All language subtitles for Bumerang 2024 WEB-DL 1080p

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Original subtitles

Eߣ�B��B��B�B�B��matroskaB��B��S�g�wM�t�M��S��I�fS��M��S��T�kS���M��S��S�kS���pM��S��T�gS���/�O�I�f@�*ױ�B@M��libebml v1.4.7 + libmatroska v1.7.2WA�mkvmerge v102.0 ('Little Houses') 64-bitD��AP.�Da� K�0,�s��� HXG�s�����T�k���ׁsň����I������S_TEXT/UTF8"���enSn�English Full�DC�u��qP�����Have you ever seen a dead person up close?�� �����No. You?��(C�u�����̡ƁThe closest I've been to a dead person is from here to that tree.��@C�u@���ؠ����A car accident?��8������No, my grandfather.����ǡ��hI went in behind my mom and dad and saw his face on the bed.���C�u���𠠡��I stopped right there.�������� �Were you scared?��8�����0Very. He had one eye open and one closed.�� �C�u���Р����How's that possible?��`�ϡɁWell, my dad couldn't shut the other eye, so he sent me to buy tape.��C�u��Ƞ����But tape doesn't stick to the skin.��p����� It didn't. They ended up burying him like that.�� PC�u��2������Was he your mom's dad or your dad's?��������XMy mom's. I never met my dad's dad.�� C�u��Hx�����Though I was named after him.��C�u��i �̡ƁAre you intentionally not asking my name or do you just not care?�� �������Does it annoy you?���C�u���������Why would I ask when I already know?��������No way.��蠖��� 0Want to bet?��C�u��������I don't make phony bets.������� PYou'll lose. What should we bet?�� xC�u��������Whatever you want.���C�u���H�����You're crazy.��蠣����You can't cancel our bet.��x����� HAnd if you lose?��PC�u�� `�����I've yet to lose a bet, dear Keyvan.��H�á�� pYou're messing with me. You must know me from somewhere.�� PC�u��%ࠢ���You think you're famous?��Ƞ�����I can sense people's names.��C�u��?������The way snakes sense a coming earthquake?�� @����� HYeah, like snakes.���C�u��(�����Did you write that poem yourself?��0����� �Obviously.��PC�u��.ࠞ���So you're a poetess.���C�u��Q������Poetess?��ؠ���� PI should hang you from that "ess."�� C�u��sP�����It was a good poem.���������I know,��P������but in what sense?��(C�u@��������I brushed your hair from your face����̡Ɓ�You said, "These two hands open the path to seeing"�� ؠš��I said, "These two eyes, the path to flight"���C�u@���(�����It's straightforward and without any frills.�� ��ˡŁAnd I like poems I can easily memorize and recite in one breath.�� HC�uA��x�����I brushed your hair from your face����̡Ɓ(You said, "These two hands open the path to seeing"����š�� XI said, "These two eyes, the path to flight"��Ƞ�����I brushed your hair from your face���C�u@��䘠̡ƁYou said, "These two hands open the path to seeing"���š���I said, "These two eyes, the path to flight"�������� �OK, stop teasing me.��(C�u���������I wasn't teasing you. Not all poems are like that.�� (C�u@����ۡՁThy source of might is knowledge, thus old hearts grow young again�� �ۡՁ �Thy source of might is knowledge, thus old hearts grow young again�� C�u��3X�����I like that one, too.��ؠ����xReally?�������� PYeah.���C�u��������What's your name?��ؠ���� Yalda.���C�u��5x�̡ƁWhat's wrong? Did you lose your snakes? Are you looking for them?�� 0������You don't look like a Yalda.���C�u��N������Sadaf.��������Get lost. I don't wanna know.��h������What difference does it make?���C�u��e������Christina. Would you like me to be a foreigner?�� ����� �No, I'm a national chauvinist.�� pC�u��������A chauvinist?��ؠ����A fanatic supporter of the homeland.��0������Lucky you. I even hate my home.�� �C�u@���0�¡��That's why I haven't had a birthday party in two years.�� ����� PBut the homeland is full of cafés.��𠹡���Imagine me having a birthday party in a café.�� 8C�u��������Have you ever tried to commit suicide?��ࠍ����No.�������� �You?���C�u���h�����Yeah.��`����� But unsuccessfully.��(������How?��8C�u@���ࠑ���Well...��8������Tell me.����ҡ́ Have you ever craved a cigarette after seeing someone smoke in a movie?�� �C�u��������It's like that: I don't want to tempt you.��蠜��� �So you made it up.���C�u@��10�š��Yeah, actually, everything I've told you so far was a lie.