Original subtitles

- If you're through, come by and pick up the next one.

- All right.

Bye.

- See you later.

(dramatic music)

(eerie music)

(muttering)

(squishing)

(electronic beeping)

(whimpering)

(electronic buzzing)

(crying out)

- Anna.

What is it?

- Choking.

- Nurse! Nurse!

(crying out) (electronic beeping)

- Hurry doctor!

Please!

- Here.

(crying out) (electric beeping)

- Frank! Frank!

(dramatic music)

(creaking)

(door bangs)

(dramatic music)

(thudding)

(dramatic chord)

(eerie music)

- Feeling better?

- Could I, please, have some makeup?

- Mmhmm.

There, that's much nicer.

(water splashing)

- There was a telephone call for you from the hospital.

- What?

Why the hell didn't you tell me right away?

Stupid idiot.

(dramatic music)

(electric beeping)

(dramatic music)

(electric beeping)

(dramatic music)

Sorry.

- Where'd you get your license?

(electric beeping) (dramatic music)

(door bangs)

- Hello.

- Hi, darling.

- Frank, I love you.

Just once, before I die, my darling

I want to make love with you.

- You mustn't speak like that.

I'm telling you death has no power to separate us.

(dramatic music)

(electric buzzing)

(dramatic music)

(door creaks)

- Why did you come back into this room?

You promised me that you never would again.

- I want you to go.

I'm gonna stay here alone with my mother.

- Frank, your mother is dead, remember?

- Iris this morning Anna died.

- So there's no one left to take care of you now.

Only me, your little Iris.

I'll always help you, dear.

For the rest of my life.

My little Frank.

No one knows you the way Iris does.

Oh, yes, little Frank will be so very happy with his Iris.

I promise.

Here I am.

Here I am, my little baby boy.

(ominous music)

(dramatic chord)

(ominous music)

(dramatic chord)

(ominous music)

(somber music)

- The Lord is my shepherd.

Therefore can I lack nothing.

He shall feed me in a green pasture

And lead me forth beside the waters of comfort.

He shall convert my soul and bring me forth in the paths

Of righteousness for his name's sake.

Yea though I walk through the valley of the shadow of death

I will fear no evil for thou art with me.

Thy rod and thy staff comfort me.

Thy loving kindness and mercy

Shall follow me all the days of my life.

And I will dwell in the House of Lord forever.

Hear us, oh Lord on high.

Omnipotent and eternal God.

We humbly beseech your grace for our sister, Anna.

Who lived her life free of sin,

And who died surrounded by your immense love.

Accept her pure soul, oh Lord

And give it eternal rest in your kingdom which is Paradise.

In the name of the Father, and of the Son

And of the Holy Ghost, amen.

- [All] Amen.

- My wife and I will be leaving in a matter of hours.

We can't stay here anymore.

- Of course.

- Everything here reminds us of her.

If you ever need to get in touch with us,

Talk to my daughter, Elena.

She'll be staying on through the end of her school term.

Here, this is the address of her school.

- You can always call me, too.

- Certainly.

By the way I want my daughter's grave

Iooked after constantly.

And please have the stone we ordered put up.

This is the cheque.

Will you take care of paying it?

I simply can't face these details.

- I understand.

- Thank you for everything you've done and will do.

(engine rumbles)

(ominous music)

(gate creaks)

(dirt scraping)

(monkey yelling)

(ominous music)

(dramatic chord)

(dramatic music)

(door bangs)

(engine rumbles)

(window squeaks)

(engine rumbles)

- Hey, stop!

(air whistling)

(door bangs)

(banging)

(clanking)

(engine rumbles)

(clanking)

- Need a hand, young fella?

- No, thanks, sir.

I'm almost finished.

- Okay, good night,

- Good night, sir.

(engine rumbles)

(clanking)

(gasps)

- Hi, you afraid?

You really look uptight.

Sorry to climb in like that but I was getting tired

Holding a thumb out all night.

My name's Jan from London.

You gonna tell me your name?

- What do you want?

- Ain't it obvious?

A lift!

Oh, come on hey, please.

I've got some good shit I'll turn you on too.

