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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:11,924 --> 00:00:21,978 CAPTIONING MADE POSSIBLE BY TRIMARK PICTURES 4 00:00:21,978 --> 00:00:35,209 CAPTIONING MADE POSSIBLE BY TRIMARK PICTURES 5 00:00:35,252 --> 00:00:40,127 ♪ 'TWAS IN THE MERRY MONTH OF MAY ♪ 6 00:00:40,170 --> 00:00:45,480 ♪ WHEN GREEN LEAVES WERE A-SPRINGING ♪ 7 00:00:45,523 --> 00:00:50,485 ♪ THIS YOUNG MAN ON HIS DEATHBED LAY ♪ 8 00:00:50,528 --> 00:00:56,099 ♪ FOR THE LOVE OF BARBARA ALLEN ♪ 9 00:00:56,143 --> 00:01:00,799 ♪ HE SENT HIS MAN UNTO HER THEN ♪ 10 00:01:00,843 --> 00:01:06,327 ♪ TO THE TOWN WHERE SHE WAS DWELLING ♪ 11 00:01:06,370 --> 00:01:11,375 ♪ YOU MUST COME TO MY MASTER, DEAR ♪ 12 00:01:11,419 --> 00:01:16,554 ♪ IF YOUR NAME BE BARBARA ALLEN ♪ 13 00:01:16,598 --> 00:01:21,777 ♪ SO SLOWLY, SLOWLY SHE GOT UP ♪ 14 00:01:21,820 --> 00:01:26,956 ♪ AND SLOWLY SHE CAME TO HIM 15 00:01:26,999 --> 00:01:32,135 ♪ AND ALL SHE SAID WHEN SHE CAME THERE ♪ 16 00:01:32,179 --> 00:01:37,358 ♪ YOUNG MAN, I THINK YOU'RE DYING ♪ 17 00:01:37,401 --> 00:01:42,102 ♪ HE TURNED HIS FACE UNTO THE WALL ♪ 18 00:01:42,145 --> 00:01:47,368 ♪ AND DEATH CAME CREEPING TO HIM ♪ 19 00:01:47,411 --> 00:01:52,677 ♪ ADIEU, ADIEU, AND ADIEU TO ALL ♪ 20 00:01:52,721 --> 00:01:57,943 ♪ AND ADIEU TO BARBARA ALLEN 21 00:01:57,987 --> 00:02:03,384 ♪ WHEN HE WAS DEAD AND LAID IN HIS GRAVE ♪ 22 00:02:03,427 --> 00:02:08,345 ♪ THEN DEATH CAME CREEPING TO HER ♪ 23 00:02:08,389 --> 00:02:13,350 ♪ OH, MOTHER, MOTHER, MAKE MY BED ♪ 24 00:02:13,394 --> 00:02:18,660 ♪ FOR HIS DEATH HATH QUITE UNDONE ME ♪ 25 00:02:18,703 --> 00:02:23,665 ♪ AND SO THIS MAID SHE THEN DID DIE ♪ 26 00:02:23,708 --> 00:02:29,105 ♪ AND DESIRED TO BE BURIED BY HIM ♪ 27 00:02:29,149 --> 00:02:34,937 ♪ AND REPENTED SHE BEFORE SHE DIED ♪ 28 00:02:34,980 --> 00:02:42,336 ♪ THAT E'ER SHE DID DENY HIM 29 00:02:46,166 --> 00:02:49,560 NOW, THERE YOU HAVE A FINE EXAMPLE 30 00:02:49,604 --> 00:02:52,650 OF AN OLD ENGLISH BALLAD, A FOLK SONG, 31 00:02:52,694 --> 00:02:54,826 DEFINED AS THAT WHICH IS CREATED BY 32 00:02:54,870 --> 00:02:57,525 THE COMMON PEOPLE, THE UNSKILLED. 33 00:02:57,568 --> 00:02:58,917 THE MELODIES ARE QUAINT AND PRIMITIVE, 34 00:02:58,961 --> 00:03:02,486 BUT YOU MUST LEARN TO APPRECIATE NOT ONLY 35 00:03:02,530 --> 00:03:03,748 THE SOCIOLOGICAL VALUE, 36 00:03:03,792 --> 00:03:08,013 BUT THE SIMPLE PURITY OF EMOTION IN THE SONG. 37 00:03:14,977 --> 00:03:17,327 OH, GOOD AFTERNOON, DEAN PEMBROKE. 38 00:03:17,371 --> 00:03:21,026 I WANTED TO CATCH YOU TODAY, DR. PENLERIC. 39 00:03:21,070 --> 00:03:22,202 I WANTED TO TELL YOU 40 00:03:22,245 --> 00:03:24,029 THAT THE APPOINTMENT COMMITTEE HAS REVIEWED 41 00:03:24,073 --> 00:03:26,597 YOUR APPLICATION FOR FULL PROFESSOR, 42 00:03:26,641 --> 00:03:28,947 AND WE'VE CONCLUDED UNANIMOUSLY 43 00:03:28,991 --> 00:03:32,124 THAT WE CANNOT OFFER YOU THE POSITION. 44 00:03:32,168 --> 00:03:34,866 HOWEVER, WE HOPE YOU WILL CONTINUE ON 45 00:03:34,910 --> 00:03:36,825 AS AN ASSOCIATE PROFESSOR, 46 00:03:36,868 --> 00:03:39,306 AT YOUR CURRENT SALARY LEVEL, OF COURSE. 47 00:03:39,349 --> 00:03:43,658 WHY, MAY I ASK, AM I BEING PASSED OVER AGAIN? 48 00:03:43,701 --> 00:03:44,833 IT IS NOT CUSTOMARY 49 00:03:44,876 --> 00:03:48,619 TO BE ASKED TO DEFEND OUR POSITION, 50 00:03:48,663 --> 00:03:49,968 DR. PENLERIC. 51 00:03:50,012 --> 00:03:52,057 IT APPEARS WE HAVE AN OPPORTUNITY 52 00:03:52,101 --> 00:03:53,058 TO OFFER THE POSITION 53 00:03:53,102 --> 00:03:55,539 TO THE EMINENT ENGLISH MUSICOLOGIST 54 00:03:55,583 --> 00:03:57,672 AND BALLAD COLLECTOR CYRUS WHITTLE, 55 00:03:57,715 --> 00:04:00,588 WHO, AS YOU KNOW, HAS ALMOST SINGLE-HANDEDLY 56 00:04:00,631 --> 00:04:04,418 CREATED A REVIVAL OF THE ENGLISH FOLK SONG-- 57 00:04:05,027 --> 00:04:06,681 OH, DEAN PEMBROKE, EXCUSE ME. 58 00:04:06,724 --> 00:04:08,291 WHAT IS IT, PROFESSOR ALDRICH? 59 00:04:08,335 --> 00:04:09,988 UH, NOTHING, SIR. I JUST STOPPED BY 60 00:04:10,032 --> 00:04:11,816 FOR A FEW WORDS WITH DR. PENLERIC. 61 00:04:11,860 --> 00:04:13,165 WELL, I WAS JUST LEAVING. 62 00:04:13,209 --> 00:04:15,994 GOOD DAY, DR. PENLERIC. 63 00:04:21,391 --> 00:04:23,654 I ARGUED FOR YOU, LILY. 64 00:04:23,698 --> 00:04:25,613 AS EMPHATICALLY AS I DARED. 65 00:04:25,656 --> 00:04:27,310 I HAVE WAITED LONGER AND PUBLISHED MORE 66 00:04:27,354 --> 00:04:29,312 THAN ANYONE ELSE IN THIS DEPARTMENT. 67 00:04:29,356 --> 00:04:33,360 FRANKLY, I WAS THE ONLY MAN FOR YOU. 68 00:04:33,403 --> 00:04:34,535 REALLY? 69 00:04:34,578 --> 00:04:36,798 DEAN PEMBROKE SAID THE VOTE WAS UNANIMOUS. 70 00:04:36,841 --> 00:04:41,063 UH, I WAS AFRAID SOMEONE WOULD SUSPECT SOMETHING. 71 00:04:42,891 --> 00:04:45,328 NOW, DR. WHITTLE IS A BRILLIANT MAN. 72 00:04:45,372 --> 00:04:48,592 OF COURSE HE IS. THAT'S NOT THE POINT. 73 00:04:48,636 --> 00:04:52,117 LILY, I'VE ARRANGED THE FAMILY'S WHOLE SUMMER 74 00:04:52,161 --> 00:04:56,383 SO I CAN COME INTO TOWN TO SEE YOU EVERY WEEK. 75 00:04:58,994 --> 00:05:01,605 I WON'T BE HERE, WALLACE. 76 00:05:01,649 --> 00:05:02,824 WELL, WHERE ARE YOU GOING? 77 00:05:02,867 --> 00:05:06,436 AS FAR AWAY AS POSSIBLE. 78 00:05:06,480 --> 00:05:08,351 PLEASE DON'T GO AWAY! 79 00:05:08,395 --> 00:05:10,745 I KNOW HOW DISAPPOINTED YOU MUST BE, 80 00:05:10,788 --> 00:05:12,355 MY DARLING, BUT-- 81 00:05:12,399 --> 00:05:13,661 LILY, WAIT! 82 00:05:13,704 --> 00:05:15,619 WHY DON'T I MEET YOU AT YOUR APARTMENT? 83 00:05:15,663 --> 00:05:19,797 MY WIFE WON'T BE HOME UNTIL QUITE LATE. 84 00:05:20,581 --> 00:05:21,886 OH! 85 00:05:23,105 --> 00:05:24,280 ARE YOU MAD, LILY? 86 00:05:24,324 --> 00:05:25,890 WHAT IF SOMEONE WALKED IN? 87 00:05:25,934 --> 00:05:27,022 YOU COWARD! 88 00:05:27,065 --> 00:05:28,937 BACKING MY APPOINTMENT WAS THE ONLY THING 89 00:05:28,980 --> 00:05:32,201 I EVER ASKED YOU FOR. 90 00:05:32,244 --> 00:05:33,811 BUT-- 91 00:05:50,567 --> 00:05:53,744 YOU MISS ELNA'S SISTER? 92 00:05:53,788 --> 00:05:55,529 YES, YES, YES, I AM. 93 00:05:55,572 --> 00:05:57,008 I'M HERE TO TAKE YOU TO CLOVER. 94 00:05:57,052 --> 00:05:59,446 I'M FATE HONEYCUTT. WHAT'S YOUR NAME? 95 00:05:59,489 --> 00:06:03,580 OH, HELLO, I'M DR. LILY PENLERIC. 96 00:06:03,624 --> 00:06:05,321 YOU'RE A DOCTOR, HUH? 97 00:06:05,365 --> 00:06:06,453 THAT'S JUST FINE. 98 00:06:06,496 --> 00:06:09,369 WE COULD SURE USE ANOTHER HEALER. 99 00:06:09,412 --> 00:06:12,720 OH, I'M NOT A MEDICAL DOCTOR. 100 00:06:12,763 --> 00:06:13,982 OH, WHAT KIND ARE YOU? 101 00:06:14,025 --> 00:06:18,943 UH, I'M A, UH, DOCTOR OF MUSIC. 102 00:06:20,510 --> 00:06:22,730 SORT OF AN EXPERT. 103 00:06:28,126 --> 00:06:29,780 THANK YOU. 104 00:06:31,695 --> 00:06:33,958 WELL, HOP ON UP, DOC. 105 00:06:39,137 --> 00:06:41,705 PUT YOUR FOOT ON THE WHEEL THERE. 106 00:06:41,749 --> 00:06:43,968 I'LL HELP YOU UP. 107 00:06:48,320 --> 00:06:50,105 GIDDYAP! 108 00:07:14,912 --> 00:07:16,914 GIDDYAP! 109 00:07:23,312 --> 00:07:26,141 UH, WHAT IF WE MEET ANOTHER WAGON 110 00:07:26,184 --> 00:07:29,274 COMING DOWN THE MOUNTAIN? 111 00:07:29,318 --> 00:07:31,625 THAT WOULD BE SOMETHIN'. 112 00:07:32,974 --> 00:07:34,497 OH! 113 00:07:52,863 --> 00:07:55,387 SOMEONE'S PLAYING MUSIC? 114 00:08:10,098 --> 00:08:11,969 OH, LILY! 115 00:08:12,013 --> 00:08:14,058 ELEANOR... 116 00:08:16,017 --> 00:08:18,019 IT'S BEEN SO LONG. 117 00:08:18,062 --> 00:08:19,368 YES. 118 00:08:20,064 --> 00:08:20,935 I THOUGHT YOU SAID 119 00:08:20,978 --> 00:08:23,241 IT WAS ONLY 5 MILES TO CLOVER? 120 00:08:23,285 --> 00:08:24,895 Woman: OH, SHE MEANT MOUNTAIN MILES. 121 00:08:24,939 --> 00:08:28,943 IT USED TO TAKE 3 DAYS TO GET UP HERE. 122 00:08:28,986 --> 00:08:31,598 THIS IS MY SISTER LILY. 123 00:08:31,641 --> 00:08:35,384 LILY, THIS IS MY COLLEAGUE AND FRIEND, 124 00:08:35,427 --> 00:08:36,777 HARRIET TOLLIVER. 125 00:08:36,820 --> 00:08:37,778 HOW DO YOU DO? 126 00:08:37,821 --> 00:08:38,692 HOW DO YOU DO? 127 00:08:38,735 --> 00:08:40,824 AND THIS IS DELADIS SLOCUMB. 128 00:08:40,868 --> 00:08:42,304 DELADIS HAS NO FAMILY, 129 00:08:42,347 --> 00:08:46,003 SO WE GET TO KEEP HER HERE, FULL-TIME. 130 00:08:46,047 --> 00:08:47,831 HOW DO YOU DO, MA'AM? 131 00:08:47,875 --> 00:08:49,529 HOW DO YOU DO. 132 00:08:49,572 --> 00:08:52,619 ELNA'S TOLD ME SO MUCH ABOUT YOU. 133 00:08:52,662 --> 00:08:53,750 ELNA? 134 00:08:53,794 --> 00:08:56,274 OH, THAT'S WHAT EVERYONE HERE CALLS ME. 135 00:08:56,318 --> 00:08:58,929 IT'S CAUGHT ON WITH ME, TOO. 136 00:08:58,973 --> 00:09:00,844 WELL, I SUPPOSE IT'S A LOT BETTER 137 00:09:00,888 --> 00:09:01,845 THAN "LITTLE ELF," 138 00:09:01,889 --> 00:09:04,021 WHICH IS WHAT I USED TO CALL HER. 139 00:09:04,065 --> 00:09:04,805 HA HA! 140 00:09:04,848 --> 00:09:07,547 Y-YOU MUST BE EXHAUSTED. 141 00:09:07,590 --> 00:09:09,592 I AM. EXCUSE ME. 142 00:09:09,636 --> 00:09:13,901 OH, WOULD YOU LIKE TO REST BEFORE SUPPER? 143 00:09:13,944 --> 00:09:17,078 UH, COULD YOU HELP ME, DEAR? 144 00:09:17,121 --> 00:09:18,035 YES, I'M SORRY. 145 00:09:18,079 --> 00:09:20,255 THANK YOU SO MUCH. 146 00:09:20,298 --> 00:09:23,040 IT'S VERY HOT. 147 00:09:23,084 --> 00:09:25,173 I... 148 00:09:43,974 --> 00:09:46,020 ALONG WITH THE BASIC CURRICULUM, 149 00:09:46,063 --> 00:09:48,849 WE ALSO TEACH HYGIENE AND NUTRITION 150 00:09:48,892 --> 00:09:49,632 TO THE GIRLS. 151 00:09:49,676 --> 00:09:51,112 AND MUSIC, OF COURSE. 152 00:09:51,155 --> 00:09:54,898 DELADIS, WHY DON'T YOU SERVE THE TEA? 153 00:09:54,942 --> 00:09:57,901 DELADIS, WHAT A BEAUTIFUL NAME. 154 00:09:59,990 --> 00:10:01,296 THAT'S A REAL PRETTY FAN. 155 00:10:01,339 --> 00:10:05,474 OH, THANK YOU, DEAR. IT'S FROM SPAIN. 156 00:10:08,520 --> 00:10:10,261 THANK YOU, DEAR. 157 00:10:13,787 --> 00:10:16,224 AREN'T YOU FRIGHTENED HERE? 158 00:10:18,661 --> 00:10:20,010 WHAT OF? 159 00:10:20,968 --> 00:10:23,666 OH, SAVAGE MOUNTAINEERS? 160 00:10:23,710 --> 00:10:26,060 REPORTS OF VIOLENCE ARE HORRIBLE. 161 00:10:26,103 --> 00:10:27,191 HEH! 162 00:10:27,235 --> 00:10:30,804 HA HA HA! HORRIBLY EXAGGERATED, THAT IS. 163 00:10:30,847 --> 00:10:32,501 DELADIS, WHY DON'T YOU SING 164 00:10:32,544 --> 00:10:35,635 ONE OF YOUR PRETTY SONGS FOR MY SISTER? 165 00:10:35,678 --> 00:10:36,810 OH, PLEASE, PLEASE DO! 166 00:10:36,853 --> 00:10:39,073 I WOULD LIKE THAT. 167 00:10:48,517 --> 00:10:54,697 ♪ 'TWAS IN THE MERRY MONTH OF MAY ♪ 168 00:10:54,741 --> 00:10:59,528 ♪ WHEN ALL GAY FLOWERS WERE A-BLOOMIN' ♪ 169 00:10:59,571 --> 00:11:05,055 ♪ SWEET WILLIAM ON HIS DEATHBED LAY ♪ 170 00:11:05,099 --> 00:11:10,713 ♪ FOR THE LOVE OF BARBARA ALLEN ♪ 171 00:11:10,757 --> 00:11:16,850 ♪ HE SENT HIS SERVANT TO THE TOWN ♪ 172 00:11:16,893 --> 00:11:21,419 ♪ HE SENT HIM TO HER DWELLIN' 173 00:11:21,463 --> 00:11:26,990 ♪ SAYIN' MASTER'S SICK AND VERY SICK ♪ 174 00:11:27,034 --> 00:11:31,865 ♪ AND FOR YOUR SAKE HE'S A-DYIN' ♪ 175 00:11:31,908 --> 00:11:34,955 DELADIS, WHERE DID YOU LEARN THAT SONG? 176 00:11:36,870 --> 00:11:38,480 MY GRANNY GAVE TO ME. 177 00:11:38,523 --> 00:11:40,090 WAS YOUR GRANDMOTHER FROM ENGLAND? 178 00:11:40,134 --> 00:11:42,919 YOU MEAN ACROSS THE OCEAN? 179 00:11:43,659 --> 00:11:45,052 NO. NO. 180 00:11:45,095 --> 00:11:48,533 GRANNY LIVED AND DIED RIGHT HERE ON THE MOUNTAIN. 181 00:11:48,577 --> 00:11:52,059 THEN, WHERE DID SHE LEARN IT? 182 00:11:52,102 --> 00:11:53,190 GRANNY SAID SHE GOT 183 00:11:53,234 --> 00:11:56,716 ALL THOSE LOVE SONGS FROM HER MAMA. 184 00:11:56,977 --> 00:11:59,980 DO YOU KNOW ANY MORE BALLADS? 185 00:12:00,023 --> 00:12:01,851 LOVE SONGS. 186 00:12:02,722 --> 00:12:04,071 OH. I KNOW LOTS OF THEM. 187 00:12:04,114 --> 00:12:08,989 I KNOW LORD RANDAL, JACK WENT A-SAILIN', 188 00:12:09,032 --> 00:12:12,035 TWO SISTERS,UH, I KNOW YOUNG ANNE LEE... 189 00:12:12,079 --> 00:12:15,735 WOULD YOU SING TWO SISTERS,PLEASE? 190 00:12:15,778 --> 00:12:17,824 Elna: IT'S ALL RIGHT, DEAR. 191 00:12:17,867 --> 00:12:22,480 ♪ OH, SISTER, OH, SISTER COME GO WITH ME... ♪ 192 00:12:22,524 --> 00:12:25,614 LILY, I TOLD YOU NEVER TO CALL ME HERE. 193 00:12:25,657 --> 00:12:27,921 I'M CALLING AS A COLLEAGUE, WALLACE. 194 00:12:27,964 --> 00:12:28,965 WHERE ARE YOU? 195 00:12:29,009 --> 00:12:30,401 THE SOUTHERN MOUNTAINS. 196 00:12:30,445 --> 00:12:33,143 WHAT ON EARTH ARE YOU DOING IN SUCH A DREADFUL PLACE? 197 00:12:33,187 --> 00:12:34,144 NEVER MIND THAT. 198 00:12:34,188 --> 00:12:35,885 I'M TELEPHONING BECAUSE I'VE MADE 199 00:12:35,929 --> 00:12:38,670 A GREAT DISCOVERY-- OLD ENGLISH BALLADS. 