All language subtitles for Elanztr

(people chattering)

(boy #1)
HIKE.

(feet shuffling)

(boy #2)
STOP IT!

(boy laughing)

(boy #3)
GO!

(boy grunting)

(boy #4)
WHAT'S UP, BOYS?

(people chattering)

ALL RIGHT, LET'S GO.

(boy #5)
LET'S GO. BREAK.

HIKE.

(boys laughing)

(chattering continues)

(boy #6)
HEY, NATHAN.

(car engine humming)

(crashing)

(creaking)

(tires screeching)

(Dad)
WHAT? HEY, WHERE ARE
YOU GOIN'? COME HERE.

OH, MY GOD, DAD.

GET IN THE CAR.

YOU'RE GONNA BE LATE
FOR SCHOOL. COME ON.

MOM'S GONNA KILL YOU.

WHAT?

WHAT ARE YOU DOING?

DAD, I'M DRIVING.

NO, GET OUT
OF THE CAR, DAD.

(car door closing)

(sighing)

WHAT?

GET OUT
OF THE CAR.

SEAT BELT.
YEAH. YEAH.

WHAT'S THE BIG DEAL?

CAN YOU JUST
GET IN THE CAR, PLEASE?

(sighing)

(grunting)

(engine starting)

(sniffing)

LET'S GO HUNTIN'.

WANNA GO
HUNTIN' THIS WEEKEND?

YEAH, OK.
LET'S GO HUNTIN'.

WHERE ARE WE
GOIN' HUNTIN'?

YOU CAN USE THAT OLD JAP 243

THAT GRANDPA
BROUGHT BACK FROM TRUK.

FROM WHERE?

TRUK ISLANDS,
THE SOUTH PACIFIC.

ADMIRAL HALSEY,
WORLD WAR II.

OH, YEAH, RIGHT.

I WAS THERE.

YOU'VE BEEN THERE,
RIGHT, DAD?

NO.

(sniffs)

HEY, CAN I TAKE
YOUR GUYS' PICTURE?

WHY?

I'M JUST, LIKE, DEVELOPING
MY PORTFOLIO RIGHT NOW,

DOING RANDOM PROJECTS.

WHAT'S A PORTFOLIO?

IT'S WHEN YOU— WHEN YOU
PUT, UM, TOGETHER PICTURES,

YOU KNOW,
TO PRESENT YOUR WORK.

GET INTO GALLERIES,
STUFF LIKE THAT.

WHAT KIND OF WORK?

ANYTHING.
LIKE, PORTRAITS MAINLY.

LIKE, NAKED PEOPLE?

NO.
NO?

WANT US TO
GET NAKED WITH YOU,

TAKE OUR PICTURE?

NO, NO.
NO, NO.

I'M NOT FOR
THE OUTDOOR-NAKED THING.

PUBLIC NUDITY IS— NO.

SO, NO,
WE WON'T DO THAT.

ALL RIGHT, MAN.
ALL RIGHT.

YEAH? OK, GOOD. GOOD.

YOU'RE TOO KIND.

ALL RIGHT, LET'S GO.

BE A LITTLE HAPPIER.
COME ON. YEAH.

YEAH, THERE YOU GO.

YEAH, KIND OF—
KIND OF LOOK AWAY.

MAKE A FUNNY FACE,
YOU KNOW.

ONE MORE.

YEAH, GOOD. KEEP WALKING.
KEEP WALKING.

MAYBE ONE KISS.

OH.

PERFECT. ALL RIGHT,
WELL, I ACTUALLY
GOTTA GET TO SCHOOL. SO—

OK.
MY NAME'S CAROLINE.

NICE TO MEET YOU.
I'M ELI.

NICE TO MEET YOU,
TOO.

WHAT'S UP?

OK, I'LL GIVE YOU GUYS
A PRINT

THE NEXT TIME I SEE YOU,
OR WHENEVER.

I'LL TRY
AND MAKE ONE TODAY.

ALL RIGHT.
SEE YOU LATER, MAN.

ALL RIGHT. LATER.

(sniffs)

(car approaching)

ALL RIGHT, DAD,
YOU STAY HERE.

PAUL WILL COME
PICK YOU UP.

(grunting)

DAD, JUST STAY IN THE CAR.
I GOTTA GO.

JUST STAY IN THE CAR,
PLEASE.

(sighing)

(coin clinking)

(dialing)

HEY, PAUL?
YEAH, IT'S JOHN.

YEAH,
DAD'S DRUNK AGAIN. NO—

SO, MR. McFARLAND…

HI, MR. LUCE.
I'M SORRY I'M LATE.

UH, MY—MY DAD
TOOK ME OUT TO LUNCH.

I MEAN, BREAKFAST.

MEET ME IN MY OFFICE.

YEAH, I'M IN TROUBLE NOW.

YEAH, WILL YOU—
WILL YOU PICK HIM UP?

I'LL LEAVE THE KEYS
IN THE OFFICE.

CAN YOU DO IT, LIKE, SOON?

'CAUSE I DON'T KNOW
IF HE'S GONNA STAY.

OK.

(people chattering)

(sighing)

(people continue chattering)

(girls)
AND 1, 2, 3, 4, 5…

(both grunting)

(muttering)

COME ON, BOYS.

(girls)
1, 2, 3, 4,

5, 6, 7, 8,
9, 10.

(girls screaming)

5, 6, 7, 8,
9, 10.

(people chattering)

SET. HIKE!

(players chattering)

4, 5, 6, 7,
8, 9, 10.

1, 2, 3, 4,

5, 6, 7, 8,
9, 10.

1, 2, 3, 4,
5, 6…

SET. HIKE!

1, 2, 3, 4,

5, 6, 7, 8,
9, 10.

(people chattering)

5, 6, 7, 8,
9, 10.

5, 6, 7, 8,
9, 10.

1, 2, 3, 4,

5, 6, 7, 8,
9, 10.

1, 2, 3, 4,

5, 6, 7, 8,
9, 10.

