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These are the user uploaded subtitles that are being translated: 1 00:00:09,210 --> 00:00:14,748 [THUNDER, BIRDS CHIRPING] 2 00:00:14,815 --> 00:00:24,792 [INSTRUMENTAL MUSIC] 3 00:00:24,858 --> 00:00:29,897 [INSTRUMENTAL MUSIC] 4 00:00:29,963 --> 00:00:43,944 [THUNDER, WIND BLOWING] 5 00:00:44,011 --> 00:00:53,987 [INSTRUMENTAL MUSIC] 6 00:00:54,054 --> 00:01:04,998 [INSTRUMENTAL MUSIC] 7 00:01:05,065 --> 00:01:13,474 [HORSE HOOVES] 8 00:01:13,541 --> 00:01:17,211 A LIFETIME AGO, I HAD A BABY GIRL. 9 00:01:17,278 --> 00:01:19,613 I NAMED HER AMANDA 10 00:01:19,680 --> 00:01:24,585 AND HELD HER ONE PRECIOUS TIME BEFORE SHE DIED. 11 00:01:24,652 --> 00:01:26,487 "HEART COMPLICATIONS," MOTHER SAID, 12 00:01:26,554 --> 00:01:29,723 AND I BELIEVED HER UNTIL LAST NIGHT, 13 00:01:29,790 --> 00:01:33,261 WHEN NEWS CAME THAT MY AMANDA IS ALIVE. 14 00:01:33,327 --> 00:01:35,629 IT WASN'T ENOUGH FOR MY COLD, BITTER MOTHER 15 00:01:35,696 --> 00:01:37,965 TO DESTROY MY MARRIAGE TO JIM SHAW 16 00:01:38,031 --> 00:01:40,100 FIVE DAYS AFTER IT BEGAN. 17 00:01:40,168 --> 00:01:41,435 SHE FELT THE NEED THE CLEANSE 18 00:01:41,502 --> 00:01:44,338 ALL TRACES OF CHEROKEE ANCESTRY FROM HER HOME, 19 00:01:44,405 --> 00:01:49,076 EVEN IF IT MEANT BANISHING MY CHILD AND LYING ABOUT IT. 20 00:01:49,143 --> 00:01:52,780 I FIND SOLACE KNOWING AMANDA LIVED WITH HER FATHER, JIM, 21 00:01:52,846 --> 00:01:55,483 UNTIL HE DIED. 22 00:01:55,549 --> 00:01:57,585 BUT NOW THAT SHE LIVES WITH HIS OLDER BROTHER, JOHN, 23 00:01:57,651 --> 00:02:01,355 WHO STOPPED SPEAKING TO JIM 14 YEARS AGO, 24 00:02:01,422 --> 00:02:04,358 I'M NOT SURE WHAT TO FEEL. 25 00:02:04,425 --> 00:02:14,402 [INSTRUMENTAL MUSIC] 26 00:02:14,468 --> 00:02:25,613 [INSTRUMENTAL MUSIC] 27 00:02:25,679 --> 00:02:27,815 AUNT LOU! 28 00:02:27,881 --> 00:02:30,851 HURRY DOWN HERE! 29 00:02:30,918 --> 00:02:33,821 OH MY GRACIOUS, SAKES ALIVE! 30 00:02:33,887 --> 00:02:36,390 MY SWEET CHILD! [LAUGHS] 31 00:02:36,457 --> 00:02:39,793 PRAISE THE GOOD LORD. 32 00:02:39,860 --> 00:02:41,462 LAND SAKES. 33 00:02:41,529 --> 00:02:43,464 WHAT TOOK YOU SO LONG? 34 00:02:43,531 --> 00:02:46,066 MAY WE OFFER YOU SOME REFRESHMENTS? 35 00:02:46,133 --> 00:02:49,837 WELL, HOT TEA WOULD BE LOVELY. PEACH. 36 00:02:49,903 --> 00:02:52,773 I'M AFRAID WE DON'T DRINK THAT ANYMORE. 37 00:02:52,840 --> 00:02:57,010 I DO. I NEVER STOPPED. 38 00:02:57,077 --> 00:03:03,217 COMIN' RIGHT UP. 39 00:03:03,284 --> 00:03:05,719 MY LITTLE AMANDA. 40 00:03:05,786 --> 00:03:08,222 MY BABY GIRL GREW UP WITHOUT ME. 41 00:03:08,289 --> 00:03:11,124 NOT ENTIRELY. 42 00:03:11,191 --> 00:03:15,195 [INSTRUMENTAL MUSIC] 43 00:03:15,263 --> 00:03:17,231 I BRING NEWS. 44 00:03:17,298 --> 00:03:27,275 [INSTRUMENTAL MUSIC] 45 00:03:27,341 --> 00:03:47,995 [INSTRUMENTAL MUSIC] 46 00:03:48,061 --> 00:03:50,063 WHERE DID YOU COME FROM? 47 00:03:50,130 --> 00:03:55,269 ASHEVILLE, THE HOME OF MRS. MARY ELIZABETH TAFT. 48 00:03:55,336 --> 00:03:59,640 MY MOTHER, YOUR GRANDMOTHER TAFT. 49 00:03:59,707 --> 00:04:02,810 THE GRANDMOTHER TAFT WHO BROKE UP YOUR MARRIAGE 50 00:04:02,876 --> 00:04:05,479 AND TOLD YOU I DIED BEING BORN AND SEPARATED US AT BIRTH 51 00:04:05,546 --> 00:04:08,382 AND TOLD DADDY YOU WERE DEAD? 52 00:04:08,449 --> 00:04:10,784 THAT GRANDMOTHER TAFT IS WHO YOU LIVE WITH? 53 00:04:10,851 --> 00:04:12,353 NOT ANYMORE. 54 00:04:12,420 --> 00:04:14,555 SHE SAID IF I LEFT IN SEARCH OF YOU TO NEVER RETURN, 55 00:04:14,622 --> 00:04:17,224 SO I, I'M QUITE HOMELESS. 56 00:04:17,291 --> 00:04:18,692 STUFF AND NONSENSE. 57 00:04:18,759 --> 00:04:23,531 YOU CAN COME LIVE WITH US AS LONG AS YOU WANT. 58 00:04:23,597 --> 00:04:27,935 WHAT KIND OF MOTHER BANISHES HER CHILD FROM HER HOME? 59 00:04:28,001 --> 00:04:31,439 A VERY SAD ONE. 60 00:04:31,505 --> 00:04:36,677 DON'T YOU MEAN CRUEL OR HEARTLESS? 61 00:04:36,744 --> 00:04:39,480 WHY DID YOU LIVE WITH HER? 62 00:04:39,547 --> 00:04:43,083 I'M ALL SHE HAS. HAD. 63 00:04:43,150 --> 00:04:48,956 I'M SURE ONCE SHE SEES MANDIE, SHE'LL TAKE YOU BOTH BACK. 64 00:04:49,022 --> 00:04:50,991 SHE'S NOT GOING TO SEE ME. 65 00:04:51,058 --> 00:05:00,868 SHE WILL IF YOU CHOOSE TO LIVE WITH YOUR MOTHER. 66 00:05:00,934 --> 00:05:04,838 NOBODY GETS ON MY TRAIN WITHOUT A TICKET. 67 00:05:04,905 --> 00:05:07,174 YOU LOSERS. 68 00:05:07,240 --> 00:05:10,978 [INSTRUMENTAL MUSIC] 69 00:05:11,044 --> 00:05:14,114 WE'LL WASH THE WINDOWS AND SCRUB THE FLOORS. 70 00:05:14,181 --> 00:05:15,449 NO. 71 00:05:15,516 --> 00:05:17,618 WE'LL RIDE ON THE ROOF. 72 00:05:17,685 --> 00:05:19,653 NO, WE MOST CERTAINLY WILL NOT. 73 00:05:19,720 --> 00:05:22,623 MY TRAINS ARE NEVER EVER, UNDER NO CIRCUMSTANCES, LATE. 74 00:05:22,690 --> 00:05:24,958 YOU HAVE NOW WASTED 42 SECONDS OF MY TIME. 75 00:05:25,025 --> 00:05:26,527 EXCUSE ME. 76 00:05:26,594 --> 00:05:33,601 PLEASE? I JUST WANT TO GO HOME TO MY WARM, CLEAN, SAFE, BED. 77 00:05:33,667 --> 00:05:43,176 [INSTRUMENTAL MUSIC] 78 00:05:43,243 --> 00:05:48,248 [BIRDS CHIRPING] 79 00:05:48,315 --> 00:05:50,317 I BRING JOHN NEWS. 80 00:05:50,384 --> 00:05:54,688 LOST ANTLER CAVE MINE. 81 00:05:54,755 --> 00:05:57,190 ANY NEWS OF THAT INFERNAL HOLE IN THE GROUND 82 00:05:57,257 --> 00:06:00,761 IS NOT WELCOME HERE. 83 00:06:00,828 --> 00:06:08,001 I WILL NOT KEEP ANYMORE SECRETS. 84 00:06:08,068 --> 00:06:24,952 PLEASE EXCUSE. 85 00:06:25,018 --> 00:06:26,620 IF I KNOCK MY BALL THROUGH THOSE TWO HOOPS 86 00:06:26,687 --> 00:06:28,556 AND HIT THE STICK, I WIN? 87 00:06:28,622 --> 00:06:30,924 YES, BUT IF YOU HIT YOUR MOTHER'S BALL, 88 00:06:30,991 --> 00:06:33,694 YOU'LL GET ANOTHER TURN. 89 00:06:33,761 --> 00:06:35,563 I DON'T NEED ANOTHER TURN. 90 00:06:35,629 --> 00:06:37,230 AH, SLOWLY. 91 00:06:37,297 --> 00:06:39,933 THINK ABOUT IT. 92 00:06:40,000 --> 00:06:49,342 HE'S TRYING TO POSTPONE LOSING TO ME. 93 00:06:49,409 --> 00:06:53,313 LOVELY SHOT, DARLING. 94 00:06:53,380 --> 00:06:55,716 WHY TRY? I WIN. 95 00:06:55,783 --> 00:06:58,586 EVEN IF YOUR BALL HITS MINE, MINE HITS THE POST FIRST. 96 00:06:58,652 --> 00:07:00,554 I STILL WIN. 97 00:07:00,621 --> 00:07:02,723 POSSIBLY. 98 00:07:02,790 --> 00:07:11,298 THERE'S NO OTHER OPTION. 99 00:07:11,364 --> 00:07:13,033 WHY DOES HE THINK FOR SO LONG? 100 00:07:13,100 --> 00:07:17,538 [SIGHS] IF I KNEW THAT, YOU'D MIGHT NEVER BEEN BORN. 101 00:07:17,605 --> 00:07:31,284 [BIRDS CHIRPING] 102 00:07:31,351 --> 00:07:44,031 [INSTRUMENTAL MUSIC] 103 00:07:44,097 --> 00:07:45,599 JUMPIN' JIMMINY. 104 00:07:45,666 --> 00:07:47,167 IS THAT ALLOWED? 105 00:07:47,234 --> 00:07:50,738 NO RULES PROHIBIT IT. 106 00:07:50,804 --> 00:07:52,205 THERE'S ALWAYS ANOTHER OPTION, 107 00:07:52,272 --> 00:07:56,644 IF YOU THINK ABOUT IT LONG ENOUGH. 108 00:07:56,710 --> 00:07:59,179 NOW I'M AFRAID YOU, UH, MUST EXCUSE 109 00:07:59,246 --> 00:08:02,282 ME. MISCREANTS HAVE DISCOVERED LOST ANTLER CAVE MINE 110 00:08:02,349 --> 00:08:05,152 AND A WAY TO BREATHE INSIDE IT. 111 00:08:05,218 --> 00:08:07,888 NED AND I LEAVE FIRST THING IN THE MORNING. 112 00:08:07,955 --> 00:08:09,690 NO! 113 00:08:09,757 --> 00:08:17,998 [INSTRUMENTAL MUSIC] 114 00:08:18,065 --> 00:08:23,537 IF YOU BOTH ARE GONE WHEN I RETURN, I WILL UNDERSTAND. 115 00:08:23,604 --> 00:08:33,647 [INSTRUMENTAL MUSIC] 116 00:08:33,714 --> 00:08:35,282 SEND SOMEONE ELSE. 117 00:08:35,348 --> 00:08:36,416 NO ONE WILL GO. 118 00:08:36,483 --> 00:08:37,851 NO ONE? 119 00:08:37,918 --> 00:08:42,790 NO BOLD, RISKY, YOUNG MAN WITH STRONG LUNGS? 120 00:08:42,856 --> 00:08:44,825 IT'S TOO LATE FOR YOU, JOHN. 121 00:08:44,892 --> 00:08:47,160 WHAT YOU'RE HOPING FOR IS UNATTAINABLE. 122 00:08:47,227 --> 00:08:51,732 PLEASE, LET IT GO. 123 00:08:51,799 --> 00:08:53,701 WHAT DO YOU THINK, MANDIE? 124 00:08:53,767 --> 00:08:55,335 IF I MADE A VERY SPECIAL PROMISE YEARS AGO 125 00:08:55,402 --> 00:08:58,806 BUT COULDN'T KEEP IT AND NOW I HAVE A SECOND CHANCE, 126 00:08:58,872 --> 00:09:01,575 SHOULD I KEEP MY PROMISE? 127 00:09:01,642 --> 00:09:06,580 YES...IF YOU TAKE US WITH YOU. 128 00:09:06,647 --> 00:09:08,315 TOO DANGEROUS. 129 00:09:08,381 --> 00:09:10,017 TOO DANGEROUS FOR WHOM? 130 00:09:10,083 --> 00:09:13,687 YOU'RE THE ONE WHO NEARLY DIED LAST TIME. 131 00:09:13,754 --> 00:09:20,460 [INSTRUMENTAL MUSIC] 132 00:09:20,527 --> 00:09:22,596 -LIZA? -DOWN HERE. 133 00:09:22,663 --> 00:09:31,872 [INSTRUMENTAL MUSIC] 134 00:09:31,939 --> 00:09:34,875 CAN YOU HAVE THIS SENT TO JOE RIGHT AWAY? 135 00:09:34,942 --> 00:09:37,210 I'D BE NEEDIN' TO ASK AUNT LOU. 136 00:09:37,277 --> 00:09:40,914 PLEASE? BEFORE THE TELEGRAPH OFFICE CLOSES? 137 00:09:40,981 --> 00:09:42,650 IF I BE GETTIN' INTO ANY TROUBLE... 138 00:09:42,716 --> 00:09:46,153 BLAME ME. 139 00:09:46,219 --> 00:09:49,890 AUNT LOU, WHAT DO YOU DO WHEN YOU'RE WATCHING A LOVED ONE 140 00:09:49,957 --> 00:09:51,792 ON A COLLISION COURSE WITH DISASTER 141 00:09:51,859 --> 00:09:54,728 AND HE WILL NOT LISTEN TO YOU? 142 00:09:54,795 --> 00:09:57,297 WELL, YOU WAIT FOR THE CRASH 143 00:09:57,364 --> 00:09:59,767 AND PRAY THERE'LL BE SOMETHIN' LEFT TO SALVAGE, 144 00:09:59,833 --> 00:10:07,808 OR YOU DON'T LET HIM TELL YOU OR YOUR DAUGHTER WHAT TO DO. 145 00:10:07,875 --> 00:10:11,311 MOMMA...MOTHER...ELIZABETH. 146 00:10:11,378 --> 00:10:15,015 MY FRIEND JOE IS BOLD AND RISKY, AND PROBABLY AS INTELLIGENT, 147 00:10:15,082 --> 00:10:16,850 AND I KNOW THE SECRET OF THE MINE, 148 00:10:16,917 --> 00:10:22,555 SO WITH OUR HELP, UNCLE JOHN CAN KEEP HIS PROMISE. 149 00:10:22,622 --> 00:10:26,960 AMANDA, I DON'T NEED JOHN'S PERMISSION TO GO SOMEWHERE, 150 00:10:27,027 --> 00:10:32,065 AND AS MY DAUGHTER, NEITHER DO YOU. 151 00:10:32,132 --> 00:10:34,367 I'M NOT AT ALL COMFORTABLE WITH THIS, 152 00:10:34,434 --> 00:10:39,139 BUT WOULD YOU GO WITH ME? 153 00:10:39,206 --> 00:10:41,641 FOLLOW HIM. 154 00:10:41,709 --> 00:10:44,511 [INSTRUMENTAL MUSIC] 155 00:10:44,577 --> 00:10:46,079 JUST A MINUTE. 