200 00:12:38,714 --> 00:12:39,976 WHAT ARE YOU TALKING ABOUT? 201 00:12:40,020 --> 00:12:42,587 THE MOUNTAIN PEOPLE BROUGHT THE BALLADS HERE 202 00:12:42,631 --> 00:12:44,807 OVER 200 YEARS AGO. 203 00:12:44,851 --> 00:12:45,982 THE SAME SONGS THAT 204 00:12:46,026 --> 00:12:47,854 CYRUS WHITTLE'S BEEN COLLECTING IN ENGLAND. 205 00:12:47,897 --> 00:12:49,986 SONGS WHICH HAVEN'T BEEN KNOWN THERE 206 00:12:50,030 --> 00:12:51,596 FOR AT LEAST 100 YEARS. 207 00:12:51,640 --> 00:12:52,641 WHAT OF IT, LILY? 208 00:12:54,599 --> 00:12:55,818 I WANT YOU TO COME HOME. 209 00:12:55,862 --> 00:12:58,865 DON'T YOU UNDERSTAND? WALLACE, THESE MAY BE 210 00:12:58,908 --> 00:13:01,693 THE PUREST VERSIONS IN EXISTENCE. 211 00:13:01,737 --> 00:13:03,478 OH, THAT'S RIDICULOUS. 212 00:13:03,521 --> 00:13:04,392 IT'S TRUE! 213 00:13:04,435 --> 00:13:05,567 AND I AM GOING TO BE THE FIRST 214 00:13:05,610 --> 00:13:06,916 TO COLLECT THEM AND TO PUBLISH THEM. 215 00:13:06,960 --> 00:13:09,397 NOTHING I COULD HAVE SAID OR DONE 216 00:13:09,440 --> 00:13:11,703 WOULD HAVE SECURED THAT APPOINTMENT FOR YOU. 217 00:13:11,747 --> 00:13:15,011 AND NOTHING YOU DO NOW WILL EITHER. 218 00:13:15,882 --> 00:13:18,275 WILL YOU HELP ME OR NOT? 219 00:13:20,712 --> 00:13:22,497 I'VE ALWAYS BELIEVED IN YOU, LILY. 220 00:13:22,540 --> 00:13:23,977 GOOD. WELL, I NEED SUPPLIES. 221 00:13:24,020 --> 00:13:28,024 THE COLLECTING MUST BE DONE SCIENTIFICALLY. 222 00:14:00,752 --> 00:14:02,929 NOW, NICE AND LOUD. 223 00:14:05,453 --> 00:14:08,064 ♪ OH, HOLIDAY, OH, HOLY DAY ♪ 224 00:14:08,108 --> 00:14:10,632 ♪ THE FIRST DAY OF THE YEAR ♪ 225 00:14:10,675 --> 00:14:13,330 ♪ LIL' MATTHY GROVES TO CHURCH HE GOES ♪ 226 00:14:13,374 --> 00:14:15,463 ♪ SOME HOLY WORDS TO HEAR ♪ 227 00:14:15,506 --> 00:14:18,727 ♪ HEAR, SOME HOLY WORDS TO HEAR ♪ 228 00:14:19,902 --> 00:14:21,034 ♪ HE SAW SOME WOMEN DRESSED IN BLACK ♪ 229 00:14:21,077 --> 00:14:23,427 ♪ AS THEY CAME IN TO VIEW 230 00:14:23,471 --> 00:14:26,213 ♪ LORD DANIEL'S WIFE WAS GAILY CLAD ♪ 231 00:14:26,256 --> 00:14:28,258 ♪ THE FLOWER OF THE FEW 232 00:14:28,302 --> 00:14:31,174 ♪ FEW, THE FLOWER OF THE FEW ♪ 233 00:14:31,218 --> 00:14:34,177 ♪ SHE STEPPED RIGHT UP TO LIL' MATTHY GROVES ♪ 234 00:14:34,221 --> 00:14:36,832 ♪ HER EYES CAST ON THE GROUND... ♪ 235 00:14:38,007 --> 00:14:42,011 ♪ COME ALL YE FAIR AND TENDER LADIES ♪ 236 00:14:42,055 --> 00:14:48,670 ♪ BE CAREFUL HOW YOU COURT YOUNG MEN ♪ 237 00:14:48,713 --> 00:14:52,065 UH, COULD YOU SING THOSE TWO LINES AGAIN? 238 00:14:52,108 --> 00:14:54,154 THANK YOU, DEAR. 239 00:14:54,197 --> 00:14:55,938 WHY DON'T YOU JUST MAKE A CYLINDER 240 00:14:55,982 --> 00:14:57,331 AND COPY OFF THAT? 241 00:14:57,374 --> 00:15:00,856 AH, BECAUSE THE CYLINDERS ARE ONLY FOR SHORT SONGS, 242 00:15:00,900 --> 00:15:04,642 AND THEY WEAR OUT. ONCE AGAIN, THANK YOU. 243 00:15:04,686 --> 00:15:10,953 ♪ COME ALL YE FAIR AND TENDER LADIES ♪ 244 00:15:10,997 --> 00:15:17,742 ♪ BE CAREFUL HOW YOU COURT YOUNG MEN ♪ 245 00:15:23,226 --> 00:15:24,793 OH! 246 00:15:25,489 --> 00:15:28,840 OH, ARE YOU STILL WORKING ON THE CHILD LABOR PIECE? 247 00:15:28,884 --> 00:15:31,234 I'M TRYING, NOT VERY SUCCESSFULLY. 248 00:15:33,323 --> 00:15:34,368 I WONDER HOW MANY TIMES 249 00:15:34,411 --> 00:15:36,761 YOUR SISTER NEEDS TO HEAR THOSE SONGS? 250 00:15:36,805 --> 00:15:38,981 OH, DON'T. DON'T BE ANGRY. 251 00:15:39,764 --> 00:15:41,331 IT MAKES HER VERY HAPPY. 252 00:15:41,375 --> 00:15:44,813 SHE'S QUITE OBSESSED. 253 00:15:44,856 --> 00:15:46,641 SO AM I. 254 00:15:47,033 --> 00:15:51,341 ♪ SHE CRIED OUT WITH A THRILLING CRY ♪ 255 00:15:51,385 --> 00:15:56,085 ♪ OH, LORD, OH, LORD, I'M RUINED ♪ 256 00:15:58,479 --> 00:15:59,349 THAT'S IT, DOC. 257 00:15:59,393 --> 00:16:02,309 I'M WORN OUT LIKE A CYLINDER. 258 00:16:02,352 --> 00:16:04,485 UH, JUST THOSE LAST TWO LINES, 259 00:16:04,528 --> 00:16:07,270 ONCE AGAIN, PLEASE, DEAR. 260 00:16:08,358 --> 00:16:12,536 ♪ SHE CRIED OUT WITH A THRILLING CRY ♪ 261 00:16:12,580 --> 00:16:17,237 ♪ OH, LORD, OH, LORD, I'M RUINED ♪ 262 00:16:19,674 --> 00:16:20,675 THAT'S IT. 263 00:16:20,718 --> 00:16:22,982 THAT'S THE VERY LAST BALLAD I KNOW. 264 00:16:23,025 --> 00:16:25,419 AND WHAT A DOOZIE. 265 00:16:27,551 --> 00:16:29,075 UM. 266 00:16:51,445 --> 00:16:53,186 WHAT'S THIS FOR? 267 00:16:53,229 --> 00:16:57,407 THAT'S FOR ALL YOUR HARD WORK. 268 00:16:57,451 --> 00:16:59,453 JUST FOR SINGING? 269 00:16:59,496 --> 00:17:00,889 MM-HMM. 270 00:17:04,719 --> 00:17:05,807 HERE. 271 00:17:05,850 --> 00:17:10,681 ♪ COME ALL YE FAIR AND TENDER LADIES ♪ 272 00:17:10,725 --> 00:17:15,730 ♪ BE CAREFUL HOW YOU COURT YOUNG MEN ♪ 273 00:17:15,773 --> 00:17:21,170 ♪ THEY'RE LIKE A BRIGHT STAR OF A SUMMER'S EVENIN' ♪ 274 00:17:21,214 --> 00:17:27,263 ♪ THEY'LL FIRST APPEAR AND THEN THEY'RE GONE ♪ 275 00:17:28,090 --> 00:17:31,311 I'M GONNA TIE A LOVER'S KNOT. 276 00:17:32,486 --> 00:17:35,054 IF IT STAYS AND GROWS... 277 00:17:35,097 --> 00:17:37,665 ALL WILL BE WELL. 278 00:17:39,536 --> 00:17:43,018 WHERE DID YOU GET THAT FANCY THING? 279 00:17:43,062 --> 00:17:46,587 DOC GIVE IT TO ME, FOR SINGIN'. 280 00:17:51,592 --> 00:17:52,419 AAH! 281 00:18:02,081 --> 00:18:03,169 Elna: HELLO. 282 00:18:03,212 --> 00:18:06,215 OH, ELEANOR, THIS IS JUST FASCINATING. 283 00:18:06,259 --> 00:18:07,303 IT REALLY IS. 284 00:18:07,347 --> 00:18:09,740 SEE, DELADIS SINGS, FOR THE MOST PART, 285 00:18:09,784 --> 00:18:11,264 IN A SCOTS-IRISH STYLE. 286 00:18:11,307 --> 00:18:15,398 BUT SHE EMPLOYS SUCH UNUSUAL PITCHES. 287 00:18:15,442 --> 00:18:17,792 AND SHE DWELLS ON NOTES. HERE... 288 00:18:20,490 --> 00:18:22,884 CAN YOU HEAR THAT? THAT IS SO UNUSUAL. 289 00:18:22,927 --> 00:18:25,016 I HAVE NEVER HEARD ANYTHING LIKE IT BEFORE. 290 00:18:25,060 --> 00:18:27,236 TELL ME, IS HER STYLE OF SINGING, 291 00:18:27,280 --> 00:18:28,368 IS THAT TYPICAL? 292 00:18:28,411 --> 00:18:29,499 YES, I THINK IT IS. 293 00:18:29,543 --> 00:18:31,936 IS IT REALLY? FASCINATING. 294 00:18:31,980 --> 00:18:34,852 SO WHAT DO YOU THINK OF MY SCHOOL, LILY? 295 00:18:34,896 --> 00:18:39,030 HMM? OH, UH... 296 00:18:41,685 --> 00:18:43,774 WELL, I'M AFRAID I'M NO EXPERT... 297 00:18:43,818 --> 00:18:45,863 I'M SURE IT'S FINE. I'M SURE... 298 00:18:45,907 --> 00:18:47,735 WE ARE TRYING TO MAKE A DIFFERENCE. 299 00:18:47,778 --> 00:18:49,389 YES, OF COURSE. 300 00:18:49,432 --> 00:18:51,782 AH! IT WAS MINE! 301 00:18:51,826 --> 00:18:54,002 DELADIS! WHAT HAPPENED? 302 00:18:56,744 --> 00:18:58,963 OH, FATE, DID YOU DO THIS? 303 00:18:59,007 --> 00:19:00,574 THAT WAS SO CRUEL. 304 00:19:00,617 --> 00:19:01,879 YOU GIVE HER THAT FANCY THING 305 00:19:01,923 --> 00:19:03,838 AND A WHOLE DOLLAR JUST FOR SINGING. 306 00:19:03,881 --> 00:19:04,926 YOU AIN'T GAVE ME NOTHING. 307 00:19:04,969 --> 00:19:06,319 FATE, YOU WORK FOR THE SCHOOL, 308 00:19:06,362 --> 00:19:09,060 AND I THINK WE PAY YOU QUITE ADEQUATELY. 309 00:19:09,104 --> 00:19:11,933 THEN I'LL DO NOTHING FOR DOC. 310 00:19:11,976 --> 00:19:12,934 JUST FOR THE SCHOOL. 311 00:19:12,977 --> 00:19:14,065 WELL, THEN I'LL JUST HAVE TO FIND 312 00:19:14,109 --> 00:19:15,719 ANOTHER BOY WHO'S MORE WILLING. 313 00:19:15,763 --> 00:19:17,112 NO, NO, ELEANOR. FATE DOES HAVE A POINT. 314 00:19:17,156 --> 00:19:19,941 HE HAS HAD TO WORK A LOT HARDER SINCE I'VE BEEN HERE. 315 00:19:19,984 --> 00:19:21,899 THAT'S RIGHT, DOC. 316 00:19:21,943 --> 00:19:25,773 SO, HOW'S 50 CENTS A WEEK THEN, YOUNG MAN? 317 00:19:27,905 --> 00:19:28,863 WELL, I DON'T KNOW. 318 00:19:28,906 --> 00:19:29,994 I'LL HAVE TO THINK ON IT. 319 00:19:30,038 --> 00:19:31,605 WELL, WHILE YOU'RE THINKING, 320 00:19:31,648 --> 00:19:33,868 YOU CAN HELP ME PACK UP THE PHONOGRAPH MACHINE. 321 00:19:33,911 --> 00:19:35,957 WE'RE GOING TO BEAR CREEK TOMORROW. 322 00:19:36,000 --> 00:19:38,177 SHE'S GOING TO VINEY BUTLER'S. 323 00:19:38,220 --> 00:19:39,569 WELL, YOU CAN'T LUG THAT MACHINE 324 00:19:39,613 --> 00:19:40,788 ALL THE WAY UP A MOUNTAIN. 325 00:19:40,831 --> 00:19:43,312 WE MADE IT THIS FAR, DIDN'T WE? 326 00:19:43,356 --> 00:19:44,400 THAT WAS NOTHING 327 00:19:44,444 --> 00:19:45,923 COMPARED TO GETTING UP TO BEAR CREEK. 328 00:19:45,967 --> 00:19:49,013 SO WHAT AM I PAYING YOU FOR? 329 00:20:02,940 --> 00:20:03,854 WHOA, WHOA. 330 00:20:16,127 --> 00:20:18,434 I DON'T KNOW NO BALLADS. 331 00:20:18,478 --> 00:20:19,914 WHY, MRS. BUTLER, THEY ARE THE MOST 332 00:20:19,957 --> 00:20:21,959 BEAUTIFUL SONGS THERE HAVE EVER BEEN. 333 00:20:22,003 --> 00:20:25,311 SONGS LIKE LORD THOMAS AND FAIR ELLINOR, 334 00:20:25,354 --> 00:20:27,878 TWO SISTERS, MATTHY GROVES? 335 00:20:27,922 --> 00:20:30,490 CAN'T SAY I KNOW THEM. 336 00:20:30,533 --> 00:20:34,972 DELADIS CALLS THEM LOVE SONGS. 337 00:20:35,016 --> 00:20:36,017 NOPE. 338 00:20:36,060 --> 00:20:38,933 YOU EVER HEAR ANY SUCH SONGS, FATE? 339 00:20:38,976 --> 00:20:41,849 DEL KNEW. BUT I CAN'T SAY AS I DO. 340 00:20:41,892 --> 00:20:44,373 OH, SURELY, DELADIS CAN'T BE THE ONLY KEEPER 341 00:20:44,417 --> 00:20:45,766 OF THE SONGS IN THE MOUNTAINS? 342 00:20:45,809 --> 00:20:48,769 SORRY, CAN'T BE OF ANY HELP TO YOU, MA'AM. 343 00:20:48,812 --> 00:20:50,858 I WOULD BE HAPPY TO COMPENSATE YOU, 344 00:20:50,901 --> 00:20:53,991 TO-TO PAY YOU, MRS. BUTLER. 345 00:20:54,905 --> 00:20:57,081 GOOD DAY TO YOU. 346 00:20:58,082 --> 00:20:59,954 HELLO, VINEY. 347 00:21:00,998 --> 00:21:02,913 WELL, LOOK WHO'S HERE! 348 00:21:02,957 --> 00:21:05,438 WELL, YOU MUST BE ELNA'S SISTER. 349 00:21:05,481 --> 00:21:06,700 WELL, YES. YES, I AM. 350 00:21:06,743 --> 00:21:08,049 I'M SO HAPPY TO MEET YOU. 351 00:21:08,092 --> 00:21:09,137 I'M ALICE KINCAID. 352 00:21:09,180 --> 00:21:11,052 WELL, HOW DO YOU DO. I'M LILY PENLERIC. 353 00:21:11,095 --> 00:21:14,055 WHAT ARE TRUDGING ALL THE WAY UP HERE FOR, CHILD? 354 00:21:14,098 --> 00:21:16,100 I WANTED TO MEET DR. PENLERIC. 355 00:21:16,144 --> 00:21:18,277 I HAVE SOMETHING FOR YOU. 356 00:21:18,320 --> 00:21:20,801 OH! FATE, THANK YOU. 357 00:21:20,844 --> 00:21:24,718 MY FAMILY SPENT SUMMERS IN ASHEVILLE. 358 00:21:24,761 --> 00:21:27,068 I LOVED HIKING UP IN THE MOUNTAINS 359 00:21:27,111 --> 00:21:28,896 AND READING POETRY. 360 00:21:28,939 --> 00:21:31,290 THAT'S HOW I MET REESE, MY HUSBAND. 361 00:21:31,333 --> 00:21:34,554 HE WOOED ME WITH BALLADS AND FIDDLE MUSIC. 362 00:21:34,597 --> 00:21:35,990 I'VE BEEN WRITING THEM DOWN 363 00:21:36,033 --> 00:21:37,470 SINCE I CAME TO LIVE HERE. 364 00:21:37,513 --> 00:21:39,994 YOU CAN HAVE THEM IF YOU LIKE. 365 00:21:40,037 --> 00:21:41,256 THANK YOU. THANK YOU. 366 00:21:41,300 --> 00:21:42,910 THEY ARE INDEED EXACTLY WHAT I'M LOOKING FOR, 367 00:21:42,953 --> 00:21:44,564 BUT I'M AFRAID 368 00:21:44,607 --> 00:21:48,219 THESE HAVEN'T BEEN SCIENTIFICALLY COLLECTED. 369 00:21:48,263 --> 00:21:50,047 OH... 370 00:21:51,658 --> 00:21:54,965 UH, WELL, I CAN'T BE SURE OF YOUR NOTATION, YOU SEE, 371 00:21:55,009 --> 00:21:56,750 BECAUSE OF THE IRREGULAR TIMES 372 00:21:56,793 --> 00:21:59,361 AND THE UNUSUAL MODES AND RHYTHMS OF THE TUNES. 373 00:21:59,405 --> 00:22:02,538 OF COURSE. I UNDERSTAND PERFECTLY. 374 00:22:02,582 --> 00:22:03,887 OH! 375 00:22:06,847 --> 00:22:09,066 THAT IS BEAUTIFUL. 376 00:22:09,458 --> 00:22:11,895 COME HERE, CHILD. 377 00:22:18,162 --> 00:22:21,862 Viney: YOU ARE WEAK AS WATER. 378 00:22:22,341 --> 00:22:25,648 OH, THAT BABY IS SUCKING THE LIFE OUT OF YOU. 379 00:22:25,692 --> 00:22:27,911 HUH-HUH. YOU'VE GOT TO EAT MORE. 380 00:22:27,955 --> 00:22:30,784 NO, I CAN BARELY FEED THE CHILDREN. 381 00:22:30,827 --> 00:22:33,003 REESE GONE AGAIN? 382 00:22:37,312 --> 00:22:39,532 MRS. KINCAID, THANK YOU. 383 00:22:39,575 --> 00:22:41,229 THANK YOU. 384 00:22:41,664 --> 00:22:45,538 HERE, NOW, YOU MAKE A POTION OUT OF THIS 385 00:22:45,581 --> 00:22:46,713 AND DRINK IT TWICE A DAY. 386 00:22:46,756 --> 00:22:49,846 AND DO NOT GO DRAGGIN' ALL OVER THE PLACE. 387 00:22:49,890 --> 00:22:51,413 VINEY, THE BALLADS 388 00:22:51,457 --> 00:22:54,329 ARE A PRECIOUS MUSICAL LEGACY. 389 00:22:54,373 --> 00:22:56,810 WHY, THEY'RE JUST SONGS. 390 00:22:56,853 --> 00:22:58,159 OH, NO, MRS. BUTLER, THEY'RE NOT. 391 00:22:58,202 --> 00:23:01,031 THEY'RE ANCIENT BALLADS FROM ENGLAND AND SCOTLAND, 392 00:23:01,075 --> 00:23:03,469 AND THEY'VE BEEN SUNG FOR HUNDREDS OF YEARS. 393 00:23:03,512 --> 00:23:07,255 WELL, THEY SAY THAT MY GREAT GRANDDADDY 394 00:23:07,298 --> 00:23:08,474 COME FROM THERE. 395 00:23:08,517 --> 00:23:09,866 HE COME OVER THAT MOUNTAIN 396 00:23:09,910 --> 00:23:12,086 IN 17 AND 43. 