Original subtitles

CAPTIONING MADE POSSIBLE BY CBS PRODUCTIONS AND CBS, INC.

Temple: HOUSEKEEPER FOUND THE BODIES.

SHEILA AND TRENT GOODMAN.

LOOKS LIKE A MURDER-SUICIDE.

[SIGHS]

GOODMAN SHOT HIS WIFE,

THEN TURNED THE GUN ON HIMSELF.

THERE'S ALSO A DAUGHTER, MIA, 8 YEARS OLD.

ACCORDING TO THE HOUSEKEEPER,

THE KID'S WITH HER THERAPIST.

Mannion: HER MOTHER'S DEAD IN THE HALLWAY...

AND HER FATHER'S DEAD IN HIS CHAIR.

SHE WITNESSED THIS.

SHE'S STILL IN THE HOUSE.

[MUSIC BOX PLAYS]

[MUSIC STOPS]

[MUSIC PLAYS, VERY FAINTLY]

DO YOU HEAR THAT?

THE MUSIC? YEAH.

I THOUGHT THAT WAS YOU PLAYING IT YOURSELF.

[SIGHS]

[SIGHS]

THE WALL TO THE LAUNDRY ROOM ENDS HERE.

THE WALL TO THE BEDROOM...

IS RIGHT HERE.

I MEAN, THERE'S 20 FEET IN BETWEEN.

HERE WE GO.

HEY, SWEETHEART.

WE GOT THE GIRL.

ARE YOU MIA?

YOU'RE MIA, RIGHT?

FATHER WAS A PARTNER AT MESCHUREZ, WALLACE, AND DONOVAN.

IT'S THE SECOND LARGEST LAW FIRM IN THE CITY.

Reporter: CHIEF MANNION--

Officer: BACK. BACK AWAY.

WE HAVE NO COMMENT AT THIS TIME, OK?

PLEASE BACK UP. WE WILL LET YOU KNOW MORE.

[REPORTERS TALKING AND ASKING QUESTIONS]

YOU RIDE WITH HER, SCOTTY. YES, SIR.

EXCUSE ME.

[REPORTERS SHOUTING QUESTIONS]

Male Reporter: COME ON, CHIEF, GIVE US A COMMENT.

Mannion: NO COMMENT.

Female reporter: WHAT IS YOUR NAME?

YOU THIRSTY? MIA?

BOY, I'M THIRSTY.

YOU LIKE CHOCOLATE MILK?

I LOVE CHOCOLATE MILK.

I'M GONNA GIVE YOU MORE CHOCOLATE.

I JUST GOT A FEELING...

[GLASS TINKLES]

HMM.

[GLASS TINKLES]

ALMOST READY.

OK.

NOW, DON'T TELL ANYBODY

THAT I GOT THE CHOCOLATE MILK HERE, ALL RIGHT?

I'M GONNA HIDE IT.

I'M GONNA PUT IT IN HERE.

[MICROWAVE DOOR OPENS]

OK.

BYE-BYE, CHOCOLATE MILK.

[DOOR CLOSES]

HERE YOU GO.

HERE.

OK. WE'LL SET IT RIGHT HERE.

WHEN YOU WANT IT,

IT'LL BE RIGHT THERE.

OK. IT'S RIGHT THERE, ALL RIGHT?

I WANT YOU TO MEET A FRIEND OF MINE.

MIA...

THIS IS OFFICER LAINE, OK?

JENNA. JENNA, THIS IS MIA.

Jenna: HELLO, MIA.

JENNA IS VERY, VERY NICE,

AND SHE'S GONNA TAKE CARE OF YOU

JUST FOR A FEW MINUTES.

I HAVE TO GO, BUT I'LL BE RIGHT BACK.

SHE MIGHT LIKE THE, UH--THE MILK.

OK.

HEY, MIA.

HERE, HONEY.

YOU WANT SOME MILK?

MIA'S AUTISTIC.

SHE HAS WHAT WE CALL P.D.D.

I'M SORRY. JACK MANNION, CHIEF OF POLICE.

GLORIA TENNEN. I'M MIA'S THERAPIST.

HOW DO YOU DO? HAVE A SEAT, PLEASE.

YOU WERE SAYING?

MIA'S AUTISTIC.

SHE HAS WHAT WE CALL P.D.D.

IT'S PERVASIVE DEVELOPMENT DISORDER.

