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Hello everyone. Welcome to another
episode of Good Hang. H what an a lovely
guest we have today. Olivia Coleman, an
incredible actress, just a dear, tender,
beautiful person. And um we are going to
talk about a lot of great things today.
We're going to talk about
whether or not it's important to fight
in relationships. We're going to talk
about playing the queen. Uh we are going
to talk about her new movie, The Roses,
and all the hilarious people that she
got to be in it with. We're talking
about so many good things today. Um but
we always want to uh start these
episodes by bringing in someone who
knows our guest, who helps us uh ease
into our guest, who gives us a question
to ask our guest. And we got a big star
today. We have an actor who was in
Doctor Strange. He was Sherlock. He is
in the roses. He is also famously in a
Kian Peele sketch where they name
football player names. He is the one,
the only Benedict Cumberbatch
from Oxford University.
>> Benedict. Hello.
>> What do you say?
All I ever wanted.
>> Hey Amy, how are you?
>> Hi. It's good to see you.
>> I got ridiculous glass on because I
can't see. So you're
>> okay. You can just hear my voice. No,
>> I can see you now because I'm wearing
these glasses like this. You're a
beautiful blonde blur, but like that.
You're a very sharp blonde.
>> Now, what's your prescription? Because
are you new to glasses?
>> 1.6. Something like that. I'm I'm new to
sort of giving into them.
>> Same. I'm just I like need them for
reading but not yet for driving.
>> It's so boring, isn't it? And I I'm I'm
not one of those people that get my I
can't get them lasered. It's very
boring.
>> It's not boring because I feel like now
that I can hide behind glasses, my life
has changed and also people think I'm
smarter. Anyway, hi. Nice to see you.
Thank you for doing this.
>> You're so welcome.
>> Um okay, I know you're in the middle of
a giant press thing and we are talking
to Olivia.
>> Yeah, I'm a little hurt, but there we
go.
>> I know. Sorry we couldn't get you, but
you uh you uh signed a restraining order
against me many years ago and you don't
let me get close to you. So,
>> that's true. After the Golden Globes,
it's right.
>> Okay. So, question for you before we get
to your question, we're asking, we like
to do this thing when we have our guests
on where we talk to people who know them
and kind of talk well behind their back.
And the first thing I just wanted to say
is that when I was doing some research
on on the film that The Roses that
you're promoting and also you and
Olivia, you guys haven't worked together
as much as I assumed you would have.
>> We've never worked together.
>> Never.
>> No. And we, you know, we've been friends
for a long time and always said we
should we should work together. And this
is what was sort of born out of that
conversation.
>> What kind of friend is Olivia?
>> Incredibly loyal, ridiculously good fun.
Uh she facilitates naughtiness.
Uh, she's just sort of
is it pretty naturally? Is that the
phrase? Upbeat. I mean, it's kind of
that's the one. If there's a critique of
it, it's like, how the [ __ ] is she doing
this authentically? I don't understand
how this person can be so good at being
just upbeat and just delightful. And she
literally she this is veering into work
rather than friendship, but it's the
same with friendship. She can go into a
work environment any moment that we were
in the studio together and just you just
see everyone all the crew everyone going
everyone just lifted and brightened by
her being around. It feels it feels that
way when you watch her work and then
also be herself like and I have you know
we kind of get this we kind of came uh
or I came on to upon this theory when I
was at SNL which you were so brilliant
on is you have all these people come
through and you realize that usually the
most talented people are the easiest to
work with. Yeah, I kind of the older I
get that the more I just that's sort of
I can't be doing with people who are
hard to work. I just that's my one sort
of commodly kind of thing. I it it
shouldn't have to be hard.
>> Okay. And then the other thing I wanted
to ask you and then we'll get to your
question. There's nothing like more
satisfying than when somebody has a
sense of humor about themselves. like
it's such a sign of intelligence like
and you and Olivia in this movie really
go at each other, your characters really
go at each other, but do you feel like
there's also just a way in which Brits
are allowed to kind of tease in a
heartier and more sharp way than than
Americans?
>> I don't know. Personally, I think
there's a there's there's often a very
barbed, cruel, and slightly pinched uh
aspect to British irony. I think it
could get a bit too much to be honest.
As an English characteristic, the
sharpness of it isn't something I find
that pleasant. It's very funny in this
film. I think also Americans and this is
obviously played up in the kind of
cultural difference. One of the key
differences between our version and the
original Michael Douglas Turner and
Dvito film is that they're they're an
English couple in an American world and
that much later of the culture clashes
and misunderstandings to great effect.
But they start roasting each other and
actually you as a culture I think have
completely one uped it.
>> You're right. We have we have passed you
in the mean Olympics.
>> You've gone the dial broken.
There's a good trade I think which evens
us out both in the gross out humor and
also the very sort of wellought through
ironic
uh witty intellectual humor. And I I
we play up to the difference but I don't
think there is so much of a difference
anymore. It's very interchangeable.
>> I agree. I think it's very hard to pull
off both physical comedy and really like
sharp and sarcastic wit. Both of those
things are hard to do. Well,
>> yeah. I think if you do that, you could
do anything. I grew up with two parents,
both actors. My mom in particular doing,
you know, sort of end of the pier kind
of whoops, there go my nicker vicar's uh
nicker vicers nickers vicar uh kind of
fastes and um to the point where I was
like, "Mom, you you've got to do
something else now." Um you I can't
watch in an audience as you as a
teenager. I can't watch you come into a
room where your politician husband is
having his pants pulled down because of
something and it looks like his male
assistant is giving him a [ __ ] and
you turn to the audience and go and then
walk off. Um, so you know, having grown
up with that kind of humor, if you can
do comedy is my point, you can do
anything. I really do believe that. And
I'm not just
>> of course I feel
>> you don't have to tell me, babe. Every
single year at the Oscars,
everybody gets blanked and all the
serious people get up and accept and
accept and accept.
>> No, no, no. It's true.
>> And it's some hot [ __ ]
>> because comedy is not easy. And I got to
tell you, both you and Olivia can do
both.
>> Oh, well, thank you. Thank you. That's
very kind.
>> Okay. So, do you have any question for
Olivia today?
>> Yeah. Okay. Um,
is she wearing any under? No.
Uh, is there something she's afraid of?
Because I think she's one of the most
fearless performers that I know. I don't
see her being afraid of anything. But I
wonder if there is. I wonder.
>> Oh, that's a great question.
>> Yeah. And would she do it? That's the
other. What What are you most afraid of?
And would you would you be any good at
facing that fear?
>> Deep question.
>> I should be doing this interview.
>> Tough question. Yes. I mean, do you want
to switch places here? No, just everyone
wants to hear you do the interview.
>> Okay. Well, I know you are in an hour or
two of a 12-hour marathon.
Congratulations on the film. Thank you
so much for doing this. I hope we get to
see each other not in full formal wear
someday, but at an actual
>> I do too. That'd be lovely. Much
>> love.
>> Thank you so much, Benedict. Appreciate
it. Thanks for your time.
>> This episode is brought to you by
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>> Hello. Hello. Hello.
>> Hello.
>> Okay. Thank you for coming and being
here so much for having me.
>> You know, I was looking over um your uh
your life, like your timeline, cuz we're
the same age. About the same age. You
look much younger than me.
>> No, you No.
