> 00:46:28,453 COME ON. 841 00:46:28,486 --> 00:46:30,455 JUST STOP THIS. 842 00:46:30,488 --> 00:46:32,523 JUST STOP THIS. 843 00:46:32,557 --> 00:46:36,828 DO YOU WANT TO BREAK UP WITH ME, JACK? 844 00:46:36,862 --> 00:46:38,830 AHH. 845 00:46:39,630 --> 00:46:41,967 UM... 846 00:46:48,539 --> 00:46:51,076 I'M NOT SURE. 847 00:46:51,109 --> 00:46:55,513 WELL, IF WE'RE GOING TO BREAK UP, 848 00:46:55,546 --> 00:46:58,516 YOU'RE GOING TO HAVE TO DO IT. 849 00:46:58,549 --> 00:47:01,086 I CAME TO THIS GODFORSAKEN CITY 850 00:47:01,119 --> 00:47:02,287 TO BE WITH YOU. 851 00:47:02,320 --> 00:47:04,555 I BUILT MY LIFE AROUND YOU. 852 00:47:04,589 --> 00:47:09,394 I CANNOT--I WILL NOT BREAK UP WITH YOU. 853 00:47:29,514 --> 00:47:31,082 WHO IS SHE, JACK? 854 00:47:31,116 --> 00:47:32,483 YOU CAN TELL ME. 855 00:47:32,517 --> 00:47:34,986 I WON'T GET MAD. 856 00:47:40,658 --> 00:47:44,162 YOU'RE WRITING A BOOK ABOUT HER. 857 00:47:44,195 --> 00:47:45,363 YOU BASTARD! 858 00:47:45,396 --> 00:47:47,598 HOW LONG HAVE YOU KNOWN HER, 859 00:47:47,632 --> 00:47:49,067 FOR ONE FUCKING SECOND? 860 00:47:49,100 --> 00:47:51,136 JUST AS LONG AS YOU HAVE. 861 00:47:51,169 --> 00:47:54,072 DON'T YOU EVEN GET NEAR ME, FUCKER! 862 00:47:54,105 --> 00:47:57,308 YOU'RE JUST AS OBSESSED WITH HER AS I AM. 863 00:47:57,342 --> 00:47:58,977 I WARNED YOU. I'M LEAVING. 864 00:47:59,010 --> 00:48:03,348 WHEN I GET BACK, I WANT ALL YOUR SHIT OUT OF HERE. 865 00:48:03,381 --> 00:48:07,118 IF YOU'RE HAPPY WITH THAT SPACED-OUT, FUCKING BIMBO, 866 00:48:07,152 --> 00:48:10,221 DON'T EXPECT ME TO BE WAITING PATIENTLY 867 00:48:10,255 --> 00:48:11,689 WHEN YOU FINALLY REALIZE THAT SLUT 868 00:48:11,722 --> 00:48:16,928 CAN'T CARRY ON A SIMPLE FUCKING, LOGICAL CONVERSATION. 869 00:48:22,133 --> 00:48:23,201 OH. 870 00:48:23,234 --> 00:48:26,004 [POUNDING] 871 00:48:41,652 --> 00:48:42,420 DAMN IT. 872 00:48:42,453 --> 00:48:44,555 WHERE THE HELL IS SHE? 873 00:48:44,589 --> 00:48:46,657 GOD DAMN IT. 874 00:49:12,117 --> 00:49:13,218 HE'S YOURS, AL. 875 00:49:13,251 --> 00:49:16,387 GET HIM UNDER CONTROL, GOD DAMN IT! 876 00:49:16,421 --> 00:49:18,189 GOOD MORNING, FRANK. 877 00:49:18,223 --> 00:49:20,091 FUCK YOU. 878 00:49:22,060 --> 00:49:24,262 WHAT'S WRONG WITH HIM? 879 00:49:25,096 --> 00:49:29,134 WHAT CAN YOU TELL ME ABOUT THIS, JACK? 880 00:49:29,534 --> 00:49:31,702 [BRAKES SQUEAL] 881 00:49:36,441 --> 00:49:37,575 CAN'T YOU FUCKING READ? 882 00:49:37,608 --> 00:49:40,511 IT SAYS, "POLICE LINE-- DO NOT CROSS." 883 00:49:40,545 --> 00:49:41,246 NO FUCKING PRESS. 884 00:49:41,279 --> 00:49:43,381 I'M THE POLICE PHOTOGRAPHER, MAN. 885 00:49:43,414 --> 00:49:44,782 WHERE'S YOUR I.D.? 886 00:49:44,815 --> 00:49:45,783 IT'S IN THE CAR. 887 00:49:45,816 --> 00:49:47,518 JACK! HOT DAMN, JACK HART! 888 00:49:47,552 --> 00:49:48,286 SO WE MEET AGAIN. 889 00:49:48,319 --> 00:49:50,621 I DIDN'T TAKE THE PHOTOGRAPH, AL. 890 00:49:50,655 --> 00:49:53,158 DETECTIVE DEACON SEEMS TO THINK OTHERWISE. 891 00:49:53,191 --> 00:49:55,493 DEACON'S GOT A BUG UP HIS ASS. 892 00:49:55,526 --> 00:49:58,163 GO THROUGH MY NEGATIVES. I DIDN'T SHOOT THAT. 893 00:49:58,196 --> 00:50:02,267 LOOK, I'M GOING TO BE STRAIGHT WITH YOU ON THIS. 894 00:50:02,300 --> 00:50:05,503 GOT KIND OF A FUNNY SITUATION HERE. 895 00:50:05,536 --> 00:50:06,271 HOW CAN I HELP? 896 00:50:06,304 --> 00:50:09,340 WE'LL TALK ABOUT THAT IN A MINUTE. 897 00:50:09,374 --> 00:50:11,409 CAN I HELP YOU GENTLEMEN? 898 00:50:11,442 --> 00:50:13,344 I SWEAR TO GOD, AL. 899 00:50:13,378 --> 00:50:16,114 I DID NOT TAKE THAT SHOT. 900 00:50:16,147 --> 00:50:17,215 I'M STILL ON PROBATION. 901 00:50:17,248 --> 00:50:19,584 I'D BE AN IDIOT TO PULL THAT STUNT. 902 00:50:19,617 --> 00:50:22,687 WELL, TO MAKE A LONG STORY SHORT, 903 00:50:22,720 --> 00:50:24,322 ONE THING LED TO ANOTHER, 904 00:50:24,355 --> 00:50:27,125 AND THE GUY RESISTED ARREST. 905 00:50:27,158 --> 00:50:30,295 SOUNDS LIKE AN OPEN AND SHUT CASE TO ME. 906 00:50:30,328 --> 00:50:31,762 EXACTLY, BUT, WELL, YOU SEE... 907 00:50:31,796 --> 00:50:34,599 HERE'S WHERE THE SHIT STARTS GETTING DEEP. 908 00:50:34,632 --> 00:50:38,236 SEE THAT KID UP THERE ON THE STEPS? 909 00:50:38,269 --> 00:50:39,070 MM-HMM. 910 00:50:39,104 --> 00:50:40,071 HE'S NOT THE SUSPECT 911 00:50:40,105 --> 00:50:42,140 THAT WE WERE IN PURSUIT OF. 912 00:50:42,173 --> 00:50:42,973 IT'S AT LEAST POSSIBLE 913 00:50:43,007 --> 00:50:45,376 THIS PHOTOGRAPH COULD HAVE BEEN TAKEN 914 00:50:45,410 --> 00:50:48,213 BY A JOURNALIST OUTSIDE THE POLICE LINE, 915 00:50:48,246 --> 00:50:49,214 BUT A FORENSIC ANALYST 916 00:50:49,247 --> 00:50:52,250 WILL DETERMINE THE DISTANCE THE PHOTOGRAPHER WAS 917 00:50:52,283 --> 00:50:53,251 FROM THE SUBJECT. 918 00:50:53,284 --> 00:50:55,286 IF THE DISTANCE HE DETERMINES 919 00:50:55,320 --> 00:50:56,721 FALLS INSIDE THE POLICE LINE, 920 00:50:56,754 --> 00:50:59,790 THEN WE'VE GOT A LITTLE PROBLEM, HAVEN'T WE? 921 00:50:59,824 --> 00:51:02,127 NOW, IF YOU COULD SEE CLEAR 922 00:51:02,160 --> 00:51:05,730 TO DOWNPLAY THE CORPSE'S YOUTH-- 923 00:51:05,763 --> 00:51:09,534 FRAME OUT HIGH-TOP TENNIE RUNNERS AND BASKETBALL, MAYBE. 924 00:51:09,567 --> 00:51:12,837 NOW, IF YOU COULD JUST SEE YOUR WAY CLEAR 925 00:51:12,870 --> 00:51:14,872 TO DO THAT FOR US, JACK, 926 00:51:14,905 --> 00:51:19,110 WELL, THEN, I'D OWE YOU A BIG ONE. 927 00:51:23,614 --> 00:51:26,117 NO PROBLEM, FRANK. 928 00:51:26,151 --> 00:51:27,685 NO PROBLEM AT ALL. 929 00:51:27,718 --> 00:51:29,220 YOU GOT TO BELIEVE ME. 930 00:51:29,254 --> 00:51:30,121 I'D LOVE TO BELIEVE YOU, 931 00:51:30,155 --> 00:51:33,258 BUT I HAVE TO ASK YOU TO TAKE THE DAY OFF. 932 00:51:33,291 --> 00:51:38,663 WE'LL HAVE THE INFORMATION NECESSARY FOR A DECISION THIS TIME TOMORROW. 933 00:51:38,696 --> 00:51:41,266 YOU BE IN MY OFFICE. 934 00:51:46,304 --> 00:51:49,540 AAH! 935 00:51:49,574 --> 00:51:51,542 SOMEBODY KILLED MY BABY! 936 00:51:51,576 --> 00:51:55,146 SOMEBODY KILLED MY BABY! 937 00:51:55,180 --> 00:51:56,281 NO! AAH! 938 00:51:56,314 --> 00:51:58,816 OH! NO! 939 00:51:58,849 --> 00:52:00,751 GET AWAY! 940 00:52:00,785 --> 00:52:02,653 MY BABY! 941 00:52:02,687 --> 00:52:04,355 OH! 942 00:52:04,389 --> 00:52:06,524 [CLICK] 943 00:52:07,825 --> 00:52:08,893 SHIT! 944 00:52:08,926 --> 00:52:11,762 THAT AIN'T MY BABY! 945 00:52:17,568 --> 00:52:20,505 [TELEPHONE RINGS] 946 00:52:22,307 --> 00:52:25,443 [RING] 947 00:52:26,711 --> 00:52:27,578 HELLO? 948 00:52:27,612 --> 00:52:28,946 OH, THANK GOD. 949 00:52:28,979 --> 00:52:30,648 JACK, IS THAT YOU? 950 00:52:30,681 --> 00:52:33,951 WHERE HAVE YOU BEEN FOR THE LAST... 951 00:52:33,984 --> 00:52:35,386 TWO WEEKS, JEAN? 952 00:52:35,420 --> 00:52:38,589 OUT OF TOWN ON A JOB, WHY? 953 00:52:38,623 --> 00:52:39,757 WHAT'S WRONG? 954 00:52:39,790 --> 00:52:42,393 I COULDN'T TAKE IT ANYMORE. 955 00:52:42,427 --> 00:52:44,895 I TOLD ISABEL EVERYTHING. 956 00:52:44,929 --> 00:52:46,731 JACK, WHERE ARE YOU? 957 00:52:46,764 --> 00:52:50,535 WOULD YOU LIKE TO COME OVER? 958 00:52:51,336 --> 00:52:53,804 [TIRES SQUEAL] 959 00:53:26,637 --> 00:53:30,408 JACK, THERE'S SOMETHING I HAVE TO TELL YOU. 960 00:53:30,441 --> 00:53:30,975 YES? 961 00:53:31,008 --> 00:53:32,577 I TALKED TO MY HUSBAND. 962 00:53:32,610 --> 00:53:34,011 HE'S COMING TO L.A. TOMORROW. 963 00:53:34,044 --> 00:53:39,950 HE SAYS HE'S TAKING ME BACK TO SAN FRANCISCO WITH HIM. 964 00:53:45,823 --> 00:53:46,657 I REALLY--I REALLY-- 965 00:53:46,691 --> 00:53:49,660 I REALLY DON'T KNOW WHAT'S LEFT TO SAY. 966 00:53:49,694 --> 00:53:54,432 I MEAN, I FELT AS IF I'D BEEN GIVEN ONE LAST CHANCE 967 00:53:54,465 --> 00:53:57,568 TO REALLY AND TRULY LOVE SOMEBODY COMPLETELY, 968 00:53:57,602 --> 00:54:00,571 WITHOUT ANY DOUBTS OR ANY REGRETS. 969 00:54:00,605 --> 00:54:01,339 STOP. 970 00:54:01,372 --> 00:54:02,807 STOP IT. NOW I FEEL-- 971 00:54:02,840 --> 00:54:03,774 DON'T SAY ANYMORE. 