397 00:23:12,129 --> 00:23:14,001 REALLY? WELL, NO ONE KNOWS 398 00:23:14,044 --> 00:23:15,481 THAT THESE SONGS ARE BEING SUNG RIGHT HERE 399 00:23:15,524 --> 00:23:17,787 IN THE MOUNTAINS OF AMERICA. NO ONE. 400 00:23:17,831 --> 00:23:18,962 WHAT OF IT? 401 00:23:19,006 --> 00:23:21,312 MUSIC EXPERTS WILL WANT TO KNOW. 402 00:23:21,356 --> 00:23:23,053 SO I AM GOING TO WRITE THEM DOWN 403 00:23:23,097 --> 00:23:25,142 AND PUBLISH THEM IN A SONG BOOK. 404 00:23:25,186 --> 00:23:26,056 WELL, LORD KNOWS 405 00:23:26,100 --> 00:23:28,363 I CAN'T READ NOR WRITE ANYHOW. 406 00:23:28,407 --> 00:23:33,063 VINEY, I THINK SHE'S A VERY NICE LADY. 407 00:24:03,224 --> 00:24:08,664 ♪ HE TOOK THE BROWN GIRL BY THE HAND ♪ 408 00:24:08,708 --> 00:24:12,712 ♪ AND LED HER ACROSS THE HALL ♪ 409 00:24:12,755 --> 00:24:18,369 ♪ HE TOOK OUT HIS SWORD AND CUT OFF HER HEAD ♪ 410 00:24:18,413 --> 00:24:21,895 ♪ AND KICKED IT AGAINST THE WALL ♪ 411 00:24:21,938 --> 00:24:28,031 ♪ AND HE KICKED IT AGAINST THE WALL ♪ 412 00:24:28,075 --> 00:24:29,685 HAVE YOU GOT IT? 413 00:24:29,729 --> 00:24:31,382 ONE MORE TIME, VINEY. 414 00:24:31,426 --> 00:24:33,994 I THOUGHT YOU'D DONE THIS BEFORE? 415 00:24:34,037 --> 00:24:35,517 VINEY? 416 00:24:35,561 --> 00:24:37,345 OH, TOM. 417 00:24:37,388 --> 00:24:39,652 IS THE DAY GONE ALREADY? 418 00:24:39,695 --> 00:24:41,088 SURE IS. 419 00:24:41,131 --> 00:24:44,613 CORN IS COMING UP FINE IN THAT BACK FIELD. 420 00:24:44,657 --> 00:24:47,529 OH, THIS IS DR. LILY PENLERIC. 421 00:24:47,573 --> 00:24:51,185 SHE'S MISS ELNA'S SISTER. 422 00:24:51,228 --> 00:24:53,492 HM. 423 00:24:53,535 --> 00:24:55,450 HOW DO YOU DO? 424 00:24:58,192 --> 00:25:00,237 HOW DO YOU DO? 425 00:25:00,281 --> 00:25:01,978 LILY IS A DOCTOR OF MUSIC. 426 00:25:02,022 --> 00:25:04,981 SHE'S CATCHING MY OLD LOVE SONGS. 427 00:25:05,025 --> 00:25:07,114 SHE SAYS THEY'RE IMPORTANT. 428 00:25:07,157 --> 00:25:08,463 IMPORTANT? 429 00:25:08,507 --> 00:25:09,899 IMPORTANT TO WHO? 430 00:25:09,943 --> 00:25:13,207 I'M GOING TO PUBLISH THEM IN A SONG BOOK. 431 00:25:14,382 --> 00:25:15,165 NO, YOU'RE NOT. 432 00:25:15,209 --> 00:25:16,993 NOBODY'S GOING TO PUBLISH 433 00:25:17,037 --> 00:25:18,778 MY GRANNY'S SONGS. 434 00:25:18,821 --> 00:25:21,911 THIS IS MY GRANDSON, TOM BLEDSOE. 435 00:25:21,955 --> 00:25:23,173 HE'S BEEN TO THE OTHER WORLD, 436 00:25:23,217 --> 00:25:26,089 AND HE THINKS HE KNOWS A WHOLE LOT. 437 00:25:27,351 --> 00:25:29,963 MR. BLEDSOE, I AM A COLLECTOR. 438 00:25:30,006 --> 00:25:32,182 MY INTENTION IS TO EXALT 439 00:25:32,226 --> 00:25:35,098 THE FINE MUSIC OF THESE MOUNTAINS. 440 00:25:35,142 --> 00:25:36,709 EXALT? 441 00:25:37,057 --> 00:25:40,495 YES. IT MEANS TO LIFT UP. 442 00:25:40,539 --> 00:25:42,497 YOU MEAN EXPLOIT. 443 00:25:42,541 --> 00:25:43,890 IT MEANS TO STEAL. 444 00:25:43,933 --> 00:25:47,110 I'M A MUSICOLOGIST, NOT A THIEF. 445 00:25:47,154 --> 00:25:49,243 MY WORK IS TO PRESERVE MUSICAL CULTURE. 446 00:25:49,286 --> 00:25:52,463 FIRST IT WAS THE COAL AND LUMBER COMPANIES 447 00:25:52,507 --> 00:25:53,552 COMING IN HERE. 448 00:25:53,595 --> 00:25:55,336 NOW THEY WANT TO TAKE OUR MUSIC, TOO. 449 00:25:55,379 --> 00:25:56,859 Lily: THESE SONGS ARE OF GREAT INTEREST 450 00:25:56,903 --> 00:25:58,818 TO ANYONE WHO STUDIES MUSICAL HERITAGE. 451 00:25:58,861 --> 00:26:01,124 YOU'RE GONNA GET PAID FOR IT, AIN'T YOU? 452 00:26:01,168 --> 00:26:02,386 YES, I AM. 453 00:26:02,430 --> 00:26:04,867 SEE, GRANNY, LET ME HANDLE THIS NOW. 454 00:26:04,911 --> 00:26:07,522 I CAN ASSURE YOU IT WILL NOT MAKE ME RICH. 455 00:26:07,566 --> 00:26:08,262 MM-HMM. 456 00:26:08,305 --> 00:26:09,524 AND FRANKLY, I'M THE ONE 457 00:26:09,568 --> 00:26:11,047 WHO'S GOING TO ALL THE TROUBLE AND THE EXPENSE 458 00:26:11,091 --> 00:26:12,135 OF COLLECTING THE SONGS. 459 00:26:12,179 --> 00:26:13,746 AND I'M THE ONE WHO HAS THE EXPERTISE 460 00:26:13,789 --> 00:26:15,617 TO WRITE THEM DOWN AND CATEGORIZE THEM 461 00:26:15,661 --> 00:26:17,097 PROPERLY AND SCIENTIFICALLY. 462 00:26:17,140 --> 00:26:21,449 OH, YOU DO, DO YOU? AND WHAT'S IN IT FOR MY GRANNY? 463 00:26:22,232 --> 00:26:23,059 HER NAME WILL APPEAR 464 00:26:23,103 --> 00:26:24,626 BEFORE EACH ONE OF THE SONGS 465 00:26:24,670 --> 00:26:25,932 WHICH I INCLUDE IN THE BOOK 466 00:26:25,975 --> 00:26:27,629 AS A SOURCE FROM WHICH I HAVE COLLECTED IT. 467 00:26:27,673 --> 00:26:30,501 MALVINA BUTLER, THAT'S WHAT IT'S GONNA SAY, TOM. 468 00:26:30,545 --> 00:26:33,548 WELL, YOU CAN'T COLLECT FROM MY GRANNY 469 00:26:33,592 --> 00:26:35,811 UNLESS YOU PAY HER. 470 00:26:35,855 --> 00:26:40,120 I HAVE OFFERED. SHE REFUSED. 471 00:26:42,252 --> 00:26:43,166 YOU REFUSED? 472 00:26:43,210 --> 00:26:46,430 HOW CAN I TAKE MONEY FOR SINGIN'? 473 00:26:46,474 --> 00:26:47,867 MY MAMA USED TO SING THOSE SONGS 474 00:26:47,910 --> 00:26:50,086 ROCKIN' THE YOUNG'UNS TO SLEEP AND LEADING 475 00:26:50,130 --> 00:26:51,087 THE COWS HOME. 476 00:26:51,131 --> 00:26:53,786 DOCTOR, I'M ASKING YOU KINDLY-- 477 00:26:53,829 --> 00:26:54,917 TO LEAVE. 478 00:26:54,961 --> 00:26:58,834 TOM! I CAN GIVE MY SONGS TO ANYBODY 479 00:26:58,878 --> 00:26:59,879 THAT I WANT TO. 480 00:26:59,922 --> 00:27:01,532 NO, YOU CAN'T. 481 00:27:01,576 --> 00:27:02,882 YES, I CAN! 482 00:27:02,925 --> 00:27:04,231 BESIDES, IT'S SUPPER TIME, 483 00:27:04,274 --> 00:27:07,277 AND LILY'S JOINING US. 484 00:27:07,321 --> 00:27:09,671 AH, NO, THANK YOU, MRS. BUTLER. REALLY, 485 00:27:09,715 --> 00:27:11,368 I SHOULD BE HEADING BACK TO THE SCHOOL. 486 00:27:11,412 --> 00:27:13,675 YOU'RE GOING TO TAKE MY SONGS AND REFUSE 487 00:27:13,719 --> 00:27:15,982 THE HOSPITALITY OF MY HOME? 488 00:27:16,025 --> 00:27:18,071 WELL, I NEVER! 489 00:27:34,087 --> 00:27:36,742 MY MAN'S FATHER BUILT THIS PLACE 490 00:27:36,785 --> 00:27:38,352 WHEN HE SETTLED HERE. 491 00:27:38,395 --> 00:27:42,312 I'VE RAISED 9 CHILDREN IN THIS CABIN. 492 00:27:42,356 --> 00:27:44,793 ONLY TWO OF THEM STILL LIVING. 493 00:27:44,837 --> 00:27:45,751 I'M SORRY. 494 00:27:45,794 --> 00:27:47,796 OH, ONE'S WORKING THE COAL MINES 495 00:27:47,840 --> 00:27:51,495 UP IN VIRGINIA, AND ONE'S IN MISSOURI. 496 00:28:03,856 --> 00:28:06,119 IT WAS GOOD, GRANNY. 497 00:28:13,039 --> 00:28:15,955 TOM'S A FINE MUSICIAN. 498 00:28:16,782 --> 00:28:17,826 REALLY? 499 00:28:17,870 --> 00:28:20,176 UH-HUH. HE PLAYS THE BANJO LIKE NOBODY. 500 00:28:20,220 --> 00:28:24,877 TOM? TOM? WHAT'S THAT THING CALLED? THAT THING? 501 00:28:24,920 --> 00:28:26,226 IT'S A GUITAR, GRANNY. 502 00:28:26,269 --> 00:28:28,054 HOW MANY TIMES HAVE I GOT TO TELL YOU? 503 00:28:28,097 --> 00:28:30,186 HE GOT IT IN CUBA, TOM DID. 504 00:28:30,230 --> 00:28:31,666 IN THE SPANISH WAR. 505 00:28:31,710 --> 00:28:33,276 IT'S A LOVELY INSTRUMENT. 506 00:28:33,320 --> 00:28:37,019 MMM, YEAH, HE'S THE ONLY ONE IN THESE PARTS 507 00:28:37,063 --> 00:28:37,977 GOT ONE OF THOSE THINGS. 508 00:28:38,020 --> 00:28:40,762 HE MAKES UP SONGS ON IT, TOO. 509 00:28:40,806 --> 00:28:44,723 DO YOU PLAY MUSIC, DOCTOR... 510 00:28:44,766 --> 00:28:47,856 OR DO YOU JUST STEAL OTHER PEOPLE'S? 511 00:28:50,250 --> 00:28:52,861 I'M A PIANIST, MR. BLEDSOE. 512 00:28:52,905 --> 00:28:54,950 A PIANIST? 513 00:28:54,994 --> 00:28:57,213 I HEARD OF THEM. 514 00:28:57,257 --> 00:29:02,262 TOM, COME ON, PLAY SOME BANJO TUNES FOR LILY HERE. 515 00:29:02,305 --> 00:29:04,438 COME ON, COME ON. 516 00:29:04,481 --> 00:29:07,267 PLEASE. I WOULD LIKE THAT. 517 00:29:41,692 --> 00:29:45,305 HILLIARD, YOU ALMOST SCARED ME TO DEATH. 518 00:29:45,348 --> 00:29:46,915 SORRY, VINEY. 519 00:29:46,959 --> 00:29:49,309 YOU COMING, TOM? 520 00:29:51,528 --> 00:29:54,140 I'LL BE RIGHT THERE. 521 00:29:55,576 --> 00:29:56,620 UH, MR. BLEDSOE, 522 00:29:56,664 --> 00:29:59,058 WHERE DID YOU LEARN TO PLAY LIKE THAT? 523 00:29:59,101 --> 00:30:01,451 I TAUGHT HIM. 524 00:30:02,104 --> 00:30:03,105 I WOULD LIKE TO RECORD YOU 525 00:30:03,149 --> 00:30:06,413 ON MY PHONOGRAPH MACHINE SOMETIME. 526 00:30:06,456 --> 00:30:07,327 NO, THANK YOU. 527 00:30:07,370 --> 00:30:09,895 I MAKE MUSIC TO PLEASE MYSELF. 528 00:30:14,247 --> 00:30:15,509 NEVER MIND TOM. 529 00:30:15,552 --> 00:30:16,858 HE'S LIKE MOST OF THOSE FELLAS 530 00:30:16,902 --> 00:30:20,383 WHO WENT TO THE OTHER WORLD AND COME BACK. 531 00:30:20,427 --> 00:30:23,909 JUST NEVER SEEM TO BE THE SAME. 532 00:30:23,952 --> 00:30:29,828 THEY JUST CAN'T SEEM TO SETTLE DOWN AND BE HAPPY. 533 00:30:37,531 --> 00:30:40,795 WOULD YOU SHOW ME HOW TO PLAY THIS? 534 00:30:41,491 --> 00:30:42,928 MMM. 535 00:30:46,235 --> 00:30:50,805 WELL, IT'S ALL IN THE PICKING. 536 00:30:56,942 --> 00:30:58,465 FATE, DID YOU SEE TO ALICE 537 00:30:58,508 --> 00:30:59,683 AND HER YOUNG'UNS? 538 00:30:59,727 --> 00:31:01,990 YES, MA'AM. I CAUGHT 'EM A COUPLE OF RABBITS. 539 00:31:02,034 --> 00:31:03,252 WE HAD A FINE SUPPER. 540 00:31:03,296 --> 00:31:04,210 GOOD. GOOD. 541 00:31:04,253 --> 00:31:05,385 OH, WE HAVE ALL TO DO TOMORROW. 542 00:31:05,428 --> 00:31:08,257 THESE OLD SONGS ARE COMING BACK TO ME NOW. 543 00:31:08,301 --> 00:31:09,911 WELL, I'M LOOKING FORWARD TO IT. 544 00:31:09,955 --> 00:31:12,348 OH, LILY, UM, LISTEN. 545 00:31:12,392 --> 00:31:16,962 IF YOU HEAR A STRANGE CRY, LIKE A WOMAN SCREAMING, 546 00:31:17,005 --> 00:31:19,921 THAT'S THE PANTHER CAT. 547 00:31:19,965 --> 00:31:22,141 AND YOU'RE GONNA BE DEAD IF IT GETS YOU. 548 00:31:22,184 --> 00:31:25,405 NOW WHAT YOU DO IS YOU PULL OFF YOUR CLOTHES 549 00:31:25,448 --> 00:31:26,885 ONE PIECE AT A TIME, 550 00:31:26,928 --> 00:31:28,930 AND THEN YOU RUN REAL HARD, 551 00:31:28,974 --> 00:31:30,801 AND THEN THE PANTHER CAT WILL STOP 552 00:31:30,845 --> 00:31:32,847 AND TEAR UP THE CLOTHES THAT YOU'VE DROPPED 553 00:31:32,891 --> 00:31:34,153 IN ITS PATH TO SHREDS, 554 00:31:34,196 --> 00:31:36,677 AND THAT'LL SAVE YOU! 555 00:31:36,720 --> 00:31:39,854 VINEY, THAT IS RIDICULOUS. 556 00:31:53,912 --> 00:31:55,870 WHAT WAS THAT? 557 00:31:55,914 --> 00:31:57,437 JUST AN OWL. 558 00:31:57,480 --> 00:31:58,699 ARE YOU SURE? 559 00:31:58,742 --> 00:32:00,266 YOU'LL KNOW THE PANTHER CRY WHEN YOU HEAR IT. 560 00:32:01,484 --> 00:32:03,095 FATE! 561 00:32:03,138 --> 00:32:04,923 DAMN NEAR GOT YOUR FOOL HEAD BLOWED OFF. 562 00:32:04,966 --> 00:32:07,795 I DIDN'T KNOW YOU HAD A STILL GOING HERE. 563 00:32:09,014 --> 00:32:11,494 WHAT ABOUT HER? 564 00:32:13,018 --> 00:32:14,976 WHAT ABOUT HER? 565 00:32:17,631 --> 00:32:20,808 GO ON, GIT, BOTH OF YOU. 566 00:32:24,333 --> 00:32:25,595 FATE. 567 00:32:25,639 --> 00:32:27,728 YES, SIR. 568 00:32:33,908 --> 00:32:35,388 ELEANOR? 569 00:32:35,431 --> 00:32:36,867 ELEANOR? 570 00:32:36,911 --> 00:32:38,565 ELEANOR? 571 00:32:38,608 --> 00:32:41,916 I HAVE HAD THE MOST REMARKABLE DAY. 572 00:32:41,960 --> 00:32:44,092 AHH! 573 00:33:08,987 --> 00:33:12,120 LILY, I'D LIKE TO TALK WITH YOU. 574 00:33:14,949 --> 00:33:19,910 I'M VERY TIRED. I DON'T WANT TO TALK. 575 00:33:26,091 --> 00:33:28,963 I THINK WE SHOULD TALK. 576 00:33:38,451 --> 00:33:41,062 HOW COULD YOU, ELEANOR? 577 00:33:41,106 --> 00:33:45,893 YOU SOUND SO LIKE FATHER. I'M NOT A CHILD. 578 00:33:45,936 --> 00:33:47,025 YOU'RE TEACHERS! 579 00:33:47,068 --> 00:33:51,420 WHAT KIND OF AN EXAMPLE ARE YOU SETTING? 580 00:33:53,118 --> 00:33:55,511 YOU'RE DISGUSTING. 581 00:34:03,128 --> 00:34:07,045 SHE'S THE FINEST PERSON I'VE EVER KNOWN. 582 00:34:19,405 --> 00:34:24,105 I SUPPOSE...HARRIET IS A LOT OLDER AND, UM, 583 00:34:24,149 --> 00:34:26,107 MORE EXPERIENCED THAN YOU, 584 00:34:26,151 --> 00:34:30,938 SO I SUPPOSE IT'S HER FAULT. 585 00:34:32,853 --> 00:34:35,899 IT'S NOBODY'S FAULT. 586 00:34:45,561 --> 00:34:47,911 WE'RE IN LOVE. 587 00:35:11,283 --> 00:35:15,765 Viney: ♪ OUT SHE DREW HER LITTLE PENKNIFE ♪ 588 00:35:15,809 --> 00:35:19,856 ♪ AND STABBED HIM THROUGH HIS HEART ♪ 589 00:35:19,900 --> 00:35:22,076 ♪ SHE CRIED OUT WITH A VERY LOUD CRY ♪ 590 00:35:22,120 --> 00:35:25,471 ♪ THERE'S A DEAD MAN IN MY HOUSE, HOUSE ♪ 591 00:35:25,514 --> 00:35:29,257 ♪ THERE'S A DEAD MAN IN MY HOUSE ♪ 592 00:35:29,301 --> 00:35:30,693 WE CAME TO SEE THE MACHINE 593 00:35:30,737 --> 00:35:31,999 THAT SINGS THE SONGS BACK TO YOU. 594 00:35:32,042 --> 00:35:34,828 I'M NOT USING IT AT THE MOMENT. 595 00:35:34,871 --> 00:35:37,047 YOU SEE, YOU GOTTA SAVE IT, POLLY, 596 00:35:37,091 --> 00:35:38,179 OR IT'LL WEAR OUT. 597 00:35:38,223 --> 00:35:40,834 MY BROTHER'S A SONGCATCHER. 