>> No, you do. Actually,
>> I'm 50. Hold on. I have to remember. I
was born in 71. So, I'm 50.
>> You're born in
>> I'm 74. So,
>> yeah. Well, so you're a little younger
than me, so
>> Well, I look older.
>> No, you do.
>> Americans just look better,
>> do you think?
>> Yeah.
>> Well, British people seem smarter, so
everything out.
>> You'll find out that's not true.
>> And you'll find out and when you get a
little closer. Okay. So, but we but you
know we kind of have some parallels
because you met a lot of your friends
and co-workers
at Foot Lights.
>> Yeah. Kind of you know you went to this
very
important place that we Americans used
to hear about.
>> Yes. I will um I wasn't actually at the
university but this was this is
something that gets regularly.
>> You were not at Cambridge. I was in the
town of Cambridge
>> working as a cleaner and um
>> very interesting.
>> So yes, you get well I did I was at the
teacher training college for about a
term I think and left
>> and then no one questioned me cuz I had
a bicycle and I looked the same as
everyone else same age. So I just would
turn up to things and they
>> and was there like an auditioning
process to get into Foot Lights?
>> Yes. And that's where I met my lovely
friends who then basically were
responsible for me getting work for
years afterwards.
>> Yeah. Because
>> but I just feel very it feels like a big
lie if I guys at Cambridge.
>> Absolutely.
>> This is already very British. The
distinction that you didn't go to school
there is is an important one for you.
>> Yeah. Well, I feel like people who were
there would go, "No, you didn't." And
you know, it's I think it's so
impressive to have worked so hard and be
so clever to get there. It would be a
bit much if with my terrible A levels I
I suggested that I got in.
>> So people that were not going there
could go could be in the in could
perform there.
>> Yes. I think I just I didn't lie, but I
just certainly didn't tell anyone.
>> So it can be taken back. You could be
technically arrested for Yeah. at some
point.
>> Maybe.
So you go and you a Do you remember what
how you had to audition for
>> I do remember going I was in there was a
building called the Union Society and
this is when I did have my student card
because I was actually at the teacher
training thingy and uh and there was a
sign it was handwritten in bro on a the
audition arrow. Oh fun. So I went along
and I didn't know it was the footlights
and um I know and I'm pleased I didn't
know.
>> Yeah. And they were they were boys
looking bored sitting behind a desk and
said entertainers will sell something to
us that looks like this isn't food. I
went okay.
>> So there was a disgusting ashtray which
must have been there for years and I
picked up a fact but that sounds weird
in American English.
>> Cigarette butt
>> cigarette end. And um and I tried to
sell it and it wasn't going very well.
No one was laughing, so I ate it
under desperation. And they still didn't
laugh. They just looked absolutely
horrified. But they they let me in
because they thought, well, she's she's
game. She's she's going to do some funny
stuff.
>> What is it going to take to get those
guys to laugh?
>> Yeah.
Um that is so that's so that's such a
great story. And then you got in and
then you met all these like what you
know I I
>> that that time period in my life I know
doing sketch and improv and all that
stuff for
>> a small number of people with friends in
the hopes that someday you could do more
of it
>> like what do you remember of those
times?
>> Well I because obviously as you know you
all had to help write and everything. I
was terrible at the writing. Uh, I just
really enjoyed performing and uh, being
on stage and making people laugh was
like the best like crack, like the best
thing.
>> It is. I I said it for me it was the
closest feeling to being a vampire
>> where you just like I'm becoming a
vampire.
>> Yeah.
>> Oh, I've got goosebumps. I totally
understand.
>> Just you're like, look what I've done.
Like just this weird
>> powerful in control flush of excitement.
>> Yeah. Yeah.
>> And so desperate to get that back and
>> yes, your whole life is chasing it
again.
>> What was the first you remember the
feeling of like the first big laugh, you
know, where you where you did something
and you watched people laugh at you and
you thought, "Oh, I love this feeling."
>> I don't know if I can remember that.
>> No.
>> Were you in plays as a kid?
>> I did my first ever school play when I
was 16 and that was that was the prime
of Miss Jean Broaddy. not a comedy, but
um I just remember people clapping at
the end and I'd always been so rubbish
at school.
>> I'd never I sort of oh I couldn't wait
for it to finish, you know, doesn't
really I'd look out the window and found
it really hard to concentrate and
>> and then suddenly I I committed to
learning all of these lines. Suddenly I
why couldn't I learn other stuff? that I
would do that and then when they clapped
that was the moment when I went
>> I love it.
>> It was like it was like electricity
coming out of your fingertips like get
off get off. No.
>> Loved it.
>> Yeah. I mean do you consider yourself a
were you an extroverted kid? Like were
you were you are people um not surprised
that you ended up being an actor or
>> don't know. So, I think it's quite I
think as I've got older, I've got more
and more shy in a way. And I I think
people knowing your face and you not
knowing their face
>> puts you in a you know,
>> it's an not an equal footing.
>> I really relate to what you're saying
about even though I think people might
think that's funny that both of us are
saying this, but getting a little shy as
you get older.
>> Totally.
>> I really relate to that. What do you
think that is? I I think it is
well as you know as I said that it's
it's an unequal thing. So I love I don't
know if you ever go to a country where
maybe your shows aren't seen.
>> Oh yeah. It's called the UK.
>> That's not true. But you know well if if
you can walk feel like you can walk down
the street and no one has done a double
take or a nudge or a secret photo.
>> Yeah.
>> It feels amazing.
>> Yes.
>> I love that.
>> Yeah. Being observed is weird because
especially it sounds like you're like
you you you are an observer. You like to
observe people. So when you're being
observed, it's a strange feeling.
>> Yeah. I find it discomforting and it
means I don't want to go anywhere with
my children.
>> I don't want people to, you know, see
who they are.
>> Yeah.
>> It's their decision to to do what they
want to do with their lives. Not
>> um
>> and kids don't like it doesn't even you
don't even have to be an actor. Kids
just don't like sharing their parents
with people.
>> Yeah. I do understand that.
>> Yeah, I know. And it's it's hard to
explain to them that that is your work,
but it is it is it's a universal
feeling. The kids do kids want their
parents when they want them.
>> Mine. Yeah. And
>> I've been lucky compared to many people
in our industry. I I haven't had to be
away from home that much.
>> Yeah.
>> And uh and my youngest, so in recent
years, I've had to be about way a bit
more. And she hates it. M I sort of love
it actually. But
>> yeah, she's still missing you.
>> How old is your youngest?
>> Yeah. Uh youngest is 10.
>> Okay. Okay. Right. So you still have
>> Yeah.
>> some sweetness there.
>> Yeah.
>> Yeah. And really she's really lovely.
They're all lovely.
>> I know. Does anyone any of them want to
be an actor?
>> No. Furious.
>> Yeah.
>> Livid with them.
>> Yeah.
>> You know,
>> I'm like get up there and earn some
money for this family.
>> Just I So they laugh at me cuz Yeah. Um,
it's a bit, you know, ab fab.
>> And my big boy, uh, wants to be a
physicist.
>> Wow.
>> I mean, just
>> incredible.
>> He can also, that's the only way he can
rebel with you and your husband.
>> Totally. He goes, "Mom, no one says,
"Oh, why can't you be a rockstar?"
>> I do.
>> They're all so sensible.