SHE HAS PROBLEMS COMMUNICATING

AND INTERACTING WITH PEOPLE.

WELL, SHE HASN'T SPOKEN A WORD.

WELL, SHE CAN WHEN SHE WANTS TO,

BUT EVEN THEN, IT'S VERY LITTLE.

HER CASE IS SEVERE.

SHE'S BEEN COMING TO ME TWICE A WEEK FOR 6 YEARS NOW.

FOR 6 YEARS. SO, YOU'VE ESTABLISHED A RELATIONSHIP WITH HER?

WELL, NOT EXACTLY.

SHE KNOWS WHO I AM,

BUT IT TOOK ME YEARS JUST TO GET HER TO HOLD MY HAND.

TECHNIQUES ARE TAUGHT, TEXTBOOKS HAVE BEEN WRITTEN,

BUT EVERY CASE, EVERY CHILD IS UNIQUE,

AND MIA'S NO EXCEPTION.

SHE'S NOT LIKE ANY OTHER CHILD I'VE WORKED WITH.

MIA'S APPOINTMENT WAS AROUND THE TIME OF HER PARENT'S DEATH.

IT WAS CANCELLED.

MRS. GOODMAN CALLED

SAYING SHE THOUGHT MIA WAS COMING DOWN WITH A COLD,

SO SHE STAYED HOME.

YEAH, AND SHE WITNESSED A MURDER-SUICIDE.

MIA MAY NOT EVEN UNDERSTAND THAT HER PARENTS ARE GONE.

THE CONCEPT OF DEATH

IS SOMETHING THAT MIA MAY NOT COMPREHEND.

AS FAR AS SHE KNOWS, HER PARENTS COULD JUST BE SLEEPING.

NOW, YOU'VE ESTABLISHED A RELATIONSHIP WITH THE PARENTS?

MM-HMM.

MR. GOODMAN. DID HE, UH,

DID HE SEEM IRRITABLE? ANXIOUS IN ANY WAY, OR--

[INTERCOM BUZZES]

SHEILA AND I WERE VERY CLOSE, BUT, UM...

SHE JUST SAID THAT TRENT WAS HAVING SOME FINANCIAL PROBLEMS.

OK! WE'RE ON OUR WAY! WE'RE ON OUR WAY!

CHIEF, YOUR OFFICE. MIA'S HAVING PROBLEMS.

[MIA SCREAMING]

WHAT HAPPENED?

IT WAS ALL DARK IN HERE,

SO I OPENED UP THE BLINDS

TO LET SOME SUNLIGHT IN,

AND SHE CRAWLED UNDERNEATH THE DESK.

SHE WON'T LET ME NEAR HER.

Gloria: SHE'S EXTREMELY LIGHT SENSITIVE.

YOU HAVE TO KEEP THE BLINDS SHUT AT ALL TIMES.

MIA, IT'S ME.

[SCREAMING]

IT'S ALL RIGHT.

EVERYTHING'S GOING TO BE ALL RIGHT.

DEEP BREATH. DEEP BREATH.

DEEP BREATH. DEEP BREATH.

DEEP BREATH.

DEEP BREATH.

IT'S THE SHOES.

HER FATHER WORE SPECTATORS, TOO.

IT'S ALL RIGHT, MIA.

IT'S ALL RIGHT, SWEETHEART.

IF YOU'RE EXPECTING TO GET ANSWERS FROM THIS CHILD...

DON'T.

OH, MIA. IT'S OK?

COME HERE, SWEETHEART.

IT'S ALL RIGHT.

IT'S OK.

IT'S OK.

HOW WELL DID YOU KNOW MR. GOODMAN?

I'VE BEEN ASKING MYSELF THAT SAME QUESTION SINCE I HEARD THE NEWS.

IT'S DOWN HERE.

CAN YOU TELL US ANYTHING ABOUT HIS BEHAVIOR?

ANYTHING OUT OF THE NORM?

TRENT ALWAYS SEEMED TO HAVE IT TOGETHER,

BUT THEN, HE DID GO HOME FOR LUNCH EVERY WEDNESDAY.

IS THAT ODD?

PARTNERS AVERAGE AT LEAST 60 BILLABLE HOURS A WEEK.

THEY RARELY SLEEP.

TRENT ONLY BILLED 30 LAST WEEK.

MAYBE HE WAS HAVING AN AFFAIR.