972 00:54:03,808 --> 00:54:05,676 YOU'RE BREAKING MY HEART. 973 00:54:05,710 --> 00:54:07,778 [SIGHS] 974 00:54:08,846 --> 00:54:09,614 O.K., LISTEN... 975 00:54:09,647 --> 00:54:12,717 IT WAS FATE THAT BROUGHT US TOGETHER, 976 00:54:12,750 --> 00:54:14,685 I KNOW YOU DON'T BELIEVE THAT, 977 00:54:14,719 --> 00:54:17,422 BUT WHY DON'T WE LET FATE DETERMINE 978 00:54:17,455 --> 00:54:20,325 WHAT HAPPENS TO US NOW? 979 00:54:26,864 --> 00:54:29,266 WHAT ARE WE DOING? 980 00:54:30,735 --> 00:54:32,570 I'LL WRITE 10... 981 00:54:32,603 --> 00:54:34,439 AND YOU WRITE 10. 982 00:54:34,472 --> 00:54:35,606 WE'LL PICK FIVE 983 00:54:35,640 --> 00:54:38,643 AND DO EXACTLY WHAT THEY SAY. 984 00:54:38,676 --> 00:54:40,010 O.K. 985 00:54:40,044 --> 00:54:41,946 O.K. 986 00:55:56,621 --> 00:56:01,025 WE'LL EACH PICK ONE UNTIL WE'VE GOT FIVE. 987 00:56:01,058 --> 00:56:03,360 YOU GO FIRST. 988 00:56:06,531 --> 00:56:08,999 * DA DA DA-TA DA DICKETY DA * 989 00:56:09,033 --> 00:56:10,468 "MAKE LOVE TILL WE PUKE." 990 00:56:10,501 --> 00:56:13,137 [IMITATES CROWD] YAY. 991 00:56:17,642 --> 00:56:21,078 "GET MARRIED BEFORE WE KNOW EACH OTHER"? 992 00:56:21,111 --> 00:56:22,747 GOOD IDEA. 993 00:56:24,882 --> 00:56:27,485 "STAY IN BED FOR A YEAR." 994 00:56:27,518 --> 00:56:30,154 AS THE CROWD GOES WILD. 995 00:56:30,187 --> 00:56:31,756 YES. 996 00:56:36,927 --> 00:56:38,996 "MAKE BABIES"? 997 00:56:39,597 --> 00:56:41,766 IT'LL TAKE PRACTICE. 998 00:56:41,999 --> 00:56:43,734 THESE ARE ALL YOURS. 999 00:56:43,768 --> 00:56:44,735 I KNOW. 1000 00:56:44,769 --> 00:56:46,704 I KNOW. I KNOW. I KNOW. 1001 00:56:46,737 --> 00:56:49,674 O.K., ONE MORE. ONE MORE. 1002 00:56:50,741 --> 00:56:54,712 [IMITATES TRUMPET PLAYING CALL TO POST] 1003 00:56:54,745 --> 00:56:56,146 TA-DA! 1004 00:56:56,180 --> 00:56:57,147 OOH. 1005 00:56:57,181 --> 00:56:59,083 AHH. 1006 00:57:14,632 --> 00:57:16,433 [RING CLATTERS] 1007 00:57:21,071 --> 00:57:22,139 AH--OW. 1008 00:57:22,172 --> 00:57:23,140 AH. 1009 00:57:23,173 --> 00:57:25,643 OW. JACK, DON'T. 1010 00:57:25,676 --> 00:57:26,443 JACK, NO. 1011 00:57:26,477 --> 00:57:30,114 I'LL NEVER GET IT OFF. DON'T. NO. AH. 1012 00:57:30,147 --> 00:57:32,550 OW. 1013 00:57:37,588 --> 00:57:40,558 AS FATE INTENDED IT. 1014 00:57:40,591 --> 00:57:44,629 NOW I CAN NEVER TAKE IT OFF. 1015 00:57:48,533 --> 00:57:51,902 WE'RE ENTERING INTO SOMETHING FAR MORE POWERFUL 1016 00:57:51,936 --> 00:57:54,705 THAN EITHER OF US KNOW. 1017 00:57:54,739 --> 00:57:58,175 IT'S NOT GOING TO BE EASY, JACK. 1018 00:57:58,208 --> 00:58:02,046 THERE WILL BE FORCES WORKING AGAINST US. 1019 00:58:02,079 --> 00:58:03,147 FORCES LIKE... 1020 00:58:03,180 --> 00:58:05,783 WHAT KIND OF FORCES? 1021 00:58:05,816 --> 00:58:06,984 LIKE MY HUSBAND. 1022 00:58:07,017 --> 00:58:11,756 HE TOLD ME ONCE THAT HE WAS SO ATTRACTED TO ME 1023 00:58:11,789 --> 00:58:15,793 THAT HE WOULD FUCK MY DEAD BODY. 1024 00:58:19,997 --> 00:58:23,167 I WOULD, TOO, JEAN. 1025 00:58:26,604 --> 00:58:29,574 [RATTLING] 1026 00:58:35,780 --> 00:58:38,583 AHEM. 1027 00:58:38,616 --> 00:58:39,283 [COUGHING] 1028 00:58:39,316 --> 00:58:40,685 [TOILET FLUSHING] 1029 00:58:40,718 --> 00:58:43,688 [COUGHING] 1030 00:58:43,721 --> 00:58:46,223 COME ON, JEAN. 1031 00:59:00,270 --> 00:59:03,540 [SNORING] 1032 00:59:21,391 --> 00:59:24,128 WHY AREN'T YOU NAKED? 1033 00:59:24,161 --> 00:59:25,295 I'M COLD. 1034 00:59:25,329 --> 00:59:27,197 WHAT? 1035 00:59:27,765 --> 00:59:32,069 JACK, DON'T. LET'S JUST GO TO SLEEP. 1036 00:59:35,840 --> 00:59:37,574 O.K. 1037 00:59:37,908 --> 00:59:40,044 LET'S GO TO SLEEP. 1038 00:59:44,982 --> 00:59:47,852 I'M SORRY. 1039 00:59:48,719 --> 00:59:50,187 IT'S JUST... 1040 00:59:50,220 --> 00:59:52,690 I'VE GOTTEN A--A LITTLE RASH, 1041 00:59:52,723 --> 00:59:57,194 AND I'M AFRAID IT MIGHT BE CONTAGIOUS. 1042 00:59:57,995 --> 01:00:00,197 OH, MY GOD. 1043 01:00:01,666 --> 01:00:05,302 IS THERE ANYTHING YOU WANT TO TELL ME, JEAN? 1044 01:00:05,335 --> 01:00:07,404 NO. IT'S JUST SO WEIRD. 1045 01:00:07,437 --> 01:00:08,272 ALL OF A SUDDEN, 1046 01:00:08,305 --> 01:00:13,944 IT JUST APPEARED ON THE PALM OF MY HAND. 1047 01:00:14,344 --> 01:00:18,949 ON THE PALM OF YOUR HAND? 1048 01:00:20,184 --> 01:00:21,218 YEAH. 1049 01:00:21,251 --> 01:00:25,255 WHAT? YOU DON'T BELIEVE ME? 1050 01:00:29,760 --> 01:00:31,729 AY YI YI. 1051 01:00:31,762 --> 01:00:33,931 OH, HONEY. 1052 01:00:33,964 --> 01:00:37,868 THERE'S A LITTLE BIT OF IT ON MY BACK. 1053 01:00:37,902 --> 01:00:40,004 WELL, LET ME SEE. 1054 01:00:45,943 --> 01:00:48,045 YEESH. OH, BABY. 1055 01:00:48,078 --> 01:00:49,379 OH, MY GOODNESS. 1056 01:00:49,413 --> 01:00:50,715 I'M FREAKED OUT, JACK. 1057 01:00:50,748 --> 01:00:53,684 PLEASE. I'M GOING TO GO TO THE DOCTOR 1058 01:00:53,718 --> 01:00:56,120 FIRST THING TOMORROW MORNING. I PROMISE. 1059 01:00:56,153 --> 01:01:00,691 JUST THINK HOW MUCH BETTER IT WOULD BE 1060 01:01:00,725 --> 01:01:02,827 IF WE WAIT. 1061 01:01:11,268 --> 01:01:15,339 PUT YOUR SOCK BACK ON, BABY. 1062 01:01:23,480 --> 01:01:25,115 GOOD NIGHT, JEAN. 1063 01:01:25,149 --> 01:01:27,051 GOOD NIGHT. 1064 01:01:41,165 --> 01:01:43,834 [GRUMBLING] 1065 01:01:53,143 --> 01:01:55,913 [GRUMBLING] 1066 01:01:59,850 --> 01:02:02,052 [GRUMBLING] 1067 01:02:02,086 --> 01:02:04,221 [SQUISH SQUISH] 1068 01:02:10,560 --> 01:02:13,931 [GRUMBLING] 1069 01:02:34,852 --> 01:02:36,453 AAH![CHOMP] 1070 01:02:36,486 --> 01:02:37,421 AH! AH! 1071 01:02:37,454 --> 01:02:38,388 MAN, MAN! 1072 01:02:38,422 --> 01:02:39,990 MY HAND. OH. 1073 01:02:40,024 --> 01:02:41,391 OH, MY GOD. 1074 01:02:41,425 --> 01:02:43,127 OH, MY GOD. 1075 01:02:43,160 --> 01:02:45,229 OH, MY GOD. 1076 01:03:02,012 --> 01:03:03,814 OH. 1077 01:03:15,192 --> 01:03:17,294 JACK HART? 1078 01:03:18,963 --> 01:03:19,964 WHO'S ASKING? 1079 01:03:19,997 --> 01:03:23,200 PLEASE, I CAN TELL BY THE EXPRESSION ON YOUR FACE 1080 01:03:23,233 --> 01:03:25,069 THAT YOU RECOGNIZED ME IMMEDIATELY. 1081 01:03:25,102 --> 01:03:28,405 I'M NOT HERE TO PLAY MACHO GAMES WITH YOU. 1082 01:03:28,438 --> 01:03:31,375 THEN IT WAS NICE NOT MEETING YOU. 1083 01:03:31,408 --> 01:03:33,343 THERE'S SOMETHING YOU SHOULD KNOW. 1084 01:03:33,377 --> 01:03:36,013 MY WIFE IS A VERY SICK WOMAN. 1085 01:03:36,046 --> 01:03:41,218 SHE'S BEEN IN AND OUT OF MENTAL HOSPITALS HER WHOLE ADULT LIFE. 1086 01:03:41,251 --> 01:03:42,286 I DON'T CARE. 1087 01:03:42,319 --> 01:03:44,955 YOU ARE BY NO MEANS THE FIRST MAN 1088 01:03:44,989 --> 01:03:46,590 SHE'S LATCHED ONTO IN THIS MANNER. 1089 01:03:46,623 --> 01:03:51,461 THE TEMPTATION'S ALMOST OVERWHELMING, ISN'T IT? 1090 01:03:51,495 --> 01:03:52,362 YOU WANT HER SO BADLY, 1091 01:03:52,396 --> 01:03:54,899 YOU'RE WILLING TO OVERLOOK HER FANTASIES, 1092 01:03:54,932 --> 01:03:56,600 PERHAPS EVEN BUY INTO SOME. 1093 01:03:56,633 --> 01:03:57,234 WHAT FANTASIES? 1094 01:03:57,267 --> 01:03:59,103 WHAT ARE YOU TALKING ABOUT? 1095 01:03:59,136 --> 01:04:00,304 WELL, LET ME GUESS. 1096 01:04:00,337 --> 01:04:03,240 YOU WERE LOVERS IN A PAST LIFE, 1097 01:04:03,273 --> 01:04:04,975 SEPARATED BY FATE. 1098 01:04:05,009 --> 01:04:07,177 REUNITED FOR ETERNITY. 1099 01:04:07,211 --> 01:04:09,914 HOW AM I DOING, MR. HART? 1100 01:04:09,947 --> 01:04:11,215 BUT THE PHOTOGRAPHS. 1101 01:04:11,248 --> 01:04:13,417 WHAT ABOUT THE PHOTOGRAPHS? 1102 01:04:13,450 --> 01:04:15,519 OH, THE PHOTOGRAPHS. NOW, LET ME SEE. 1103 01:04:15,552 --> 01:04:18,889 I SUPPOSE YOU RECEIVED THEM IN THE MAIL. 1104 01:04:18,923 --> 01:04:21,591 TWO BITS OF BLANK PHOTOGRAPHIC PAPER 1105 01:04:21,625 --> 01:04:24,528 THAT TURN BLACK ONCE EXPOSED TO THE LIGHT? 