(students singing)

(students chattering)

(woman chattering)

(door creaking)

(people chattering)

HE'S SO CUTE.

HEY.

HOW ARE YOU?

GOOD, AND HOW ARE YOU?

I'M DOING PRETTY GOOD.
HOW WAS MATH?

(laughing)

UH, HOW DO
YOU THINK?

THAT GOOD, HUH?
THAT GOOD?

(laughing)

THAT'S ALL RIGHT,
YOU KNOW, IT HAPPENS.

(laughing)

SO HOW'S SARA DOING?
IS EVERYTHING OK WITH HER?

SHE SEEMED
A LITTLE OFF LATELY.

YEAH, I GUESS SO.
HOW'S SCHOOL FOR YOU?

OH, IT'S— OH, IT'S ABOUT
AS GOOD AS IT COULD BE.

(laughing)

IS P.E.
TREATING YOU ALL RIGHT?

OH, YEAH.

(people chattering)

UH, EXCUSE ME, MISS?
WE NEED TO SIGN OUT.

(woman #1)
OK.

(woman #2)
THAT PICTURE
WAS TAKEN IN HAWAII,

ON THE ISLAND OF MAUI.

WHAT DO YOU NEED, HON?

(people chattering)

(sighing)

GET TO CLASS.

DON'T BE LATE
FOR DETENTION.

(woman #2)
UH-HUH. OK, BYE-BYE.

(Nathan)
EXCUSE ME, MISS?
WE NEED TO SIGN OUT.

HEY, WHERE WAS THAT
PICTURE TAKEN?

(woman #2)
THAT PICTURE WAS
TAKEN IN HAWAII,

ON THE ISLAND OF MAUI.

WOW, THAT'S REAL PRETTY.

ISN'T THAT COOL?
WHAT DO YOU NEED?

I NEED TO LEAVE THESE KEYS
IN THE OFFICE FOR MY BROTHER.

HE'S GONNA COME
PICK 'EM UP, 11:30-ISH.

PUT THE KEYS
IN THE ENVELOPE,

AND PUT YOUR
BROTHER'S NAME ON THERE.

HIS NAME'S PAUL.

(men chattering)

(woman #1)
BY THE WAY, WHAT TIME
WILL YOU BE BACK?

UH, RIGHT AROUND 1:30.

(woman #2)
11:30 YOU SAID?

(John)
YEAH, ABOUT.

OK, GREAT.
ALL RIGHT, THANKS.

OH, AND, UH,
DON'T FORGET TO BRING
YOUR OWN STEAKS, HUH?

(woman)
I'LL SEE YOU THEN.

YEAH, OK. I'M—I'M TRYING
TO SAVE UP FOR MY CAR.

I'M PAYING IT OFF
THIS MONTH.

SURPRISE!

(exhaling)

OH, HELLO.

HI.

WHAT'S WRONG?

NOTHIN'.

YOU WERE CRYING.

YEAH.

IS IT SOMETHING BAD?

I DON'T KNOW.

I'LL SEE YOU LATER.
I HAVE TO GO

TO A GAY-STRAIGHT
ALLIANCE MEETING.

OK.
BYE.

(man chattering)

(people laughing)

HI, ACADIA,
HOW YOU DOING? ALL RIGHT.

SO WE WERE TALKIN' ABOUT

WALKIN' DOWN A STREET
BEING GAY.

WHAT DO YOU
THINK ABOUT THAT?

HOW CAN YOU TELL?

(boy #1)
OR—OR CAN YOU TELL?

GOOD QUESTION.

(boy #2)
SEE, THAT'S THE THING.
I DON'T THINK YOU CAN.

WELL, I THINK IN SOME
SITUATIONS YOU CAN TELL

AND I THINK THERE ARE
SITUATIONS WHERE PEOPLE
WANT YOU TO KNOW.

(group leader)
WHAT MAKES YOU THINK
YOU CAN TELL?

I MEAN, IF SOMEBODY
WANTS YOU—

(boy #1)
IF SOMEONE HAS…

(stuttering)

… PINK. DYED PINK HAIR, UH—

I MEAN, WAIT, WAIT, WAIT.
WHAT DO YOU
THINK ABOUT THAT?

I KNOW IT IS, BUT, COME ON,
WHAT DO— WHAT DO
YOU THINK ABOUT THAT?

(girl)
I DON'T— I DON'T THINK
THAT WEARING PINK

INDICATES YOUR SEXUAL
ORIENTATION NECESSARILY.

YES, A LOT OF MEN
WEAR PINK.

IT IS A LOT, YEAH.

LIKE RAINBOW NECKLACES.

I MEAN, IF YOU HAVE, LIKE,

TONS OF RAINBOW
PARAPHERNALIA AND LIKE—

(group leader)
JUMP IN ON THIS.
SAY SOMETHING.

HELP THEM OUT HERE
A LITTLE BIT.

COME ON.

(boy #3)
DID YOU GUYS SEE
THE COVER STORY

ON THE OREGONIAN
ABOUT THE GAY RAMS?

OH, YEAH. SEE,
THIS IS A GOOD TOPIC HERE.

GO AHEAD.

BECAUSE APPARENTLY
THE FARMERS CAN'T TELL

IF THE RAMS
ARE GAY OR NOT.

SO YOU GET
A RAM TO BREED

AND, YOU KNOW,
AND IT'S NOT,

SO THEY WASTE
A LOT OF MONEY.

SO THEY'RE DOING
ALL THIS RESEARCH.

YEAH, WELL, THEY SPEND,
LIKE, $10,000 ON A RAM.

(group leader)
THAT'S A LOT OF MONEY
FOR ONE RAM, YOU KNOW. BUT—

(boy #4)
BUT THE SCARY THING IS,

IF THEY KNOW WHAT CAUSES
HOMOSEXUALITY,

IS THAT SOMETHING
THEY COULD CHANGE,

IS THAT SOMETHING
YOU COULD, LIKE, REMOVE?

