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Eߣ�B��B��B�B�B��matroskaB��B��S�g ?M�t�M��S��I�fS��M��S��T�kS���M��S��S�kS����M��S��T�gS��=w�O� I�f�*ױ�B@M��libebml v1.3.4 + libmatroska v1.4.5WA�mkvmerge v9.5.0 ('Quiet Fire') 64bitD��AX�� Da�k�EtZ� s���M阇���sN��л�T�k���ׁsň0���=Ɛ����� �� ��S_TEXT/UTF8�D% C�u��b������ Get me in ten minutes, Ray.��b�����
� Boss.���C�u�炭|����� Bobby.
Boss?����x I'll have a pint
and a pickled egg.���C�u���۠���� Coming straight up.���C�u��Ak����� If you wish to be
the king of the jungle,��
*�����
� it's not enough
to act like a king.���C�u��`O����� You must be the king.��A�����5 And there can be no doubt.���C�u��vw����� Because doubt causes chaos
and one's own demise.���C�u��������� Hello, my love.��+������ It's date night tonight.��������
� Nine o'clock,
you and I, River Cafe.���C�u��� ����� Who's there?�������� Ros, who's there?��YC�u��2b����� Chink, chink.��C�u��Q������ Fletcher.��頢��� Buenas tardes, Raymondo.��ݠ����� I should stab you
with that fucking
rolling pin.��xC�u@��s)�ݡׁ Oh, don't be cunty.
I was just hoping we could have
a cozy little drink together.����ʡāw So, I've got a meeting
on Saturday
at your favorite newspaper.���C�u@�����ȡ As the best
private investigator
in this smoky little town--��V������ good evening,
ladies and gentlemen--��XC�u@���`�ѡˁ they are ready to put
150 grand in my pocket
to give them some filth.��J������ Good for me, that,
but in this case...���C�u��������� it's bad for you.��������
� So Big Dave,
editor extraordinaire,��C�u���?����� has developed a terrible
antipathy for your boss��۠����` and his liquorish assortment
of tasty mates.��
�C�u�� ��١Ӂ He's out to destroy him and
all those that cozy up to him.
Front cover. Bosh!���C�u@�� �̡Ɓ There will be blood
and fucking feathers
everywhere, my darling.�� Ơ���� Get to it, Fletcher.
I'm starting to itch.�� �C�u@��4t�ɡÁ Now, we both know
that your boss has
very, very deep pockets,��x�Сʁ� and I would like to
invite him just to have
a teeny rummage in them.���C�u@��R������ What the fuck
are you talking about?��Ǡ����L If you would be so kind��c�����5 as to furnish me with
20 million British pounds,���C�u��gI����� I will give you everything--��c������ memory cards, contact sheets,
recordings, the lot,��C�u��z֠���� and a modest little screenplay
I wrote all by myself.��
m�����
� Hold on.��C�u��������� We just went from £150,000
to 20 million.��
l�����
� That's a steep rise
in 30 seconds.��xC�u@�����Ρȁ Yeah, but I would argue
that you're lucky,
because that is nothing����� compared to what I could,
and perhaps should, be asking.��xC�u���8����� Oh, well, thank God
you're not greedy, Fletcher,��x������ you deluded,
shit-eating cunt.�� BC�u�������� I quite like it
when you talk dirty to me.��������� I can feel myself engorging.���C�u���D����� Come on, have a drink with me.
It's really yummy.�� b�����6 I looked it up. App-ed it.
1500 quid?���C�u@���ʡā I didn't know
you could spend that much
on a bottle of scotch.��
+�ϡɁ
� I'm gonna tell you a story
to demonstrate
why my quote is my quote.��`C�u��3ʠ���� Will you play a game
with me, Ray?��������V I don't wanna play a game.���C�u��G������ -Please?
-No.��
������b I said play a fucking game
with me, Ray.��C�u��~y����� Right.��+������ Lovely.��M�����@ Now, I want you
to imagine a character,��
�C�u@�����š�� a dramatic character,
like in a book or a play
or a film.��Ǡ����
L But not digital,
not on a memory stick.��
*C�u����͡ǁ Analog. Chemical process.
"Keep the grain
in the picture," I say.��
l�����
� Old-school, 35 mill.���C�u@���%����� Now, I'm seeing this
through a lens, I am,��Ơ����L and I'm not talking about
the small screen.��蠟���� It's not TV, Raymond.��BC�u@��������� As I said,
old-school cinema format.��6�ϡɁ� It's what we in the business
called anamorphic,
or ratio 2.35 to 1.���C�u@�� ���� And I want you to join me
on this cinematic journey,��
Ҡ����W 'cause it is cinema, Ray.��頬���� It's beautiful,
beautiful cinema.���C�u��*Ǡ���� Now, roll camera.�� 蠠���� Enter our protagonist.�� C�u��F��� He's good-looking,
he's gorgeous,��y������ he's golden age,
he's a proper handsome cunt.���C�u��]8����� His name is Mickey Pearson.��
������� Unique background
has our Mickey.��WC�u@��uڠǡ�� American born, Rhodes scholar,
so he's born clever but poor.����ġ�� Now, that's quite a leap from
a trailer park in Americana��
mC�u@���ՠ���� to the thousand-year-old
university in old Angleterre,��V������ where he studies
the dark art of horticulture.��
*C�u���`�̡Ɓ But he never
finished his education,
never went home, because...��������� he found his vocation.��yC�u���⠝��� A naughty vocation.�������X He's a bad boy.��������� He starts dealing
the dirty wonder weed��
+C�u���n����� to his rich, British,
upper-class uni pals��a������ and realizes
he's rather good at it.�� C�u��������� He's clear and objective
about ambition��
Ҡá��W and he can surf the echelons
of our complicated culture.��
�C�u�������� He knew how to take advantage
of his advantage.��
lC�u@��&ڠ���� He was a hungry animal,
you see.��������
He was powerful and ruthless,
cunning and quick,��������J charismatic and smart, but...�� AC�u@��C����� he had to do some naughty
things to get where he got,��
������5 to establish his position,��c����� to show he wasn't just
teeth, tits and tan.��
LC�u��c������ Well, he wasn't
fucking hollow, was he?��Ҡ����) He had an engine
under his hood���C�u��}������ and a gun in his holster.�� c������ So, he's not exactly clean,
our Mickey.�� �C�u@��������� He has come up the hard way.��頲���n He's earned his position,
shall we say.��
*����� Well, that was the early days,���C�u@�������� and he cracked on with
his New World pioneer spirit.��ܠ����� What's he worth today?
100, 200, 500 million?��C�u���5����� But now the plot
begins to thicken.��
*�����
� He has reached
a crossroads in his life.��
C�u@���s�ġ�� The middle class
and the middle age,
they've got to him.��ݠˡŁ c They've corrupted his appetite
for the horrors.
He's gone soft.��
�C�u@���M�¡�� He wanted to cash in his chips
and get out of the game,��6������ and he seems to have found
the perfect customer.��
C�u@�� ������ Smash cut, please...��6�����+ to interior, a gala dinner.��Ҡ����� Just a few words to say
thank you to Michael Pearson��xC�u�� 0����� for his limitless generosity
and time.�� ���
+ Now, Mickey
has been cultivating
a special relationship��wC�u@�� L>�š�� with the erudite, learned and
broad-minded Matthew Berger.����ǡ��5 Yes, Raymond, I do know about
the Jewish billionaire cowboy,��
*C�u@�� k"�� another slice of Americana
creating drama in Angleterre.����ʡā� And finally to Matthew Berger
blindsiding us
with his donation���C�u@�� �Ϡ���� to build the entire cognitive
behavioral therapy unit.��b�����V So these two have met before.
