Original subtitles

Where are you from?

I'm from Holland.

And this is like 10 hours from here. It's like across the world. I came here

for this audition.

I told all my boys at home I'm coming to funk in front of Michael on stage. I'm

just going to dance for him. I don't care if I make it. I don't care about

nothing. Thank you, Michael.

I'm excited. You've inspired everything in my life. My energy.

You're why I dance. I can remember being a little girl and watching Thriller on

TV with my mom and thinking that that was the coolest thing in the world. I go

to sleep and just wake up and the first thing I do is not even eat. I just start

playing your music and start just dancing and moonwalking on the rug.

I was like, what I would give to be on stage with you. And the fact that I get

to do that is, it's amazing.

I'm from Australia.

I got word of your audition two days before it was about to happen.

And I was on the next flight over.

It begins.

This is the beginning.

I'm not even on stage yet. Like, I can't imagine what's going to happen

backstage, that first show in London.

I'm looking even farther ahead. I don't even know what I want to do after this,

because this is Michael. I wanted to dance, you know what I mean? And that

inspiration came from, you know, you and...

You've inspired me and given me a reason to want to inspire others.

Life is hard, right? And I've kind of been searching for something to shake me

up a little bit and give me a kind of a meaning to believe in something. And

this is it.

So we open the show, as you know, with all the lights down.

We're going to create a spectacular opening with pyrotechnics, and we want

some sizzles and some cracks and some pops.

We have our video that is called Glimpses and Flashes, and that's where

Light Man comes out on the gantry, floating above the stage, and he'll just

be dazzling in video information.

And piece by piece by piece by piece, MJ is revealed until he jumps out. And on

Michael's command, we begin.

Hard to get over.

Stuck in the middle. And the pain is under.

Hard to get over.

You know, get under.

Stuck in the middle.

And the pain is under.

Now we come at you good.

Always off to no good.

So your tongue became a razor.

Someone's always crying.

Oh, it's my baby.

Back in the middle.

Your best of all, your best of all, till they hate you.

Your best of all, is never paid.

Your best of all, all for you.

Your best of all.

You don't want that more, right?

It's funkier.

I'm not feeling that part enough.

As in running next to him.

It's not there.

Okay, it should be.

It should be. I know it's all for love.

It's coming there.

We'll get there.

Love is magical.

That's how I feel.

But there are worlds and worlds of words to explain.

To tell you.

I love you.

I'll be performing the songs my fans want to hear.

This is really it. This is the final curtain call.

Okay? And see you in July.

We'll be right back.

I'm leaving me.

So you believe.

Sing

it

to the world.

I'm the same. I'm the same.

I'm the same when the sound of my boots stop. I'm the same when the sound of my

boots stop. I'm the same when the sound of my boots stop. I'm the same when the

sound of my boots stop. I'm the same when the sound of my boots stop. I'm the

same when the sound of my boots stop. I'm the same when the sound of my boots

stop. I'm the same when the sound of my boots stop. I'm the same when the sound

of my boots stop. I'm the same when the sound of my boots stop. I'm the same

when the sound of my boots stop. I'm the same when the sound of my boots stop.

I'm the same when the sound of my boots stop.

I'm the same when the sound of my boots stop. I'm the same when the sound of my

boots stop.

Good, good, great. Good to see all of you. Thank you for being here.

The idea was get the big fish from all over the world and put them in the same

pond.

The dancers in a Michael Jackson show are an extension of Michael Jackson.

They are an extension of the man. Everything is bigger and more intense in

his world. First cut. Thank you.

Lean, gorgeous, hot.

Dancers that can rock it. But if you don't have that goo, that ooze coming

out of you, you're not going to get the job.

And the Michael Jackson principal dancers for This Is It

are...

Guys,

let's go over here.

Hey guys, let's go over here, actually.

Trust me.

Quite the eventful day because we got to be toasted.

There's elevator speed and toaster speed.

Part of this, guys, is anticipating the stop.

Keep your shoulders square. Keep your center.

And just get, like, right down into a nice, good squat position like that. And

you're going to come up.