NOT TRENT.

MAY I?

OR GAMBLING. OWED SOMEONE SOME MONEY.

WORD IS HE WAS OVEREXTENDED.

WHO ISN'T?

I THINK TRENT JUST HANDLED HIS STRESS WELL.

WITH HIM, THE JOB ALWAYS CAME SECOND.

HE LOVED HIS WIFE, HIS LITTLE GIRL.

HE BROUGHT HER TO THE OFFICE AS OFTEN AS HE COULD.

THAT'S ALL TRENT EVER TALKED ABOUT.

SHEILA AND MIA.

GOT THE KID'S DOCTOR BILLS HERE.

PRESCRIPTION BILLS.

PRETTY EXPENSIVE MEDICATION.

HUH. LOOKS LIKE TRENT LIKED TO DRINK AT WORK.

I GUESS THERE'S A FEW THINGS I DIDN'T KNOW ABOUT THIS GUY.

EXCUSE ME, GENTLEMEN.

I'M GOING TO HAVE TO ASK YOU TO STOP YOUR SEARCH.

GIVEN THE SHOCK,

WE HAVEN'T HAD TIME TO PROCESS TRENT'S FILES.

WE FULLY INTEND TO COOPERATE WITH THE POLICE.

THIS IS BYRAN WALLACE, OUR SENIOR PARTNER.

WE CAN GET A WARRANT, MR. WALLACE.

YOU'RE ASKING ME TO GIVE YOU ACCESS TO FILES,

VIOLATE ATTORNEY-CLIENT PRIVILEGE.

WE'RE JUST COVERING OUR BASES.

I UNDERSTAND,

AN BELIEVE ME, WE'D ALL LIKE ANSWERS,

BUT LIKE I SAID, WE'LL COOPERATE,

BUT FIRST, GIVE US A LITTLE TIME TO MOURN.

Debreno: YOU'RE NOT MOONLIGHTING, ARE YOU?

DID YOU FORGET? I'M 400K IN THE HOLE

BECAUSE OF THIS LESTER RICHARDS THING.

WELL, THINK OF IT AS A MORTGAGE.

AT LEAST AT THE END OF A MORTGAGE, YOU GET A HOUSE.

YOU GET A CLEAR CONSCIOUS.

NO, I'M DONE. I'M AT PEACE WITH IT, SPIRITUALLY,

BUT THE REALITY OF PAYING THAT 400K IS KICKING MY BUTT.

WHAT YOU GOT, HUD?

SHOT PATTERN ANALYSIS INDICATES

THE FIREARM WAS FIRED FROM 5 FEET OR MORE.

NO TATTOOING.

NO CHARRING OF THE SKIN.

GUNSHOT RESIDUE,

MUZZLE-TO-GARMENT EXAMINATION INDICATES

THE WOUND WASN'T SELF-INFLICTED.

THIS GUY DIDN'T SHOOT HIMSELF.

IT WASN'T A MURDER-SUICIDE?

JUST MURDER.

WE CAN RULE OUT ROBBERY.

THERE WAS AT LEAST A GRAND IN JEWELRY

SITTING ON MRS. GOODMAN'S DRESSER.

NO SIGNS OF FORCED ENTRY.

THE NEIGHBORS WERE HOME ALL DAY. DIDN'T HEAR A THING.

COULD'VE USED A SILENCER.

PREMEDITATED. SHOOTER CAME IN PREPARED. KNEW WHAT HE WAS DOING.

HE HAD TO KNOW THE HUSBAND AND WIFE WOULD BE HOME.

YEAH, THIS GUY KNEW A LOT OF THINGS, DIDN'T HE?

I MEAN, HE KNEW THE GOODMAN'S WOULD BE HOME.

MIA WAS GONNA BE AT THE THERAPIST.

THE HOUSEKEEPER WASN'T DUE UNTIL THE AFTERNOON.

HIS TIMING WAS PERFECT.

THE SHOOTER HAD TO HAVE KNOWN THE GOODMANS.

CHILD SERVICES. WE'RE HERE TO PICK UP MIA GOODMAN.

SO MIA HID IN HER ROOM.

SHE CAME OUT AFTER IT WAS OVER.

SHE SAW WHAT HAPPENED?

SHE SAW WHO DID IT?

ALL RIGHT, NO PRESS RELEASES, NO STATEMENTS.

