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- ♪ La, la ♪
♪ la, la ♪
♪ la, la ♪
♪ la, la ♪
♪ la, la ♪
♪ la, la ♪
♪ la, la ♪
♪ la, la ♪
♪ my eyes are closed ♪
♪ I wait for sleep ♪
♪ your eyes so dark
are all I see ♪
♪ bleed into me eternally ♪
♪ never let me drift away ♪
- Jesus Christ. Another one?
Hey, it's okay. It's okay.
Hey, I'm here.
I'm here. Open your eyes.
Open your eyes.
What was it about?
- I don't want -- I don't want
to talk about it.
- Okay.
- It hasn't been this bad since
I was little.
- It'll get better.
It always does.
- I could feel it.
It -- it hurt.
- Nothing's gonna hurt you, not
while I'm here.
I-I swear I won't let it.
- What if you can't stop it?
- Bad dreams?
They don't stand a chance
against these guns.
- I love it when you smile.
Feeling better?
Good.
Today's the day.
- I know.
- Aren't you excited?
- Mm-hmm.
- Then what's wrong?
- Nothing.
I-I just don't feel very good.
- Well, there's only one cure
for that.
- Hmm?
- Banana pancakes.
- Come on. I'll make you some.
- No. I'm not hungry.
- But I am.
And if I don't have breakfast,
then I'm just gonna have to eat
you!
I want the pancakes!
- If you want to enrich your
education about cinema, come on
down to cinema books.
- Do that thing!
Do that, do that thing!
- You all know.
- You're listening to the daily
drive duo, caine and renegade.
- Any minute now.
- Welcome back, kiddies.
It's 9:00 in the A.M., and you
know what that means.
It's time to announce the
winner of our haunted theater
contest!
And we have partnered with the
historic Everett theater and
Mr. Gideon black, who has just
donated an enormous amount of
money to help save the place
and to offer one brave soul
$50,000 to spend one night
alone in the theater.
And not just any night, but on
the 80th anniversary of the
death of its former owner, his
wife, and her lover.
The place has reportedly been
haunted ever since the violent
deaths of the three in the
theater in 1932.
Mr. Black has agreed to give
$50,000 to the winner of the
contest -- if, that is, they
are still upright in the
morning.
Ooh!
- We asked you to write in to
tell us why you need the money
and why we should choose you as
the winner of the contest.
The entries were all judged by
Mr. Black himself, and he has
chosen a winner.
And I have their name right
here.
Drumroll, if you please.
And the winner is...
Andrew Stephens!
- Holy shit.
- Congratulations, Andrew.
- I won! I won, Mira!
I won!
$50,000.
We don't have to worry anymore.
Oh, come on. Don't give me this.
Everything's gonna be different
now.
- Not everything.
- No.
No. Hey.
Not everything.
Things will be better.
I promise.
Can I get a smile out of you,
please?
Look at me. I love you.
I'd do anything for you.
Anything.
- Oh, oh, just -- just hold me,
okay?
Don't let go.
- Well, here goes nothing.
Let's get out and take a look,
shall we?
- I'll be right back, Emma.
- Okay.
- She's a beaut, ain't she?
Let's see how the inside
measures up.
You're coming, right?
Hold down the fort, captain.
You must be Andrew.
- You must be Mr. Black.
Guilty as
charged.
- It's a pleasure to meet you,
sir.
- The pleasure's all mine,
Andrew.
Bob, the caretaker.
- Uh, nice to meet you, Bob.
- Likewise.
- Uh, so I just have to ask --
I'm not the butt of some
elaborate joke, am I?
- No jokes, my boy.
This is all very real.
More real than you can imagine.
- I was hoping you'd say that.
- Don't worry, Andrew.
I'm a man of my word.
You'll get your check -- if, of
course, you make it through the
night.
- Why wouldn't I?
- You're about to find out.
Shall we begin?
- Might as well.
- Come along, Andrew.
Your history lesson begins now.
Welcome to your quarters for the
evening.
- I think it'll be big enough.
I should
certainly hope so.
- I've lived here my entire
life.
I've never been inside this
place.
I always wondered what it was
like.
- And is it everything you
always thought it would be?
- Yeah, you could say that.
- It's the oldest operating
theater in the state, you know.