(boy #5)
THERE'S ALL THIS WEIRD
POLITICAL STUFF AROUND IT.

(boy #6)
I DON'T THINK WE'RE TALKING

ABOUT, LIKE,
THE CHANGE, NECESSARILY.

I THINK
WE'RE TALKING ABOUT

IF WE NOTICE
SOMEBODY WALKING
DOWN THE STREET,

IF WE CAN TELL
THEY'RE GAY.
I DON'T THINK YOU CAN.

I MEAN, HOW IN THE WORLD
ARE WE GONNA
KNOW THEIR SPIRIT?

NOW, IF THEY WEAR
ONE OF THOSE BRACELETS,

YOU KNOW, THE RAINBOW
AND STUFF, THAT'S A GIVER.

(boy #7)
SOMEBODY WALKING
ON THE STREET,

ALL DRESSED UP,
WEARING HIGH HEELS—

(girl #1)
RAINBOW BRACELETS

DON'T NECESSARILY MEAN
THAT YOU'RE GAY.

I'VE NEVER SEEN
ANYBODY WEAR ONE
THAT ISN'T GAY.

(girl #1)
UM, ME, FOR EXAMPLE.

WHY, AND THEN, SO,
AND THEN WHY,
WHY WOULD IT EVEN MATTER?

I MEAN, YOU'RE WEARING
A BRACELET
AND YOU'RE NOT GAY.

AND, YOU KNOW,
WHO CARES EITHER WAY?

(woman)
WHAT TIME
WILL YOU BE BACK?

UM, RIGHT AROUND 1:30.

OK.

OK, NOW HERE'S THE DEAL.

AARON AND I
AND SOME OF THE OTHER BOYS,

UH, WE'RE GONNA GO
FOURBYING, UH, LATER TODAY.

AND WE WERE WONDERING

IF MAYBE YOU WOULD
LIKE TO BRING
SOME OF THE GIRLS ALONG.

DON'T YOU REMEMBER
WHAT HAPPENED LAST TIME?

OF COURSE I REMEMBER.
HOW COULD I FORGET?

WITH SARA AND JESSICA?

WELL, SARA AND JESSICA,
THEY'RE…

OH, DON'T BE MEAN.

I NEVER TEASE YOU
ABOUT JASON

AND HIS HOT DOGS,
OR WHATEVER.

JASON—
WELL, OK, THAT WAS
AN ISOLATED INCIDENT.

YOU KNOW, THAT'S
COMPLETELY DIFFERENT.

BESIDES,
I DON'T KNOW IF I CAN GO.

I DON'T KNOW WHAT TIME
I'LL GET HOME.

OH, HOME
FROM THE APPOINTMENT?

YEAH.
YEAH.

UM, DOES THAT,
BY ANY CHANCE,

HAVE TO DO WITH,
YOU KNOW,

WHEN WE WENT CAMPING,
YOU KNOW,
2 OR 3 WEEKS AGO?

I DON'T KNOW.
IT—IT COULD BE ANYTHING.

COULD BE ANYTHING?

YOU KNOW WHAT?
YOU DON'T HAVE TO WORRY
ABOUT IT. YOU KNOW WHY?

BECAUSE WE'RE GONNA
BE HAVING A BLAST FOURBYING
AS LONG AS…

YOU GOTTA PROMISE
TO SHOW UP.

(John)
HEY, ELI!

HEY, WHAT'S UP, JOHN?

HOW'S IT GOING?
PRETTY GOOD.

WHAT ARE YOU DOING?

JUST TAKING PICTURES.

CAN I TAKE
A PICTURE OF YOU?

YEAH, SURE.

(bell ringing)

OK, READY?
1, 2, 3.

NICE.

ALL RIGHT.
HEY, I'LL SEE YOU LATER.

HEY, YOU GOING
TO THE CONCERT TONIGHT?

NO, I CAN'T.
MY PARENTS ARE
BEING BITCHES THIS WEEK.

OH, THAT'S RETARDED.
THAT HAPPENS.

ALL RIGHT.
I'LL SEE YOU.

(people chattering)

BOOMER!

BOOMER, COME HERE.

(laughing)

HEY, WHAT ARE
YOU GUYS DOING?

GET THE FUCK OUT OF HERE
AND DON'T COME BACK.

SOME HEAVY
SHIT'S GOING DOWN.

WHAT ARE YOU DOING?

(male student)
WHEN THE ELECTRONS

JUMP FROM ONE ORBITAL
TO, LIKE, ANOTHER ONE,

WHAT—WHAT DOES THAT DO?

I MEAN, WHAT'S THE DIFFERENCE
BETWEEN THE ORBITALS?

WELL, THE ORBITALS
DIFFER IN ENERGY.

THE ORBITALS,
WHICH ARE AREAS IN SPACE

AROUND THE NUCLEUS,

THE ONES THAT ARE
CLOSER TO THE NUCLEUS,
THOSE ARE LOW ENERGY,

AND THE ONES THAT
ARE FURTHER AWAY
ARE HIGHER ENERGY.

SO WHEN WE PUT ENERGY
INTO THE, UH, THE ATOM,

IT KICKS THESE ELECTRONS OUT

FURTHER AWAY
FROM THE NUCLEUS,

AND PRODUCES A HIGHER—
YES?

AFTER YOU PUT
THE ELECTRICITY

INTO THE TUBE
FULL OF THE ELECTRONS,

LIKE, AFTER THEY'RE LIT UP,
DO THEY STAY LIT UP

OR CAN THEY RUN
OUT OF ENERGY?

GOOD QUESTION.
WHAT THEY DO, UH,

IS THEY WILL SIT UP
IN THIS HIGHER ENERGY STATE

AND THEN DROP DOWN AGAIN.

AND WHEN THEY DROP DOWN,
THEY EMIT LIGHT.

(sighing)

(people chattering)

WHAT ARE YOU WRITING?

OH, THIS?
YEAH.

IT'S MY PLAN.

FOR WHAT?

OH, YOU'LL SEE.

(all chattering)

HEY, HOW ARE YOU?