You feel that initial? Yeah, you do.

Yeah, that's the adrenaline baby.

I asked my neighbor for her favor. She said, later, what has come of all the

people having lost love, but what has survived?

I have to find my peace, because no one seems to let me be.

Forthright is trying to win all the possibilities.

I told my brother, no problem.

Time's in case of this. We must live each day like it's the day. Go with it.

Go with it. Yeah.

It ain't too much.

It ain't too much.

Thank you.

It ain't too hard for me to jam.

It ain't too hard for me to jam.

It ain't too much.

Don't you? It ain't too much for me to do.

It ain't too much.

It ain't too much.

Get it,

baby. Get it to me.

We're at Culver Studios shooting green screen.

We're going to do the drill into Cadence, into They Don't Really Care

About Us, and it's going to be really cool because they're going to multiply

the guys.

So our existing 11 guys are going to become 1,100 guys, and it'll be really,

really cool.

So we're kind of excited, and Michael's coming today.

There's the man. There's Michael.

The man is here.

A million people.

Michael, do you like this first of all?

Yeah, that's a cool move. Okay.

It spreads out too much at the end. So we'll just stop it whenever you hit the

space button. Boom. Go to infinity.

Yeah. As though there's no more than one, two, three, four, five, six, seven,

eight, nine, ten perhaps. Or maybe just your nine dancers. We have ten. Ten.

Great.

What is that?

One more time.

six seven eight

Skinhead, deadhead, everybody gone bad. Situation, aggravation, everybody

allegation. In the suit, on the loose, everybody dog food. Bang, bang, shot

dead, everybody gone bad. All I want to say is that they don't really care about

us.

All I want to say is that they don't really care about us.

A dummy man has become a moron.

I can't believe this is the land from which I came.

All I want to say is that they don't really care about us.

All I want to say is that they don't really care about us.

what will go down in history as the greatest demonstration for freedom in

the history of our nation.

All I want to say is that they don't really care about us.

Hold for applause. Slow umbrella fade out.

Thank you.

Get me out right there into the night time

for walls won't blow me tonight If this

It's just an apple.

Let me take a bite.

And they say, why, why?

Tell them that it's human nature.

Why, why?

Tell them we're that way. And they say, why, why?

Tell them that it's human nature. Why, why?

Tell them we're that way.

Reaching out.

To the nighttime.

Electric eyes are everywhere.

See that girl.

She knows I'm watching.

She likes the way I stare.

If they say why, why?

Tell them that it's human nature. Why, why?

Telling me that way.

They say why, why?

Tell them that it's human nature. Why, why does it have to be that way?

I like living this way.

I like loving this way.

Across the morning, Sydney heart begins to beat.

See that girl, she looks so watching.

She likes the way I stare.

If they say why, why, tell them that it's human nature.

Why, why, do they read that away?

They say why, why.

Tell them that it's human nature. Why, why does he do it that way?

He said, why, why?

Tell them that it's human nature. Why, why does she do it that way?

Why, why, why?

Why does he do it that way?

And they say, why, why, why, why?

Ooh, tell them, hey, I like loving this way.

I like loving this way.

Put the blame on me, boy.

Put the blame on me.

Mame did a dance called the Hitchy Crew.

That's the thing that slew my groove.

Put the blame on me, boy.

We're seconds away, Mike.

And Gilda's singing.

Put the blame.

What's he doing here?

And cut.

That was a good one. Let's cut.

Okay, Bruce.

Yes, sir. Michael was great. We can do this. Are you ready to shoot? Yep. Okay,

guys, let's shoot this up. Here we go. Ready? We are rolling.

Action.

What do you want me to do? Count three like they do in the movies?

Guys, that's

the cue.

I'm sorry. Are we misunderstanding something here?

No, we're not misunderstanding anything. We're sizzling.

He's waiting for my point. It's coming.

Oh, I thought, Michael.

I was telling them to start when you turn toward the audience.

Do you want to? No, I want to turn first. Okay. First face the audience.

Okay. Nothing.

Okay. And then when he gets my cue, then we go.