And still the most beautiful.
Almost as beautiful as the first
day it opened.
- I'm sure it is.
- It ain't.
- Is it always this cold?
- We don't turn the heat on
unless there's a show going on.
Too damn expensive.
- You'll want to wear plenty of
layers to stay warm.
- I'm sure I can handle that.
- So much to see and so little
time to see it in.
I think the best place to start
would be up there.
Come.
- You're the boss.
- Ain't my boss.
- Some of the greatest
entertainers of the vaudeville
era have graced this stage --
from the great Alexander to
lon chaney.
Can't you just feel the history
under your feet?
- Yeah, definitely.
- Yeah, guess who's got to
clean it up.
- Isn't it magnificent?
- It's nicer than any stage
I've ever been on.
- You're a performer?
- Uh, no.
I mean, I took a few years of
drama in high school, but mainly
Shakespeare and stuff.
- Splendid!
Then you should feel right at
home here.
- Uh, yeah.
Why is it so dark?
- Well, the house lights ain't
working.
Same goes for half the lights in
this theater.
- The renovation crew is
working to fix that, but i'm
told it's still going to take
some time.
- So, that's the only light I
have?
- The ghost light?
Yes. Here on the stage, anyway.
- Ghost light?
- Yes. That's what it's called.
One is always kept lit on the
stage when the rest of the house
is dark.
Most theaters do the same,
mainly for safety, though some
for more superstitious reasons.
To give the ghosts a light to
perform by and all that.
Nonsense, of course.
- Of course.
- Here, it's so you can see
where you're going.
Most of the lights in the rest
of the theater do work, though
some have been known to fail
without warning.
- Well, I mean, this looks
reliable.
- Bring a flashlight.
- Good idea.
- Right here is where they
found them.
- The...bodies?
- Two of them, anyway.
The third was found in a
dressing room downstairs.
But we'll cross that bridge when
we come to it.
Here is where they found
Reginald and Madeline Crawford.
Reginald owned the theater from
1920 to 1932.
Madeline was his wife.
She was quite a famous singer in
those days.
Reginald bought the theater
mainly as a showcase for her
talents.
He even tried to get her into
pictures.
He made a screen test for her
that we found tucked away in the
projection booth.
We had a DVD made and held a
screening.
She was quite...Bewitching.
- And he killed her, didn't he?
- Indeed, he did.
She wasn't exactly the most
faithful of wives.
Come, let me show you the
dressing rooms.
Down here is where he caught
them.
- Them?
- Madeline and the theater
organist, Eddie.
- What were they doing?
- Reginald had been working
late that night, tending to the
books, when he heard some
strange noises coming from the
dressing rooms down here.
Thinking he was alone in the
theater, he grabbed his knife
and came down to investigate.
That's when he found them in
here...madeline's dressing room.
Madeline and Eddie had been
carrying on an affair
unbeknownst to Reginald.
In fact, she was pregnant with
Eddie's child when she died.
They had thought they were alone
in the theater that night when
Reginald walked in on them
making love.
In a fit of rage, he cut
Madeline's throat and stabbed
Eddie to death, leaving his body
there.
But Madeline's -- Madeline's, he
dragged out.
He dragged her up those stairs,
through the backstage area,
leaving a long trail of blood
behind.
He dragged her all the way out
to the stage -- the stage where
she had spent so many nights
singing for those crowds...
For him.
He laid down beside her, took
her body in his arms, and
plunged his knife right into his
own heart.
The janitor found their bodies
the next morning.
And ever since, this door has
been none too fond of staying
shut.
- I just oiled that thing.
- Well, what's with the roses?
- Madeline always kept red
roses on her dressing table.
We keep them there for her.
- It's a tradition.
It's been going on since before
my time.
- They're dead. Change them.
After all that, the theater was
closed for a time, then
re-opened as a movie house in
the mid-'30s.
Since then, it's changed hands
and been host to all sorts of
things.
I first fell in love with the
place when I came to see movies
here as a child, but things
were never quite the same after
that night.
- How so?
- There was a series of...
Accidents in the following
years, even a few deaths.
- Deaths? Really?
- Mostly performers, people
working in the theater.
It's quite tragic, really.
- Uh, how did they die?