HEY, ELI,
WHAT'S UP?

NOT MUCH.
I'M JUST GONNA GO

TO THE DARKROOM
AND STUFF, SO…

OH, YEAH. WATCH OUT
FOR MR. ROBERTSON'S CLASS.

YEAH, I KNOW.
NO KIDDING.

ALL RIGHT, WELL,
I'LL SEE YOU LATER.

OK. BYE.

HI, ELI,
HOW YOU DOING?

PRETTY GOOD, ACTUALLY.
HOW ABOUT YOU?

FINE.

HEY.

(humming Deck The Halls)

(clattering)

(clattering continues)

(gym teacher)
MICHELLE, MICHELLE,
LOOK, WE'VE GOT TO TALK

ABOUT THIS
GYM CLOTHES PROBLEM.

THIS IS, UH, THIS IS
NOT GONNA DO IT,
THESE LONG PANTS.

EVERYBODY ELSE
IS WEARING SHORTS.

WHAT'S THE MATTER?

I DON'T WANT
TO TALK ABOUT IT.

I DON'T WANT TO
GIVE YOU A MARK
AGAINST YOU, EITHER.

BUT I'M GOING
TO HAVE TO DO IT

IF YOU CAN'T
SHOW UP IN SHORTS

LIKE YOU'RE
SUPPOSED TO.

LOOK, I WON'T DO
ANYTHING ABOUT IT
THIS TIME,

BUT TOMORROW,
I WANT TO SEE THOSE SHORTS.

OK!

WOW.

(pouring liquid)

(draining liquid)

(girls chattering)

(girl #1)
THERE'S THAT NERD GIRL

WHO SITS BEHIND YOU
IN MATH CLASS.

(girl #2)
THAT ONE RIGHT THERE?

(girl #1)
OH, YEAH. HER.

(girl #1)
GREEN PANTIES?

(girls continue chattering)

(girl #2)
YEAH, SHE DOES SMELL.

(girls continue chattering)

LOSER.

(clock chiming)

(door creaking)

(sighing)

(Eli)
WHERE'D YOU
TAKE THAT AT?

THE BLEACHERS OUTSIDE.

PRETTY BLURRY, THOUGH.

(girl)
WHAT'S THAT?

IT'S A RIP IN HIS SHIRT.

OH, I THOUGHT IT WAS
COMING OUT OF HER HEAD.

NO.

NO, I TOOK THAT
OUTSIDE AT THE PARK EARLIER.

REALLY?

(pouring liquid)

THAT'S PRETTY.
WHERE'D YOU TAKE THAT AT?

AT MY HOUSE.

THAT'S MY LIGHT ASSIGNMENT.

GREAT CONTRAST.

I LIKE HOW YOU CAN
BARELY SEE THE FENCE
RIGHT THERE.

MMM-HMM.

(liquid splashing)

I THINK I'LL MAKE
ANOTHER PRINT, THOUGH.

IT CAME OUT TOO LIGHT.

YEAH, YOU SHOULD—
YOU SHOULD BURN IN RIGHT HERE.

(people chattering)

(John)
HEY, ELI.

HEY, WHAT'S UP, JOHN?
HOW'S IT GOING?

GOOD, HOW ABOUT YOU?

PRETTY GOOD.
WHAT ARE YOU DOING?

JUST TAKING PICTURES.

CAN I TAKE A PICTURE
OF YOU?

YEAH, SURE.

(bell ringing)

OK, READY?
1, 2, GO.

NICE.

ALL RIGHT,
I'LL SEE YOU LATER.

HEY, YOU GOING
TO THE CONCERT TONIGHT?

NO, I CAN'T.
MY PARENTS ARE
BEING BITCHES THIS WEEK.

OH, THAT'S RETARDED.
THAT HAPPENS.

ALL RIGHT. SEE YOU.

(people chattering)

(male librarian)
COME ON OUT HERE.

I GOT A JOB FOR YOU HERE.
YOU CAN TAKE THESE BOOKS

AND YOU CAN RESHELF THEM
RIGHT OVER THERE,

IF YOU WOULD, PLEASE.

(Michelle)
OK.

I'LL BE HERE
IF YOU NEED ME.

(trolley squeaking)

(girls chattering)

(Brittany)
I DON'T KNOW.
THAT'S WHAT THEY TOLD ME.

I DON'T KNOW. I MEAN,
IT'S REALLY HARD TO DECIDE.

YEAH, I KNOW.
I KNOW.

I MEAN, THE MONEY'S
REALLY NICE, BUT…

HE'S SO CUTE.

DID SHE SEE YOU?
DID WHO SEE ME?

DID SHE SEE YOU?

WHO?

HER. HIS GIRLFRIEND.

HE HAS A GIRLFRIEND?
SINCE WHEN?

YOU DIDN'T KNOW THAT?

NO, I DIDN'T.
A LONG TIME.

ARE YOU JOKING?

I HOPE
SHE DIDN'T SEE YOU.

SHE'S NOT GONNA
DO ANYTHING.

SHE HIT A GIRL
LAST TIME FOR THAT.

HIT A GIRL?

SHE SLAPPED A GIRL.

NO WAY.
MMM-HMM.

SHE SMILED, HE SMILED,
AND SHE SLAPPED HER.

OH, MY GOSH,
I CANNOT BELIEVE THAT.

ARE YOU JOKING?
I SAW IT.

WHY WOULDN'T SHE
SLAP HIM?

BECAUSE—

IT'S NOT
THE GIRL'S FAULT.

ALL GIRLS DO THAT.

JUST LIKE IN THE MIDDLE
OF THE HALL?

YEAH.
AFTER SCHOOL LAST FRIDAY.

WOW, I AM SO TIRED.

I HAVEN'T BEEN
GETTING ANY SLEEP LATELY,

'CAUSE EVERY MORNING,
I WAKE UP

AND MY MOM'S GOING
THROUGH MY STUFF.

GOING THROUGH
YOUR STUFF?

YEAH, YEAH.