598 00:35:40,877 --> 00:35:41,878 THAT'S VERY NICE, 599 00:35:41,922 --> 00:35:43,532 BUT I'M AFRAID HE'S A BIT TOO LITTLE 600 00:35:43,576 --> 00:35:44,664 TO BE A RELIABLE SOURCE. 601 00:35:44,707 --> 00:35:45,621 COME ON, TOMMY LEE. 602 00:35:45,665 --> 00:35:46,666 YOU CAN SING FOR ME. 603 00:35:46,709 --> 00:35:49,495 Earl: WHAT SONGS YOU KNOW? 604 00:35:50,583 --> 00:35:54,761 GET THE HELL OUT OF MY YARD, EARL GIDDENS. 605 00:35:54,804 --> 00:35:56,415 I'VE BEEN HEARING ALL THIS EXCITEMENT 606 00:35:56,458 --> 00:35:57,633 ABOUT THE SONGCATCHER. 607 00:35:57,677 --> 00:35:59,809 I CAME TO SEE FOR MYSELF. 608 00:35:59,853 --> 00:36:01,811 TOM TOLD YOU WE'RE NOT SELLING. 609 00:36:01,855 --> 00:36:02,769 HE ALSO TOLD YOU 610 00:36:02,812 --> 00:36:03,726 THAT HE'D SHOOT YOU ON THE SPOT 611 00:36:03,770 --> 00:36:05,728 IF YOU CAME AROUND AGAIN. 612 00:36:05,772 --> 00:36:07,687 VINEY, IT'S THAT KIND OF TALK 613 00:36:07,730 --> 00:36:09,645 GIVES CITY FOLK A TERRIBLE IMPRESSION 614 00:36:09,689 --> 00:36:11,125 OF US HILLBILLIES. 615 00:36:11,169 --> 00:36:13,345 ISN'T THAT RIGHT, MISS? 616 00:36:13,388 --> 00:36:15,782 DOCTORLILY PENLERIC. 617 00:36:15,825 --> 00:36:19,525 DOCTOR? WELL, EARL GIDDENS, 618 00:36:19,568 --> 00:36:21,266 OF THE McFARLAND COAL COMPANY. 619 00:36:21,309 --> 00:36:23,659 VERY PLEASED TO MAKE YOUR ACQUAINTANCE, DOCTOR. 620 00:36:23,703 --> 00:36:25,357 IT'S FINE TO SEE AN OUTSIDER 621 00:36:25,400 --> 00:36:28,621 APPRECIATING THE CHARM OF OUR LOCAL MUSIC. 622 00:36:28,664 --> 00:36:29,839 TO MYSELF, HOWEVER, 623 00:36:29,883 --> 00:36:31,493 THERE IS NOTHING LIKE THE ELEGANT PERFECTION 624 00:36:31,537 --> 00:36:34,757 OF A COMPOSITION BY MR. JOHANN SEBASTIAN BACH. 625 00:36:34,801 --> 00:36:39,980 OH, WELL, I DON'T THINK THAT SUCH COMPARISONS 626 00:36:40,023 --> 00:36:41,851 BENEFIT EITHER TRADITION. 627 00:36:41,895 --> 00:36:45,159 THEY'RE APPLES AND ORANGES. 628 00:36:45,203 --> 00:36:46,291 ARE YOU A MUSICIAN? 629 00:36:46,334 --> 00:36:48,554 NO, MA'AM. 630 00:36:48,597 --> 00:36:49,424 OH. 631 00:36:49,468 --> 00:36:50,425 I'VE BEEN DOWN THE MOUNTAIN. 632 00:36:50,469 --> 00:36:52,514 I HAD THE PRIVILEGE OF EDUCATION. 633 00:36:52,558 --> 00:36:54,908 BACHELOR OF SCIENCES. 634 00:36:54,951 --> 00:36:56,605 UNIVERSITY OF NORTH CAROLINA. 635 00:36:56,649 --> 00:36:58,172 REALLY? 636 00:36:59,869 --> 00:37:01,741 I GUESS I SEE YOUR POINT. 637 00:37:01,784 --> 00:37:04,744 MAYBE YOU CAN TALK SOME SENSE 638 00:37:04,787 --> 00:37:07,268 INTO THIS STUBBORN OLD WOMAN, DR. LILY. 639 00:37:07,312 --> 00:37:11,881 MRS. BUTLER? SHE HAS NO NEED OF MY ADVICE. 640 00:37:11,925 --> 00:37:14,623 DON'T YOU THINK SHE DESERVES 641 00:37:14,667 --> 00:37:17,322 A NICE NEW HOUSE IN SAWYERVILLE? 642 00:37:17,365 --> 00:37:19,672 TIME TO SING AND REST? 643 00:37:19,715 --> 00:37:21,151 SHE COULD EVEN LEARN TO READ AND WRITE 644 00:37:21,195 --> 00:37:23,284 INSTEAD OF WORKING HER FINGERS TO THE BONE 645 00:37:23,328 --> 00:37:24,285 JUST TO GET BY. 646 00:37:24,329 --> 00:37:26,113 I COULD MAKE A LIVING ON A ROCK 647 00:37:26,156 --> 00:37:26,983 IF I WANTED TO. 648 00:37:27,027 --> 00:37:28,028 I WAS BORN ON THIS MOUNTAIN, 649 00:37:28,071 --> 00:37:29,812 AND I'M GONNA DIE ON THIS MOUNTAIN, 650 00:37:29,856 --> 00:37:32,250 AND SO ARE YOU. 651 00:37:32,293 --> 00:37:33,729 GIT GOIN', GIDDENS. 652 00:37:33,773 --> 00:37:36,689 THIS PLACE IS NOTHING BUT A BURDEN FOR TOM, VINEY. 653 00:37:36,732 --> 00:37:40,823 YOU KNOW HE WAS MADE FOR OTHER THINGS BESIDES FARMING. 654 00:37:55,490 --> 00:37:57,100 ISABEL. ISABEL. 655 00:37:57,144 --> 00:37:58,014 GO TO MY PLACE. 656 00:37:58,058 --> 00:37:59,277 TAKE THE CHILDREN TO MY PLACE. 657 00:37:59,320 --> 00:38:00,321 YES, MA'AM. 658 00:38:00,365 --> 00:38:01,540 AND TELL TOM TO BRING THE MILK COW. 659 00:38:01,583 --> 00:38:02,889 Isabel: COME ON, Y'ALL. COME ON. 660 00:38:05,021 --> 00:38:06,458 I'LL TAKE THEM, VINEY. 661 00:38:06,501 --> 00:38:09,374 NO! I WANT YOU HERE! 662 00:38:12,899 --> 00:38:17,338 HELP ME. HELP ME, PLEASE, I'M DYING. 663 00:38:22,387 --> 00:38:24,650 OH, I CAN'T STOP THE BLEEDING 664 00:38:24,693 --> 00:38:26,173 TILL I GET THE BABY OUT. 665 00:38:26,216 --> 00:38:27,957 YOU GOTTA HELP ME. 666 00:38:29,089 --> 00:38:30,438 NO, NO, NO, I COULDN'T. 667 00:38:30,482 --> 00:38:32,658 WELL, SHE CAN'T DO IT BY HERSELF. 668 00:38:32,701 --> 00:38:34,224 COME HERE. GIVE ME YOUR HANDS. 669 00:38:34,268 --> 00:38:35,225 GIVE ME YOUR HANDS. 670 00:38:35,269 --> 00:38:37,532 NOW PUT 'EM RIGHT HERE, LIKE THAT. 671 00:38:37,576 --> 00:38:40,666 AND WHEN I TELL YOU TO, YOU PUSH, HARD. 672 00:38:40,709 --> 00:38:42,145 NO, NO, NO. 673 00:38:42,189 --> 00:38:44,713 DO IT, WOMAN! 674 00:38:46,802 --> 00:38:48,369 READY? 675 00:38:48,848 --> 00:38:50,589 NOW! 676 00:39:13,786 --> 00:39:14,961 Viney: WELL, I GUESS THE GOOD LORD'S 677 00:39:15,004 --> 00:39:18,225 GONNA LET US KEEP YOU A LITTLE WHILE LONGER. 678 00:39:18,268 --> 00:39:21,359 AND YOU'VE GOT YOURSELF HERE 679 00:39:21,402 --> 00:39:25,841 ANOTHER SWEET LITTLE BABY GIRL. 680 00:39:28,104 --> 00:39:29,541 WILL SHE LIVE? 681 00:39:29,584 --> 00:39:31,847 WELL, IT WAS A STRUGGLE THERE FOR A BIT, 682 00:39:31,891 --> 00:39:36,243 BUT IT'S IN THE GOOD LORD'S HANDS NOW. 683 00:39:41,727 --> 00:39:44,947 ALICE, YOU'RE GONNA HAVE TO KEEP REESE 684 00:39:44,991 --> 00:39:47,385 AWAY FROM YOU. 685 00:39:51,867 --> 00:39:53,391 WELL, IF YOU DON'T WANT BUTTER, 686 00:39:53,434 --> 00:39:57,264 YOU GOTTA PULL THE DASHER OUT IN TIME. 687 00:40:07,274 --> 00:40:09,319 SHHH. 688 00:40:11,321 --> 00:40:13,628 OH, SWEET BABY GIRL. 689 00:40:13,672 --> 00:40:17,763 I HOPE YOU GROW UP SMART LIKE LILY HERE, 690 00:40:17,806 --> 00:40:20,156 AND STAY SINGLE. 691 00:40:20,809 --> 00:40:25,684 ♪ WHEN I WAS SINGLE WENT DRESSED MIGHTY FINE ♪ 692 00:40:25,727 --> 00:40:30,906 ♪ NOW I AM MARRIED GO RAGGED ALL THE TIME ♪ 693 00:40:30,950 --> 00:40:34,606 ♪ I WISH I WAS A SINGLE GIRL AGAIN ♪ 694 00:40:34,649 --> 00:40:41,613 ♪ OH, LORD, DON'T I WISH I WAS A SINGLE GIRL AGAIN ♪ 695 00:40:42,831 --> 00:40:46,922 ♪ WHEN I WAS SINGLE MY SHOES DID SQUEAK ♪ 696 00:40:46,966 --> 00:40:51,797 ♪ NOW I AM MARRIED MY SHOES THEY DO LEAK ♪ 697 00:40:51,840 --> 00:40:55,844 ♪ I WISH I WAS A SINGLE GIRL AGAIN ♪ 698 00:40:55,888 --> 00:41:02,416 ♪ OH, LORD, DON'T I WISH I WAS A SINGLE GIRL AGAIN ♪ 699 00:41:02,460 --> 00:41:07,290 ♪ THREE LITTLE BABES A'CRYIN' FOR BREAD ♪ 700 00:41:07,334 --> 00:41:12,426 ♪ WITH NONE TO GIVE 'EM I'D RATHER BE DEAD ♪ 701 00:41:12,470 --> 00:41:16,082 ♪ I WISH I WAS A SINGLE GIRL AGAIN ♪ 702 00:41:16,125 --> 00:41:22,828 ♪ OH, LORD, DON'T I WISH I WAS A SINGLE GIRL AGAIN ♪ 703 00:41:24,133 --> 00:41:28,398 ♪ WHEN HE COMES IN, IT'S A CURSE AND A ROW ♪ 704 00:41:28,442 --> 00:41:33,708 ♪ KNOCKING DOWN THE CHILDREN AND PULLING OUT MY HAIR ♪ 705 00:41:33,752 --> 00:41:37,320 ♪ I WISH I WAS A SINGLE GIRL AGAIN ♪ 706 00:41:37,364 --> 00:41:44,414 ♪ OH, LORD, DON'T I WISH I WAS A SINGLE GIRL AGAIN ♪ 707 00:41:44,458 --> 00:41:46,852 ♪ DISHES TO WASH-- 708 00:41:46,895 --> 00:41:51,813 REESE, WHERE IN HELL HAVE YOU BEEN? 709 00:41:53,641 --> 00:41:55,164 ALICE... 710 00:41:55,208 --> 00:41:58,864 YOU CAME HOME. 711 00:41:59,429 --> 00:42:04,565 LILY, PLEASE TAKE THE PAINTING. 712 00:42:22,931 --> 00:42:25,847 Tom: WILL SHE LIVE? 713 00:42:29,547 --> 00:42:31,549 AH, YES. 714 00:42:36,075 --> 00:42:38,817 WHAT ABOUT THE BABY? 715 00:42:41,689 --> 00:42:43,952 HOPEFULLY. 716 00:42:45,475 --> 00:42:47,913 THANK THE LORD. 717 00:42:55,573 --> 00:42:59,533 HAVING A REAL BACKWOODS EXPERIENCE, AIN'T YOU? 718 00:43:03,668 --> 00:43:06,496 ARE YOU DRUNK? 719 00:43:09,151 --> 00:43:12,198 I'M NOT DRUNK, I'M A... 720 00:43:13,982 --> 00:43:16,245 CELEBRATING. 721 00:43:16,289 --> 00:43:19,684 THERE'S NO CAUSE FOR CELEBRATION, MR. BLEDSOE. 722 00:43:19,727 --> 00:43:22,817 THEY COULD STILL DIE. 723 00:43:23,165 --> 00:43:25,211 IN CASE IT'S NEWS TO YOU, DOCTOR, 724 00:43:25,254 --> 00:43:28,257 SUFFERING IS A WOMAN'S LOT. 725 00:43:28,301 --> 00:43:29,781 I AM PERFECTLY WELL AWARE 726 00:43:29,824 --> 00:43:31,521 OF THAT FACT, MR. BLEDSOE. 727 00:43:31,565 --> 00:43:33,785 GOD KNOWS, I WISH I WEREN'T. 728 00:43:33,828 --> 00:43:36,222 YOU REALLY ARE AN IGNORANT DRUNKEN LOUT. 729 00:43:36,265 --> 00:43:37,527 YOU HAVE ABSOLUTELY NO IDEA 730 00:43:37,571 --> 00:43:38,877 WHAT THAT WOMAN HAS JUST BEEN THROUGH. 731 00:43:38,920 --> 00:43:41,793 LET ME TELL YOU SOMETHING... 732 00:43:41,836 --> 00:43:47,973 MY WIFE DIED IN CHILDBIRTH WHEN WE WERE 16 YEARS OLD. 733 00:43:48,016 --> 00:43:51,977 SHE BLED TO DEATH RIGHT AFTER I PULLED OUR DEAD BABY OUT, 734 00:43:52,020 --> 00:43:56,372 SO DON'T YOU TELL ME WHAT I DO AND DON'T KNOW. 735 00:44:14,173 --> 00:44:15,740 Lily, voice-over: DEAR WALLACE, 736 00:44:15,783 --> 00:44:20,222 ENCLOSED ARE 10 OF THE BEAUTIFUL BALLADS I HAVE COLLECTED SO FAR. 737 00:44:20,266 --> 00:44:25,227 I AM SURE YOU WILL REALIZE WHAT A REMARKABLE DISCOVERY THIS IS. 738 00:44:25,271 --> 00:44:27,621 THE SONGS ARE VIRTUALLY INTACT 739 00:44:27,665 --> 00:44:30,189 ACCORDING TO THE OLDEST KNOWN VERSIONS, 740 00:44:30,232 --> 00:44:33,148 WITH WONDERFUL IDIOSYNCRATIC LOCAL CHANGES 741 00:44:33,192 --> 00:44:36,804 IN A LYRIC OR PHRASE HERE OR THERE. 742 00:44:36,848 --> 00:44:38,850 BEST WISHES, LILY. 743 00:45:18,890 --> 00:45:21,153 WHEW! LORD! 744 00:45:21,196 --> 00:45:24,678 YOUR PLAYING IS BEAUTIFUL. 745 00:45:24,722 --> 00:45:27,028 WELL, ACTUALLY THAT WAS ONE OF MY TUNES. 746 00:45:27,072 --> 00:45:29,770 DEXTER HERE JUST TOOK IT OVER 747 00:45:29,814 --> 00:45:32,033 AND MADE IT HIS OWN. 748 00:45:32,077 --> 00:45:34,470 SUCH STRIKING RHYTHMS. 749 00:45:34,514 --> 00:45:35,776 THANK YOU, MA'AM. 750 00:45:35,820 --> 00:45:39,345 UH, I'M LILY PENLERIC. 751 00:45:39,388 --> 00:45:41,390 SHE'S A MUSICOLOGIST. 752 00:45:41,434 --> 00:45:42,740 MR. UH... 753 00:45:42,783 --> 00:45:44,567 DEXTER SPEAKS, MA'AM. 754 00:45:44,611 --> 00:45:45,917 WELL, HOW DO YOU DO? 755 00:45:45,960 --> 00:45:48,658 WOULD YOU... LOOK AT DEL. 756 00:45:50,269 --> 00:45:51,618 SHE'S ALL BUG-EYED. 757 00:45:51,661 --> 00:45:54,055 AIN'T YOU EVER SEEN A COLORED MAN BEFORE? 758 00:45:54,099 --> 00:45:57,189 WHERE WOULD I HAVE? 759 00:45:59,626 --> 00:46:00,932 Tom: WHERE YOU ALL HEADED? 760 00:46:00,975 --> 00:46:03,673 ROSE GENTRY'S. 761 00:46:03,717 --> 00:46:05,110 I'M GONNA HELP DOC, HERE, 762 00:46:05,153 --> 00:46:06,851 WITH WRITING DOWN ROSE' BALLADS. 763 00:46:06,894 --> 00:46:10,028 WE'RE GOING EVERYWHERE THE SWEET MUSIC IS. 764 00:46:10,071 --> 00:46:13,727 ROSE? ROSE LIVES WAY OFF BACK OF BEYOND. 765 00:46:13,771 --> 00:46:15,468 YOU'LL NEVER GET THERE WITH THAT LOAD. 766 00:46:15,511 --> 00:46:18,601 YOU CAN'T TELL THIS WOMAN NOTHING, TOM. 767 00:46:18,993 --> 00:46:20,821 HUH. 768 00:46:22,127 --> 00:46:23,519 WELL, AREN'T YOU LUCKY? 769 00:46:23,563 --> 00:46:24,825 SITTING AROUND ALL DAY, 770 00:46:24,869 --> 00:46:26,392 GETTING DRUNK, PLAYING MUSIC. 771 00:46:26,435 --> 00:46:27,523 HOW LOVELY. 772 00:46:27,567 --> 00:46:28,437 YES, I AM. 773 00:46:28,481 --> 00:46:29,656 SEE, THAT'S WHAT YOU OUTLANDERS 774 00:46:29,699 --> 00:46:31,179 DON'T UNDERSTAND. 775 00:46:31,223 --> 00:46:32,702 SEE, LIFE IS FOR ENJOYING, 776 00:46:32,746 --> 00:46:36,837 NOT JUST GETTING AND WORKING AND GETTING AND WORKING. 777 00:46:36,881 --> 00:46:39,927 WE DO INDEED HAVE VERY DIFFERENT NOTIONS 778 00:46:39,971 --> 00:46:42,538 OF WHAT ENJOYMENT IS. 779 00:46:50,503 --> 00:46:52,548 WAIT. 780 00:46:54,855 --> 00:46:57,858 FATE, CAREFUL. 781 00:47:17,530 --> 00:47:20,185 STOP, STOP. 782 00:47:24,319 --> 00:47:26,582 I TOLD YOU WE COULDN'T GET THERE 783 00:47:26,626 --> 00:47:28,802 WITH THIS THING. 784 00:47:29,324 --> 00:47:33,502 WHERE'S YOUR PIONEER SPIRIT, FATE? 785 00:47:33,546 --> 00:47:35,374 WE CAN'T GIVE UP. 786 00:47:35,417 --> 00:47:38,856 COME ON, LET'S KEEP TRYING. 787 00:47:38,899 --> 00:47:40,335 NO, DEL. SHE'S CRAZY. 788 00:47:40,379 --> 00:47:42,772 I'VE BEEN LUGGING THIS THING EVERYWHERE IT DON'T BELONG. 789 00:47:42,816 --> 00:47:45,993 I'M NOT RISKING LIFE AND LIMB FOR NO STUPID SONGS. 790 00:47:46,037 --> 00:47:47,952 Lily: I NEED THESE RECORDINGS. 791 00:47:47,995 --> 00:47:51,825 I NEED THEM, RIGHT, DELADIS? 792 00:47:51,869 --> 00:47:55,611 DOC, NO ONE'S EVER TRIED 793 00:47:55,655 --> 00:47:59,398 TO PULL A THING LIKE THIS UP HERE. 794 00:47:59,441 --> 00:48:01,791 UNTIL NOW. COME ALONG. 