>> Yeah. Physicist is
>> physicist.
>> That's smart.
>> I mean, who employs physicists
>> these days? No one.
>> No one. see
>> with long hair. Forget it. He's never
going to get through the door.
>> Okay. So, you're at you're at Foot
Lights, you're making all these friends,
you're deciding. You know what I love
about your career and you is that you
you are the ultimate to me proof that
when someone can do comedy really well,
they can do anything. And I guess you
came into the business doing comedy.
When was was it Tyrannosaur that
switched? Was that
>> Yeah. Do can you talk about that film
and and getting cast in that?
>> Yeah. So, comedy I I'd never intended. I
just found a place there and I really
loved it.
>> And um I'd always imagined maybe
uh from from that first play at school,
I thought maybe I could be an actor, but
you didn't dare say it out loud.
>> Yeah.
>> And and then it felt like there were two
lists of actors. There's funny ones, not
funny ones, and you can't cross over.
>> Absolutely not allowed.
>> No. And it takes someone to, you know,
to really put their neck on the line to
go, "No, I would like them to do that."
So, it was Patty Considine I met when we
were doing uh Hot Fuzz.
>> Yes.
>> I was so excited to meet him and I
opened the door and grinned at him.
Hello. And and he decided in that
moment, oh, she's she'll be right for my
film.
>> Wow.
>> I know.
>> So, always open the door, people. Always
be nice. You never know.
>> Wow. And it was it totally changed the
trajectory. It's a word I find hard to
do. Um of my career
>> because it went to Sundance and it was
like this, you know, very lauded
performance and people saw this version
of you basically and they said, "Oh, we
can I know. It's very
It's Isn't it interesting how life is
just
just the smallest changes and moves in
your life when you're and you're on
another track?"
>> Yeah, totally. and so often having to
wait for someone else to
>> Yeah.
>> to to you know let that happen for you
which is frustrating.
>> Yeah.
>> But I'm so grateful to Patty.
>> Do you ever think to yourself like I'm
in the mood right now to do something
heavier? I'm in the mood right now to do
something lighter. Do you think about
that when you're picking stuff?
>> You know like
>> I don't know if I might do
subconsciously. I always used to rely
very much on gut feeling. Yeah. You know
um and I feel a bit like I've lost that
ability. I've gone a little bit.
>> I don't know if that happens as well as
we get older, but
>> I sometimes think I think I've
>> I can't tell now.
>> If a my agent has a great litmus test,
so if you read it and you're unsure um
if your nemesis gets the part, are you
going to want to,
>> you know, pull your hair out? And
>> it's so funny. I think about that, too.
If I saw it a year later, like a trailer
for it, and I was jealous.
>> Yeah.
>> If I thought if I saw something go,
okay. I can let this go or no, I have to
fight for it.
>> Yeah. Yeah. But um but
>> sorry, I didn't answer your question at
all. Did I? I did I go somewhere else?
>> Well, I Well, what why I I ask is
because you've been in all of my
favorite things and when we look at all
of the stuff that you've been in, your
career is incredible, Olivia. like you
have done.
>> Okay. But I want to stay with comedy for
a second just because I feel like
>> and I kind of made a joke about it
earlier, but there is this thing our
with people our age where
>> the US and UK were
>> so connected in so many ways but had
completely different comedic
experiences. There were only a few shows
in my opinion that came over to us.
>> Yeah.
>> Like it wasn't until I was in my 20s and
30s that I learned about all this great
British comedy that I never got to see.
>> Okay. And I, you know, you know, we got
kind of the big ones, right, growing
like Money Python and, you know, Ab Fab
and stuff like that, but then there was
this huge amount of shows that we never
saw that you had to kind of search and
find out and watch on, you know, VHS and
like trade with your friends.
>> Yeah.
Did you have shows here in the States
that you didn't know about or didn't
watch that you had to kind of catch up
and know about once you started becoming
>> weirdly sort of SNL which is a you know
>> it's it's like a little comedy heaven.
Um I didn't know about that for so long
cuz I I don't think it was shown on
television in the UK. No. And it was
only funny friends who were obsessed
with it and went what why what is it and
then started to to look at it
>> because this is pre- internet like we
couldn't Google anything. We didn't have
this high-tech stuff. I have I have a
laptop on my
>> and that's very cool and I can type in
anything you want to know.
>> You want to know the recipe to something
but yeah but you couldn't clip anything
you couldn't watching. So I remember
watching like Alan Partridge and all
this stuff on VHS, but 10 years after it
was on.
>> Yeah. Yeah. Well, it's the same. Well,
we got and we still have, which I love,
um, every weekday morning on channel 4,
they have starts with Cheers, um, then
King of Queens, then Everybody Loved
Raymond, then Friends, uh, no, sorry,
Frasier.
>> Same four shows.
>> Yeah, I love it.
>> Oh my god. Cheers.
>> Oh my god. How good is
>> Cheers?
How good is that show? Oh,
>> it's so good. Ted Dansson at his hottest
best
>> and the and and um Sam and Diane the I
mean actually there's a we'll get to
your film The Roses, but there's a lot
of that kind of like that kind of back
and forth reparte of I love you, I hate
you, I love you. So satisfying,
>> so good.
>> And when they kissed for the first time
and millions watched.
>> I know. And and also that
>> lovely Woody. I loved Woody and he and
and and Woody who had the hardest job in
the world cuz he took over
>> for coach who
>> Oh yes, of course.
>> Yes. Who was an amazing character,
>> sadly passed away year one or two and
you thought, well, they're just can't
cover that.
>> And then they bring in Woody
>> who just crushes it. And then the pilot
of Cheers, if you've ever read, is just
a perfectly written pilot and we and me
and Mike Sher, the creator of Parks and
Rec, used to talk about it all the time
cuz you have like seven characters you
have to, you know, service really fast
basically.
>> And it's such a good pilot. I love that
joke.
>> Oh my god, I've got to watch the pilot.
I'm going to find it.
>> It's so good. And the ending of Cheers.
>> Yeah.
>> Okay. I Everyone loves Raymond Frasier
and what was the other one?
>> King of Queens. King of Queens.
>> Yeah.
>> And you're like, what is this queens?
What what do I need to know?
>> I've got no idea what that is,
>> but he is king of it.
>> Yeah. There was so there was a few
things that came over to us, but not a
lot. You know, it took me and and sketch
was one
>> like I didn't know about French and
Saunders until 10 years after, you know,
then everyone same like funny people and
I was meeting funny people
>> and they were talking about shows that I
like had to research. But I just think
it's very interesting because
>> that we're we are we are so alike but
our comedy was very specific and
different. We had the um premiere last
night in New York of the Roses and then
we got the London premiere on Thursday
and lots of I wonder if audiences will
laugh at different things and I feel
like that's not true anymore.
>> I agree. Maybe. Yeah,
>> I don't think that's true.
>> No, I think we all totally understand
each other and we'll find the same [ __ ]
funny.
>> We were laughing. We were we when we
were preparing for this interview, we
were saying like how
>> you know it is true. We believe that the
Brits are smarter. They just sound
smarter.
>> Yeah, they do.
>> It's not true.
>> I know. And you know what taught us?
Love Island.
>> I've said that's the first time I've
ever been grateful to Love Island.