�� ��̡Ɓ �I lie in order not to get bored, but you've bored me nonetheless.���C�u��Q������The first time is always boring.�������� �There's no first or last time.���C�u@��g�����We'll walk until 6 p.m., then it's over.�������� �Why?�������pWhat's interesting is that we met by accident.���C�u���ؠ����It wouldn't be the same if we saw each other again.�� ����� �We could meet accidentally each time.�� 8C�u���8�����Twenty minutes left.�������� �I say we run.��PC�u���P�����Why?���������To cover more ground together.��C�u���`�����Very funny.��`C�u�� �(�����Yes?�������� �Yes?���C�u�� '������- Hi. - Hi, how are you?��X������Fine.��������(- Have you eaten? - No, and I'm hungry.�� �C�u@�� D��ءҁ- I got gheimeh from Canary. - Nice. I was about to make eggs.��������PCan you set the table?��`C�u@�� �𠜡��You're not eating.��������It's cold.��8����� �I said I'd heat it up.��Ƞҡ́- Give it to me, it'll only take a minute. - No, no, it's fine. Thanks.�� �C�u@�� ������- I need to go soon. I'm late. - How was your meeting?�� �ޡ؁ �Ghafoori came in with his ugly, shiny suit and wanted to change the entrance again.���C�u@��p�����When I refused, he said,��x�ơ��"Ma'am, what's the problem with us entering from the east?"�� x����� I said, "We've changed the entrance three times.��XC�u@��2������It was originally facing east."��𠪡���With his crooked smirk, he said,�������� �"You don't do it by hand. Change it one more time."�� C�u@��I������I got up and said,��(�ܡց�"I don't know what I did wrong to have a client like you set foot in our office."��C�u��ah�����And I walked out.����ϡɁ8I told the team, "Either he approves this last one or it's goodbye."���C�u@��{�ԡ΁- Then I came to have lunch with you. - The best thing you could've done.�� ؠ���� �What's new with you?������� Nothing.���C�u���������Morad called. He found a barn owl in Alagol.�� @�����You want to go?���C�u@���Ƞá��I do. He said I should go soon, before anyone shoots it.�� ����� HMorad said that?��������pHe's right. It'll live until you get there.���C�u@���Ƞ����What do you mean?��������PMorad will take care of it until you see it.�� �����Once you pay him and leave, he'll shoot it himself.�� @C�u���H�����Morad?���������Not everyone's like your Ghafoori.���C�u���������Not everyone's as honest as you.��XC�u��Kx�����Sima?�������� `I know you were here earlier.��P�����PYou forgot to shut the balcony door.���C�u��{������Maybe I left it open on purpose.�������� That's not your style.��Ƞ����0My style?���C�u@���X�����Why do you think you know me so well?��蠒��� �Don't I?��8�١ӁpHow dare you confront me with something I've decided not to confront you with?��XC�u@���`�����I don't want you upset over something trivial.��蠝��� �Who says I'm upset?��8�����`It's obvious, my dear.��PC�u@��̰�����Trivial?��`�����Your saying "I know you know" doesn't make it trivial.�� ��͡ǁ(What's the big deal? Nothing even happened. And it's very private.��8C�u@��갠ơ��- Right, forgive me. - You weren't supposed to be home yet.�� P����� �- And why sneak out onto the balcony? - I apologize.�� �C�u@��蠴���Were you thinking I was with someone else?��p����� I didn't know what to think.��0�á���Private. If only the neighbors knew what you were up to.�� �C�u@�� H�ǡ��- For them it was private, not you. - What's the difference?�� ������ @The difference?��8�̡ƁIf there were no difference, you wouldn't have left your meeting.�� �C�u��:ؠ����You didn't want to miss your chance. Live action!�� PC�u��^P�����Have you ever seen them?���ȡ�Know what? I'll invite them over. We're neighbors, after all.�� �C�u@��tX�����Their child is the same age as Minoo.�������� He's a civil engineer and she's a yoga instructor.�� ������8Our type of people.���C�u���ࠫ���Don't worry, I made all that up.��Р���� `That's "not my style."���C�u����¡��Don't forget to pick up Minoo. They finish early today.�� �C�u���蠕���Yes?��������8I'm your neighbor.�������� Could ask your wife to come to the intercom?���C�u@���`�����She's busy. How can I help you?��X����� (I'd like to speak to her if possible.��࠵���8Sahar? Our neighbor wants...