Fuck knows where.�� C�u@�� �ˠءҁ Presumably at the annual
international drug dealers
convention in Las Vegas.��a������ And they've done
some small deals together,��C�u�� �L����� but now they're ready
for the big one.�� ����� � Well, that was unexpected,
Matthew.��
�C�u@�� ��ȡ Now I understand
why you're seated
at the head of the table.����̡Ɓ A Snuck that one
right by me, didn't you,
you naughty little girl?��
LC�u�� �{����� Making a splash
with the gentry.����x Oh, I like to make a splash
whenever possible.��
C�u�� �Рҡ́ Well, you also seem
to understand the significance
of a proper attire.��ܠ����a Indeed I do.��zC�u@��
0����� I believe
a sense of ownership�������� is vital
in every aspect of life,��������� perhaps never more so than
when it comes to wardrobe.�� AC�u��
$��Ρȁ For every look
there is a season, and for
every season a strategy.��w������ Now starts the alpha dance.�� cC�u@��
=������ They're not really talking
about clothes, Raymond.��c������ Oh, fucking no.��A�����
� They're like
a pair of old doggies���C�u��
R[����� sniffing round one another's
intellectual assholes.�� ������
It's a good old-fashioned
cock-off, Raymond.��
mC�u��
gW�� Michael, I'm looking forward
to doing business together.��
������� -May we excuse ourselves?
-Yes, please.�� �C�u��
�%����� We should say good night
to our host.��
C�u��
�X����� So what do you think?��7�����n I'm not sure.��������
� Your Grace.��頕���a He's a fox,��yC�u@��
������� and foxes
have a predictable nature.��������
Trust this Jew
about that Jew.��蠪���x If you let him
in the henhouse,���C�u��
�q����� you can expect blood
and feathers everywhere.��L������ Fresh from
a farmyard pheasant shoot,�� �C�u��
�x����� these two are starting
to like each other.��
������6 It's looking good, Ray.
It's looking fucking good.�� �C�u@��
��ġ�� I'm impressed with what you've
done with your enterprise.��
*�ġ��
� You see, try as I might,
I can't work out
how you do it,��WC�u@�������� and bush is my game.��蠶���n How does anyone grow
50 tons of super skunk�� Ơ����� without letting anyone else
know how they do it?��nC�u@��!U����� I'm flattered to hear that
from you, Matthew.�� c�ˡŁ � I imagine
that big brain of yours
is sweating a stream of tears�� bC�u@��5%����� just trying
to figure it out.�� ������ Brilliance
should be acknowledged.��������� Mm.��+������ Run the numbers
by me again.���C�u��N
����� 200 million gross p.a.,
100 million net.��
��w But your people
know this already.���C�u@��b������ They've swept the numbers
for months now.����� The bottom line is
I'll sell it to you
for 400 million.��@C�u���K����� But you knew that already.
Hop in.�������� � Now, I can't be specific about
the heroes and zeros,��
MC�u��������� but there was a lot of money
hanging in the balance.�� ������
What would it be
worth to have the power��
�C�u@���ޠ���� to be able to pull the plug
on an operation like that?��
�����
� A greedy man would
want half the sale price,��C�u@��������� but a smart man would know
that 20 million pounds��ݠҡ́b was just about
uncomfortable enough to make
everyone feel comfortable.��
KC�u���d�ġ�� You're a cunning and creative
toad, aren't you, Fletcher,��ܠ����b coming up
with a plan like this?��+C�u@��v����� Yeah, but I didn't really
come up with it, did I?��n������ It was Big Dave.��������6 He commissioned me
to do a job on Mickey,��cC�u@��!������ you know, sniff about,
keep an eye on him,��������� go through his bins,
reveal his sins.����͡ǁ� Mickey Pearson,
the odious Yankee gangster.
We're gonna bury him.��lC�u��C�̡Ɓ Because it seems
he's got himself a new friend.
Lord Pressfield.��ܠ����a Is that the Lord Pressfield?��yC�u@��_:����� His Grace, the duke?��Y������ Yeah. Once fourth in line
to the throne.��
L������ Apparently Mickey Pearson
has squeaked his way��C�u@��v������ into the crack
of his fat, posh ass.��ݠסс
m This is yours, Fletcher.
I need a man with your
creativity, with your nose.��
�C�u@�������� Now, you know
you're my favorite bloodhound.��������+ I just think it's really
important to remember��
������ who you're talking to, Dave.���C�u@���꠪��� Of course I remember,
Fletcher.����Сʁ So just make
absolutely sure the check
doesn't disappoint this time.��WC�u���栠��� The number is 150,000.��n������ He wants to ruin him,��
�C�u��ҵ����� but I am here
to do you a favor.��y�ʡāK And it's not like
you're not getting something
for your money.��
nC�u@����ɡÁ You could even
turn that script into
a feature film, Raymond.��@�����x We could make it together.
We could be partners.���C�u��
̠���� I have learned off you lot.��Ǡ¡��� You gotta look after
number one,
and now it's my turn.��
lC�u��
%������ The sun is not going up
for me, Ray. It's going down.���C�u��
9���� So why has Big Dave
got it in for my boss?��ܠ����c Two months ago,
your man Mickey���C�u��
N������ made my man Dave feel
like a right fucking idiot.��
*�����
� Henry. Mickey.��L������ How did he do that?��oC�u��
f����� Didn't accept his hand.��X������ Dave. Daily Print.
Yes.��������� No. Editor
of the Daily Print.��C�u@��
������ Turns out Dave had gone after
one of Mickey's lords,��
Ѡ����W did a proper tabloid job
on him.��n�¡��J It would appear
that His Lordship
had had a quick spin��yC�u@��
��� on one of
his attractive young footmen.����ơ�� B After the splash,
shares crashed, job went,
wife followed,��
*C�u��
�堪��� and even his kids
disowned him.�������� Well, that Dave
can't half be a cunt.���C�u@��
�}����� But no one
will pull him on it.���¡��n Too fucking scared that Dave
will do a feature on them.��������� But your Mickey, he's got
a fabulous set of balls.��
�C�u@��
��ۡՁ So he snubbed him in front of
a crowd that Dave could
only wish he belonged to.��b��ځ� You know, lords and ladies,
the sort that Mickey feels
very comfortable in front of.���C�u@��
�ˠ���� Men, excuse us.��x�á��� Well, he might just as well
have pulled Dave's cock off.����w I do believe that was a bit
of a fuck off, Dave.���C�u@�������� 'Cause he just
fizzled like a party balloon.�������� That's no reason
to go after a fella.��M�ɡÁ� Well, I don't know
what to tell you.
He wants Mickey's blood.��
nC�u@��3g����� And he would be getting it
too, if it wasn't for...��
������� You're a filthy fantasist,
and now it's time to leave.��
mC�u@��R�� Oh, don't be silly.
I'm only just lubing you up.���ϡɁ
m Now, there is a reason
why Matthew, or anyone else
for that matter,��C�u@��s져��� cannot work out
how Mickey does what he does.����̡Ɓ How does he grow 50 tons
of white widow super cheese
every year?���C�u@���m����� Everyone knows
that needs a lot of space.��n�ǡ��� So where is the space and how
come he's kept it under wraps?��
KC�u@���0�ޡ You can't just dig a hole
in the ground and drop 200
shipping containers in there.��b������ Oh, no, my love.
That will not work.�� C�u@��������� No. You have to be creative.