The only thing is, how will you see the video change from the marquee to the

city?

I got to feel that. I'll feel it. Okay. Screen behind me. All right. Now this is

all sizzle.

Sizzle.

Sizzle. It's a smooth criminal. The audience is going wild.

The camera now slowly starts to move over the marquee.

As he came into the window, there was a sound of a crescendo.

He came into the apartment, he left the best days on the carpet.

She was at the table, he could see she was unable.

So she went into the bedroom, she was struck down, it was her room.

Annie, are you okay?

Annie, are you

okay?

Annie, are you okay?

Are you okay, Jenny?

Annie, are you okay?

Will you tell us that you're okay?

There's a sign in the window that he stuck you out the window, Annie. He came

into your apartment with a blessed face on the carpet.

And then you ran into the bedroom.

You were struck down. It was so good.

Annie, are you okay?

Are you okay, Jenny?

Annie, are you okay?

Are you okay, Jenny?

Annie, are you okay?

But you don't get it.

You've been hit by, you've been struck by a smooth criminal.

She looked at me and said, I'll wait. It was Sunday.

Dang. Thank you.

Thank you.

Thank you.

Thank you.

Thank you.

You've been hit by, you've been struck by a smooth criminal.

It's really cool for me as a musical director.

because I need the artist to be hands-on and MJ is always hands-on with

everything that he does. He knows all of his records, he knows all of his tempos,

he knows all of his keys of songs.

Don't change over so soon yet.

Don't do that one yet?

No, no.

It should be simpler.

Okay, that's what we need to do.

I know, that's what we're doing.

We need you to do the sound check because can't nobody hear what you need

to hear. Some people might not want to have that bass.

I wanted the way I wrote it, I mean, like the audience hears it.

So wherever the record's doing, that's how I want it to sound. Yeah, that's

what it's going to sound like. But you've got to get closer to what you

want. Then if you want to hear a little more booty on something, you know what I

mean?

Only you can say that.

You know what I'm saying?

That's funny.

But you knew what I meant, though, too.

Yeah. All right, then.

One more time from the top.

It's got a moment where it has to simmer. That's right.

You're not letting it simmer.

Just bathe in the moonlight.

You have to let it simmer.

All right, Prince.

We're going to add two bars after.

Well, at least a bar.

Yeah.

NJ, check it from the top again.

See what we got simmer-wise.

Just kiss me baby

I gotta cue that. I gotta cue that.

That shouldn't trigger on its own.

I can't trigger on its own.

I gotta cue that.

So you gotta watch me for that growl, okay?

Promise, baby, you'll love me forevermore. I swear I'm keeping you

satisfied.

Cause you're the one for me. The way you make me feel.

You really turn me on.

You knock me off of my feet now.

Shoo! Shoo!

That's why we rehearse.

It's okay, it's okay.

Right here on this one.

They wanted us to take those eight out. It's okay, it's okay. It was a little

too soon.

Yeah, I agree, Michael.

I think...

Let's add them back.

You have to totally nourish by it, you know?

MJ, we'll also have a fan there, right there in the center. Hold on, I'm trying

to hear you say it again. There'll be a fan right there off the stage for you.

Boom, right there.

Okay, watching, Michael.

Once again, ladies and gentlemen, The world's most fabulous group, the Jackson

5.

Everybody clap your hands. Come on.

You guys, I gotta tell you this.

When I'm trying to hear it, it feels like somebody's fist is pushed into my

ears. It's really...

Very difficult.

I know you mean well, but I'm trying to adjust to the inner ears, okay?

With the love, with the love, L-O-V-E.

Michael? It's not easy, though.

Michael, one more time, I couldn't hear you, sir.

The inner ears are very difficult for me when you're raised to use just your real

own, you know, oratory ears.

Yeah. Now it feels like somebody's fist is shoved into your ear. Okay.

I'm trying to hear and I can't.

So I'm adjusting to the situation.

Michael, is there anything they can give you now in your ears to make it better

in terms of volume or mix?

If we could just bring it down a little bit. Bring it down a little bit, please.