156 00:10:46,146 --> 00:10:48,581 Y'ALL NEED TO FORTIFY YOURSELVES. 157 00:10:48,648 --> 00:10:53,987 [INSTRUMENTAL MUSIC] 158 00:10:54,054 --> 00:10:56,890 -THIS AIN'T RIGHT. -SHH! 159 00:10:56,957 --> 00:10:59,893 MISS ELIZABETH, THAT BE LIKE LOOKIN' IN A WOMAN'S POCKETBOOK. 160 00:10:59,960 --> 00:11:02,763 WOULD YOU CARE TO SUGGEST AN ALTERNATIVE? 161 00:11:02,830 --> 00:11:05,766 [INSTRUMENTAL MUSIC] 162 00:11:05,833 --> 00:11:08,535 WELL DONE. 163 00:11:08,601 --> 00:11:09,970 START COPYING. 164 00:11:10,037 --> 00:11:12,272 UNDER GREAT DURESS AND AGAINST MY WILL. 165 00:11:12,339 --> 00:11:13,573 AND VERY, VERY QUICKLY. 166 00:11:13,640 --> 00:11:15,575 MANDIE, KEEP AN EYE OUT. 167 00:11:15,642 --> 00:11:25,585 [INSTRUMENTAL MUSIC] 168 00:11:25,652 --> 00:11:46,740 [INSTRUMENTAL MUSIC] 169 00:11:46,807 --> 00:11:48,075 HE'S COMING! 170 00:11:48,141 --> 00:11:52,813 -ONE MORE RIDDLE. -NO TIME. 171 00:11:52,880 --> 00:11:54,915 GO, AUNT LOU. 172 00:11:54,982 --> 00:12:04,958 [INSTRUMENTAL MUSIC] 173 00:12:05,025 --> 00:12:21,875 [INSTRUMENTAL MUSIC] 174 00:12:21,942 --> 00:12:25,012 AAH! THANK YOU, JESUS! 175 00:12:25,078 --> 00:12:27,781 DON'T YOU EVER ASK ME TO GO SNOOPIN' AROUND 176 00:12:27,848 --> 00:12:29,850 OR CRAWLIN' AROUND IN COBWEBS EVER AGAIN! 177 00:12:29,917 --> 00:12:39,659 -[LAUGHS] YES, MA'AM. -THANK YOU, MA'AM. 178 00:12:39,726 --> 00:12:50,537 [TRAIN WHISTLE] 179 00:12:50,603 --> 00:13:00,547 [INSTRUMENTAL MUSIC] 180 00:13:00,613 --> 00:13:07,320 [INSTRUMENTAL MUSIC] 181 00:13:07,387 --> 00:13:11,258 [GASPS] 182 00:13:11,324 --> 00:13:13,326 OH MY! 183 00:13:13,393 --> 00:13:19,266 DARLIN', WE COULD MAKE YOU A BEARD. 184 00:13:19,332 --> 00:13:22,769 YOU'RE NOT TURNIN' ME IN FOR SOME REWARD. 185 00:13:22,836 --> 00:13:24,271 WELL, I WOULD COME GET YOU OUT OF JAIL 186 00:13:24,337 --> 00:13:28,909 JUST AS SOON AS I COLLECTED THE MONEY, HONEY. 187 00:13:28,976 --> 00:13:31,544 YOU'D LEAVE ME IN THERE TO ROT. 188 00:13:31,611 --> 00:13:33,847 I MOST CERTAINLY WOULD NOT. 189 00:13:33,914 --> 00:13:35,815 PERHAPS YOU SHOULD PUT ON YOUR THINKING CAP 190 00:13:35,883 --> 00:13:38,385 TO THINK OF A BETTER IDEA. 191 00:13:38,451 --> 00:13:48,261 [INSTRUMENTAL MUSIC] 192 00:13:48,328 --> 00:13:51,831 PERHAPS WE SHOULD BRING MORE PEOPLE. 193 00:13:51,899 --> 00:13:54,001 SAFETY IN NUMBERS. 194 00:13:54,067 --> 00:13:55,668 ARE YOU WORRIED ABOUT GOING? 195 00:13:55,735 --> 00:13:57,604 NO, NOT AT ALL. 196 00:13:57,670 --> 00:14:01,875 GOOD. NO ROOM FOR FEAR. 197 00:14:01,942 --> 00:14:06,479 NOW, THIS TO GUIDE THE WAY, 198 00:14:06,546 --> 00:14:12,619 THIS TO INTERPRET RIDDLES ALONG THE WAY, 199 00:14:12,685 --> 00:14:21,128 AND THIS, TO PROTECT THE WAY. 200 00:14:21,194 --> 00:14:23,163 NOW, LISTEN HERE. 201 00:14:23,230 --> 00:14:25,732 UNDER NO CIRCUMSTANCES DO EITHER OF YOU 202 00:14:25,798 --> 00:14:28,101 EVER ENTER THE CAVE MINE. 203 00:14:28,168 --> 00:14:30,904 AND YOU HAVE THE WHOLE TRIP TO PUT YOUR PRETTY HEADS TOGETHER 204 00:14:30,971 --> 00:14:35,542 TO MAKE SURE JOHN DOESN'T EITHER. 205 00:14:35,608 --> 00:14:39,612 ARE WE AGREED? 206 00:14:39,679 --> 00:14:44,884 [BIRDS CHIRPING] 207 00:14:44,952 --> 00:14:46,920 [INSTRUMENTAL MUSIC] 208 00:14:46,987 --> 00:14:48,989 MR. JOHN, WOULD YOU MIND AWFULLY 209 00:14:49,056 --> 00:14:51,524 IF WE IGNORE THE DOORBELL WHILE YOU'RE GONE? 210 00:14:51,591 --> 00:14:57,364 NOT AT ALL. 211 00:14:57,430 --> 00:14:58,932 WILL YOU PLEASE TAKE CARE OF SNOWBALL? 212 00:14:58,999 --> 00:15:00,233 IF YOU'LL PLEASE PROMISE 213 00:15:00,300 --> 00:15:03,070 TO BRING BACK EVERYONE IN ONE PIECE. 214 00:15:03,136 --> 00:15:09,776 [INSTRUMENTAL MUSIC] 215 00:15:09,842 --> 00:15:12,845 [TRAIN WHISTLE] 216 00:15:12,912 --> 00:15:22,889 [INSTRUMENTAL MUSIC] 217 00:15:22,956 --> 00:15:31,098 [INSTRUMENTAL MUSIC] 218 00:15:31,164 --> 00:15:33,766 RATHER UNINTIMIDATING LOOKING FELLOWS. 219 00:15:33,833 --> 00:15:35,602 ARE WE ON SCHEDULE? 220 00:15:35,668 --> 00:15:49,449 ALWAYS. 221 00:15:49,516 --> 00:15:53,320 JOE, WHAT BRINGS YOU TO FRANKLIN? 222 00:15:53,386 --> 00:15:57,590 WHENEVER DADDY LEFT FOR TRIPS, JOE WOULD VISIT. 223 00:15:57,657 --> 00:16:00,393 BUT HOW DID YOU GET WORD TO HIM SO QUICKLY? 224 00:16:00,460 --> 00:16:02,529 NED HELPED ME SEND UP SMOKE SIGNALS. 225 00:16:02,595 --> 00:16:13,140 JOE, DID YOU FORGET YOUR SUITCASE? 226 00:16:13,206 --> 00:16:18,911 JOHN, ARE YOU QUITE SURE THIS IS THE ONLY OPTION? 227 00:16:18,978 --> 00:16:24,684 [INSTRUMENTAL MUSIC] 228 00:16:24,751 --> 00:16:27,020 LAVENDER. 229 00:16:27,087 --> 00:16:28,888 PROVENCE LAVENDER. 230 00:16:28,955 --> 00:16:30,290 YOU BROUGHT IT. 231 00:16:30,357 --> 00:16:32,925 FROM MY TIME IN FRANCE. 232 00:16:32,992 --> 00:16:35,662 YOUR YEAR IN FRANCE. 233 00:16:35,728 --> 00:16:40,300 [INSTRUMENTAL MUSIC] 234 00:16:40,367 --> 00:16:43,270 NED, KEEP HIM SAFE THIS TIME. 235 00:16:43,336 --> 00:16:50,343 [INSTRUMENTAL MUSIC] 236 00:16:50,410 --> 00:16:52,212 GOODBYE. 237 00:16:52,279 --> 00:17:04,357 [INSTRUMENTAL MUSIC] 238 00:17:04,424 --> 00:17:07,427 YOU'D THINK THEY'D STAY TO SEE US OFF. 239 00:17:07,494 --> 00:17:18,971 I THINK PAPOOSE TIRED OF GOODBYES. 240 00:17:19,038 --> 00:17:21,074 WE NEED HIM. 241 00:17:21,141 --> 00:17:25,078 WHAT IF MR. JOHN SEES US BOARDING? 242 00:17:25,145 --> 00:17:27,180 HE WON'T. 243 00:17:27,247 --> 00:17:37,224 [INSTRUMENTAL MUSIC] 244 00:17:37,290 --> 00:17:57,444 [INSTRUMENTAL MUSIC] 245 00:18:09,922 --> 00:18:12,359 THIS AREA'S OFF LIMITS. 246 00:18:12,425 --> 00:18:15,395 KINDLY STEP AWAY. 247 00:18:15,462 --> 00:18:19,366 WE'LL JUST BOARD RIGHT HERE. 248 00:18:19,432 --> 00:18:22,101 NO ONE BOARDS BY THE CABOOSE. 249 00:18:22,169 --> 00:18:27,840 WELL THEN, JUST A MOMENT, PLEASE. 250 00:18:27,907 --> 00:18:30,410 NOT IN ONE MOMENT, NOW. 251 00:18:30,477 --> 00:18:35,615 [INSTRUMENTAL MUSIC] 252 00:18:35,682 --> 00:18:38,918 WELL YOU, YOU CAN'T MEAN TO LOAD THESE ALL BY YOURSELF. 253 00:18:38,985 --> 00:18:48,961 [INSTRUMENTAL MUSIC] 254 00:18:49,028 --> 00:18:55,868 [INSTRUMENTAL MUSIC] 255 00:18:55,935 --> 00:18:58,305 STOP IT, STOP IT, STOP IT. 256 00:18:58,371 --> 00:19:00,440 KINDLY BOARD IF YOU'RE BOARDING. 257 00:19:00,507 --> 00:19:13,286 [INSTRUMENTAL MUSIC] 258 00:19:13,353 --> 00:19:15,922 [STEAM HISSING] 259 00:19:15,988 --> 00:19:25,932 [INSTRUMENTAL MUSIC] 260 00:19:25,998 --> 00:19:30,737 [INSTRUMENTAL MUSIC] 261 00:19:30,803 --> 00:19:34,341 IS THIS WHAT YOU MEAN BY BEING ON SCHEDULE? 262 00:19:34,407 --> 00:19:41,314 PLEASE TAKE YOUR SEAT, SIR. 263 00:19:41,381 --> 00:19:48,020 [INSTRUMENTAL MUSIC] 264 00:19:48,087 --> 00:19:50,223 IS THERE A PROBLEM HERE? 265 00:19:50,290 --> 00:19:53,760 NO SIR, NO PROBLEM. 266 00:19:53,826 --> 00:19:59,499 WE ARE NOW 4 MINUTES AND 22 SECONDS LATE, 267 00:19:59,566 --> 00:20:01,401 ALL BECAUSE OF YOU. 268 00:20:01,468 --> 00:20:05,037 I SHALL NOW GO EXPLAIN THIS TO HIM. 269 00:20:05,104 --> 00:20:09,376 IS THAT REALLY NECESSARY? 270 00:20:09,442 --> 00:20:12,078 PLEASE FORGIVE US, SIR. 271 00:20:12,144 --> 00:20:22,154 [INSTRUMENTAL MUSIC] 272 00:20:22,221 --> 00:20:24,991 ELIZABETH TAFT, MEET JOE AND POLLY. 273 00:20:25,057 --> 00:20:26,659 [TRAIN BELL AND WHISTLE] 274 00:20:26,726 --> 00:20:28,261 PLEASURE TO MEET YOU, MISS TAFT. 275 00:20:28,328 --> 00:20:30,463 OH, MISS TAFT, I FEEL LIKE I'M IN A DREAM. 276 00:20:30,530 --> 00:20:33,933 YOU'RE EVER SO MUCH MORE BEAUTIFUL THAN YOUR PHOTOGRAPH. 277 00:20:34,000 --> 00:20:35,868 THANK YOU, POLLY. 278 00:20:35,935 --> 00:20:39,906 WOULD YOU PLEASE ALLOW AMANDA AND I A MOMENT ALONE? 279 00:20:39,972 --> 00:20:43,876 [TRAIN BELL AND WHISTLE] 280 00:20:43,943 --> 00:20:56,155 [STEAM HISSING] 281 00:20:56,222 --> 00:21:00,627 [TRAIN CHUGGING] 282 00:21:00,693 --> 00:21:03,896 I CANNOT TAKE CARE OF THEM AND YOU. 283 00:21:03,963 --> 00:21:06,633 WE CAN TAKE CARE OF OURSELVES. 284 00:21:06,699 --> 00:21:08,234 IF THOSE PEOPLE THAT BROKE INTO THE CAVE 285 00:21:08,301 --> 00:21:11,137 FOUND OUT A WAY TO BREATHE, WHY CAN'T WE? 286 00:21:11,203 --> 00:21:12,572 I KNEW IT. 287 00:21:12,639 --> 00:21:15,308 WE'RE GOING TO THE OLD CHEROKEE GOLD MINE, AREN'T WE? 288 00:21:15,375 --> 00:21:18,378 IT'S NOT A GOLD MINE, IT'S A CAVE. 289 00:21:18,445 --> 00:21:20,547 IT'S BOTH. 290 00:21:20,613 --> 00:21:22,815 ARE WE GOING TO FIND THE GOLD? 291 00:21:22,882 --> 00:21:24,517 I THINK SO. 292 00:21:24,584 --> 00:21:29,088 WE'RE GOING INTO A POISONED CAVE IN SEARCH OF RUMORED GOLD? 293 00:21:29,155 --> 00:21:31,591 NO. WE ARE GOING TO PREVENT JOHN 294 00:21:31,658 --> 00:21:38,197 FROM EVER ENTERING THE CAVE MINE. 295 00:21:38,264 --> 00:21:40,867 DID YOU BRING YOUR SCIENCE BOOK? 296 00:21:40,933 --> 00:21:42,735 IN MY SUITCASE. 297 00:21:42,802 --> 00:21:44,604 WE'RE GONNA HELP UNCLE JOHN BREATHE IN THE MINE 298 00:21:44,671 --> 00:21:47,073 SO HE CAN KEEP HIS LONG LOST PROMISE. 299 00:21:47,139 --> 00:21:48,908 -WHAT PROMISE? -TO WHOM? 300 00:21:48,975 --> 00:21:54,414 I DON'T KNOW YET, BUT I THINK IT HAS SOMETHING TO DO WITH GOLD. 301 00:21:54,481 --> 00:22:04,457 [TRAIN CHUGGING] 302 00:22:04,524 --> 00:22:10,697 [TRAIN CHUGGING] 303 00:22:10,763 --> 00:22:16,836 [WHISPERS] SUGAR PLUMB, WE'RE ON THE TRAIN. 304 00:22:16,903 --> 00:22:18,905 WE'RE GOING HOME. 305 00:22:18,971 --> 00:22:22,041 HOME SWEET HOME. 306 00:22:22,108 --> 00:22:25,578 BACK TO OUR WARM, SAFE BED. 307 00:22:25,645 --> 00:22:27,880 SHOOWEE, YOU SMELL! 308 00:22:27,947 --> 00:22:30,983 SO DO YOU, BUT I'M NOT DWELLING ON IT. 309 00:22:31,050 --> 00:22:33,319 WE'RE GOING HOME! 310 00:22:33,386 --> 00:22:42,962 [TRAIN CHUGGING] 311 00:22:43,029 --> 00:22:47,066 THAT'S ALL THAT HOLDS THESE CARS TOGETHER? 312 00:22:47,133 --> 00:22:49,969 STEP AWAY FROM THE RAILING NOW. 313 00:22:50,036 --> 00:22:54,273 THESE CARS COULDN'T ACCIDENTALLY SEPARATE, COULD THEY? 314 00:22:54,340 --> 00:22:56,208 NEVER HAPPENED, NEVER WILL. 315 00:22:56,275 --> 00:23:00,346 THE HOSE CLAMP IS LOCKED, THE CRANK ARM IS TIGHT. 