You need an angle.��ܠΡȁb The problem with
land in this country
is there's not much of it...��
�C�u@���i�̡Ɓ and there's public access
even when it's supposed
to be private.��y�����
� And the public have rights:
dog walkers...��WC�u��������� Yes, jog on.��������
...footpaths, right to roam,�� ������ bimblers, ramblers,���C�u@�� J����� -badger lovers...�����y ...and any other busy cunt
with enough time on his hands��������� to sniff
the green tweed of England.��6C�u�������� Good morning!��ݠ����c And they have groups,��ޠ����� forums, meetings,
social media,��
�C�u@��:������ and they love
a good chat and a hiss��K�ɡÁ� about anyone who's
decided to mow his lawn
without a license.��
�C�u��Q�� And then there's
the helicopters, drones,
Google Earth,��Ǡ����
L heritage sites,
parish councils,��C�u��ge����� and the beat goes on.��X�ɡÁy And that's before
you even think about
getting power in here.�� �C�u���Ġ���� So what is
Mickey's unique method?����ġ��@ I tip my cap at the cheek,
at the elegance, at the class.���C�u��������� And what would
that method be exactly?��������7 You have to understand
a culture to understand a man.�� C�u��������� Toffs, aristocrats,��+������ dukes, duchesses,
lords and ladies,���C�u�������� lots of land
and fuck all dough.��L������ Houses to keep, damp to
keep out, silver to polish.���C�u@��␠���� You must remember
that cash is very persuasive����̡ƁA to the class that got
spanked by angry lefties
and death duties.��
KC�u@���͡ǁ And every time
you inherit a fortune,
you lose half to the state.��
��x So this is my moment
to swoop in���C�u��ߠ���� like a guardian fucking angel����ɡÁy and offer my services
so they can keep
their houses in order.��
LC�u��.)����� And they're not too bothered
about what I do,��X�����
* as long as that cash
keeps rolling in each year.�� C�u��D������ It's good to get a lord, yes,
but it's not easy.��
����W It takes work,
wine, women and disco.���C�u��ab����� Twelve sites. Twelve farms.��
Ҡ����W One thousand of these estates
in the great UK.��WC�u��x������ Bonne chance
trying to find them all.��Ҡ����a That's it. My infrastructure.���C�u���z�ɡÁ And that, sir,
is, with my blessing,
what you are paying for.��C�u@������ If it's as discreet and as
lucrative as you claim it is,��
�����
� I'll buy the whole business.��������a But enough foreplay, Michael.���C�u���9����� I wanna see your plant.��z�����x I've gone to great lengths
to make my operation��6C�u���l����� as invisible as possible,
Matthew.�� �¡��
n If you were
standing on my bush,
you wouldn't know it.�� �C�u��������� As a matter of fact,
you are standing on my bush.��
�C�u��ݠ���� It's a spectacular business,
Michael.����� Such a shame it will go
bankrupt in ten years��,C�u��%������ when things go legal
in the great UK.��6�����
� And you want me
to pay top dollar for it?�� C�u��:������ A nugget under half a yard?����� That is the price.���C�u��P �ȡ Now step inside
and I'll show you
what half a yard gets you.��
�C�u��nF����� Ooh. A delightful tool shed
for 400 million dollars.���C�u���z����� Is the ball-peen hammer
included?��
������ Course it is.
Now let me show you the nails.��WC�u��������� Watch your head.��M�����+ Carry on, chaps.��7C�u��������� England's
green and pleasant land.��ݠ���� Those are some nails.���C�u�� >����� Location, staff, technology.��ݠϡɁ@ See, you're buying
the substructure for
the superstructure to come,��@C�u@��*9�ȡ and with purchase
you will inherit
the best sites available,��U������ the finest botanists and herb
sommeliers in the world,��C�u@��E��Ρȁ as well as the most innovative
marijuana technology
on the planet.��
��� And when this little piggy
goes to legal market�� �C�u��b������ and the demand
way outpaces the supply...��ܠ����� these locations,
these green-fingered
botanical boys,��
mC�u���?����� as well as
my superior technology,�������� � will be at a premium.��C�u@���r����� And you would own them all.��y�ӡ́� Did you know it took 15 years
after alcohol prohibition
ended back home���C�u���J����� for the legal market
to scratch that itch?��X�����y Fifteen years.���C�u�������� And that's if
you do nothing with it.��6�����
� Yes, it's a win-win,
no matter how you look at it.��
�C�u���Ǡ���� And I'm not greedy.
You and I both know��ݠ���� b that 400 million is a
fair-to-generous asking price,���C�u@���1����� especially considering
that once this game's kosher,�� B����� � it's going to be worth
somewhere between 200 billion��
�C�u��q����� and, well,
half a trillion pounds.��砓���U Annually.���C�u��)�� Weed.��X������ Bush.��������� Skunk-amola.���C�u��?t����� White widow super cheese.��������� It's the new gold rush.��XC�u��X7����� This is the thin end
of a very fat wedge, sir.��������x If it's such a fat wedge,
why don't you keep it?��xC�u��vS�ӡ́ You see, I've developed
a reputation as a man
who came up the hard way.���C�u@����ɡÁ You could say
that there's blood
on these pretty white hands.����ʡā� But in the new business,
once legal
and under the jurisdiction��bC�u@���T����� of the respectable umbrella
of ministerial legitimacy,����ơ��) an enterprise like this will
need a face with a clean past,��WC�u���Y����� which sadly I do not possess.��������
Retirement
doesn't sound so bad.��6C�u����͡ǁ Long walks in the countryside,
pruning roses
with my better half,��
m�����
� raising some cubs.���C�u���0����� I've earned it.��
�¡��� Look, we both know growing
is only 50% of the business.��bC�u@�������� I need
your European connections.��������6 I've seen
how the sausage is made.��x�����4 Now tell me
about the butcher shops.���C�u@��-s����� Well, that comes later,
Matthew,��������� when the money's in escrow.��+�š��� Now that we've established
the dilemma of our protagonist,���C�u��Km����� let us turn to our antagonist.��
Ѡ����W Many miles away,
across the open plains,��5C�u��e�ˡŁ another beautiful
feral beast lopes his way
to a watering hole.���C�u��{ ����� Who are you talking about
now?��������z I talk, Raymondo, of Dry Eye.���C�u���۠���� Oh, Dry Eye.��ݠ����b What is he?
Chinese? Japanese? Pekingese?��
������� Get on your fucking knees?��7C�u���0����� Dirty dragon filth.��*C�u@���Ǡݡׁ He explodes on the scene like a
millennial fucking firecracker.
Bang, bang, bang.��4������ You chee-bye motherfuckers!��nC�u@���t����� I'm gonna have to stop you
right there, Fletcher.�������� � That doesn't sound like
the Dry Eye I know.��M������ Just making sure you're
paying attention, Raymond.�� �C�u���8����� So let's cut instead
to a somewhat anticlimactic��V������ but suave and debonair
Dry Eye,��
�C�u��j����� like a Chinese James Bond.��+������ "Ricense" to kill.���C�u��%����� Open them up.
Yes, boss.��LC�u��@������ Good Lord.��y������ Hose them down, load them up
and fuck them off.��
�C�u��\|�ǡ�� Let me have a look at 432.
Yes, boss.
It's just right here.��
�C�u��{`����� There's 120 rims, uh,
32 LS engines, 60 custom...��l������ All right. Pay the man.��
C�u����š�� Sorry, chaps. I quoted you for
a 20 when it's a 40-footer.�������� It's gonna be double bubble.��C�u��������� Double bubble?��L�����
) A gentleman's quote
is a gentleman's word.��WC�u���}�ѡˁ Now, either you or your family
are gonna have to pay
for that lesson.���C�u���ݠ���� Do we have an understanding?��������
� Yes, boss.���C�u�������� Give the soppy prick
his money.���C�u@��
����� Anyway,
let's put a pin in Dry Eye�������� and turn again to Mickey.��L�����@ If you're thinking
of smoking that in here...��6C�u��)������ don't.��������, I find that confusing.��������
m Do you mean don't smoke
or don't think?���C�u��Op����� Oh...��c������ Oh, all right, all right,
it's going out.��nC�u���k�ˡŁ I think the time
has come for me
to introduce you to our queen.�������� Harold, bag.���C�u@��������� A Cockney Cleopatra��頤���n to Mickey's cowboy Caesar.��������� The only weak link in his
otherwise impregnable armor��4C�u���Šš�� is his devotion, his passion,
some would say his obsession��۠����` with his beauteous lady wife.���C�u@���/����� I'm trying to do you
a favor here, Mike,�� c�ǡ�� � but every time
I do you a favor,
it ends up costing me too.�� C�u@�������� Now, come on, Ros...
Why is Miss Kova still here?�� ����� � That Range was supposed
to be finished this morning.��W�͡ǁ� I'm not talking to you, Mike.
Sorry, boss.