Anything else, Michael? You want to hear more of anything?

You want to hear more voice? You want to hear more?

No. Okay, Michael, after the next song, if it hasn't adjusted to your liking,

will you please let us know? For sure.

Thank you. Would you like to pick it up from... Stop the Love You Save. Stop the

Love You Save.

We'll be right back.

God bless you.

Where

there

is love, I'll be there.

I reach out my hand to you.

I have faith in all you do.

Just call my name and I'll be there.

Oh, yeah.

I'll be there to comfort you through my world of dreams around

you.

I'm so glad about you.

I'll be there when the love is strong.

I'll be your strength.

I'll keep holding on.

You know I will.

Maybe you should have found someone new.

I know he better be new.

Cause if he doesn't, I'll be there.

Look over your shoulders, honey.

I'll be there.

Everybody.

I'll be there.

Just don't mind me.

I'll be there.

I'll say Jackie, Jermaine, Marlon, Tito, Randy, I

love you.

Joseph and Catherine, God bless you, I love you.

Just trying to conserve my throat, please, so I understand.

I will be I will be

I will be

Make it cleaner at the back. So you want to get rid of the band specials, those

profiles coming in. There's a lot going on. And the dancers, you know, we do

maintenance with them, you know, two to three times a week. We do Pilates and

stretching and ballet, and they have physical therapy.

So, you know, just keeping everybody together.

I saw you. You were going like this. What is this? That's Russian.

This is Russian. So Marechikov does it like this, and you guys are doing like

this. Same thing.

Good. Cheers.

One more time?

Sure. I mean, but we're straight up and down now, right? I don't think it's

anything except hand moving.

No, I think that's smoother, you know what I mean? I mean, I have nothing to

move.

Dancers, music!

We'll be right back.

I just can't stop loving you, Judith Let me know when you're ready my friends.

Our love is dawning.

Heaven's glad you came.

Look how I feel.

This thing can't go wrong.

I'm so proud to say I love you.

Your love's got me high.

I long to get by.

My life ain't worth nothing if I can't be with you.

I hear your voice now.

You are my choice now.

The love is in my heart.

Look how I hear hearts and angels sing.

I know how I feel.

This thing can't go wrong.

I can do my life with you.

I just can't stop loving you.

And if I stop, then tell me just what will I do?

I just can't stop loving you.

I'm so

proud

to say I love you.

I just can't stop loving you.

We can change all the world tomorrow.

We can sing the song of yesterday.

I can say farewell to sorrow.

Bye.

I just...

Don't make me sing out when I shouldn't be singing out. I'm warming, I'm trying

to warm up my voice for this moment.

Why do you do this to me?

I shouldn't be singing right now.

No,

no, no.

You better sing.

No, no, no, no, no, no, no, no, no, no.

I'm warming up to the moment.

But you just can't help it, MJ.

No, but I shouldn't. Okay.

Yeah, but you felt it. But you can allow yourself that one time. I can't do that.

But you're fine to do it. I got to save my voice.

Man, it's just this.

This is what it is.

Yeah, yeah, yeah.

That's all it is.

Woo!

What day is it? What time is it?

We're like, you know, we're down to the wire. We're like halfway through our

film shoot for all of our incredible new film content for This Is It.

Today we are filming new segments for Thriller 3D.

Do I still have on my 3D glasses? Oh, good.

I think I look great in these glasses.

Do I look as old as I feel?

Guys, please step away if you're not in the shot.

Photographers, everybody.

Clear the set now for the crew.

Here we go.

Action.

You guys be aware of the camera.

Look up to it. There's going to be light on him, Michael. There's no light on

him.

Grave digger, right into the camera. There it is. Right into it. Right into

it. That's it. Keep going.

Right there. That's it.

Right into the camera. Reach your hands out in front of you guys.

Yeah, yeah, yeah. That's it. Beautiful.

Keep coming.

Yeah. Right into the lens. In the center. In the center of the camera.

There you go.

Now go out. Go out.

Good. And cut. It's brilliant. Thank you, everybody.

