Original subtitles

(dramatic music)

(light music)

(dramatic music)

- [Martin] One day I woke up,

or at least I thought I did.

The world didn't feel familiar anymore.

The sounds were wrong.

The air felt foreign.

It was like I had landed on another planet.

Another dimension.

Nothing connected.

Not my past,

not what I'd been taught,

not the life I thought I understood.

It was as if everything before that moment had been erased

and only the present still existed.

I told myself it was a sign,

a clean slate,

a chance to erase my mistakes and believe in the future

that finally felt possible.

For a moment, it felt like anything could happen.

Then I woke up.

(dramatic music)

(speaker whispering)

(intense music)

(speaker whispering) (ominous music)

(speaker whispering) (dramatic music)

(light music)

(upbeat music) (birds chirping)

- Your counting again.

- It's coffee.

It likes boundaries.

- Your eyebrows are doing algebra.

- I had a dream that my data tried standup.

It bombed.

My graphs were heckling.

- I dreamt that the toaster was a therapist

and kept asking me, "Do you feel done?"

When I was a little girl,

I used to sing to the clock

because I thought that if I matched the ticking,

time would stop and compliment me.

It didn't.

Rude, but I learned that the good part

is not in the ticking.

It's in the tiny silences in between.

That's home base.

When you start to panic, think of that first.

'Cause panic doesn't like being ignored.

- Panic leaves a Yelp review?

- Mm, one-star, staff unhelpful.

- Add that to the model.

- Oh!

Thank you. (Martin laughs)

- Tick, tick, tick, tick. - [Speaker] Double fisting it.

Tick, tick, tick, tick, tick, tick, tick, tick.

(upbeat music)

- I know, I know.

I hear the part where you sigh before you talk.

It's your brand.

Look, we're not closing, we're paying.

If the city collapses,

well, I'll record that too.

Hey!

If you change tempo, warn me.

The neighbors forgive at 8:00.

(lively percussive music)

(cowbell clanging)

(Martin stoming)

- Ugh!

You know, I can't do this, Martin.

You know, I can't pay my mortgage.

I can't do it!

I've had it.

I'm not feeling it, man.

- You were this close.

Not there yet.

Some improvement.

- Look, Martin, I used to be the top studio musician in L.A.

And this sucks.

I'm not feeling it.

I don't really like the song, man.

I don't like the song.

I just need a break, you know?

I can't pay my fricking rent.

I got my girlfriend here.

I haven't taken her out to dinner in months.

- Okay, look, if you're gonna try to bail on me,

you're not gonna take her out to dinner for years.

Just stick with me.

All of you need to just trust me.

I know we're onto something.

We're onto something big.

We're onto something good.

(pensive music)

See, I used to think that people would hand me a badge

and a cardigan that I didn't deserve.

Instead, I'd get like some bell,

like a bell that says, "Be soft and silent."

But, no.

No.

Not in this situation.

We're in a loud business here.

Very, very loud.

Very, very rhythmatic.

You need to just keep up.

That's all.

Okay?

So, I mean,

there's always this woman that is humming

the end of a movie.

And, I don't know.

(upbeat percussive music)

Keep up, come on!

Let's go. (upbeat music)

(intense music)

- Because it's written!

It's written as it is and as it sustains itself.

It's only through the inner ingestion of glucose

that we can sustain.

(speaker speaking in foreign language)

(upbeat music)

(singing in foreign language)

(upbeat music)

(upbeat music continues)

(speaking foreign language)

- I don't know this woman.

I don't know her plan, man.

All I know is she's got cash.

She's got money.

I don't know what the hell else is going on with her,

but she offered me money, man.

Other than that, I have no idea what she wants.

- I know you got information.

I know you got information. (sticks clacking)

- I don't have the information.

The information I know is this.

She'll give us money.

You're beating up the wrong tree, dude.

I have no idea- - Music studio make money.

- She's up there in the- - And the bees.

- Right.

- She's in that studio.

We have to get to the studio.

I don't know what we're doing.

(stick clacking)

No information.