�� �C�u@��������Yes?��������`Hello, our apartment is just next door.�� �á���Our buildings don't have an expansion joint. Understand?�� C�u@���P�����A what?��8������An expansion joint. There's no space between us.�� Р����Our walls are right up against each other.���C�u@���������My daughter's room is adjacent to yours.�� P�ɡÁ �If possible, either change your bedroom or wrap it up quicker.��C�u��������Even at lunchtime...���C�u��1������One corrupt thought can lead all of humanity astray.�� ����� HA single classroom is nothing.��PC�u@��E��¡��But one must combat ideas with ideas, not with hammers.���ܡցFirst, you have to discover the source of the thought and approach it from there.��PC�u��h������Second, this isn't just the school's responsibility.�� P����� �We all need to work together.���C�u��~ؠӡ́Contradictions arise when children bring their belief systems to school.�� 0����� �It becomes problematic.���C�u��������Especially during puberty.��Р����pThings happen to them that they're not even aware of.�� C�u���0�����How could they be?��࠶����Puberty affects their awareness and brains.�� PC�u@���(�����There's no choice but to start from the beginning.�� (�ޡ؁ HWe decided to ask students to bring in any criticism they have of their home lives.���C�u���p�ޡ؁Our counselor suggested that, instead of writing down their problems like homework,��XC�u���������they could record audio.��x�ʡā But to relieve them of worrying about their parents' reactions,�� �C�u@��X�ϡɁour application distorts their voices, so no one can tell who's who.���������Some made faces at first, but by the end,���C�u��3x�����we had to force them to give the recorder back.�� Ƞ���� �I'm very happy with the results.��HC�u��IX�����So I've decided to expand the concept�� �á�� �and have students record discussions with their parents.�� �C�u@�`x�����YOU ERASE IT, WE REWRITE IT.����ϡɁ�About self-respect, for instance, which is very important for girls.�� HC�u@��u@�����Or modesty.���ơ��@You would discuss the difference between modesty and shame.�� ������Or envy and jealousy. Pairs like that.�� 8C�u@���P�š��And why doesn't anyone name their daughter Haya (modesty)?�� ������ PWhat a beautiful and melodic name, isn't it?���C�u����̡ƁAre there questions or should we listen to the girls' recordings?�� �C�u@� ������Why were you both tied to the same rope?�� ��á�� �- What's wrong with that? - It was wobbling in the wind.�� 0C�u@��"�á��- Were you scared? - What do you think? Of course I was.�� ����� �Why would you be up in the air like that?�� 8C�u@��9Р����Humans are meant to walk. Otherwise, we'd have wings.�� �ӡ́ �- You could've told us not to ride it. - But you were so eager to do it.��`C�u��UP�ȡ- It was only 15 seconds. - Well, it felt more like 15 years.��������HLet's sit down. You look pale.���C�u��pР����Look at him, Minoo.��𠰡�� (It was great. It wasn't scary at all.�� 0C�u���Рš��This is one of those things only you would consider doing.�� X������I can't believe how worried you got.���C�u@���@�����- I feel sick. - Look at him.��������- I couldn't even sip my water. - Do it now.�� P�����- I don't want any. - You're pale. Like a ghost.���C�u@�ʀ�����- Let's ride it together. - Yeah, right.��0�á�� I kept trying to calculate if it could hold your weight.���C�u���蠥���We were right at the limit!��0C�u��D�����Look.��蠴����It's so annoying, I want to cut it short.��ࠢ���PDon't cut it, it's nice.��(C�u��e������What else annoys you?��𠚡���What annoys you?��`C�u���ؠ����People who always say "and whatever."��X����� hWho?���C�u@�����̡ƁPeople who can't finish a sentence without saying "and whatever."���������Even if you have nothing to say,�� �C�u��������at least show some understanding of grammar.�� P����� �It's even worse when they're messaging.��HC�u@��͸�����They follow three words with ten contradictory emojis.�� 0����� �What do you mean?��8�̡Ɓ�Like, the idiot is sad, a volcano and a hippopotamus all at once.���C�u���������And you?���������Me?��蠩��� HI'm both an idiot and a hippo.���C�u�������It suits you.��������Tell me who gets on your nerves.