316 00:23:00,413 --> 00:23:05,184 PERFECTLY SAFE. 317 00:23:05,251 --> 00:23:08,555 KEEP AWAY FROM THE RAILING. 318 00:23:08,621 --> 00:23:18,565 [INSTRUMENTAL MUSIC] 319 00:23:18,631 --> 00:23:24,871 [INSTRUMENTAL MUSIC] 320 00:23:24,937 --> 00:23:26,906 WE ARE GOING TO BEHAVE THIS ENTIRE TRIP 321 00:23:26,973 --> 00:23:30,209 SO THAT WE MAKE IT HOME WITHOUT INCIDENT. 322 00:23:30,276 --> 00:23:35,448 DARLING, WHAT INCIDENT COULD I POSSIBLY GET INTO HERE? 323 00:23:35,515 --> 00:23:38,951 [DOOR OPENS] 324 00:23:39,018 --> 00:23:40,753 SHOOWEE. 325 00:23:40,820 --> 00:23:45,391 IT'S PROBABLY A DEAD RAT. 326 00:23:45,458 --> 00:23:48,060 WHERE'S MY SUITCASE? 327 00:23:48,127 --> 00:23:54,233 [INSTRUMENTAL MUSIC] 328 00:23:54,300 --> 00:23:58,738 JOE, DID YOU MISS ME? 329 00:23:58,805 --> 00:24:06,713 I MISS YOU BOTH... DESPERATELY. 330 00:24:06,779 --> 00:24:18,791 [INSTRUMENTAL MUSIC] 331 00:24:18,858 --> 00:24:21,728 ELIZABETH, THOSE BIG CARGO BEDS ARE EMPTY. 332 00:24:21,794 --> 00:24:35,141 [INSTRUMENTAL MUSIC] 333 00:24:35,207 --> 00:24:37,309 [SHOUTS] 334 00:24:37,376 --> 00:24:47,386 [INSTRUMENTAL MUSIC] 335 00:24:47,453 --> 00:24:49,522 SOMEBODY GO TELL SOMEBODY. 336 00:24:49,589 --> 00:24:51,858 I WILL WHEN THE CONDUCTOR RETURNS. 337 00:24:51,924 --> 00:25:01,934 [HUMMING] 338 00:25:02,001 --> 00:25:06,472 HEY, THAT'S THE WANTED MAN FROM THE POSTER. 339 00:25:06,539 --> 00:25:10,677 HALF OF $1,000. 340 00:25:10,743 --> 00:25:12,011 DO YOU REALLY THINK THEY'RE GONNA GIVE A REWARD 341 00:25:12,078 --> 00:25:14,547 TO SOMEBODY WHO'S ILLEGALLY ON THIS TRAIN? 342 00:25:14,614 --> 00:25:17,283 [HUMMING] 343 00:25:17,349 --> 00:25:23,355 [INSTRUMENTAL MUSIC] 344 00:25:23,422 --> 00:25:30,496 [SQUEALING] 345 00:25:30,563 --> 00:25:34,433 WHOA! OOH! 346 00:25:34,500 --> 00:25:36,603 OH, BAYNE! 347 00:25:36,669 --> 00:25:39,171 DARLING HUSBAND OF MINE! 348 00:25:39,238 --> 00:25:44,310 IF YOU HAD A LOVIN' HUSBAND, WE'D KNOW IT BY NOW. 349 00:25:44,376 --> 00:25:48,648 [INSTRUMENTAL MUSIC] 350 00:25:48,715 --> 00:25:54,553 [TRAIN CHUGGING] 351 00:25:54,621 --> 00:25:55,988 MAYBE WE SHOULD JUMP OFF THE TRAIN HERE 352 00:25:56,055 --> 00:26:01,060 RATHER THAN GO UP TO THE NEXT STATION AND BACKTRACK. 353 00:26:01,127 --> 00:26:03,562 SHOW ME OTHER MAP. 354 00:26:03,630 --> 00:26:06,999 [INSTRUMENTAL MUSIC] 355 00:26:07,066 --> 00:26:09,602 [SIGHS] IT'S PROBABLY IN MY COAT. 356 00:26:09,669 --> 00:26:14,874 [INSTRUMENTAL MUSIC] 357 00:26:14,941 --> 00:26:17,243 -CABOOSE. -NO! 358 00:26:17,309 --> 00:26:27,286 [INSTRUMENTAL MUSIC] 359 00:26:27,353 --> 00:26:47,306 [INSTRUMENTAL MUSIC] 360 00:27:03,189 --> 00:27:08,194 [HUMMING] 361 00:27:08,260 --> 00:27:09,261 HUSH! 362 00:27:09,328 --> 00:27:10,562 WHY? 363 00:27:10,629 --> 00:27:12,198 SOMEBODY MIGHT HEAR YOU. 364 00:27:12,264 --> 00:27:17,269 SOMEBODY WHO? 365 00:27:17,336 --> 00:27:19,706 AAAH! HELP! 366 00:27:19,772 --> 00:27:21,808 HELP! HE'S A WANTED MAN! 367 00:27:21,874 --> 00:27:24,543 SOMEBODY SAVE ME, PLEASE. 368 00:27:24,610 --> 00:27:26,512 WHERE'S YOUR HUSBAND? 369 00:27:26,578 --> 00:27:28,815 YOUR LOVING HUSBAND IS HERE! 370 00:27:28,881 --> 00:27:31,217 POLLY, YOU GO FIND THE CONDUCTOR. 371 00:27:31,283 --> 00:27:33,820 YOU TELL HIM YOU HAVE THE THIEF AND THAT YOU WANT HALF. 372 00:27:33,886 --> 00:27:36,422 THE $1,000 REWARD. 373 00:27:36,488 --> 00:27:38,024 GO RIGHT NOW, CHILD. 374 00:27:38,090 --> 00:27:44,030 DON'T YOU TAKE ONE ITTY BITTY STEP, MISSY. 375 00:27:44,096 --> 00:27:46,298 LADY, I KNOW WHERE YOU CAN FIND 376 00:27:46,365 --> 00:27:52,805 TEN TIMES AS MUCH GOLD AS THAT REWARD. 377 00:27:52,872 --> 00:27:57,543 LIAR, LIAR, LIAR. 378 00:27:57,609 --> 00:28:00,813 I'M A THIEF, NOT A LIAR. 379 00:28:00,880 --> 00:28:08,855 [INSTRUMENTAL MUSIC] 380 00:28:08,921 --> 00:28:11,724 DON'T YOU WANNA GET YOU SOME? 381 00:28:11,791 --> 00:28:17,563 [INSTRUMENTAL MUSIC] 382 00:28:17,629 --> 00:28:19,298 WHERE? 383 00:28:19,365 --> 00:28:22,334 THE TOP OF THAT MOUNTAIN, YONDER. 384 00:28:22,401 --> 00:28:33,846 [INSTRUMENTAL MUSIC] 385 00:28:33,913 --> 00:28:36,648 OH, CAN WE PLEASE NOT? 386 00:28:36,715 --> 00:28:50,029 [INSTRUMENTAL MUSIC] 387 00:28:50,096 --> 00:28:54,333 HE JUST LOVES TO PLAY HIDE AND GO SEEK. 388 00:28:54,400 --> 00:29:04,376 [TRAIN WHISTLE] 389 00:29:04,443 --> 00:29:08,180 WE'RE NOT CUTTIN' OFF YOUR CIRCULATION, ARE WE? 390 00:29:08,247 --> 00:29:10,416 LADY, THE TERRAIN'S A'CHANGIN'. 391 00:29:10,482 --> 00:29:15,587 IF YOU WANNA JUMP OFF THIS TRAIN ALIVE, YOU BEST DO IT NOW. 392 00:29:15,654 --> 00:29:16,555 WAIT JUST A MINUTE. 393 00:29:16,622 --> 00:29:18,057 MY LITTLE SQUASH SEED, 394 00:29:18,124 --> 00:29:20,827 IF THAT WAS GOLD IN THAT THERE SACK THAT HE'S CLUTCHIN', 395 00:29:20,893 --> 00:29:23,329 WOULD WE HAVE TO GO ON THIS WILD GOOSE CHASE? 396 00:29:23,395 --> 00:29:25,798 IT AIN'T GOLD. 397 00:29:25,865 --> 00:29:29,936 NO, NO, NO, OF COURSE NOT. 398 00:29:30,002 --> 00:29:33,505 NO! CAREFUL! 399 00:29:33,572 --> 00:29:35,541 I'LL SHOW YOU. 400 00:29:35,607 --> 00:29:38,710 [INSTRUMENTAL MUSIC] 401 00:29:38,777 --> 00:29:40,446 IT'S A SCRUBBER. 402 00:29:40,512 --> 00:29:44,050 HELPS YOU BREATHE WHEN YOU'RE IN POISONOUS AIR. 403 00:29:44,116 --> 00:29:54,560 [INSTRUMENTAL MUSIC] 404 00:29:54,626 --> 00:30:04,603 [TRAIN CHUGGING] 405 00:30:04,670 --> 00:30:13,112 [TRAIN CHUGGING] 406 00:30:13,179 --> 00:30:14,080 CAREFUL! 407 00:30:14,146 --> 00:30:16,682 I AM! WHERE ARE THEY, POLLY? 408 00:30:16,748 --> 00:30:18,584 OUT OF SIGHT. 409 00:30:18,650 --> 00:30:28,627 [TRAIN CHUGGING AND MUSIC] 410 00:30:28,694 --> 00:30:41,874 [TRAIN CHUGGING AND MUSIC] 411 00:30:41,941 --> 00:30:44,810 WE HAVE TO GET THAT SCRUBBER. 412 00:30:44,877 --> 00:30:48,014 I AM NOT JUMPIN' OFF A MOVIN' TRAIN! 413 00:30:48,080 --> 00:31:00,159 [INSTRUMENTAL MUSIC] 414 00:31:00,226 --> 00:31:02,094 I DON'T THINK WE SHOULD DO THIS! 415 00:31:02,161 --> 00:31:04,931 -OF COURSE, WE SHOULDN'T! -PULL, MANDIE, PULL! 416 00:31:04,997 --> 00:31:07,833 AREN'T WE OVERREACTING JUST A TEENSY BIT? 417 00:31:07,900 --> 00:31:11,003 YES! 418 00:31:11,070 --> 00:31:14,907 THERE ABSOLUTELY, POSITIVELY MUST BE ANOTHER WAY. 419 00:31:14,974 --> 00:31:16,708 LIKE WHAT? 420 00:31:16,775 --> 00:31:19,778 I DON'T KNOW! 421 00:31:19,845 --> 00:31:23,582 MANDIE, YOUR MOTHER! 422 00:31:23,649 --> 00:31:25,985 HARDER! PULL HARDER! 423 00:31:26,052 --> 00:31:28,054 IT'S TOO LATE! IT'S TOO LATE! 424 00:31:28,120 --> 00:31:40,266 [INSTRUMENTAL MUSIC] 425 00:31:40,332 --> 00:31:41,500 MANDIE! 426 00:31:41,567 --> 00:31:45,071 ELIZABETH, MEET AT THE CLIFF TOP! 427 00:31:45,137 --> 00:31:47,073 THE CLIFF TOP! 428 00:31:47,139 --> 00:31:50,509 [TRAIN WHISTLE] 429 00:31:50,576 --> 00:31:57,616 [INSTRUMENTAL MUSIC] 430 00:31:57,683 --> 00:32:00,152 WE ARE IN SO MUCH TROUBLE! 431 00:32:00,219 --> 00:32:03,689 ONLY UNTIL WE GET THE SCRUBBER, THEN THEY'LL FORGIVE US. 432 00:32:03,755 --> 00:32:05,691 I PROMISE. 433 00:32:05,757 --> 00:32:16,002 [INSTRUMENTAL MUSIC] 434 00:32:16,068 --> 00:32:19,238 WHERE ARE YOUR CHILDREN? 435 00:32:19,305 --> 00:32:22,241 CAN YOU PLEASE STOP THE TRAIN? 436 00:32:22,308 --> 00:32:26,778 TOWN, FOUR MINUTES AND THREE SECONDS. 437 00:32:26,845 --> 00:32:30,983 [METAL CREAKING] 438 00:32:31,050 --> 00:32:33,585 WHAT HAVE WE DONE? 439 00:32:33,652 --> 00:32:36,855 THEY'LL SEND US TO JAIL! JAIL! 440 00:32:36,922 --> 00:32:42,128 [INSTRUMENTAL MUSIC] 441 00:32:42,194 --> 00:32:44,997 -SLOWER! -I'M TRYING! 442 00:32:45,064 --> 00:32:55,041 [INSTRUMENTAL MUSIC] 443 00:32:55,107 --> 00:33:07,219 [INSTRUMENTAL MUSIC] 444 00:33:07,286 --> 00:33:08,820 -LET'S JUMP. -NO! 445 00:33:08,887 --> 00:33:09,855 THEN WE'LL LEAVE YOU HERE. 446 00:33:09,921 --> 00:33:12,691 NO, WE STAY TOGETHER. 447 00:33:12,758 --> 00:33:34,713 [INSTRUMENTAL MUSIC] 448 00:33:34,780 --> 00:33:38,284 MAY I GIVE YOU THE SHORT VERSION NOW AND EXPLAIN LATER? 449 00:33:38,350 --> 00:33:39,785 AND, AND WILL YOU PLEASE WAIT 450 00:33:39,851 --> 00:33:43,021 UNTIL I'M FINISHED BEFORE EXPLODING? 451 00:33:43,089 --> 00:33:45,824 IT DEPENDS ON WHAT'S HAPPENED. 452 00:33:45,891 --> 00:33:51,530 MANDIE, POLLY, AND JOE ARE ON THE CABOOSE, 453 00:33:51,597 --> 00:33:59,071 WHICH THEY HAVE DISCONNECTED FROM THE TRAIN. 454 00:33:59,138 --> 00:34:05,577 [INSTRUMENTAL MUSIC] 455 00:34:05,644 --> 00:34:06,745 WHAT'S THAT FOR? 456 00:34:06,812 --> 00:34:08,547 IN CASE WE DON'T CATCH UP WITH THEM. 457 00:34:08,614 --> 00:34:11,183 WE DON'T NEED IT. 458 00:34:11,250 --> 00:34:21,693 [INSTRUMENTAL MUSIC] 459 00:34:21,760 --> 00:34:24,996 WE'RE GONNA TAKE UNCLE JOHN'S RUCK SACK AS A PEACE OFFERING. 460 00:34:25,063 --> 00:34:31,437 [INSTRUMENTAL MUSIC] 461 00:34:31,503 --> 00:34:34,773 LET'S GO! 462 00:34:34,840 --> 00:34:37,243 WHAT IF I GET TIRED AND SLOW YOU DOWN? 463 00:34:37,309 --> 00:34:40,812 -I'LL CARRY YOU PIGGYBACK. -I'M TIRED. 464 00:34:40,879 --> 00:34:54,993 [INSTRUMENTAL MUSIC] 465 00:34:55,060 --> 00:34:57,329 HOW DO WE KNOW WHERE TO GO? 466 00:34:57,396 --> 00:35:04,936 WE FOLLOW THE RIDDLES. 467 00:35:05,003 --> 00:35:13,545 [STEAM HISSING] 468 00:35:13,612 --> 00:35:16,182 I FIND CABOOSE, YOU GO TO CLIFFS. 469 00:35:16,248 --> 00:35:17,949 WE NEED MY KNAPSACK! 470 00:35:18,016 --> 00:35:20,118 I'M SORRY, MA'AM, WE'RE DETAINING YOU FOR QUESTIONING. 471 00:35:20,186 --> 00:35:21,453 AFTER I'VE FOUND MY DAUGHTER. 472 00:35:21,520 --> 00:35:24,923 -I REALLY MUST INSIST. -SO MUST I. 473 00:35:24,990 --> 00:35:26,892 AFTER YOU. 474 00:35:26,958 --> 00:35:36,935 [INSTRUMENTAL MUSIC] 475 00:35:37,002 --> 00:35:43,975 [INSTRUMENTAL MUSIC] 476 00:35:44,042 --> 00:35:45,444 MY GOOD MAN, FOR TWO HORSES. 477 00:35:45,511 --> 00:35:46,912 WE'LL BE BACK IN A FEW DAYS. 478 00:35:46,978 --> 00:35:49,281 I'M JOHN SHAW, THANK YOU. 479 00:35:49,348 --> 00:35:53,885 JOHN, RIP THE BACK OF MY DRESS. 480 00:35:53,952 --> 00:35:57,723 HURRY! 