Do you have the chips or not?

You got the chips, we make money.

No chips, no cash.

You're not making any sense.

You come up with those chips and we'll go do it.

- [Nino] I know you have the information.

- No information.

I don't have anything.

I don't know anything.

It's on those chips.

- No! - What's wrong with you?

He needs to back off!

- [Nino] You have to tell me.

- I don't have any information.

Do you understand?

There's no information.

You guys have the chips.

I don't have the chips.

- Doo, doo, doo, doo, doo. - Money, chips.

No. - How long

can you hold your breath for?

Going to a desert.

- Holding my breath ain't gonna help you guys.

You kill me, no money.

- Going to the desert. - No information.

- Going to the desert.

Take him away to the desert.

- But, but, but, but, but- - Go!

(dramatic music)

(upbeat music)

(percussive drum music)

- Listen to this. - God.

- Quiet, quiet! - Walk!

- Listen to this.

Listen to that melody. (light music)

Listen to it.

- Yeah.

(upbeat music)

♪ I've been dreaming ♪ (upbeat music)

♪ On the edge of all the world ♪ (upbeat music)

- [Speaker] This is amazing.

(upbeat music) ♪ In your memory ♪

(upbeat music)

- Hey! - Ah!

(fist smacking)

(upbeat music continues)

- No worries, sir.

I put a GPS tracking on him.

(upbeat music) (indistinct lyrics)

(somber music)

(phone ringing)

- Hello? - I am angry.

The 200 grand you owe.

I have no choice, Kathleen.

I'm sending a messenger over to you now.

May you rest in peace, my dear.

(somber music)

(dramatic music)

- All right.

I've got this.

(dramatic music)

(cowbell dinging)

(dramatic music)

(Martin sighing) (dramatic music)

(cowbell dinging)

(dramatic music)

- Tomorrow, a podcast on kombucha.

Three mics, four people who hate agreeably.

It'll pay for the electric, but not the sigh.

- We record anyway.

Two mics, three takes.

Pretend confidence is a free plugin.

(body collapsing)

- Oh, no!

Oh, no, no, no, no.

No!

Martin!

Martin, what do we do?

- Kathleen, Kathleen, you're okay.

Kathleen, eyes on me!

Eyes on me.

- I'm, I'm, I'm, I'm, I'm fine.

I'm fine.

I, I, I think, I don't know.

And you?

Are you okay? - I'm okay, Kathleen.

I'm okay.

I'm all right.

I mean, if he's a cop-

- I mean, should we?

Maybe we should call?

What should we do? - I don't know.

He could be a cop,

and we say our story before we arrive.

If he's not, then we don't know whose last chapter this is.

Floor first.

- Floor?

- My mother swept the glass first before she cried

when the window broke.

I thought it was outta order for bravery, but it wasn't.

We make our place, then we decide who we are.

- Okay.

Well, what should we?

- Let's clean this up.

- [Kathleen] Okay.

- Let's get him outta here. - Let me get some,

I need to find a broom or something.

(intense music)

(radio chattering)

- Red Vines.

Perfect architecture.

Raisinets.

Emotional punctuation.

Statistics or illusion.

Force is truth,

but glucose, glucose gives us everything that we want.

Glucose has full power.

I want a rhythm that they can digest.

I want a city

to redeem it from what it is and what it can do.

That's what I want.

I will fulfill this fully through glucose.

The world of glucose. (intense music)

(Kathleen groaning)

- [Kathleen] God, he's heavy.

- Oh, he's not moving fast.

- He's not moving, that's the problem.

(Kathleen groaning)

- We gotta hurry before the others get back.

- I'm trying.

(intense music)

- Come on, you can do better than that.

(opera music) I'm working the situation.

You get that?

(caller mumbling)

The general is in your pocket.

(caller mumbling)

What is he doing?

Just eating candy?

(caller mumbling)

Just eating candy.

What is he doing?

(caller mumbling)

He doesn't know nothing.

He's in the book.

(caller mumbling)

Now!