�� C�u��"������Everyone. Everyone gets on my nerves.��Р���� (So you're like me.��`C�u@��8������But some annoy me more than others.��p�סс �Like those girls who are obsessed with their fathers. That always comes out.���C�u��X(�ˡŁAsk her about hippos, and somehow she makes it about her father.��HC�u��w������You aren't in awe of your father, are you?�� @C�u���0�����In awe?�������� �No.��������I'm in love with him.��@C�u@��𨠥���Relax the shoulders.��Ƞ�܁HInhale and bring your shoulder blades closer to each other as you exhale.���C�u���ϡɁKeep the left and right sides of your body in balance.��C�u��+h�š��Inhale again and slowly lean your head back.��XC�u��E��ۡՁMake sure not to put pressure on your neck. Simply bend backwards.��C�u��^������Release.�������No body is symmetrical.���C�u��z�סсTune into the differences between your left and right sides...��@C�u��"p�����What are you doing here?��������PA happy accident.�������It is strange, isn't it?��8C�u��7`�����No.��������Sure it is, very strange.��@�����PWhere are you off to?��(C�u��L𠏡��Home.��蠚����You want a lift?��C�u��a�����Sure.���C�u���@�����I had no idea.��������0I know.�������� �Were you with him until the end?���C�u���0�����You mean when he died?��������Yeah.�������� No.��������hI'd gone out for ice cream.��@C�u���@�����I left the hospital for half an hour each day.�� �����By the time I got back, he was gone.���C�u���P�����Ridiculous, huh?��������PNo. Not at all.��ࠦ����I really liked your father.��0C�u��X�����He liked you, too.��x����� But I didn't like him.��ࠕ����You didn't?���C�u��+������But you always spoke highly of him.��������I only realized after he died. Slowly.�� �C�u��Bh�����Before that, I didn't have the guts.�� ������What's wrong?���C�u��Y������I don't know what to say.��P������You don't have to say anything.���C�u��oh�����At his funeral, I kept expecting you to walk in.�� ������Stupidly.��C�u���࠮���Why didn't anyone tell me anything?��������HLike who?���������That's right. You cut everyone off.�� �C�u���0�����Me?���������How's Sima?��(C�u���0�����Fine.��蠴����- I saw her a month ago. - Really? Where?���C�u���p�ơ��I was leaving the grocery store and almost bumped into her.���C�u@����ҡ́I thought she might've said something and that's why you thought of me.�� ������ HShe didn't say anything. Did she see you, too?�� �C�u�� �¡��She preferred not to, but I got nervous and said hello.��������(Seriously?���C�u��&�����And she smiled.��ؠ�����- Are you sure it was Sima? - We were this close.�� �C�u��:������I never thought I'd be so close to her.�� �C�u@�S8�����She's really hardened.��@����� She looked rough and jagged.��x�����0What are you trying to say, Sadaf?��@C�u��o������It's what you do to people. With your inertia.�� 0������You make people grow thorns to defend themselves.�� �C�u����š��You dump that on my shoulders and then burst out laughing?�� �������I was serious.��`C�u���������Really? So where are your thorns?��0����� �I filed them down really well. But I've forgiven you.�� �C�u��0�ġ��You know the first thing I did after I broke up with you?�� HC�u��C�����You broke up with me?��P������No, you broke up with me.��`������And I closed the door a little firmly.��pC�u��_������You threw an ashtray and slammed the door.�� P����� �Should I say what happened before that?���C�u��s������Not really.��ؠ�����You were lucky it didn't hit you in the head.��0������It almost did.��8C�u@���@�����Go on. What did you do after breaking up with me?�� P�Ρȁ �I bought tuna fish. I hadn't had it for three years because of you.�� C�u@��������Why not? Did I handcuff you?��h�ϡɁNot really. I was being an idiot. But then it was really satisfying.��C�u@���H�����I've begun eating tuna.�������@- I heard things have changed with you. - Like what?��p������- Well... - Come on, now you have to tell me.�� PC�u���������You're buying birthday gifts, watering plants...�� �������You must be aging.��C�u���ؠ����You're great.��C�u��������Why do you think you know me so well?�� ������(You think that.��xC�u@��*ࠬ���It's why you came looking for me.