>> They taught us that
>> cuz I can see people look disappointed
when I open my mouth and I go, "Oh, see
you think I'm clever. I'm really not."
But thank god Love Island.
>> Yeah, Love Island really leveled the
playing field. We were like, I see.
Okay, we're all the same. We're all the
same.
But a show that I've since now seen that
I didn't know at the time was Bruiser,
>> which was like your first
>> Have you seen Bruiser?
>> Well, I've seen clips of Bruiser.
>> Okay.
>> But Bruiser was like your first sketch
show.
>> First ever job. My first job.
>> First ever job.
>> And that was How old were you? What
year?
>> It was my last year of drama school. I
have a weird thing where I can't do
dates.
>> Same.
>> So I know I did my A levels in 1992
because I had to say it so often.
>> Yeah.
>> But I beyond that I'm not entirely sure
what happened. So, in the '9s,
>> in the '90s,
>> comes out.
>> Yes.
>> And it's you and and David and
>> David Mitchell, Rob Webb, Martin
Freeman.
>> Yeah, that's right.
>> Charlotte Hudson.
>> And that's just like sketches and you're
all look like babies and you're all
doing like
>> Yeah, I go I haven't seen it. I I bet
lots of it's terrible.
>> Well, sketches.
>> Yeah.
>> I mean, badly. like the batting
averages, you have just like hope for a
couple of winners. Like
>> Mitch Web have just done a new sketch
show and sketch shows just haven't
happened for a long time.
>> I know. I know. I know. I think about
that a lot. I mean, for me, the best
last sketch show other than SNL that
I've seen is Key and Peele. Did you
watch Key and Peele?
>> My boys were talking about that.
>> I think that that the Brits don't know
about Key and Peele as much, but that
was a big show over here.
>> Um, and they were just like deeply funny
and good. like they were really really
>> going to find them.
>> Um okay. And so then um Okay. But then
>> there's this there's all this stuff you
do between
>> you know broad church basically. There's
all this stuff because that broad church
for us is really I think when we really
start to get to know you. I remember you
from your little moment in the office
because I the UK office because I was
obsessed with UK office and and the and
the um the picture moment with David and
just and with with Ricky but we get to
really know you and you and David at the
same time.
>> Oh yeah, lovely DT.
>> Lovely. Tell me about your relation. You
guys are buddies.
>> Oh, I love David Penant.
>> I know. He seems so I'd love to meet
him.
>> Nice. You love him.
>> Tell me why he's so great. He is
there's nothing assholy about him at
all.
>> And he we simply just would sit and talk
about we do farts in the police car and
he'd go Jesus Christ
and and he was just like a buddy and
we'd tell stories and he he wanted to be
at home with his no wife and family and
I wanted to be at home. Yes. Isn't it
the best when you work with people who
want to be at home?
>> Yeah.
>> Get this done. Get it done early. You're
not afraid. You get home. Get [ __ ] off
about home.
>> And
also he was so always knew his lines was
always on it. Always just just beautiful
at his fingertips. And then uh you know
when the ad comes to knock on the door I
could we both we had a two two-way it's
not as rude as it sounds you know the uh
van with but also our lose were back to
back and I going to go David are you in
there go stop listening to me
I'm doing the same with you and um but
when the ad would come and knock on door
say it's time we would try and race each
other he would always didn't want to
delay anyone he was never late
and just gorgeous. Everybody loved him,
but just real. And
>> it it proves my point, Olivia. I've said
before, I find that for the most part,
with the exception of a few eccentric
original performers,
>> the most talented people are often the
most professional. Like, they're the
easiest to work with.
>> And I've been so lucky to work with two
of my gods, Merrill Stre and Anthony
Hopkins. They never would have kept
anyone waiting. Yes.
>> And then you learn from that you go see.
>> No. And they set such a tone.
>> Yes.
>> They know they are polite to everyone.
They know everyone's name. They know
their job. They know their lines.
They're always on time.
>> I I mean I have a in any profession I do
have a theory that like people that are
acting out of fear or afraid that this
is their last good idea or that you know
it a lot of people act out for a lot of
reasons. Yeah. But
>> and I do understand that.
>> I do too. And as I get older also people
just work differently. But the
professional part
>> when you meet some your hero and they
also are that way. It's just the best.
>> It's so important.
>> Yeah.
>> And just a friend recently did a show
and I don't want to sort of
>> there are some of the younger people.
>> Yes.
>> Who I I don't know where it comes from
but um
>> if they have a little bit of a cold they
won't do the show.
>> Oh.
>> And I don't understand.
>> Right.
>> When we were told
>> this is very Gen X of us. You know that
>> I'm I'm aware that I am doing that.
>> Same. Which is the way. And people
>> think it's their fault, but someone has
told them wrong.
>> Well, okay, let's get into this because
no,
>> I'm going to be cancelled.
>> No, I agree. And I'm trying to work on
it because here are the two things.
>> I think that we were sold a productivity
myth.
>> Yeah.
>> Right. Like hustle, hustle, hustle.
Yeah.
>> And it's really ingrained in us. Like
there's no way I would have ever called
in sick. I mean, I remember doing a
scene with Alec Baldwin for a movie and
I had like 104 temperature and I had we
had to cry
>> and I was like I I was on another planet
and he was like where wherever you are
stay there perfect and I was like I am
in I'm in a fever dream. I have 104 and
I remember just being completely but
never in a million years ever would I
>> in retrospect potentially maybe was a
day to not be
>> potentially Yeah. potentially not a good
choice.
>> Yeah. So, I kind of understand that this
idea of like maybe take care of
yourself, Gen Xers, a little bit more
than you did and not pressure everybody
to hustle.
>> But perhaps we've overcorrected.
>> I think there's a happy medium, isn't
there?
>> Agree.
>> But a little bit of a of a tickle in in
the back and you go, I don't think I
can. That's I don't think that's okay.
>> Yeah.
>> I've had pneumonia twice. Never missed a
day of work while filming.
>> Okay.
>> But also potentially stupid.
>> You've had pneumonia while filming?
Yeah. Yeah. Amazing. You're my kind of
gal.
>> Thank you. I never missed one day of
work on Parks and Wreck. I did 120
shows.
>> [ __ ] yeah.
>> And that's weird. And people think
that's a weird statistic because they're
like, well, okay, maybe maybe not
something to brag about. And I'm like,
is it not?
>> I think it is.
>> I agree. But perhaps I was setting an
example that was, you know, there's
there's there's Both are true. Both are
true.
>> But I know what you mean. I love I just
love a pro. I love a nice pro.
>> Yeah.
>> Because a working environment should be
>> It's just hard enough to just do life.
It's hard enough to do life without
somebody being difficult. And
>> yeah,
>> and we're lucky to have the work beyond,
>> you know. Don't don't be sort of overly
cocky with that.
>> Yes. Agree. and Broad Church.
>> I It makes sense to me that you and
David loved each other because you can
really feel it in the show.
>> Like it's just you feel like true
partners in that show.
>> Yeah. And even though in the show you're
getting to be partners, but
>> there was a such a m a feeling of mutual
respect on on that. It was so good.
>> And what was it like to have that blow
up? It was a huge hit.
>> Yes, that was very odd. I because no one
knew who had done it. That was what they
wanted. Although when I went for my
first audition, my sort of meet meet
with the producers and I said, "Who did
it?" And they told me and I went, "Oh."