Rodge is on the Range.���C�u@��&�ȡ How many times
have I told you?
I don't want Roger up front.��
������5 This is a sanctuary
for the ladies. Where is he?�� �C�u��;ߠ���� He's up in your office
with your husband.���C�u@��Ol�� Misha, darling, I'll have you
out of here in 20 minutes.��
*�����
� Rosalind,
I've got a spin class
in half an hour.�� �C�u@��dh����� Twenty minutes
and no charge.��+������ Lisa, champagne.����ˡŁ� -Mike, are you still there?
- Of course
I'm still fucking here.���C�u@��~X�ѡˁ Right, well, if you're
still there, who's ordering
the fucking parts?��A�����
m So what do you think?��������� Ringing the bell,
but not too loud.���C�u@��� ���� Dipped in honey.��M����� That's on the money.��6�����l But you always could make
a good cup of tea, Mickey.�� bC�u�������� Very nice.�������� � Hello, Ros.��,������ What the fuck
is going on in here?��YC�u@�������� I should have known
it was you behind this.��z������ Rodge is supposed to be
working down there��������
� and you're up here
blowing his brains out.���C�u@���9����� I'm on it, boss.
You wanna be.��,������ Don't blame the Dodge,
dear.��������� You know he's got
a special nose���C�u���A����� and he's doing
this old dog a favor.��+������ Dodge, get down there
and earn your money.��������
� Gone.��
C�u@��Q����� What you doing here anyway?��c������ Thought I'd come by to have
a cup of tea with my wife.�������� Well, go on, then.
Put the kettle on.��C�u@��:����� Looks like
the deal's gone through.��������
Second thoughts?
No second thoughts.��y����� I like middle age.���C�u@��T����� I like gentrification,
private schools, fine wines��
+�����
� and a spoonful of caviar
to help my medicine go down.���C�u��s��աρ But most importantly,
I'm looking forward to
spending more time with you.��
L�����
� Course you are.��,C�u@��� ���� Look, I don't want you
knocking around here��A������ feeling all unemployed
and lost with yourself.��������� Well, fuck me.��zC�u@��������� Most wives would beg
their other halves��������� to get out
of this game, but not you.��
����� That's because
I know you, darling.���C�u@���𠸡�� Look, you'll have to
do this elegantly, love.��b�ѡˁ� If word spreads
that you're getting out,
that could read as weakness.��
nC�u@���ߠ���� And if you smell smoke,
it's 'cause there's a fire,��y������ and that could
get expensive.��y�Ρȁ� So you're gonna have to
stamp that out
without any gentrification.��VC�u��������� But not you, love.��,�����W Don't you do anything messy.���C�u������� That's why you've
got people, remember?��ܠ���� b I fucking love you, babe.����� Course you do.��YC�u@�)����� Any chance?��n�����
� No, you can wait.���ġ��J I've got a red-hot Russki
with her finger on the trigger.���C�u��E������ Gotta deal with it.
I don't mind
the two of yous.��
L�����
� Go on, fuck off.���C�u@��^Š���� Fletcher...��������
L why are you
wasting our time?��d������ I know what happens
in my world
and what doesn't.�� �C�u@�{��ǡ�� What I fail to recognize
is why Michael
should be motivated�������� to write you
a check for 20 million.���C�u@������ I find you
very impatient, Raymond.
I am a storyteller.��W������ As they say in the film game,
I'm laying pipe.�� �C�u��������� Well, you'd better put
something through it soon.��+������ So what is that?
Is that a barbecue as well?�� bC�u��������� -Yes, it is, Fletcher.
-I love a barbie.��W������ That is a useful bit of plant,
then, isn't it?���C�u@���¡�� So that heats up your knees
and cooks at the same time?��
Ѡ����W You gotta show me
how to get one of them.��
�C�u���R����� Well, you can
take it with you
if you fuck off now.��������
� Ray.��C�u�������� Is there any chance
of a steak?��XC�u@�� �͡ǁ Yeah, all right.
Got a bit of Wagyu in
the freezer as it happens.����ޡ@ -I've never had Wagyu.
-Yeah, well, it'll be wasted
on you, but it's all I've got.��
�C�u��=c����� I'll get it, mate.
Oh, no, you're all right.�������� Just stay right there.
Oh.��nC�u��V������ Ow, fuck me!��������
K It's hot.��NC�u���5����� He's a sly fox,
that Fletcher.���C�u���ߠ���� Night-night, Aslan.�� ������ 32 LS engines?��*������ You got all these parts
on a 40-foot container?���C�u��������� Yeah.��頬���, How'd you get
your hands on that?�������� Ask no questions,
hear no lies.��6C�u���"����� Hence the price.�������� -So how much?
-Oh, no charge.��������K Okay, so what's the price?���C�u@����� A meeting with your husband.��������7 Oh, fuck off.��c����� That's not gonna happen.��Ӡ����) It's in his interest.��XC�u�� -�͡ǁ Tell you what, keep the parts.
Consider it
a gesture of goodwill.���C�u��9����� You know
how to get hold of me.��������
Well, I can't
promise anything.���C�u��N0�ȡ Dry Eye, he got
his little sit-down
with Michael, didn't he?�� ������� Bold move, that,
coming in heavy,��cC�u��g������ sanctioned or unsanctioned...��砳���� by the dragon head himself,
Lord George.���C�u���G����� Well, he's a naughty boy,
that George.��������
K But Dry Eye,
oh, he's next generation,��
�C�u����ʡā and them Chinamen,
they upgrade quicker
than i-fucking-Phones.��b������ Is he making moves?��C�u���T����� Is he breaking out on his own?��,������ Big man plans
behind Lord George's back?�� �C�u@���e�ۡՁ To be fair, it was very nicely
played with 100 grand's worth
of free car parts,��ܠաρa because everyone knows
that the way to a man's heart
is through his wife.��xC�u���%����� You'd make a lovely wife,
Raymond.��MC�u��.������ Thank you for taking the time
to see me, Michael.�� ������
Lord George sends his best.���C�u@��C����� I only took this meeting
because Ros asked me to.��
������ Make sure
to never approach her
like that again.���C�u��X5����� I meant no disrespect.��dC�u���ߠ���� How can I help?��M������ I understand
you're getting out.��Y������ Getting out.
Getting out of what?��
�C�u�������� Bed? My head?
The closet?��6�����
* Don't flirt
with me, Dry Eye.
I'm a busy man.��XC�u��������� I hear you're
getting out of the game.��Ƞ���� And I would like you
to consider an offer.���C�u@��ҙ����� Look, I'm gonna stop you
right there��ҠˡŁX so you don't waste any more
of your precious breath,
young man.��������� This is not a discussion
for the two of us.���C�u���F����� Unlike the salt and pepper,
it's not on the table.���C�u��Ҡ���� This is a big number.�� �C�u��e}����� Cash.��,�����c I am not for sale.��
�C�u@���)����� And even if I was,
you're several zeros short.��
��
� Now, you may be able to buy
your man's sausage for that,���C�u���ؠ���� but to me it just looks
rude at breakfast.�� �����k You're out of touch.��,C�u�����ɡÁ You're forgetting
the laws of the jungle,
looking down on me.���C�u���g�¡�� Now, when the silverback's
got more silver than back...�������� he best move on...���C�u@���ܠ���� before he gets moved on.��������
L It's not dignified.��������k It's beneath you, Michael.
Trying to do you a favor.���C�u��"8����� This is a big fucking number.���C�u��B������ And this?��������� This is a big fucking gun.���C�u��rŠ���� Eyes not so dry now, are they?��c�����l Hurts, does it?��nC�u@���}����� You looking for your balls
or a hole in the wall?�������� -Fuck!