I DON'T WANT THE KILLER KNOWING

THAT WE MAY HAVE A WITNESS TO A MURDER.

THE SHOOTER THINKS THEY GOT AWAY WITH MURDER.

PROBABLY LAYING BACK, PLAYING IT COOL.

THEY FIND OUT ABOUT MIA, THEY'LL PROBABLY RUN.

OR COME AFTER HER.

NO, MA'AM, I CANNOT LET YOU GO THROUGH.

LOOK, THIS IS VERY SIMPLE. WE CANNOT RELEASE MIA--

WELL, I'M SORRY, BUT IT'S BEEN OVER 6 HOURS, AND YOU--

NO, HOLD IT. HOLD IT.

STOP IT!

WHAT'S GOING ON HERE?

CHILD SERVICES.

THERE HAS, UH, BEEN A CHANGE.

MIA'S LIFE MAY BE IN JEOPARDY.

UNTIL I KNOW FOR SURE, SHE'S GONNA STAY IN OUR CUSTODY.

IN OTHER WORDS, THAT LITTLE GIRL IS NOT GOING ANYWHERE.

YOU UNDERSTAND?

OFFICER, WILL YOU SHOW THEM OUT?

[SIGHS]

INSTEPS ARE KILLING ME.

YOU'RE GONNA BE JUST FINE, JOE.

IT'S ONLY GONNA BE FOR A COUPLE HOURS.

PARRAS, LOOK.

WE GOTTA KEEP THIS DESIGN GOING

SO SHE CAN SEE THE LIGHTS, RIGHT?

JACK, IT'S GONNA TAKE A LOT MORE THAN SHOES TO HELP THIS CHILD.

YEAH. LISTEN.

IF SHE STARTS TO PANIC,

YOU CAN READ TO HER FROM THIS BOOK.

THE UNICORN. SHE LIKES THIS STORY.

ALL RIGHT. WHO'S THIS GO-TO GUY THAT'S GONNA HELP US?

DID YOU EVER SEE THE OUTLAW JOSEY WALES?

YEAH.

OK.

YOU SURE YOU'RE GONNA BE OK?

YEAH, YEAH, YEAH. I'M FINE. I'M FINE. GO. GO. GO.

ALL RIGHT.

JACK MANNION. TELL ME YOU TOOK THE WRONG TURN.

NO, I GOT G.P.S.

HOW'D YOU KNOW IT WAS ME?

I'VE GOT E.S.P.

[CHUCKLES]

WHAT HAPPENED TO THE COURTESY OF CALLING FIRST?

WELL, YOU NEVER ANSWER YOUR PHONE.

FOR A REASON.

IT'S IMPORTANT, TOMMY. I NEED YOUR HELP.

YEAH, KINDA FIGURED THAT.

WHAT'RE WE LOOKING AT? ARABIAN? APPALOOSA?

MMM-MM.

A LITTLE GIRL.

I'M NOT IN THAT BUSINESS ANYMORE. YOU KNOW THAT.

DIDN'T YOU PROMISE ME?

YOU SAID, "JACK, IF YOU EVER NEED MY HELP,

ALL YOU GOTTA DO IS CALL."

SEE, I DID ONE BETTER.

BROTHER, YOU ARE REACHING.

OUR ONLY WITNESS TO A DOUBLE HOMICIDE

IS AN AUTISTIC CHILD.

HER NAME IS MIA.

IT WAS HER PARENTS THAT WERE KILLED, TOMMY.

SHE'S 8 YEARS OLD.

WHY DON'T YOU PULL UP A LITTLE BIT, SCOTTY.

YES, SIR.

GIVE ABOUT 30 SECONDS.

YES, SIR.

[ROOSTER CROWS]

[ROOSTER CROWS]

I WANNA BE ARRESTED!

LINCOLN, DON'T POINT YOUR FINGER AT ME.

I WANNA BE ARRESTED!

LOOK, HAVE A SEAT AND I'M GONNA TAKE CARE OF IT.

WHY CAN'T YOU JUST ARREST ME?!

CHIEF! CHIEF!

LINCOLN! LINCOLN, HOLD IT!

JOHN, JUST ARREST HIM. GET HIM OUT OF HERE.

YOU GOT YOUR WISH, PAL. COME ON.

HEY! HEY! HEY!

GET HIM OUT OF HERE!

RELAX!

WATCH IT.

JACK, WE'VE GOT A PROBLEM.