And cried and they went, "That's great.
That's what you want." And then um in on
the way home, like 20 minutes after I'd
left, they phoned and went, "Uh, can you
pretend that we didn't tell you? We've
realized we don't want anyone to know.
We wanted to
>> I went, "Oh, okay." So I had to lie. And
David was so crafty of me. One day his
agent accidentally let slip right near
the end of months of filming and he flew
onto my van. I went, "You [ __ ] didn't
tell me." And I knew what he meant and I
couldn't look at him.
>> Oh, cuz he didn't know either.
>> They didn't know. No one knew. But they
accidentally told me.
>> You knew. What a burden to carry.
>> Faces, you know, all the um 10 by8 faces
in the makeup van and everyone was
putting a sticker on who they thought it
was. And I was also going, "Is it that
might be me? Uh am I trying to terrible
at lying?"
>> Wow. So you you were reading the scripts
in real time basically and Oh, that's
very fun.
>> It was really fun.
>> And what a great way to be able to
>> and and kind of what a bummer that you
knew because you we would have been, you
know, like everyone else, but you had
that secret.
>> Yeah.
>> Oh, that's fun.
>> It was fun.
>> Oh, that's good.
>> But David Yeah. said, "You can't believe
you didn't tell me."
>> And uh and you're like, "I'm a pro,
babe. I'm a pro."
>> Also, I I'd lied so much I'd almost
forgotten that I knew.
Do you think you would be good um
convincing uh are you a good liar? Like
do you think you'd be uh Yeah.
>> Without a script? I'm appalling.
>> Yeah. You they can
>> I don't know. I think I'm okay. Like I
think sometimes could I convince a jury
like if I
>> Oh, wow. That's an excellent
>> Could you convince I feel like I could
convince a jury
>> that you didn't do it?
>> Yes.
>> I feel like
>> as long as my kids weren't in the jury,
I think I'd be fine.
>> Your kids would know. They go, "You
totally did it."
>> Do you have a tell when you lie? I I'm
sure I do, too. I'd like someone to tell
me what it is so I can work on it. But I
think I overexlain.
>> I think I say too many things.
>> Oh, you know when you watch traitors?
>> Yes.
>> Oh, I love it when I love it when they
ask someone something, they go, "What?"
They have to
>> They say what? They're stalling.
>> They Yeah. And they do it
subconsciously. It's amazing.
watch any of those body language things
where they show, you know, if you look
up to the right
>> or one's one's recalling information,
one's lying.
>> Yes.
>> Yeah. I can't
>> or if you touch your face or like your
neck. I know. If you touch your neck,
it's cuz you're about to say a lie. All
these kind of Yeah. All these small
things. I That is I love when people
stall when you go
>> What did you say? Yeah. Love it.
>> I'm so sorry.
What?
>> Didn't hear you.
>> But I also get sweaty when you have to
play those games. Like if you ever play
that game Mafia.
>> Oh yeah.
>> I don't like that game. I love it.
>> You love it?
>> I love it.
>> Okay. Because we play it almost every
night on holiday.
>> And um we've discovered as well any
parents that get killed uh it's always
their kids that have done it. Always.
>> Or spouse.
>> Yeah. And uh
>> yeah,
>> one family that we go on Hollywood with
every year, their kids are terrifying at
it.
>> Really good.
>> Oh my god. So good. And the the youngest
one got so cross with everyone accusing
her that we went of course she's not
she's she was overexplaining. She's
doing what you say. Yes.
>> Just I'm not literally I had to move
because really angry and she's only 13.
She was we oh god no probably not. Just
maybe don't give her a chance. She was
absolutely killing everyone.
>> She was like that at night when everyone
had their eyes closed. Amazing.
I get very stressed. I get very giggly
when I get accused and very stressed
>> and also
I feel I feel like I maybe I feel like I
act the same when I'm the murderer or
not, but I must not. But I I don't think
I would pass a lie detector test. Let me
just say that.
>> I don't think I would.
>> I would. My heart would beat.
>> Yeah.
>> But I think I could I could win over a
jury.
>> Yeah. I think I would say, "Ladies and
gentlemen of the jury, why would I want
to kill my spouse
or whatever
>> now?" And I'd be able to cry. You're a
good crier and and you love to cry.
>> I do.
>> It's one of my one of my great skills.
>> Well, in everyday life, I don't cry so
much.
>> Um, do you have any you have tricks for
crying?
>> No. If it's sad, I'll cry.
>> Yeah.
>> If the script is sad. So, broad church.
Yeah. come. Um, yeah, that first day it
was filmed chronologically, which was
just a gift.
>> Amazing.
>> But they they were saying, "No, she's a
police officer. She's probably a little
harder than that one." Like, absolutely.
There's no way. It's just I'm sorry. I
can't a child. And so, oh, making me
that um if it's good script, it's
impossible not to.
>> But in your life, you're not the biggest
crier
>> really. Oh, in the crown as well, there
was this because the queen famously is
was able to be there for other people
and not cry and I couldn't do it.
>> There's a scene where Helen Bonum Carter
is telling me about Abberavan which is
was a terrible terrible thing that
happened and I couldn't hear her. Yeah,
it was beautifully done but I couldn't
hear her talking about it without crying
and they kept going okay no
>> no crying no I can't. So the sound
department gave me an earpiece and I
listened to the shipping forecast.
[Music]
So in the in my ear I was hearing south
at Sura, north at Sura, weather for
third middling and I was just listening
to that and zoning out while Helena said
I can't believe our first scene together
and you're not actually listening to me.
>> Wow.
>> And it's really that's a good tip
though.
>> That's a great tip.
>> Listen to something else. Don't listen
to your actor. I mean, I always say half
of acting is like just keeping your face
still, which is almost impossible for me
to do, but
>> Botox helps enormous in that kind of
>> but the way in which everyone just
projects everything on your still face.
>> You and Helena in The Crown are I mean,
so wonderful. And I know you've you're
really good friends, too.
>> And did you meet on that?
>> Yeah. You had never worked together
before.
>> No.
>> I think we'd met once at a do
>> Mhm. and I'd sort of curtsied to her and
uh and yeah, she's she's just lovely.
>> I mean, I know people have asked about
meeting the queen and and playing the
queen, but separate from the actual
queen, the character of that woman.
Yeah.
>> Is so interesting.
>> I know. Fascinating. you know, forget,
you know, I know you're playing
a version of of of real person and
you're playing a real person,
>> but just the the the legacy of that just
one just the idea of one life.
>> Yeah.
>> Spanning that much.
>> Yeah.
>> It's so amazing. It's I totally agree.
It's an extraordinary that literally
Well, most people there's someone else
in the world who has a similar
experience. No one.
>> No one. That's one person standing on
their own.
>> I know.
>> Sitting every week to various prime
ministers, you know, listening to them,
having the
>> hearing everything.
>> And just having to keep it together.
>> It's such a practice in restraint, just
a life of restraint. And and also to
your point, being around while everyone
else comes and goes,
>> being the constant while
>> I mean, I loved the way that that show
took on the width and breadth of that
life. the crown. That person is the
crown.
>> And the way you take it from Claire that
you take over that moment when you show
up in season two, three, four,
>> two, three, and four. Yeah.
>> When you show up and we think, "Oh my,
Olivia is now the queen." Like,
>> it's exhilarating.