(engine rumbles)

Oh I'm glad you've come along when you did.

I'd have been there all night.

Hey, go slow, this stuff's worth its weight in gold!

I tell you it'll set you in orbit.

I left England last March.

I've been hitch-hiking for three months now.

I always say it's the best way for a person

To get to know a foreign country.

You want a hit?

- No.

- [Jan] You don't know what you're missing.

(dramatic chord)

(eerie music)

(engine rumbles)

(clicks)

(door bangs) (lock clicks)

(door creaks)

(door thuds)

(thunder crackling) (wind whistling)

(eerie music)

(squishing) (eerie music)

(thunder crackling) (wind whistling)

(popping)

(thunder crackling) (wind whistling)

(clicking)

(liquid splashing)

(ominous music)

(door bangs)

(ominous music)

(screams)

(dramatic chord)

(eerie music)

(ominous music)

(screaming)

(bangs)

(screaming)

(ominous music)

(banging)

(ominous music)

(crying out)

(screaming)

(dramatic music)

(plastic snapping)

(thudding)

(door bangs)

(dramatic chord)

(gentle music)

(engine rumbles)

(door bangs)

(door bell rings)

- Good morning.

- Good morning.

- Could I talk to Frank for a second?

- Just a moment, please, I'll go and call him.

- Thanks.

Hi, Frank.

- What is it?

- Listen, I've got a client who's interested in that baboon.

The one I gave you the other day.

Is it ready?

- No.

I haven't had the time.

- Damn it to hell!

The guy'll pay a fortune!

He doesn't give a damn where it's from, he's a collector!

(ominous music)

(door bangs)

- It's just a hobby with me, you know that.

Besides, you know I don't like working for other people.

I don't like it at all.

- I know, I know but you can bend the rules once in a while.

It's a personal favor.

- Okay, okay.

Well I'll bring it to you as soon as it's ready, all right?

- Yeah, great, thanks a lot, Frank, see ya.

- [Frank] So long.

(door bangs) (engine rumbles)

(door bangs)

- Here you go.

- Thanks, but what's it all about?

- None of your business.

(engine rumbles)

(dramatic chord)

(dramatic music)

- Where is she?

- Who?

- Where did you hide her?

- She's in a much safer place than where she was.

- Sometimes I could kill you, Iris!

- Don't raise your voice to me.

You'd be nothing on your own.

Come on.

(liquid glugging)

(knife whacking)

(head splashes)

(knife whacking) (liquid glugging)

(arm splashes)

(liquid glugging) (knife whacking)

(leg splashes)

(liquid bubbling) (rattling)

(dramatic chord)

(liquid splashing)

(dirt scraping)

(water splashing)

(chomping) (moaning)

(vomit splashing)

What's the matter, Frankie baby?

Heat getting to you?

- Leave me alone!

(gentle music)

- Don't worry, darling.

Iris is here.

(gentle music)

Feels better now, doesn't it?

Yes, my little Frank is better now, I can tell.

Much better.

(moaning)

Good clever Iris knows how to take care of him, doesn't she?

Doesn't she?

(moaning)

- Here I am, Mr. Kale.

- [Kale] Well?

- It's all complete, sir.

Just a minute, Frank Wyler, age 22, son of Virgil and Emma.

Her maiden name was Stroub.

Parents died nine years ago in a car accident.

On his 18th birthday he became owner of the villa,

A good deal of farm land,

And a rather large amount of money.

I wasn't able to find out the exact sum.

But I've been given to believe that it quite substantial

Indeed, comprising cash, stocks and many investments.

That's it, sir.

- Hmm.

- Thank you very much, sir.

Goodbye.

- Goodbye.

(eerie music)

(crying out)

- Is it bad.

- Well I tell you it hurts like hell.

(crying out)

- I come running here quite a lot.

But I don't think I've ever seen you before today.

- Well, that maybe because I've never been here

Before today (laughs).

Oh why did this have to happen, dammit.

I have a race in two days, an important one.

- Well I could go get something for you from the drugstore,

A liniment, a lotion.

- I'll try to make it, give me a hand.

- Sure.

(cries out)

- You'll never make it back into town.