COMPLETELY, LIKE,
RUFFLING THROUGH
MY COVERS AND LIKE—

YOUR COVERS?
YEAH.

LIKE, WHAT WOULD
I HIDE THERE?

WHAT AM I GONNA
BE HIDING?

I DON'T KNOW.
DIDN'T YOUR MOM
USED TO DO THAT TO YOU?

YEAH, SHE DID THAT LIKE
A COUPLE OF DAYS AGO.

SHE STARTED
GOING THROUGH IT,
AND I WAS LIKE:

"DON'T GO
THROUGH MY SHIT.
I DON'T GO THROUGH YOURS."

THAT'S CRAZY!

"IT'S NOT LIKE YOU
OWN MY STUFF. I DON'T
OWN YOUR STUFF."

I DON'T KNOW.
I MEAN, LIKE,
I TALK TO HER ABOUT IT,

AND SHE'LL BE LIKE,
"OK, I'M SORRY.
I WON'T DO IT ANYMORE."

YEAH, I THOUGHT YOU GUYS
SMOOTHED IT ALL OUT.

AND THEN ALL OF SUDDEN,
I'LL COME HOME,
AND SHE'S IN MY ROOM.

THEY THINK IT'S THEIR JOB
BECAUSE THEY'RE
THE PARENTS OF THE HOUSE.

YEAH, I'M SICK OF IT.
I WANT OUT OF HERE.

I'M SO READY
TO GO TO COLLEGE.

YEAH, I WANNA
OUT OF HERE.

ONLY ONE MORE YEAR,
THOUGH, YOU GUYS.

ONE MORE YEAR.
COUNT IT DOWN.

(chuckling)

COUNT IT.

(sighing)

WHAT TO EAT?

I CAN'T WAIT
TO GO OFF CAMPUS.

(woman)
CAN I HELP YOU?

CAN I HAVE A MILK?

OH, WAIT, NO,
I THINK I WANT A CAPRI SUN.

CAN I HAVE A JUICE?

I'LL HAVE THAT MILK,
ACTUALLY. THANKS.

(woman)
JUICE. THIS ONE.

YEAH. THANKS.

WHAT DO I WANT?

NONE OF IT
LOOKS THAT GOOD.

(chuckling)
IT NEVER DOES.

SOME KIDS
LIKE THIS STUFF.

THANK YOU.

(Brittany)
I KNOW, THEY COME BACK FOR,
LIKE, SECONDS AND THIRDS.

THEY JUST KEEP COMIN'?

(Nicole)
THANK YOU.

(Brittany)
I DON'T WANNA EAT THIS STUFF.

SALADS?

YEAH, SALAD IS FINE.

PSST.

(utensils clattering)

(girls chattering)

NOT WHERE WE SAT
LAST TIME.
I DON'T LIKE THAT.

IT'S TOO CROWDED.
LET'S GO TO THE BACK.

WHERE'S A TABLE
NOBODY'S SITTING AT?

WHERE'S YOUR
SALAD DRESSING?

I DON'T EAT SALAD DRESSING
ANYMORE.

YOU DON'T?
I THOUGHT YOU LOVED IT.

NO, I HATE IT.
I USED TO LIKE IT,

AND THEN I TRIED
ONCE WITHOUT IT.

I CANNOT STAND IT
WITHOUT.

YOU KNOW IT HAS FAT?
YEAH.

YOU KNOW SALAD DRESSING
HAS 20 GRAMS OF FAT IN IT?

SHUT UP.

IT'S NOT LIKE
IT STAYS IN US ANYWAY.

(Nicole)
I CAN'T BELIEVE
YOU JUST SAID THAT.

WHAT IF SOMEBODY
HEARD YOU?

(Brittany)
IT'S THE TRUTH.

IS THAT JOHN?

WHAT IS HE DOING?

(Jordan)
IS THAT A DOG?
OH, IT'S SO CUTE!

I DIDN'T KNOW
HE HAD A DOG.

WHY WOULD HE
BRING IT TO SCHOOL
IF HE DID HAVE A DOG?

I HAVE NO IDEA.

MAYBE HE JUST FOUND IT.

WOW!

(sighing)

OH!

YOU GUYS WANT
TO GO SHOPPING TODAY?

OH, THAT SOUNDS LIKE FUN.

I DON'T KNOW.
BEN WANTED TO DO SOMETHING.

ARE YOU JOKING ME?

WHAT?

THIS IS, WHAT,
THE 5TH DAY IN A ROW

THAT YOU'RE
NOT HANGING OUT WITH US.

YOU GUYS, I— IT'S LIKE,
HOW MUCH TIME DO YOU WANT?

PUT A NUMBER ON IT.

I DON'T EVEN WANT
TO TALK ABOUT IT.

YOU SPEND
SO MUCH TIME WITH HIM.

YOU GET, LIKE,
75 TO 85 PERCENT
OF MY TIME.

YEAH, RIGHT.
MORE LIKE 20.

YOU DO!

SCHOOL, AFTER SCHOOL…
MAYBE.

YOU KNOW, YOU CAN'T
HAVE BOTH WEEKENDS.

I NEED TO SPLIT IT
A LITTLE MORE EVENLY.

WE'RE NOT JUST
PEOPLE TO BE PUSHED
OUT OF THE WAY.

I'M NOT SAYING THAT.

BUT I'M SAYING
THAT YOU'RE BOTH
VERY IMPORTANT TO ME.

I'M SUPPOSED TO
BE YOUR BEST FRIEND
AND YOU PUSHED ME OUT OF IT.

YOU GUYS ARE BOTH
EQUALLY AS IMPORTANT,

BUT MY TIME
HAS TO BE SPLIT UP.

WHAT DO YOU WANT?
95 AND HE GETS 5?

I DON'T WANT TO BE
EQUALLY AS IMPORTANT.

YOUR FRIENDS
ARE SUPPOSED TO BE

JUST AS IMPORTANT,
IF NOT MORE.