- It seems some of them
simply...snapped, always killing
a happy couple and then
themselves, as if history were
somehow repeating itself.
There were nine more deaths in
all.
I never heard about any of this.
- I'm not surprised.
The last incident was 20 years
ago, so nobody still talks about
it, especially not the theater.
One famous crime is enough.
Any more and ticket sales may go
down.
- Or up.
- Well, what do you think
caused them to snap?
- Who knows? Madness maybe.
Maybe ghosts.
It all depends on what you
believe in.
- I don't believe in ghosts.
- Well then, you have nothing
to worry about, do you?
- No, I don't.
- Let's get out of this musty
old place, shall we?
- Now, that's the best idea I
heard all day.
- What's in there?
- Oh, that's the boiler room.
You don't want to go in there.
Besides, it's locked.
- Gotcha.
- Do you want to go take a
walk?
- Is daddy still in there?
- Mm-hmm.
- When's he coming out?
- Soon.
- I don't like it here.
- I don't either.
- Why did we come here?
- Because daddy's going to win
a whole bunch of money so that
we can buy you a whole bunch of
new toys.
- I like my toys, especially
fuzzy wuzzy.
I love him.
- Aww. And he loves you.
And you know what else?
I love you, too.
And don't you forget it.
- This is the original organ
from the '20s, the one Eddie
played.
They used it during silent
movies.
- Does it still work?
Whoa.
I'll take that as a "yes."
- Isn't it wonderful?
- That's incredible.
- Would you care to try it?
No.
I can barely even play
"chopsticks."
- We all have our strengths and
our weaknesses.
I'm not much of an actor, and
you're not much of an organist.
- I'm not much of an actor,
either.
- We should show him the
balcony.
- Ah, yes, the balcony.
Of course.
Come along, Andrew.
This is the upper lobby.
- Nice.
- The restroom is there, if you
need it.
- Good to know.
- And the bar area -- back
there.
- Anything good back there?
- Not anymore.
- Oh.
- Just some old bottles of
wine.
- Oh, nice.
- I don't drink wine.
- What do you drink?
Who's this guy?
- Just one of the mannequins
from down in the basement.
There's a bunch of them down
there.
- The clothes he's wearing
belonged to Reginald Crawford.
He left behind an entire
wardrobe downstairs, along with
some...other belongings.
- Sharp dresser.
Very
Jack the ripper.
- Mr. Crawford was a man out of
his own time -- from another
era.
Another world.
- It's kind of creepy.
- It's just plastic.
- Plastic can be creepy.
- Come along, Andrew.
You'll want to be extremely
careful up here, as it's quite
steep, and there's a rather...
Long drop to the bottom.
In fact, one of the carpenters
working on the railing fell to
his death in the '40s.
- That's comforting.
- I hear footsteps up here all
the time -- people walking
around, talking, sitting in
chairs.
But only when I'm alone.
Sometimes, I even hear a woman
singing.
- Really?
- I don't joke.
- I can see that.
- That's all very common here,
Andrew, but then, old buildings
like this do tend to make all
sorts of strange noises, don't
they?
- I guess so.
- I should also remind you that
all the doors will be locked
from the outside while you're
here, so you won't be able to
get out, and no one else will be
able to get in...Except for this
one.
This will be the only door
you'll be able to open, as it
can't be locked from the
outside.
It's the door to the fire
escape.
But I don't recommend using it.
The escape isn't very sturdy,
and if you step out onto it, the
doors will close and lock behind
you.
You won't be able to get back
into the theater, and, of
course, you'll forfeit your
prize.
- Don't worry.
That ain't gonna happen.
- Splendid.
- Let's stop here for a second.
- You shouldn't do that.
- I know.
- Then why don't you stop?
- Because it's not that easy.
- Daddy doesn't smoke.
- That's why we're not gonna
tell him.
- He wants you to stop.
- I know.
But this is just gonna be our
little secret right now, okay?
- Okay.
Pretty!
Look, mommy.
I found you a present.
Aww! Thank you!
- Now you're a famous singer.
I am?
- Mm-hmm.
♪ La, la ♪
♪ la, la ♪
♪ la, la ♪
♪ la, la ♪
♪ la, la ♪
♪ la, la ♪
♪ la, la ♪
- Let's go.