��������You're really sure of yourself.�������HNot of myself. Of you.��XC�u��F8�����You're sure of me?��@������In what sense?�������`That you wouldn't be here if you had another option.�� 0C�u��o�����You think I've become that desperate?�� ����� 0No.���C�u���������I think you're lucky to still have this option.�� `C�u��������It's gotten dark.��������PIt'll light up in a second.��(C�u���@�����Can I hold your hand?��hC�u@��(������Should we do something?��������- Are you bored? - You're crazy.��������- Then what? - I don't know. Offer me some tea.���C�u��E`�ˡŁ- Give me a cigarette first. - They're in the glove compartment.�� @C�u��b������Here's the lighter.��`C�u���8�����Sadaf, how often do you think of me?�� ������- You want the truth? - Yeah.��C�u���ࠡ���Very rarely these days.�������� �And you?��`C�u���������More often recently.���ˡŁ8But I haven't been able to forget you since I saw you yesterday.�� �C�u��ߘ�����Yesterday?����ǡ�� I saw you from the office balcony and ran out the back door.��(C�u��������Was the back door locked today or did you not see me?�� �����xI'm here so you don't come back every day.�� `C�u��x�����You sure about that?��8����� xIt's over now.��PC�u��2������Maybe we shouldn't go upstairs.��������XNo, it's fine here.���C�u@��\p�����Inhale again and slowly...��@������Leave that alone.��ؠ�����- I want music. - What kind of music?���C�u��t������Whatever. Whatever you like.���C�u�� 5𠢡��He also sang that badly.��ؠ���� HPoor guy.���C�u@��!1������No, that's only for self-satisfaction.������� xA few nights ago, a friend asked me,��࠽����"Why don't you get depressed in times like these?"�� �C�u@��!Rx�����I said, "Because neither my father nor I are thieves."�� p�á��PHe said, "What does that mean?" I said, "I need to work.�� XC�u@��!n������I have no time to be depressed."�� 8�ѡˁ �This rich asshole sits around drinking coffee on his balcony, posting,���C�u@��!������"My heart is unwell."��𠷡���But if someone says they're angry, I get it.�� �ơ��@Or if they want to vomit, disgusted by the state of things.��0C�u��!�ؠ����A turkey breast sandwich, please.��p����� Yes, sir.��������8One turkey breast.���C�u��!�P�����You're right.���������Some people have...�� 8C�u��!��ΡȁSome people have so much money, they don't know what to do with it.�� �����And they just nag constantly.��xC�u@��"H�����But you've got cash here and there.�� (����� �Me?��`������I'm not poor, but I don't have cash to throw around.�� hC�u��"!�����Do I look rich?��P������Last week, you were here discussing the stock market.�� �C�u@��"5�����You're mistaken. That wasn't me.��@������He looked like you and drove the same car.���������- Which car? - The sports car.���C�u��"S������I've got a white Kia Pride, brother.�������� �Really?��������8So you're one of us.���C�u��"oP�����We have that black Pride over there.������� The one in front of my car?��C�u@�"�(�����Treat it with some care.��(����� 0That car's yours?���������You left it on the street for a year or two.�� �C�u��"�`�����Where? That wasn't ours.��𠱡���With an eagle hanging from the mirror?���C�u@��"�Ƞ����That's right.��������`There's only one Pride in this city with an eagle?�� ������0There are plenty of eagles in this city,��XC�u��"�X�����but only one tree on this street.�� Ƞ���� �And that Pride has been parked under it.�� 0C�u��"��ɡÁAll the shopkeepers try to park under that tree in the summer.��PC�u��#�����One person would kick it, the next would curse at it.���C�u@��# ������In the end, a family of mice was living in it.�� �����So they just dumped it there because it was worthless.�� �C�u@��#: �����But now the body's worth 40-50 million tomans.�� 8�ɡÁ PLook at this country, the electricity went out in the stadium!�� PC�u��#Ux�١ӁThe game is in darkness. Only the stadium's cell phones are lit.���C�u��#�h�����At least it's back on.���ˡŁ (- Can you pass the mustard, brother? - I already put some on it.�� �C�u��#�������Give it to him.��蠾��� �Every time I warm up to your employees, they leave.��C�u��#�������Because they're hardworking and docile.