795 00:48:01,835 --> 00:48:03,663 WE'LL SHOW YOUNG MR. HONEYCUTT 796 00:48:03,706 --> 00:48:07,319 WHAT YOU CAN ACHIEVE IF YOU DON'T GIVE UP. 797 00:48:16,328 --> 00:48:17,895 YOU... 798 00:48:24,727 --> 00:48:27,730 I WILL NOT GIVE UP! 799 00:48:29,994 --> 00:48:32,300 COME ALONG. 800 00:48:33,432 --> 00:48:37,088 PLEASE, FATE. COME WITH US. 801 00:48:48,708 --> 00:48:51,450 I DECIDED TO TAKE YOUR OFFER, EARL. 802 00:48:51,493 --> 00:48:53,234 A DOLLAR AN ACRE 803 00:48:53,278 --> 00:48:56,020 AND JOBS FOR ME AND MY BOYS. 804 00:48:56,759 --> 00:49:00,285 WHY, IF IT AIN'T THE SONGCATCHER. 805 00:49:00,328 --> 00:49:04,550 DR. LILY, YOU SURE DO GET AROUND, DON'T YOU? 806 00:49:04,593 --> 00:49:07,640 Lily: NICE TO SEE YOU AGAIN, MR. GIDDENS. 807 00:49:07,683 --> 00:49:11,426 MR. AND MRS. GENTRY, I'M LILY PENLERIC. 808 00:49:11,470 --> 00:49:14,038 WE HEARD YOU MIGHT BE COMING THIS WAY. 809 00:49:14,081 --> 00:49:16,518 VINEY SAYS DOC IS AWFUL NICE 810 00:49:16,562 --> 00:49:18,607 AND YOU SHOULD SING FOR HER. 811 00:49:18,651 --> 00:49:20,653 DOCTOR, UNCLE CRATIS IS THE ONE 812 00:49:20,696 --> 00:49:22,960 WHO KNOWS ABOUT EVERY LOVE SONG THERE IS. 813 00:49:23,003 --> 00:49:24,700 EXCEPT UNCLE CRATIS GOT THE CALLING. 814 00:49:24,744 --> 00:49:26,137 HE DON'T HOLD TO SINGING NO MORE. 815 00:49:26,180 --> 00:49:28,226 I'M SORRY, WE SEEM TO HAVE COME 816 00:49:28,269 --> 00:49:29,227 AT A BAD TIME. 817 00:49:29,270 --> 00:49:31,794 UH, NO. WE'VE ABOUT FINISHED HERE. 818 00:49:31,838 --> 00:49:34,580 I SAID I'D TAKE A DOLLAR AN ACRE. 819 00:49:34,623 --> 00:49:35,798 WELL, NOW, PARLEY, 820 00:49:35,842 --> 00:49:38,584 THAT WAS BEFORE I KNEW THE LAND WAS USED UP. 821 00:49:38,627 --> 00:49:41,413 WELL, I WOULDN'T BE SELLING IF IT WEREN'T. 822 00:49:41,456 --> 00:49:42,762 I APPRECIATE THAT, 823 00:49:42,805 --> 00:49:45,025 BUT MR. McFARLAND WOULD HAVE MY HEAD 824 00:49:45,069 --> 00:49:47,462 IF I GAVE THAT MUCH. 825 00:49:47,506 --> 00:49:52,250 MOST I COULD GIVE IS, SAY, 50 CENTS AN ACRE. 826 00:49:52,293 --> 00:49:55,688 WHAT'S THAT COME TO? 827 00:49:55,731 --> 00:49:58,604 HOW MANY ACRES YOU GOT AGAIN? 828 00:49:59,300 --> 00:50:01,781 ABOUT 100, MY DADDY ALWAYS SAID. 829 00:50:01,824 --> 00:50:04,131 $50?! 830 00:50:04,175 --> 00:50:05,089 THAT'S ALL? 831 00:50:05,132 --> 00:50:08,135 THAT'S CRIMINAL, MR. GIDDENS. 832 00:50:08,875 --> 00:50:11,660 DON'T BUTT IN WHERE YOU DON'T BELONG. 833 00:50:11,704 --> 00:50:12,879 NOW, THE ONLY WAY THESE FOLKS 834 00:50:12,922 --> 00:50:14,054 ARE GOING TO BETTER THEMSELVES 835 00:50:14,098 --> 00:50:15,273 IS TO GET THE HELL OFF THIS MOUNTAIN 836 00:50:15,316 --> 00:50:17,188 AND GIVE UP THEIR BACKWARD WAYS. 837 00:50:17,231 --> 00:50:19,494 Lily: IS THAT WHAT YOUR EDUCATION TAUGHT YOU? 838 00:50:19,538 --> 00:50:22,236 TO HATE YOUR OWN PEOPLE? 839 00:50:24,064 --> 00:50:25,718 DAMN YOU! 840 00:50:25,761 --> 00:50:28,199 YOU'RE ABOUT AS MEAN AS A COPPERHEAD. 841 00:50:28,242 --> 00:50:29,983 AND I SLEEP LIKE A SNAKE, TOO, 842 00:50:30,027 --> 00:50:32,377 WITH BOTH EYES OPEN. 843 00:50:32,420 --> 00:50:33,726 LEAVE THE BOY, EARL. 844 00:50:33,769 --> 00:50:37,164 GET ON OUTTA HERE. THE DEAL'S DONE. 845 00:50:37,208 --> 00:50:39,949 YOU GOT MY WORD. 846 00:50:47,435 --> 00:50:48,654 GIT. 847 00:50:48,697 --> 00:50:51,570 GOOD DAY, DOCTOR. 848 00:50:52,310 --> 00:50:54,486 IS THAT ANY WAY TO SETTLE ANYTHING, 849 00:50:54,529 --> 00:50:55,878 YOU STUPID BOY! 850 00:50:55,922 --> 00:51:00,100 THAT MAN WOULD STEAL THE DIME OFF A DEAD MAN'S EYES. 851 00:51:08,239 --> 00:51:10,937 I'M REALLY VERY SORRY. 852 00:51:39,008 --> 00:51:44,797 ♪ WHEN I FIRST COME TO THIS COUNTRY ♪ 853 00:51:44,840 --> 00:51:49,106 ♪ IN 1849 854 00:51:49,149 --> 00:51:54,285 ♪ I SAW MANY FAIR LOVERS 855 00:51:54,328 --> 00:51:59,420 ♪ BUT NEVER SAW MINE 856 00:51:59,464 --> 00:52:04,469 ♪ I VIEWED IT ALL AROUND ME 857 00:52:04,512 --> 00:52:08,342 ♪ SAW I WAS QUITE ALONE 858 00:52:08,386 --> 00:52:12,651 ♪ ME, A POOR STRANGER 859 00:52:12,694 --> 00:52:17,221 ♪ AND A LONG WAY FROM HOME 860 00:52:17,264 --> 00:52:22,574 ♪ FARE-THEE-WELL TO OLD MOTHER 861 00:52:22,617 --> 00:52:27,187 ♪ FARE-THEE-WELL TO FATHER, TOO ♪ 862 00:52:27,231 --> 00:52:32,149 ♪ I'M ALONE AND FOR TO RAMBLE 863 00:52:32,192 --> 00:52:37,719 ♪ THIS WIDE WORLD ALL THROUGH 864 00:52:37,763 --> 00:52:42,333 ♪ AND WHEN I GET WEARY 865 00:52:42,376 --> 00:52:46,902 ♪ I'LL SIT DOWN AND CRY 866 00:52:46,946 --> 00:52:50,645 ♪ AND THINK OF MY SARO 867 00:52:50,689 --> 00:52:55,607 ♪ PRETTY SARO, MY BRIDE 868 00:52:55,650 --> 00:53:01,090 ♪ WELL, I WISHED I WAS A TURTLE DOVE ♪ 869 00:53:01,134 --> 00:53:04,877 ♪ HAD WINGS AND COULD FLY 870 00:53:04,920 --> 00:53:10,230 ♪ FAR AWAY TO MY LOVER'S LODGINGS ♪ 871 00:53:10,274 --> 00:53:14,930 ♪ TONIGHT I'D DRAW NIGH 872 00:53:14,974 --> 00:53:20,240 ♪ AND THERE IN HER LILY WHITE ARMS ♪ 873 00:53:20,284 --> 00:53:24,549 ♪ I'D LAY THERE ALL NIGHT 874 00:53:24,592 --> 00:53:29,075 ♪ AND WATCH THROUGH THEM LITTLE WINDOWS ♪ 875 00:53:29,118 --> 00:53:36,213 ♪ FOR A DAWNING OF DAY 876 00:53:46,875 --> 00:53:49,356 Merriweather: THE MISSIONARY BOARD IS CONVINCED 877 00:53:49,400 --> 00:53:50,879 THAT THE SCHOOLS WOULD TAKE HOLD BETTER 878 00:53:50,923 --> 00:53:52,272 IN THE MOUNTAIN COMMUNITIES 879 00:53:52,316 --> 00:53:54,318 IF THEY WERE LED BY A MAN AND HIS WIFE 880 00:53:54,361 --> 00:53:57,799 WHO WOULD INTEGRATE MORE NORMALLY INTO THE COMMUNITY 881 00:53:57,843 --> 00:53:59,366 THAN TWO WOMEN. 882 00:53:59,410 --> 00:54:01,499 FORTUNATELY FOR US, REVEREND, 883 00:54:01,542 --> 00:54:05,024 WE'RE NOT UNDER YOUR JURISDICTION. 884 00:54:05,067 --> 00:54:07,200 I'M BEGINNING TO UNDERSTAND 885 00:54:07,244 --> 00:54:10,551 YOUR APPRECIATION OF THE LOCAL CRAFTS, MRS. McFARLAND. 886 00:54:10,595 --> 00:54:12,684 IT'S A BEAUTIFULLY MADE PIECE. 887 00:54:12,727 --> 00:54:14,338 I HAVE SEVERAL LIKE IT. 888 00:54:14,381 --> 00:54:17,993 SHE'LL BANKRUPT ME WITH HER COLLECTING. 889 00:54:18,037 --> 00:54:21,519 THE CLOVER SCHOOL IS A MODEL, 890 00:54:21,562 --> 00:54:26,001 BUT THE CHURCH IS BETTER EQUIPPED TO EDUCATE. 891 00:54:26,045 --> 00:54:28,482 I ENDORSE THE ENGLISH IDEA: 892 00:54:28,526 --> 00:54:31,137 WE MUST EDUCATE BY EXAMPLE. 893 00:54:31,180 --> 00:54:34,096 IF WE TEACH THESE RUFFIANS TO SERVE TEA PROPERLY, 894 00:54:34,140 --> 00:54:36,534 THEY WILL WANT REFINEMENT. SEEK IT OUT. 895 00:54:36,577 --> 00:54:38,797 I BELIEVE WE MUST ASK THE MOUNTAIN PEOPLE 896 00:54:38,840 --> 00:54:40,755 WHAT THEY WANT AND WHAT THEY NEED. 897 00:54:40,799 --> 00:54:42,191 THAT IS THE ENLIGHTENED POINT OF VIEW. 898 00:54:42,235 --> 00:54:45,238 McFarland: EDUCATING THESE SAVAGES IS A WASTE OF MONEY. 899 00:54:45,282 --> 00:54:46,631 IF YOU WANT TO HELP THESE CHILDREN, 900 00:54:46,674 --> 00:54:48,197 YOU SHOULD GET THEM OUT OF THEIR HOVELS 901 00:54:48,241 --> 00:54:49,198 AND PUT THEM TO WORK. 902 00:54:49,242 --> 00:54:50,635 THERE'S NOTHING LIKE A DAY'S WAGES 903 00:54:50,678 --> 00:54:53,768 TO HELP MAKE FOR ADVANCEMENT. 904 00:54:54,203 --> 00:54:57,381 IT'S A BEAUTIFUL LAND, ISN'T IT, MR. McFARLAND? 905 00:54:57,424 --> 00:54:59,774 IT'S ONE OF THE LARGEST UNTAPPED COAL DEPOSITS 906 00:54:59,818 --> 00:55:01,950 IN THE SOUTHERN MOUNTAINS, MISS TOLLIVER, 907 00:55:01,994 --> 00:55:04,692 AND SOON I'M GONNA OWN IT. 908 00:55:04,736 --> 00:55:07,478 AND WITH MY COAL MINES WILL COME TOWNS, 909 00:55:07,521 --> 00:55:11,569 ROADS, RAILROADS, CHURCHES, 910 00:55:11,612 --> 00:55:13,440 EVEN A FEW MORE SCHOOLS. 911 00:55:13,484 --> 00:55:15,964 ALTHOUGH I DON'T SHARE THE LOFTY IDEALS 912 00:55:16,008 --> 00:55:17,009 OF YOU LADIES, 913 00:55:17,052 --> 00:55:18,924 I WOULD LIKE TO MAKE A SMALL DONATION 914 00:55:18,967 --> 00:55:20,969 TO THE CLOVER SCHOOL. 915 00:55:21,013 --> 00:55:23,972 SAY, $500. 916 00:55:25,452 --> 00:55:27,715 THANK YOU. BUT WE COULDN'T POSSIBLY 917 00:55:27,759 --> 00:55:30,152 ACCEPT SUCH A GIFT DESPITE OUR NEED. 918 00:55:30,196 --> 00:55:31,284 YES, IT'S ESSENTIAL 919 00:55:31,328 --> 00:55:33,678 THAT WE AVOID ALL POLITICAL AFFILIATIONS 920 00:55:33,721 --> 00:55:36,376 TO MAINTAIN THE TRUST OF THE COMMUNITY. 921 00:55:36,420 --> 00:55:37,638 AS FAR AS I KNOW, 922 00:55:37,682 --> 00:55:39,640 WATER PUMPS DON'T HAVE POLITICAL AFFILIATIONS. 923 00:55:39,684 --> 00:55:40,859 MR. MCFARLAND, 924 00:55:40,902 --> 00:55:43,862 I THOUGHT YOU SUPPORTED CHRISTIAN EDUCATION. 925 00:55:43,905 --> 00:55:46,865 I SUPPORT PROGRESS, REVEREND MERRIWEATHER. 926 00:55:46,908 --> 00:55:47,909 AND I ALSO APPRECIATE 927 00:55:47,953 --> 00:55:49,781 WHAT THESE LADIES HAVE ACCOMPLISHED. 928 00:55:49,824 --> 00:55:52,697 I THINK THIS SCHOOL IS THE LOVELIEST. 929 00:55:52,740 --> 00:55:54,699 THE WAY MISS TOLLIVER AND MISS PENLERIC 930 00:55:54,742 --> 00:55:58,616 HAVE USED THE LOCAL CRAFTS TO DECORATE. 931 00:55:58,659 --> 00:56:01,183 ARE YOU AWARE OF THE FOLK ARTS MOVEMENT 932 00:56:01,227 --> 00:56:03,882 THAT IS SWEEPING NEW YORK AND LONDON? 933 00:56:03,925 --> 00:56:06,232 I'M QUITE A COLLECTOR. 934 00:56:06,275 --> 00:56:08,974 DOC'S COLLECTING SONGS. 935 00:56:09,017 --> 00:56:12,020 REALLY? Deladis: UH-HUH. 936 00:56:12,064 --> 00:56:13,718 YES, I AM. 937 00:56:15,459 --> 00:56:17,156 UMM... 938 00:56:18,244 --> 00:56:19,680 IT'S BEAUTIFUL. 939 00:56:19,724 --> 00:56:24,337 SO REFINED. WAS THIS PAINTED BY A LOCAL? 940 00:56:24,381 --> 00:56:27,384 I KNEW YOU WOULD APPRECIATE IT. 941 00:56:29,386 --> 00:56:31,866 DO YOU KNOW I HAVE SENT A DOZEN OF THESE 942 00:56:31,910 --> 00:56:33,868 TO A GALLERY IN NEW YORK? 943 00:56:33,912 --> 00:56:36,741 THE DEALER IS VERY EXCITED. 944 00:56:36,784 --> 00:56:37,959 Harriet: OH, LOOK EVERYBODY. 945 00:56:38,003 --> 00:56:41,049 OUR MUSICAL ENTERTAINMENT IS HERE. HI, WILL. 946 00:56:41,093 --> 00:56:42,355 Deladis: HEY, WILL. 947 00:56:42,399 --> 00:56:45,619 Harriet: EVERYBODY, THIS IS WILL. 948 00:56:45,663 --> 00:56:46,794 HELLO, WILL. 949 00:56:46,838 --> 00:56:49,797 WILL, WHY DON'T YOU PLAY SALLY GOODIN? 950 00:56:58,937 --> 00:56:59,981 OH, AMBROSE. 951 00:57:00,025 --> 00:57:02,810 TWIRL ME AROUND THE LAWN. 952 00:57:08,773 --> 00:57:11,993 MISS TOLLIVER, MAY I HAVE THE HONOR? 953 00:57:12,037 --> 00:57:14,300 I'D BE DELIGHTED. 954 00:57:51,903 --> 00:57:52,860 Man: YEEE-IP! 955 00:57:52,904 --> 00:57:54,558 ALL RIGHT! 956 00:57:58,953 --> 00:58:00,781 YEEE-HAAA! 957 00:58:10,312 --> 00:58:11,879 WOO! 958 00:58:14,795 --> 00:58:15,840 OOH! 959 00:58:15,883 --> 00:58:20,322 Take a little bit. Go on. 960 00:58:22,803 --> 00:58:25,284 ISN'T THAT GOOD? 961 00:58:25,327 --> 00:58:28,505 HA! HA! 962 00:58:57,664 --> 00:58:59,579 HEY, DEL. 963 00:58:59,623 --> 00:59:00,624 WHERE HAVE YOU BEEN? 964 00:59:00,667 --> 00:59:02,060 MISS ELNA'S BEEN WORRIED SICK. 965 00:59:02,103 --> 00:59:03,583 I AIN'T HER CONCERN NO MORE. 966 00:59:03,627 --> 00:59:05,977 NOT HERS OR NOBODY'S. 967 00:59:18,859 --> 00:59:21,688 Man: GO ON OUT THERE, BOY. 968 00:59:22,471 --> 00:59:25,257 Woman: GET ON OUT THERE. 969 00:59:46,583 --> 00:59:47,888 MISS ELNA? 970 00:59:47,932 --> 00:59:51,326 I'D BE DELIGHTED, HILLIARD. 971 00:59:52,327 --> 00:59:54,721 Man: WOO! GO, HILLIARD! 972 01:00:04,470 --> 01:00:06,428 Man: THAT A BOY! 973 01:00:41,812 --> 01:00:45,467 Viney: COME ON, LILY, LET'S TRY IT. 974 01:00:45,511 --> 01:00:47,774 LOOK AT THAT! WHOO-EE! 975 01:00:47,818 --> 01:00:51,691 WHOA! GO ON NOW. OH, DON'T BE EMBARRASSED. 976 01:00:51,735 --> 01:00:55,869 YOU'RE DANCING! YOU'RE DANCING GOOD. 977 01:01:45,745 --> 01:01:47,878 LOOK OUT, THERE. 978 01:02:08,507 --> 01:02:10,117 HELLO. 979 01:02:10,161 --> 01:02:11,684 WOULD YOU CARE TO-- 980 01:02:11,728 --> 01:02:12,729 OR MAYBE I WAS SPEAKING 981 01:02:12,772 --> 01:02:13,686 A LITTLE TOO PROPER TO YOU BEFORE. 982 01:02:13,730 --> 01:02:15,470 GET YOUR LONG LEGS OUT HERE-- 983 01:02:15,514 --> 01:02:16,820 I DON'T THINK SO. 984 01:02:16,863 --> 01:02:18,299 LET ME SHOW YOU SOME TRUE COUNTRY SPIRIT, DARLING. 985 01:02:18,343 --> 01:02:20,084 Lily: EXCUSE ME. NO, THANK YOU. 986 01:02:20,127 --> 01:02:21,172 I THINK PERHAPS 987 01:02:21,215 --> 01:02:22,303 YOU'VE HAD A LITTLE TOO MUCH TO DRINK. 988 01:02:22,347 --> 01:02:26,830 NO. I'LL SHOW YOU WANT YOU NEED TO KNOW. 989 01:02:26,873 --> 01:02:28,440 HEY! 990 01:02:29,136 --> 01:02:30,703 GO ON, OUT OF HERE. 991 01:02:30,747 --> 01:02:32,749 Earl: I'M TELLING YOU, BOY! 992 01:03:12,005 --> 01:03:13,485 LILY? 993 01:03:13,528 --> 01:03:15,095 IT'S VERY LATE. 994 01:03:15,139 --> 01:03:16,836 WE SHOULD GET BACK. 995 01:03:16,880 --> 01:03:18,577 OH, I'LL FIND MY OWN WAY HOME. 996 01:03:18,620 --> 01:03:21,710 I'LL SEE THE DOCTOR GETS HOME. 997 01:03:25,410 --> 01:03:26,715 ALL RIGHT. 