We call these the dead brides and the dead grooms. And there'll be a parade of

them moving through the aisles in Thriller.

Falls across the land The midnight hour Is close at hand Creatures

crawl in search Of blood To terrorize your neighborhood And

whosoever Shall be found Without the soul For getting down Must

stand and face The hounds of hell And rot inside A corpse's shell

It's close to midnight, and something evil's lurking in the dark.

Under the moonlight, there's an insight that almost stops your heart.

You try to sleep, but try to take the sound before you make it.

You start to breathe, and surrender to right between your very

life.

That's what I feel when I'm alive

You

hear the door slam

I realize there's nowhere left to run You feel the

cold shore

I wonder if you'll ever see this one.

You close your eyes and hope that this is just imagination.

Girl, but all the while, you hear a creature creeping up behind.

You're out of time.

I could feel this feeling, feeling all night.

Girl, I can feel you more than any ghost would have dared try.

Don't let me hold it down. Shut up. Get up. Get up.

The demons squeal in sheer delight.

It's you they spy, so plump, so bright.

For though the groove is hard to beat, yet still you stand with frozen feet.

You try to run, you try to scream, but no more sun you'll ever see.

For evil reaches from the crypt to crush you in its icy grip.

so let me hold you tight

Make sure that there's somebody waiting for Michael there with a flashlight and

everything. Great.

Now, can we do that times ten?

Absolutely. Okay, so next is the fire screen.

We're going to show you some chase sequences.

Today was all about testing the chandelier and bed props for the show

with our aerialists and pole dancing experts.

It's all about kind of checking dimension with some pipe and how things

work together.

Building props with people on it is a big responsibility and a lot of fun

because we have to design things around the human body.

This is the first time in the history that we've worked with Michael for the

past 25 years that we are including...

lighted elements into his Billie Jean costume.

The cut of the stones, the reflection of the light, as we're applying them, you

almost need sunglasses, just the reflection of you trying to get them on.

We're bringing things into his performance where they haven't been

developed at all, and it's just been developed for Michael.

So I'm working with scientists in the Netherlands, I'm working with people in

California, I'm working with Swarovski, you know, I'm also trying to push the

boundaries, you know, because that's what Michael's about.

Now, is this working this evening?

Without running the number, I would just like it if Michael would like to just to

give him a little ride so that he feels his new cherry picker out.

The top of Beat It.

You want to do it with music already?

Yeah.

Can I just give you a ride first?

Sure. Okay. If you want.

Yeah, just for safety. Thank you, sir. Thank you, Michael.

Dear Devil MJ, I trust in you.

Thank you.

Just for safety. Thank you.

Stand by, guys.

You've been there before.

MJ, this is just at a mid-height. It goes much higher than this.

This is the low height.

Why would you say that to me? You know better.

See, why did you say that to me?

He's teasing me. He knows I want to go higher.

God bless you, Kenny.

the fans working on this.

Michael,

please hold on.

Thank you.

It's very nice.

Yeah. Is it smooth?

Yeah. Great.

This is monumental.

Michael's back on the cherry picker.

Yeah.

Thank you. We love you, Michael.

Love you, too.

So beat it. Just beat it.

Beat it. Beat it. Beat it. Beat it.

Beep.

no one wants to be

Bye. Bye.

Bye.

Show him how fucking strong he's strong. He doesn't have room for a right

check. Beat it.

Beat it. Don't want no fear. Beat it.

Show him how fucking strong.

I just wanted to win that last one.

I got you. All right. You don't have to do it again. Okay.

Okay.

Here it is right here. Just do me the last one.

Okay.

Just go on the seat.

I'm just so happy. This is a dream come true.

When MJ comes in the room to rehearse with us, his presence is just amazing.

This is pretty cool.

Really, really cool.

Michael is the epitome of...

one of the great entertainers of our time.

Performing with Michael has just been a thrill.

You know, I've been, like, a Michael Jackson fan since he was, like, eight

years old. It's, like, a lifelong thing for me to actually work with Michael,

and I've worked with a lot of great, great artists, but, you know, I consider

this, like, really a pinnacle.