-Where the fuck
do you think you're going?��
nC�u@�����ۡՁ Because you're not going out
the way you came in,
you deluded duck-eating cunt.��
�����
� -Talking to me
about the laws of the jungle.��
lC�u�������� What was it? Something
about being beneath me?��
������ Silver on back?���C�u���{����� There's only one rule
in this fucking jungle.�� ������6 When the lion's hungry,
he eats.���C�u@������ You're wrong, Fletcher.��,������ That's not how Michael works.��������� Yeah, I know. I know. I was
just having a bit of fun.���C�u@�������� Every movie needs
a bit of action, doesn't it?��M������ And it's not like Michael
doesn't have a reputation.��������� Had a reputation.���C�u�� Š���� He's been gentrified.���C�u��:������ ...big fucking number.��+�ԡ c I know how you lot
love fables, so let me
share a little fable with you.���C�u@��[J����� There once was
a young and foolish dragon�������� ! who came to ask
a wise and cunning lion��������a about acquiring
his territory.���C�u@��w0�ڡԁ Now, the lion, he wasn't
interested, so he told
the little dragon to fuck off.��w�š��4 But the dragon
couldn't understand
what "fuck off" meant,�� bC�u���K����� so he persisted
and continued
to ask the lion�������� about acquiring
his territory.��nC�u���ؠ���� So the lion took
the little dragon for a walk��
��x and put five bullets
in his little dragon head.��
�C�u�� ����� End of story.�������� Now, allegedly
there's a message in there.��
�C�u��ݢ�ơ�� I don't know what it is,
but you're a clever boy,
Dry Eye.��������
Maybe you can
explain it to me.���C�u���e����� I think your time's up,
chaps.��
������ Michael, you should recons--��yC�u�� 堞��� Just marinade on it.��������
l In the meantime, fuck off.��dC�u�� 9��ɡÁ Oh, I bet Mickey
was pleased he took
that meeting, wasn't he?��
�����
� Yes, it went very well.���C�u@�� P������ Yeah.
Do you want the top
or the bottom?���� � The bottom, please, darling.��b�����k Now, things started to unravel
after that meeting.��
MC�u�� nԠġ�� Didn't Mickey
get a rat infestation
at one of his farms?��WC�u�� ������� Come on.��������
+ Stealth, stealth.��,C�u�� ������� Go.��
������ Ballys down.��7C�u�� �U����� Let's move. Go, go, go, go.��������� Shit.���C�u�� �D����� Oh, my days.��
��
* Fucking hell.���C�u@�� ������� He said
there'd be a bit of puff.��7������ Yeah, they weren't joking.��������V Oi, fellas.
It's already packed.��
�C�u@��!����� Let's not mess about.��������6 Let's load it up, boys.�������
l Who the fuck are you lot?��8�����) Fuck. Cover up.��
C�u@��!/x����� Do you know
who owns this gaff?��X������ We don't give a fuck.�������
� I think you got off
on the wrong stop.���C�u��!GR����� Oi, Tezza!��7������ - What?
-Fancy a row?�� bC�u��!^Ƞ���� Who are these jokers?��Ҡ����X They want our gear.��X�����
L Marv!��MC�u��!tJ����� Who's this cunt?��M������ John!��p����� Oh, hello.
It's Dad's Army.��C�u��!������ Oi, Frank.��7�����
� What's this?
Teddy bears' picnic?��L������ Oi, Mo!�� C�u@��!������� Any more rabbits
in that warren?��L������ You lads fancy a warm-up?��������� Not for you Jelly Babies.�������� On three, lads.���C�u��!�ˠ���� Three.��������
� Hey!��W������ What? You wanna
call him back, Granddad?���C�u@��!�砏��� Fuck!��������� Boss, let me get
two burgers on the stove.��6������ Get that quick, understand?��+�����V And I want two chips as well.��
C�u��!�̠���� What is this smell
of wee in here?��������� Who the fuck
is this joke, man?��cC�u��"B����� Don't stand near me, son.��B����� c You got your mouthwash
muddled up with cat piss.��
C�u��"$������ Take two steps back
and wait your turn.��C�u@��"9������ You better fuck off, old man,
or I'll wet you.��ݠ���� c The only thing you can wet's
your underpants, son.��6������ Now, back two steps.��C�u@��"SѠ���� Trigger. That's you. Go on.��
n�����
� That's you. You're up, bruv.
Yeah?��c������ Do him. Fucking do him, lad.��cC�u@��"l������ - Stick it in him, bruv.��ݠ���� c Now, if you're gonna stab,
stab, Trigger.����� -Don't, you know, dance.��
�C�u@��"��š�� What are yous,
like a Four Tops tribute act
or something?��������
� The Foreskins. The Redskins.��Ǡ����� Whoa, whoa, whoa.
Here come the Indians.���C�u��"�S����� Bit of the old Northern Soul,
is it, boys?�� ������
+ Putting the gay
back in Marvin Gaye.�� �C�u@��"�ɠ֡Ё I'm on fire over here, lads.
Come on, I need some
back and forth. Come on.�� ��ȡ
+ What have you got for me?
Now, make it quick.
Make it funny.��
C�u��"����� Fuck you.��������
n Jeez, that's disappointing.
No, no, not that.��
C�u@��"�%����� Go again. Go again.��頮���n Now, make it sharp.
Cut me with it.��
+����� -Fucking do him, laddie.
-Come on.��AC�u��"�
����� Yeah. Yeah.��������
-Oh, shit!��X������ Come on then, you dickhead.���C�u��#������ - My eyes!�� A������ Yous are embarrassing
yourself here, lads.��
C�u@��#*|����� Kids stab, girls shoot,
boys punch.�� ƠΡȁ
L Grown-ups fight
with their heads. That's
where the real battle is.���C�u@��#@蠟��� Up here, in the gray.��A������ He sparked me out, bruv.��������
� Now, wake up, lads.
Life's quick, you're slow.��
C�u��#Yh����� Life's hard on a bone top.����š��
L Come on down the gym.
We'll see what
we can do with yous.�� �C�u��#u�� Hang on.
Are you the coach?��bC�u��#������� Coach, it's Ernie.��ݠš�� Shit. It's the fucking coach,
bro. It's the fucking coach.���C�u@��#������ Ernie, what is it?��B������ Ball's in the back of the net.����ܡցm We've rung the bell here
and we're gonna include you,
because you're our mentor.��aC�u@��#�j�աρ I don't know what
you're talking about, but I
don't like the sound of it.��
m�ɡÁ
� We've landed
a load of sticky bush.
Listen to me, now, Ernie.��wC�u��#�Z����� Walk away.�������� It's too late. We're at
the gym now unloading the van.����� You took my van?���C�u@��#�w����� Wait there.
I'll be back in ten minutes.���ɡÁ5 I'm sorry to intrude,
but I think you need
to see this, boss.��
�C�u��$E����� It's Eggs Benny,
'cause I never get cracked.��+C�u��$c������ They call me Ghost, 'cause
you never see me coming.���C�u��$���աρ My name's Ernie.
'Cause the left hand's fast
and the right hand's sturdy.���C�u��$������� Jim.���C�u��$ɝ����� Why are we watching
fight porn, Ray?�������W Because it's fight porn
at one of my farms.�� AC�u@��%
頩��� Coach.
Jim, put that shit out.��Ǡ����L I've only just--
Jim, into the office.��������a Benny, put down that box
of scorpions. Follow Jim.��6C�u��%&����� It weren't my idea, Coach.��ݠ���� Oh, shit.��y����� Mal, what the fuck
did you do
to your nose?��nC�u@��%@����� You have a fight
in a week, man.��7������ Looks a lot worse
than what it is.��Ҡ���� I'm a hundred percent.
Yeah?�� C�u��%Y����� Two thousand hits!��������� Oh, my days!��������� I look mad in this.
The lighting is banging.��C�u@��%������ Make sure you get
the upper cut in.
It looks gangsta.�� Ơ����5 Is that what I think it is?��ݠ����� Yeah,
but the best version of it.��
LC�u@��%Ё����� Tell me you didn't put
that fight porn online.��
������ It's white hot, Coach.
The hits.��ܠ����� It's gone
intergalactic.��WC�u��%�Q����� What was I thinking,��W������ leaving you kids alone
unsupervised?���C�u@��%� ����� Take it down. Now!��X������ I've gotta say,
I was impressed.��ޠ����@ The way they fought?