ALL THE TIME.
HAVEN'T YOU EVER HEARD THAT?

I'VE HEARD THAT,
BUT IT'S DIFFERENT.

I'VE BEEN THERE FOR YOU,
THROUGH EVERYTHING,
THROUGH EVERYTHING.

I KNOW.

WE'VE BEEN
BEST FRIENDS FOR, WHAT,

3 YEARS NOW? EVER SINCE
HIGH SCHOOL STARTED.

I KNOW, I KNOW
I'M WORKING.

(Brittany)
I'M DONE, GUYS.

LET'S JUST GO.

WELL, I'M GOING SHOPPING.

(Brittany)
SOUNDS LIKE FUN. I'LL GO.

(Nicole)
I DON'T WANT TO BE
THE ONLY ONE NOT GOING.

I'LL GO.

OK, I'LL GO,
BUT YOU, YOU CANNOT DRIVE.

YEAH, YOU'RE
NOT DRIVING.

I AM SUCH
A GOOD DRIVER.

YOU ARE NOT.

YOU ARE SO MEAN.
YOU GUYS CAN'T SAY THAT.

LET'S SEE, UM, HAVE YOU
BEEN INTO IT?

YEAH, TOTALLY…

I DON'T— I DON'T UNDERSTAND
'CAUSE, LIKE, EVERYONE ELSE
THINKS I'M A GOOD SINGER

AND A COUPLE OF WEEKS AGO,
WHEN I SANG
STAR-SPANGLED BANNER,

EVERYONE THOUGHT
IT WAS, LIKE, REALLY GOOD.

THAT'S WHY I'M, LIKE,
REALLY CONFUSED

THAT YOU WOULD SAY
SOMETHING LIKE THAT.

SERIOUSLY, I MEAN, WHY?

WHY DO YOU THINK
I'M SUCH A BAD SINGER?

(Jordan)
DO YOU GUYS HAVE CARS?

BECAUSE I DON'T THINK
YOU DO.

SO, HOW ELSE ARE YOU
GONNA GET ANYWHERE?

WE'LL GO, JUST DRIVE,
YOU KNOW, LIKE,
15 UNDER THE SPEED LIMIT.

YEAH, AND YOU HAVE TO HAVE
YOUR HANDS AT 10 AND 2.

THAT'S NO FUN.

GO BACK
TO THE BASIC RULES.

WHEN YOU GUYS
GET YOUR LICENSES,
YOU'LL UNDERSTAND.

WE'LL UNDERSTAND?

I JUST WANT TO LIVE
TO GET MY LICENSE.

OK, YOU KNOW,
WE WANT TO LIVE
TO SEE THE REST OF OUR LIVES.

I'M NOT GONNA KILL YOU.

IT'LL BE
IN THE NEWSPAPER—

I MIGHT RUN
INTO A COUPLE OF PEOPLE
ON THE WAY, BUT…

IT'S NOT FUNNY.

(giggling)

OH, MY GOSH.
I'LL BE FINE., IT'LL BE FINE.
WE'LL JUST GO. BUT…

THIS IS DISGUSTING.

I ATE TOO MUCH.
I DID, TOO.

I ALWAYS FEEL SO FAT
AFTER I'M DONE EATING.

EVERY TIME.

DO YOU EVER GET…

YEAH, THE PUDGE
RIGHT THERE?

WHERE IT STICKS OUT
ABOVE YOUR BELT?

AND YOU CAN'T GET RID
OF IT, NO MATTER WHAT.

(sighing)

(Jordan)
SO GROSS.

(girls vomiting)

(toilets flushing)

(playing
Beethoven's Fur Elise)

(knocking on window)

THAT'S AWESOME.

WHAT'S UP?

(playing Moonlight Sonata)

(playing incorrect notes)

(playing discordant notes)

YOU SUCK.

(chuckling)

(wind howling)

(thunder rumbling)

(thunder cracking)

(Father)
SEE YOU TONIGHT, DEAR.

(Mother)
YEAH.

YOU KNOW, JARED'S
GOT THE POLE THIS WEEK
AND THE TRACK RECORD.

(cutlery clattering)

(Alex)
WHAT'S THAT SMELL?

OH, THAT'S JUST YOUR MOM.

(Mother)
YOU KNOW, YOU COULD FIND
OTHER PLACES TO EAT.

I'M SURE THERE'S
BETTER RESTAURANTS IN TOWN.

NO, YOU'RE THE BEST.

WANT MORE OF THESE?

NO THANKS.

(Mother)
ALL RIGHT, LOCK THE DOOR.

(male television announcer)
The radio has
wholly taken over.

(man speaking German)

Many of the cinema's
leading producers…

(Eric)
WHAT WAS THAT?

know what kind of films
the Nazis want.

I DON'T KNOW.

All scripts
must now be vetted.

The casting of actors
must be approved.

From now on, the German people
will only know

what their Fuhrer
wants them to know.

(man)
Propaganda
brought us into power.

(Eric)
THAT'S A LOT OF FLAGS.

Propaganda will enable us
to remain in power.

THIS WAS MADE IN GERMANY,
RIGHT?

(Alex)
YEAH.

Propaganda will enable us
to conquer the world.

(male announcer)
In his early Munich days,

Hitler had taken
an old Hindu symbol,

the hooked cross,
the Swastika,
as the Nazi symbol.

Now he multiplies
it a million times.

From the Romans,
he steals the standards…

CAN YOU
STILL BUY NAZI FLAGS?

SURE, IF YOU'RE A NUT.

From Mussolini,
he steals the Fascist salute.

CHECK IT OUT.

The people
are fed with slogans.

(man)
Fuhrer, command,
we follow you.

The Fuhrer is always right.

WHO'S THAT GUY?

THAT'S HITLER, RIGHT?
YEAH.

(male announcer)
Hitler is a man

who fears the intellect
and hates all intellectuals.

So into the flames
are flung the works

not only
of German philosophers,

scientists, doctors, poets,
playwrights, novelists,

but those of all the world.