THE KID YOU BROUGHT IN, SHE HASN'T EATEN OR SLEPT SINCE SHE CAME IN.

FINE. JOE, I'D LIKE YOU TO MEET TOMMY.

TOMMY?

TOMMY MORGAN, JOE NOLAND, DEPUTY CHIEF.

GLAD TO MEET YOU.

HERE, RIGHT THIS WAY.

PARRAS, SAY HI TO TOMMY MORGAN.

NICE TO MEET YOU.

"THE UNICORN IS A VERY FEROCIOUS BEAST,

"SIMILAR IN THE REST OF ITS BODY TO A HORSE

WITH THE HEAD OF A DEER--"

THIS IS YOUR OFFICE?

YEAH.

WELL, I MEAN, YOU KNOW, WE'VE DECORATED IT

TO LOOK LIKE HER ROOM.

I BROUGHT SOME OF HER STUFF FROM THE HOUSE.

IT'S A START.

"SOME DESCRIBED THE HORN AS MOVABLE.

"WITH WHICH NO HUNTER WHO WAS EXCEEDINGLY CUNNING IN FENCE

"COULD HAVE A CHANCE.

OTHERS THOUGHT THAT ALL THE ANIMALS--"

UH, JENNA?

HE'S AN EQUESTRIAN PSYCHOLOGIST.

A HORSE THERAPIST?

HORSE WHISPERER.

YOU WANNA LET ME IN ON THE IDEA BEHIND ALL THIS?

TOMMY MORGAN. HE WAS AN F.B.I. HOSTAGE NEGOTIATOR.

I MET HIM IN NEW YORK.

HE WAS, AT THAT TIME,

WHAT THEY CALL THE BEST OF THE BEST, JOE.

HE HAD THIS UNCANNY ABILITY

TO GAIN THE TRUST OF A HOSTAGE TAKER

IN A VERY SHORT PERIOD OF TIME.

DID SOMETHING HAPPEN?

THERE WAS AN INCIDENT. IT WASN'T HIS FAULT.

HE LEFT THE F.B.I. HE WENT TO WORK ON HIS BROTHER'S RANCH.

THEN HE STARTED WORKING WITH ABUSED HORSES.

JACK, WE ARE TALKING ABOUT A CHILD.

JOE...SHE HAS TRIED TO COMMUNICATE.

SHE'S WILLING TO REACH OUT...

AND THAT TAKES TRUST.

AND I'M TELLING YOU, THIS GUY CAN LOOK IN HER EYES

AND TELL WHAT SHE'S THINKING.

THAT'S A FACT, NOT A THEORY.

THE GUY WORKS ON TRAUMATIZED HORSES.

WHAT ARE YOU TALKING ABOUT?

TRUST ME, JOE. JUST TRUST ME.

DR. TENNEN, WHAT HAPPENED?

SOMEBODY BROKE IN, WENT THROUGH MY FILES.

IS THERE ANYTHING MISSING?

MIA'S FOLDER.

IS THERE ANYTHING IN THERE

THAT SAYS THAT SHE'S STAYING WITH THE M.P.D.?

NO. I HAVEN'T HAD TIME TO UPDATE MY NOTES.

BUT IT DID LIST MIA'S AUNT AND UNCLE AS GUARDIANS.

WE'LL MAKE SURE THEY'RE PROTECTED.

WHAT ABOUT MIA?

SHE'S IN GOOD HANDS.

WELL, SHE DOESN'T LIKE LASAGNA.

OR MAC AND CHEESE, FISH STICKS,

CHICKEN FINGERS, NOTHING.

SHE'S GOT TO EAT. THAT'S THE FIRST STEP.

SO LET'S KEEP TRYING.

TALK TO YOU OUTSIDE?

SURE.

LET'S GET REAL HERE, JACK.

I CAN'T HELP THIS CHILD.

ALL RIGHT, SO SHE DOESN'T COMMUNICATE

OR INTERACT LIKE YOU OR I.

YEAH, BUT IT'S NOT THAT SIMPLE.

SHE'S SCARED.

NOW, GETTING HER TO TRUST AGAIN--

THAT'S YOUR GIFT, TOMMY, COME ON.

WHEN YOU WERE A NEGOTIATOR--

I DON'T DO THAT JOB ANYMORE, OK?

THEN LOOK... BEHIND THE EYES.