998 01:03:26,759 --> 01:03:28,674 I'LL BE FINE. GOOD NIGHT. 999 01:03:28,717 --> 01:03:29,631 GOOD NIGHT. 1000 01:03:29,675 --> 01:03:32,330 Woman: NIGHT, MISS ELNA. 1001 01:03:32,373 --> 01:03:34,636 NIGHT, MISS HARRIET. 1002 01:03:50,957 --> 01:03:52,829 Tom: HEY, EARL. 1003 01:03:53,873 --> 01:03:55,788 HOW'S YOUR HEAD? 1004 01:04:11,499 --> 01:04:15,721 ♪ OH, WHAT IS THIS 1005 01:04:15,764 --> 01:04:18,419 ♪ I CANNOT SEE 1006 01:04:18,463 --> 01:04:25,774 ♪ WHOSE ICY HAND TAKES HOLD ON ME ♪ 1007 01:04:25,818 --> 01:04:29,213 ♪ OH, I AM DEATH 1008 01:04:29,256 --> 01:04:33,695 ♪ THAT NONE CAN EXCEL 1009 01:04:33,739 --> 01:04:37,917 ♪ I OPEN THE DOOR 1010 01:04:37,961 --> 01:04:42,443 ♪ TO HEAVEN AND HELL 1011 01:04:49,581 --> 01:04:52,410 ♪ O DEATH, O DEATH 1012 01:04:52,453 --> 01:04:55,587 ♪ HOW CAN IT BE 1013 01:04:55,630 --> 01:05:01,810 ♪ THAT I MUST COME AND GO WITH THEE ♪ 1014 01:05:01,854 --> 01:05:05,336 ♪ O DEATH, O DEATH 1015 01:05:05,379 --> 01:05:08,252 ♪ HOW CAN IT BE? 1016 01:05:08,295 --> 01:05:15,824 ♪ I'M UNPREPARED FOR ETERNITY ♪ 1017 01:05:15,868 --> 01:05:22,527 ♪ OH YES, I'VE COME FOR TO GET YOUR SOUL ♪ 1018 01:05:22,570 --> 01:05:28,272 ♪ TAKE YOUR BODY AND LEAVE IT COLD ♪ 1019 01:05:28,315 --> 01:05:35,801 ♪ I'LL DROP THE FLESH FROM OFF OF YOUR FRAME ♪ 1020 01:05:35,844 --> 01:05:43,896 ♪ THE EARTH AND THE WORMS BOTH HAVE THEIR CLAIM ♪ 1021 01:05:43,940 --> 01:05:46,899 Woman: ♪ O DEATH, O DEATH ♪ 1022 01:05:46,943 --> 01:05:49,771 ♪ PLEASE LET ME SEE 1023 01:05:49,815 --> 01:05:57,605 ♪ IF CHRIST HAS TURNED HIS BACK ON ME ♪ 1024 01:05:57,649 --> 01:06:03,960 ♪ WHEN YOU WERE CALLED AND ASKED TO BOW ♪ 1025 01:06:04,003 --> 01:06:07,267 ♪ YOU WOULDN'T TAKE HEED ♪ 1026 01:06:07,311 --> 01:06:11,315 ♪ AND IT'S TOO LATE NOW 1027 01:06:11,358 --> 01:06:14,796 ♪ FAREWELL, FAREWELL 1028 01:06:14,840 --> 01:06:18,887 ♪ TO ALL, FAREWELL 1029 01:06:18,931 --> 01:06:22,500 ♪ MY DOOM IS FIXED 1030 01:06:22,543 --> 01:06:26,808 ♪ I'M SUMMONED TO HELL 1031 01:06:26,852 --> 01:06:30,160 ♪ AS LONG AS GOD 1032 01:06:30,203 --> 01:06:33,946 ♪ IN HEAVEN SHALL DWELL 1033 01:06:33,990 --> 01:06:37,863 ♪ MY SOUL, MY SOUL 1034 01:06:37,906 --> 01:06:43,042 ♪ SHALL SCREAM IN HELL 1035 01:06:48,047 --> 01:06:50,484 WHAT ARE YOU STILL DOING HERE? 1036 01:06:56,795 --> 01:06:59,885 I'M NOT GRATEFUL FOR YOUR VAIN GALLANTRY, 1037 01:06:59,928 --> 01:07:01,147 MR. BLEDSOE. 1038 01:07:01,191 --> 01:07:04,759 I AM PERFECTLY CAPABLE OF LOOKING AFTER MYSELF. 1039 01:07:06,065 --> 01:07:06,979 OH, DON'T WORRY. 1040 01:07:07,023 --> 01:07:08,937 I'D BEAT THAT SNAKE UP FOR FUN, 1041 01:07:08,981 --> 01:07:11,418 ANY DAY OF THE WEEK. 1042 01:07:22,081 --> 01:07:27,130 I HAVE NEVER HEARD SUCH... 1043 01:07:30,263 --> 01:07:32,222 SUCH SINGING. 1044 01:07:34,876 --> 01:07:36,487 WHY, I'D NEVER MET AN OUTLANDER 1045 01:07:36,530 --> 01:07:38,402 WHO LIKES MUSIC AS MUCH AS YOU DO. 1046 01:07:38,445 --> 01:07:39,881 I HAVE NEVER BEEN ANYWHERE 1047 01:07:39,925 --> 01:07:42,884 WHERE THE MUSIC IS AS MUCH A PART OF LIFE AS IT IS HERE. 1048 01:07:42,928 --> 01:07:46,801 IT'S LIKE THE AIR YOU ALL BREATHE. 1049 01:07:46,845 --> 01:07:49,413 IT'S BEAUTIFUL. 1050 01:07:49,456 --> 01:07:50,762 HMM. 1051 01:07:54,722 --> 01:07:56,289 YEAH. 1052 01:07:59,727 --> 01:08:03,296 I WOULD LIKE TO DISCUSS SOMETHING WITH YOU SERIOUSLY. 1053 01:08:03,340 --> 01:08:05,864 SERIOUS? WHAT IS IT? 1054 01:08:05,907 --> 01:08:06,778 IT'S ABOUT MY WORK. 1055 01:08:06,821 --> 01:08:09,868 ACTUALLY, IT'S ABOUT MY BOOK. 1056 01:08:11,739 --> 01:08:15,700 I BELIEVE THAT YOU CAN WIN PUBLIC SENTIMENT OVER 1057 01:08:15,743 --> 01:08:17,354 WITH YOUR MUSIC. 1058 01:08:17,397 --> 01:08:18,746 PUBLIC SENTIMENT? 1059 01:08:18,790 --> 01:08:20,531 YES. 1060 01:08:21,662 --> 01:08:23,273 LET ME TELL YOU SOMETHING. 1061 01:08:23,316 --> 01:08:24,491 WE'RE NOT REALLY INTERESTED 1062 01:08:24,535 --> 01:08:26,841 IN WHAT YOU PEOPLE OUT THERE THINK ABOUT US. 1063 01:08:26,885 --> 01:08:28,669 WELL, YOU SHOULD BE. 1064 01:08:28,713 --> 01:08:30,062 OH, YEAH? 1065 01:08:30,106 --> 01:08:31,063 WHAT I'M TRYING TO SAY 1066 01:08:31,107 --> 01:08:32,804 IS THAT WHEN MY BOOK IS PUBLISHED, 1067 01:08:32,847 --> 01:08:35,546 I BELIEVE THAT THE MOUNTAIN PEOPLE WILL BE SEEN 1068 01:08:35,589 --> 01:08:36,721 IN A VERY DIFFERENT LIGHT. 1069 01:08:36,764 --> 01:08:39,506 OH, WHAT LIGHT IS THAT, MAY I ASK? 1070 01:08:39,550 --> 01:08:43,554 WELL, THE COMMON VIEW IS THAT THERE IS NO CULTURE HERE, 1071 01:08:43,597 --> 01:08:46,426 AND THAT THE PEOPLE ARE DIRTY, IGNORANT, AND SAVAGE. 1072 01:08:46,470 --> 01:08:49,821 YOU FORGOT ILLITERATE AND INBRED. 1073 01:08:49,864 --> 01:08:51,039 THE ONLY WAY 1074 01:08:51,083 --> 01:08:52,780 TO PRESERVE OUR WAY OF LIFE UP HERE 1075 01:08:52,824 --> 01:08:55,218 IS TO KEEP YOUR WAY OF LIFE DOWN THERE. 1076 01:08:55,261 --> 01:08:58,046 THAT IS THE WAY THAT YOU KILL SOMETHING, BY SHUTTING IT UP. 1077 01:08:58,090 --> 01:08:59,309 YOU KNOW WHAT? 1078 01:08:59,352 --> 01:09:01,746 YOU JUST DON'T UNDERSTAND, AND YOU NEVER WILL. 1079 01:09:01,789 --> 01:09:04,662 WE JUST WANT TO BE LEFT ALONE. 1080 01:09:04,705 --> 01:09:05,880 SEE? 1081 01:09:05,924 --> 01:09:08,405 THEN THE MOUNTAIN WAYS WILL DIE. 1082 01:09:08,448 --> 01:09:09,884 WE'LL SEE. 1083 01:09:10,624 --> 01:09:12,713 I DON'T WANT TO FIGHT WITH YOU. 1084 01:09:12,757 --> 01:09:14,280 WELL, ME NEITHER. 1085 01:09:14,324 --> 01:09:15,629 WE JUST KEEP GETTING OFF 1086 01:09:15,673 --> 01:09:18,328 ON THE WRONG FOOT, DON'T WE? 1087 01:09:19,503 --> 01:09:21,157 GOOD NIGHT. 1088 01:09:22,288 --> 01:09:24,638 CAN I TAKE MY WRONG FEET AND WALK YOU HOME? 1089 01:09:24,682 --> 01:09:27,337 NO. I CAN FIND MY OWN WAY, THANK YOU. 1090 01:09:27,380 --> 01:09:29,513 I PROMISED MISS ELNA. 1091 01:09:29,556 --> 01:09:31,210 WELL, IN CASE YOU HADN'T NOTICED, 1092 01:09:31,254 --> 01:09:32,994 I AM THE BIG SISTER. 1093 01:09:33,038 --> 01:09:34,170 NOT ELNA. 1094 01:09:35,040 --> 01:09:37,782 OH, I'D NOTICED. 1095 01:09:37,825 --> 01:09:39,827 I'D NOTICED. 1096 01:11:12,964 --> 01:11:14,835 WHOA! WHOA! 1097 01:11:37,989 --> 01:11:39,295 OH! 1098 01:11:41,122 --> 01:11:42,776 HERE YOU GO. 1099 01:11:42,820 --> 01:11:45,301 WHY WON'T YOU ADMIT IT WAS YOU--GIVE ME THAT. 1100 01:11:45,344 --> 01:11:46,432 IT WAS YOU. 1101 01:11:46,476 --> 01:11:47,477 IT WASN'T ME. 1102 01:11:47,520 --> 01:11:49,696 IT HAD TO BE THE PANTHER. 1103 01:11:49,740 --> 01:11:52,003 EITHER THAT OR MAYBE YOU... 1104 01:11:52,046 --> 01:11:53,178 MAYBE YOU IMAGINED IT. 1105 01:11:53,221 --> 01:11:54,875 I DID NOT IMAGINE IT. 1106 01:11:54,919 --> 01:11:58,357 IT WAS AS REAL AS YOU AND ME. 1107 01:11:58,401 --> 01:11:59,880 OH! 1108 01:12:02,709 --> 01:12:05,756 WHY AREN'T YOU MARRIED? 1109 01:12:05,799 --> 01:12:08,062 WHY AREN'T YOU? 1110 01:12:08,106 --> 01:12:11,327 I'VE BEEN MARRIED TWICE. 1111 01:12:11,370 --> 01:12:15,374 MY SECOND WIFE DIED OF LUNG FEVER. 1112 01:12:17,333 --> 01:12:18,725 I'M SORRY. 1113 01:12:21,685 --> 01:12:25,123 I'M A JINX FOR A WOMAN, LILY. 1114 01:12:26,864 --> 01:12:29,301 I'M NOT YOUR AVERAGE WOMAN. 1115 01:12:32,870 --> 01:12:35,263 YOU'RE NOT, ARE YOU? 1116 01:13:02,813 --> 01:13:05,598 Deladis: ♪ OH HOLIDAY, OH HOLY DAY ♪ 1117 01:13:05,642 --> 01:13:07,818 ♪ THE FIRST DAY OF THE YEAR ♪ 1118 01:13:07,861 --> 01:13:10,560 ♪ LITTLE MATTHY GROVES TO CHURCH HE GOES ♪ 1119 01:13:10,603 --> 01:13:12,736 ♪ FOR SOME HOLY WORDS TO HEAR ♪ 1120 01:13:12,779 --> 01:13:16,348 ♪ HEAR, SOME HOLY WORDS TO HEAR ♪ 1121 01:13:16,392 --> 01:13:18,263 COME ON, DOC. YOU KNOW THIS ONE. 1122 01:13:18,306 --> 01:13:23,573 ♪ HE SPIED SOME WOMEN DRESSED IN BLACK AS THEY CAME INTO VIEW ♪ 1123 01:13:23,616 --> 01:13:28,752 ♪ LORD DANIEL'S WIFE WAS GAILY CLAD, THE FLOWER OF THE FEW ♪ 1124 01:13:28,795 --> 01:13:31,407 ♪ FEW, THE FLOWER OF THE FEW 1125 01:13:31,450 --> 01:13:34,410 ♪ SHE STEPPED UP TO LITTLE MATTHY GROVES ♪ 1126 01:13:34,453 --> 01:13:36,716 ♪ HER EYES CAST ON THE GROUND 1127 01:13:36,760 --> 01:13:39,023 ♪ OH PLEASE, OH PLEASE COME WITH ME ♪ 1128 01:13:39,066 --> 01:13:40,981 ♪ STAY AS YOU PASS THROUGH THIS TOWN ♪ 1129 01:13:41,025 --> 01:13:44,594 ♪ TOWN, AS YOU PASS THROUGH THIS TOWN ♪ 1130 01:13:44,637 --> 01:13:48,815 LADY? YOU ARE OFFICIALLY MY ASSISTANT NOW, 1131 01:13:48,859 --> 01:13:50,904 AND IT'S GOING TO SAY SO IN MY BOOK. 1132 01:13:50,948 --> 01:13:53,907 ♪ OH, WHAT IS THIS, SAID LITTLE MATTHY GROVES ♪ 1133 01:13:53,951 --> 01:13:55,866 ♪ AS HE SAT UP IN BED 1134 01:13:55,909 --> 01:14:00,827 ♪ I FEAR IT IS YOUR HUSBAND'S MAN, AND I WILL SOON BE DEAD ♪ 1135 01:14:00,871 --> 01:14:03,874 ♪ DEAD, AND I WILL SOON BE DEAD ♪ 1136 01:14:03,917 --> 01:14:06,572 ♪ BUT LITTLE MATTHY GROVES, HE LAY BACK DOWN ♪ 1137 01:14:06,616 --> 01:14:08,487 ♪ AND SOON FELL OFF TO SLEEP ♪ 1138 01:14:08,531 --> 01:14:13,579 ♪ WHEN HE WOKE UP, LORD DANIEL WAS STANDING AT HIS BED FEET ♪ 1139 01:14:13,623 --> 01:14:16,364 ♪ FEET, STANDING AT HIS BED FEET ♪ 1140 01:14:16,408 --> 01:14:19,455 ♪ SAYING, HOW DO YOU LIKE MY SNOW WHITE PILLOW ♪ 1141 01:14:19,498 --> 01:14:21,674 ♪ SAYING, HOW DO YOU LIKE MY SHEETS? ♪ 1142 01:14:21,718 --> 01:14:23,894 ♪ SAYING, HOW DO YOU LIKE MY PRETTY LITTLE WOMAN ♪ 1143 01:14:23,937 --> 01:14:26,374 ♪ THAT'S LAYING IN YOUR ARMS ASLEEP ♪ 1144 01:14:26,418 --> 01:14:29,813 ♪ SLEEP, LAYING IN YOUR ARMS ASLEEP ♪ 1145 01:14:29,856 --> 01:14:32,337 ♪ THE FIRST SWING THAT LITTLE MATTHY MADE ♪ 1146 01:14:32,380 --> 01:14:34,687 ♪ IT HURT LORD DANIEL SORE 1147 01:14:34,731 --> 01:14:37,211 ♪ THE NEXT SWING THAT LORD DANIEL MADE ♪ 1148 01:14:37,255 --> 01:14:39,126 ♪ LITTLE MATTHY HIT THE FLOOR 1149 01:14:39,170 --> 01:14:43,304 ♪ FLOOR, LITTLE MATTHY HIT THE FLOOR ♪ 1150 01:14:46,569 --> 01:14:49,049 WHAT DO YOU WANT? 1151 01:14:49,093 --> 01:14:50,703 UH... 1152 01:14:50,747 --> 01:14:53,227 PARLEY GENTRY SENT US. 1153 01:14:53,271 --> 01:14:55,491 MY NAME IS LILY PENLERIC. 1154 01:14:55,534 --> 01:14:57,623 WE ARE LOOKING FOR UNCLE CRATIS. 1155 01:14:57,667 --> 01:14:58,885 WHAT FOR? 1156 01:14:58,929 --> 01:15:00,844 I'M A SONG COLLECTOR. 1157 01:15:00,887 --> 01:15:03,760 PARLEY SAYS THAT UNCLE CRATIS KNOWS 1158 01:15:03,803 --> 01:15:07,590 ABOUT EVERY LOVE SONG THERE IS. 1159 01:15:07,633 --> 01:15:09,722 WE'RE MAKING A BOOK. 1160 01:15:12,420 --> 01:15:13,334 CRATIS GOT RELIGION. 1161 01:15:13,378 --> 01:15:15,380 HE DON'T DO NO SINGING NO MORE. 1162 01:15:15,423 --> 01:15:18,731 WELL, PERHAPS IF I SPOKE WITH HIM. 1163 01:15:22,909 --> 01:15:24,650 CRATIS. 1164 01:15:26,478 --> 01:15:30,003 ♪ UNCLE CRATIS 1165 01:15:31,614 --> 01:15:35,531 YOU'RE GOING TO BURN IN HELL, JOSIE MOORE. 1166 01:15:39,186 --> 01:15:41,275 MR. KINCAID? 1167 01:15:43,843 --> 01:15:46,367 DO I KNOW YOU, WOMAN? 1168 01:15:48,979 --> 01:15:51,503 I'M YOUR WIFE'S FRIEND. 1169 01:15:53,679 --> 01:15:54,550 YOU ALL GO ON. 1170 01:15:54,593 --> 01:15:57,378 WE GOT NO SONGS HERE. 1171 01:15:58,815 --> 01:16:01,687 YOUR FAMILY NEEDS YOU, MR. KINCAID. 1172 01:16:01,731 --> 01:16:04,385 REESE BELONGS HERE WITH ME. 1173 01:16:05,430 --> 01:16:06,736 GO ON. 1174 01:16:10,435 --> 01:16:12,132 Alice: HOW CAN I THANK YOU? 1175 01:16:12,176 --> 01:16:13,830 Lily: ALICE, YOU DON'T HAVE TO. 1176 01:16:13,873 --> 01:16:16,659 I'VE BARELY BEEN ABLE TO KEEP BODY AND SOUL TOGETHER 1177 01:16:16,702 --> 01:16:18,269 SINCE REESE LEFT AGAIN. 1178 01:16:18,312 --> 01:16:21,315 AND PEOPLE BEEN HELPING OUT AS BEST THEY CAN, BUT... 1179 01:16:21,359 --> 01:16:24,318 Lily: WELL, NOW THAT CLEMENTINE MCFARLAND'S 1180 01:16:24,362 --> 01:16:25,842 COLLECTING YOUR PAINTINGS, 1181 01:16:25,885 --> 01:16:27,887 OTHERS WILL AS WELL. 1182 01:16:27,931 --> 01:16:29,759 YOU KNOW, MAYBE I SHOULD TAKE THE CHILDREN 1183 01:16:29,802 --> 01:16:30,716 DOWN TO ASHEVILLE. 1184 01:16:30,760 --> 01:16:33,240 I MEAN, IF WHAT YOU SAY IS TRUE, 1185 01:16:33,284 --> 01:16:36,853 I COULD PROVIDE FOR US IN A BIG TOWN. 1186 01:16:36,896 --> 01:16:37,984 HELLO, ALICE. 1187 01:16:38,028 --> 01:16:39,116 DADDY? 1188 01:16:39,159 --> 01:16:39,899 Alice: REESE! 1189 01:16:39,943 --> 01:16:42,075 Children: DADDY, DADDY. 1190 01:16:42,119 --> 01:16:44,904 WELL, HEY, BIG MAN. 1191 01:16:44,948 --> 01:16:47,298 HEY, LITTLE BETH. 1192 01:16:47,341 --> 01:16:48,299 HEY. 1193 01:16:48,342 --> 01:16:49,866 HEY. 1194 01:16:52,564 --> 01:16:54,697 YOU LOOK PRETTY TODAY, ALICE. 