(caller mumbling)

You hear me?

Now!

(opera music) (singing in foreign language)

(ominous growling)

(opera music) (singing in foreign language)

(radio chattering)

- Ever since I was a child, a child, a child,

child, child, child, child,

child, child, little, little, I dreamed!

- Yeah. - I dreamed of what it was

and what it could be.

They want it like this.

They don't want it like this.

They want it like this. - Yes, yes, yes, yes.

- They wanna be given it. - Yes, yes, yes, yes.

- Or they will take it. - Yes, yes, yes, yes.

- Profile beneath profile. - Yes, yes, yes, yes, yes.

- They will take. - Yes, yes, yes, yes.

- Glucose. - Yes, yes, yes,

yes, yes, yes.

(speaker speaking in foreign language)

(opera music) (singing in foreign language)

Yes, yes, yes, yes, yes, yes.

Yes, yes, yes, yes, yes.

(opera music)

(general screams)

- [Speaker] The general will be taking the 0700 hours

out of Los Angeles on route to Cupertino.

- [Speaker 2] That's an odd location.

That's going to be a wild goose chase.

I hope you have backup.

The infamous ones will be following you.

Be careful.

(suspenseful music)

- [Announcer] Train 24 to Kansas City

will be boarding in 20 minutes.

Please get your luggage with you.

(intense music)

- [Agent] MacGruder is 45 degrees to the left.

Multiplex 5, "Kingdom of the Spiders."

Don't lose sight of him.

- [Speaker] Who let the sky be clear tomorrow,

just like it is today.

Down in peaceful where the valley.

May it never fade away.

(intense music)

(footsteps thumping)

(suspenseful music)

- We'll figure that out after coffee.

(staff faintly speaking)

(dramatic music)

(dramatic music continues)

(intense music)

- Here we go.

I got the real one.

I got the fake one.

I know which is which, but they don't know.

- He said the fourth.

But if you wrote the fifth and he said the fourth.

- Haitians, the sweetness, dry too long.

The raisin is dust. (bell dinging)

- You reading poetry now?

- Mm, candy wrappers.

Wisdom is migrating, packaging, packaging.

(train rumbling)

- [Assistant] If he boards early, we lose the portal.

- If he boards early, it means that he trusts us.

And that's a safety measure.

- That's not the song.

- It will be when the lawyers get here.

(train rumbling)

(intense music)

- I told you.

We slow.

- You ever keep count the ones that got away?

- Only until I see them again.

Everything runs in circles.

(dramatic music)

(intense music)

- - [Announcer] Good morning and welcome aboard.

This is the Northbound Train 14

with Northbound Star Lake service.

(dramatic music)

- Really?

Why?

- If I told you the truth about time,

she'd be dead before coffee.

- She?

- The trouble with you

is knowing the courier of the story.

- The courier is the punctuation,

can't have an end without it.

(train rumbling)

- So, that's the version you wanted.

- Version as in not the only one?

- Version as in it'll be satisfied

to the man who knows candy metaphors.

(dramatic music)

- Thank you. (dramatic music)

(upbeat music)

- What's happening here? (upbeat music)

- Travel is the only way to control time.

We are from Mississippi.

Little town.

You wouldn't know it.

- Try me.

- Big water, friendly diner, best pie.

What was the name? - Darlis.

It's a on the river to the left.

- Does the river run right before or after it goes left?

- We took the best scenic route.

- We're professors, anxiety studies.

We're on our way to a conference to teach everyone

how to fear responsibly.

- You know, we always say we're going

to order the salad,

but then we order the burger.

It's our marriage in a sentence.

- You look nervous, professor.

- I count derailments, helps me relax.

- I like you.

You're both so moderate.

(light music)

(intense music)

- They're lying and they're good at it.

- They're professionals.

- Why is it I always feel like I'm

the most unqualified person in the world for my own day?

- Because you audition for a normal day

and lost to an action movie.

Because you know the difference

between scary and dangerous, but you got both.

Because you're smart enough to be scared,

but stubborn to stop.