481 00:35:57,789 --> 00:35:59,525 [MATERIAL TEARS] 482 00:35:59,591 --> 00:36:03,061 THANK YOU. 483 00:36:03,128 --> 00:36:06,698 I HAD RATHER GO ALONE. 484 00:36:06,765 --> 00:36:10,369 I'D RATHER YOU MAKE AN EFFORT TO KEEP UP WITH ME. 485 00:36:10,436 --> 00:36:20,412 [INSTRUMENTAL MUSIC] 486 00:36:20,479 --> 00:36:40,632 [INSTRUMENTAL MUSIC] 487 00:36:58,450 --> 00:37:00,252 MY FEET HURT. 488 00:37:00,319 --> 00:37:02,220 TELL THEM TO STOP. 489 00:37:02,288 --> 00:37:03,955 [SQUEALING] OH, GNATS! 490 00:37:04,022 --> 00:37:06,191 I HATE GNATS! AAH! 491 00:37:06,258 --> 00:37:07,559 IF WE START CLIMBING NOW, 492 00:37:07,626 --> 00:37:09,928 WE CAN GET TO THE TOP OF THE HILL FIRST. 493 00:37:09,995 --> 00:37:11,263 AND THEN WE CAN ATTACK. 494 00:37:11,330 --> 00:37:15,000 ATTACK? NO, OUTSMART. 495 00:37:15,066 --> 00:37:18,270 RIGHT NOW, OUTRUN. 496 00:37:18,337 --> 00:37:20,406 GO, GO, GO, GO! 497 00:37:20,472 --> 00:37:30,416 [INSTRUMENTAL MUSIC] 498 00:37:30,482 --> 00:37:44,463 [INSTRUMENTAL MUSIC] 499 00:37:44,530 --> 00:37:48,033 ALRIGHTY. HOW DO WE ATTACK? 500 00:37:48,099 --> 00:37:54,373 [BIRDS CHIRPING] 501 00:37:54,440 --> 00:37:56,775 WHICH WAY WILL THEY GO? 502 00:37:56,842 --> 00:38:03,449 [BIRDS CHIRPING] 503 00:38:03,515 --> 00:38:06,418 "THE EASY WAY IS QUICK TO PLEASE 504 00:38:06,485 --> 00:38:09,220 AND SET YOUR ACHING BONES AT EASE." 505 00:38:09,287 --> 00:38:11,089 AMEN. 506 00:38:11,156 --> 00:38:13,592 "BUT SHOULD YOU ASPIRE TO RACE MORE SWIFTLY, 507 00:38:13,659 --> 00:38:17,729 YOU'LL FIND A SECOND PATH TO VICTORY, 508 00:38:17,796 --> 00:38:19,965 IF WHEN THE TRAIL BEGINS TO NARROW, 509 00:38:20,031 --> 00:38:22,167 YOU PERSEVERE STRAIGHT AS AN ARROW." 510 00:38:22,233 --> 00:38:28,474 [GROANS] 511 00:38:28,540 --> 00:38:30,976 HOW ARE WE SUPPOSED TO KNOW WHICH WAY? 512 00:38:31,042 --> 00:38:35,347 WELL, IF I'M ROACH, I'M SICK AND TIRED 513 00:38:35,414 --> 00:38:38,950 OF GAYNELLE SNOW'S CONSTANT JABBERING, 514 00:38:39,017 --> 00:38:40,919 I WANT THE SWIFTEST WAY. 515 00:38:40,986 --> 00:38:44,356 YOU'RE SO CLEVER. SADLY. 516 00:38:44,423 --> 00:38:51,096 [INSTRUMENTAL MUSIC] 517 00:38:51,162 --> 00:38:53,098 I HAVE AN IDEA. 518 00:38:53,164 --> 00:39:04,976 [INSTRUMENTAL MUSIC] 519 00:39:05,043 --> 00:39:08,246 NO, NO WAY. 520 00:39:08,313 --> 00:39:19,357 PLEASE? 521 00:39:19,425 --> 00:39:23,128 JOHN! 522 00:39:23,194 --> 00:39:24,863 SHE'S EXHAUSTED. 523 00:39:24,930 --> 00:39:26,965 WHO IS? 524 00:39:27,032 --> 00:39:37,008 [INSTRUMENTAL MUSIC] 525 00:39:37,075 --> 00:40:04,102 [INSTRUMENTAL MUSIC] 526 00:40:04,169 --> 00:40:06,505 HOW DOES THAT FEEL? 527 00:40:06,572 --> 00:40:12,511 BETTER THAN I EXPECTED. 528 00:40:12,578 --> 00:40:19,050 [INSTRUMENTAL MUSIC] 529 00:40:19,117 --> 00:40:20,652 WHAT IF SOMETHING GOES WRONG? 530 00:40:20,719 --> 00:40:22,821 IT WON'T, IF EVERYONE DOES THEIR PART. 531 00:40:22,888 --> 00:40:24,422 HOW DO YOU KNOW? 532 00:40:24,490 --> 00:40:27,959 HAVE YOU EVEN THOUGHT ONCE ABOUT HOW FOOLHARDY THIS IS? 533 00:40:28,026 --> 00:40:29,528 OF COURSE NOT. 534 00:40:29,595 --> 00:40:32,464 LOOK, JOE'S RIGHT. 535 00:40:32,531 --> 00:40:34,733 I ALREADY KNEW THAT. 536 00:40:34,800 --> 00:40:44,743 [INSTRUMENTAL MUSIC] 537 00:40:44,810 --> 00:40:49,881 HONEYBUNS, YOU, WOULD YOU MIND CARRYIN' ME, PLEASE? 538 00:40:49,948 --> 00:40:50,982 PLEASE, PLEASE? 539 00:40:51,049 --> 00:40:52,851 NO. NO, NO. 540 00:40:52,918 --> 00:40:57,455 YOU TOO TIRED TO CARRY ON, SUGARPLUM? 541 00:40:57,523 --> 00:41:01,059 OF COURSE NOT, PUDDIN' PIE. 542 00:41:01,126 --> 00:41:12,403 [INSTRUMENTAL MUSIC] 543 00:41:12,470 --> 00:41:15,373 POLLY, PULL ME UP, PULL ME UP! 544 00:41:15,440 --> 00:41:17,408 NO! 545 00:41:17,475 --> 00:41:21,279 [INSTRUMENTAL MUSIC] 546 00:41:21,346 --> 00:41:23,882 -POLLY, GIVE ME YOUR HAND! -PULL THE ROPE! 547 00:41:23,949 --> 00:41:25,751 GOT IT, GET HIM! 548 00:41:25,817 --> 00:41:28,920 [INSTRUMENTAL MUSIC] 549 00:41:28,987 --> 00:41:31,489 -PULL HIM UP, POLLY. -I AM. 550 00:41:31,557 --> 00:41:38,997 [INSTRUMENTAL MUSIC] 551 00:41:39,064 --> 00:41:42,167 [GUNSHOT] 552 00:41:42,233 --> 00:41:44,235 JOE! 553 00:41:44,302 --> 00:41:46,538 [INSTRUMENTAL MUSIC] 554 00:41:46,605 --> 00:41:48,874 [COUGHING] 555 00:41:48,940 --> 00:41:53,545 AIN'T NOBODY STEALS FROM THE KING OF THIEVES. 556 00:41:53,612 --> 00:41:55,446 GO, GO, GO, GO! 557 00:41:55,513 --> 00:42:05,490 [INSTRUMENTAL MUSIC] 558 00:42:05,557 --> 00:42:25,711 [INSTRUMENTAL MUSIC] 559 00:42:45,664 --> 00:42:47,999 WHY COULDN'T YOU HOLD ONTO HIM? 560 00:42:48,066 --> 00:42:50,501 YOU'VE BEEN DOING A GREAT JOB OF IT SO FAR. 561 00:42:50,568 --> 00:42:52,403 IT WASN'T POLLY'S FAULT. 562 00:42:52,470 --> 00:42:56,474 WE SHOULD HAVE TAKEN OUR TIME, THOUGHT OF A BETTER PLAN. 563 00:42:56,541 --> 00:43:02,213 IT WAS PERFECT, IF ONLY YOU'D HELD ON. 564 00:43:02,280 --> 00:43:07,352 MANDIE! MANDIE! 565 00:43:07,418 --> 00:43:12,323 MANDIE, WHOOP. MANDIE! 566 00:43:12,390 --> 00:43:15,493 POLLY, JOE! 567 00:43:15,560 --> 00:43:17,763 WE PROPOSE A TRUCE. 568 00:43:17,829 --> 00:43:23,101 [INSTRUMENTAL MUSIC] 569 00:43:23,168 --> 00:43:30,642 WHY COMPETE WHEN WE CAN HELP EACH OTHER? 570 00:43:30,709 --> 00:43:40,686 [INSTRUMENTAL MUSIC] 571 00:43:40,752 --> 00:44:01,572 [INSTRUMENTAL MUSIC] 572 00:44:01,639 --> 00:44:13,318 THEY'RE GONE. 573 00:44:13,384 --> 00:44:18,356 DADDY SAID THE CAVE SMELLED BAD, LIKE ROTTEN EGGS. 574 00:44:18,423 --> 00:44:22,560 SULFUR, UGH, SMELLS POSITIVELY HORRENDOUS. 575 00:44:22,627 --> 00:44:24,595 SO, WHILE INSIDE THE MINE, 576 00:44:24,662 --> 00:44:27,232 YOU BREATHE SULFUR INSTEAD OF OXYGEN? 577 00:44:27,298 --> 00:44:34,806 SULFUR IS A SOLID WHICH DOESN'T SMELL. 578 00:44:34,873 --> 00:44:37,976 SULFUR DIOXIDE IS A GAS WHICH SMELLS LIKE ROTTEN EGGS 579 00:44:38,043 --> 00:44:41,279 AND CAN ONLY BE CREATED IN THE PRESENCE OF AIR. 580 00:44:41,346 --> 00:44:45,851 SO, INSIDE THE MINE, THERE IS SOME OXYGEN? 581 00:44:45,917 --> 00:44:58,596 YES, WE NEED A TANK TO PUMP THE POISONED AIR INTO. 582 00:44:58,663 --> 00:45:02,067 AND A PUMP. 583 00:45:02,133 --> 00:45:05,270 AND A FILTER TO LET THE OXYGEN IN 584 00:45:05,336 --> 00:45:18,183 BUT KEEP THE SULFUR DIOXIDE OUT. 585 00:45:18,249 --> 00:45:19,517 WORTH A TRY. 586 00:45:19,584 --> 00:45:25,590 AND WE NEED SOMETHING TO CONNECT TO OUR NOSE. 587 00:45:25,656 --> 00:45:28,726 BRANCHES, JOHN, BRANCHES! 588 00:45:28,794 --> 00:45:32,330 -DUCK. -JOHN! 589 00:45:32,397 --> 00:45:34,099 THANK YOU. 590 00:45:34,165 --> 00:45:36,868 I WAS IN DIRE NEED OF ADDITIONAL EXCITEMENT. 591 00:45:36,935 --> 00:45:38,804 LIZ, WHY DID YOU COME? 592 00:45:38,870 --> 00:45:40,438 WHY DID YOU BRING MANDIE? 593 00:45:40,505 --> 00:45:44,042 CAN WE PLEASE JUST STAY FOCUSED ON WATCHING WHERE WE ARE GOING? 594 00:45:44,109 --> 00:45:46,778 FINE, WE ARE FOCUSED. 595 00:45:46,845 --> 00:45:49,147 NOW ANSWER THE QUESTION. 596 00:45:49,214 --> 00:45:50,748 HOW MANY EXCURSIONS DID YOU TAKE 597 00:45:50,816 --> 00:45:54,953 DURING THE TIME THAT WE... KNEW EACH OTHER? 598 00:45:55,020 --> 00:45:56,855 THE EXACT NUMBER ESCAPES ME. 599 00:45:56,922 --> 00:45:58,689 SHALL WE SAY SEVERAL? 600 00:45:58,756 --> 00:46:00,625 YES. 601 00:46:00,691 --> 00:46:04,930 WHY DID YOU NEVER TAKE ME ALONG, NOT EVEN ONE TIME? 602 00:46:04,996 --> 00:46:10,101 BECAUSE I HAD NO DESIRE TO INFURIATE YOUR MOTHER. 603 00:46:10,168 --> 00:46:13,738 WHY NOT? 604 00:46:13,805 --> 00:46:15,941 BECAUSE ELIZABETH, UNLIKE MY BROTHER, 605 00:46:16,007 --> 00:46:19,878 I CARED WHAT YOUR MOTHER THOUGHT. 606 00:46:19,945 --> 00:46:22,580 I DID NOT WANT TO CAUSE A RIFT BETWEEN YOU. 607 00:46:22,647 --> 00:46:26,584 SHE'S THE ONLY FAMILY YOU HAD. 608 00:46:26,651 --> 00:46:31,222 YOU NEVER TOLD ME THAT. 609 00:46:31,289 --> 00:46:34,092 I GUESS I THOUGHT IT WAS OBVIOUS. 610 00:46:34,159 --> 00:46:40,899 [INSTRUMENTAL MUSIC] 611 00:46:40,966 --> 00:46:43,534 I THINK WE SHOULD TRY TO TAKE THE SCRUBBER AGAIN. 612 00:46:43,601 --> 00:46:47,605 NO, JUST GIVE ME A LITTLE TIME. 613 00:46:47,672 --> 00:46:54,245 I'LL THINK OF SOMETHING. 614 00:46:54,312 --> 00:46:57,548 IF WE CAN GET TO THE TOP OF THESE CLIFFS FIRST, 615 00:46:57,615 --> 00:46:59,851 WE COULD ATTACK. 616 00:46:59,918 --> 00:47:03,989 SINCE OUTSMARTING DIDN'T WORK LAST TIME. 617 00:47:04,055 --> 00:47:11,762 BUT THEY HAVE A GUN. 618 00:47:11,829 --> 00:47:21,806 [INSTRUMENTAL MUSIC] 619 00:47:21,873 --> 00:47:29,614 [INSTRUMENTAL MUSIC] 620 00:47:29,680 --> 00:47:32,617 I WISH WE COULD GO THAT SLOW. 621 00:47:32,683 --> 00:47:38,789 [WIND BLOWING] 622 00:47:38,856 --> 00:47:40,858 "A CLIFF SO CRAGGY AND SO WIDE 623 00:47:40,926 --> 00:47:44,729 CONCEALS ITS SECRET TO THE SIDE." 624 00:47:44,795 --> 00:47:54,339 THAT SIDE'S CLOSER. 625 00:47:54,405 --> 00:47:56,274 "ASCEND NOW SAFE WITH HANDS OF STONE. 626 00:47:56,341 --> 00:48:01,779 BE SURE TO CLIMB NOT UP ALONE." 627 00:48:01,846 --> 00:48:06,784 WITH HANDS OF STONE? 628 00:48:06,851 --> 00:48:08,586 I CANNOT CLIMB THIS. 629 00:48:08,653 --> 00:48:12,123 I'LL HELP YOU. 630 00:48:12,190 --> 00:48:14,625 MANDIE, ARE YOUR HANDS MADE OF STONE? 631 00:48:14,692 --> 00:48:15,860 NO. 632 00:48:15,927 --> 00:48:17,295 THEN HOW ABOUT YOU STOP LOOKING AT THEM 633 00:48:17,362 --> 00:48:19,864 LIKE THEY MIGHT GIVE YOU THE ANSWER? 634 00:48:19,931 --> 00:48:22,200 YOU GOTTA THINK OUTSIDE OF THE ORDINARY. 635 00:48:22,267 --> 00:48:25,670 OH, RIGHT. YOU'RE THE CLEVER ONE. 636 00:48:25,736 --> 00:48:27,038 YOU SOLVE IT, THEN. 637 00:48:27,105 --> 00:48:29,941 HE WILL, FASTER THAN YOU. 638 00:48:30,008 --> 00:48:37,615 [WIND BLOWING] 639 00:48:37,682 --> 00:48:47,425 [INSTRUMENTAL MUSIC] 640 00:48:47,492 --> 00:48:49,194 I GOT IT! 641 00:48:49,260 --> 00:48:56,567 [INSTRUMENTAL MUSIC] 642 00:48:56,634 --> 00:48:59,037 HANDS OF STONE. 