>> Terrifying following on from Cla.
>> Was it?
>> Yeah. Yeah. Cuz I loved it. It was so
highly advertised that I didn't want to
like it
>> in that sort of
>> Totally. Yeah, everyone likes it. Oh,
okay. No thanks.
>> And then I accidentally watched it with
one eye open went, "Oh, no. I love it.
Love
>> so good."
>> Couldn't stop watching her.
>> Mhm.
>> And so then got the got a call to they
would like to meet you for I think my
agent said for the queen and I thought
that was the play that and oh and she
said, "No, no, I didn't mean that. I
didn't mean that. Meant the crown." And
I and I went, "Oh my god, yeah, [ __ ]
yeah. Absolutely. Yes, please." I said,
"I think you're not meant to say that
yet." You meant to just go away and play
cool. Put your sunglasses on.
>> Yeah. Trying to be cool. But um I was
such a huge fan of it.
>> Yes. Yes. And
>> also it came at the point where I just
spent all my tax money. So really handy.
>> And um did you uh did you talk to
Claire?
>> Did you talk to Claire? Were you did you
two talk about like handing off the tor,
you know, handing
>> So it might be a good idea if you want
to we can give you Cla's number. Yeah.
And so I I did speak to Cla and said,
"Really, honestly, truthfully, because
it's a long commitment, long job." Um,
and she went, "I've absolutely [ __ ]
loved it.
>> It's a happy job
>> and everyone's nice."
>> Yes.
>> Okay, that's great.
>> I mean, there is a whisper network among
actresses, especially, I think, when
you're going to try to take a job, when
you're lucky enough to have the choice
to take a job,
>> where you call other people to say,
>> "Should I?
>> Is this okay?" I love that code as well.
And amongst we do go I
>> or or there's a
>> the word tricky.
They can be tricky. Uh I got on quite
well with them but I know that some
other people. So sort of politely
letting you know
>> maybe this isn't a simple decision.
>> Another code is like well the hours can
be kind of long which is a code for the
director's a little unorganized. Yeah.
>> Like I think that's
>> and the scripts aren't ready.
>> Yeah. And the scripts can come in a
little late
>> and I cried a few times, but um as far
as the job. Yeah. Um and Helena and you
I just I just want to stay there for one
second because
>> I love watching you work with everyone,
but I especially love watching you work
with other
super talented women and you've worked
with a lot of really great women.
>> Been really lucky. Yeah.
>> You just who you when you meet each
other on screen.
>> I love women. Me, too.
>> I mean, I It's honestly hard to work
with men.
>> I'm so sorry. I'm sure it was easy with
Benedict, but like
>> I mean, we have to, but [ __ ]
>> I know.
>> It's hard,
>> Bessam. They're just not as good.
They're
>> just not as good.
>> So true. But I do too. I love working
with women and I can tell you do too.
>> Who are some women that you've worked
with that you just went Helen? I'm sure
is one, but like who that you just
worked with and you said, "Oh, I'm going
to have the best time." I think Jodie
Whitaker on Broad Church, Helena on the
Crown,
>> and Marian who played the Queen Mother
on the Crown, just
>> loved her.
>> Loved her.
>> Um, almost I always take a a good
girlfriend with me from almost every
job.
>> What do you mean?
>> Like who?
>> Uh,
well, Hely. Jodie is now godmother to my
youngest. We had our youngest at the
same time while on Broad Church.
>> And uh, Phoebe. Phoebe Wbridge. um and
Amy Morgan who you probably won't have
heard of but I think she's extraordinary
and we met doing a play and so there's
always one and on the roses there's Zoe
Sunnita.
>> Yes.
>> I mean Allison
>> Jenny and and
>> Kate McKinnon I'm we have Kate coming in
and Kate is such an
>> Is she coming in?
>> She's coming to do this day while I'm
here.
>> It is.
>> Are you lying? You're not lying. But
you're not you're going to be you're not
going to be here and she's you're not
going to make you wait for Kate because
we have a little bit of a you know you
got to get on that plane.
>> But you can leave you want to leave a
note for her.
>> Yeah. She's coming in today. Okay.
>> And um she's so Isn't she such a wild
interesting eccentric bird?
>> She came so we had a girls trip to to
where I live in the countryside in
England while we were fil filming and
Kate came along. She's the most fun
grown-up you've ever met. My daughter
couldn't believe her luck.
>> Yes, she is fun.
>> She's fun. And she played she was a I
think um a pee hen or something for
about three hours.
So [ __ ] hell.
It's amazing.
My little girls going.
Um Phoebe Flea Bag huge. Another huge
show.
>> Yeah.
>> And well, I mean she's an amazing woman
and she
No, she's brilliant at what she does and
she works hard and she's really driven
and kind to everybody and yeah, just
another [ __ ] fantastic woman.
>> Yeah.
>> And that first episode of the second
season of uh Flea Bag, which was with
Andrew Scott and sitting around the
dining the that restaurant table.
>> Yes.
>> Felt like the most brilliant play.
>> Yes.
>> And just that whole episode, one one
dinner scene. M uh I just I love the way
she writes.
>> Yeah.
>> And she gives everybody
>> so many good. You have so also so many
good jokes in that show. Great jokes.
>> That character is hilarious and and
deeply disturbing.
>> Yeah. I mean
>> and I got it wrong initially. I was uh
playing her sort of quite evil
>> and um I was like, "It's not what you
meant, is it?" She went, "Well, she's
the most charming person in any room.
She'll be vile to you and you sort of
>> keep sort of think sort of being
grateful for the you know she
>> it's so vile.
>> I mean it's like Yeah. She's she's like
an the ultimate narcissist.
>> And when you're that way, you're usually
quite charming. Yeah.
>> Yeah. You're not usually like there's a
way in which you draw people in and then
you
>> slowly kill them. Um, and then the the
the the before we get to the roses, I
just I I feel like there was this
beautiful couple of years I where
America
said
>> I've just realized I just said how much
I love what women and I've just done a
film with Benedict as well.
>> Well, but Benedict feels like he's
sensitive enough that he counts.
>> Oh my god, he does. He really does. I
feel awful that I loved working with
Benedict.
>> Well, we're going to talk about working
with Benedict. He's going to be fine.
Okay, good. Great.
>> Benedict can handle it.
>> Yeah. Yeah.
>> And Andy was I love Andy.
>> Andy's fine.
>> And Jamie.
>> Of course, you love all the people. They
know. They do love the people.
>> They know. Um,
>> sorry to interrupt.
>> No. No. Not at all. But I'm not worried
about Benedict.
>> Okay. Okay. Good.
>> He's so tall. We don't have to worry
about him.
>> No, he'll he'll be fine.
>> He will be fine.
>> Yeah.
But no, but but we will talk about that
because but there was this like amazing
couple of years where we got to see a
lot of work being congratulated when you
won that award when you won the Academy
Award, right? And you've won a lot of
awards. And what I loved about that
moment was what I felt in that moment
and tell me if I'm wrong is that you
probably feel about awards
the same way I feel about awards which
is like lovely but but like also who
cares.
>> Yeah. I don't that's awkward things.
Yeah. I
>> Okay, maybe I should say it less
bluntly. Like
>> well I I feel like oh my god it's it is
the most lovely if your peers have said
yes seal of approval. There's nothing
better.