I can protect you from everything but my optimism.

- Promise.

A probability.

- Sometimes they're the same.

(train rumbling)

(horn blaring)

(light music)

- We should have asked more questions.

- Questions breed questions, schedules breed obedience.

- Exactly.

- If I'm honest, I'd rather be

in my studio arguing with a compressor.

- Compressors never lie until you ask nicely.

- I ex always used to say

that my studio was like a kid that never grew up.

It did.

Jokes on him.

I learned a language.

Every bad day it gives me these little gifts, you know,

like the take I wasn't supposed to get.

Or the singer who finally stops trying

to be brave and just sings.

And it's so crazy, I can't really explain this to anyone

because it makes me sound like I'm romantic

about cords and wires.

That that room is my family.

People come in here completely broken,

and they leave, they leave full enough to break again.

I'm the glue.

I hold the glue.

That's who I am.

(dramatic music)

(upbeat music)

♪ I'm falling apart ♪

♪ For falling in love ♪

♪ 'Cause I can do anything ♪

♪ Inside and out ♪

♪ As you slip from my hand ♪

♪ You're letting me go ♪

♪ But I'm falling too far ♪

♪ I want you to know ♪

- Hey, hey, hey.

♪ It's you that I was searching for ♪

♪ Never be the same ♪

♪ I didn't mean to let you down ♪

♪ I was just afraid ♪

♪ I am I'm still in love with you ♪

♪ I can't erase you ♪

♪ Never replace you ♪

♪ It's true ♪

♪ I I'm so in love with you ♪

♪ I can't even say ♪

♪ Chasing my days to be with you ♪

♪ Ooh ♪

(upbeat music)

♪ Ah ♪

♪ I'm still in love with you ♪

♪ I'm running in circles ♪

♪ Chasing my tail ♪

♪ Since the day I lost you ♪

♪ Woo ♪

♪ Ooh ♪

♪ Ooh ♪

♪ Ah ♪

♪ Since I met you ♪

♪ Ooh ♪

♪ Ooh ♪

- You ever wonder if this train runs in circles?

- Every train does.

They just change the scenery.

- You think they're still watching?

- Always watching.

That's for free.

Understanding costs extra.

- If we make it out of this, I'm going to buy

a lot more microphones.

People are always telling me

that they're gonna rent some studio time

as soon as their lives calm down.

But guess what?

Lives never calm down.

- That's job security.

- I wanted a kid once.

Once.

Then a divorce lawyer told me,

"Divide everything by two and walk away."

I kept the studio instead.

I'm glad I did.

It's got sounds.

It's got things I can trip over, but I never do.

- When I was small, I would count things

to make sure the world was safe.

What I learned is that when you count

that means things are moving.

Pretending is half the job, the other half is timing.

(light music)

- Fifth stop.

(speaker speaking foreign language)

(upbeat music)

- [Radio] Shots fired. (siren wailing)

(upbeat music)

(radio chattering) (upbeat music)

- [Caller] Something's going to happen.

Make no mistakes.

It's all in place.

Down in peaceful Verde Valley.

Who knows what tomorrow may bring.

(intense music)

- [Agent] Alpha team, this is beta team,

first floor is clear.

(victim yelling)

Alpha team is here.

- [Radio] 10-4, Beta team, wait for backup.

- [Agent] Backup requested.

There seems to full unit on basement floor.

- [Radio] Beta team, this is Delta team,

backup in on the here, situation is 10-24.

(Laura screaming) Waiting for your signal.

(upbeat music)

(intense music)

(fighters grunting) (intense music)

- You said quiet.

This is not quiet.

- Well, he's down.

He's not dead, I think.

On the next stop, we're leaving.

- Leaving for where?

- Anywhere that's not moving.

(intense music)

(fighter panting) (ominous music)

- You sure we can just walk off?

- People leave trains every day, we'll be two of them.

You ever notice that the sound

of a train changes right before a stop?

Almost as if the wheels are relieved.

- Hm, let's hope that's contagious.

- Yeah.

