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Robert, where are you?
We're supposed to meet in Grendel's
office to go over the seduction scene
in the play.
What do you mean your car broke down?
That is such a lie. Come on,
Robert.
Break down the seduction scene without
you here?
That's just creepy.
I'm supposed to kiss you in the scene.
Am I supposed to kiss Grendel because
that's just weird?
You think he's gay?
Really?
I mean, yeah,
you're right. He did it in Angels in
America.
But, and he
does dress really nicely.
Yeah, you're right.
Maybe he is gay.
Hi, Emma. Hey. Sorry,
I was called down to the factory,
man. Apparently they need help using
the new espresso machine. No worries.
Robert's not going to be able to make
it. I guess his car broke down,
but we can always push this back to
another day if you like. No,
that's okay. I mean,
we can work together.
Actually,
Robert
's fine. It's just that I find your
delivery to be a little stilted.
I mean,
you remember the critique last week
from the scene?
Yeah, I know.
I know I'm having so much trouble. I
really like the character of Jenny.
Well, you know,
what you've got to remember is to bring
life into a character,
you have to use behavior. You know,
Jenny doesn't want Theo to leave,
right?
Um,
so she's feeling anxious and desperate.
So what's the behavior of being anxious
and desperate?
I mean,
forget about the whole love aspect
right now.
Maybe she's clenching
her fists. Okay,
that works. Um,
why don't you stand up?
Um, maybe you're
pacing the room,
right?
Shoulders all hunched up.
It's hard for you to tell him how you
really feel.
Maybe you're ashamed,
embarrassed that you can't live your
life without him.
Maybe your throat's constricted,
your mouth is dry.
You want to say anything you can to him
to make you stay.
But ultimately,
what you say is... Please stay!
Hey,
there you go. I knew you could do it. I
completely believed you that time.
You're right. It is all in the behavior.
That's right. Well,
let's continue. I'll tell you what.
I'll meet Theo.
And just remember the whole behavior
thing, right?
There's nothing here for me anymore,
Jenny. I don't
want to be an old,
broken-down old man working on the
docks.
I have dreams.
But most of all,
I'm just
tired of being nothing.
Don't you dream about us?
About being a family?
I do
dream of us. But not here.
I can't leave here,
Theo.
Everything I've ever known and loved is
here.
You don't have to come with me,
Jenny.
Maybe one day I'll make it big in
Hollywood and I'll come and get you.
And give you the life you deserve.
Don't leave me!
Okay. I think you... How
did
I
do?
Teacher. I like it.
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