643 00:48:59,104 --> 00:49:09,080 [INSTRUMENTAL MUSIC] 644 00:49:09,147 --> 00:49:27,632 [INSTRUMENTAL MUSIC] 645 00:49:27,698 --> 00:49:34,072 ELIZABETH, IS THERE ANY CHANCE YOU CAN HANDLE A SHORT CUT? 646 00:49:34,139 --> 00:49:37,708 IS THIS THE WAY YOU WOULD GO IF NED WERE HERE? 647 00:49:37,775 --> 00:49:40,178 YES. 648 00:49:40,245 --> 00:49:43,148 THEN I SHALL GIVE IT A TRY. 649 00:49:43,214 --> 00:49:53,158 [INSTRUMENTAL MUSIC] 650 00:49:53,224 --> 00:50:10,775 [INSTRUMENTAL MUSIC] 651 00:50:10,841 --> 00:50:12,877 I HAVE AN IDEA. 652 00:50:12,943 --> 00:50:22,920 [INSTRUMENTAL MUSIC] 653 00:50:22,987 --> 00:50:30,228 [INSTRUMENTAL MUSIC] 654 00:50:30,295 --> 00:50:33,998 YES, I THINK I CAN HANDLE IT. 655 00:50:34,065 --> 00:50:40,905 GOOD. WE'RE NOT FINISHED. 656 00:50:40,971 --> 00:50:42,307 IF Y'ALL HOLD THE CORNERS, 657 00:50:42,373 --> 00:50:45,310 I'LL DIVE UNDERNEATH AND GET THE SCRUBBER. 658 00:50:45,376 --> 00:50:48,679 IN MY OPINION, THIS IS NOT A GOOD IDEA. 659 00:50:48,746 --> 00:50:52,217 NOTHING IS A GOOD IDEA IN YOUR OPINION. 660 00:50:52,283 --> 00:50:55,520 I HAVE GOOD IDEAS. 661 00:50:55,586 --> 00:50:57,622 LIKE WHAT? 662 00:50:57,688 --> 00:51:00,891 LIKE WE DON'T ATTACK PEOPLE WITH GUNS. 663 00:51:00,958 --> 00:51:04,695 BAD IDEA. 664 00:51:04,762 --> 00:51:07,332 GOOD IDEA. 665 00:51:07,398 --> 00:51:16,707 [INSTRUMENTAL MUSIC] 666 00:51:16,774 --> 00:51:18,776 LET'S GO NOW. 667 00:51:18,843 --> 00:51:24,582 [INSTRUMENTAL MUSIC] 668 00:51:24,649 --> 00:51:26,151 HELP! 669 00:51:26,217 --> 00:51:33,258 [SQUEALING] 670 00:51:33,324 --> 00:51:37,895 TAKE IT OFF, TAKE IT OFF! 671 00:51:37,962 --> 00:51:39,397 WHAT ARE YOU DOING? 672 00:51:39,464 --> 00:51:42,433 WE THOUGHT YOU WERE MISS SNOW AND THE ROBBER. 673 00:51:42,500 --> 00:51:45,503 THEY HAVE A SCRUBBER THAT HELPS YOU BREATHE IN THE MINE. 674 00:51:45,570 --> 00:51:47,238 WE'VE BEEN TRYING TO GET IT FOR YOU. 675 00:51:47,305 --> 00:51:49,607 THAT'S WHY WE SEPARATED THE CABOOSE. 676 00:51:49,674 --> 00:51:52,410 PLEASE TAKE THEM HOME, BY WAY OF THE TRAIN STATION 677 00:51:52,477 --> 00:51:54,745 SO MANDIE CAN ASK FORGIVENESS AND DISCOVER 678 00:51:54,812 --> 00:51:57,548 HOW MUCH SHE OWES IN DAMAGES. 679 00:51:57,615 --> 00:51:59,584 BUT WE WERE TRYING TO HELP YOU. 680 00:51:59,650 --> 00:52:04,021 BY SEPARATING THE CABOOSE FROM A MOVING TRAIN? 681 00:52:04,088 --> 00:52:07,192 BY GETTING YOUR FRIENDS IN SERIOUS DANGER? 682 00:52:07,258 --> 00:52:08,659 BY TOTALLY DISRUPTING MY PLANS 683 00:52:08,726 --> 00:52:18,436 OR ATTACKING YOUR MOTHER AND I AT A CLIFF EDGE? 684 00:52:18,503 --> 00:52:19,904 YOU PROMISED HE'D FORGIVE US. 685 00:52:19,970 --> 00:52:22,240 IF WE GOT THE SCRUBBER. 686 00:52:22,307 --> 00:52:27,011 [WIND BLOWING] 687 00:52:27,077 --> 00:52:31,816 UNCLE JOHN! 688 00:52:31,882 --> 00:52:33,884 AH, AND HOW MUCH TIME DO YOU THINK NED HAS WASTED 689 00:52:33,951 --> 00:52:38,623 LOOKING ALL OVER THE CABOOSE FOR THIS? 690 00:52:38,689 --> 00:52:40,925 DON'T YOU WANT TO BREATHE IN THE MINE? 691 00:52:40,991 --> 00:52:43,728 I WANT TO GET A CHANCE TO FOLLOW NED AND MINE'S PLAN 692 00:52:43,794 --> 00:52:46,997 WITHOUT THE INEPT RUINING EVERYTHING. 693 00:52:47,064 --> 00:52:57,041 [INSTRUMENTAL MUSIC] 694 00:52:57,107 --> 00:53:06,817 [INSTRUMENTAL MUSIC] 695 00:53:06,884 --> 00:53:09,019 WE'RE NOT INEPT. 696 00:53:09,086 --> 00:53:13,624 NO, I WOULD THINK FOOLISH IS A MORE ACCURATE ADJECTIVE 697 00:53:13,691 --> 00:53:15,460 FOR A CHILD WHO SEPARATES A CABOOSE 698 00:53:15,526 --> 00:53:21,399 FROM A TRAIN WHILE IN MOTION. 699 00:53:21,466 --> 00:53:24,369 ROACH IN THE SNOWS SHOULD ARRIVE ANY MINUTE. 700 00:53:24,435 --> 00:53:26,504 WE CAN STILL GET THE SCRUBBER WITH THE BLANKET. 701 00:53:26,571 --> 00:53:29,840 AMANDA, WE ARE HERE TO KEEP JOHN OUT OF THE MINE, 702 00:53:29,907 --> 00:53:31,409 NOT ENABLE HIM. 703 00:53:31,476 --> 00:53:35,012 WHY NOT ENABLE HIM IF IT HELPS HIM KEEP HIS PROMISE? 704 00:53:35,079 --> 00:53:40,217 BECAUSE IT'S NOT A PROMISE YOU'LL WANT HIM TO KEEP. 705 00:53:40,285 --> 00:53:41,919 IT BETTER BE. 706 00:53:41,986 --> 00:53:51,529 NOW, WE ARE FOLLOWING JOHN AND WE ARE DOING IT MY WAY. 707 00:53:51,596 --> 00:53:56,301 [INSTRUMENTAL MUSIC] 708 00:53:56,367 --> 00:54:18,155 [DISTANT THUNDER] 709 00:54:18,222 --> 00:54:22,727 UNCLE JOHN! 710 00:54:22,793 --> 00:54:25,996 WOULD YOU PLEASE LET US HELP YOU KEEP YOUR PROMISE? 711 00:54:26,063 --> 00:54:29,634 YOU WANT TO HELP ME ENTER A POISONOUS CAVE MINE? 712 00:54:29,700 --> 00:54:31,201 NO! 713 00:54:31,268 --> 00:54:38,042 TO FIND A BOX WHICH BELONGS TO YOUR GRANDMOTHER TAFT. 714 00:54:38,108 --> 00:54:41,479 A VERY SPECIAL BOX, A 1,000 YEAR OLD BOX, 715 00:54:41,546 --> 00:54:42,713 AND THEN YOU WANT TO HELP ME RETURN IT 716 00:54:42,780 --> 00:54:44,549 TO YOUR GRANDMOTHER TAFT TO HELP RESTORE 717 00:54:44,615 --> 00:54:47,051 OUR RELATIONSHIP WITH HER? 718 00:54:47,117 --> 00:54:52,122 [INSTRUMENTAL MUSIC] 719 00:54:52,189 --> 00:54:57,628 I DIDN'T THINK SO. 720 00:54:57,695 --> 00:55:00,431 YOU'RE NOT GOING AFTER THE GOLD? 721 00:55:00,498 --> 00:55:05,736 [INSTRUMENTAL MUSIC] 722 00:55:05,803 --> 00:55:08,639 YOU KNEW THIS WAS FOR GRANDMOTHER TAFT ALL ALONG? 723 00:55:08,706 --> 00:55:10,975 THAT'S WHY I TRIED TO STOP HIM. 724 00:55:11,041 --> 00:55:14,579 [INSTRUMENTAL MUSIC] 725 00:55:14,645 --> 00:55:18,148 HOW CAN A BOX BE 1,000 YEARS OLD? 726 00:55:18,215 --> 00:55:22,019 IT'S NOT UNUSUAL FOR ROYAL FAMILIES TO PASS DOWN VALUABLES 727 00:55:22,086 --> 00:55:24,088 THROUGHOUT THE GENERATIONS. 728 00:55:24,154 --> 00:55:26,023 FOR 1000 YEARS? 729 00:55:26,090 --> 00:55:28,359 ROYAL FAMILIES? 730 00:55:28,426 --> 00:55:40,805 [INSTRUMENTAL MUSIC] 731 00:55:40,871 --> 00:55:42,339 I'M SORRY. 732 00:55:42,407 --> 00:55:44,642 I THOUGHT WE WERE GOING TO HELP HIM FIND THE GOLD. 733 00:55:44,709 --> 00:55:50,581 A 1,000 YEAR OLD BOX FROM YOUR ROYAL ANCESTORS ISN'T SO BAD. 734 00:55:50,648 --> 00:55:55,285 HOW COULD HE WANT TO RISK HIS LIFE FOR GRANDMOTHER TAFT? 735 00:55:55,352 --> 00:55:59,156 WHY DON'T YOU JUST ASK HIM? 736 00:55:59,223 --> 00:56:01,392 DAPPER MEN NEVER MAKE ANY SENSE. 737 00:56:01,459 --> 00:56:04,094 THAT'S WHAT MOMMA ALWAYS SAYS. 738 00:56:04,161 --> 00:56:14,138 [INSTRUMENTAL MUSIC] 739 00:56:14,204 --> 00:56:44,802 [INSTRUMENTAL MUSIC] 740 00:56:44,869 --> 00:56:46,303 IF WE DON'T GET TO GO INSIDE THE CAVE, 741 00:56:46,370 --> 00:56:50,608 MIGHT WE AT LEAST SEE THE ENTRANCE? 742 00:56:50,675 --> 00:56:54,945 IT'S AT THE RIVER. 743 00:56:55,012 --> 00:57:04,989 [WATER RUNNING] 744 00:57:05,055 --> 00:57:14,465 [WATER RUNNING] 745 00:57:14,532 --> 00:57:16,534 WHERE? 746 00:57:16,601 --> 00:57:19,604 [INSTRUMENTAL MUSIC] 747 00:57:19,670 --> 00:57:23,741 WHERE DO YOU THINK? 748 00:57:23,808 --> 00:57:26,811 AH NOW, WHERE DID YOU GET THAT? 749 00:57:26,877 --> 00:57:29,680 MANDIE. 750 00:57:29,747 --> 00:57:32,917 SHE'S NOT ALTOGETHER INEPT. 751 00:57:32,983 --> 00:57:35,953 "BENEATH THE RIVER, BEHIND HER TEARS 752 00:57:36,020 --> 00:57:39,890 LAY RICH THE SECRETS KEPT FOR YEARS. 753 00:57:39,957 --> 00:57:43,728 ONE STOOPED STEP SHALL BE YOUR GOAL, 754 00:57:43,794 --> 00:57:47,397 TO PIERCE THE WINDOW OF MY SOUL." 755 00:57:47,464 --> 00:57:50,400 GOOD, NOW YOU CAN PONDER THAT WHILE THE TWO OF YOU 756 00:57:50,467 --> 00:57:53,638 SERVE AS LOOKOUTS ON THE OTHER SIDE OF CAMP. 757 00:57:53,704 --> 00:58:05,716 [INSTRUMENTAL MUSIC] 758 00:58:05,783 --> 00:58:08,085 I THINK THE RUMOR'S TRUE. 759 00:58:08,152 --> 00:58:10,588 THERE'S STILL GOLD IN THE CAVE MINE. 760 00:58:10,655 --> 00:58:23,300 [INSTRUMENTAL MUSIC] 761 00:58:23,367 --> 00:58:25,469 PAPOOSE! 762 00:58:25,536 --> 00:58:32,677 I'VE BEEN SEARCHING AND SEARCHING. 763 00:58:32,743 --> 00:58:35,212 WHY ARE YOU HELPING UNCLE JOHN RISK HIS LIFE 764 00:58:35,279 --> 00:58:37,648 FOR GRANDMOTHER TAFT? 765 00:58:37,715 --> 00:58:48,025 YOU MUST ASK JOHN. 766 00:58:48,092 --> 00:58:50,595 IT WORKS! 767 00:58:50,661 --> 00:59:13,083 YOU'RE SO CLEVER. 768 00:59:13,150 --> 00:59:23,127 [INSTRUMENTAL MUSIC] 769 00:59:23,193 --> 00:59:39,443 [INSTRUMENTAL MUSIC] 770 00:59:39,509 --> 00:59:44,214 "MY DEAR ELIZABETH..." MY DEAR? 771 00:59:44,281 --> 00:59:50,554 "ALL MY LOVE, JOHN." ALL MY LOVE? 772 00:59:50,621 --> 00:59:52,022 "MY DEAR ELIZABETH, 773 00:59:52,089 --> 00:59:57,728 I DO NOT KNOW HOW TO BEGIN A LIFE WITHOUT YOU." 774 00:59:57,795 --> 01:00:03,901 [INSTRUMENTAL MUSIC] 775 01:00:03,968 --> 01:00:10,908 "MY DEAR ELIZABETH... WITH ALL MY LOVE, JOHN.' 776 01:00:10,975 --> 01:00:12,209 "MY DEAR ELIZABETH, 777 01:00:12,276 --> 01:00:14,311 DO YOU STILL PRAY TO THE EVERLASTING FATHER, 778 01:00:14,378 --> 01:00:16,080 AS YOU CALL HIM? 779 01:00:16,146 --> 01:00:18,816 I MUST ADMIT, MY DEAR, THAT I DO NOT. 780 01:00:18,883 --> 01:00:21,385 ALL MY LOVE, JOHN." 781 01:00:21,451 --> 01:00:28,058 [INSTRUMENTAL MUSIC] 782 01:00:28,125 --> 01:00:33,230 "MISS TAFT, I HAVE ERASED YOU FROM MY MEMORY. 783 01:00:33,297 --> 01:00:36,533 I SHALL RETURN TO MY TRAVELS WITH GUSTO. 784 01:00:36,600 --> 01:00:39,269 ADVENTURES AWAIT. 785 01:00:39,336 --> 01:00:43,340 FAREWELL, JOHN." 786 01:00:43,407 --> 01:00:48,412 -[SIGHS] -SHH! 787 01:00:48,478 --> 01:01:03,127 ISN'T MR. JOHN ABSOLUTELY, POSITIVELY THE SWEETEST? [SIGH] 788 01:01:03,193 --> 01:01:07,865 NED. [LAUGHS] 789 01:01:07,932 --> 01:01:16,841 I KNOW PAPOOSE, THAT SHE BRINGS PEACE OFFERING. 790 01:01:16,907 --> 01:01:20,644 DID YOU SEE GAYNELLE? 791 01:01:20,711 --> 01:01:24,982 HEAR HER, FAR AWAY. 792 01:01:25,049 --> 01:01:39,363 "I TIRED, I HURTING, I WANT GOLD." 793 01:01:39,429 --> 01:01:48,638 [INSTRUMENTAL MUSIC] 794 01:01:48,705 --> 01:01:52,042 WHY DO THIS FOR GRANDMOTHER TAFT? 795 01:01:52,109 --> 01:01:54,311 YOUR GRANDMOTHER HAD AN OLDER SISTER 796 01:01:54,378 --> 01:01:56,013 WHOM SHE ADORED. 797 01:01:56,080 --> 01:01:57,681 THAT SISTER MARRIED A CHEROKEE 798 01:01:57,748 --> 01:02:02,887 AND THEY OWNED LOST ANTLER CAVE MINE. 799 01:02:02,953 --> 01:02:05,689 THEN CAME THE "TRAIL OF TEARS", 800 01:02:05,756 --> 01:02:07,758 AND THOUGH SHE WAS A WHITE WOMAN, 801 01:02:07,825 --> 01:02:11,829 SHE MARCHED WITH HER HUSBAND AND SHE DIED. 802 01:02:11,896 --> 01:02:14,031 IT BROKE YOUR GRANDMOTHER'S HEART. 