Students as well
as storm troopers
obey the Fuhrer's orders.

Any culture
except Nazi Kultur
must be destroyed.

(van engine grinding)

(delivery man)
HEY, HOW YOU DOIN'?

YOU GUYS MUST BE
OUT OF SCHOOL TODAY.

YEAH.

GOOD FOR YOU.

I'LL HAVE YOU SIGN
FOR ME HERE.

THAT'S GREAT.
THANK YOU VERY MUCH.

MMM.

ALL RIGHT.

(Eric)
SWEET. IT'S HERE.

(male announcer)
At a vast meeting in Berlin,

Mussolini thanks Germany
for her help

in his brutal Abyssinian War.

(man speaking German)

And the Fuhrer replies:

(Hitler speaking German)

(Eric)
OH, YEAH, DUDE.

THIS IS SO AWESOME.

(male announcer)
"Peace," did Hitler say?

LET'S CHECK
THIS SHIT OUT, MAN.

HELL, YEAH, DUDE.

SWEET.

(cocking)

BACK UP.

WHOA, DUDE,
THAT WAS AWESOME.

(panting)

HEY, ELI!

HEY, WHAT'S UP, JOHN?

HOW'S IT GOING?
PRETTY GOOD. HOW ABOUT YOU?

PRETTY GOOD.
WHAT ARE YOU DOING?

NOT MUCH,
JUST TAKING PICTURES.

YEAH, CAN I
TAKE A PICTURE OF YOU?

ALL RIGHT.

(bell ringing)

(Eli)
NICE.

(John)
I'LL SEE YOU LATER.

YOU GOING
TO THE CONCERT TONIGHT?

NO, I CAN'T.
MY PARENTS ARE
BEING BITCHES.

THAT'S RETARDED.

ALL RIGHT.

SEE YOU.

HI, MICHELLE.
GLAD YOU COULD MAKE IT.

PLEASE COME IN
AND SIGN IN HERE,
THEN COME OUT.

THERE ARE A FEW THINGS
WE CAN WORK ON TOGETHER.

OK.

FIRST,
IF YOU WANT TO JUST TAKE THIS
CART OF BOOKS

AND YOU CAN
RESHELF IT OVER THERE
IN THE NON-FICTION.

OK.

I'LL BE RIGHT HERE
TO HELP YOU IF YOU NEED ME.

(trolley squeaking)

(gun cocking)

(turning tap)

(shower running)

I GUESS THIS IS IT.
WE'RE GONNA DIE TODAY.

YEAH.

YEAH, I'VE NEVER
EVEN KISSED ANYBODY.

HAVE YOU?

(Eric)
"I DON'T APPRECIATE YOU
PUTTING SIGNS OUT LIKE THAT."

THE NEXT DAY,
HE CALLED UP HIS FRIEND

AND HAS HIM
PUT OUT ANOTHER SIGN.

AND SHE DOESN'T—
SHE DOESN'T SEE IT.

AND SO HE PUTS OUT
ANOTHER ONE.

UM, LIKE,
RIGHT IN FRONT OF HER HOUSE,

UH, IN FRONT
OF HER APARTMENT THING.
IT SAYS:

UM,

UM, "TIM CAMPBELL'S WHOREHOUSE
HAS BEEN SHUT DOWN."

OR "HAS BEEN PLACED
UNDER NEW OWNERSHIP BY"
WHATEVER HER NAME WAS.

HE COULDN'T CUT IT
ANYMORE.

(Alex)
ALL RIGHT, LET'S SEE THIS.

SO, WE'LL PARK HERE, RIGHT?

WE'RE GOING IN THROUGH
THE SOUTH ENTRANCE, RIGHT?

THEN WE GO PAST
THE TROPHY CASE
THE ME— MEDAL CASE,

AND WE'LL ENTER
THROUGH THE LANGUAGE LAB.

THEY DON'T USE IT ANYMORE,
SO THERE SHOULDN'T BE
ANYBODY IN THERE.

WE'LL GEAR UP THERE,
AND THEN WE'LL HEAR
THE PRIMARY EXPLOSIONS

GO ABOUT HERE
IN THE CAFETERIA, RIGHT?

WHEN THAT GOES,
WE SHOULD BE ABLE TO,
YOU KNOW, PICK OFF KIDS

AS WE TRAVERSE
THE EAST WING, RIGHT?

(guns firing)

AND THEN WE HAVE
ANOTHER EXPLOSION
THAT SHOULD GO OFF

HERE IN THE GYM…
YEAH.

… AND HERE
IN THE AUDITORIUM.

RIGHT.

AT ABOUT THAT TIME,
THERE SHOULD BE KIDS FLUSHING
ALL OUT IN ALL DIRECTIONS

AND WE'LL JUST BE ABLE
TO PICK 'EM OFF,
ONE BY ONE.

(gun firing)

(students screaming)

THEN AFTER THAT,
YOU'LL HIT
YOUR YELLOW LINE RIGHT HERE,

WHICH IS PLAN—
YOUR PLAN B.

AND YOU'LL GO UP THROUGH
MR. LUCE'S OFFICE
AND TAKE CARE OF ALL THAT.

(gun firing)

FUCK!

WHILE I GO,
ON THE RED LINE,
UP THROUGH THIS HALLWAY

WHERE WE SHOULD HAVE
THE BEST TARGETS,

YOU KNOW, LIKE,
DUMB-ASS JOCKS AND SHIT.

BECAUSE WE'LL HAVE A FUCKING
FIELD DAY DOWN THERE.

I MEAN, COME ON.
YOU'VE GOT
YOUR TEC-9 AND YOUR RIFLE,

AND I'VE GOT
MY SHOTTY AND MY 223
ON MY BACK.

YEAH.

AND I GOT A COUPLE PISTOLS
AND A KNIFE.

WE HAVE ENOUGH
EXPLOSIVES TO LAST US
ALMOST A DAY.

MOST IMPORTANTLY,
HAVE FUN, MAN.

YEAH, MAN.