(upbeat music)

(dramatic music)

(speakers speaking foreign language)

- Oh, I told you to breathe slowly.

- You ever keep count of the ones that got away?

- Only until I see them again.

- What is this? (ominous music)

Is that all about it?

That's all what you get?

- Sir.

Sir, listen, we tried our best.

- What is the right thing, Disney landing?

It's al what you get?

It's like a little kids, you know, choo choo choo choo.

Choo choo boo goo?

Say it!

- Choo choo boo goo.

- What about you miss lady?

I want result.

And what is the result?

And what is the business of this dream you sold me to?

Choo choo choo?

This is not in fashion week.

Why are you just standing there?

A mannequin have much better life than you do.

- I only speak when necessary.

- Oh, (chuckling).

You talk.

You talk.

Are you just a little birdie?

Tweet, tweet, tweet, tweet, tweet.

- The general has problems.

He's nuts.

He's not thinking rationally.

We did our best. - I want more best!

Or we can do about this?

What we can do?

Do we have messes?

- Sir, we have the ammunition and artillery necessary.

If there's something more important,

we have automated tracking.

- How so?

- We hijack the center lot.

We get the AR chips.

- [Radio] Three alpha 237, I copy you're checking in.

You have no messages.

Have a good night.

- [Speaker] Six, five, four, three, two, one.

(radio chattering)

- Do not fail me.

No more fail!

- Yes sir. - Yes sir.

Yes sir. - Yes sir!

- Louder.

- [Both] Yes sir!

- Yes sir!

- Louder! - Yes sir!

(light music)

- I used to feel silence with music.

Now I measure it in clean exits.

It's exhausting pretending to be scared

of something outside when you're scared of something inside.

- Maybe we'll get service faster.

(both laughing)

We'll find a way to be boring again.

- Promise?

Probability.

- It's still 50/50, but better odds the lab ever gave me.

(light music)

(phone dialing)

- [Caller] Martin, my dear, we have

your little birdie, Laura,

find Johnny Mongolian.

It's where you might find a spare and a strike.

Don't forget the fish and chips.

Beep beep. (intense music)

(intense music continues)

(oriental music)

(intense music)

(upbeat music) (intercom chattering)

(upbeat music)

(intense music)

(intense music continues)

(intense music continues)

(speaker speaking foreign language)

- [Speaker] I do not understand.

I do not understand.

I do not understand.

I do not understand.

I do not understand.

I do not understand.

I do not understand.

I do not understand.

I do not understand.

(speaker speaking foreign language)

(intense music)

(voices whispering) (intense music)

(radio chattering) (intense music)

- I know. - Sir, can you hear me?

(radio chatter)

Go now!

Go now!

Now!

- Welcome. - The summit's about to begin.

34 must integrate with 68.

Currently 21 in this case.

The mean difference shall be three.

We cap it off at L.

(speaker speaking foreign language)

(intense music)

(people struggling)

(fist smacking)

- Game over.

(wondrous music)

(light music)

(dramatic music)

- Look, look, look.

(dramatic music)

(people laughing)

(dramatic music)

(film clicking)

(dramatic music)

(dramatic music continues)

(intense music)

(light music)

- What you want?

- I want what I came for.

It's not money.

It's not time.

It's only my girlfriend that I want.

- You can have this then.

- What's this?

- This is for the back scratch

and head

and many more.

(both yelling) (intense music)

(intense music continues)

I have something better.

- Oh yeah?

It better be the last reel.

- I have this.

I have this.

- Where'd that come from?

Where'd that come from?

- [Nino] Better.

Better.

- [Martin] Does that thing work on CR20323 batteries?

- [Nino] A1320C.

- What's that?

- [Nino] It's better than CRT100.

- [Martin] There's only so much of the circle you can go to.

You can't escape this circle.

(intense music)

(glass smashing)

(Martin exhaling)

- You don't understand.

This is war.

This war that has sugar to it.

- You are a fool.

You know nothing about the war.

I eat your horse.

I eat your hammer.

Now go there and do something.