1106 01:04:24,561 --> 01:04:27,297 I SAW AN IMAGE. IT WAS OF JEAN. 1107 01:04:27,331 --> 01:04:30,134 YOU SAW WHAT YOU WANTED TO SEE, 1108 01:04:30,167 --> 01:04:33,203 JUST AS YOU SAW WHAT YOU WANTED TO SEE 1109 01:04:33,237 --> 01:04:35,906 WHEN YOU FELL IN LOVE WITH HER. 1110 01:04:35,940 --> 01:04:38,208 IT'S ALL PART OF THE GAME. 1111 01:04:38,242 --> 01:04:41,078 I COMMEND YOU ON YOUR WILLINGNESS 1112 01:04:41,111 --> 01:04:42,913 TO LISTEN TO REASON. 1113 01:04:42,947 --> 01:04:44,114 MOST OF JEAN'S VICTIMS 1114 01:04:44,148 --> 01:04:48,018 PUT UP WITH A CONSIDERABLE AMOUNT OF UNSAVORY RESISTANCE. 1115 01:04:48,052 --> 01:04:51,088 I CAN ONLY WISH YOU LUCK. 1116 01:05:06,103 --> 01:05:07,371 YOU SAY THE PHOTOGRAPHER 1117 01:05:07,404 --> 01:05:09,706 WAS OUTSIDE THE POLICE LINE? 1118 01:05:09,739 --> 01:05:11,108 YES. 1119 01:05:11,141 --> 01:05:13,643 ARE YOU SURE? 1120 01:05:39,169 --> 01:05:40,470 WELL, JACK... 1121 01:05:40,504 --> 01:05:43,307 GOT SOME GOOD NEWS. 1122 01:05:45,142 --> 01:05:48,112 THE CALCULATION OF OUR ANALYST MR. LIEBOVITZ 1123 01:05:48,145 --> 01:05:50,981 PLACES THE PHOTOGRAPHER WHO TOOK THAT SHOT 1124 01:05:51,015 --> 01:05:53,283 THAT APPEARED IN THE TRIBUNE 1125 01:05:53,317 --> 01:05:56,686 WELL OUTSIDE THE POLICE LINE. 1126 01:05:57,687 --> 01:06:01,725 SO THAT PUTS YOU IN THE CLEAR. 1127 01:06:01,758 --> 01:06:06,296 I TRUST THERE'LL BE NO HARD FEELINGS OVER THE INCIDENT? 1128 01:06:06,330 --> 01:06:07,231 NO. 1129 01:06:07,264 --> 01:06:08,232 ALL RIGHT. 1130 01:06:08,265 --> 01:06:11,635 THEN I EXPECT EVERYTHING TO BE BUSINESS AS USUAL 1131 01:06:11,668 --> 01:06:14,038 FROM HERE ON IN. 1132 01:06:15,772 --> 01:06:17,774 SURE. 1133 01:06:17,807 --> 01:06:20,444 ANY QUESTIONS, JACK? 1134 01:06:23,613 --> 01:06:25,682 [DOOR OPENS] 1135 01:06:30,487 --> 01:06:32,322 I FUCKED UP. 1136 01:06:32,356 --> 01:06:36,693 I REALLY AND TRULY FUCKED UP. 1137 01:06:39,463 --> 01:06:41,431 WATCH THIS. 1138 01:06:41,465 --> 01:06:44,401 I'M CLOSING THE DOOR. 1139 01:06:45,602 --> 01:06:47,737 Watch this. 1140 01:06:50,440 --> 01:06:53,277 I'M CLOSING THE BLINDS. 1141 01:07:02,619 --> 01:07:04,554 FORGIVE ME. 1142 01:07:09,626 --> 01:07:11,461 FORGIVE ME. 1143 01:07:17,534 --> 01:07:20,537 HOW CAN I, JACK? 1144 01:07:21,305 --> 01:07:23,407 AHH. 1145 01:07:23,440 --> 01:07:27,144 MARRY ME. MARRY ME. MARRY ME. 1146 01:07:32,549 --> 01:07:33,650 THANK YOU, ISABEL. 1147 01:07:33,683 --> 01:07:35,785 IT'S NOT GOING TO BE EASY, JACK. 1148 01:07:35,819 --> 01:07:39,856 YOU'RE GOING TO HAVE TO TRY HARDER THAN EVER BEFORE. 1149 01:07:39,889 --> 01:07:41,725 I KNOW. AHEM. I WILL. 1150 01:07:41,758 --> 01:07:43,627 YOUR LOVER HAS INVADED MY DREAMS. 1151 01:07:43,660 --> 01:07:46,830 EVERY NIGHT, NO MATTER WHAT I DREAM, 1152 01:07:46,863 --> 01:07:48,532 THERE SHE IS. 1153 01:07:48,565 --> 01:07:49,633 I'M SO SORRY. 1154 01:07:49,666 --> 01:07:52,802 YOU'VE TURNED ME INTO A MURDERER. 1155 01:07:52,836 --> 01:07:53,470 WHAT? 1156 01:07:53,503 --> 01:07:56,406 LAST NIGHT I DREAMT THAT I-- 1157 01:07:56,440 --> 01:07:57,807 I TRACKED HER DOWN. 1158 01:07:57,841 --> 01:07:58,875 I WATCHED HER. 1159 01:07:58,908 --> 01:08:01,811 I WATCHED HER FOR A LONG, LONG TIME. 1160 01:08:01,845 --> 01:08:05,115 I WATCHED HER WASH HER PERFECT WHITE BODY. 1161 01:08:05,149 --> 01:08:09,619 I WATCHED HER WASH HER PERFECT BLOND HAIR. 1162 01:08:09,653 --> 01:08:14,291 I WATCHED HER APPLY HER PERFECT MAKEUP IN THE MIRROR, 1163 01:08:14,324 --> 01:08:20,597 AND, FINALLY, JUST WHEN SHE WAS PUTTING ON THE FINISHING TOUCHES... 1164 01:08:21,931 --> 01:08:22,832 I SNUCK UP. 1165 01:08:22,866 --> 01:08:27,771 I SNUCK UP, AND I BASHED HER PERFECT FACE IN. 1166 01:08:27,804 --> 01:08:29,673 I SMASHED HER PERFECT FACE 1167 01:08:29,706 --> 01:08:32,142 AGAINST THE MIRROR INTO THE BLOOD, 1168 01:08:32,176 --> 01:08:35,712 AND THE SKIN AND THE HAIR AND THE MAKEUP 1169 01:08:35,745 --> 01:08:39,916 WERE ALL A PERFECT MUDDY PULP. 1170 01:08:39,949 --> 01:08:41,618 PERFECT. 1171 01:08:41,918 --> 01:08:44,788 IF YOU KILL SOMEONE IN YOUR DREAM, 1172 01:08:44,821 --> 01:08:46,823 ARE YOU GUILTY OF MURDER? 1173 01:08:46,856 --> 01:08:48,658 NO. 1174 01:08:48,692 --> 01:08:52,262 DON'T YOU THINK YOU WILLFULLY, MORALLY, AND PSYCHOLOGICALLY 1175 01:08:52,296 --> 01:08:55,499 HAVE PROVEN YOUR CAPACITY TO KILL? 1176 01:08:55,532 --> 01:08:59,336 [TELEPHONE RINGS] 1177 01:09:00,737 --> 01:09:02,406 IT'S FOR YOU. 1178 01:09:02,439 --> 01:09:03,407 [RING] 1179 01:09:03,440 --> 01:09:04,708 YEAH. RIGHT. 1180 01:09:04,741 --> 01:09:06,743 SOUP IS GREAT. 1181 01:09:06,776 --> 01:09:10,847 [RING] 1182 01:09:11,615 --> 01:09:13,417 HELLO. HELLO. 1183 01:09:13,450 --> 01:09:14,951 [JEAN] OH, HOW SERENE. 1184 01:09:14,984 --> 01:09:16,286 I WISH I WAS THERE 1185 01:09:16,320 --> 01:09:18,288 TO SEE THE REUNITED LOVERS BEAM. 1186 01:09:18,322 --> 01:09:20,557 I THINK YOU HAVE THE WRONG NUMBER. 1187 01:09:20,590 --> 01:09:23,693 COME HOME, DARLING. ISABEL'S GOING TO-- 1188 01:09:28,432 --> 01:09:30,567 AHEM. 1189 01:09:32,469 --> 01:09:34,371 WRONG NUMBER. 1190 01:09:34,404 --> 01:09:35,672 WHAT DID THEY SAY? 1191 01:09:35,705 --> 01:09:39,209 OH, IT WAS JUST SOME CRAZY WOMAN. 1192 01:09:39,243 --> 01:09:40,277 JEAN? WASN'T IT? 1193 01:09:40,310 --> 01:09:42,646 YOU HAVE A SECRET CODE OR SOMETHING. 1194 01:09:42,679 --> 01:09:45,249 YOU'RE GOING TO RENDEZVOUS WITH HER. 1195 01:09:45,282 --> 01:09:46,583 NO, OF COURSE NOT. 1196 01:09:46,616 --> 01:09:48,618 IT'S WHAT I TOLD YOU. 1197 01:09:48,652 --> 01:09:50,320 IT'S A WRONG NUMBER. 1198 01:09:50,354 --> 01:09:52,289 [TIRES SQUEAL] 1199 01:09:52,322 --> 01:09:54,924 [WHAM] 1200 01:10:00,029 --> 01:10:01,298 JE-JESUS CHRIST. 1201 01:10:01,331 --> 01:10:02,399 WHAT'S GOING ON? 1202 01:10:02,432 --> 01:10:03,367 NOTHING. NOTHING. 1203 01:10:03,400 --> 01:10:04,534 I'M GOING WITH YOU! 1204 01:10:04,568 --> 01:10:06,970 NO. YOU STAY RIGHT HERE. 1205 01:10:07,937 --> 01:10:08,638 OH. [CLEARS THROAT] 1206 01:10:08,672 --> 01:10:11,541 MY, MY, AREN'T WE IN A BIG HURRY? 1207 01:10:11,575 --> 01:10:12,476 I FUCKING KNEW IT. 1208 01:10:12,509 --> 01:10:13,877 WOULD YOU EXCUSE US, PLEASE? 1209 01:10:13,910 --> 01:10:17,614 I NEED TO SPEAK WITH MY FIANCÉ IN PRIVATE? 1210 01:10:17,647 --> 01:10:18,382 OH, MY GOD. 1211 01:10:18,415 --> 01:10:21,651 DON'T YOU THINK I'M IN THIS, TOO? 1212 01:10:21,685 --> 01:10:22,452 VERY WELL. 1213 01:10:22,486 --> 01:10:25,622 WE'VE GOT A LITTLE BUN IN THE OVEN. 1214 01:10:25,655 --> 01:10:26,623 OH, MY GOD. 1215 01:10:26,656 --> 01:10:27,557 BULLSHIT. SHE'S LYING. 1216 01:10:27,591 --> 01:10:30,627 THAT'S JUST SOME BIZARRE ATTEMPT TO TRAP YOU. 1217 01:10:30,660 --> 01:10:31,461 LOOK AT HER! 1218 01:10:31,495 --> 01:10:34,030 IT'S TRUE. I'M NOT ABSOLUTELY SURE YET, 1219 01:10:34,063 --> 01:10:37,301 BUT THE FIRST TEST CAME BACK POSITIVE. 1220 01:10:37,334 --> 01:10:39,836 I'M HAVING ANOTHER ONE IN A WEEK. 1221 01:10:39,869 --> 01:10:42,306 NO, NO. THIS IS TOO MUCH. 1222 01:10:42,339 --> 01:10:43,307 JEAN, JEAN... 1223 01:10:43,340 --> 01:10:46,810 UH, WHAT ARE YOU GOING TO DO IF YOU ARE PREGNANT? 1224 01:10:46,843 --> 01:10:49,546 WHAT DO YOU MEAN? SHE'LL HAVE AN ABORTION. 1225 01:10:49,579 --> 01:10:53,983 ACTUALLY, THAT'S WHAT I WANTED TO TALK TO YOU ABOUT, JACK. 1226 01:10:54,017 --> 01:10:56,353 I FILED FOR A DIVORCE TODAY, 1227 01:10:56,386 --> 01:10:59,789 AND I'M SERIOUSLY THINKING ABOUT HAVING IT. 1228 01:10:59,823 --> 01:11:00,824 OH, MY GOD. 1229 01:11:00,857 --> 01:11:05,295 IF YOU THINK THIS LITTLE RUSE WILL DRIVE ME AWAY, 1230 01:11:05,329 --> 01:11:06,896 YOU'VE GOT ANOTHER THING COMING. 1231 01:11:06,930 --> 01:11:08,298 MAYBE THE THREE OF US 1232 01:11:08,332 --> 01:11:10,434 COULD RAISE IT TOGETHER, ISABEL. 1233 01:11:10,467 --> 01:11:11,468 OH, MY GOD. 1234 01:11:11,501 --> 01:11:12,336 SHE CAN'T. 1235 01:11:12,369 --> 01:11:14,771 JACK, TELL HER SHE CAN'T HAVE YOUR BABY. 1236 01:11:14,804 --> 01:11:18,542 ISABEL, YOU CAN'T TELL SOMEONE TO HAVE AN ABORTION. 