They're on point, guvnor.���C�u@��&̠���� Whoever trained them
knows what he's doing.�������� ! Thank you.
That's enough.�������� -Well, I'm just saying.
-Well, quit saying.���C�u��&2 ����� Okay, thank you.����¡��� No sooner do I
entertain Matthew's offer
to buy me out��yC�u��&Fڠ���� and reject Dry Eye's offer�������
� does one of my farms
get raided.��n������ First time ever.���C�u@��&]������ Doesn't feel like
a coincidence, does it?��������
It isn't.
There's fuckery afoot.�������� -How did they find it?
-I don't know.���C�u��&yѠ���� I'm making inquiries.�������� � What about Matthew?��d������ He's gonna need reassuring��6C�u@��&�<����� before he parts
with 400 big ones.��B������ So many questions
unanswered, Ray.��n�ǡ��� I mean, who'd be smart enough
to find one of Mickey's farms?���C�u��&�6����� Apart from me, of course.��,������ And who would be bold enough
to make such a move?��aC�u@��&Ŭ����� Especially to film it all
and then post it all online?��W�ġ��� Because that is really rubbing
your face in it, isn't it?��
�C�u@��&⛠���� I'm here to help, Michael.�������� I'm your friend, your ally,�� ������@ your Santa Claus
for all seasons,���C�u@��&��͡ǁ and I'd like you to know
my team of elves
can be very persuasive.��ܠ����l Persuasive? And why
would I need persuasive?��xC�u@��'Y����� Well, I hear you might have
had a little trouble.��
+������ Now, you helped me before
when my source ran dry,��C�u��'2������ so I'm just returning
the favor and reminding you�� ������
I have effectual friends.��!������ Elves?���C�u��'J\����� Elves?����y Yes. You said elves.
Did I?��
Ѡ����� Mm.��
C�u��'b6����� No trouble over here, Matthew.
No trouble at all.��
�C�u��'z������ So we brought you
a token.��Y������ You did?��������V And what might this be?��wC�u@��'��Сʁ It's a paperweight
to keep down all the paper
I'm about to give you.��
L�����
� -Well, it looks like a gun.
-And it's a paperweight.��xC�u@��'���Сʁ Seeing how in this country,
unlike in our homeland,
they're illegal.������U So is riding your bicycle
at night without lights.��
+C�u@��'���� Laws are there
as a guideline.��B������ In France, it's illegal
to call a pig Napoleon,��
L������ but just try and stop me.��XC�u��'�^����� I quite like it.
You're very kind.�������� Thank you.
Hands across the sea.�� �C�u@��(려��� Mickey calmed down the Jew����x and it seems the deal
is still going ahead.��B�ġ��� But bad timing,
jeopardizing deals,
shutting down farms.��
�C�u��(!�ԡ It could be an expensive
disaster if Mickey doesn't
get this cleaned up.��Š����w Should I be scared?���C�u��(?e�ǡ�� I don't think so,
but I like to err
on the side of caution.��
Ѡ����V What does that mean?���C�u��(T����� It means I'm going to
have to close shop,��M������ shut this farm down
and make it disappear.���C�u@��(i������ You might see
a couple of trucks around here��������B over the next few days,
but that's it.��Ƞ����
� Well, I'm not gonna pretend
that missing out��6C�u@��(�ϡɁ on a million pounds
commission a year isn't
going to hurt somewhat.��ݠ����b The pain is being shared.��B�����) Stolen product,
loss of earnings meantime,��
KC�u@��(��ˡŁ the cost of shutting down,
the expense of
setting up elsewhere.��������� It's funny, really, but
it couldn't be worse timing.��LC�u��(�Y����� How so?�������� I've...��Ҡ����� I've just learned we need
a whole new roof apparently.���C�u��(�ڠ���� As I say, I'm as upset
about this as you are.���C�u��(ᅠ���� Henry.
Mickey.���ʡā
� The toffs
look after Mickey. Now Mickey
looks after the toffs.���C�u��)(����� But there's a lot of toffs
to look after.��
�����
K Henry.
And when it rains...���C�u@��)!ʠ���� Let me take care of the roof.��z����� ...it fucking pours.����ҡ́� Now, there's only one thing
that needs more looking after
than a toff,���C�u��)>ܠ���� and that is
a toff's offspring.�� ������
* Which brings me neatly back
to Big Dave's story,���C�u@��)VR�š�� the very reason
I'm sitting here
sipping whiskey with you�� Ơ����
K in the first fucking place.��Ǡ����� This is how Big Dave
is gonna bring Mickey down,��
�C�u@��)v@�ơ�� by using and abusing
Lord Pressfield's
much-beloved child.��K�ޡ� Lord Pressfield's daughter,
the famous and talented Laura,
all self-hate and harm,���C�u��)�[�ġ�� has fallen for
this Power Noel's
smacked-out dark charm,��Ơ����
L and I want the lot of them,���C�u��)�b����� especially that
slimy little jam rag Pearson,��
��x in bed with a skint,
discredited toff,�� �C�u@�)�G�š�� and supplying gear to young
and reckless rock-star royals,��x������ royals unbridled
by distracted parents���C�u@��)ާ����� too busy skiing
on the Swiss Alps to notice�������� and too fucking stupid
to care.��Ƞ����� I like it.
You're good at this, boss.��
�C�u@��)������� Yeah, I know what I'm good at,
Hammy. Fuck off.��Ҡš��� Aristocratic, junkie, bulimic,
auto-tuned singing daughter���C�u@��*��ȡ shacked up with
some smacked-out,
once-upon-a-time pop star,�� 頲���
n and all looked after
by Mickey Pearson.��������x I like it.
You know, I like it a lot.���C�u��*7������ We wrapped her
in cotton wool.��������
But she was
our little Lor-la.��nC�u��*L#�̡Ɓ Charlie called her that
because she couldn't
say Laura at first.��6�����
� We miss her terribly, Mickey.���C�u@��*e����� I've failed as a parent.��B������ You mustn't keep
beating yourself up, dear.�������a Anne's right, Charles.
You mustn't blame yourselves.��6C�u@��*�$����� It sounds as though Laura
fell in with the wrong crowd��n������ at a time when she was
particularly vulnerable.�� ������� What more
could we do?��cC�u@��*�V����� It's happened
to so many of our friends.��������+ It's a curse.�������� -Do you mind
if I look into it?
-So you'll help us?�� �C�u��*������� Let me see what I can do.���C�u@��*��� You should get yourself
one of these, boss.��������6 Well, that's the plan.��d����� Everything all right?���C�u@��*�㠧��� You remember
their daughter?��6������ Yeah, Laura.
Nice girl. Good voice.����š��
� Teeny sort of
spunk-funk fuck pop.
Shame about the habit.��
�C�u��+
�͡ǁ She's gone missing.
They've asked us to
find her, bring her home.��Ǡ����� Mm-hmm.���C�u@��+������ Is that a problem?��ݠ����b Well, I had a feeling
you might ask me this, boss,��B�����
* so I did some due diligence.�� C�u@��+3\����� I know where she is
and I don't like it.��������+ -I'd rather
we didn't get involved.
-Why not?�������� She's on
a South London council estate.���C�u@��+MѠ���� - So?
-It's out of our jurisdiction.��ݠơ��
m There's too many moving parts,
parts that we can't control.�������� What if she doesn't
wanna come?
It's gonna get messy.��+C�u��+hg����� Well, that may be true,
but you're still doing it.��
������� I accept that.��6C�u@��+�Ƞ���� But can't you
send Frazier instead?��W������ No, I can't
send Frazier instead.��������
You're my best man.