Look, my house is right down the road.

Come over there.

I'll fix you an emergency bandage,

Then I'll take you back in the car.

What do you say?

- Well I haven't got much choice, right?

(crying out)

Boy, does that hurt.

(gentle music)

- (laughs) You're really pretty good, you know.

I bet you're a doctor.

- No, I'm not.

(gentle music)

I'd better go get the gauze, right back.

- Mmhmm.

(gentle music)

Hey, hey what's happened to you?

You got lost?

- Sorry.

I had hell of a time finding it.

- This is really nice of you.

Come on, finish this first.

- Shall we go in the other room?

- Sure.

(eerie music)

(screaming)

(dramatic music)

- Get out of here.

Go away!

Go away!

(door creaks)

(clicks)

(fire roaring)

- Frank, it's dangerous to keep that other one in the house.

- What other one?

- I mean Anna.

This would be the right time--

- N * o!

Not Anna.

She's going to stay with me forever.

- Forget about her, she's dead.

You must realize that!

And we're alive.

- I'll do everything you ask me to.

I'll marry you.

You can be mistress of the house for real.

But not Anna, she stays with me.

Forever.

Understand that, please, Iris.

- All right, little boy.

No one will touch your baby doll.

(eerie music)

(engine rumbles)

(eerie music)

- Good morning.

- [Frank] Good morning.

- How do you do?

We'd like to speak to the owner of this villa.

- You are.

What is it?

- A young girl was reported missing three days ago.

She went out to do some jogging and she never came back.

Last time she was seen was near here.

Did you see her too by any chance?

- Um, no.

But I don't get out of the house everyday either.

Who are you?

- Police.

We have no search warrant,

But we'd have no difficulty getting one.

However we would like to take

A look around if it's all right.

- What's going on?

- Huh?

Nothing they're looking for a girl.

Seems one disappeared somewhere around here a few days ago.

At least that's what they say.

- May I ask who you are?

- One of the family.

- I hope you have no objection

If we take a quick look around.

- No objection at all, this way.

- Thank you.

- Would you like to start with the top floor,

The ground floor or the basement?

- The basement, I think.

(door creaks)

You've got quite a talent there, young man!

Really seems about to take off!

Congratulations.

- [Frank] Thank you.

(dramatic chord)

- Do you like that squirrel?

- [Officer] It's marvelous.

- Then consider it yours.

- Oh, really, I didn't mean to--

- A small gift to our brave police force.

- And you can't be discourteous.

- In that case, thank you.

- That's fine.

Here, let me wrap it up for you.

Now if you'd like we could look at the upper floors..

Oh I don't think that'll be necessary.

We've seen all we needed to.

Fine, whatever you'd like.

We'll go out this way.

- Now maybe you'll think I'm old-fashioned--

- [Man] I know you are!

- All right, I am then I suppose.

But I believe in marriage

And I'm glad Iris has finally hooked someone!

- And someone young and good-looking!

- And rich, don't forget that!

- Just like my little sister.

- You're all simply disgraceful.

To me it's a marriage of love, made in Heaven!

Love conquers all, isn't that right, darling?

- Yeah, of course, my dear.

- [Woman] It's also blind, thank goodness!

- [Woman] Something tells me the star of

The evening is about to appear!

(applauding)

- I hope you'll enjoy it, go ahead.

- I always say no one could cook

A chicken like my little niece!

- I hate to tell you uncle Burt, but it's a suckling pig.

Will someone carve please?

I wonder who that someone could be!

- Oh, there's no need to be subtle, that means me,

I know my cue when I hear it!

(laughing)

- [Woman] Where's your young man by the way?

- [Iris] He'll be here soon.

- [Woman] Is he a snob, or just shy?

- [Iris] Neither, of course.

He just had some work he had to finish.

He'll be right here.

- [Man] Well, we can't start eating without him.

- [Woman] No, it's just not done.

- [Woman] Manners are fine, but I'm starving!

- [Man] Hell, well I'm through waiting!

- [Woman] Hell with the boy.

- [Woman] Well, he is the master of the house, after all.

Iris, dear, I do think you should go call him.

- [Man] And hurry!