SHE'S FRIGHTENED.

SHE WANTS TO TELL US SOMETHING.

YOU HAVEN'T CHANGED, JACK.

YOU'RE STILL A PAIN IN THE ASS.

THANKS.

SHE NEEDS TO GET HER STRENGTH BACK.

SEND A FEW OFFICERS TO HER HOUSE,

FIND OUT WHAT SHE'S USED TO EATING.

SO, THE SUSPECT ENTERED THE RESIDENCE AROUND NOON...

WASTED NO TIME PUTTING A HOLE IN MR. GOODMAN.

THE MOTHER'S COMING DOWN THE STAIRS,

SHE HEARS A NOISE, SEES THE SHOOTER...

AAH! AAH!

AND RUNS.

HE SLIPS AND FALLS ON THE SOUP.

THAT GIVES HER ENOUGH TIME

TO ESCAPE UP THE STAIRS.

HE CAN'T GET OFF A SHOT, SO HE CHASES AFTER HER.

FORGET SURVIVAL.

MATERNAL INSTINCTS TAKE OVER.

SHE RUNS UP INTO MIA'S ROOM.

COME ON. HIDE. HIDE.

MIA CAME TO THE DOOR LOOKING FOR HER MOTHER...

BUT DOES SHE COME OUT TO SEE WHAT'S GOING ON?

AAH! AAH!

THE SHOOTER NEVER SAW HER.

OK, SO HE'S FINISHED. WHAT DOES HE DO NEXT?

Temple: CHECK IT OUT!

Temple: DRAWERS OPEN, CLOSETS OPEN.

EVERYTHING IN THE HOUSE WAS CLOSED.

NOTHING OPEN.

EVERYTHING WAS WHERE IT WAS SUPPOSED TO BE.

IF THE SHOOTER COULDN'T FIND WHAT HE WAS LOOKING FOR,

WHAT MAKES YOU THINK THAT WE'RE GONNA GET LUCKY?

WELL, THIS IS A GUY WHO BUILT A SECRET ROOM FOR HIS DAUGHTER.

CHANCES ARE HE HAS OTHER CONCEALED COMPARTMENTS.

LET'S CALL A TRAP EXPERT.

SO, WHAT ARE WE LOOKING FOR?

Temple: NOT SURE.

A MOTIVE FOR MURDER.

WELL, THAT NARROWS IT DOWN.

WELL, THE KILLER ALREADY WENT THROUGH HERE,

BUT HE WAS ON A CLOCK.

DIDN'T HAVE TIME TO DO A THOROUGH SEARCH.

MEANS HE PROBABLY MISSED THE MORE CLEVER HIDING PLACES.

SO, THIS, UH, "MOTIVE" WE'RE LOOKING FOR--

WHO DO YOU SUSPECT IT BELONGS TO,

THE HUSBAND OR THE WIFE?

IT COULD BE EITHER OR BOTH. WHY?

WELL, IF IT BELONGS TO THE HUSBAND,

THEN WE'RE PROBABLY LOOKING IN AREAS HE FREQUENTS.

AREAS THE WIFE WOULDN'T BE LIKELY TO NOTICE ANYTHING.

LEATHER RECLINER.

WE'VE SEEN A LOT OF THESE BEING CONVERTED LATELY...

MAINLY BECAUSE OF THE BACKING,

THE SPACING IN THE BASE.

MMM.

DETECTIVES?

CHIEF, WE HAD LEGAL TAKE A LOOK

AT THE DOCUMENTS WE FOUND AT THE GOODMAN HOUSE.

THEY POINT TO A BREACH IN CONFIDENTIALITY

WITH THE FEDERAL TRADE COMMISSION.

PROVES CORRUPTION WITHIN THE LAW FIRM.

WHO'S THE LAWYER ASSIGNED TO THE FTC CASE?

THE SENIOR PARTNER, BYRAN WALLACE.

GENTLEMEN, BEFORE WE GO SHAKING THIS MAN'S TREE,

REMEMBER HE IS A LAWYER.

HE HAS AT LEAST A DOZEN LAWYERS

WORKING FOR HIM.

SO, LET'S BE SURE ABOUT ANYTHING

BEFORE WE MAKE ANY MOVES, ALL RIGHT?

THANK YOU, SIR.

THE UNICORN IS A VERY FEROCIOUS BEAST,

SIMILAR IN THE REST OF ITS BODY TO A HORSE,

WITH THE HEAD OF A DEER, THE FEET OF AN ELEPHANT...