803 01:02:14,098 --> 01:02:16,500 AND IT WAS RUMORED THAT THE SISTER HAD 804 01:02:16,566 --> 01:02:18,368 PUT THE FAMILY HEIRLOOM BOX, 805 01:02:18,435 --> 01:02:22,006 WITH THE GOLD, IN THE CAVE MINE. 806 01:02:22,072 --> 01:02:23,908 SO THERE IS GOLD? 807 01:02:23,974 --> 01:02:27,677 USED TO BE, NOW I DON'T KNOW. 808 01:02:27,744 --> 01:02:30,981 BUT HER FATHER WENT BACK FOR THAT FAMILY BOX 809 01:02:31,048 --> 01:02:34,084 AND WAS KILLED BY A CHEROKEE. 810 01:02:34,151 --> 01:02:37,955 AND HER MOTHER DIED OF A BROKEN HEART. 811 01:02:38,022 --> 01:02:40,724 AND AT 16 YEARS OLD, YOUR GRANDMOTHER TAFT 812 01:02:40,791 --> 01:02:45,295 WAS NORTH CAROLINA'S WEALTHIEST ORPHAN, 813 01:02:45,362 --> 01:02:55,172 COMPLETELY ALONE AND BLAMING THE CHEROKEE. 814 01:02:55,239 --> 01:03:01,345 SO I PROMISED YOUR MOTHER THAT I WOULD GO BACK TO THAT CAVE, 815 01:03:01,411 --> 01:03:04,381 FIND THAT BOX, TAKE IT BACK TO YOUR GRANDMOTHER 816 01:03:04,448 --> 01:03:08,819 AND RESTORE HER RELATIONSHIP TO THE CHEROKEE. 817 01:03:08,886 --> 01:03:13,490 THAT IS YOUR VERY SPECIAL PROMISE. 818 01:03:13,557 --> 01:03:17,928 I CAME, BUT... 819 01:03:17,995 --> 01:03:23,100 BUT YOU WERE NEARLY KILLED BY POISON. 820 01:03:23,167 --> 01:03:27,704 AND YOUR MOTHER MARRIED YOUR FATHER, MY LITTLE BROTHER, 821 01:03:27,771 --> 01:03:32,576 AND THERE WAS NO REASON TO TRY AGAIN. 822 01:03:32,642 --> 01:03:35,045 UNTIL NOW. 823 01:03:35,112 --> 01:03:45,089 [INSTRUMENTAL MUSIC] 824 01:03:45,155 --> 01:04:26,630 [INSTRUMENTAL MUSIC] 825 01:04:26,696 --> 01:04:29,166 IT'S FOOLISH, UNNECESSARY AND POINTLESS 826 01:04:29,233 --> 01:04:32,136 FOR YOU TO GO INSIDE THE MINE. 827 01:04:32,202 --> 01:04:35,672 EVEN IF YOU DO FIND THE BOX, MOTHER IS SO MUCH WORSE NOW. 828 01:04:35,739 --> 01:04:37,041 SHE'LL TREAT YOU TERRIBLY. 829 01:04:37,107 --> 01:04:39,176 THEN I'LL BE AS NICE TO HER AS I CAN BE. 830 01:04:39,243 --> 01:04:42,112 IT WON'T WORK WITH MOTHER. 831 01:04:42,179 --> 01:04:51,288 -YOU WILL FAIL. -I HAVE TO TRY. 832 01:04:51,355 --> 01:04:54,524 HOW DID UNCLE JOHN ALMOST DIE LAST TIME? 833 01:04:54,591 --> 01:04:57,527 STAYED INSIDE THE CAVE MINE TOO LONG, 834 01:04:57,594 --> 01:04:59,529 TRYING TO SOLVE A RIDDLE. 835 01:04:59,596 --> 01:05:05,535 [OWL HOOTING] 836 01:05:05,602 --> 01:05:08,572 WE HAVE TO FOLLOW HIM. 837 01:05:08,638 --> 01:05:12,542 AND BREAK OUR PROMISE TO AUNT LOU? 838 01:05:12,609 --> 01:05:14,711 SHE'LL UNDERSTAND. 839 01:05:14,778 --> 01:05:21,818 [DISTANT HOWLING] 840 01:05:21,885 --> 01:05:36,233 [INSTRUMENTAL MUSIC] 841 01:05:36,300 --> 01:05:39,303 OW, OW, OUCH MY PINKIE! 842 01:05:39,369 --> 01:05:41,671 SHH, SHH! 843 01:05:41,738 --> 01:05:51,715 [INSTRUMENTAL MUSIC] 844 01:05:51,781 --> 01:06:06,096 [INSTRUMENTAL MUSIC] 845 01:06:06,163 --> 01:06:08,398 "BENEATH THE RIVER BEHIND HER TEARS. 846 01:06:08,465 --> 01:06:13,003 ONE STOOPED STEP TO PIERCE THE WINDOW OF MY SOUL." 847 01:06:13,070 --> 01:06:23,047 [INSTRUMENTAL MUSIC] 848 01:06:23,113 --> 01:06:35,525 [INSTRUMENTAL MUSIC] 849 01:06:35,592 --> 01:06:38,562 HOW CAN IT BE BOTH BENEATH AND BEHIND THE RIVER? 850 01:06:38,628 --> 01:06:40,230 THAT'S IMPOSSIBLE. 851 01:06:40,297 --> 01:06:42,899 I'LL FIGURE IT OUT BEFORE YOU DO! 852 01:06:42,966 --> 01:06:46,436 [INSTRUMENTAL MUSIC] 853 01:06:46,503 --> 01:06:49,706 OH, OH! 854 01:06:49,773 --> 01:06:51,175 "WITHOUT YOUR HEELS AGAINST THE WALL, 855 01:06:51,241 --> 01:06:55,645 INTO THE BLACK ABYSS YOU'LL FALL." 856 01:06:55,712 --> 01:06:57,647 HERE. 857 01:06:57,714 --> 01:07:02,352 [INSTRUMENTAL MUSIC] 858 01:07:02,419 --> 01:07:04,654 "THOSE WITH PATIENCE SOON WILL SEE 859 01:07:04,721 --> 01:07:12,028 THE DANGER IN NUMBERS TWO AND THREE, 860 01:07:12,096 --> 01:07:13,930 AND CORRECTLY TIME THESE POISONOUS BLASTS 861 01:07:13,997 --> 01:07:16,200 UNTIL THIS TRIAL IS SAFELY PAST." 862 01:07:16,266 --> 01:07:22,339 [STEAM HISSING] 863 01:07:22,406 --> 01:07:23,940 BE CAREFUL, SLOWER. 864 01:07:24,007 --> 01:07:25,909 BUT WE HAVE TO HURRY. 865 01:07:25,975 --> 01:07:28,912 [STEAM HISSING, COUGHING] 866 01:07:28,978 --> 01:07:31,248 STEADY, STEADY. 867 01:07:31,315 --> 01:07:36,786 [COUGHING] LET'S GO! 868 01:07:36,853 --> 01:07:46,830 [INSTRUMENTAL MUSIC] 869 01:07:46,896 --> 01:08:03,513 [INSTRUMENTAL MUSIC] 870 01:08:03,580 --> 01:08:05,915 I DON'T CARE IF YOU BEAT ME, JOE, JUST SOLVE IT. 871 01:08:05,982 --> 01:08:08,285 [COUGHING] 872 01:08:08,352 --> 01:08:13,357 NED, STAY WITH ME. 873 01:08:13,423 --> 01:08:15,759 "REMEMBER NOW MY LULLABY 874 01:08:15,825 --> 01:08:17,527 AND BLOW TO FIND THE KEY THAT HIDES 875 01:08:17,594 --> 01:08:20,530 WITHIN THE NOTES THAT LIE INSIDE THE MELODY." 876 01:08:20,597 --> 01:08:24,134 WE, WE'RE LOOKING FOR A, A PIPE OR A FLUTE, 877 01:08:24,201 --> 01:08:26,936 OR, OR EVEN A HOLE IN THE WALL. 878 01:08:27,003 --> 01:08:31,007 [COUGHING] JOHN, I GO. 879 01:08:31,074 --> 01:08:33,743 NO, NO, NED, YOU CAN'T. 880 01:08:33,810 --> 01:08:35,879 CAN'T SPEAK! 881 01:08:35,945 --> 01:08:40,150 [INSTRUMENTAL MUSIC] 882 01:08:40,217 --> 01:08:43,253 [COUGHING, STEAM HISSING] 883 01:08:43,320 --> 01:08:46,856 SOMEONE CARRY ME UP THIS HILL. 884 01:08:46,923 --> 01:08:58,168 [STEAM HISSING] 885 01:08:58,235 --> 01:09:00,537 IS THIS EVEN WORKING? 886 01:09:00,604 --> 01:09:03,139 OF COURSE. 887 01:09:03,207 --> 01:09:05,675 [SCREAMING] 888 01:09:05,742 --> 01:09:08,378 THAT'S, THAT'S, THAT'S, THAT'S...! 889 01:09:08,445 --> 01:09:12,115 WELL, WHOEVER IT IS, HE AIN'T NO MORE. 890 01:09:12,182 --> 01:09:24,127 [INSTRUMENTAL MUSIC] 891 01:09:24,194 --> 01:09:26,830 HAVE YOU NO SHAME, WOMAN? 892 01:09:26,896 --> 01:09:36,873 [INSTRUMENTAL MUSIC] 893 01:09:36,940 --> 01:09:47,751 [INSTRUMENTAL MUSIC] 894 01:09:47,817 --> 01:09:55,692 AMANDA! 895 01:09:55,759 --> 01:09:59,229 WATERFALL BENEATH AND BEHIND THE RIVER! 896 01:09:59,296 --> 01:10:05,435 [INSTRUMENTAL MUSIC] 897 01:10:05,502 --> 01:10:09,339 I ABSOLUTELY, POSITIVELY CANNOT GO IN THERE. 898 01:10:09,406 --> 01:10:11,308 I'M QUITE SORRY. 899 01:10:11,375 --> 01:10:17,013 CAN YOU STAY HERE ALONE? 900 01:10:17,080 --> 01:10:18,982 I'LL STAY WITH HER. 901 01:10:19,048 --> 01:10:21,050 YOU DON'T HAVE TO. 902 01:10:21,117 --> 01:10:23,453 BRING ME SOME GOLD. 903 01:10:23,520 --> 01:10:33,497 [INSTRUMENTAL MUSIC] 904 01:10:33,563 --> 01:10:51,047 [INSTRUMENTAL MUSIC] 905 01:10:51,114 --> 01:10:58,922 [COUGHING] 906 01:10:58,988 --> 01:11:02,659 JOHN ALONE, BAD PEOPLE AHEAD. 907 01:11:02,726 --> 01:11:04,828 NO RUSH. 908 01:11:04,894 --> 01:11:15,171 [INSTRUMENTAL MUSIC] 909 01:11:15,238 --> 01:11:20,944 [COUGHING, PANTING] 910 01:11:21,010 --> 01:11:24,814 [GROANS] HOW HARD CAN IT BE TO FIND A PIPE? 911 01:11:24,881 --> 01:11:29,586 [SINGING] I'M GONNA MAKE ME A BIG GOLD RING, 912 01:11:29,653 --> 01:11:33,089 A BIG GOLD RING, A BIG GOLD RING. 913 01:11:33,156 --> 01:11:34,424 I'M GONNA MAKE... 914 01:11:34,491 --> 01:11:35,992 WILL YOU PLEASE BE QUIET? 915 01:11:36,059 --> 01:11:39,663 [SINGING] BIG SPARKLY NECKLACE, A BIG SPARKLY NECKLACE, 916 01:11:39,729 --> 01:11:43,099 A BIG SPARKLY NECKLACE... 917 01:11:43,166 --> 01:11:45,201 YOU HAVE THE GUN HANDY? 918 01:11:45,268 --> 01:11:47,070 EMERGENCIES ONLY. 919 01:11:47,136 --> 01:11:48,605 DEFINE EMERGENCY. 920 01:11:48,672 --> 01:11:51,508 [SINGING] I'M GONNA MAKE ME A SPARKLY NECKLACE... 921 01:11:51,575 --> 01:11:54,243 A SPARKLY NECKLACE...[GAGS] 922 01:11:54,310 --> 01:11:58,147 IF YOU DON'T SHUT YOUR TRAP AND STOP YOUR FLAPPIN', 923 01:11:58,214 --> 01:12:01,017 YOU'LL SCARE THE BATS. 924 01:12:01,084 --> 01:12:03,820 BATS? BATS? 925 01:12:03,887 --> 01:12:05,655 I HATE BATS! 926 01:12:05,722 --> 01:12:15,699 [SCREAMING, BATS SQUEAKING] 927 01:12:15,765 --> 01:12:26,109 [SCREAMING, BATS SQUEAKING] 928 01:12:26,175 --> 01:12:30,947 [INSTRUMENTAL MUSIC] 929 01:12:31,014 --> 01:12:34,451 GET UP. 930 01:12:34,518 --> 01:12:37,554 ARE YOU QUITE CERTAIN THAT THEY'RE GONE? 931 01:12:37,621 --> 01:12:40,023 OH NO, THERE'S PLENTY MORE. 932 01:12:40,089 --> 01:12:44,160 LARGER AND LARGER THE DEEPER YOU GO. 933 01:12:44,227 --> 01:12:46,162 EXCUSE ME? 934 01:12:46,229 --> 01:12:47,764 KINDLY LET US PASS. 935 01:12:47,831 --> 01:12:50,400 WE'LL RESCUE MANDIE'S UNCLE AND EXIT. 936 01:12:50,467 --> 01:12:53,169 WHAT IS HE DOIN' HERE? 937 01:12:53,236 --> 01:12:54,804 A WILD GOOSE CHASE. 938 01:12:54,871 --> 01:12:57,140 BUT HE'LL BE OUT OF OXYGEN SHORTLY. 939 01:12:57,206 --> 01:12:58,475 EXCUSE US. 940 01:12:58,542 --> 01:13:01,645 YOU, ALONE. 941 01:13:01,711 --> 01:13:10,954 [INSTRUMENTAL MUSIC] 942 01:13:11,020 --> 01:13:15,725 YOUR UNCLE DOES NOT STRIKE ME AS THE WILD GOOSE CHASE TYPE. 943 01:13:15,792 --> 01:13:17,961 AND HE ALREADY HAS THE GOLD, 944 01:13:18,027 --> 01:13:21,531 SO HE MUST BE AFTER SOMETHING ELSE. 945 01:13:21,598 --> 01:13:25,835 SOMETHING MORE VALUABLE? 946 01:13:25,902 --> 01:13:30,574 WHAT KINDA GOOSE IS HE CHASIN'? 947 01:13:30,640 --> 01:13:34,778 A FOOLISH ONE. 948 01:13:34,844 --> 01:13:38,347 IS THERE A RIDDLE FOR THIS GOOSE? 949 01:13:38,414 --> 01:13:42,586 [INSTRUMENTAL MUSIC] 950 01:13:42,652 --> 01:13:46,723 HA, YOU'RE TRYIN' TO MAKE SOMETHING UP REAL QUICK LIKE. 951 01:13:46,790 --> 01:13:52,261 IT'S HARD RHYMIN' UNDER PRESSURE, AIN'T IT? 952 01:13:52,328 --> 01:13:57,300 TELL US THE RIDDLE NOW. 953 01:13:57,366 --> 01:13:59,503 "PATIENT EYES ALONE SHALL SEE 954 01:13:59,569 --> 01:14:02,438 THE LIGHT BY WHICH TO SET ME FREE. 955 01:14:02,506 --> 01:14:04,774 REFLECT UPON THE PATH BEHIND YOU 956 01:14:04,841 --> 01:14:08,712 TO ILLUMINATE THE STEPS BEFORE YOU." 957 01:14:08,778 --> 01:14:13,116 AH, WELL, I'LL ASK YOUR UNCLE. 958 01:14:13,182 --> 01:14:19,088 AND IF HIS RHYME MATCHES YOURS, YOU CAN GO. 959 01:14:19,155 --> 01:14:22,025 AND IF THEY DON'T... [LAUGHS] 960 01:14:22,091 --> 01:14:23,226 JOHN! 961 01:14:23,292 --> 01:14:26,963 I, I CAN'T FIND THE PIPE OR THE FLUTE. 