- Here he is now!

My dears now I can finally make the announcement.

We've set the date, it's May the 1st.

Will you all join me in drinking to it?

(chattering) (laughing)

- Why, what's wrong with the lad?

- [Woman] He doesn't look well.

- [Man] He's just nervous.

- [Woman] Aren't all bridegrooms.

- [Iris] Excuse me.

Frank! (door bangs)

(gentle music)

- Anna, Anna, my love.

My darling.

You're forever mine.

Darling, nobody on earth can separate us.

I'll always be here.

(ominous music)

(glass tings)

- Frank is that you?

(ominous music)

(door bangs)

(ominous music)

(dramatic chord)

(thuds)

(ominous music)

(camera clicking)

(liquid splashing)

(door thuds)

- Get out.

Leave me alone.

- You simply can't go any further with this.

Get rid of it!

Get rid of your stupid little doll!

- No!

- You will, yes.

You've got to do it.

(whacking) (crying out)

- That's it that's enough!

Get out of here, you old slut.

- You shouldn't have done that, Frank.

You're going to be sorry.

- Get out of here.

Get out!

(door bangs)

(gentle music)

Anna, I'll always stay with you.

You are the only reason I have to live, yes.

(gentle music)

(engine rumbles)

(upbeat dance music)

- Hi.

How about a dance?

- Nah I don't feel like that very much.

Too damn hot, like a furnace in there.

Why don't we take the car and go for a spin?

- Okay.

Why not?

- Body of a whore dead forevermore.

Body three times cursed, pain and torture first.

Body in a bed, body growing dead.

Body in a crypt, body hellfire dit.

Body waning down, body into hell.

Always be a taker, hurry and meet your maker.

No one's life you'll save, rot so in your grave.

- What was that all about?

- Who knows?

Some crazy old bag.

(dramatic chord)

(water splashing)

- Here you are.

(door bangs)

- [Woman] How much is it?

- Six 50.

Shall I wait for you?

- [Woman] No thanks, you can go.

- All right.

(engine rumbles)

(door bell ringing)

- Don't run away.

I'm just drying off, be right there.

(door creaks) (gasps)

- Good evening.

(dramatic chord)

I'm Anna's sister.

My school term's over so I'm leaving tomorrow

But I wanted to say goodbye to Frank if he has a second.

I haven't seen him for a long time.

Not since my sister's funeral.

- Come in.

- [Elena] Thank you.

- Here, get dressed, quick!

- Hey, what's with you?

- You've got to go hurry up.

- Not this girl, not til I get what I came for!

- You've got to get out of here!

I mean it, you'd better go.

Now.

I'll take you home but you've got to hurry!

I saw her!

I saw her!

Don't let her get away.

- [Iris] Don't worry, I won't.

- Hurry up, will you?

(eerie music)

(door creaks)

- Wait for him here.

He'll be with you shortly.

Sit down, please.

(eerie music)

(door creaks) (door thuds)

(eerie music)

(gasping)

- [Woman] Eleanor.

Eleanor.

You shouldn't have come here.

Eleanor.

Eleanor.

You shouldn't have come here!

Eleanor.

There's a curse on this house!

- Miss.

(banging)

- [Woman] There's a curse on this house!

- Who's there?

(banging) (eerie music)

Who's there?

Who is it?

(eerie music) (banging)

(dramatic chord) (gasping)

(screams)

(ominous music)

No!

(cries out)

(ominous music)

- [ Frank] No!

(dramatic music) (crying out)

(crying out)

(heart beating)

(crying out)

(engine rumbles)

(rattling)

(door bell ringing)

(knocking)

(rattling)

(dramatic chord) (clicking)

(eerie music)

(fire roaring)

(eerie music)

(thuds)

(eerie music)

(engine rumbles)

[Kale] Don't ask me why, Father, because I don't know.

I only know that those bastards got in touch with me.

And they gave me back the body of this poor girl

Only after I've paid out a large sum in ransom.

- [Father] I still have the cheque that her parents

Ieft with me for the stone and the flowers.

- That'll be enough, it'll do.

(eerie music)

(banging)

(screaming)

(upbeat music)