- Well, I think that's all you
need to see for now.
I think it's better if we let
you discover some things on your
own.
After all, I don't want to spoil
all your fun.
- Thanks.
Um, Mr. Black, if you don't mind
me asking, why are you doing all
this?
- Because I love this theater
more than anything, and i'm
hoping all this promotion will
help bring people back into it
again.
Theaters need audiences, don't
you agree?
- Absolutely.
- Any final questions?
- You seriously think this
place is haunted?
- It doesn't matter what I
think.
Some things simply are, whether
we want them to be or not.
- Is that a "yes"?
- That's a "yes" with a capital
"y."
- Then why do you stay here if
you think it's haunted?
- Where else am I gonna go?
- Wasn't it your
Mr. Shakespeare who wrote,
"there are more things in heaven
and earth than are dreamt of in
your philosophy"?
You need to keep more of an open
mind, my boy.
- Oh, no. I have an open mind,
just not when it comes to
ghosts.
- You might be singing a
different tune after a night in
this place.
- We'll see.
- Yes, we will.
- ♪ La, la ♪
♪ la, la ♪
♪ la, la ♪
- Where did you hear that song?
- I heard the pretty lady
singing it.
- What pretty lady?
- In the window.
Didn't you see her?
- Yes, I did.
- I like her voice.
- Come on. Let's go get daddy.
- Thank you both so much for
showing me around.
- Certainly. Are you sure
you're ready for this?
- Yeah. I know I'm sure.
As soon as I get that check, i'm
going straight to the hospital
to pay that bill.
- Yes. I was quite touched by
your story.
That's why I chose you.
Such an accident must have
been...devastating.
- Yeah, it was.
- I can't imagine the pain of
losing your only child.
Is that your wife?
- Yeah, Mira.
Hey, honey.
Come say hi to Mr. Black.
Sorry. Uh, she's not really into
all this right now.
- No worries.
I'm sure we'll meet some other
time.
- She's not much of a people
person.
Ever since we lost Emma, i'm
really the only one she talks
to.
- Death is very mysterious,
Andrew.
It affects us all differently.
- Yeah, I guess so.
- I'm only surprised that you
can remain so unaffected by its
mysteries.
- Well, there's no mystery.
When you come as close to
something like that as I have,
you see it for what it really
is -- nothing.
- What makes you so sure?
- I got in a car accident that
stopped my heart, and all I saw
was nothing -- no bright light,
no choir of angels. Nothing.
- Perhaps you're right.
And perhaps not.
- Doesn't matter.
All that matters is that
50 thou.
An honest man. I like that.
It's a rare thing these days.
I'm glad I chose you, Andrew.
- Well, thank you so much, sir.
- It's my pleasure.
Now, we'll see you here tomorrow
night at 8:00.
- Yes.
- Excellent. We'll meet at the
stage door in the side alley, as
all this will be locked up.
- Sounds like a plan.
- Get some rest, Andrew.
You're going to need it.
Thank you, sir.
Thank you, Bob.
- Flashlight?
- No, thank you. I have one.
Thank you, guys.
You okay?
- Mm-hmm.
- Where'd you go?
- Um, I went for a walk.
- I wish you would've talked to
Mr. Black.
He's helping us out.
He's giving us a lot of money.
- I'm sorry.
- Hey. Don't be sorry.
Don't ever be sorry. Okay?
- Okay.
- Seat belts.
- Do you really think he's
gonna give you the money?
- I know he will.
$50,000 is nothing to this guy.
And he's honest.
He's strange, but he's honest.
- I don't trust him.
- You don't even know him.
- There's something...
There's just something so wrong
about him.
- Look, you can't go around
being suspicious of people,
okay?
You got to give them the benefit
of the doubt sometimes.
- Sometimes.
- How you feeling?
- I'm tired.
- You want to sit?
It's our bench.
Remember when I proposed to you
out here?
How could I forget?
You blindfolded me.
- And I tied you up.
That was, uh...
- Scary.
- It was -- it was my first
time!
- You're lucky I didn't bring
duct tape.
- You're lucky I said "yes."
- I love it out here.
- So did she.
- Yeah.
She loved playing in the trees.
- Look, mommy.