1237 01:11:18,575 --> 01:11:22,746 WELL, I HAVE NOTHING AGAINST YOU, ISABEL, 1238 01:11:22,779 --> 01:11:26,015 AND IF JACK CAN'T SEEM TO LIVE WITHOUT YOU, 1239 01:11:26,049 --> 01:11:29,519 THEN I'M WILLING TO WORK SOMETHING OUT. 1240 01:11:29,553 --> 01:11:31,087 YOU'RE INSANE, JEAN. 1241 01:11:31,120 --> 01:11:32,422 HEE HEE. 1242 01:11:32,456 --> 01:11:34,991 IN-FUCKING-SANE. 1243 01:11:35,992 --> 01:11:38,628 JACKIE... 1244 01:11:38,662 --> 01:11:40,697 HON. 1245 01:11:45,669 --> 01:11:48,938 OUR BABY WILL BE THE PUREST EXPRESSION 1246 01:11:48,972 --> 01:11:50,374 OF TWO PEOPLE'S LOVE 1247 01:11:50,407 --> 01:11:52,876 THAT THE WORLD HAS EVER SEEN. 1248 01:11:52,909 --> 01:11:54,578 GET OUT OF MY HOUSE! 1249 01:11:54,611 --> 01:11:58,415 YOU KNOW, I COULD LOVE YOU, TOO, ISABEL. 1250 01:11:58,448 --> 01:12:02,085 FORGET IT! JUST FORGET IT! 1251 01:12:02,919 --> 01:12:06,089 I CAN'T BELIEVE YOU ACTUALLY FUCKED HER. 1252 01:12:06,122 --> 01:12:08,091 SHE'S A COMPLETE SPACESHOT! 1253 01:12:08,124 --> 01:12:09,826 I MADE A MISTAKE. 1254 01:12:09,859 --> 01:12:10,960 A MISTAKE? 1255 01:12:10,994 --> 01:12:14,664 CUTTING YOUR BALLS OFF SHAVING WOULD BE A MISTAKE, TOO. 1256 01:12:14,698 --> 01:12:16,933 YOU MADE A COSMIC BLUNDER. 1257 01:12:16,966 --> 01:12:17,934 O.K., O.K. 1258 01:12:17,967 --> 01:12:21,705 GO TO HER AND TELL HER SHE CAN'T HAVE THAT BABY. 1259 01:12:21,738 --> 01:12:23,707 WHAT AM I SUPPOSED TO DO? 1260 01:12:23,740 --> 01:12:25,074 MAKE HER HAVE AN ABORTION? 1261 01:12:25,108 --> 01:12:26,843 I GUESS YOU'LL JUST HAVE TO. 1262 01:12:26,876 --> 01:12:29,713 IF I ANTAGONIZE HER, WHO KNOWS WHAT SHE'LL DO? 1263 01:12:29,746 --> 01:12:30,680 YOU SAW HER. SHE'S CRAZY. 1264 01:12:30,714 --> 01:12:34,083 SHE'LL--SHE'LL HAVE THE BABY JUST TO SPITE ME. 1265 01:12:34,117 --> 01:12:38,087 IF SHE CAN'T BE PART OF MY LIFE, SHE'LL RUIN IT. 1266 01:12:38,121 --> 01:12:39,656 GOOD. YOU DESERVE IT. 1267 01:12:39,689 --> 01:12:41,758 DO WHAT YOU HAVE TO DO, 1268 01:12:41,791 --> 01:12:45,128 BUT DON'T COME BACK HERE UNTIL YOU'VE DONE IT! 1269 01:12:45,161 --> 01:12:47,096 WHERE'D SHE GET THE RING? 1270 01:12:47,130 --> 01:12:47,797 WHO KNOWS? 1271 01:12:47,831 --> 01:12:49,766 A BOX OF FUCKING CRACKERJACKS. 1272 01:12:49,799 --> 01:12:51,468 THAT WAS YOUR GRANDMA'S RING. 1273 01:12:51,501 --> 01:12:54,003 YOU WERE SUPPOSED TO GIVE THAT RING TO ME. 1274 01:12:54,037 --> 01:12:56,606 THAT RING WAS MINE. IT WAS MINE! 1275 01:12:56,640 --> 01:12:58,975 YOU ARE THE SINGLE MOST SADISTIC... 1276 01:12:59,008 --> 01:13:02,612 THOUGHTLESS ASSHOLE THAT EVER LIVED! 1277 01:13:05,749 --> 01:13:07,484 YOU'VE RUINED MY LIFE, JACK HART. 1278 01:13:07,517 --> 01:13:11,455 I SWEAR TO GOD, IF THERE'S ANY JUSTICE IN THIS WORLD, 1279 01:13:11,488 --> 01:13:15,425 YOU WILL GO TO HELL FOR IT! 1280 01:13:29,839 --> 01:13:31,775 GO TO HELL? 1281 01:13:31,808 --> 01:13:33,710 I'M IN HELL. 1282 01:13:33,743 --> 01:13:35,845 OH, BOY. OH, BOY. 1283 01:13:35,879 --> 01:13:37,514 [SIREN] 1284 01:13:37,547 --> 01:13:40,016 [FOOTSTEPS] 1285 01:13:45,989 --> 01:13:47,724 HEY, HOW'S IT GOING? 1286 01:13:47,757 --> 01:13:48,892 GREAT. 1287 01:13:48,925 --> 01:13:50,627 REALLY GREAT. 1288 01:13:50,660 --> 01:13:53,029 WHAT THE FUCK IS YOUR PROBLEM? 1289 01:14:05,041 --> 01:14:06,075 HI. GOOD MORNING. 1290 01:14:06,109 --> 01:14:08,978 YOU CALLED AND SAID MY WATCH IS READY. 1291 01:14:09,012 --> 01:14:11,781 YEAH. GET IT OUT OF HERE. 1292 01:14:11,815 --> 01:14:12,381 WHAT? 1293 01:14:12,415 --> 01:14:14,584 IT'S THERE ON THE COUNTER. 1294 01:14:14,618 --> 01:14:16,019 TAKE IT. 1295 01:14:17,954 --> 01:14:19,689 BUT IT'S STILL BROKEN. 1296 01:14:19,723 --> 01:14:21,024 OH, NO, MR. HART. 1297 01:14:21,057 --> 01:14:22,726 IT'S FAR FROM BROKEN. 1298 01:14:22,759 --> 01:14:23,627 IT'S BEWITCHED. 1299 01:14:23,660 --> 01:14:26,229 EVERY PART IS IN PERFECT WORKING CONDITION, 1300 01:14:26,262 --> 01:14:28,732 AND THERE'S NOTHING OUT OF PLACE, 1301 01:14:28,765 --> 01:14:29,799 BUT IT REFUSES TO RUN. 1302 01:14:29,833 --> 01:14:33,603 GET IT OUT OF MY SHOP BEFORE IT INFECTS THE OTHERS. 1303 01:14:33,637 --> 01:14:35,138 ARE YOU OUT OF YOUR MIND? 1304 01:14:35,171 --> 01:14:38,908 YOU TELL ME WHAT HAPPENED AT 5:59 AND 51 SECONDS, 1305 01:14:38,942 --> 01:14:41,878 YOU TELL ME THAT, I CAN FIX YOUR WATCH. 1306 01:14:41,911 --> 01:14:43,012 TILL THEN, 1307 01:14:43,046 --> 01:14:44,147 GET OUT. 1308 01:14:44,180 --> 01:14:46,616 GET OUT! 1309 01:14:46,650 --> 01:14:48,518 GET OUT! 1310 01:14:50,920 --> 01:14:53,089 WE NOW RETURN YOU 1311 01:14:53,122 --> 01:14:55,792 TO LAUREL CANYON. 1312 01:14:55,825 --> 01:14:56,826 OH, GRANT, 1313 01:14:56,860 --> 01:14:58,762 YOU MEAN THIS TORTURE'S FINALLY OVER? 1314 01:14:58,795 --> 01:15:02,265 DARLING, FROM NOW ON, IT'S JUST YOU AND I... 1315 01:15:02,298 --> 01:15:04,801 IN OUR LAUREL CANYON. 1316 01:15:05,802 --> 01:15:07,236 OH, HOW SERENE. 1317 01:15:07,270 --> 01:15:11,040 LOOK AT THE REUNITED COUPLE BEAM. 1318 01:15:11,775 --> 01:15:13,009 OH, MY GOD. 1319 01:15:13,042 --> 01:15:14,243 WILL YOU EXCUSE US, GWEN? 1320 01:15:14,277 --> 01:15:16,646 MY FIANCé AND I MUST TALK. 1321 01:15:16,680 --> 01:15:17,881 I'M NOT GOING ANYWHERE. 1322 01:15:17,914 --> 01:15:19,849 I'M IN THIS, TOO, GRANT. 1323 01:15:19,883 --> 01:15:20,917 VERY WELL. 1324 01:15:20,950 --> 01:15:24,721 GRANT, I THINK WE'RE A TINY BIT PREGNANT. 1325 01:15:24,754 --> 01:15:26,222 LOOK AT HER. 1326 01:15:26,255 --> 01:15:27,156 SHE'S LYING. 1327 01:15:27,190 --> 01:15:28,825 SHE'S TRYING TO TRAP YOU, GRANT. 1328 01:15:28,858 --> 01:15:31,728 OH, IT'S TRUE. I'M NOT ABSOLUTELY SURE, 1329 01:15:31,761 --> 01:15:34,764 BUT THE TEST DID COME BACK POSITIVE. 1330 01:15:34,798 --> 01:15:36,332 I'LL TAKE ANOTHER ONE NEXT WEEK. 1331 01:15:36,365 --> 01:15:41,037 WHAT DO YOU PLAN TO DO IF YOU ARE... 1332 01:15:41,070 --> 01:15:42,105 PREGNANT, MISSY? 1333 01:15:42,138 --> 01:15:45,609 WHAT DO YOU MEAN? SHE'LL GET RID OF IT. 1334 01:15:45,642 --> 01:15:46,710 GWEN, ENOUGH. 1335 01:15:46,743 --> 01:15:50,013 THAT'S WHAT I WANTED TO TALK TO YOU ABOUT. 1336 01:15:50,046 --> 01:15:51,180 I FILED FOR DIVORCE TODAY, 1337 01:15:51,214 --> 01:15:54,851 AND I'M THINKING OF SERIOUSLY HAVING OUR BABY. 1338 01:15:54,884 --> 01:15:57,921 IF YOU THINK THIS WILL DRIVE ME AWAY, 1339 01:15:57,954 --> 01:16:00,189 YOU HAVE ANOTHER THING COMING. 1340 01:16:00,223 --> 01:16:02,592 MAYBE WE CAN RAISE IT TOGETHER. 1341 01:16:02,626 --> 01:16:05,729 TELL HER SHE CAN'T HAVE IT, GRANT. 1342 01:16:05,762 --> 01:16:06,763 SHE CAN'T HAVE IT. 1343 01:16:06,796 --> 01:16:09,232 GWEN, I'M A PRO-LIFE ACTIVIST. 1344 01:16:09,265 --> 01:16:12,135 I DON'T ACTUALLY HAVE ANYTHING AGAINST YOU. 1345 01:16:12,168 --> 01:16:14,904 IF GRANT CAN'T SEEM TO LIVE WITHOUT YOU, 1346 01:16:14,938 --> 01:16:16,906 WE'LL JUST HAVE TO SACRIFICE. 1347 01:16:16,940 --> 01:16:19,042 YOU'RE INSANE, MISSY. 1348 01:16:19,075 --> 01:16:20,309 MAYBE... 1349 01:16:20,343 --> 01:16:22,846 BUT IMAGINE HOW WONDERFUL THAT LITTLE CHILD WILL BE 1350 01:16:22,879 --> 01:16:25,281 WHEN WE RAISE IT TOGETHER. 1351 01:16:25,314 --> 01:16:28,184 GET OUT OF MY HOUSE. 1352 01:16:28,752 --> 01:16:30,319 YOU KNOW... 1353 01:16:31,054 --> 01:16:32,188 OHH. 1354 01:16:32,221 --> 01:16:34,991 I THINK I COULD LEARN TO LOVE YOU, TOO, GWEN. 1355 01:16:35,024 --> 01:16:38,227 OH, MY GOD. I LOVE THIS. 1356 01:16:44,100 --> 01:16:45,935 YEAH. 1357 01:16:45,969 --> 01:16:47,170 LAUREL CANYON... 1358 01:16:47,203 --> 01:16:49,038 WILL BE RIGHT BACK. 1359 01:16:49,072 --> 01:16:50,173 JACK. 1360 01:16:50,206 --> 01:16:51,107 YEAH? 1361 01:16:51,140 --> 01:16:53,643 YOU GET EVERYTHING IN THERE? 1362 01:16:53,677 --> 01:16:55,378 UH, YEAH, I THINK SO. 1363 01:16:55,411 --> 01:16:57,947 WHAT ABOUT THE BATHROOM? 1364 01:16:57,981 --> 01:17:00,784 OH, UH... 1365 01:17:00,817 --> 01:17:01,417 NO. 1366 01:17:01,450 --> 01:17:03,152 I THINK I FORGOT. 