>> Yes.
>> But I think also give yourself uh a a
few days to feel pretty thrilled with
yourself and then
>> then forget it ever happened.
>> Go back to work.
>> That's right.
>> Yeah. It was amazing and it might never
happen again and weren't you lucky and
now head down. I find that Brits in
general accept awards really well
because they do just that is which they
like kind of like stay in the moment and
say thank you and they're very polite
but also you can tell they're like I
can't let I can't internalize this or
I'm in trouble.
>> Yeah. Yeah. Yeah.
>> It is a little bit more American to be
like I made it to the top of the
mountain and I'm here and I'm never
getting off and I knew it and I and I
got it and I went went for it. But
they're completely different feelings.
But that your speech was do you have a
you know I know it's hard to like think
about yourself and talk about yourself.
It's always hard to talk about yourself.
>> But do you have a do you have a sense of
why that speech was so wellreceived. It
just was this like everyone felt very um
with you in that moment. It felt like
really organic. What was your memories
of getting up and giving that speech and
you know like being inside of it? What
did it feel like?
>> So much I don't really remember. Um but
just beforehand I in the buildup to it
in the months the buildup people going
kept saying Oscars and I go stop it and
I would got furious it was all too scary
terrifying don't be ridiculous and uh
and then on the evening like 20 minutes
before we were meant to go my husband
went don't be cross but just in case
I've just put some notes on a piece of
paper and he went out and just [ __ ]
wanker [ __ ] okay that's quite good
things okay so he just said just
remember if it happens to to know say
this or say that say thank you and and
um so it was that I would have
>> well I'm stuttering now you I would have
been so useless it was absolutely real
and shocking but if it wasn't for him
just just take just take five minutes
just in case
>> to think about it I know
>> writer producer director he he took care
of you
>> hottie
>> general hottie and also the moment you
guys had was so sweet I mean you you
have a wonderful long-lasting marriage
with Ed and you met at where did you
meet?
>> In the town of Cambridge.
>> He was at Cambridge.
>> Olivia's crying a little bit.
>> Yeah.
>> You love Ed. He's your best friend. You
called him your best friend. I love
>> He's my best friend and I fancy him.
He's quite nice.
>> Love. Okay. How did you meet?
>> You have his name.
>> I do have his name. It's a bit like he's
pissed on me that it was my choice.
>> He just stamped it on me.
>> Okay. How did you meet?
>> We met in a play uh uh rehearsal. Um he
and
>> I'd gone to two of the rehearsals and
there was no one particularly fancable
there. I think and then I walked in and
I saw his left hand profile and at the
time uh he was smoking a Ziggy. His feet
were crossed and he's got this lovely
bump in his nose and I saw his side
profiles. Went,
>> oh god, I'm gonna marry him.
>> No,
>> proper thunderbolts. That's him. That's
him.
>> Yeah.
>> Oh,
>> I know. Poor thing. He didn't know.
>> And what does he say about it the first
time he met you?
>> Uh, he he genuinely can't remember.
>> That's so great. I mean, what's I mean,
what is the secret to a long-lasting
relationship? Any any tips, any advice?
>> I don't know.
>> You're making a movie about the opposite
of that.
>> Yes, that's true. Well, it's our 25th
wedding anniversary next year.
>> Wow.
>> We've been together 31 years.
>> Wow.
>> Um
uh we I don't think it's We're not big
fighters, which apparently isn't very
healthy.
>> Okay. Can we talk about this for a
second? I agree. I've see a lot of uh
research that says you really should
argue and fight.
Okay. Like it feels so like like what if
you're not I mean I I I don't I'm not
afraid of conflict but I don't
necessarily like want to search it out.
And
>> yeah, I I don't want people that argue
>> and I do think that
>> it is okay. We we have learned over the
years, but really late on actually to um
sometimes if that was annoying
>> then just wait until it's
>> uh it doesn't work for everyone. I know
that. And uh
>> but we I I think it's better to wait
till the much calmer moment to go can we
talk about that moment? And I did find
that a little weird. And is that okay
that I'm saying this? And yes, no. Yeah,
I was a bit cross that day and Okay. But
okay, I'm so pleased. Thank you. So, you
know, um
>> that by far that's the most British
conversation I've ever heard.
>> Yeah. Nothing actually talking.
>> Maggie Gyllenhaal stood when we did the
lost daughter and beautiful movie.
>> Ed, different Ed was the costume
designer and me. He's English and I'm in
English and he was talking about a hat
and he said I I left the hat out. I
didn't know if he I went, "Oh, I see. I
But I didn't know if did you want me to
wear it now?" And but if you like it.
No, I do like it. I just wondering
because it's um and this went on for 20
minutes. And Maggie at the time it was
co she took a mask down and went,
>> "Oh my god." Like nothing has been said.
20 minutes.
>> Yes.
>> Yeah. And I'd never realized it before
that moment when she just
>> Yeah. So that's how we argue. M and and
okay, so it leads me re really naturally
into the film that um that's out right
now with the great Benedict Cumberbatch.
And um what a pro, what a pro. And you
know, so I ask people before these um
podcasts to give me a question to ask my
guests and we speak well behind their
back like I said and and he was, you
know, of course he's like absolutely
adores you and you guys have never
worked together before which is really
interesting. Um and
>> like you I think he's able to he's shown
that he's able to toggle between a bunch
of different styles and genres. Also, it
makes me think sometimes that
uh you know there maybe it's a bit more
uh licensed to do do that in the in in
the UK than the US. I don't know.
>> Well, to go between drama and
>> maybe I'm thinking about it now because
>> you know Emma Thompson and and Kathy
Burke and we do have a line of well I'm
just thinking of the women but we do
have a long line of of people who've
been allowed to do both. Well, I
remember people talking about Hugh Lori
in house and he was like, you know, Hu
Lori started in sketch
>> comedy. Sketch comedy.
>> Yeah. Yeah.
>> Um but um he was asking me, he asked a
very like sweet actor question, which is
basically like he is in awe of you and
what you can do and he was like, "Is
there anything you're afraid of
acting wise?"
>> Well, I couldn't really tell.
>> Oh,
>> I couldn't really tell what he was what
the question was. And but let's say
sure. I would say acting wise.
>> Uh, anything where I have to show any
skin.
>> Mhm.
>> I don't like it.
>> No, thank you.
>> I don't think or pretending to have sex
with someone. I don't like it.
>> I don't like it.
>> I feel like I'm being unfaithful and it
just feels a bit
>> Yeah.
>> Even when they go, you can wear your
jeans or and a cushion between you. I
don't want to do that. Is that what I
don't know? I don't know.
>> No. The or the the on. And by the way,
bless the people that are good at it.
The people that are good at it, I'm
like, I'll watch it all day long.
>> Yeah.
>> And they're comfy, but Oh, and on screen
orgasm.
>> No, absolutely not.
>> Like that's that's what you have to do
that day. Like that's that's tough.
>> Thank god for um intimacy coordinators.
>> Absolutely.
>> EA O'Brien who is she told me and I was
meant to orgasm. Oh,
God. How do you do that? said, "Imagine
the sun is hitting your face."
>> That was great.
>> So, just be given a Yes.
>> And you just go like this.
>> Yeah.
>> You just You go, "Oh my god." You just
take your put your sunglasses on. You
go.