I want you.��6C�u@��+������� It's just that
I don't like smackies.��A������ It's the filth and the grime
and the grub in the tub.����ȡ@ I'm not asking your OCD
to spend the weekend
with them, Ray.��WC�u��+͌����� Think of it
as philanthropy.��!������ Come on,
you're driving.��YC�u��+������ No good deed
goes unpunished.����ǡ��6 And this is
where you have your moment,
isn't it, Raymondo?���C�u��+������� This is where
you step on stage��������
and set the dominoes flying
every-fucking-where.�� C�u��,S����� Meaning what?��������y Meaning no good deed
goes unpunished.��
�C�u��,&O����� Knock, knock-knock,
knock, knock.��XC�u��,O����� Buenos dias.�������X Wrong door.��+�����
Ah, ah, ah.���C�u��,e������ My name is Raymond Smith.��
L�����5 Can I step inside
for a moment, please?���C�u��,������� How can I help you,
Officer?����š��
+ I'm not the police. No, I just
need a moment of your time.���C�u��,�*����� It's about Laura Pressfield.��Ҡ����
K I don't know anyone
of that name.���C�u��,���� It would be much easier
for all parties concerned�������� � if I could just step inside
for a moment.��WC�u��,�p����� No, fuck off.��Ҡ����W Jeez.��,������ That's a nice whip, bruv.���C�u@��,��� Killer motor. It's a shame
about them rims, though.�������� Yeah, lend us the keys.�������� Put some chrome twenty-twos
on that.��+C�u��-$�ġ�� Hey, my man's got the Dessies
and the bootcuts, you know.�� B����� � Deffo linking a jessie.���C�u��-QN����� What the fuck?��7C�u��-l����� What are you doing here?
Now, now, now.�� 蠫���� Get the fuck out.
Now, now, now.��
C�u��-������ As you was, boys and girls.��C�u��-ː����� Sit down.���C�u��-�𠔡�� Thank you.���C�u��-������ Shall we have
a little bit of fresh air?��6C�u@��.������ Who the fuck
are your mates, Brown?��W�Сʁ� No need to get excited,
young man. We will be gone
in a few moments.��xC�u��./g�ɡÁ No, no, no,
you'll be gone before then.
Get the fuck out now.��
C�u@��.EҠš�� I can be dangerous
if I want to be.
Get the fuck out now.����ǡ�� Sit down, Power,
before you get yourself
into more trouble.���C�u@��.^1�š�� How d'you know my name? How
the fuck does he know my name?�� c����� � I know all your names.��A������ Apart from
that little anomaly.���C�u��.� ����� I know where
you went to school.��������� I know who your parents are.���C�u��.���� And I know
you'll suck a cock
for a five-pound bag.���C�u��.������� Now sit.���C�u��.������� Just so we're clear,
I work for a man,��������V a powerful man.��cC�u@��.� ����� Michael Pearson.��Ƞ����M Ten points to you, Laura.�� �����
� Who's Michael Pearson?��7������ Friend of her father's.
Runs London's puff game.��bC�u@��/������ A big dick swinger.��7����� What is your name,
young man?��Y�����* -Aslan.
-And where are you
from, Aslan?���C�u��/-
����� You don't sound like
one of the natives.�������� � Disneyland.�������� Sounds about right.��!C�u@��/D_����� Well, you are correct.
He is a big dick swinger.��Ǡ����M But I wouldn't want him
to hear you say that.�� �֡Ё� It's best you forget
what he apparently does
for a living after we depart.���C�u��/g,����� Now, Laura, your father's
asked us to bring you home.��
*�����
� She's not going anywhere.��C�u��/������� Do you mind if I sit?����z Yes.���C�u��/�֠ɡÁ I don't build a joint
like the Americans
and the new school--��vC�u@��/� �Сʁ back-strapping,
jockstrapping, coke-wrapping,
and all that bollocks.��������� I like a good old-fashioned
50-50 mix, me.���C�u@��0E����� That's how we used to play.�������� If there's one thing
I will never understand,��
������ it's why you lot
get addicted to heroin.��7C�u@��0x�͡ǁ If there's one drug
you should not chase,
it is the dirty dragon.��������� Did you ever
give it a spin, Bunny?���C�u@��08����� No, not me, Ray.
I don't even puff anymore.���ʡā� Of course not.
Bunny likes the gym.
You can probably see that.���C�u��0Wb�ġ�� -What are you
benching these days?
-Three wheels a side.��y������ What about you, Brown?���C�u��0l��� What about me?
What could I lift?�������� You couldn't lift
a wheel of cheese, you cunt.��
�C�u��0������� Now...��Ӡ����A if you wanna be naughty,��nC�u@��0�2�ˡŁ what happened to
a little smoke and a poke
and a glass of wine,��ܠ����b some Barry White,
candles around the bath���C�u��0�ՠ���� and put your finger
in the missus?�������� Who's Barry White?��������4 Big black geezer.���C�u��0�*����� Sexy voice.��������y I'm-- I'm lost.��
�ġ��
Am I in the bath
with Barry White's finger
in my missus?��xC�u��0�:�͡ǁ Be quiet, Brown.
You were lost long before
Barry White walked in.��C�u��10������ If you lot are unhappy,��������6 you should share your thoughts
with your friends.�� �C�u��1EA����� Nice friends. Talk it out,
find a positive solution.��������� But, no,
all you lot choose squalor.���C�u��1g젰��� Drowning in
your liberal white guilt.�� 頦��� Sorry,
what am I guilty of?���C�u��1},����� Being a cunt, Brown.�������
K Being a cunt.���C�u@��1�2����� Anyway, I'm not your shrink.��Ҡơ��W I'm just trying to radiate
some positive vibes
man to man.�����v I mean, that's what this puff
game used to be all about.�� �C�u��1������ Anyway...��Y�����
� back to you, Laura,��Ҡ����) queen in this here
kingdom of shit.��bC�u��1������ A single rose
in a cauldron of thorns.��C�u��1�蠬��� Are you ready
to turn the corner?��b�����
K Open the curtains
and let the light in?��yC�u��2������ Do your mum and dad a favor
and try the impossible,��W�����
� make yourself happy.��+C�u��28������ All right.��
������ Fucking hell.
That was easy.���C�u@��2L͠���� All right, fantastic.��A������ Well, in that case, Bunny,��B�����
� will you help Laura
with her things, please?��XC�u��2c7����� Incoming.��Ǡ����M It's all right, Bunny.
I don't really have anything.��nC�u��2�;����� It's a shithole anyway.���C�u��2������ Don't go. Please, wait!��6������ Sit down!���C�u��2������ Touch me again,
I'll cut your fucking arm off.���C�u��2Խ����� It's all right, Bunny.
Keep going.��������
I just will not be
manhandled by a junkie cunt.��
)C�u��2������� Dave,
keep the kids in school
for one minute.���C�u��3"���� My man
probably wants to buy weed.��M������ -What, da Loud Pack, boss?
-Or the Purple Haze then.���C�u@��36������ My man just pulled out
a donkey choker, bruv.��Ҡ����X Keep your puff.��������� Buy yourself a sticky book
and a packet of sweets.���C�u��3V�� All-in!��M����� b Now, now, now.���C�u��3m��� You cunt.��������x Fuck you!�� ����� Hey, that is
a naughty kettle, bruv.��
�C�u��3������� Hey, what's the time,
Mr. Wolf?��������z It's time for you
to fuck off, lads.���C�u��3�w����� -Fucking hit him, Brown!�� �C�u@��3�F����� Ah. He's bought you a gun.�� ������
* That's a nice little gift.����� Five years in prison
all in one little box.���C�u@��3�L����� Oh, but that's not a gun,
dear. That's a paperweight.��5�¡��� Course it is,
along with a family
of six baby bullets.��)C�u@��3�ᠯ��� Guess we'll have to
get rid of that.�������� � -Hello, Ray.
-Rosalind.��������J Sorry for the interruption.��C�u��4 Ơ���� What do you need, Ray?��ޠ����c Laura Pressfield
has been returned home safely.�� �C�u��44C����� Good.��o�����W What else?��nC�u��4K����� One of her associates
had an accident.����
L Shit.