�� ������ �They're "simple workers."���C�u��#ژ�����But I'm the simple one.��h����� �I pay their wages,��(C�u��#�`�����give them food,��������a place to sleep,���C�u��$ؠ����and...�������� �treat them with respect. Right?�� C�u��$������Yes, sir.���������They still leave after a few days.��蠲���hI say, "Stick around and learn a trade.�� hC�u@��$9 �ԡ΁"What good is it to work here, then at a mechanic's, then at a grocer's?"���š���I'm telling you here and now, that if you stay for a year,��C�u��$X`�����I promise you in front of all these gentlemen�� ������ Hto put your picture up next to my father's.���C�u��$�������So what's your plan? Will you stay?��蠰��� hIf I don't leave for good, I'll stay.���C�u@��$�������What do you mean, "for good?"��𠗡��XTo go abroad.���������Where are you planning on going, inshallah?��C�u��$�ؠ����Wherever I can.���������Interesting. We're going, too.��������Oh, yeah? Where to?��(C�u��$�@�����My friends say Canada,�������� but my wife and I prefer Australia.�� �C�u@��$�ؠ����We'll see.��蠨����Anywhere is better than here.������� �That's not true.��(�����`I'm not against leaving,���C�u@��%������but I won't kill myself to do it.�� 0�աρ�Most problems result from our degenerate minds, which always accompany us.���C�u��%3蠹���Our degenerate minds are the products of here.�������� pJust go. Anywhere is better than this dump.�� �C�u��%L������What dump?��x�š�� �I don't know when people started using this foul language.��PC�u@��%k8�����When your generation ruined this country.�� ����� We ruined it?��h�����What good have you done for it?�� C�u@��%�𠴡��You can't even take care of your own car!�� �١ӁxYou can't even keep an employee and wonder why people are leaving the country.���C�u��%���á��They're right to leave. Why should they waste away here?�� �C�u��%������Motherfucking rain. It's so intense!�� ����� XGoal for Zob Ahan!�� �C�u��&qh�����Radio Farhang.��(C�u@��&�(�ġ��Good evening, dear Radio Farhang listeners.�� ��١Ӂ XI'm Mohammad Taheri with another segment of this evening's news.��C�u��&�`�סсMohamed Ajmal bin Abdul Razak Al-Aidrus, a Malaysian professor���C�u@��&���ށwho translated Rumi's "Masnavi" into the Malay language for the first time,����¡��Xhas passed away from heart complications.�� �C�u��&�ؠ�ہThe scholar was entranced by the rich and moral content of Rumi's poetry���C�u@��'�����while working on his thesis.�� �ʡā HHe published this gem of Farsi literature in 2012�� C�u@��'" �ڡԁin six volumes with two languages, Farsi and Malay, side by side.��X�ءҁThe late Professor Ajmal Al-Aidrus had declared in a statement,�� �C�u��'B�š��"Rumi has chosen me to translate this work."���C�u��)"(�����... and kept touching me like this.��ࠢ���hYou won't get it. Here.��C�u��)H �����And he kept going.��(������Keep going.��8�����pThen he made a fist near my mouth.��PC�u��)q8�����My breath reflected off his hand�� �����8and I could feel the warmth on my own face.���C�u��)�Р����Then he rubbed it against my face like this.��p����� �- Want me to show you? - No, I get it.��@C�u��)�������Then I kissed his fist.������� �He said, "No."���C�u��)���á��But it was a matter-of-fact no. With no force behind it.�� @C�u��)а�����Then he told me to open my eyes.��Ƞ�����Some people are something else in the dark.�� 8C�u��)������That's enough. So it went well. What's the problem?��8������I asked him when we'd see each other again.�� C�u��*(�����He said, "Never."���������What's new with you?���C�u��*-�����Same as always.��8�����H- I told you so. - Told me what?���C�u@��*KР����That this isn't one of those things���á���where you go buy her nice flowers and everything's fine.�� @������I didn't think so.��(C�u@��*q�ΡȁAfter all these years, regardless of how good or exceptional it is,�� 蠫���you can't call it a relationship.��xC�u��*������What is it then?���������- Incest? - Shut up.��0C�u��*�`�����Seriously.�������� �It's like a photograph of a landscape.���C�u��*�������Imagine a pond full of waterlilies.�� ������@But without any breeze.