Michael's a perfectionist, and you don't really find that in pop music today. You

can't fool Michael. You have to come in knowing the record.

and then hopefully finding a middle ground to embellish it to make it even

better. He's just an icon of performance, and his talent runs so deep

in creativity, and he draws from a deeper emotion than anybody else I've

ever seen or heard.

Right here, right here, right here.

Okay, no second verse. Sorry. Okay, sorry, sorry.

That was a mistake. There is no second verse. Sorry about that, you guys.

First verse, ooh, then right to the bridge.

Let's do it one more time. Sure.

Want to go down and come back up? Yeah.

That's why we have rehearsal.

There you go.

Thank you.

Thank

you.

Thank you.

So we're running into a... I ain't scared of this jail.

I ain't scared of this stuff.

I ain't scared of this business.

So when the government gives up, I ain't scared of your brother.

I ain't scared of no sheep.

I ain't scared of nobody.

God, when the government gives up.

Protection for gang specifications, cause of grief in human relations is a

turf war on a global scale.

I'd rather hear both sides of the tale. You see, it's not about race. It's just

race. It's race.

It's where your blood comes from. It's where your space is. See, we show up

getting fellas. I'm not going to spend my life being a cop.

Would you agree with me when I saw you getting dirt in my eyes?

I said, if you look for my baby, don't try to give your black or white.

I said, if you look for my baby, don't try to give...

All right. All

right. All

right. All right.

Black is white.

Black is

white.

If they stop you, just keep your highest note.

It's time for you to shine.

And hit a high, long one.

Way up high.

It's your time to shine.

We'll be right there with you.

It's remarkable.

It's some genius stuff going on over here, man.

He is the king.

And he's a good guy, too. He's real humble.

And he knows his music.

What more can you ask for? Because I'm such a good flavor, too.

Oh,

Look at that.

I think it's beautiful Show them the second one Yes, and

all golden and look at this will be floating so much that you love I love

the light I respect

the

secrets and magic of nature

That's why it makes me so angry when I see these things that are happening, you

know, that every second I hear the size of a football field is torn down in the

Amazon. I mean, that kind of stuff really bothers me.

That's why I write these kind of songs, you know, and give some sense of

awareness and awakening and hope to people.

I love the planet.

I love trees. I have this thing for trees and the colors and changing of

leaves. I love it.

I respect those kind of things.

What about sunrise?

What about rain?

What about all the things that you said we were to gain?

What about flowering fields?

Is there a time?

What about all the things that you said was yours and mine?

Did you ever stop to notice?

All the blood we shed before, did you ever stop to notice this

crying earth, this weeping shore?

We've done to the world.

Look what we've done.

What about all the peace that you pledged your only son?

What about flowering fields?

Is there a time?

What about all the dreams that you said was yours and mine?

Did you ever stop to notice?

All the children dead from war.

Did you ever not notice this crying earth, this weeping shore?

i used to dream i used to glance beyond the stars and now

i don't know

When that door opens, you start that piano.

God bless you.

I really feel that nature is trying so hard to compensate for man's

mismanagement of the planet.

Because the planet is sick, like a fever.

If we don't fix it now, it's at the point of no return.

This is our last chance to fix this problem that we have.

Or it's like a runaway train.

And the time has come. This is it.

I love you.

That'll be the ending of this. Out of the words.

People are always saying, oh, they think they'll take care of it. The government

will do it.

They'll, they who? It starts with us.

It's us. Or it should never be done.

guys can i have the lighting crew first of all michael will be coming on

from off stage and he's got like an attache case and right here michael you

call it here so now it comes here so it's a light that is moving on his

command absolutely right then when he moves forward he's in that light

He's in that light.

But I want to be able to step into the pool once I'm close. So after he does

this, Michael, after you go like this and you send that down, a gesture and a

pool of light comes on.

Now a pool of light comes on down here, wherever his light is.

And the pool of light comes on and now he'll walk into it.

Center stage.

And now he'll start.

She was born like a beauty queen from a movie scene. I said, don't mind, but

what do you mean?