- You tell me and you tell me this,

what do you know about the world?

Now you go and you kick some butt.

Go!

- Did they hurt you?

- No, but I sung myself, sang to myself with bad acoustic.

Maybe it's menopause.

- But you're only 29.

- It can hit early.

- It can?

- Especially I'm fighting this kind of situation.

- Look at my face.

Look, I'm gonna go one, two, three.

We're gonna pretend I'm untying it, okay?

- Okay. - One, two, three!

Moving magic.

Let's go.

Only 10 more fights.

(dramatic music)

♪ This is music for the soul ♪

♪ Get on your knees. ♪

♪ Came from the jungle up in the tree ♪

♪ I got a future ♪

♪ It's up in the sea ♪

♪ One wrong move ♪

♪ I'm gonna let out the doctor ♪

♪ Check out the crease ♪

♪ Go like a big foot step on the beat ♪

♪ We step out the crease ♪

♪ When the whole place you gotta get out ♪

(upbeat music)

(singing in foreign language)

(upbeat music)

♪ Walk away, ♪

♪ Putting myself on display ♪

♪ One two three a day ♪

♪ I'm on my way ♪

♪ On my way ♪

♪ On my tiptoes ♪

♪ Watching my diamond after the glow ♪

♪ I make him take me home ♪

♪ I'm on my ♪

♪ I don't need your money ♪

♪ You can pay me in despair ♪

♪ Next time you agree ♪

♪ Just to follow his suggest ♪

♪ I need a honey pays ♪

♪ Nothing more nothing less ♪

♪ In the house is the way ♪

♪ 'Cause I'm next I'm a threat ♪

(upbeat music)

(intense music)

(intense music continues)

(Martin yelling)

(intense music)

(glass shattering) (intense music)

(Martin grunting) (intense music)

- Next time, take the elevator.

(intense music)

I thought I saw the circle already.

- What do you mean?

- You know, the cigarette burn?

(reel clicking)

- He's talking Chinese answers.

- What do they mean?

- [Speaker] A hundred, thousand, million, billion.

(intense music)

- [Speaker 2] Player one.

(electronic beeping)

(video game beeping)

- How's that for Jamaica? (intense music)

- I don't want to come back.

(video game beeping) (intense music)

(video game beeping) (intense music)

- Do you like that?

(both grunting)

- I ate my meat.

(both grunting) (video game beeping)

- Here's the fist one.

- I don't quite know how to tell you.

(both grunting)

Trying to kiss me.

It was the fastest rocks idiot.

- You idiot! (video game beeping)

(both grunting) - It's twilight zone!

(both grunting) (video game beeping)

(upbeat music)

(Martin yelling)

(video game beeping) (Martin yelling)

(video game beeping)

(upbeat music) (Martin grunting)

No midnight show tonight.

And besides, the club membership doesn't work.

Card declined. - Game over.

Game over.

Game over.

Game over.

(dramatic music)

- I was expecting you.

You see this place?

It's all mine.

The general mean nothing to me.

He's playing colorfuls.

I play in cuneiform.

Do you know what does that mean?

It's mean there is music that is evil.

That is evil-minded.

Are you evil minded?

Are you someone who pulled the string

or are you with me?

Love is continue in stream and never end.

Do you believe, Martin?

It's a love is continuous stream.

(person yelling)

- I do believe love is one stream.

(person laughing) (intense music)

- Five, four, three- - Don't put the tickets

in your mouth. - One.

(fists punching)

- [Speaker] Minus 10, nine, eight, seven,

six, five, four, (fists punching)

- Three. - Minus 10.

Nine, eight, seven, six,

five, four, three. (foot smacking)

Two, one, blast off. - Lets ring on!

The mission.

(intense music)

(radio chatter) (intense music)

(Martin grunting) - Knowledge is ready.

Knowledge is ready.

Knowledge is ready.

(intense music) (fireworks squealing)

- This is what you can do.

I eat for breakfast.

- That's what real changes are for,

in case you don't like the middle.