��(C�u��*ՠ�����You need to throw a stone��X����� (to make a wave or a ripple,���C�u��*�P�����but it doesn't work.��`����� You know why?��������@It's flat, two-dimensional.���C�u��+ ������And it's not your fault.���C�u��,ࠞ���Where are you going?���C�u@��,4@�ȡEvery week, I bring my daughter for lessons with Ms. Minasian�� ������ 0and you ask where I'm going.��������Doesn't matter if you come every day.�� C�u��,O�ǡ��She's late. I'll drop her off at the elevator and come back.�� Ƞ���� �Go ahead.���C�u@��,�������What are you doing? You passed the elevators.��ࠡ����I want a word with you.��(����� HI'm late.��蠪����We have time. Give me a minute.��XC�u@��-������What is it you're embarrassed about?���Ρȁ I've been wondering ever since Ms. Hojat played us your recordings.�� �C�u@��- ������- You mean the voice recordings? - Yeah.����ϡɁ What is it you're embarrassed about? Whatever it is, I want to know.�� �C�u@��- - Why not?�� (�̡Ɓ �The recordings weren't for you to figure out which kid was yours.�� �C�u@��-R��¡��I wasn't trying to figure out which voice was my kid's.�� ؠơ�� xI know your voice, even if they manipulate it in 1000 ways.�� �C�u@��-l��ȡI haven't mentioned it for a week, even to your mom. Ask her.��@�����pBut I can't keep acting like I didn't hear it.�� PC�u��-�(�����So you decided to bring it up here and now?��蠣��� �Why not? Tell me and go.��0C�u��-�(�����Minoo,�������� �put yourself in my shoes. You'd ask, too.�� �C�u@��-�X�̡ƁI just want to know if anything happened that I don't know about.��ؠ����xMaybe your mother and I are at fault.�� @C�u��-������I promise not to get upset, whatever it is.�� Ƞ���� h- Don't make false promises. - It's not.���C�u��.������- Of course it is. - It's not.����š��HHow do you know you won't get upset? Maybe it's upsetting.�� �C�u��.p�ҡ́So what if I get upset? Who the hell cares? I won't take it out on you.��8C�u��.1������- Well? - Well, what?��ࠪ����What is it that's so upsetting?���������Is that what I said?��C�u��.H �����Minoo, stop it. Just tell me.���C�u��.\H�����Dad, that wasn't me. Will you let me go now?���C�u@��.p������Let me go.���������Ask Ms. Hojat. She knows everyone.�� �ӡ́�You know I'd never do such a thing. But don't lie and say it wasn't you.���C�u@��.�࠽���Leave whenever you want. I'm not holding you here.��蠗��� �I didn't lie.��x������It was Raha who said she was embarrassed.��HC�u��.�������Are you satisfied that I ratted out my friend?�� xC�u@��.�Р����I was the one who said I felt unsafe.�������� pNext time, I'll add that����ɡÁ�my dad can only have serious conversations in parking garages.�� �C�u��/Oࠧ���Shall I arrange them for you?��������XYes.���������They're for my wife.��PC�u��1�x�����Guys, this is Keyvan.�������� �Keyvan.��蠠���Arvin, Erisa, Dorsa...�� xC�u��1ɠ�����We call her Dordor, but you can't yet.��H����� �Hamoon, Helia.��C�u@��2�������Now you can't eat the cake anymore.�� ����� xWe'll eat it anyway.���¡���- If we can't, it's his fault, or hers. - We're hungry.�� �C�u��4b(�����Where did that come from?��xC�u��4�H�����I want to���������show you a ribbon.��������8This ribbon...��C�u��4�0�����Well done!��������(A round of applause.��C�u��5Р����Your nose.���C�u��5�𠠡��Where are the candles?��ؠ����If we have any: in the cupboard by the sink.���C�u��6������The other side of the street still has electricity.�� ������There are none here.��(C�u��6!������Then we don't have any.�������� Don't worry. Come here, it's not even that dark.���C�u@��6���͡ǁThe good thing about losing power is that you can just do nothing.�� ������ �Like it doesn't even count as part of your life.�� �C�u��6������So, let's do nothing.���C�u��7������So, what do we do now?��������You tell me.��C�u��7.࠭���- I saw a fox last night. - A fox?��H����� �Yeah.��蠭���Out of nowhere. On Farivar Street.���C�u��7IH�����I got out of the car��𠜡��0and approached it.��ؠ�����It just stood there. It wasn't afraid.�� 8C�u��7e�����I went closer.��ؠ�����When I was two to three meters away, I stopped.�� �������We were face to face.���C�u��7~�����What happened next?