(turning key)

(engine starting)

HEY, WHAT ARE YOU
GUYS DOING?

GET THE FUCK OUT
AND DON'T COME BACK.

SOME HEAVY SHIT'S
GOING DOWN.

HEY, HEY.

HEY, DON'T GO IN THERE, OK?

HEY, YOU GUYS,
DON'T GO IN THERE.

I THINK SOMETHING BAD'S
GONNA HAPPEN.

DON'T GO IN THERE, OK?

DUDE, WHAT THE FUCK?

DON'T WORRY ABOUT IT,
IT'S PROBABLY JUST SLOW.

LET'S GO TO PLAN B.

ARE YOU SURE
YOU SET IT RIGHT?

POSITIVE.

PLEASE.

HEY, SIR, DON'T GO IN.

SIR, DON'T GO IN THERE!
DON'T— TRUST ME!

JUST DON'T GO IN THERE,
PLEASE. DON'T GO IN!

DAD!

(gun cocking)

(Michelle)
HEY, YOU GUYS—

(gun firing)

(gun cocking)

(gun firing)

(students screaming)

(gun firing)

(continues firing gun)

(student crying)

WHAT WAS THAT?

IT'S JUST BOMBS.
THAT'S FINE.

NO MORE HOMEWORK,
NO TEACHERS.

THAT'D BE SO COOL.

THAT'D BE NICE.

OH, HEY.
HI.

HEY, WE WERE JUST
TALKING ABOUT YOU.

WHAT'S WRONG?

WHAT THE HELL
IS WRONG WITH YOU?

OK, THEN BE A BITCH.

WHATEVER…

WHAT A FREAK.

OH, MY GOD!

(all screaming)

(students chattering)

(boy)
I THINK IF EVERYONE—
MAYBE EVERYONE COULD BRING…

WELL, I DON'T DRINK,
I DON'T DRINK SODA,
BUT SOME PEOPLE DO—

(gun firing)

(Nate)
WHAT WAS THAT?

FIRECRACKER.
DON'T WORRY ABOUT IT.
IT'LL BE OK.

NATE, COME, SIT DOWN.
JUST SIT DOWN.

LET'S FINISH THIS.
LET'S FINISH THIS.

OK NOW, WE TALKED ABOUT
WHAT WE'RE GONNA DO—

(girl screaming)

NATE? NATE,
COME ON, GET UP, NATE.

NATE.

NATE.

GET UP.

NATE, COME ON, NATE.

(girls crying)

(girl)
SOMEBODY CALL AN AMBULANCE!

(boy)
WE SHOULD GET OUT OF HERE.

NATE, NATE, NATE.

LET'S GO OUT THE WINDOW.
COME ON, GUYS.

(boy chattering)

(boy)
HERE WE GO, LET'S GO.

(gun firing)

(Mr. Luce yelling)

COME ON, LET'S GO, NOW!

IT SOUNDS CLEAR. GO!

DOWN THE HALLWAY, DOWN THE—
TO THE BAND ROOM EXIT!

HEY, MR. LUCE.

ERIC.

WHY ARE YOU DOING THIS?

ERIC, PUT THE GUN DOWN.

I AIN'T PUTTING SHIT DOWN!

PUT THE GUN DOWN,
WE'LL TALK ABOUT THIS.

SHUT UP!

DAD.

THE SCHOOL'S ON FIRE.

ARE YOU ALL RIGHT?

YEAH, WHAT'S GOING ON?

I SAW 2 GUYS COME IN
THE OTHER SIDE.

HOLY COW!

THEY HAD BIG BLACK BAGS
AND CAMO GEAR ON.

MY GOD.

WHERE DID YOU GO?

I JUST…

I'M SORRY. OH, MY GOD!

(Eric chattering)

(Eric)
YEAH, YOU DID,

AND I SHOULD SHOOT YOU
RIGHT NOW FOR IT,

YOU KNOW I SHOULD.

BUT I THINK
I JUST MIGHT LET YOU LIVE,

MAYBE, BECAUSE I
WANT YOU TO REMEMBER THIS.

AND THE NEXT KIDS
THAT COME UP TO YOU
WITH THEIR PROBLEMS,

THAT THEY'RE BEING PICKED ON,
YOU SHOULD LISTEN TO THEM…

NO MATTER WHAT
TWISTED SHIT THEY SAY.

FUCK.

ANYWAY, MR. LUCE, WHATEVER.

(smirking)

YOU KNOW
THERE'S OTHERS LIKE US
OUT THERE, TOO.

AND THEY WILL KILL YOU
IF YOU FUCK WITH THEM
LIKE YOU DID ME AND JARED.

GET OUT OF HERE,
BEFORE I CHANGE MY MIND. GO!

(gun firing)

BITCH.

(cocking gun)

"SO FOUL AND FAIR A DAY
I HAVE NOT SEEN."

(water running)

FUCK!

(both panting)

OH, MY GOD,
THERE HE IS!

OH, SHIT!

(birds squawking)

(Eric)
HEY, MAN.
I WOULDN'T DRINK THAT.

YOU'LL GET
HERPES OR SOMETHING.

(snickering)

SO HOW DID YOU DO?

DID ALL RIGHT.
WHAT HAPPENED?

I SHOT THE PRINCIPAL
AND SOME OTHER PEOPLE, AND—

(gun firing)

(clattering)

WELL, WELL, WELL.

LOOK WHO IT IS.

(Nathan)
DUDE, COME ON,
DON'T DO THIS.

EENY…
PLEASE.

YOU STUPID FUCK!
WHAT ARE YOU DOING?

… MEENY, MINY…
PLEASE.

… MOE.
DON'T.

CATCH A TIGER…

THIS ISN'T SOMETHING
YOU WANNA DO.

… BY HIS TOE.

PLEASE.

IF HE HOLLERS…

WHAT THE—
YOU'RE FUCKIN' SICK.
DON'T DO THIS.

… LET HIM GO.

EENY,

MEENY,

MINY,

MOE.

(birds squawking)

(birds squawking)