1195 01:16:54,740 --> 01:16:58,439 UH, YOU REMEMBER DR. PENLERIC, DON'T YOU? 1196 01:16:58,483 --> 01:16:59,919 MR. KINCAID. 1197 01:17:06,360 --> 01:17:07,710 HEY, DEL. 1198 01:17:07,753 --> 01:17:09,581 HEY. 1199 01:17:09,625 --> 01:17:11,017 HEY, DEL. 1200 01:17:13,280 --> 01:17:15,631 "IT IS... 1201 01:17:15,674 --> 01:17:18,459 IT IS DEP... DEP..." 1202 01:17:18,503 --> 01:17:22,420 WHAT ARE YOU DOING READING OTHER PEOPLE'S WRITING? 1203 01:17:23,595 --> 01:17:25,466 "IT IS DEPLORABLE... 1204 01:17:25,510 --> 01:17:29,688 "DEPLORABLE THAT THE LITERATURE OF THE BALLAD 1205 01:17:29,732 --> 01:17:34,824 "HAS ATTRACTED SO MUCH MORE ATTENTION THAN THE MUSIC. 1206 01:17:34,867 --> 01:17:39,437 "THE TWO ELEMENTS SHOULD NEVER BE DISASSOCIATED. 1207 01:17:39,480 --> 01:17:43,920 "THE MUSIC AND TEXT ARE ONE AND INDIVISIBLE, 1208 01:17:43,963 --> 01:17:45,443 "AND TO SEVER ONE FROM THE OTHER 1209 01:17:45,486 --> 01:17:50,056 IS TO REMOVE THE PRICELESS GEM FROM ITS BEAUTIFUL SETTING." 1210 01:17:51,014 --> 01:17:52,406 WHAT ARE YOU LAUGHING AT? 1211 01:17:52,450 --> 01:17:55,627 SHE'S JUST SAYING OUR SONGS ARE FINER THAN FROG HAIR. 1212 01:17:55,671 --> 01:17:57,716 YOU'RE GOING SOFT IN THE HEAD, TOM. 1213 01:17:57,760 --> 01:17:58,674 YEAH, MAYBE. 1214 01:18:10,381 --> 01:18:12,470 Tom: LADIES. 1215 01:18:12,513 --> 01:18:13,340 HELLO. 1216 01:18:13,384 --> 01:18:15,778 WHAT ARE YOU DOING HERE? 1217 01:18:15,821 --> 01:18:20,086 UH...I-I BROUGHT YOU SOMETHING. 1218 01:18:27,659 --> 01:18:28,834 YOU SHOULDN'T HAVE. 1219 01:18:28,878 --> 01:18:30,793 WELL, I DID. 1220 01:18:34,187 --> 01:18:37,582 WARM TODAY, HUH? YES. 1221 01:18:42,718 --> 01:18:44,371 Elna: TOM. 1222 01:18:45,285 --> 01:18:46,765 WHY DON'T YOU ADVISE MY SISTER 1223 01:18:46,809 --> 01:18:49,637 TO JOIN US AT THE PICNIC THIS AFTERNOON? 1224 01:18:49,681 --> 01:18:51,770 I HAVEN'T HAD ANY LUCK. 1225 01:18:51,814 --> 01:18:53,380 PERHAPS YOU MIGHT. 1226 01:18:55,252 --> 01:18:56,949 WHAT? AND LEAVE HER WORK? 1227 01:18:59,256 --> 01:19:00,387 Harriet: DELADIS? 1228 01:19:00,431 --> 01:19:01,737 ARE YOU READY? 1229 01:19:01,780 --> 01:19:03,695 UMM... 1230 01:19:05,828 --> 01:19:06,829 I AIN'T GOIN'. 1231 01:19:06,872 --> 01:19:10,397 IT'S TOO HOT AND MUGGY FOR A PICNIC. 1232 01:19:10,441 --> 01:19:13,052 ALL RIGHT. SUIT YOURSELF. 1233 01:19:16,360 --> 01:19:19,363 LET ME SHOW YOU THIS HERE NOTER. 1234 01:19:19,406 --> 01:19:20,451 A WHAT? 1235 01:19:20,494 --> 01:19:23,846 NOTER. YOU TAKE THAT IN YOUR LEFT HAND 1236 01:19:23,889 --> 01:19:26,239 AND YOU PLAY THESE STRINGS. 1237 01:19:27,675 --> 01:19:29,634 LET'S GO FOR A WALK. 1238 01:19:29,677 --> 01:19:31,375 AH, YES. 1239 01:19:31,418 --> 01:19:35,161 WE'LL LEAVE YOU TWO TO YOUR MUSIC LESSON. 1240 01:19:44,040 --> 01:19:49,045 Tom: YOU KNOW, IT AIN'T NONE OF MY BUSINESS, BUT, UH... 1241 01:19:49,088 --> 01:19:52,788 MISS HARRIET AND MISS ELNA... 1242 01:19:55,268 --> 01:19:57,836 THEY'RE, UMM... 1243 01:19:57,880 --> 01:19:59,229 WHAT? 1244 01:20:00,099 --> 01:20:02,841 SWEETHEARTS, I GUESS YOU CALL IT. 1245 01:20:04,060 --> 01:20:06,062 DON'T BE RIDICULOUS. 1246 01:20:06,105 --> 01:20:07,672 WELL, LISTEN, IT DON'T BOTHER ME NONE. 1247 01:20:07,715 --> 01:20:09,717 I KNOW IT RILES MOST PEOPLE RIGHT UP. 1248 01:20:09,761 --> 01:20:11,241 IT DON'T BOTHER ME NONE. 1249 01:20:16,507 --> 01:20:21,164 Lily: I'M SURE IT'S ONLY BECAUSE THEY'RE SO ISOLATED. 1250 01:20:21,207 --> 01:20:23,209 WHO ELSE WOULD THEY BE WITH? 1251 01:20:23,253 --> 01:20:26,734 WELL, CERTAINLY NOT A MOUNTAIN MAN. 1252 01:21:12,389 --> 01:21:13,651 I SEE YOU TWO. 1253 01:21:13,694 --> 01:21:15,609 NOW, YOU QUIT THAT. 1254 01:21:15,653 --> 01:21:17,046 Fate: HEY, JOHNSON. 1255 01:21:17,089 --> 01:21:19,875 I GOT A LETTER HERE FOR THE DOCTOR. 1256 01:21:19,918 --> 01:21:22,616 SHE AIN'T HERE RIGHT NOW, BUT YOU CAN LEAVE IT. 1257 01:21:22,660 --> 01:21:25,619 NO, NO. YOU SEE THIS HERE WORD? 1258 01:21:25,663 --> 01:21:27,099 THAT MEANS IT'S IMPORTANT, 1259 01:21:27,143 --> 01:21:29,841 AND SHE'S GOT TO GET IT RIGHT AWAY. 1260 01:21:29,885 --> 01:21:30,929 URGENT? 1261 01:21:30,973 --> 01:21:31,930 I CAN READ. 1262 01:21:31,974 --> 01:21:34,672 SHE'S GONE OVER TO ALTON'S CREEK. 1263 01:21:34,715 --> 01:21:35,586 I'LL TAKE IT OVER. 1264 01:21:35,629 --> 01:21:36,979 YOU DO THAT FOR ME, OLD FATE? 1265 01:21:37,022 --> 01:21:39,807 SURE, JOHNSON, SURE. 1266 01:21:39,851 --> 01:21:40,808 I'LL GO WITH YOU. 1267 01:21:40,852 --> 01:21:41,940 NO. YOU STAY HERE. 1268 01:21:41,984 --> 01:21:43,942 WHY? BECAUSE I SAID. 1269 01:21:43,986 --> 01:21:45,683 UH-UH. I'M COMING WITH YOU. 1270 01:21:45,726 --> 01:21:48,294 NOW, YOU DELIVER IT INTO HER OWN HANDS. 1271 01:21:48,338 --> 01:21:50,949 OH, I WILL, I WILL. 1272 01:21:50,993 --> 01:21:52,211 THANK YOU. 1273 01:21:52,255 --> 01:21:53,909 BYE. BYE. 1274 01:21:54,126 --> 01:21:57,695 Fate: SURE, I'LL DELIVER THE LETTER, DOC. 1275 01:21:58,043 --> 01:22:01,220 YOU CAN'T DO THAT. THAT'S DOC'S LETTER. 1276 01:22:01,264 --> 01:22:02,265 YOU GIVE ME THAT. 1277 01:22:02,308 --> 01:22:03,701 COME AND GET IT. 1278 01:22:03,744 --> 01:22:06,922 DEL! YOU COME BACK HERE! 1279 01:22:49,834 --> 01:22:51,357 DEL? 1280 01:23:23,259 --> 01:23:24,912 OH, GOD. 1281 01:23:24,956 --> 01:23:27,089 OH, GOD. 1282 01:23:30,396 --> 01:23:33,051 OH, GOD. NO! 1283 01:23:33,095 --> 01:23:38,230 ELNA, WE HAVE TO GET BACK TO THE SCHOOL. ELNA! 1284 01:23:38,274 --> 01:23:39,710 FATE! 1285 01:23:39,753 --> 01:23:41,059 ELNA! 1286 01:23:45,150 --> 01:23:47,979 JOHNSON SAID IT WAS URGENT. 1287 01:24:07,172 --> 01:24:08,652 Wallace, voice-over: DEAR LILY... 1288 01:24:08,695 --> 01:24:11,611 IT IS WITH GREAT PRIDE THAT I WRITE. 1289 01:24:11,655 --> 01:24:13,004 I TOOK THE LIBERTY 1290 01:24:13,048 --> 01:24:14,440 OF SHOWING THE BALLADS YOU SENT ME TO CYRUS WHITTLE. 1291 01:24:14,484 --> 01:24:17,661 HE IMMEDIATELY CONFIRMED THE IMPORTANCE OF YOUR DISCOVERY, 1292 01:24:17,704 --> 01:24:18,836 AND THINKS IT IMPERATIVE 1293 01:24:18,879 --> 01:24:21,012 THAT THE BALLADS BE COLLECTED URGENTLY. 1294 01:24:21,056 --> 01:24:22,927 THE DEAN HAS SECURED THE FUNDS. 1295 01:24:22,970 --> 01:24:25,060 YOU'LL BE THRILLED TO KNOW THAT WHITTLE HIMSELF 1296 01:24:25,103 --> 01:24:26,626 INTENDS TO COLLECT THE SONGS 1297 01:24:26,670 --> 01:24:31,109 AND INSISTED THAT YOU CONTINUE AS HIS ASSISTANT. 1298 01:24:31,153 --> 01:24:33,285 ASSISTANT! 1299 01:24:34,634 --> 01:24:36,680 Voice-over: PLEASE RESPOND IMMEDIATELY. 1300 01:24:36,723 --> 01:24:38,769 REGARDS, WALLACE. 1301 01:25:12,933 --> 01:25:15,980 UNCLE CRATIS IS PREACHING THE GOSPEL TOMORROW. 1302 01:25:16,023 --> 01:25:17,677 YES, DEAR. 1303 01:25:17,721 --> 01:25:21,028 CAN I WEAR MY NEW GREEN CALICO? 1304 01:25:43,747 --> 01:25:47,054 Elna: HARRIET, NO! RUN! 1305 01:25:50,667 --> 01:25:52,712 RUN! RUN! 1306 01:25:53,626 --> 01:25:55,367 OH, MY GOD! 1307 01:25:58,675 --> 01:25:59,676 OH, MY GLASSES! 1308 01:25:59,719 --> 01:26:01,460 NO, NO. 1309 01:26:19,348 --> 01:26:21,001 LILY! 1310 01:26:23,787 --> 01:26:25,528 LILY! 1311 01:28:23,950 --> 01:28:27,040 GOOD-BYE, MY DARLING GIRL. 1312 01:29:13,870 --> 01:29:16,742 Tom: OH, GOOD LORD. 1313 01:29:23,314 --> 01:29:25,098 GO AWAY. 1314 01:30:06,836 --> 01:30:08,707 ELNA? 1315 01:30:10,187 --> 01:30:14,147 HOW AM I GOING TO LIVE WITHOUT HER? 1316 01:30:19,849 --> 01:30:22,721 PERHAPS YOU COULD FIND HER. 1317 01:30:24,331 --> 01:30:27,683 SHE SWORE IF ANYONE EVER FOUND OUT, 1318 01:30:27,726 --> 01:30:30,425 SHE'D DISAPPEAR. 1319 01:30:39,521 --> 01:30:41,827 MY HARRIET... 1320 01:30:46,223 --> 01:30:48,268 I'M SORRY. 1321 01:30:51,794 --> 01:30:53,752 I'M SO SORRY. 1322 01:31:43,672 --> 01:31:46,109 HEY, DOC! LOOK! 1323 01:31:46,979 --> 01:31:48,633 DOC! 1324 01:31:55,074 --> 01:31:56,772 Uncle Cratis: Y'ALL DON'T HAVE TO BELIEVE ME, 1325 01:31:56,815 --> 01:31:58,295 BUT YOU GOTTA BELIEVE THE WORD OF GOD. 1326 01:31:58,338 --> 01:31:59,818 NOW I KNOW YOU BELIEVE IN THE BIBLE, 1327 01:31:59,862 --> 01:32:05,128 AND THE BIBLE SAYS, "FOR HER SINS HAVE REACHED UNTO HEAVEN, 1328 01:32:05,171 --> 01:32:09,872 "AND GOD HATH REMEMBERED HER INIQUITIES. 1329 01:32:09,915 --> 01:32:15,007 "THEREFORE SHALL HER PLAGUES COME IN ONE DAY: 1330 01:32:15,051 --> 01:32:17,793 "DEATH AND MOURNING AND FAMINE, 1331 01:32:17,836 --> 01:32:21,405 "AND SHE SHALL BE UTTERLY 1332 01:32:21,448 --> 01:32:23,146 DESTROYED WITH FIRE." 1333 01:32:23,189 --> 01:32:24,408 AMEN! GLORY! 1334 01:32:24,451 --> 01:32:29,326 "FOR STRONG IS THE LORD GOD THAT JUDGETH HER." 1335 01:32:29,369 --> 01:32:30,675 AMEN. 1336 01:32:32,459 --> 01:32:35,724 WHERE DID YOU GET TO? I WAS LOOKING FOR YOU! 1337 01:32:35,767 --> 01:32:38,683 THOU HAST POLLUTED THE LAND WITH THY WHOREDOMS 1338 01:32:38,727 --> 01:32:40,729 AND WITH THY WICKEDNESS! 1339 01:32:40,772 --> 01:32:42,121 AMEN! 1340 01:32:42,774 --> 01:32:44,776 I'M GONNA BUST YOU UP, HILLIARD! 1341 01:32:44,820 --> 01:32:45,777 TOM! 1342 01:32:45,821 --> 01:32:47,605 THEY'RE THE WHORES OF BABYLON 1343 01:32:47,649 --> 01:32:48,780 COME TO TEMPT US, TOM! 1344 01:32:48,824 --> 01:32:50,695 NOW, THAT SNAKE RIGHT THERE 1345 01:32:50,739 --> 01:32:51,827 AND THAT LITTLE WEASEL 1346 01:32:51,870 --> 01:32:52,915 RIGHT NEXT TO HIM, 1347 01:32:52,958 --> 01:32:53,872 THEY'RE THE ONES 1348 01:32:53,916 --> 01:32:54,830 WHO SET FIRE TO THE SCHOOL! 1349 01:32:56,048 --> 01:32:58,268 AND ALL THIS WHILE THEM WOMEN AND CHILDREN 1350 01:32:58,311 --> 01:32:59,617 WERE STILL INSIDE! 1351 01:32:59,661 --> 01:33:01,532 THEY'RE EVIL WOMEN! 1352 01:33:01,576 --> 01:33:02,664 Tom: ARE YOU GONNA LISTEN TO THEM, 1353 01:33:02,707 --> 01:33:04,840 OR ARE YOU GONNA LISTEN TO ME? 1354 01:33:04,883 --> 01:33:08,713 I AM ASHAMED OF YOU BOYS! 1355 01:33:09,409 --> 01:33:11,324 I AIN'T NEVER SEEN NOTHING BUT GOOD 1356 01:33:11,368 --> 01:33:12,630 COME OUT OF THAT SCHOOL. 1357 01:33:12,674 --> 01:33:17,504 THEM WOMEN WERE SENT BY THE DEVIL HISSELF! 1358 01:33:17,548 --> 01:33:20,682 ONLY WICKEDNESS COMES OF BOOK LEARNING. 1359 01:33:20,725 --> 01:33:21,944 AMEN! 1360 01:33:21,987 --> 01:33:23,162 CRATIS! 1361 01:33:23,206 --> 01:33:25,251 I AIN'T NEVER HAD A CHANCE TO LEARN NOTHIN', 1362 01:33:25,295 --> 01:33:26,949 AND MY KIDS AIN'T NEITHER, 1363 01:33:26,992 --> 01:33:29,952 'CAUSE THEY'S ALWAYS WORKING TOO HARD, 1364 01:33:29,995 --> 01:33:31,649 KEEPING FOOD ON THE TABLE. 1365 01:33:31,693 --> 01:33:34,783 BUT I GOT GRANDBABIES AS SMART AS ANY OTHERS, 1366 01:33:34,826 --> 01:33:36,523 AND I WANT THEM TO HAVE A CHANCE. 1367 01:33:36,567 --> 01:33:39,875 Cratis: THAT'S THE DEVIL SPEAKING THROUGH HIM! 1368 01:33:39,918 --> 01:33:41,572 Men: AMEN! AMEN! 1369 01:33:41,616 --> 01:33:43,443 REESE KINCAID! 1370 01:33:45,707 --> 01:33:47,796 YOU SAID YOU'D NEVER LEAVE ME. 1371 01:33:47,839 --> 01:33:50,015 JOSIE! 1372 01:33:56,065 --> 01:34:00,765 Tom: ♪ DAYLIGHT IT COMES 1373 01:34:00,809 --> 01:34:04,464 ♪ ON A POISON THORN 1374 01:34:06,118 --> 01:34:10,035 ♪ IN A DRESS 1375 01:34:10,079 --> 01:34:14,170 ♪ DIRTY AND TORN 1376 01:34:15,345 --> 01:34:19,218 ♪ YOUNG'UNS IN BED 1377 01:34:19,262 --> 01:34:23,832 ♪ AS THE BLACK CROW FLIES 1378 01:34:24,571 --> 01:34:28,358 ♪ MAMA'S WEEPING 1379 01:34:28,401 --> 01:34:33,232 ♪ HEAR THE MOUNTAINS CRY 1380 01:34:33,276 --> 01:34:37,541 ♪ THERE WAS ANOTHER 1381 01:34:37,584 --> 01:34:41,806 ♪ A WILDER FLOWER 1382 01:34:42,459 --> 01:34:46,593 ♪ COLD WAS HER HEART 1383 01:34:46,637 --> 01:34:50,902 ♪ IN ITS DARKEST HOUR 1384 01:34:51,163 --> 01:34:55,864 ♪ TEARS ON THE GROUND 1385 01:34:55,907 --> 01:35:00,433 ♪ WHERE HER LOVE DID DIE 1386 01:35:00,782 --> 01:35:04,786 ♪ 'NEATH THE BLOODY MOON 1387 01:35:04,829 --> 01:35:09,355 ♪ HEAR THE MOUNTAINS CRY 1388 01:35:09,704 --> 01:35:14,230 ♪ OH, DIG HIS GRAVE 1389 01:35:14,273 --> 01:35:18,190 ♪ WHERE THE ROADS MEET 1390 01:35:18,930 --> 01:35:23,326 ♪ SET A JUG OF WHISKEY 1391 01:35:23,369 --> 01:35:27,678 ♪ FOR HIS THIRSTY FEET 1392 01:35:27,722 --> 01:35:32,204 ♪ AND LAY TWO PENNIES 1393 01:35:32,248 --> 01:35:36,774 ♪ ON HIS ROVING EYES 1394 01:35:37,122 --> 01:35:41,257 ♪ TWO WOMEN WAIL 1395 01:35:41,300 --> 01:35:45,870 ♪ AS THE MOUNTAINS CRY 1396 01:35:47,785 --> 01:35:50,353 THANK YOU, DEAR. 1397 01:35:50,875 --> 01:35:56,533 ELNA, WILL YOU BE ALL RIGHT IF I LEAVE? 1398 01:35:56,576 --> 01:35:58,927 SO SOON? 1399 01:36:00,755 --> 01:36:02,582 WHY DON'T YOU COME WITH ME? 1400 01:36:02,626 --> 01:36:05,672 YOU CAN LIVE AS YOU PLEASE IN A BIG CITY. 1401 01:36:05,716 --> 01:36:08,850 I'VE THOUGHT ABOUT IT. 1402 01:36:14,594 --> 01:36:17,772 I WANT TO REOPEN THE SCHOOL. 