And the birds.
- What? What is it?
- Nothing. Let's go.
- Hey.
Hey.
- I don't want you to go.
- I have to.
- I know it's a lot of money.
- It's not just a lot of money.
It's more money than we've ever
seen in our lives.
It's enough to get us out of
debt permanently.
- I know.
- It's just an old building.
There's nothing to be afraid of.
- Nothing that you can see.
- And what does that mean?
- You wouldn't understand.
- Then help me understand,
Mira.
- I've seen them.
- Who?
- The people that died there.
- Stop. Just stop.
- You want to understand?
Then you have to listen to me,
please, just this once.
- Fine. I'm listening.
- Ever since we went to that
theater, ever since you entered
that contest, I've been seeing
things.
I've seen them...
Watching us...
Following us.
I don't know what they want, but
I know that something bad's
gonna happen if you go there.
- Nothing bad is gonna happen.
- It's already started.
- Look, I get that you have
nightmares.
I understand that.
But you can't let them rule your
life.
They're just dreams.
- No, they're not.
They're not.
I have them every time something
bad's gonna happen -- before my
mom died, before the accident,
before Emma.
- Nothing bad is going to
happen.
I promise you.
- You can't promise, 'cause you
don't know.
- And neither do you.
Neither one of us know, so let's
just quit wasting our time
talking about it.
- I know how you feel.
But I'm asking you just this
once to please believe me.
- It's just one night.
And then we'll never have to
spend another night apart again.
- Good evening, Andrew.
- Good evening.
Mr. Black, this is my wife,
Mira.
- It's a pleasure, Mira.
So nice to finally meet you.
- And that's Bob.
- How are you feeling, Andrew?
- I'm great.
I'm ready to do this.
- You think so?
- I know so.
- Wonderful.
Now, we'll be back at 8:00 A.M.
Sharp, exactly...12 hours from
now.
We'll meet you here at this
door, and I'll bring my
checkbook.
- And I'll be here.
- Wonderful.
Anything else before you go in?
- I don't think so.
I have my flashlight and plenty
of layers.
- All right then. It's time.
- Hey.
Don't worry. It's gonna be okay.
I love you.
- I love you.
- I'll call you, okay?
- Okay.
And I'll be here at 8:00 to
pick you up.
- Okay.
Let's do this.
- Be careful, Andrew.
It's a very old place and full
of shadows.
You never know what might be
hiding in them.
- That's why I have this.
Goodnight, Andrew.
I'll see you in the morning.
- Yes, you will.
- May I walk you to your car?
This neighborhood is no place
for a lady alone after dark.
Don't worry, my darling.
He'll be fine. Come along now.
- Whoa!
Awesome.
Jesus!
You scared me.
I thought I was the only one in
here.
Hello?
Hello?
Fuck!
"Reginald Crawford police
evidence."
Jesus Christ! Jesus!
- Yes.
That's it, darling. That's it.
You look beautiful.
- Yes. All right.
All right, are you ready?
All right. Let us begin.
Quiet, please. Camera.
And...action.
- I never thought it would be
this way, Charles.
I never dreamed in all my life.
But now that we've found each
other, it seems so right, so
perfect.
It's as if I've been waiting all
my life for you.
I was just the sad little girl
singing in this nightclub for
all those years, and then one
day, you came in, and everything
changes.
And now, we are to be married,
and I'll never have to sing in
this place again.
I'll only sing for you.
Only for you, my love.
- And cut.
Darling, that was wonderful, but
lets try something different.
I want you to speak the words as
if you were speaking them to
someone you truly love, someone
who loves you more than anything
in the world, someone who would
die for you.
You know who that is, don't you?
Good. Now, let's try it again.
This time, say the words like
you mean them, okay?
Another take.
Maddie.
- Come on.
Hey, sweetheart.
- Hey. How's are you doing?
- Fine. Everything's fine.
- Really?
- Really.
- How do you feel?
- Great. A little cold, but,
other than that, no complaints.
Just some weird noises.
- Noises?
- Yeah, just the, uh...
The uh, noises that old
buildings make.
- That's it?
- That's it.
I don't know what you're
expecting, but it's been pretty
dull so far.
- Well, I'm glad you're okay.
- I am.
How are you?