1367 01:17:03,186 --> 01:17:03,753 UM... 1368 01:17:03,787 --> 01:17:06,790 IT'LL ONLY TAKE A SECOND. 1369 01:17:15,965 --> 01:17:17,266 O.K. 1370 01:17:17,300 --> 01:17:19,068 SAY PEACE. 1371 01:17:21,971 --> 01:17:23,907 O.K. 1372 01:17:26,843 --> 01:17:29,312 AH, MR. HART. 1373 01:17:29,345 --> 01:17:31,681 WOULD YOU PLEASE TRY TO DISCOURAGE 1374 01:17:31,715 --> 01:17:35,084 YOUR VARIOUS ADMIRERS FROM TREATING THE PHOTO LAB 1375 01:17:35,118 --> 01:17:37,754 AS YOUR MAILING ADDRESS? 1376 01:17:37,787 --> 01:17:39,222 THANK YOU. 1377 01:18:42,819 --> 01:18:44,220 JACK? 1378 01:18:45,521 --> 01:18:47,090 YES? 1379 01:18:48,825 --> 01:18:52,228 DO YOU REMEMBER THE NIGHT YOU GAVE ME THIS RING, 1380 01:18:52,261 --> 01:18:56,099 WHAT WE SAID, WHAT WE FELT? 1381 01:18:59,836 --> 01:19:01,537 I, UH... 1382 01:19:01,570 --> 01:19:03,239 I WANTED TO MARRY YOU. 1383 01:19:03,272 --> 01:19:05,374 AND WE KNEW IT WASN'T GOING TO BE EASY. 1384 01:19:05,408 --> 01:19:08,377 WE KNEW THERE WERE POWERFUL FORCES WORKING AGAINST US, 1385 01:19:08,411 --> 01:19:10,113 THAT WE'D HAVE TO BE STRONG, 1386 01:19:10,146 --> 01:19:13,316 OR WE'D LOSE EVERYTHING THAT WE FELT BETWEEN US. 1387 01:19:13,349 --> 01:19:15,051 DO YOU REMEMBER, JACK? 1388 01:19:15,084 --> 01:19:17,086 I REMEMBER. 1389 01:19:17,821 --> 01:19:19,956 AND WHAT HAPPENED? 1390 01:19:21,858 --> 01:19:24,427 I GOT SCARED. 1391 01:19:24,460 --> 01:19:26,930 I STOPPED BELIEVING. 1392 01:19:26,963 --> 01:19:29,933 WHY, JACK? 1393 01:19:29,966 --> 01:19:32,869 WELL... 1394 01:19:32,902 --> 01:19:35,138 FIRST THERE WAS THE RASH. 1395 01:19:35,171 --> 01:19:36,806 IT'S GONE. 1396 01:19:36,840 --> 01:19:38,107 IT DISAPPEARED. 1397 01:19:38,141 --> 01:19:39,876 YEAH, WELL... 1398 01:19:39,909 --> 01:19:43,346 THEN--THEN I HAD THIS DREAM. 1399 01:19:43,379 --> 01:19:47,383 OH, I HAD A DREAM. 1400 01:19:47,416 --> 01:19:48,217 I DREAMT... 1401 01:19:48,251 --> 01:19:51,821 THAT YOU HAD THIS CRACK IN YOUR HEAD. 1402 01:19:54,223 --> 01:19:55,825 WHERE? 1403 01:19:59,162 --> 01:20:00,864 AND THEN... 1404 01:20:00,897 --> 01:20:04,133 YOUR HUSBAND CAME OVER. 1405 01:20:04,167 --> 01:20:05,468 I KNEW IT. 1406 01:20:05,501 --> 01:20:07,937 THAT BASTARD. 1407 01:20:07,971 --> 01:20:10,907 HE TOLD ME ABOUT THE BLANK PHOTO PAPER, JEAN. 1408 01:20:10,940 --> 01:20:12,909 IT WAS A PROMOTIONAL GIMMICK. 1409 01:20:12,942 --> 01:20:14,610 I SENT OUT HUNDREDS OF THEM. 1410 01:20:14,643 --> 01:20:17,881 IT BROUGHT US TOGETHER, DIDN'T IT? 1411 01:20:20,249 --> 01:20:23,920 IT DOESN'T CHANGE WHAT YOU SAW. 1412 01:20:28,024 --> 01:20:29,458 JACK, WAIT. 1413 01:20:29,492 --> 01:20:33,062 I WANT TO SHOW YOU SOMETHING. 1414 01:20:40,904 --> 01:20:42,471 OH, MY GOD. 1415 01:20:42,505 --> 01:20:44,607 HE TOLD YOU I WAS CRAZY, DIDN'T HE? 1416 01:20:44,640 --> 01:20:45,474 YES. 1417 01:20:45,508 --> 01:20:47,443 HE TOLD YOU I'D DONE THIS KIND OF THING, 1418 01:20:47,476 --> 01:20:49,645 TRICKING MEN INTO LOVING ME OVER AND OVER. 1419 01:20:49,678 --> 01:20:54,217 HE TOLD YOU ANYTHING HE COULD THINK OF TO SCARE YOU OFF. 1420 01:20:54,250 --> 01:20:56,585 HOW WOULD HE EXPLAIN YOUR DREAM? 1421 01:20:56,619 --> 01:20:59,188 YOU DIDN'T KNOW I HAD A BIRTHMARK. 1422 01:20:59,222 --> 01:21:02,525 HOW COULD YOU HAVE DREAMT ABOUT THAT? 1423 01:21:02,558 --> 01:21:05,161 BECAUSE, UM... 1424 01:21:09,565 --> 01:21:12,568 BECAUSE THIS HAS ALL HAPPENED BEFORE. 1425 01:21:12,601 --> 01:21:14,170 EXACTLY. 1426 01:21:14,203 --> 01:21:15,604 EXACTLY. 1427 01:21:21,477 --> 01:21:23,146 JACK... 1428 01:21:23,179 --> 01:21:25,949 WOULD YOU DO SOMETHING FOR ME 1429 01:21:25,982 --> 01:21:27,450 IF I ASKED YOU TO? 1430 01:21:27,483 --> 01:21:29,085 OH, JEAN. 1431 01:21:29,118 --> 01:21:34,223 WOULD YOU GIVE ME ONE MORE CHANCE TO MAKE YOU BELIEVE? 1432 01:21:34,257 --> 01:21:35,224 UH... 1433 01:21:35,258 --> 01:21:36,692 AHEM. 1434 01:21:36,725 --> 01:21:39,062 OF COURSE. 1435 01:21:39,495 --> 01:21:43,499 WAIT HERE UNTIL I CALL FOR YOU. 1436 01:21:46,735 --> 01:21:49,372 [THUNDER] 1437 01:21:56,079 --> 01:21:59,915 THE THIRD SHOT IS THE KEY, JACK. 1438 01:22:03,419 --> 01:22:06,222 WE HAVE A CHANCE TO CHANGE OUR DESTINY, 1439 01:22:06,255 --> 01:22:09,458 BUT FIRST WE HAVE TO FINISH THE PHOTO SEQUENCE 1440 01:22:09,492 --> 01:22:11,227 MY WAY. 1441 01:22:17,133 --> 01:22:20,369 I WANT YOU INSIDE ME NOW. 1442 01:22:32,381 --> 01:22:33,716 YOU. 1443 01:22:33,749 --> 01:22:35,318 YOU! 1444 01:22:38,387 --> 01:22:40,023 DO YOU, JACK, 1445 01:22:40,056 --> 01:22:41,157 TAKE THIS WOMAN 1446 01:22:41,190 --> 01:22:43,392 TO BE YOUR LAWFUL WEDDED WIFE... 1447 01:22:43,426 --> 01:22:44,260 I DO. I DO. 1448 01:22:44,293 --> 01:22:46,095 TO HAVE AND TO HOLD... 1449 01:22:46,129 --> 01:22:46,729 YES! YES! 1450 01:22:46,762 --> 01:22:49,465 FROM THIS DAY FORWARD... 1451 01:22:49,498 --> 01:22:51,467 FOR BETTER OR FOR WORSE... 1452 01:22:51,500 --> 01:22:53,036 YEAH. YEAH. 1453 01:22:53,069 --> 01:22:54,470 FOR RICHER, FOR POORER... 1454 01:22:54,503 --> 01:22:55,738 I DO, JEAN. I DO. 1455 01:22:55,771 --> 01:22:57,373 IN SICKNESS AND IN HEALTH... 1456 01:22:57,406 --> 01:22:59,108 I'LL NEVER LEAVE YOU, JEAN. 1457 01:22:59,142 --> 01:23:01,610 TILL DEATH DO US PART? 1458 01:23:01,644 --> 01:23:02,678 OH, GOD. 1459 01:23:02,711 --> 01:23:04,780 MAKE ME YOUR WIFE, JACK. 1460 01:23:04,813 --> 01:23:06,582 COME INSIDE ME. 1461 01:23:06,615 --> 01:23:09,652 OH, GIVE ME A CHILD. 1462 01:23:11,487 --> 01:23:12,688 OH, JEAN. 1463 01:23:12,721 --> 01:23:13,689 JEAN, JEAN, 1464 01:23:13,722 --> 01:23:14,657 JEAN, JEAN, 1465 01:23:14,690 --> 01:23:15,458 JEAN, JEAN, 1466 01:23:15,491 --> 01:23:17,260 JEAN, LET GO. LET GO. 1467 01:23:17,293 --> 01:23:18,194 JEAN, JEAN. 1468 01:23:18,227 --> 01:23:19,162 WHAT'S HAPPENING? 1469 01:23:19,195 --> 01:23:20,729 WHY ARE YOU LEAVING? 1470 01:23:20,763 --> 01:23:22,398 LET GO. 1471 01:23:24,433 --> 01:23:26,602 AAH! 1472 01:23:26,635 --> 01:23:28,071 YOU LIED TO ME! 1473 01:23:28,104 --> 01:23:29,405 YOU WERE NEVER PREGNANT! 1474 01:23:29,438 --> 01:23:30,806 ISABEL WAS KILLING YOUR SOUL! 1475 01:23:30,839 --> 01:23:33,709 I LIED TO SAVE YOU FROM HER! 1476 01:23:33,742 --> 01:23:34,577 BULLSHIT! 1477 01:23:34,610 --> 01:23:36,345 WHAT ABOUT THE RING? 1478 01:23:36,379 --> 01:23:37,346 KEEP IT. 1479 01:23:37,380 --> 01:23:39,115 JACK! 1480 01:23:42,118 --> 01:23:43,419 [KNOCKING ON DOOR] 1481 01:23:43,452 --> 01:23:46,455 [SPANISH MUSIC PLAYING] 1482 01:23:48,791 --> 01:23:51,260 COME ON, ISABEL. 1483 01:24:00,103 --> 01:24:02,238 SON OF A BITCH. 1484 01:24:02,271 --> 01:24:03,639 YAH! 1485 01:24:19,255 --> 01:24:20,656 [DING] 1486 01:24:21,657 --> 01:24:22,658 JACK... 1487 01:24:22,691 --> 01:24:23,626 HEY, JACK. 1488 01:24:23,659 --> 01:24:26,362 JACK, JACK, JACK. 1489 01:24:26,395 --> 01:24:29,098 IT'S ALL CLEARED WITH THE HEAD CHEESE HERE. 1490 01:24:29,132 --> 01:24:31,867 BREAKFAST IS ON MOI THIS MORNING, PAL. 1491 01:24:31,900 --> 01:24:33,502 JACK, DETECTIVE DEACON SEEMS TO FEEL 1492 01:24:33,536 --> 01:24:37,306 THAT, IN LIGHT OF WHAT'S TRANSPIRED OVER THE LAST FEW DAYS, 1493 01:24:37,340 --> 01:24:39,842 YOUR WORKING RELATIONSHIP WITH HIM WOULD BENEFIT 1494 01:24:39,875 --> 01:24:42,411 THROUGH A GESTURE OF RECONCILIATION. 1495 01:24:42,445 --> 01:24:43,179 THAT'S NICE. 1496 01:24:43,212 --> 01:24:44,613 THAT'S AWFULLY NICE, FRANK, BUT... 1497 01:24:44,647 --> 01:24:46,149 I'M NOT A BREAKFAST GUY. 1498 01:24:46,182 --> 01:24:48,217 HEY, JACK, JACK, COME ON NOW. 1499 01:24:48,251 --> 01:24:50,119 THIS IS A DONE DEAL, PAL. 1500 01:24:50,153 --> 01:24:52,321 I WON'T TAKE NO FOR AN ANSWER. 1501 01:24:52,355 --> 01:24:54,757 ANYWHERE YOU WANT, AS LONG AS IT'S DRIVE-THRU, 1502 01:24:54,790 --> 01:24:58,461 BECAUSE WE GOT A 187 WAITING AT PALOS VERDES. 1503 01:24:58,494 --> 01:24:59,395 AH, GOODY. 