1403 01:36:18,729 --> 01:36:22,602 I WAS THINKING ABOUT ASKING YOU TO STAY WITH ME. 1404 01:36:22,646 --> 01:36:25,780 WE NEED ANOTHER TEACHER. 1405 01:36:29,871 --> 01:36:33,135 I DIDN'T THINK YOU WOULD. 1406 01:36:37,226 --> 01:36:39,837 I SHALL MISS YOU... 1407 01:36:40,795 --> 01:36:43,710 Tom: ♪ OH, THE WIND BLOWS WEARY ♪ 1408 01:36:43,754 --> 01:36:46,104 MY LITTLE ELF. 1409 01:36:46,148 --> 01:36:50,021 ♪ IN THE WAILER'S EYES 1410 01:36:50,065 --> 01:36:50,848 I'LL MISS YOU, TOO. 1411 01:36:50,892 --> 01:36:54,983 ♪ RIVERS OF SORROW 1412 01:36:55,026 --> 01:36:58,987 ♪ WHEN THE MOUNTAINS CRY 1413 01:36:59,465 --> 01:37:06,255 ♪ RIVERS OF SORROW 1414 01:37:06,298 --> 01:37:11,434 ♪ WHEN THE MOUNTAINS CRY 1415 01:37:21,313 --> 01:37:23,750 I'M SORRY. 1416 01:37:25,883 --> 01:37:27,885 I'M SORRY, TOO. 1417 01:37:27,929 --> 01:37:31,802 I'M SORRY ABOUT THAT SCHOOL. 1418 01:37:31,846 --> 01:37:35,197 I'M SORRY ABOUT YOUR BOOK. 1419 01:37:38,504 --> 01:37:42,900 YOU MADE MOST OF US FEEL REAL PROUD. 1420 01:37:42,944 --> 01:37:44,684 THANK YOU. 1421 01:37:44,728 --> 01:37:47,905 I'M SURE SOMEONE ELSE WILL COME 1422 01:37:47,949 --> 01:37:49,733 AND WRITE DOWN ALL THE SONGS. 1423 01:37:49,776 --> 01:37:52,301 YOU GIVING UP? 1424 01:37:52,344 --> 01:37:54,303 MMM-HMM. 1425 01:37:54,346 --> 01:37:56,696 I REALIZE THAT IT WAS THE VOICES SINGING THEM 1426 01:37:56,740 --> 01:37:58,742 THAT I WANTED EVERYONE TO HEAR. 1427 01:37:58,785 --> 01:38:01,701 YOU GOING BACK TO YOUR UNIVERSITY, THEN? 1428 01:38:01,745 --> 01:38:05,792 NO, NO, I DON'T THINK SO. 1429 01:38:07,838 --> 01:38:09,666 WHERE ARE YOU GOING? 1430 01:38:09,709 --> 01:38:12,625 I'M NOT SURE, UM... 1431 01:38:16,978 --> 01:38:19,894 COME WITH ME? 1432 01:38:24,942 --> 01:38:28,380 HOW WOULD I EARN A LIVING DOWN THE MOUNTAIN? 1433 01:38:28,424 --> 01:38:29,642 WITH YOUR MUSIC. 1434 01:38:29,686 --> 01:38:35,822 I COULDN'T TAKE CARE OF YOU RIGHT, DOING THIS. 1435 01:38:35,866 --> 01:38:37,824 THEN WORK IN A COAL MINE. 1436 01:38:37,868 --> 01:38:39,870 NO, I DID THAT ONCE, AND I GUARANTEE YOU, 1437 01:38:39,914 --> 01:38:42,873 I NEVER EVER WILL AGAIN. 1438 01:38:42,917 --> 01:38:44,875 SO YOU'RE JUST CONTENT TO SIT ON A MOUNTAIN 1439 01:38:44,919 --> 01:38:46,964 AND HIDE YOUR HEAD IN A JUG, IS THAT IT? 1440 01:38:47,008 --> 01:38:48,487 A MAN'S MEANT TO PROVIDE 1441 01:38:48,531 --> 01:38:51,490 FOR HIS WIFE AND HIS FAMILY, LILY. 1442 01:38:51,534 --> 01:38:53,971 YOU WERE MEANT TO MAKE MUSIC. 1443 01:38:54,015 --> 01:38:55,755 AND BESIDES WHICH, 1444 01:38:55,799 --> 01:38:58,062 I DON'T WANT YOU TO TAKE CARE OF ME. 1445 01:38:58,106 --> 01:38:59,716 AND I DO HAVE A PLAN. 1446 01:38:59,759 --> 01:39:01,979 WELL, OF COURSE YOU DO. 1447 01:39:02,023 --> 01:39:05,200 DID YOU EVER HAVE A DAY WITHOUT A PLAN? 1448 01:39:05,243 --> 01:39:09,900 IT INCLUDES YOU, TOM. DO YOU WANT TO HEAR IT? 1449 01:39:11,641 --> 01:39:13,686 GO ON. 1450 01:39:13,730 --> 01:39:16,733 WELL, UM, NOWADAYS, 1451 01:39:16,776 --> 01:39:19,779 PHONOGRAPHS, THEY ONLY COST ABOUT $10. 1452 01:39:19,823 --> 01:39:20,911 AND I THINK THAT SOON 1453 01:39:20,955 --> 01:39:22,739 EVERYONE IS GOING TO HAVE ONE. 1454 01:39:22,782 --> 01:39:24,610 I WAS THINKING THAT WE COULD 1455 01:39:24,654 --> 01:39:26,699 MAKE CYLINDERS OF MOUNTAIN MUSIC 1456 01:39:26,743 --> 01:39:28,701 AND SELL THEM. 1457 01:39:32,836 --> 01:39:35,143 WHO THE HELL WOULD BUY THEM? 1458 01:39:35,186 --> 01:39:37,014 OH, I THINK EVERYONE WOULD. 1459 01:39:37,058 --> 01:39:38,407 I KNOW THEY WOULD, TOM. 1460 01:39:38,450 --> 01:39:40,322 THE WAY THE MUSIC MAKES YOU FEEL, 1461 01:39:40,365 --> 01:39:41,410 OF COURSE THEY WOULD. 1462 01:39:41,453 --> 01:39:43,890 LILY, YOU'RE JUST ABOUT AS CRAZY AS-- 1463 01:39:43,934 --> 01:39:49,157 HEY! WHAT ARE YOU DOING HERE? 1464 01:39:49,200 --> 01:39:52,290 GO ON, BEFORE I SHOOT YOU. 1465 01:39:52,334 --> 01:39:55,076 I WANT TO TALK TO DELADIS. 1466 01:40:02,431 --> 01:40:07,262 Fate: DEL, I COME TO GET YOU TO BE MY WIFE. 1467 01:40:12,702 --> 01:40:14,660 I DON'T WANT NO PART OF YOU. 1468 01:40:14,704 --> 01:40:18,664 IF YOU DON'T TAKE ME NOW, I'M MARRYING POLLY. 1469 01:40:18,708 --> 01:40:23,843 I WENT TO THE WOODS... 1470 01:40:23,887 --> 01:40:26,977 AND THE KNOT DIDN'T HOLD. 1471 01:40:30,111 --> 01:40:33,505 YOU'RE POLLY'S NOW. 1472 01:40:48,520 --> 01:40:51,088 I LOVE YOU, CHILD. 1473 01:40:54,265 --> 01:40:56,833 Tom: HEY, DEL... 1474 01:40:57,660 --> 01:41:01,185 WE'RE GOING DOWN THE MOUNTAIN. 1475 01:41:01,229 --> 01:41:04,841 YOU WANT TO COME WITH US? 1476 01:41:08,323 --> 01:41:09,411 WE'RE GOING TO MAKE CYLINDERS 1477 01:41:09,454 --> 01:41:12,414 OF MOUNTAIN MUSIC TO SELL TO OUTLANDERS. 1478 01:41:16,070 --> 01:41:17,158 WHAT? 1479 01:41:17,201 --> 01:41:18,942 ISN'T THAT THE CRAZIEST THING 1480 01:41:18,985 --> 01:41:19,986 YOU EVER HEARD? 1481 01:41:20,030 --> 01:41:21,379 IT'S THE CRAZIEST. 1482 01:41:21,423 --> 01:41:24,339 OF COURSE SHE'LL COME WITH YOU. 1483 01:41:24,948 --> 01:41:26,123 GRANNY? 1484 01:41:26,167 --> 01:41:29,300 TOM, I'LL BE FINE. 1485 01:41:29,344 --> 01:41:30,823 I'LL BE RIGHT HERE 1486 01:41:30,867 --> 01:41:33,783 WHEN YOU COME BACK TO VISIT. 1487 01:41:45,490 --> 01:41:46,926 Tom: WHY DON'T YOU BACK UP A WAYS 1488 01:41:46,970 --> 01:41:48,798 TILL ONE OF US CAN PULL OVER? 1489 01:41:48,841 --> 01:41:52,628 PERHAPS I'D BETTER GET OUT. 1490 01:41:55,021 --> 01:41:56,675 ARE YOU CYRUS WHITTLE? 1491 01:41:56,719 --> 01:42:00,766 YES, YES, I AM. WHO ARE YOU? 1492 01:42:00,810 --> 01:42:02,768 I'M LILY PENLERIC. 1493 01:42:02,812 --> 01:42:05,641 LILY PENLERIC? WELL, HOW MARVELOUS! 1494 01:42:05,684 --> 01:42:09,123 I WAS JUST ON MY WAY TO MEET YOU. 1495 01:42:09,166 --> 01:42:11,429 DIDN'T YOU GET PROFESSOR ALDRICH'S LETTER? 1496 01:42:11,473 --> 01:42:12,865 Lily: YES, I DID, BUT I DIDN'T REALIZE 1497 01:42:12,909 --> 01:42:14,824 YOU WERE COMING IMMEDIATELY. 1498 01:42:14,867 --> 01:42:15,694 THE WORK IS URGENT. 1499 01:42:15,738 --> 01:42:18,262 YOUR DISCOVERY IS TOO GREAT. 1500 01:42:18,306 --> 01:42:20,395 THE COLLECTION MUST BE MOVED FORWARD 1501 01:42:20,438 --> 01:42:22,788 AS EXPEDITIOUSLY AS POSSIBLE. 1502 01:42:22,832 --> 01:42:23,876 THAT'S WHY I'M HERE 1503 01:42:23,920 --> 01:42:26,836 IN HOPES OF BEING ABLE TO ASSIST YOU. 1504 01:42:26,879 --> 01:42:28,359 ASSISTING ME? 1505 01:42:28,403 --> 01:42:32,189 I TOLD ALDRICH TO ASK YOUR PERMISSION. 1506 01:42:32,233 --> 01:42:34,800 I MADE MYSELF QUITE CLEAR TO THE DEAN. 1507 01:42:34,844 --> 01:42:38,413 I AM ONLY HERE TO FACILITATE AND COOPERATE 1508 01:42:38,456 --> 01:42:40,328 IN THE COMPLETION OF THE COLLECTION 1509 01:42:40,371 --> 01:42:42,939 OF THIS VAST BODY OF SONGS. 1510 01:42:42,982 --> 01:42:44,767 THERE IS NO COLLECTION 1511 01:42:44,810 --> 01:42:48,118 BEYOND THE 10 SONGS THAT I SENT PROFESSOR ALDRICH. 1512 01:42:48,162 --> 01:42:51,208 WHAT? ALL THIS TIME, YOU MEAN... 1513 01:42:51,252 --> 01:42:52,818 WAS DESTROYED IN A FIRE. 1514 01:42:52,862 --> 01:42:54,472 OHH, I CAN'T BEAR IT. 1515 01:42:54,516 --> 01:42:55,517 I'M AFRAID SO, 1516 01:42:55,560 --> 01:42:57,040 ALONG WITH MY PHONOGRAPH RECORDINGS. 1517 01:42:57,083 --> 01:43:00,435 OH, MY LORD! PHONOGRAPH, YOU SAY? 1518 01:43:00,478 --> 01:43:01,349 MM-HMM. 1519 01:43:01,392 --> 01:43:03,786 I HAD NO IDEA IT WAS FEASIBLE 1520 01:43:03,829 --> 01:43:08,399 TO LUG A PHONOGRAPH INTO THE WILDERNESS. 1521 01:43:08,443 --> 01:43:10,227 IT ISN'T. 1522 01:43:11,185 --> 01:43:12,708 WELL, IN THAT CASE, 1523 01:43:12,751 --> 01:43:15,537 IT IS VERY FORTUITOUS THAT I'M HERE, ISN'T IT? 1524 01:43:15,580 --> 01:43:19,497 WE CAN START AGAIN, YOU AND I. 1525 01:43:29,072 --> 01:43:30,639 THANK YOU, PROFESSOR WHITTLE, 1526 01:43:30,682 --> 01:43:32,858 BUT I'M AFRAID I HAVE OTHER PLANS. 1527 01:43:32,902 --> 01:43:35,644 WHAT ON EARTH COULD BE MORE IMPORTANT 1528 01:43:35,687 --> 01:43:38,516 THAN THIS COLLECTION OF SONGS? 1529 01:43:38,560 --> 01:43:39,474 I BEQUEATH THE COLLECTION 1530 01:43:39,517 --> 01:43:41,389 OF THE MOUNTAIN BALLADS TO YOU. 1531 01:43:41,432 --> 01:43:42,520 TO ME? 1532 01:43:42,564 --> 01:43:46,437 WELL, HOW AM I GOING TO WORK WITHOUT YOU? 1533 01:43:46,481 --> 01:43:47,525 AH... 1534 01:43:47,569 --> 01:43:48,961 WELL, WHEN YOU GET TO BEAR CREEK, 1535 01:43:49,005 --> 01:43:50,049 ASK FOR VINEY BUTLER. 1536 01:43:50,093 --> 01:43:53,052 TELL VINEY THAT TOM, LILY, AND DELADIS 1537 01:43:53,096 --> 01:43:55,229 SAID THAT YOU'RE A VERY NICE MAN 1538 01:43:55,272 --> 01:43:58,188 AND SHE SHOULD HELP YOU. 1539 01:43:58,232 --> 01:43:59,842 WHO? DELADIS? 1540 01:43:59,885 --> 01:44:02,236 DELADIS. 1541 01:44:02,888 --> 01:44:04,063 Lily: VINEY BUTLER. 1542 01:44:04,107 --> 01:44:07,763 SHE KNOWS DOZENS OF SONGS. SHE WILL HELP YOU. 1543 01:44:12,289 --> 01:44:13,682 VERY WELL, PROFESSOR, 1544 01:44:13,725 --> 01:44:15,771 BUT I MUST ASSURE YOU THAT I INTEND 1545 01:44:15,814 --> 01:44:19,644 TO PUBLISH THESE SONGS UNDER BOTH OUR NAMES. 1546 01:44:19,688 --> 01:44:21,733 YOURS FIRST, OF COURSE. 1547 01:44:21,777 --> 01:44:26,390 IT'S PENLERIC-- THAT'S ONE N AND NO K. 1548 01:44:30,089 --> 01:44:35,965 ♪ 'TWAS IN THE MERRY MONTH OF MAY ♪ 1549 01:44:36,008 --> 01:44:40,491 ♪ WHEN ALL GAY FLOWERS WERE BLOOMIN' ♪ 1550 01:44:40,535 --> 01:44:46,323 ♪ SWEET WILLIAM ON HIS DEATHBED LAY ♪ 1551 01:44:46,367 --> 01:44:51,154 ♪ FOR THE LOVE OF BARBARA ALLEN ♪ 1552 01:44:51,197 --> 01:44:56,638 ♪ HE SENT HIS SERVANT TO THE TOWN ♪ 1553 01:44:56,681 --> 01:45:01,338 ♪ TO THE PLACE WHERE SHE WAS DWELLING ♪ 1554 01:45:01,382 --> 01:45:07,344 ♪ SAYING, YOU MUST COME TO MY MASTER'S HOUSE ♪ 1555 01:45:07,388 --> 01:45:11,870 ♪ IF YOUR NAME BE BARBARA ALLEN ♪ 1556 01:45:11,914 --> 01:45:18,137 ♪ SO SLOWLY, SLOWLY SHE GETS UP ♪ 1557 01:45:18,181 --> 01:45:22,316 ♪ AND TO HIS BEDSIDE GOING 1558 01:45:22,359 --> 01:45:28,409 ♪ SHE DREW THE CURTAINS TO ONE SIDE ♪ 1559 01:45:28,452 --> 01:45:33,109 ♪ AND SAYS, YOUNG MAN, YOU'RE DYING ♪ 1560 01:45:33,152 --> 01:45:39,115 ♪ I KNOW I'M SICK, AND VERY SICK ♪ 1561 01:45:39,158 --> 01:45:43,293 ♪ AND SORROW DWELLS WITHIN ME 1562 01:45:43,337 --> 01:45:49,212 ♪ NO BETTER, NO BETTER I NEVER WILL BE ♪ 1563 01:45:49,255 --> 01:45:53,825 ♪ TILL I HAVE BARBARA ALLEN 1564 01:45:53,869 --> 01:46:00,136 ♪ DON'T YOU REMEMBER LAST SATURDAY NIGHT ♪ 1565 01:46:00,179 --> 01:46:04,358 ♪ WHEN I WAS AT THE TAVERN 1566 01:46:04,401 --> 01:46:10,407 ♪ YOU GAVE YOUR DRINKS TO THE LADIES ALL ♪ 1567 01:46:10,451 --> 01:46:14,890 ♪ BUT YOU SLIGHTED BARBARA ALLEN ♪ 1568 01:46:14,933 --> 01:46:20,939 ♪ HE REACHED UP HIS PALE, WHITE HANDS ♪ 1569 01:46:20,983 --> 01:46:25,335 ♪ INTENDING FOR TO TOUCH HER 1570 01:46:25,379 --> 01:46:31,036 ♪ SHE TURNED AWAY FROM HIS BEDSIDE ♪ 1571 01:46:31,080 --> 01:46:36,172 ♪ AND SAYS, YOUNG MAN, I WON'T HAVE YOU ♪ 1572 01:46:36,215 --> 01:46:42,265 ♪ HE TURNED HIS CHEEK UNTO THE WALL ♪ 1573 01:46:42,308 --> 01:46:46,400 ♪ AND BURSTED OUT A-CRYING 1574 01:46:46,443 --> 01:46:52,493 ♪ ADIEU TO THEE, ADIEU TO ALL 1575 01:46:52,536 --> 01:46:58,629 ♪ AND ADIEU TO BARBARA ALLEN 1576 01:47:00,718 --> 01:47:03,460 CAPTIONING MADE POSSIBLE BY TRIMARK PICTURES 1577 01:47:03,504 --> 01:47:07,943 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 1578 01:47:18,214 --> 01:47:23,872 ♪ SHE HAD NOT MORE THAN REACHED THE TOWN ♪ 1579 01:47:23,915 --> 01:47:28,485 ♪ SHE HEARD THE DEATH BELLS RINGING ♪ 1580 01:47:28,529 --> 01:47:34,491 ♪ AND AS THEY RUNG THEY SEEMED TO SAY ♪ 1581 01:47:34,535 --> 01:47:38,974 ♪ HARDHEARTED BARBARA ALLEN 1582 01:47:39,017 --> 01:47:45,067 ♪ O MOTHER, O MOTHER, GO MAKE MY BED ♪ 1583 01:47:45,110 --> 01:47:49,506 ♪ MAKE IT BOTH LONG AND NARROW 1584 01:47:49,550 --> 01:47:55,294 ♪ SWEET WILLIAM DIED FOR ME TODAY ♪ 1585 01:47:55,338 --> 01:47:59,690 ♪ I'LL DIE FOR HIM TOMORROW 1586 01:47:59,734 --> 01:48:05,957 ♪ SWEET WILLIAM WAS BURIED IN THE OLD CHURCH YARD ♪ 1587 01:48:06,001 --> 01:48:10,353 ♪ AND BARBARA THERE LAY NIGH HIM ♪ 1588 01:48:10,396 --> 01:48:16,446 ♪ AND OUT OF HIS GRAVE GREW A RED, RED ROSE ♪ 1589 01:48:16,490 --> 01:48:20,755 ♪ AND OUT OF HERS, A BRIAR 1590 01:48:20,798 --> 01:48:27,152 ♪ THEY GREW AND GREW TO THE OLD CHURCH GATE ♪ 1591 01:48:27,196 --> 01:48:31,461 ♪ WHERE THEY COULD GROW NO HIGHER ♪ 1592 01:48:31,505 --> 01:48:37,380 ♪ AND THERE THEY TIED IN A TRUE LOVE KNOT ♪ 1593 01:48:37,423 --> 01:48:41,423 ♪ THE ROSE WRAPPED ROUND THE BRIAR ♪ 102902