He fell out of
a window, boss.�� �C�u��4b������ What's the time, Mr. Wolf?��6������ It's time for you
to fuck off, lads.��
�C�u@��4~L����� Oh, shit.��Ҡ����X Sounds like
quite an extreme accident.��A����� Yeah, it was more like
a death, really.���C�u@��4�h����� Oh, shit.
Selfie, bruv!����y So you killed someone?��n�����@ No. It was the gravity
that killed him.��C�u@��4�Ǡ���� -Who was he?
-Aslan.��������� Some Russian kid
with tracks on his arms.��ܠ����� Russian kid?
That doesn't sound good.��
C�u@��4�=����� Anyone see you?��
������ Little selfie? Selfie, bruv?��������� Shit.��������� Nothing was recorded.
We left it clean.���C�u��4�Ԡ���� The body?
I've dealt with that.�� A����� This is not ideal.
It is not.�� �C�u��5_����� You can't be fooled
by how those junkies dress.�� 蠻���b They went to schools,
expensive schools.
Aslan.��AC�u��5������ Their parents
have money, lots of money.�� ������ And money can be a problem.���C�u@��58J����� Shit.��ݠ����c I bet you told Mickey nothing
about what happened.��
������) You're fishing, Fletcher,
because you've got no idea.���C�u��5X|����� You're right, I am fishing.��5������ Look at this. I'm fishing
in my little baggie.���C�u��5x(����� And what have I found?�������� Oh.��+������ Thank you.
Or should I say...���C�u��5�Z����� spasibo?�������y What's that young man
doing?��������� Is he looking for
something on the floor?��*C�u��5������ Frazier.��y������ Lads, we're gonna
need those phones.�� �C�u@��5�h����� Hey, run. Move, bruv. Move.��頱���n Bunny, get him.
Fucking clean that up.��ݠ����@ - Come on then,
catch me, dickhead.
-Little cunt.�� �C�u��69������ Wanker!��C�u��6S������ What you saying now, fam? Huh?
Now I've got backup.��
Ѡ����w You couldn't back up
a phone, you cunt.��6C�u@��6n������ Bruv, this guy's trying
to take my phone.�������� - Fucking do him.
-Back the fuck up!�� ������ How you gonna talk your way
out of this one, mate?���C�u��6������� Easy, lads.��������
� I'm sure you're all
roadmen, gangsters,��C�u��6������� proper naughty boys
and all that bollocks.��Ơ����� But I come in peace.���C�u��6������� I'm not trying to steal it.
I'm trying to buy it.��ܠ���� For good money.
Honest money.��C�u��6�S����� Yeah? What, this phone?��Ǡ����� -How much?
-A full bag.��
�C�u��7 6����� Then I'll be gone,
like the darkness at dawn.��������� How about you give us that bag
and be gone anyway?���C�u��79����� Stop fucking around, cunt.��L������ Give me the phone
and take the money.��@C�u��7[������ Drop the fucking money
and run, boy.��yC�u��7������� Right.�������� - Fuck!
-Move, move, move!��WC�u��7�:����� Now...��M����� � put the phone on the ground.���C�u��7����� -Ta, ta, ta, ta, ta, ta.�� !C�u@��8����� Fucking prick.
What are you doing, Dave?��
L�Ρȁ� - It's on him somewhere.
-I'm trying.
Just give me a second. Fuck.��aC�u��8-K����� Ray?�������� Can I use your toilet?
Just a pee-pee?���C�u��8J~����� Fletcher, shoes off inside.�������� � Leave them by the door.��n�����w Yes, Mommy.���C�u��8i������ Come on, bruv.
Where's your pace, brother?�������� � You can do better than that.��!�����K Wanker.���C�u��8������ Come on, Bunny,
stop fucking about.��W�����
� Look at you sweat, bruv.�� �C�u��8�Y����� Nearly there.
Nearly there. Nearly there.��y������ Lift those legs up.
Come on, bro.��
*C�u@��8������ You should have brought
your running shoes today, bro.��
������ Trying out for the Olympics,
are we?��Ҡ����
� It's fucking Usain Bolt.
Come on, Usain.�� bC�u��8�H����� Phone.��
C�u��9l����� Sorry about that.��8�����@ Can I go home now?��zC�u��90������ Course you can, darling.
Course you can.��
�C�u��9�W����� Is there a problem here, Ray?�������� I don't know.�������� Is there a problem here,
Fletcher?��BC�u��9������� I see no problem at all.�� �����V I forgot to wash my hands.���C�u��9������� Next time call first.��������A Sorry, guv.��z������ And you haven't
heard a whisper?��,C�u@��9��ġ�� How can so much bush
go missing
and nobody know nothing?��M������ Ah, I've heard nothing,
Coach, honestly.�� B������ Nothing on the street.
But you know what?��+C�u@��9�.����� There is this geezer
called Mickey Pearson.��L������ Who the fuck
is Mickey Pearson?
Ah, you know him.�������l He runs the bush game.
He's a horrible cunt.��nC�u@��:������ You don't wanna
step on his toes.���ȡy But there's no way
your lads jimmied their way
into his car,��6�����4 so I wouldn't concern yourself
with that.��cC�u@��:$������ All right, you know
where to find me, Chasa.��������
Keep your ear to the ground.��Ҡ����a Primetime, in you get.��BC�u��:>����� Ernie.�������� @ Did you get
that Chinese fella's name?��������� Phuc.
What?��MC�u@��:Rj����� Phuc, like "fuck" with a "Ph."��b������ Don't get street
with me, Ernie.
Where does he live?�� ������ Posh part of Croydon.
Drop the rope.��WC�u��:kԠ���� There is no posh part
of Croydon.��c�ġ�� -It's comparative, innit?
-Oi, Ernie, what are you doing?���C�u��:�(����� Why aren't you training,
you black cunt?��ޠ����� I'm on my own here.���C�u@��:������� Did he just call me
a black cunt?��������M Yes, he did.
He can't do that.
That's racist.�� ƠΡȁ� But, you are black
and you are a cunt, Ernie.
Those are the facts.��
�C�u@��:������� I don't think Primetime cares
what race you run in.��M�ϡɁ � The fact that I'm black
has nothing to do
with the fact I'm a cunt.�� �C�u@��:Ɋ����� He didn't say black people
were cunts, Ernie.����ϡɁ ! He was being specific to you.
One has nothing to do
with the other.��Ҡ����x And I'd go a step further,
if I'm not mistaken,���C�u@��:ᆠ���� and say it was a term
of familiar affection.���¡��y Primetime's a Gypsy.
I wouldn't call him
a pikey cunt.��
m�����k Why not? He might be
very understanding.���C�u@��:�J����� Only if it comes from
a place of love, of course.�������� Now, back to
the issue at hand.��d�����
I need that Chinese
geezer's address, okay?��6C�u@��;
����� You'll have it
by the morning, Coach.��!������ Good lad.
And, Coach...��,�����W What?
I've got some good news.�� C�u��;( ����� -What?
-I found out
whose weed we took.�� �����m And now
you fucking tell me!���C�u��;C͠���� Did I say stop?��y�����V Ernie, this is not
the fucking time��
nC�u��;Z����� to keep your cards
close to your chest.��6�����b Just tell me his name
isn't Mickey Pearson.��7C�u@��;o4����� Blimey, Coach,
are you a Gypsy too?��6������ You been reading tea leaves,
got a crystal ball?��d������ That is not good news,
Ernie.��WC�u��;���ءҁ Mickey Pearson is
terrible news in the face of
a violent and expensive debt.��
�C�u��;������� I'm here
to see your boss.���C�u@��;�W����� Feel free to talk.�������� I gather
you're the consigliere
of the outfit��������K that my boys
were stupid enough
to fuck around with.��
mC�u��;��ʡā On that note,
I'd like to extend
my apologies on their behalf.��5�����5 My boys, they're naive,��AC�u@��<��ʡā they've had hard lives
and they're just starting
to come good,��������y but they're my lads,
my responsibility,��WC�u@��<(Πá�� so it's me that should be
accountable for their actions.��x�ϡɁ
� Now, I can return your goods,
but I can't
return the inconvenience,��VC�u��