1504 01:24:59,428 --> 01:25:02,898 JACK, YOU LEFT THIS ON THE BENCH LAST NIGHT. 1505 01:25:02,931 --> 01:25:05,401 AH, FORGETFUL ME. 1506 01:25:07,403 --> 01:25:08,871 [TELEPHONE RINGS] 1507 01:25:08,904 --> 01:25:11,274 HAVE FUN, GENTLEMEN. 1508 01:25:19,548 --> 01:25:21,384 [BEEP] 1509 01:25:21,417 --> 01:25:22,218 [BEEP] 1510 01:25:22,251 --> 01:25:24,220 HI, ISABEL. IT'S CLAUDIO. 1511 01:25:24,253 --> 01:25:25,288 CLAUDIO? 1512 01:25:25,321 --> 01:25:28,224 I JUST WANTED TO CALL AND TELL YOU AGAIN 1513 01:25:28,257 --> 01:25:31,294 WHAT A GREAT, GREAT TIME I HAD. 1514 01:25:31,327 --> 01:25:32,561 GREAT, GREAT TIME? 1515 01:25:32,595 --> 01:25:33,529 WHAT MORE CAN I SAY? 1516 01:25:33,562 --> 01:25:36,632 I'M JUST THINKING ABOUT YOU, BABY. 1517 01:25:36,665 --> 01:25:38,367 THINKING OF YOU, BABY? 1518 01:25:38,401 --> 01:25:39,435 [BEEP] 1519 01:25:39,468 --> 01:25:42,538 THINKING OF YOU, BABY? 1520 01:25:43,206 --> 01:25:44,640 BABY! BABY! 1521 01:25:44,673 --> 01:25:46,942 BABY! BABY! BABY! 1522 01:25:46,975 --> 01:25:47,910 BABY! 1523 01:25:47,943 --> 01:25:50,179 MY GOD! 1524 01:25:50,213 --> 01:25:52,248 BABY, BABY, 1525 01:25:52,281 --> 01:25:53,216 BABY. 1526 01:25:53,249 --> 01:25:54,250 BABY THIS. 1527 01:25:54,283 --> 01:25:57,152 BABY, BABY, BABY. 1528 01:25:59,288 --> 01:26:00,523 CLAUDIO. 1529 01:26:00,556 --> 01:26:01,490 CLAUDIO. 1530 01:26:01,524 --> 01:26:02,358 CLAUDIO. 1531 01:26:02,391 --> 01:26:03,759 GREAT, GREAT TIME. 1532 01:26:03,792 --> 01:26:06,795 GREAT, GREAT TIME. 1533 01:26:06,829 --> 01:26:08,497 "ANNE, CINDY..." 1534 01:26:08,531 --> 01:26:09,965 AH, MR. CLAUDIO. 1535 01:26:09,998 --> 01:26:12,635 MR. CLAUDIO. 1536 01:26:12,668 --> 01:26:14,270 O.K. 1537 01:26:17,273 --> 01:26:19,508 [RING] 1538 01:26:19,542 --> 01:26:20,409 [HORN HONKS] 1539 01:26:20,443 --> 01:26:23,946 YOU ARE PLAYING STRAIGHT WITH ME, RIGHT? 1540 01:26:23,979 --> 01:26:24,880 I MEAN... 1541 01:26:24,913 --> 01:26:27,583 YOU'RE NOT JUST SPOOKING ME, ARE YOU, JACK? 1542 01:26:27,616 --> 01:26:28,484 ABSOLUTELY NOT. 1543 01:26:28,517 --> 01:26:29,585 AS FAR AS I'M CONCERNED, 1544 01:26:29,618 --> 01:26:34,523 YOU AND I WILL BE DO-SI-DOING FOR THE REST OF TIME. 1545 01:26:34,557 --> 01:26:36,592 DID WE GET ANY SALT? 1546 01:26:36,625 --> 01:26:38,527 [RING] 1547 01:26:38,561 --> 01:26:39,662 HELLO? 1548 01:26:39,695 --> 01:26:40,629 ISABEL THERE? 1549 01:26:40,663 --> 01:26:42,831 HOLD ON A SECOND. 1550 01:26:48,804 --> 01:26:50,506 JACK, WHAT ARE YOU DOING? 1551 01:26:50,539 --> 01:26:51,807 I LOVE YOU, ISABEL. 1552 01:26:51,840 --> 01:26:52,741 I MADE A TERRIBLE MISTAKE. 1553 01:26:52,775 --> 01:26:56,879 I WANT TO DEVOTE MYSELF TO MAKING YOU HAPPY. 1554 01:26:56,912 --> 01:26:58,314 I'M SORRY, JACK. 1555 01:26:58,347 --> 01:27:00,015 IT'S TOO LATE FOR THAT. 1556 01:27:00,048 --> 01:27:01,717 YOU DESTROYED EVERYTHING WE HAD. 1557 01:27:01,750 --> 01:27:03,819 I WANT MY OWN LIFE BACK. 1558 01:27:03,852 --> 01:27:05,554 ISABEL, IT'S NEVER TOO LATE. 1559 01:27:05,588 --> 01:27:06,722 HONEY, LET'S GO HOME. 1560 01:27:06,755 --> 01:27:09,925 I WANT TO GET OUT OF THIS HELLHOLE. 1561 01:27:09,958 --> 01:27:10,826 LOOK, I GOT TO GO. 1562 01:27:10,859 --> 01:27:13,796 I DON'T WANT TO HEAR FROM YOU EVER AGAIN. 1563 01:27:13,829 --> 01:27:17,466 AS FAR AS I'M CONCERNED, YOU'RE DEAD. 1564 01:27:17,500 --> 01:27:18,100 ISABEL. 1565 01:27:18,133 --> 01:27:19,535 ISABEL, NO, I'M NOT DEAD. 1566 01:27:19,568 --> 01:27:21,537 I'M NOT DEAD. I'M NOT DEAD. 1567 01:27:21,570 --> 01:27:23,939 I'M NOT DEAD. I'M NOT DEAD. 1568 01:27:23,972 --> 01:27:26,375 I'M NOT DEAD. I'M NOT DEAD. 1569 01:27:26,409 --> 01:27:28,544 I'M NOT DEAD. 1570 01:27:29,812 --> 01:27:32,548 [RING] 1571 01:27:34,817 --> 01:27:37,553 [RING] 1572 01:27:39,688 --> 01:27:41,790 [RING] 1573 01:27:41,824 --> 01:27:43,792 MM-MMM. 1574 01:27:43,826 --> 01:27:45,628 LOOKS APPETIZING. 1575 01:27:45,661 --> 01:27:47,896 [RING] 1576 01:27:49,698 --> 01:27:50,566 [RING] 1577 01:27:50,599 --> 01:27:52,901 WELL, LET'S EAT HER BEFORE SHE GETS COLD. 1578 01:27:52,935 --> 01:27:56,305 [ISABEL] HOW DID YOU GET THIS NUMBER, JACK? 1579 01:27:56,339 --> 01:27:58,607 I'M IN TROUBLE. YOU MUST HELP. 1580 01:27:58,641 --> 01:27:59,875 GET THAT BITCH TO HELP. 1581 01:27:59,908 --> 01:28:02,411 SHE'S THE MOTHER OF YOUR CHILD. 1582 01:28:02,445 --> 01:28:05,948 SHE WASN'T PREGNANT. SHE SAID THAT TO SCARE YOU. 1583 01:28:05,981 --> 01:28:06,649 SHE WINS. 1584 01:28:06,682 --> 01:28:08,551 I HOPE YOU'RE HAPPY WITH HER. 1585 01:28:08,584 --> 01:28:10,486 SHE'S DEAD, ISABEL. LISTEN, LISTEN. 1586 01:28:10,519 --> 01:28:12,821 SHE KILLED HERSELF AND MADE IT LOOK LIKE-- 1587 01:28:12,855 --> 01:28:16,392 YOU COULDN'T STOP LYING IF YOU TRIED, JACK. 1588 01:28:16,425 --> 01:28:18,026 NO. WAIT. PLEASE LISTEN. 1589 01:28:18,060 --> 01:28:18,861 NO. YOU LISTEN. 1590 01:28:18,894 --> 01:28:20,996 I'M THROUGH BEING MANIPULATED BY YOU, 1591 01:28:21,029 --> 01:28:23,832 BEING PULLED AROUND LIKE SOME KIND OF PUPPET. 1592 01:28:23,866 --> 01:28:26,335 IT'S YOUR TURN TO HURT NOW. 1593 01:28:26,369 --> 01:28:28,404 WHERE ARE YOU, ISABEL? 1594 01:28:28,437 --> 01:28:30,072 GOODBYE, JACK... 1595 01:28:30,105 --> 01:28:31,707 FOREVER. 1596 01:28:32,441 --> 01:28:33,342 NO! NO! 1597 01:28:33,376 --> 01:28:34,076 [DIAL TONE] 1598 01:28:34,109 --> 01:28:35,110 ISABEL! ISABEL! 1599 01:28:35,143 --> 01:28:37,546 SHIT! SHIT! SHIT! SHIT! 1600 01:28:37,580 --> 01:28:39,782 TALK TO ME! TALK TO ME! 1601 01:28:39,815 --> 01:28:41,016 TALK TO ME! 1602 01:28:41,049 --> 01:28:44,420 I GOT YOUR NUMBER NOW, CLAUDIO. 1603 01:28:44,453 --> 01:28:46,889 [GRUNTING] 1604 01:28:48,156 --> 01:28:50,559 [RING] 1605 01:28:52,428 --> 01:28:53,796 WHAT'S THE MATTER, PAL? 1606 01:28:53,829 --> 01:28:56,565 THOUGHT YOU WAS AN OLD HAND AT THIS. 1607 01:28:56,599 --> 01:28:58,534 FUCK YOU, YOU BASTARD. 1608 01:28:58,567 --> 01:28:59,902 I BEG YOUR PARDON. 1609 01:28:59,935 --> 01:29:01,737 WHAT'D YOU SAY TO ME, 1610 01:29:01,770 --> 01:29:03,472 YOU LITTLE SHIT? 1611 01:29:03,506 --> 01:29:05,508 [RING] 1612 01:29:07,743 --> 01:29:08,711 WHY? 1613 01:29:08,744 --> 01:29:09,912 WHY? 1614 01:29:09,945 --> 01:29:10,679 OOH... 1615 01:29:10,713 --> 01:29:14,817 WHY DID SHE HAVE TO GO AND DO THAT? 1616 01:29:17,586 --> 01:29:18,521 [RING] 1617 01:29:18,554 --> 01:29:20,589 OH, WHY? 1618 01:29:21,590 --> 01:29:22,357 [CLICK] 1619 01:29:22,391 --> 01:29:24,092 LISTEN, JACK, AND LISTEN CAREFULLY. 1620 01:29:24,126 --> 01:29:28,431 ISABEL NEVER WANTS TO SEE OR HEAR FROM YOU AGAIN. 1621 01:29:28,464 --> 01:29:29,432 IS THAT CLEAR? 1622 01:29:29,465 --> 01:29:32,000 THIS IS NONE OF YOUR FUCKING BUSINESS, CLAUDIO. 1623 01:29:32,034 --> 01:29:33,936 WANT TO MAKE A FUCKING BET? 1624 01:29:33,969 --> 01:29:37,105 YOU EVER TOUCH OR HARASS HER IN ANY WAY, 1625 01:29:37,139 --> 01:29:40,075 I WILL BREAK YOUR FUCKING NECK. 1626 01:29:40,108 --> 01:29:40,976 HEY-- 1627 01:29:41,009 --> 01:29:42,044 [DIAL TONE] 1628 01:29:42,077 --> 01:29:43,078 BY GOD! 1629 01:29:43,111 --> 01:29:45,080 GOD. 1630 01:29:45,113 --> 01:29:46,081 SHIT. 1631 01:29:46,114 --> 01:29:47,082 SHIT. 1632 01:29:47,115 --> 01:29:47,950 SHIT. 1633 01:29:47,983 --> 01:29:49,084 [PUSHING BUTTONS] 1634 01:29:49,117 --> 01:29:50,553 UGHH. 1635 01:29:50,586 --> 01:29:51,754 [RING] 1636 01:29:51,787 --> 01:29:52,688 [CLICK] 1637 01:29:52,721 --> 01:29:53,656 LISTEN, YOU-- 1638 01:29:53,689 --> 01:29:56,892 HI. THIS IS CLAUDIO. I'M NOT IN... 1639 01:29:57,993 --> 01:29:58,927 I GOT TO WARN YOU. 1640 01:29:58,961 --> 01:30:02,431 YOUR ERRATIC BEHAVIOR IS ATTRACTING SUSPICION, 1641 01:30:02,465 --> 01:30:03,165 MR. HART. 1642 01:30:03,198 --> 01:30:04,900 CARE TO COMMENT? 1643 01:30:04,933 --> 01:30:05,501 YEAH! 1644 01:30:05,534 --> 01:30:08,737 GO FUCK YOURSELF, DEACON! 