962 01:14:27,030 --> 01:14:29,499 -I'M GETTING YOU OUT OF HERE. -NO, NO. 963 01:14:29,566 --> 01:14:31,535 THEY'VE GOT MANDIE. 964 01:14:31,601 --> 01:14:43,246 CAN I HAVE SOME AIR? 965 01:14:43,312 --> 01:14:45,181 THANK YOU. GOODBYE. 966 01:14:45,248 --> 01:14:49,553 UH, JUST ONE SMALL THING. 967 01:14:49,619 --> 01:14:51,120 WE DON'T HAVE TIME. 968 01:14:51,187 --> 01:14:53,189 OH YEAH, YOU DO. 969 01:14:53,256 --> 01:14:55,992 GIVE THE MAN SOME AIR. 970 01:14:56,059 --> 01:15:01,030 LACK OF OXYGEN WILL KEEP HIM HONEST. 971 01:15:01,097 --> 01:15:07,436 NOW, TELL ME THE "PATIENT EYES" RIDDLE. 972 01:15:07,503 --> 01:15:17,581 AND YOUR VERSION BETTER MATCH YOUR NIECE'S. 973 01:15:17,647 --> 01:15:20,984 "PATIENT EYES ALONE SHALL SEE 974 01:15:21,050 --> 01:15:24,688 THE LIGHT BY WHICH TO SET ME FREE. 975 01:15:24,754 --> 01:15:27,957 REFLECT UPON THE PATH BEHIND YOU 976 01:15:28,024 --> 01:15:33,763 TO ILLUMINATE THE STEPS BEFORE YOU." 977 01:15:33,830 --> 01:15:36,600 ALRIGHTY THEN, YOU CAN GO. 978 01:15:36,666 --> 01:15:46,643 [INSTRUMENTAL MUSIC] 979 01:15:46,710 --> 01:16:10,967 [INSTRUMENTAL MUSIC] 980 01:16:11,034 --> 01:16:13,469 NO! WHERE IS IT? 981 01:16:13,536 --> 01:16:17,306 CAN ANYONE SEE THE PIPE? 982 01:16:17,373 --> 01:16:18,875 NO. 983 01:16:18,942 --> 01:16:22,846 NOW LISTEN, THERE'S AN EXIT WHERE THE BOX IS HIDDEN. 984 01:16:22,912 --> 01:16:27,617 WE CAN STILL MAKE IT. 985 01:16:27,684 --> 01:16:38,194 [INSTRUMENTAL MUSIC] 986 01:16:38,261 --> 01:16:42,031 MANDIE, I SHOULD HAVE COME BACK FOR YOUR FATHER. 987 01:16:42,098 --> 01:16:43,833 I SHOULD HAVE FOUND HIM, MY LITTLE BROTHER. 988 01:16:43,900 --> 01:16:47,103 I SHOULD HAVE FORGIVEN HIM BEFORE HE DIED. 989 01:16:47,170 --> 01:16:50,073 I'M SO...SORRY. 990 01:16:50,139 --> 01:16:53,576 JUST THOUGHT THIS MIGHT HELP A LITTLE BIT. 991 01:16:53,643 --> 01:16:57,180 [INSTRUMENTAL MUSIC] 992 01:16:57,246 --> 01:17:00,884 NO, MANDIE, NO! 993 01:17:00,950 --> 01:17:04,453 YES, MOMMA, I'LL MEET YOU AT THE EXIT. 994 01:17:04,520 --> 01:17:10,259 [INSTRUMENTAL MUSIC] 995 01:17:10,326 --> 01:17:18,034 [BLOWING IN HORN] 996 01:17:18,101 --> 01:17:21,204 [RUMBLING] 997 01:17:21,270 --> 01:17:25,541 [INSTRUMENTAL MUSIC] 998 01:17:25,608 --> 01:17:35,018 [COUGHING, STEAM HISSING] 999 01:17:35,084 --> 01:17:38,287 [COUGHING] 1000 01:17:38,354 --> 01:17:39,689 I DON'T FEEL VERY WELL. 1001 01:17:39,756 --> 01:17:41,691 AND THIS THING ISN'T HELPING. 1002 01:17:41,758 --> 01:17:43,693 'CAUSE YOU DONE BROKE IT. 1003 01:17:43,760 --> 01:17:49,766 [WHEEZING] 1004 01:17:49,833 --> 01:17:52,235 [PUMPING] 1005 01:17:52,301 --> 01:17:59,342 [WHEEZING, COUGHING] 1006 01:17:59,408 --> 01:18:00,777 WAIT HERE. 1007 01:18:00,844 --> 01:18:04,047 COME FIND ME WHEN I WHISTLE. 1008 01:18:04,113 --> 01:18:13,389 [COUGHING] 1009 01:18:13,456 --> 01:18:16,559 JOHN, JOHN! 1010 01:18:16,625 --> 01:18:26,602 [INSTRUMENTAL MUSIC] 1011 01:18:26,669 --> 01:18:37,480 [INSTRUMENTAL MUSIC] 1012 01:18:37,546 --> 01:18:42,118 [HAMMERING] 1013 01:18:42,185 --> 01:18:45,922 HOWDY, SCORPION. 1014 01:18:45,989 --> 01:18:47,757 DID YOU FIND US SOME PACK MULES? 1015 01:18:47,824 --> 01:18:52,061 [WHISTLING] FREE ONES. 1016 01:18:52,128 --> 01:18:53,729 NOW THEY ONLY GOT TWO LEGS, 1017 01:18:53,797 --> 01:18:59,168 BUT THAT'S GOOD 'CAUSE I COULD GET 'EM INSIDE THE MINE. 1018 01:18:59,235 --> 01:19:03,439 WELL NOW, THAT'S A PRETTY LITTLE PACK MULE. 1019 01:19:03,506 --> 01:19:07,811 [IN FEMALE VOICE] EXCUSE ME? [CLEARS THROAT] 1020 01:19:07,877 --> 01:19:11,514 WE NEED FOUR-LEGGED ANIMALS, NOT HUMANS. 1021 01:19:11,580 --> 01:19:15,584 GET THEM OUTTA HERE AND DON'T COME BACK TILL YOU FIND SOME. 1022 01:19:15,651 --> 01:19:19,322 UH, NO, I'M GONNA BE DOWN THAT HALLWAY LOOKIN' 1023 01:19:19,388 --> 01:19:26,595 FOR THE BOX THAT MR. JOHN SHAW WAS AFTER. 1024 01:19:26,662 --> 01:19:31,667 JOHN, DO YOU HEAR ME JOHN SHAW? 1025 01:19:31,734 --> 01:19:34,137 BREATHE! 1026 01:19:34,203 --> 01:19:36,339 [COUGHING] 1027 01:19:36,405 --> 01:19:41,177 [INSTRUMENTAL MUSIC] 1028 01:19:41,244 --> 01:19:43,612 HE SAID THERE'S ANOTHER EXIT. 1029 01:19:43,679 --> 01:19:45,614 [INSTRUMENTAL MUSIC] 1030 01:19:45,681 --> 01:19:47,817 MANDIE, WAIT. 1031 01:19:47,884 --> 01:19:52,956 [INSTRUMENTAL MUSIC] 1032 01:19:53,022 --> 01:19:55,724 NED SENT ME. 1033 01:19:55,791 --> 01:20:05,768 [INSTRUMENTAL MUSIC] 1034 01:20:05,835 --> 01:20:25,989 [INSTRUMENTAL MUSIC] 1035 01:20:33,196 --> 01:20:36,732 WELL, THAT'S THE MOST CONFOUNDED RIDDLE I EVER HEARD. 1036 01:20:36,799 --> 01:20:41,871 YEAH, WELL MANDIE AND JOHN BOTH SAID IT IDENTICAL LIKE. 1037 01:20:41,938 --> 01:20:45,541 "PATIENT EYES ALONE MAY SEE." 1038 01:20:45,608 --> 01:20:48,945 [WHISPERS] I ONLY TOLD THEM HALF OF IT. 1039 01:20:49,012 --> 01:20:53,116 CAN WE PLEASE HAVE SOME AIR? 1040 01:20:53,182 --> 01:20:55,418 MY SCRUBBER DONE BROKE. 1041 01:20:55,484 --> 01:20:59,488 ONLY IF YOU MINE ME ENOUGH GOLD. 1042 01:20:59,555 --> 01:21:01,690 GO PUT 'EM TO WORK. 1043 01:21:01,757 --> 01:21:07,563 [COUGHING, WHEEZING] 1044 01:21:07,630 --> 01:21:12,768 "PATIENT EYES ALONE MAY SEE." 1045 01:21:12,835 --> 01:21:15,905 OH, I CAN BE PATIENT. 1046 01:21:15,972 --> 01:21:18,707 "RETURN THE TORCH FROM WHENCE IT CAME. 1047 01:21:18,774 --> 01:21:22,378 [INSTRUMENTAL MUSIC] 1048 01:21:22,445 --> 01:21:29,452 "THE LIGHT BY WHICH TO SET ME FREE." 1049 01:21:29,518 --> 01:21:32,655 "SURVEY THE DEPTHS BEYOND THE FLAME." 1050 01:21:32,721 --> 01:21:37,893 WHAT IF THERE'S A POOL IN THE GOLD ROOM? 1051 01:21:37,961 --> 01:21:42,131 "REFLECT UPON THE PATH BEHIND YOU 1052 01:21:42,198 --> 01:21:46,936 TO ILLUMINATE THE STEPS BEFORE YOU." 1053 01:21:47,003 --> 01:21:50,173 [WATER SLOSHING] 1054 01:21:50,239 --> 01:22:01,084 [INSTRUMENTAL MUSIC] 1055 01:22:01,150 --> 01:22:03,686 CAREFUL OF THE BATS. 1056 01:22:03,752 --> 01:22:07,490 [WATER SLOSHING] 1057 01:22:07,556 --> 01:22:12,061 "REFLECT UPON THE PATH BEHIND YOU 1058 01:22:12,128 --> 01:22:16,699 TO ILLUMINATE THE STEPS BEFORE YOU." 1059 01:22:16,765 --> 01:22:21,070 PATH BEHIND YOU. 1060 01:22:21,137 --> 01:22:31,314 [CLANGING] 1061 01:22:31,380 --> 01:22:38,687 [CLANGING] 1062 01:22:38,754 --> 01:22:40,990 NO POOL. 1063 01:22:41,057 --> 01:22:44,660 [CLANGING] 1064 01:22:44,727 --> 01:22:51,600 PITIFUL, PATHETIC, PITTANCE. 1065 01:22:51,667 --> 01:22:52,901 FASTER! 1066 01:22:52,968 --> 01:22:57,873 [FASTER CLANGING] 1067 01:22:57,940 --> 01:23:07,283 [HISSING, BUBBLING] 1068 01:23:07,350 --> 01:23:12,055 YOU THINK HE SOLVED IT ON HALF A RIDDLE? 1069 01:23:12,121 --> 01:23:16,092 "RETURN THE TORCH FROM WHENCE IT CAME." 1070 01:23:16,159 --> 01:23:28,871 [INSTRUMENTAL MUSIC] 1071 01:23:28,937 --> 01:23:31,307 [COUGHING] 1072 01:23:31,374 --> 01:23:45,054 [INSTRUMENTAL MUSIC] 1073 01:23:45,121 --> 01:23:47,723 "SURVEY THE DEPTHS BEYOND THE FLAME. 1074 01:23:47,790 --> 01:23:49,325 PATIENT EYES ALONE SHALL SEE 1075 01:23:49,392 --> 01:23:53,596 THE LIGHT BY WHICH TO SET ME FREE." 1076 01:23:53,662 --> 01:23:56,932 LIGHT IN THE WATER. 1077 01:23:56,999 --> 01:23:58,467 "REFLECT UPON THE PATH BEHIND YOU 1078 01:23:58,534 --> 01:24:03,306 TO ILLUMINATE THE STEPS BEFORE YOU." 1079 01:24:03,372 --> 01:24:06,075 [INSTRUMENTAL MUSIC] 1080 01:24:06,142 --> 01:24:09,845 STEPS! 1081 01:24:09,912 --> 01:24:12,215 OW, OW, OW! 1082 01:24:12,281 --> 01:24:15,218 [INSTRUMENTAL MUSIC] 1083 01:24:15,284 --> 01:24:17,320 "REFLECT UPON THE PATH." 1084 01:24:17,386 --> 01:24:18,987 I DON'T SEE A PATH. 1085 01:24:19,054 --> 01:24:25,194 "ILLUMINATE THE..." THE STEPS! 1086 01:24:25,261 --> 01:24:30,199 ILLUMINATE THE STEPS! 1087 01:24:30,266 --> 01:24:32,201 I TOLD YOU. 1088 01:24:32,268 --> 01:24:37,940 [INSTRUMENTAL MUSIC] 1089 01:24:38,006 --> 01:24:41,144 [GROANING] 1090 01:24:41,210 --> 01:24:44,680 OW, OW, OW, OW! 1091 01:24:44,747 --> 01:24:54,723 [INSTRUMENTAL MUSIC] 1092 01:24:54,790 --> 01:25:01,530 [INSTRUMENTAL MUSIC] 1093 01:25:01,597 --> 01:25:03,766 THE PATH IS POISON, MANDIE, WE GOTTA GO BACK. 1094 01:25:03,832 --> 01:25:05,634 NO, THERE'S ANOTHER OPTION, 1095 01:25:05,701 --> 01:25:08,271 AND IF WE THINK LONG ENOUGH, WE CAN FIGURE IT OUT. 1096 01:25:08,337 --> 01:25:09,472 WE DON'T HAVE TIME! 1097 01:25:09,538 --> 01:25:11,807 -CALM DOWN. -I CAN'T BREATHE. 1098 01:25:11,874 --> 01:25:16,512 I'LL SOLVE IT BEFORE YOU DO. 1099 01:25:16,579 --> 01:25:19,948 "SURVEY THE DEPTHS BEYOND THE FLAME..." 1100 01:25:20,015 --> 01:25:23,652 [COUGHING] 1101 01:25:23,719 --> 01:25:31,194 [INSTRUMENTAL MUSIC] 1102 01:25:31,260 --> 01:25:34,163 "REFLECT UPON THE PATH BEHIND ME 1103 01:25:34,230 --> 01:25:39,101 TO ILLUMINATE THE STEPS BEFORE ME." [COUGHING] 1104 01:25:39,168 --> 01:25:42,771 [AIR HISSING] 1105 01:25:42,838 --> 01:25:47,176 REFLECT, REFLECT... 1106 01:25:47,243 --> 01:25:52,448 [BLOWING] 1107 01:25:52,515 --> 01:26:01,190 "REFLECT UPON THE PATH BEHIND ME... 1108 01:26:01,257 --> 01:26:08,631 TO ILLUMINATE THE STEPS BEFORE ME." 1109 01:26:08,697 --> 01:26:12,335 [WATER SLOSHING] 1110 01:26:12,401 --> 01:26:13,336 I FIGURED IT OUT! 1111 01:26:13,402 --> 01:26:15,938 SCORPION'S COMING. 1112 01:26:16,004 --> 01:26:18,341 [WATER SLOSHING] 1113 01:26:18,407 --> 01:26:21,210 BREATHE, BREATHE. 1114 01:26:21,277 --> 01:26:31,220 [INSTRUMENTAL MUSIC] 1115 01:26:31,287 --> 01:26:36,992 [INSTRUMENTAL MUSIC] 1116 01:26:37,059 --> 01:26:40,229 THROW ROCKS AT THE, AT THE TUNNEL CEILING. 1117 01:26:40,296 --> 01:26:42,265 NOW. 1118 01:26:42,331 --> 01:26:47,370 [INSTRUMENTAL MUSIC] 1119 01:26:47,436 --> 01:26:49,505 [ROCK THUDS] 1120 01:26:49,572 --> 01:26:59,548 [BATS SQUEAKING, WINGS FLAPPING] 1121 01:26:59,615 --> 01:27:19,768 [BATS SQUEAKING, WINGS FLAPPING] 1122 01:27:33,916 --> 01:27:39,955 ALL RIGHT, WHO'S THERE? 