OH, NOW THAT STUFF'S GONNA KEEP YOU UP.

BETTER THAN THE ALTERNATIVE.

YOU GETTING MUCH SLEEP?

IT'S FUNNY HOW THE MIND WORKS.

YOU KNOW, I CAN'T EVEN REMEMBER

MY SOCIAL SECURITY NUMBER...

BUT I REMEMBER EVERY MINUTE OF THAT DAY.

WELL, YOU REMEMBER THE ONES YOU SAVE, TOMMY...

NOT THE ONE YOU LOST.

Scotty: EXCUSE ME, CHIEF.

YEAH?

I NEED YOUR SIGNATURE, SIR.

SURE.

NO!

HERE YOU GO, SCOTTY.

THANK YOU, SIR. MM-HMM.

I SHOULD BE GETTING BACK.

Tommy: I CAN'T LET YOU OUT WITH THE KID.

COME ON. LET THE KID GO.

BACK OFF! BACK OFF!

GET OUT OF HERE!

GET OFF THE ROOF!

NO! NO!

GET AN AMBULANCE IN HERE!

[FOOTSTEPS]

YOU GOT HER OUT FROM UNDER THE DESK.

IT WAS HER CHOICE.

SHE'S EATING.

YOUR OFFICERS FOUND OATMEAL,

SO WE MADE OATMEAL.

SURE.

Mannion: WHAT'S WITH THE ROPE?

HIDING UNDER THE DESK IS OFF LIMITS.

FROM HERE ON WE GO FORWARD,

NOT BACKWARD.

NOW, IF WE JUST CAN GET HER TO TALK.

SHE'S MAKING THESE.

HER MOM.

[GASPING]

[PANTING]

WHAT IS IT, MIA?! KITTY MAN! HIDE!

KITTY MAN! HIDE!

KITTY MAN? WHO?

HIDE! HIDE!

WHO'S THE KITTY MAN?

[WHIMPERING]

[YELPING WILDLY]

Tommy: MIA?

[PANTING]

Tommy: MIA? MIA?

MIA?

WE NEED HER DOLLHOUSE.

[TAPPING]

[INDISTINCT KNOCKING]

Tommy: MIA? MIA?

IS THIS WHERE HE WAS?

KITTY MAN. TELL ME ABOUT KITTY MAN, MIA.

WHAT HAPPENED? MIA?

KITTY MAN.

TELL ME ABOUT KITTY MAN. IS THIS WHERE HE WAS?

WHAT HAPPENED? WHAT DID HE DO, MIA?

AAH!

AAH!

SHE SAW HER MOTHER STRUGGLE WITH THE KILLER.

HER MOTHER BIT HIM.

JOE, GET MISS MORGAN'S DENTAL RECORDS.

WE RECOVERED SKIN RESIDUE

FROM THE INSIDE OF HER TEETH.

D.N.A. CAN'T MATCH IT.

LOOK AT THIS, THOUGH.

IT'S CALLED A FLIPPER,

USED TO DISGUISE A MISSING TOOTH.

IN HER CASE, THE UPPER RIGHT CUSPID.

IT'S CHIPPED.

A TINY FRAGMENT'S MISSING TOO SMALL TO NOTICE,

EVEN IF IT BROKE OFF UNDER THE SKIN.

COULD THE BROKEN PIECE STILL BE WITH THE KILLER?

IT'S POSSIBLE.

Woman: SIR, CAN I HELP YOU?

EXCUSE ME. YOU CAN'T JUST WALTZ IN HERE.

HERE'S OUR APPOINTMENT.

WE NEED TO TALK TO MR. WALLACE.

HE'S WITH A CLIENT.

NOT ANYMORE.

THESE PAPERS INDICATE THAT YOUR FIRM IS IN BREACH

OF A CONFIDENTIALITY AGREEMENT WITH THE F.T.C.

VIOLATION OF ATTORNEY-CLIENT PRIVILEGE.

Byran: MAY I HELP YOU?

YEAH. WHO'S OFFICE IS THIS?

MINE.

REALLY?

I THINK MR. WALLACE IS OUR SHOOTER.

THAT'S WHAT MIA WAS TRYING TO TELL THE CHIEF.

KITTY MAN.

WE KNOW THE MAN HUNTS FOR SPORT.