1645 01:30:11,840 --> 01:30:12,941 LOOK... 1646 01:30:12,975 --> 01:30:17,112 I'M SORRY IF I SAID SOMETHING INSENSITIVE BACK THERE. 1647 01:30:19,114 --> 01:30:20,516 JACK... 1648 01:30:20,549 --> 01:30:22,050 DAMN IT! DAMN IT! 1649 01:30:22,084 --> 01:30:23,218 DAMN IT! 1650 01:30:23,251 --> 01:30:23,852 COME ON. 1651 01:30:23,886 --> 01:30:25,988 LET'S GET BACK TO THE CAR. 1652 01:30:26,021 --> 01:30:27,456 I'M NOT GOING BACK THERE. 1653 01:30:27,490 --> 01:30:30,025 I'VE HAD ENOUGH. I'VE HAD ENOUGH. 1654 01:30:30,058 --> 01:30:30,959 DAMN IT! 1655 01:30:30,993 --> 01:30:33,061 GOD DAMN IT! 1656 01:30:33,095 --> 01:30:35,163 I'LL TAKE YOU ANYPLACE YOU WANT TO GO, BUDDY. 1657 01:30:35,197 --> 01:30:36,565 YOU JUST SAY THE WORD. 1658 01:30:36,599 --> 01:30:40,603 O.K. LET'S GO. LET'S GO. LET'S GO. 1659 01:30:44,540 --> 01:30:45,908 AHH. 1660 01:30:51,213 --> 01:30:52,915 AHH. 1661 01:30:59,688 --> 01:31:03,659 I GATHERED FROM YOUR REACTION BACK THERE THAT, UH... 1662 01:31:03,692 --> 01:31:06,729 YOU KNEW THE VICTIM, JACK. 1663 01:31:08,664 --> 01:31:11,066 WELL, YOU GATHERED WRONG. 1664 01:31:16,539 --> 01:31:18,941 AAH-HA! 1665 01:31:19,708 --> 01:31:21,009 AHH. 1666 01:31:21,043 --> 01:31:22,945 WHAT HAPPENED AT... 1667 01:31:22,978 --> 01:31:27,950 5:59 AND 51 SECONDS, MR. HART? 1668 01:31:27,983 --> 01:31:29,217 HUH? 1669 01:31:29,251 --> 01:31:30,719 WHAT HAPPENED? 1670 01:31:30,753 --> 01:31:32,921 I'LL TELL YOU WHAT... 1671 01:31:32,955 --> 01:31:34,923 FUCKING HAPPENED! 1672 01:31:34,957 --> 01:31:36,592 AAH! 1673 01:31:36,625 --> 01:31:38,627 YAAH! 1674 01:32:06,021 --> 01:32:07,856 WHAT IN HELL'S GOING ON, FRANK? 1675 01:32:07,890 --> 01:32:10,593 I'M GOING TO ASK YOU ONE MORE TIME, JACK. 1676 01:32:10,626 --> 01:32:13,696 DID YOU OR DID YOU NOT KNOW JEAN STARR? 1677 01:32:13,729 --> 01:32:15,664 I DON'T HAVE THE FAINTEST IDEA 1678 01:32:15,698 --> 01:32:18,300 WHO YOU'RE TALKING ABOUT, FRANK. 1679 01:32:18,333 --> 01:32:19,602 THERE IT IS, FRANK. 1680 01:32:19,635 --> 01:32:22,137 I SAW HIM WORKING ON THEM MYSELF. 1681 01:32:22,170 --> 01:32:25,674 HE HAD THEM HIDDEN IN THE TRUNK OF HIS CAR. 1682 01:32:25,708 --> 01:32:29,011 MAY GOD HAVE MERCY ON YOUR SOUL, 1683 01:32:29,044 --> 01:32:29,778 MR. HART. 1684 01:32:29,812 --> 01:32:31,947 YOU KNOW WHAT PURGATORY IS, JACK? 1685 01:32:31,980 --> 01:32:32,748 UH-HUH. 1686 01:32:32,781 --> 01:32:34,717 YOU'RE IN IT, AND YOU'LL STAY IN IT 1687 01:32:34,750 --> 01:32:38,687 UNTIL YOU QUIT MAKING THE SAME STUPID FUCKING MISTAKE 1688 01:32:38,721 --> 01:32:39,855 OVER AND OVER AGAIN! 1689 01:32:39,888 --> 01:32:41,790 THERE'S NOTHING THERE TO HURT ME. 1690 01:32:41,824 --> 01:32:44,993 WE DON'T HAVE TO GO THROUGH THIS SONG AND DANCE. 1691 01:32:45,027 --> 01:32:47,663 TELL ME THE TRUTH AND BE DONE WITH IT. 1692 01:32:47,696 --> 01:32:49,865 WOULDN'T THAT BE A RELIEF, JACK? 1693 01:32:49,898 --> 01:32:51,133 CHECK IT OUT, FRANK. 1694 01:32:51,166 --> 01:32:54,136 THE SUSPENSE IS KILLING ME. 1695 01:33:00,408 --> 01:33:02,745 O.K. YOU GOT ME. I ADMIT IT. 1696 01:33:02,778 --> 01:33:06,882 I WORKED WITH JEAN BRIEFLY AS A MODEL FOR THE CONTEST. 1697 01:33:06,915 --> 01:33:09,117 THAT'S ALL THERE IS TO IT. 1698 01:33:09,151 --> 01:33:11,219 END OF STORY. 1699 01:33:15,991 --> 01:33:18,994 THAT'S REAL COINCIDENTAL, ISN'T IT, JACK? 1700 01:33:19,027 --> 01:33:19,594 I MEAN, 1701 01:33:19,628 --> 01:33:21,396 A WEDDING DRESS AND ALL? 1702 01:33:21,429 --> 01:33:23,165 SHE KILLED HERSELF. SHE WAS CRAZY. 1703 01:33:23,198 --> 01:33:26,869 ARE YOU SURE THERE ISN'T SOMETHING YOU'RE LEAVING OUT? 1704 01:33:26,902 --> 01:33:28,804 UH-UH. 1705 01:33:41,717 --> 01:33:45,821 WHAT ARE WE GOING TO DO ABOUT THIS, JACK? 1706 01:33:45,854 --> 01:33:46,689 LOOK... 1707 01:33:46,722 --> 01:33:49,124 I SLEPT WITH HER A COUPLE OF TIMES, O.K.? 1708 01:33:49,157 --> 01:33:49,992 SHE WAS A FREAK. 1709 01:33:50,025 --> 01:33:52,861 I TRIED TO BREAK UP WITH HER, SHE, UH... 1710 01:33:52,895 --> 01:33:55,063 SHE KILLS HERSELF AND FRAMES ME. 1711 01:33:55,097 --> 01:33:58,200 SHE DID A DAMN GOOD JOB OF IT, TOO. 1712 01:33:58,233 --> 01:33:58,967 NO. 1713 01:33:59,001 --> 01:34:00,068 EVEN BETTER THAN THAT. 1714 01:34:00,102 --> 01:34:03,405 I MIGHT EVEN GO SO GODDAMN FAR AS TO SAY 1715 01:34:03,438 --> 01:34:04,807 IT'S PERFECT, JACK. 1716 01:34:04,840 --> 01:34:07,109 I'M INNOCENT, AND YOU KNOW IT. 1717 01:34:07,142 --> 01:34:08,143 SURE, YOU ARE. 1718 01:34:08,176 --> 01:34:10,278 YOU'RE GOING TO TAKE IT IN THE NECK. 1719 01:34:10,312 --> 01:34:13,448 YOU RUBBED ALL THE RIGHT PEOPLE THE WRONG GODDAMN WAY. 1720 01:34:13,481 --> 01:34:17,419 WE KNOW ALL ABOUT YOUR LITTLE AFFAIR WITH MISS STARR. 1721 01:34:17,452 --> 01:34:18,586 OH, I ADMIT. 1722 01:34:18,620 --> 01:34:22,991 WE HAVEN'T FIGURED OUT WHAT YOU DID WITH THE FINGER YET, 1723 01:34:23,025 --> 01:34:25,193 BUT WE WILL. 1724 01:34:25,227 --> 01:34:26,795 THE FINGER? 1725 01:34:26,829 --> 01:34:27,629 WHAT FINGER? 1726 01:34:27,662 --> 01:34:29,932 PLAYING DUMB DOESN'T BECOME YOU, JACK. 1727 01:34:29,965 --> 01:34:31,066 WE'VE GOT ENOUGH ON YOU. 1728 01:34:31,099 --> 01:34:33,902 I COULD ICE YOUR ASS RIGHT HERE AND NOW. 1729 01:34:33,936 --> 01:34:36,238 THERE WOULDN'T BE A GODDAMN INQUIRY. 1730 01:34:36,271 --> 01:34:39,742 SEEING'S HOW WE'RE SUCH GREAT PALS AND ALL, 1731 01:34:39,775 --> 01:34:41,443 I'M GOING TO GIVE YOU 1732 01:34:41,476 --> 01:34:43,779 A NICE LITTLE HEAD START. 1733 01:34:43,812 --> 01:34:45,113 OH, FRANK. 1734 01:34:45,147 --> 01:34:48,416 NOW GET OUT OF THIS GODDAMN CAR AND RUN! 1735 01:34:48,450 --> 01:34:50,118 RUN! 1736 01:34:53,188 --> 01:34:55,858 STOP THE CAR! STOP THE CAR! 1737 01:34:55,891 --> 01:34:58,193 AAH! 1738 01:35:00,428 --> 01:35:00,996 [HORN HONKS] 1739 01:35:01,029 --> 01:35:03,298 WHAT ARE YOU WAITING FOR? 1740 01:35:03,331 --> 01:35:05,000 GO! GO! GO! GO! 1741 01:35:05,033 --> 01:35:06,701 GO! GO! 1742 01:35:07,870 --> 01:35:10,272 SHOOT THE MOTHERFUCKER! 1743 01:35:10,305 --> 01:35:13,041 GET HIM! GET HIM! 1744 01:35:21,516 --> 01:35:22,517 DON'T SHOOT! 1745 01:35:22,550 --> 01:35:24,186 DON'T SHOOT! 1746 01:35:43,872 --> 01:35:46,341 [DIAL TONE] 1747 01:35:50,178 --> 01:35:52,547 [RING] 1748 01:35:52,580 --> 01:35:53,681 [CLICK] 1749 01:35:53,715 --> 01:35:55,784 HI. THIS IS CLAUDIO. I'M NOT IN RIGHT NOW... 1750 01:35:55,818 --> 01:35:59,955 BUT IF YOU LEAVE A MESSAGE, I'LL GET BACK TO YOU. 1751 01:35:59,988 --> 01:36:00,923 THANKS. BYE. 1752 01:36:00,956 --> 01:36:02,057 [BEEP] 1753 01:36:02,090 --> 01:36:02,757 O.K. 1754 01:36:02,791 --> 01:36:05,460 I GUESS IT'S MY TURN TO TALK. 1755 01:36:05,493 --> 01:36:09,464 ALL I NEED IS SOMETHING TO SAY. 1756 01:36:13,101 --> 01:36:14,569 LET ME SAY... 1757 01:36:14,602 --> 01:36:15,437 [BELCH] 1758 01:36:15,470 --> 01:36:18,140 WHAT CAN I SAY? 1759 01:36:18,173 --> 01:36:20,075 ISABEL... 1760 01:36:20,108 --> 01:36:23,578 ISABEL, ISABEL, ISABEL. 1761 01:36:23,611 --> 01:36:24,446 OH, DEAR ISABEL. 1762 01:36:24,479 --> 01:36:27,482 IT'S FUNNY HOW THINGS WORK OUT, ISN'T IT? 1763 01:36:27,515 --> 01:36:31,319 ONE MINUTE YOU TELL ME YOU COULD NEVER LEAVE ME, 1764 01:36:31,353 --> 01:36:34,122 YOU TELL ME IT'S ALL UP TO ME, 1765 01:36:34,156 --> 01:36:35,323 AND THE NEXT MINUTE, 1766 01:36:35,357 --> 01:36:38,260 YOU MOVED IN WITH MR. CLAUDIO. 1767 01:36:38,293 --> 01:36:39,962 HOW SWEET. 1768 01:36:39,995 --> 01:36:40,929 HOW SINCERE. 1769 01:36:40,963 --> 01:36:43,265 I HOPE YOU TWO HAVE A WONDERFUL LIFE TOGETHER. 1770 01:36:43,298 --> 01:36:46,168 I HOPE THIS IS FINALLY THE REAL THING 1771 01:36:46,201 --> 01:36:47,135 FOR BOTH OF YOU. 1772 01:36:47,169 --> 01:36:51,106 I HOPE YOU DON'T MIND BUILDING YOUR NEW LIVES 1773 01:36:51,139 --> 01:36:53,341 ON MY ROTTING CORPSE. 1774 01:36:56,044 --> 01:36:57,012 I'M SORRY. 1775 01:36:57,045 --> 01:36:57,880 I'M SORRY. 