��蠙��� I looked at it,���������spoke with it,��C�u��7�Ƞ����then got back in the car.��Р���� �That's it? You left?��PC�u��7�������What should I have done?��������What did it look like?��Ƞ����pVery ordinary, but green.�� C�u��7������- Green. - You don't believe me?�� 8����� P- The lights go out and you tell stories. - It's true.�� C�u��7䘠����Let me show you.���C�u��8)�����Look.�������� �It's the light from the hospital.��PC�u��8Tx�����Remember when we went up north and it was snowing?�� �������You said everything was gray, even the snow.��@C�u��8x������No. When?��������We saw a café and you pulled over.�� �����I went to get some tea.���C�u��8�0�ȡI opened the door and saw all these men smoking opium inside.��p�����Oh, now I remember.���C�u��8������You called out, "Sima, hurry, before it runs away!"�� ������`So I closed the door and ran back out.�� @C�u��8�P�����That fox...���ˡŁ You said the fox was orange, though it was the grayest of grays.���C�u��9������I want something sweet.��x����� `Like what?���C�u��9#X�����Get me some quince jam.��PC�u��9帠����I saw Sadaf.���C�u��9�Р����By chance?��`����� xI went to pick her up.���������She still works at the same place.���C�u��:������Did you go to her place?��(������We chatted while I drove her home.��pC�u��:,������Why did you go to see her?��������To hear what she thinks of me.��HC�u��:M������Concerning what?���������You want the truth?��`C�u��:c������I don't know.��蠨���(So what does she think of you?��PC�u��:�������That my inertia makes people grow thorns.�� 蠟���hTo defend themselves.��`C�u��:�ࠟ���Those were her words.��Ƞ����(She laughed after she said it, too.��PC�u��:�H�����But she said she was serious.��P����� �Do you agree?��C�u��:�Р����I don't know what she meant by "inertia,"�� x������but I like your inertia.��XC�u��:�X�����If you see her again, tell her.���C�u@��;)(�á��Lately, I've been feeling like you want me to disappear.�� ؠ����As though I was never here to begin with.�� 8C�u��;O蠕���No, Behzad.��蠕����What, then?���C�u��;|p�����I think, after a certain point,��������we started to just lean on each other.���C�u��;�ؠ����Back to back.��`����� �In the dark.���C�u��;�������For fear of falling.���C�u��;�������You understand?��8������Did we have a choice?��hC�u��;� �����No.���������But I don't want to be scared anymore.���C�u��;�������You shouldn't be scared, either.��xC�u�� with the furniture?�� �ϡɁ `By the time this is over, these'll be gone, too. It won't take long.��`C�u��BoX�ɡÁHe was renovating it for his sister, but she changed her mind.�� 0����� �Now he wants to rent it out.��@C�u��B������- Why did she change her mind? - I don't know.���C�u��B�������So, what do you think?��x�����8I like the place.��hC�u@��B�@�����It's the best of all the houses I've seen so far.�� �ǡ�� �If you can get him to lower the rent a little, I'll take it.�� 0C�u��B�@�����I can only do my best.�� �C�u@��B�X�����The only thing is, he insists on renting to a family.��������Well, we're a family, too, me and my daughter.�� @C�u��C࠻���Can I be alone here for a bit? Would that be OK?�� ������0I'll wait at the staircase.���S�k}�����qP���������� �����`�������� 𻕳��з���������`�����з�������%������ȷ��������p����ط������5�� P����2����������������9�������6�� ����Hx��������������i �����0���� �����w������0��S��Ȼ��������������������X��������6��軕���෎������I������������ ���������h����� ��)�� x����������g����������H����������軕���跎��������x�������������C��P���� `����������H����з�������6�� P����%෎���s����Ȼ���5������s��)������?����������� @����L�������;��໕��(�����'����0���� з����'��3��P����.෎���u���������Q�����������ػ���\���������� ����sP���������������{跎������$��P������������7��(����������F����������������F��B�� ػ���������F�����������(�����#���� ������8�����#��>�� H�����x���������������Ҡ��������B��������з����������Ȼ����8��������ײ������䘷���������𻕳��(��������S��������`�����������(���������������� (��������������� ����&8��������b�� ����3X����� �����ػ���8з���� ���&�������=������ ���9������������� �����ػ���%������ ���"�������5x�����!$���� 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