AND EVIDENTLY PEOPLE.

WELL, WE KNOW THE MOTHER BIT HIM.

NOW ALL WE GOTTA DO IS MATCH THE DENTAL RECORDS.

IF WE CAN FIND THE BITE MARKS.

WHAT WE GOTTA DO IS GET A SEARCH WARRANT.

FOR WHAT, HIS OFFICE?

HIS BODY.

Byran: OK, OK.

YOU HAVE ME ON AN F.T.C. FRAUD VIOLATION.

I'M GUILTY. YOU GOT ME.

NO, WE'RE WAY PAST THAT NOW, MR. WALLACE.

PLEASE HAVE A SEAT.

MY FIRM IS GONNA COME DOWN

ON YOU TWO GUYS SO HARD

THAT YOUR GREAT GRANDKIDS

ARE GONNA BE PAYING OFF THIS JUDGEMENT.

YEAH, YEAH, YEAH. ON THE TABLE.

DO YOU WANT TO READ THE WARRANT AGAIN?

TAKE YOUR JACKET OFF, ROLL UP YOUR SLEEVES.

ATTABOY.

I SAID SLEEVES.

WHAT'S THAT? I CUT MYSELF.

SHAVING, RIGHT? THAT'S WHAT THEY ALWAYS SAY.

TAKE IF OFF.

Temple: WHOO!

DAMN, THAT'S NASTY.

YOU STITCH THAT UP YOURSELF THERE, BYRAN?

WHAT'D YOU DO, MUTILATE YOURSELF

TO DISGUISE THE BITE MARK?

THAT'S SICK. CUT IT OPEN.

NO, NO, NO, NO. YOU CAN'T DO THAT.

[TEMPLE WHISTLES]

[LAUGHS]

THANKS, DOC.

Nolan: ALL RIGHT, WHAT DO WE GOT, GENTLEMEN?

IS IT A TOOTH?

YEAH. IT'S A PIECE OF A TOOTH, ALL RIGHT.

GOOD.

Debreno: YOU DIDN'T EXPECT HER TO BE HOME, DID YOU?

Temple: SHE SAW EVERYTHING.

THE BRUTAL DEATH OF HER MOTHER AND FATHER.

SHE IS 8 YEARS OLD.

SHE'S GONNA HAVE TO LIVE WITH WHAT SHE SAW

FOR THE REST OF HER LIFE.

I KNOW WHAT YOU'RE THINKING, RIGHT?

SHE'S NOT A CREDIBLE WITNESS.

BUT THE TRUTH AND THE TOOTH

ARE GONNA PUT YOU AWAY FOR THE REST OF YOUR LIFE.

Temple: YOU CAN STOP ME ANY TIME.

THE GOODMANS WERE UP TO THEIR NECK IN DEBT.

TRENT GOES INTO YOUR OFFICE, HE STEALS SENSITIVE FILES,

THINKING HE'S GONNA BLACKMAIL YOU AND THE FIRM.

BUT YOU DECIDED NOT TO PAY.

AND TURN GREAT WHITE HUNTER.

KILLING THE GOODMANS AND STAGING IT TO LOOK LIKE A MURDER-SUICIDE.

YOU KILLED THEM.

[SIGHS]

I WANT TO TALK TO MY ATTORNEY.

GET HIM THE YELLOW PAGES.

[SIGHS]

WHAT HAPPENS TO HER NOW?

WELL, SHE'S GONNA GO LIVE

WITH HER AUNT AND UNCLE IN PENNSYLVANIA.

MM-HMM.

THANK YOU.

SOME FOLKS BELIEVE THAT THESE CREATURES

ARE THE PROTECTORS OF OUR FORESTS.

EVEN IF YOU COULDN'T SEE THEM, THEY WERE THERE...

WATCHING OVER THE INNOCENT.

CHIEF MANNION AND I...

WILL ALWAYS BE WITH YOU.

BYE.

LET'S GO, MIA.

LET ME GIVE YOU A LIFT.

THANKS. I'LL FIND MY WAY.

WELL, YOU'RE JUST GIVING ALL KINDS OF STUFF AWAY TODAY.

THE SHERIFF NEEDS A HAT.

DO I NEED TO SAY IT?

NAH.

MA'AM.

[SIGHS]

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Mannion: STAY TUNED FOR SCENES FROM OUR NEXT EPISODE.