I am the one who danced on the floor in the round.

She said, I am the one who danced on the floor in the round.

People always told me, be careful what you do.

Don't go around begging young girls' hearts.

My mother always told me, be careful who you love and make you happy what you do.

But Billie Jean is not my lover.

She's just a girl who says that I am the one.

But the kid is not my son.

She says I am the one. Oh, baby.

The kid is not my son.

She didn't know what was going on at the time.

Two days on the floor, two down.

So take my strong advice.

Just remember to always think twice.

Don't think twice.

So my baby, there's the three that you looked at me.

And showed a photo, made bright eyes, good like mine.

We'll dance on the floor in the rise.

People always told me, be careful what you do.

Don't go around breaking young girls' hearts.

You can't be still right by me. The smell of sweet perfume.

This happens much too soon.

Hey,

it's been a change.

Not my love.

She's just a girl.

I am the one.

She's

The kid is not my son. The kid is not my son. The

kid is not my son. The kid

is not

my son. The kid

is not my son.

She says he is my son. She says I am the one.

Billie Jean is not my lover.

Billie Jean is not my lover.

Billie Jean is not my lover.

Billie Jean is not my lover.

Billie Jean.

is change.

We should get a photo of him.

God bless you.

Church.

The Church of Rock and Roll.

I'm a fan.

I just want to say, as Michael's creative partner in this venture, this

has been one of the most extraordinary experiences of my creative life.

I am so proud and so thrilled and so excited, and I just want to thank

everybody for their extraordinary work, and I'm going to just give this to

Michael now.

Everybody's doing a great job, and just continue and believe and have faith.

Give me your all, your endurance, your patience, your understanding.

But it's an adventure.

It's a great adventure.

There's nothing to be nervous about.

They just want wonderful experiences.

They want escapism. We want to take them places that they've never been before.

We want to show them talent like they've never seen before.

So we give you all.

I love you all. We're a family. Just know that. We're a family.

We have to bring love back into the world to remind the world that love is

important. Love is important. Love each other. We're all one.

It's a message. Take care of the planet.

Four years to get it right, or else it's irreversible damage we've done. So we

have an important message to give.

Okay? It's important, but I thank you for your cooperation so far. Thank you.

A big thank you.

Blessings. Blessings to all.

On three.

On three, Michael. One, two, three. Michael!

What I'd like to do right now is we'll just run for a sound check, man in the

mirror, and then we'll talk about the ending, MJ air.

When I was in third grade, the first song that I'd be singing in school was

Man in the Mirror.

So it's kind of cool going from that to this, singing it on stage as Michael.

So it's just an amazing experience to be on stage with him. He's such an amazing

artist.

Take a look at yourself, then make that change.

I'm starting with the man in the mirror. Oh, yeah.

I'm asking him to change his way. He's gonna change.

So my sass could have been any clever.

If you want to make a buck, a back to place. Take a look at yourself, then

make a change. You gotta get it right. All you got the time is when you close

your mouth.

What a big...

Make that change.

Make that change.

Ready?

One, two, three, four.

This is it.

Here I stand.

I'm the light of the world. Love your grin.

This love I can feel.

And I know you're sure it is real.

And it feels as though I've seen your face a thousand times.

And you said you really know me.

I don't know.

a song we can sing

There's a place in your heart, and I know that it is love.

And this place will be much brighter than tomorrow.

And if you really try, you'll find there's no need to cry.

In this place, you feel there's no hurt or sorrow.

There are ways to get there if you care enough for the living.

Make a little space.

Make a better place.

Thank you.

for the children of the world we live in for our

children

if

this song

It's just an apple.

Let me take a bite.

If they say why, why, tell them that it's human nature. Why,

why, does she do it that way?

They say why, why, tell them that it's human nature. Why,

why, does she do it that way?

Why?

I like loving this way.

I like loving this way.

Should we break that? Yeah, we gotta work that out. Let me be in my

own time when I come back in.

I'm gonna button my shirt, jacket, or whatever it is. I'm gonna look around a

little bit, play with them.

Maybe then, bang!