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[eerie music]
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Perry, help me out here, man.
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I told you what I remember.
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[sighs]
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If someone redecorated precinct with
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my partner, I think I'd remember a little something.
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There are cameras everywhere, they had to have
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seen what happened.
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Yeah, we're working on it.
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[sighs]
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Am I under arrest.
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Look, we're just holding you
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until we figure this thing out.
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[knocks]
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Sit tight.
[footsteps]
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[door clicks]
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[indistinct whispers]
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There was a vinyl record in evidence.
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Yeah?
It's missing.
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[eerie music]
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They're a genetic hybrid, Japanese Black beetle
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crossed with a rare genetic strain recently extracted
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from paleolithic fossils.
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They're noisy.
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[eerie music]
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I find it relaxing.
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You have a strange relationship to relaxation.
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How's the old ball and chain?
29
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You wanna rephrase that?
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Oh, I like Lana, she's just a little, you know.
31
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I don't know.
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Lana and I are very happy.
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Good, see not so hard.
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[eerie music]
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Lyle Litton, did you know him?
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Met him once, trying to track down a record
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for one of my VIP clients but he wouldn't
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sell me his copy, so.
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So, this was before you started breaking
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into people's homes to get what you wanted.
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Before I taught you all of my tricks.
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I had a few of my own.
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[eerie music]
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Before he died he was working the Key series.
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[electric crackle]
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Ow, damn it.
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Why did he press three of the same record?
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You know why his records sound so good?
49
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Good mastering, technical proficiency?
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He was a master of FRM, that's
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frequency resonance manipulation.
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Here we go.
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All matter in the universe resonates
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at a specific frequency.
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Now, if we can manipulate that frequency, theoretically
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speaking, we can manipulate anything.
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In practical terms, we do it all the time,
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take your little black box here for example.
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But, the Key series was different 'cause
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Litton was heavy into the mumbo jumbo side of it.
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Magic?No,
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science on the fringe.
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Audio on those recordings is encoded with a frequency
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outside the range of human hearing.
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It was like some sort of resonance
manipulation experiment.
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Which was what?
No idea.
67
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And the Litton Lacquer, have you heard it?
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Anyone who's heard it is dead or insane.
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Must be one hell of a sound.
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Well, whatever it was
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gave Litton a heart attach when he was cutting it.
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A record can't do that, it's not possible.
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Who the hell knows, but my guess is if the Key series
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were meant to be the keys then Litton Lacquer's the lock.
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[chitters]
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I'm gonna find it.
Why?
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I'm being paid to, and I want to.
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It's Dekker.
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[sighs]
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Blood in the water.
81
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So far, no trace online.
82
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Huh, you have heard about books, haven't you?
83
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Don't be a dick, everything's online.
84
00:05:04,304 --> 00:05:08,395
Well, somethings people make sure to keep offline.
85
00:05:10,266 --> 00:05:13,095
Back in the day when the Lacquer would change hands
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you'd know it because owner would turn up dead.
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[metal clatters]
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How does that--
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It was how they died, I always think of Lot's wife,
90
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the pile of ash.
91
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They say if you only heard part of it
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you'd go completely insane,
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which I can confirm, sort of.
94
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With your mystery envelope?
95
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Back in the 90s I met this guy named Tuck Weston,
96
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a DJ, a college station couple hours north of here.
97
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He went insane on air?
98
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Uh-huh, and he only heard a piece of it.
99
00:05:57,357 --> 00:05:59,184
He wanted me to track the record down for him.
100
00:05:59,228 --> 00:06:01,839
Said that playing it backwards was the only way
101
00:06:01,883 --> 00:06:02,971
to fix himself.
102
00:06:04,581 --> 00:06:06,148
He was a total nut job.
103
00:06:06,191 --> 00:06:09,760
He's holed up in Big Bear
somewhere, whatever's left of 'em.
104
00:06:09,804 --> 00:06:11,327
You didn't find it.
105
00:06:11,371 --> 00:06:14,417
No, I don't even know if it exists anymore,
106
00:06:14,461 --> 00:06:18,378
but I did find Key Two and
107
00:06:22,469 --> 00:06:25,210
the Litton Matrix code, what he could remember
108
00:06:26,429 --> 00:06:27,387
and his address.
109
00:06:29,040 --> 00:06:31,869
That's Litton's mark, but the others I don't recognize.
110
00:06:32,827 --> 00:06:35,525
Lana's not gonna be able to Google this one.
111
00:06:35,569 --> 00:06:39,964
Dark web, deep forums, government databases,
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that's your best bet, what?
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Dark web.
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00:06:46,362 --> 00:06:47,537
It's a thing.
115
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[anticipatory music]
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00:06:55,589 --> 00:06:58,461
[door clicks]
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[thuds]
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[sighs]
119
00:07:01,508 --> 00:07:03,858
The security footage was pretty scrambled,
120
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but.What?
121
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You should see for yourself.
122
00:07:12,736 --> 00:07:16,000
So, you're not gonna believe this.
123
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Someone entered these exact matrix numbers into
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the Los Angeles Police Department Evidence Database.
125
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When?
Last night.
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That can't be a coincidence.
127
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Someone must know this thing in back in circulation.
128
00:07:29,840 --> 00:07:31,973
We've gotta make sure we get to it.
129
00:07:32,016 --> 00:07:35,367
Lana!
Uh, you can hear that?
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Fucking Cosmonauts can hear that.
131
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[laughs]
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Sorry, just organizing my key chain.
133
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I'm allowed to have my own collection.
134
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I'm sorry, your collection is very cute.
135
00:07:47,684 --> 00:07:48,511
Thank you.
136
00:07:50,818 --> 00:07:53,864
So yeah, something's definitely weird.
137
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There's an active investigation going on around
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the evidence logs.
139
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I think something happened last night at the police station,
140
00:08:00,436 --> 00:08:03,874
but all I see are these weird database entries,
141
00:08:03,918 --> 00:08:05,006
not the case files.
142
00:08:06,268 --> 00:08:07,791
Great.
I did get
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the name and address of the
guy whose house it came from.
144
00:08:09,576 --> 00:08:10,751
Perfect, text it.
145
00:08:12,404 --> 00:08:16,887
Oh, the entry for his cause of death has to be a fake.
146
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Why, what does it say.
147
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Mummification.
[chuckles]
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[door clicks]
149
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Perry, I'm gonna send you home for the night.
150
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Get some rest.
151
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[eerie music]
152
00:08:43,784 --> 00:08:47,570
Did you watch the security footage?
153
00:08:47,614 --> 00:08:48,745
Just stay put at home.
154
00:08:59,277 --> 00:09:01,018
All right, let's see it again.
155
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[eerie music]
156
00:09:23,388 --> 00:09:25,565
[screams]
157
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Jesus hamburger hotdog.
158
00:09:31,788 --> 00:09:36,097
So yeah, it's just this for about 10 minutes,
159
00:09:36,140 --> 00:09:39,187
then Perry gets up and finds Burnett.
160
00:09:42,712 --> 00:09:45,193
Who was that screaming, Burnett?
161
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I don't, it's not...
162
00:09:50,372 --> 00:09:52,766
What?
These cameras
163
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don't record sound.
164
00:09:54,594 --> 00:09:57,640
[anticipatory music]
165
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[dramatic music]
166
00:10:49,649 --> 00:10:50,519
[electronic whirring]
11548
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