- I'm tired.
I've been painting.
- How's that coming?
- I don't know yet.
- Maybe you should get some
sleep.
- It feels weird sleeping
without you.
- I know.
Just get some rest, and when you
wake up in the morning, we'll be
together again.
- It can't come fast enough.
- It's only a few hours away.
- I wish you were here with me
now.
- I am with you.
I'm always with you.
- I'm with you, too.
- Now promise me you'll get
some sleep.
- I will.
- Promise?
- I promise.
- Good.
Have sweet dreams and call me if
you need to.
I'll see you in the morning.
- Okay.
- I love you.
- I love you, too.
- Bye.
- Bye.
- Goodnight, mommy.
Goodnight, sweetheart.
- All right, who's up there?
Bob?
Mr. Black?
I hear you up there.
Was that you downstairs?
'Cause it's gonna take a lot
more than pushing a gurney to
scare me.
Oh, come on.
I heard you walking up there.
Just speak up.
All right, you want a show?
How about some Shakespeare?
"Hence comes it that your
kindred shuns your house, as
beaten hence by your strange
lunacy.
O noble lord, bethink thee of
thy birth and call home thy
ancient thoughts from banishment
and banish hence these abject,
lowly dreams.
Look how thy servants do attend
on thee, each in thy office
ready at thy Beck.
Wilt thou have music?
Hark! Apollo plays!
No?
Okay.
You've been a great audience.
Whoo!
Who the hell is up there?
Fine.
I'll come talk to you myself.
I'm not in the mood for games!
Just come on out.
I can't sleep.
I can't sleep.
I can't sleep.
I can't sleep.
I can't sleep.
I can't sleep.
Okay.
Ugh!
Come on.
That's great.
- Take me.
- ♪ Somewhere ♪
♪ we...♪
♪ ...again ♪
♪ I can't...
♪ ...a love so real ♪
♪ that's hidden in my heart ♪
♪ though fate has taken you
away ♪
♪ One thing...♪
♪ ...impart ♪
♪ someday ♪
♪ somewhere ♪
♪ we'll meet again ♪
♪ just say you'll spare
your love till then ♪
♪ the moon ♪
♪ the sun ♪
♪ the stars in the...♪
♪ They seem to all wonder why
I am so lonely ♪
♪ someday ♪
♪ somewhere ♪
♪ there will come a time ♪
♪ where...
♪ ...you are mine ♪
♪ mountains...
♪ ...divide us ♪
♪ but then ♪
♪ someday ♪
♪ we'll meet again ♪
Hey!
Aah!
Fuck you!
- ♪ Someday ♪
♪ somewhere ♪
♪ we'll meet again ♪
- When will we be free?
- Soon.
All three of us.
- ♪ That's hidden in my heart ♪
- We'll fly away?
- Yes.
- My raven.
- My dove.
Take me.
- ♪ Someday ♪
♪ somewhere ♪
♪ we'll meet again ♪
♪ just say you'll spare
your love till then ♪
♪ the moon ♪
♪ the sun ♪
♪ the stars in the sky ♪
♪ they seem to all wonder why
I am so lonely ♪
- Aah!
- ♪ Someday ♪
♪ somewhere ♪
- Filth.
- ♪ Rivers ♪
♪ divide us ♪
♪ but then ♪
♪ someday ♪
♪ we'll meet again ♪
♪ The moon ♪
♪ the sun ♪
♪ the stars in the sky ♪
♪ they seem to all wonder why
I am so lonely ♪
- You'll always be mine,
darling.
Always.
- Oh, please.
- Hey, you've reached Andrew.
Please leave a message.
- We need to get daddy.
Is daddy gonna be all right?
- Yes, honey, he will, and then
we'll all be together soon.
- I miss him.
He never talks to me anymore.
- Oh, honey.
Daddy's just so confused.
He can't see very clearly right
now.
But he loves you so much.
He's just really scared.
- Mommy, are you scared?
- Yes, I am.
- Don't be scared.
Fuzzy wuzzy will protect you.
Thank you, honey.
- Can I sit up front, too?
- No.
It isn't safe for you up front.
- Why?
- Don't you remember what
happened the last time that you
sat up front?
- No.
- You and me and daddy were
driving during a snowstorm.