1776 01:36:57,913 --> 01:36:59,181 I DIDN'T MEAN THAT. 1777 01:36:59,214 --> 01:37:02,150 I DIDN'T MEAN ANY OF IT. 1778 01:37:02,184 --> 01:37:04,352 I WANT TO BE HONEST. 1779 01:37:04,386 --> 01:37:05,020 OOH. 1780 01:37:05,053 --> 01:37:08,957 I WANT TO GET AT THE TRUTH. 1781 01:37:09,257 --> 01:37:10,893 I--I KNOW... 1782 01:37:10,926 --> 01:37:14,462 I HAVE BEEN A TERRIBLE BASTARD... 1783 01:37:14,496 --> 01:37:17,499 AND THOUGHT ONLY ABOUT MYSELF, 1784 01:37:17,532 --> 01:37:20,035 DID EXACTLY WHAT I WANTED TO 1785 01:37:20,068 --> 01:37:23,071 WITHOUT THINKING OF ANYONE ELSE. 1786 01:37:25,307 --> 01:37:26,942 AND NOW... 1787 01:37:27,542 --> 01:37:30,045 OH, GOD. 1788 01:37:30,078 --> 01:37:33,315 NOW IT'S TIME TO PAY... 1789 01:37:34,349 --> 01:37:37,352 TO PAY THE PRICE. 1790 01:37:39,687 --> 01:37:42,490 DON'T YOU SEE, ISABEL? 1791 01:37:43,658 --> 01:37:45,193 GOD. 1792 01:37:45,227 --> 01:37:47,462 JEAN IS THE DEVIL. 1793 01:37:47,495 --> 01:37:49,264 SHE TRICKED ME. 1794 01:37:49,297 --> 01:37:51,366 SHE TRICKED ME INTO BELIEVING 1795 01:37:51,399 --> 01:37:54,069 THAT SHE COULD FILL THE SHOES 1796 01:37:54,102 --> 01:37:55,603 OF THE WOMAN LURKING... 1797 01:37:55,637 --> 01:37:58,506 DOWN THERE... 1798 01:37:58,540 --> 01:38:01,944 IN MY BRAIN. 1799 01:38:03,145 --> 01:38:05,180 SHE TRICKED ME INTO THINKING 1800 01:38:05,213 --> 01:38:08,083 THAT SHE WAS DIFFERENT... 1801 01:38:08,483 --> 01:38:12,487 THAT THE RULES DIDN'T APPLY TO HER. 1802 01:38:13,355 --> 01:38:15,457 FOR JUST ONE MINUTE, HONEY, 1803 01:38:15,490 --> 01:38:17,392 I BELIEVED HER. 1804 01:38:17,425 --> 01:38:20,228 I WANTED TO SO BADLY. 1805 01:38:20,996 --> 01:38:24,366 GOD, I WANTED TO BELIEVE HER. 1806 01:38:26,701 --> 01:38:29,604 NOW I KNOW. 1807 01:38:29,637 --> 01:38:32,975 THAT WOMAN DOESN'T EXIST. 1808 01:38:33,608 --> 01:38:34,977 SHE'S ONLY PERFECT 1809 01:38:35,010 --> 01:38:37,579 'CAUSE I CAN'T QUITE SEE HER. 1810 01:38:37,612 --> 01:38:40,115 SHE'S A SHADOW. 1811 01:38:40,148 --> 01:38:44,953 SHE'S A TEASE DESIGNED TO TORTURE ME. 1812 01:38:45,253 --> 01:38:49,958 SHE'S THE ONE LOVE THAT I CAN NEVER HAVE. 1813 01:38:51,193 --> 01:38:52,294 THERE WILL ALWAYS BE 1814 01:38:52,327 --> 01:38:55,397 SOMETHING IN MY BRAIN, THOUGH, HONEY, 1815 01:38:55,430 --> 01:38:58,967 SOMETHING THAT SAYS... 1816 01:38:59,001 --> 01:39:00,035 HER! 1817 01:39:00,068 --> 01:39:02,670 NOW IT'S HER. 1818 01:39:02,704 --> 01:39:04,606 NOW IT'S... 1819 01:39:04,639 --> 01:39:06,241 HER! 1820 01:39:12,714 --> 01:39:14,983 OH, ISABEL. 1821 01:39:20,222 --> 01:39:22,090 WON'T YOU SAVE ME? 1822 01:39:22,124 --> 01:39:24,292 [ISABEL] QUIT FOOLING AROUND, JACK. 1823 01:39:24,326 --> 01:39:26,061 [JEAN] TAKE THE SHOT. 1824 01:39:26,094 --> 01:39:27,595 QUIT FOOLING AROUND. 1825 01:39:27,629 --> 01:39:28,696 WON'T YOU SAVE ME? 1826 01:39:28,730 --> 01:39:30,498 QUIT FOOLING AROUND, JACK. 1827 01:39:30,532 --> 01:39:32,034 WON'T YOU SAVE ME? 1828 01:39:32,067 --> 01:39:33,335 TAKE THE SHOT, JACK. 1829 01:39:33,368 --> 01:39:35,337 WON'T YOU SAVE ME? 1830 01:39:35,370 --> 01:39:36,638 TAKE THE SHOT, JACK. 1831 01:39:36,671 --> 01:39:39,507 JUST ONE LAST TIME. 1832 01:39:39,541 --> 01:39:41,443 QUIT FOOLING AROUND, JACK. 1833 01:39:41,476 --> 01:39:42,744 TAKE THE SHOT, JACK. 1834 01:39:42,777 --> 01:39:45,080 ISABEL, PLEASE. 1835 01:39:45,113 --> 01:39:47,649 YEAH, TAKE THE SHOT, JACK. 1836 01:39:49,684 --> 01:39:51,286 O.K. 1837 01:39:52,087 --> 01:39:54,389 O.K., O.K. 1838 01:39:55,490 --> 01:40:00,162 THEN I'LL SEE YOU IN HELL, HONEY. 1839 01:40:12,440 --> 01:40:14,509 ALL OF YOU. 1840 01:40:18,213 --> 01:40:20,315 [BUZZING] 1841 01:40:33,095 --> 01:40:35,630 NO! 1842 01:40:39,734 --> 01:40:42,370 WELCOME TO HELL, MR. HART. 1843 01:40:42,404 --> 01:40:49,111 NO! 1844 01:40:52,314 --> 01:40:54,816 [DIAL TONE] 1845 01:40:54,849 --> 01:40:57,785 [OFF-THE-HOOK SIGNAL BEEPING] 1846 01:41:29,284 --> 01:41:31,386 TAKE IT EASY. 1847 01:41:32,387 --> 01:41:34,456 TAKE IT EASY. 1848 01:41:36,391 --> 01:41:38,793 HEY, FRANK, HE'S MOVING. 1849 01:41:43,465 --> 01:41:45,233 I DON'T KNOW WHAT TO TELL YOU, JACK. 1850 01:41:45,267 --> 01:41:48,870 ITYOU LAYING THERE BLEEDING THIS TIME. 1851 01:41:48,903 --> 01:41:50,505 Deacon. 1852 01:41:54,742 --> 01:41:56,378 JEEZ, JACK. 1853 01:41:56,411 --> 01:41:58,746 LOOKS LIKE YOUR WHOLE LIFE JUST... 1854 01:41:58,780 --> 01:42:01,616 PASSED IN FRONT OF YOUR EYES, BUDDY. 1855 01:42:01,649 --> 01:42:04,352 YOUR MEN SHOT AT ME, FRANK. 1856 01:42:04,386 --> 01:42:06,521 OH, HELL, THOSE WERE ONLY BLANKS. 1857 01:42:06,554 --> 01:42:11,493 YOU CLOCKED ME A PRETTY GOOD ONE YOURSELF, PAL. 1858 01:42:11,526 --> 01:42:13,495 I THOUGHT YOU'D KILL ME. 1859 01:42:13,528 --> 01:42:16,231 AND THAT'S EXACTLY WHAT I WANTED YOU TO THINK. 1860 01:42:16,264 --> 01:42:18,633 I HAD A FEELING THAT YOU DIDN'T DO IT. 1861 01:42:18,666 --> 01:42:21,203 I FIGURED IF WE WOUND YOU UP A LITTLE 1862 01:42:21,236 --> 01:42:23,905 AND PUSHED YOU OFF IN THE RIGHT DIRECTION, 1863 01:42:23,938 --> 01:42:25,640 YOU'D SHOW US WHO DID. 1864 01:42:25,673 --> 01:42:29,344 I TRIED TO KILL MYSELF, FRANK. 1865 01:42:30,245 --> 01:42:31,246 O.K., O.K. 1866 01:42:31,279 --> 01:42:32,113 SO... 1867 01:42:32,146 --> 01:42:35,550 MAYBE MY PLAN GOT A LITTLE OUT OF HAND. 1868 01:42:35,583 --> 01:42:37,385 IF IT'S ANY CONSOLATION, PAL, 1869 01:42:37,419 --> 01:42:40,522 WE GOT A GOOD CLEAN COLLAR ON THIS ONE. 1870 01:42:40,555 --> 01:42:42,357 LOOKS LIKE YOU WERE RIGHT, FRANK. 1871 01:42:42,390 --> 01:42:44,626 LOOKS LIKE SHE SCRUBBED IT PRETTY GOOD, 1872 01:42:44,659 --> 01:42:47,762 BUT WE'RE PICKING UP TRACES OF BLOOD IN THE CRACKS. 1873 01:42:47,795 --> 01:42:51,366 I'D SAY SHE WANTED THAT RING PRETTY BAD... 1874 01:42:51,399 --> 01:42:52,634 TO KILL SOMEBODY 1875 01:42:52,667 --> 01:42:56,804 AND CHOP THEIR DAMN FINGER OFF FOR IT. 1876 01:42:58,406 --> 01:42:59,874 ISABEL. 1877 01:43:04,579 --> 01:43:06,548 ISABEL. 1878 01:43:07,249 --> 01:43:08,583 [SPANISH MUSIC PLAYING] 1879 01:43:08,616 --> 01:43:11,419 I WAS HOPING TO SPARE YOU THIS, 1880 01:43:11,453 --> 01:43:12,287 BUT IT TURNS OUT 1881 01:43:12,320 --> 01:43:14,922 CLAUDIO LIVES IN THE APARTMENT BELOW YOU. 1882 01:43:14,956 --> 01:43:17,725 THEY GOT THE MUSIC TURNED UP SO LOUD, 1883 01:43:17,759 --> 01:43:19,661 THEY CAN'T HEAR A THING. 1884 01:43:19,694 --> 01:43:20,728 MY GOD. 1885 01:43:20,762 --> 01:43:24,299 I DON'T SEE ANY HARM IN WAITING TILL THEY'RE DONE. 1886 01:43:24,332 --> 01:43:26,768 I MEAN, EVEN A CONDEMNED MAN, 1887 01:43:26,801 --> 01:43:28,770 OR IN THIS CASE, WOMAN, 1888 01:43:28,803 --> 01:43:31,506 GETS A LAST MEAL, RIGHT? 1889 01:43:34,676 --> 01:43:36,911 OH, MY HEAD. 1890 01:43:36,944 --> 01:43:38,546 ONE LAST THING, JACK. 1891 01:43:38,580 --> 01:43:40,815 WHAT'S THAT, FRANK? 1892 01:43:40,848 --> 01:43:42,517 DO THE WORLD A FAVOR. 1893 01:43:42,550 --> 01:43:45,820 DON'T EVER FALL IN LOVE AGAIN, O.K., PAL? 1894 01:43:45,853 --> 01:43:47,955 I'LL DO MY BEST, FRANK. 1895 01:43:47,989 --> 01:43:48,923 THAT'S MY BOY. 1896 01:43:48,956 --> 01:43:51,859 SEE YOU AT WORK FIRST THING MONDAY MORNING. 1897 01:43:51,893 --> 01:43:53,595 LIKE I SAID, FRANK... 1898 01:43:53,628 --> 01:43:54,262 HEY, BOOTS. 1899 01:43:54,296 --> 01:43:56,264 DON'T LET HER GET YOU DOWN. 1900 01:43:56,298 --> 01:43:59,701 THERE'S MORE WHERE SHE CAME FROM. 1901 01:44:05,440 --> 01:44:07,942 [SIREN BLARES] 1902 01:44:14,682 --> 01:44:17,419 [WATCH TICKING] 1903 01:44:28,930 --> 01:44:32,967 SO WHAT'S THE STORY WITH THE WATCH? 1904 01:44:37,605 --> 01:44:40,875 YOU REALLY WANT TO KNOW? 1905 01:45:00,995 --> 01:45:03,731 CAPTIONING MADE POSSIBLE BY VIDMARK ENTERTAINMENT 1906 01:45:03,765 --> 01:45:07,034 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 1907 01:45:07,068 --> 01:45:11,439 CAPTIONS COPYRIGHT 1994 TRIMARK PICTURES, INC. 124730

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