>> You should have done it like that.
>> Yeah. Okay. All right. Well, you got
your you got your answer. You got your
answer. But what was it like working
with him on the on the film? I loved
working with him and he's he sort of
feels like one of life's innocents in a
way, you know, uh because we um we had
such fun, but when it started to get a
little bit more cruel to each other, he
did go we could pause for a minute. Are
we okay?
Yes, Ben, it's pretend. It's all okay.
And you know, he get he's he's so in it
and
>> yes,
>> it's just lovely. But I felt like I
wanted to hold his hand a lot and go,
>> "It's it's all we're good. We're still
friends." And
>> Yes.
>> Yeah. And and
>> it's lovely to work opposite him because
he's absolutely feeling it. It's all
instant.
>> I bet. I I mean, even just seeing the
way in which you the two watching the
two of you spar is is really exciting
because it's two very good actors going
really hard. And plus there's just a ton
of like dumb physical stuff which is so
fun. Do you like doing that?
>> No.
>> No. Me neither. I don't I don't want to.
I'm not very physical.
>> I don't want any running. Yeah. I don't
want to.
>> But he is really good at that, which is
great. So, I just had the gun and he
just ran around.
>> And you're like, I think my character
would sit.
>> Yeah. Um, and then Jay Roach.
>> Oh my gosh.
>> Isn't he a delight? The director. I love
him.
>> He I love him. And I felt bad for him
every day because it was like trying to
nail jelly to the wall, trying to get us
all to stop giggling or stop
>> doing bits and joking. Also, he how
often does he hit his head?
>> Oh, because he's so tall.
>> Well, he wears a hat as well. He doesn't
see the booms and the lights. And the
crew ended up hanging sticky tape down
from everything so that he was he still
did it
>> 15 times a day. Oh,
>> it's got to be some kind of
psychological thing that he's doing.
>> He can't get across with us. He doesn't
say about things.
>> And then, okay, we talked about Kate.
You worked with Andy.
>> Okay. The movie is out. Okay. Okay. And
then my last question is
that I ask everybody and it's kind of
like a like the the reason why I'm I try
started doing this podcast genuinely was
like to try to I don't know make sense
of this wicked world and find some
solace in what everybody was doing to
keep themselves
laughing. Um, what do you watch, read,
do? What's making you laugh right now
today? Big or small? Uh,
a a you know, a a person, a video, a a
show, old or new, that you go to?
>> The the thing that makes me laugh more
than anything, belly laugh, which
doesn't happen often enough, is watching
my husband fall over or hit his head.
>> On purpose or by accident?
>> By accident. I
>> you just love an accent.
>> It literally makes me go weak. I
clapped. It's so
>> Did you ever watch America's Funniest
Home Videos?
>> Have you ever seen that show?
>> Oh, that's the sort of
>> Standby. Just one second before you go.
We're going to get you on recently where
people just lie down with the Have you
seen this?
>> So, I'm turn around and Ed's lying down.
You just see his head there and and
people go what? And they film. Oh,
that's that's gorgeous. You love. Do you
like being pranked?
>> I've got to do that, haven't I? Film it.
>> Yes.
>> Okay. Don't tell him. Don't tell him.
>> Do you like Do you like being pranked?
>> No.
>> Okay.
>> No. If someone makes me jump, I will
punch them in the face.
>> Me, too. I don't like being surprised. I
am not people get a tiny bit hurt.
>> Yeah.
>> But they're fine, right? They have to
jump.
>> As long as they're fine as long as
they're okay. I don't If it looks like
Oh, god. That looks like
>> Sorry. Sorry. Sorry.
>> Fun.
>> Okay, let's watch just two minutes of
this and we're going to let you go.
ever. Ever. I mean, I know what you
mean. Okay. These kind of things. Do I
need my glasses?
>> We're watching America's Funniest Home
Videos.
>> What's that person doing?
>> That person's That person's stuck in the
ceiling. So, that person doing something
and there and she she's stuck in the
ceiling.
>> Okay, that might have been too hard a
fall. Have you seen Have you seen the
two women trying to get into the window?
>> Oh, yeah. Oh god.
>> Oh, I want her. That That is
>> Let's watch the two women get trying to
get in the window.
>> Yes,
>> that is so
>> And the other one is no help at all
outside clearly trying not to piss
herself going.
>> Yeah. When they start want to wet
themselves up and they start laughing
>> that does two women trying to get into a
window. Okay, here we go. Okay. Okay,
let's watch. Here we go. Here we go.
Okay, they're trying to get in the
window and one of them is giving the
other one a foot up.
>> Wearing the right clothes for this. We
know that, won't we?
>> She's wearing a She's both barefoot
here.
>> Her shirt comes off. That's right. Her
shirt comes off. So, she's upside down
with these boobs, which are now facing
that way. and her mate
>> and her and her gloves come off and
they're dying laughing. I mean, this is
the kind of thing that Benny Hill told
me would happen when I and it did
happen. It actually happened.
>> Oh my god, it's that's I love that.
>> I do too. There's no there's no better
feeling. And that makes me want to watch
that again.
>> And hearing them weak, you know, when
you can't speak.
>> Oh, yes. and knowing that one person is
peeing
>> right their pants.
>> And if the upside down woman was also
peeing,
>> well, Olivia, I love you. I love that
you came. Thank you so much for coming
in what I know is is a press day. And um
if you want to leave a note for Kate,
let me know.
>> Oh, yes, please. And um
>> has Kate seen that?
>> I'm going to show it. She would enjoy
that. She's like, she probably she
probably is like
>> I reenacted it.
>> I was going to say she probably
Thank you so much. I love
>> Thank you for having me. I want you to
come and stay.
>> Okay. Can I come to your house, please?
Thank you. Okay, great.
>> Okay. Today's Polar Plunge is presented
by Visible. It's oneline wireless
running on Verizon's 5G network. For
great coverage and a reliable
connection, make the switch at
visible.com. Okay, for this Polar
Plunge, I'm going to say um that
everybody should check out a film that
we briefly mentioned in this interview,
The Lost Daughter. Um it is with Olivia
Coleman, directed beautifully by Maggie
Gyllenhaal, and with the great Dakota
Johnson, who came in here with her puppy
just a little while ago to our show.
Olivia and Dakota are so great together.
It's such a meditation on motherhood. Um
Jesse Buckley is so good in it. And it's
just uh you know, it's just one of those
movies where you're like, damn,
those ladies are good at acting. That's
what you say. You say, "Wow, those
broads are good at acting." Um, but uh
check it out if you haven't seen it.
It's a beautiful, beautiful film. But
today's Polar Plunge was presented by
Visible, the ultimate wireless hack.
It's oneline wireless with unlimited
data, hotspot talk, and text starting at
$25 a month. Terms apply. cvisible.com
for plan features and network management
details. Okay, that's the end of our
show. Bye.
You've been listening to Good Hang. The
executive producers for this show are
Bill Simmons, Jenna Weiss Berman, and me
Amy Polar. The show is produced by The
Ringer and Paperkite. For The Ringer,
production by Jack Wilson, Cat Spalain,
Kaia McMullen, and Aia Xanerys. For
Paperkite, production by Sam Green, Joel
Levelvel, and Jenna Weiss Berman.
Original music by Amy Miles. All I ever
wanted was a really good
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