- I like the snow.
- Oh, I know you do, honey.
That's why I let you sit in the
front -- so that you could watch
all of the snowflakes.
But dad hit a patch of ice and
lost control of the car, and we
crashed.
You don't remember that?
- No.
- Daddy...got hurt really bad
and he didn't wake up for a long
time.
And you got hurt too, only you
didn't wake up.
And I laid with you on the side
of the road and I called your
name, and you didn't wake up.
- Don't be sad, mommy.
I'm awake now.
- I'm awake, too.
- I can't sleep.
- What?
No.
No!
Emma!
What'd you do to me?
What'd you do to me?!
No more games.
- No. No.
- Daddy?
- Emma?
- Daddy.
- What are you doing here,
honey?
- The pretty lady brought me
here.
She said she wants to be my new
mommy.
She says I'll have a new daddy,
too.
- A new daddy?
- Mm-hmm. But I don't like him.
I want you to be my daddy.
I miss you.
- I miss you too, honey.
- Do you still love me?
- Oh, yes, I do.
- You never talk to me anymore.
Only mommy does.
I thought you forgot about me.
- I-I didn't forget about you,
honey.
I just...
I just couldn't see you.
- It's okay.
You can see me now.
Yes, I can.
- Will you stay with me?
Forever?
- Yes, forever.
I'm so sorry.
I'm so sorry.
What'd you do to Emma?
- She's ours now.
And so are you.
Aah!
Emma?
- Daddy, don't leave me.
- Emma!
- Daddy!
- Emma!
- I was just the sad little
girl singing in this nightclub
for all those years, and then
one day, you came in.
Suddenly, everything changes.
And now, we are to be married.
And I'll never have to sing in
this place again.
I'll only sing for you.
Only for you, my love.
- Cut!
What the hell was that, maddie?
- I'm not in the mood for this,
Reginald.
I'm not an actress.
I am a singer.
Can we please just skip to the
song?
- Fine. That's fine.
Eddie, if you would, please play
the song for Madeline.
- ♪ La, la ♪
♪ la, la ♪
- Andrew!
- ♪ La, la ♪
♪ la, la ♪
♪ la, la ♪
♪ la, la ♪
♪ la, la ♪
♪ my eyes are closed ♪
♪ I wait for sleep ♪
♪ your eyes so dark are all
I see ♪
♪ bleed into me eternally ♪
♪ never let me drift away ♪
♪ la, la ♪
♪ la, la ♪
♪ la, la ♪
♪ la, la ♪
♪ I can't sleep tonight
without you ♪
♪ I can't dream tonight
without you ♪
- Stop.
Eddie, stop playing the song.
Those are not the words,
Madeline.
- They are now.
- Listen to me.
I have spent a lot of money on
this, and you're not going to
ruin it.
Sing the goddamn words
correctly.
- I've changed the words.
- You have no right to change
the words, Madeline!
- I will do as I please, I will
sing as I please, and there is
nothing you can do to change
that.
Do you hear me? Nothing!
- Stop it!
- Or what?
- Or I will stop you.
- Both of you, stop it!
- Madeline, Madeline.
- Don't touch me!
It's over. I'm done.
- You heard what the lady said.
It's over. Shut the camera off.
Shut the camera off.
- Turn it off!
- My raven.
- My dove.
- Filth.
You'll always be mine, darling.
Always.
- Andrew?
Mira? Mr. Black?
Oh, god.
- I'm sorry.
- Don't be sorry.
- Let's go.
- Will we ever be free?
- Someday. We'll find them.
- ♪ La, la ♪
♪ la, la ♪
♪ la, la ♪
♪ la, la ♪
- ♪ la, la ♪
♪ la, la ♪
♪ la, la ♪
♪ la, la ♪
♪ I can't sleep tonight
without you ♪
♪ I can't dream tonight
without you ♪
- ♪ please let me
rest in peace ♪
- ♪ please let me
rest in peace ♪
♪ Let me rest in
eternal peace ♪
- ♪ I can't sleep tonight
without you ♪
- ♪ I can't dream tonight
without you ♪
♪ I can't sleep tonight
without you ♪
♪ la, la ♪
♪ la, la ♪
♪ la, la ♪
♪ la, la ♪
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