- I got face in the bathroom.

I have a glass of wine now.

I can't go to the ladies' bathroom.

(voices yelling) Are we done?

(intense music) (electronic beeping)

- [Speaker] Game over.

- Morning matinee just started.

- Game over. - It's showtime.

(upbeat music)

- All the way to the back.

(upbeat music)

This is everybody?

No more anything.

Who are these people?

Huh?

(upbeat music)

Let's go, I'm hungry.

Let's go eat.

All you now. (upbeat music)

Let's go see a movie.

I love Douglas's Church.

If I miss the movie at Douglas' Church, I'll kill you all.

You understand me?

Greedy is the word.

You understand?

Alright, you guys, come on.

Let's go!

All of you, let's go!

(upbeat music)

- I was looking for you guys on the other set.

(upbeat music)

- Everything's okay.

Hey, everything's under control.

I can tell from the cigarette burn, I know you cheated.

Is it because I know why?

Because it's two burn.

- Well, you had on perforation on the tickets.

So, let's go eat some fried chicken yang.

- "Take Care of Your Scarf, Tatiana."

(both laughing)

- It's new.

- It's a new time.

- A new life. - A new life.

- [Speaker] We like the new ticketing system for movies.

- The new ticketing system.

- It's all AI now. - It's all AI now.

- You're excited. - I'm excited.

- I'm excited too.

- [Speaker] "Take Care of Your Scarf, Tatiana,"

It's a 1994 movie directed by Aki Kaurismaki.

- "Take Care of Your Scarf, Tatiana."

- Tatiana?

I'm Frida.

Same nationality.

Bye, bye, bye, bye, bye, bye.

(dramatic music)

- Test one, two.

Test one, two,.

- [Martin] Here we go, get ready.

Get ready. - Let's do it.

Let's do it.

Oh, wow, wow.

So cool. - I'm so proud of you.

- Yeah, yeah. - You did it.

- You didn't wanna know.

You didn't want to miss the ending.

Self defense, it's official.

The story, unofficially, nice reel.

- Do you play? - Yeah.

(both laughing)

Nice stuff.

You should keep it.

- We plan to. - Good.

(light music)

(dramatic music)

(light music)

- [Interviewer] And that was three beats from the end.

Recorded live, no plugins, no polish,

just tape and nerve.

We've got Martin and Kathleen in the studio.

Folks, people are calling this The Sound of Breathing Again.

What's the secret?

- We didn't fix what was broken.

We used it.

- [Interviewer] That's rare honesty.

Most people fear noise.

- Noise is half the song.

The other half is showing up.

- [Interviewer] So what's next?

A tour, a sequel?

- Maybe a nap, and then a sequel.

- Yeah. - Guess that's the cue.

Thanks for stopping by.

Thank you for reminding us

that analog hearts still play on a digital plan.

- Thank you and thanks to all the fans.

Peace out.

(light music) - Thank you.

(light music)

- We can keep watching trains, you know?

Feels different hearing it out there,

like the song's walking all by itself.

- That's what grownup kids do.

- I filed the last report this morning.

Officially, everything else closed.

- That legal

- It's poetic.

Poetic is good enough.

- You ever going back to numbers?

- Only if they start dancing,

- [Frida] hey already do.

You just needed better speakers.

- Three beats still works.

- Don't change the tempo.

The world's finally caught up.

- To noise, to rhythm, to the people

with no time, but everything else.

- [All] Cheers.

- To Music. - Cheers.

- To music. - Music.

(light music)

- Hello, hello, hello?

Anyone home? (intense music)

Call time's supposed to be 9:00.

Hello, hello, hello?

(intense music)

What's with this?

I got 10 seconds.

You hear that?

I got 10 seconds.

10 seconds!

(upbeat music)

(singing in foreign language) (upbeat music)

(upbeat music continues)

(singing in foreign language) (upbeat music)

(upbeat music continues)

(singing in foreign language) (upbeat music)

(singing in foreign language) (upbeat music)

(singing in foreign language) (upbeat music)

(light music)