1123 01:27:40,022 --> 01:27:42,958 AND WHERE ARE YA? 1124 01:27:43,025 --> 01:27:47,663 [INSTRUMENTAL MUSIC] 1125 01:27:47,730 --> 01:27:52,768 [STEAM HISSING] 1126 01:27:52,835 --> 01:27:59,174 [BOTH COUGHING] 1127 01:27:59,241 --> 01:28:01,977 -WHERE'S THE BOX? -GONE. 1128 01:28:02,044 --> 01:28:03,412 WHAT'S THE RIDDLE FOR THE EXIT? 1129 01:28:03,479 --> 01:28:06,081 DON'T KNOW. 1130 01:28:06,148 --> 01:28:20,195 [INSTRUMENTAL MUSIC] 1131 01:28:20,262 --> 01:28:24,232 [ELIZABETH] AMANDA! AMANDA! 1132 01:28:24,299 --> 01:28:27,235 AMANDA, ELIZABETH SHAW! 1133 01:28:27,302 --> 01:28:32,675 [INSTRUMENTAL MUSIC] 1134 01:28:32,741 --> 01:28:34,276 MANDIE! 1135 01:28:34,343 --> 01:28:38,113 MANDIE, MANDIE, HELP. 1136 01:28:38,180 --> 01:28:41,817 [STEAM HISSING] 1137 01:28:41,884 --> 01:28:43,619 I CAN'T. 1138 01:28:43,686 --> 01:28:46,288 YOU SOUND LIKE POLLY. 1139 01:28:46,355 --> 01:28:58,367 [INSTRUMENTAL MUSIC] 1140 01:28:58,434 --> 01:29:00,536 JOE. 1141 01:29:00,603 --> 01:29:11,113 [INSTRUMENTAL MUSIC] 1142 01:29:11,179 --> 01:29:16,284 YES, NOW HELP ME. 1143 01:29:16,351 --> 01:29:25,360 [GRUNTING, COUGHING] 1144 01:29:25,428 --> 01:29:29,131 [STEAM HISSING] 1145 01:29:29,197 --> 01:29:39,141 [COUGHING] 1146 01:29:39,207 --> 01:29:49,918 [COUGHING] 1147 01:29:49,985 --> 01:29:53,756 [INSTRUMENTAL MUSIC] 1148 01:29:53,822 --> 01:30:00,162 THE WORK OF YOUR INEPT AND UNQUALIFIED NIECE. 1149 01:30:00,228 --> 01:30:03,398 I AM SORRY. 1150 01:30:03,466 --> 01:30:08,203 NOW YOU CAN KEEP YOUR PROMISE. 1151 01:30:08,270 --> 01:30:14,877 THEY'RE MINING CHEROKEE GOLD. 1152 01:30:14,943 --> 01:30:22,618 [CLANGING] 1153 01:30:22,685 --> 01:30:26,288 [COCKING PISTOLS] 1154 01:30:26,354 --> 01:30:28,491 MISSED A SPOT. 1155 01:30:28,557 --> 01:30:35,230 [INSTRUMENTAL MUSIC] 1156 01:30:35,297 --> 01:30:36,632 NO, NO, DON'T STOP. 1157 01:30:36,699 --> 01:30:39,468 YOU SEEM TO BE HAVING A MIGHTY FINE TIME. 1158 01:30:39,535 --> 01:30:41,670 WE'RE QUITE HAPPY FOR YOU TO CONTINUE. 1159 01:30:41,737 --> 01:30:46,341 YOU CAN MINE EVERY OUNCE OF GOLD IN THIS ROOM. 1160 01:30:46,408 --> 01:30:48,310 I'LL EVEN PAY YOU A DOLLAR A DAY. 1161 01:30:48,376 --> 01:30:51,013 THEN YOU'LL HAVE THE PRIVILEGE OF HELPING US RETURN THE GOLD 1162 01:30:51,079 --> 01:30:58,253 TO ITS RIGHTFUL OWNER - THE CHEROKEES. 1163 01:30:58,320 --> 01:30:59,622 I HAVE A COLLEGE EDUCATION. 1164 01:30:59,688 --> 01:31:02,324 I'M WORTH THREE DOLLARS A DAY. 1165 01:31:02,390 --> 01:31:03,826 EXCELLENT. 1166 01:31:03,892 --> 01:31:06,161 IF YOU'LL MINE THREE TIMES AS MUCH GOLD AS EVERYONE ELSE 1167 01:31:06,228 --> 01:31:09,031 IN THE SAME TIME, YOU HAVE YOURSELF A DEAL. 1168 01:31:09,097 --> 01:31:10,165 NO FAIR. 1169 01:31:10,232 --> 01:31:11,900 I GOT A COLLEGE EDUCATION. 1170 01:31:11,967 --> 01:31:12,968 LIAR. 1171 01:31:13,035 --> 01:31:16,138 YOU CAN'T EVEN DISGUISE YOURSELF PROPERLY. 1172 01:31:16,204 --> 01:31:20,208 [INSTRUMENTAL MUSIC] 1173 01:31:20,275 --> 01:31:24,680 [IN FEMALE VOICE] OUCH, YOU NINCOMPOOP! 1174 01:31:24,747 --> 01:31:26,782 DOGGONE IT, WOMAN, 1175 01:31:26,849 --> 01:31:30,252 YOU COULDN'T RUN A SCAM TO SAVE YOUR LIFE. 1176 01:31:30,318 --> 01:31:36,759 [INSTRUMENTAL MUSIC] 1177 01:31:36,825 --> 01:31:43,832 ELIZABETH, MEET JIM'S WIDOW AND HER FRIEND. 1178 01:31:43,899 --> 01:31:49,237 HER HUSBAND, ZACH HUGHES. 1179 01:31:49,304 --> 01:31:51,807 I JUST WANNA GO HOME. 1180 01:31:51,874 --> 01:31:57,145 [INSTRUMENTAL MUSIC] 1181 01:31:57,212 --> 01:32:00,783 WHO GETS TO OPEN IT? 1182 01:32:00,849 --> 01:32:03,151 AMANDA'S GRANDMOTHER. 1183 01:32:03,218 --> 01:32:08,557 [BIRDS CHIRPING] 1184 01:32:08,624 --> 01:32:16,131 [HOOVES CLOPPING] 1185 01:32:16,198 --> 01:32:26,174 [INSTRUMENTAL MUSIC] 1186 01:32:26,241 --> 01:32:31,980 [INSTRUMENTAL MUSIC] 1187 01:32:32,047 --> 01:32:34,282 GATHER YOUR COURAGE, LADIES. 1188 01:32:34,349 --> 01:32:42,357 [INSTRUMENTAL MUSIC] 1189 01:32:42,424 --> 01:32:44,793 [KNOCKING] 1190 01:32:44,860 --> 01:32:55,403 [INSTRUMENTAL MUSIC] 1191 01:32:55,470 --> 01:33:01,176 WE SHOULD LIKE A WORD WITH MRS. MARY ELIZABETH TAFT. 1192 01:33:01,243 --> 01:33:11,219 [INSTRUMENTAL MUSIC] 1193 01:33:11,286 --> 01:33:34,542 [INSTRUMENTAL MUSIC] 1194 01:33:34,609 --> 01:33:36,712 PLEASE WAIT HERE. 1195 01:33:36,779 --> 01:33:46,755 [INSTRUMENTAL MUSIC] 1196 01:33:46,822 --> 01:34:18,320 [INSTRUMENTAL MUSIC] 1197 01:34:18,386 --> 01:34:19,788 I'M SORRY, BUT I HAVE NO APPOINTMENTS 1198 01:34:19,855 --> 01:34:21,656 CURRENTLY SCHEDULED. 1199 01:34:21,724 --> 01:34:22,958 MIGHT THEY BE EXPECTED 1200 01:34:23,025 --> 01:34:25,027 AT THE TAFT PIG FARM DOWN THE STREET? 1201 01:34:25,093 --> 01:34:28,396 JOHN: MRS. TAFT, PLEASE FORGIVE OUR BREACH IN ETIQUETTE. 1202 01:34:28,463 --> 01:34:32,567 WE WERE TOO ANXIOUS TO SEND AHEAD OR DRESS PROPERLY. 1203 01:34:32,634 --> 01:34:38,974 TOO ANXIOUS TO SEE ME? 1204 01:34:39,041 --> 01:34:46,581 TO WHAT COULD I POSSIBLY OWE THIS DUBIOUS PLEASURE? 1205 01:34:46,648 --> 01:34:50,685 DID JOHN FINALLY INCLUDE YOU ON ONE OF HIS TRIPS? 1206 01:34:50,753 --> 01:34:53,488 MY DAUGHTER WAS ALWAYS SO ANXIOUS TO JOIN YOU, 1207 01:34:53,555 --> 01:34:56,959 I JUST PRESUMED YOU NEVER LIKED HER ENOUGH TO TAKE HER. 1208 01:34:57,025 --> 01:35:01,329 THE PROBLEM WITH PRESUMING IS THAT YOU NEVER KNOW FOR SURE. 1209 01:35:01,396 --> 01:35:02,798 QUITE RIGHT. 1210 01:35:02,865 --> 01:35:06,101 BUT WE ALL HAVE OUR OWN LITTLE PRESUMPTIONS, DON'T WE, 1211 01:35:06,168 --> 01:35:10,138 WHICH ARE QUITE LIKELY INCORRECT. 1212 01:35:10,205 --> 01:35:11,774 WHY? 1213 01:35:11,840 --> 01:35:13,408 I'M QUITE CERTAIN THEY LED YOU TO BELIEVE 1214 01:35:13,475 --> 01:35:17,746 THAT I ANNULLED YOUR MOTHER'S MARRIAGE TO YOUR FATHER, JIM, 1215 01:35:17,813 --> 01:35:21,349 BECAUSE I DON'T CARE FOR THE CHEROKEE. 1216 01:35:21,416 --> 01:35:22,885 INCORRECT. 1217 01:35:22,951 --> 01:35:25,553 I ANNULLED THE MARRIAGE BECAUSE YOUR MOTHER LOVED JOHN, 1218 01:35:25,620 --> 01:35:27,489 NOT YOUR FATHER. 1219 01:35:27,555 --> 01:35:31,226 AND I SIMPLY COULD NOT ABIDE THE DISHONESTY. 1220 01:35:31,293 --> 01:35:32,594 MOTHER! 1221 01:35:32,660 --> 01:35:35,297 OH, COME NOW DEAR. 1222 01:35:35,363 --> 01:35:41,303 SURELY THIS IS NOT NEWS. 1223 01:35:41,369 --> 01:35:49,044 WELL, WELL, ISN'T IT A RELIEF TO HAVE THE TRUTH OUT AT LAST? 1224 01:35:49,111 --> 01:35:53,115 ARE YOU REALLY MY GRANDMOTHER? 1225 01:35:53,181 --> 01:35:55,517 WHY DID YOU TELL MOTHER I WAS DEAD? 1226 01:35:55,583 --> 01:36:03,058 WHY DID YOU SEND ME AWAY? 1227 01:36:03,125 --> 01:36:07,295 BECAUSE I DID NOT CARE FOR THE CHEROKEE, 1228 01:36:07,362 --> 01:36:11,934 AND BECAUSE I COULD NOT FATHOM RAISING ONE IN MY OWN HOME, 1229 01:36:12,000 --> 01:36:17,806 AFTER WHAT THEY'D DONE TO MY FAMILY. 1230 01:36:17,873 --> 01:36:20,675 BUT I DOUBT YOU'VE HEARD THAT PART OF THE STORY. 1231 01:36:20,742 --> 01:36:24,412 QUITE THE CONTRARY, MRS. TAFT. 1232 01:36:24,479 --> 01:36:27,115 SHE KNOWS EVERYTHING. 1233 01:36:27,182 --> 01:36:33,488 WE HAVE BROUGHT YOU A GIFT. 1234 01:36:33,555 --> 01:36:35,090 I'M HONORED THAT YOU CAME ALL THIS WAY 1235 01:36:35,157 --> 01:36:38,126 TO GIVE ME A FILTHY POTATO SACK. 1236 01:36:38,193 --> 01:36:40,863 IT'S BEEN NO TROUBLE, MA'AM. 1237 01:36:40,929 --> 01:36:44,166 ASIDE FROM AMANDA AND JOHN NEARLY DYING. 1238 01:36:44,232 --> 01:36:47,836 WHAT COULD YOU HAVE BROUGHT THAT I COULD POSSIBLY WANT? 1239 01:36:47,903 --> 01:36:49,437 ABSOLUTELY NOTHING. 1240 01:36:49,504 --> 01:36:51,639 WE'D BE HAPPY TO LEAVE AND NEVER RETURN. 1241 01:36:51,706 --> 01:36:57,112 HA, I SEE MY QUICK WIT JUST SKIPPED A GENERATION. 1242 01:36:57,179 --> 01:37:02,117 MRS. TAFT, WE...CHEROKEE BELIEVE IT IS PROPER 1243 01:37:02,184 --> 01:37:05,153 TO RETURN A THING TO ITS RIGHTFUL OWNER, 1244 01:37:05,220 --> 01:37:09,057 NO MATTER THAT IT'S BEEN DECADES OUT OF HER POSSESSION. 1245 01:37:09,124 --> 01:37:13,461 NO MATTER HOW WRONGED WE MAY HAVE BEEN. 1246 01:37:13,528 --> 01:37:18,133 [INSTRUMENTAL MUSIC] 1247 01:37:18,200 --> 01:37:20,602 [GASPS] 1248 01:37:20,668 --> 01:37:30,412 [INSTRUMENTAL MUSIC] 1249 01:37:30,478 --> 01:37:36,084 I SENT SO MANY TO SEARCH FOR THIS. 1250 01:37:36,151 --> 01:37:40,889 THEN NO MORE WOULD GO. 1251 01:37:40,956 --> 01:37:44,659 AMANDA FOUND IT. 1252 01:37:44,726 --> 01:37:45,894 UNCLE JOHN WANTED YOU TO BELIEVE 1253 01:37:45,961 --> 01:37:49,031 THAT HE AND I ARE DECENT PEOPLE. 1254 01:37:49,097 --> 01:37:53,168 HE COULDN'T BRING BACK YOUR FAMILY, SO WE WENT AFTER THIS. 1255 01:37:53,235 --> 01:38:03,411 [INSTRUMENTAL MUSIC] 1256 01:38:03,478 --> 01:38:15,623 [INSTRUMENTAL MUSIC] 1257 01:38:15,690 --> 01:38:20,628 WELL, YOU DO RECALL HOW TO USE A BATHTUB, DO YOU NOT? 1258 01:38:20,695 --> 01:38:29,104 CALVIN. 1259 01:38:29,171 --> 01:38:35,677 YES, YOU ARE MY GRANDDAUGHTER. 1260 01:38:35,743 --> 01:38:45,687 [INSTRUMENTAL MUSIC] 1261 01:38:45,753 --> 01:39:05,707 [INSTRUMENTAL MUSIC] 1262 01:40:34,929 --> 01:40:38,733 EXCUSE ME. 1263 01:40:38,800 --> 01:40:41,002 JOHN AND I WERE JUST HAVING A LIVELY DISCUSSION 1264 01:40:41,069 --> 01:40:42,704 ABOUT WHAT SHOULD HAPPEN NEXT, 1265 01:40:42,770 --> 01:40:44,639 AND I THOUGHT YOU SHOULD BE INCLUDED. 1266 01:40:44,706 --> 01:40:47,209 GIVEN THE CHOICE, WHERE WOULD YOU PREFER TO LIVE, 1267 01:40:47,275 --> 01:40:49,277 HERE OR AT THE SHAW MANSION? 1268 01:40:49,344 --> 01:40:51,979 ELIZABETH, WOULD YOU PLEASE SLOW DOWN. 1269 01:40:52,046 --> 01:40:54,082 YOU ASSUME THAT IT'S GOING TO BE AN EASY DECISION FOR HER, 1270 01:40:54,149 --> 01:40:55,883 BUT I DON'T SEE IT THAT WAY! 1271 01:40:55,950 --> 01:40:58,686 THEN WE'LL SHARE HER BACK AND FORTH UNTIL SHE DECIDES. 1272 01:40:58,753 --> 01:41:00,021 STOP. 1273 01:41:00,088 --> 01:41:04,058 DID YOU READ THE LETTERS I SNUCK IN YOUR PURSE? 1274 01:41:04,126 --> 01:41:06,461 YES. 1275 01:41:06,528 --> 01:41:09,664 IF YOU REALLY LOVED UNCLE JOHN INSTEAD OF DADDY, 1276 01:41:09,731 --> 01:41:15,503 WHY DID YOU MARRY DADDY? 1277 01:41:15,570 --> 01:41:19,441 I DIDN'T THINK THAT JOHN LOVED ME 1278 01:41:19,507 --> 01:41:22,477 AND I HAD NO REASON TO BELIEVE THAT THAT WOULD CHANGE. 1279 01:41:22,544 --> 01:41:26,648 I LOVED YOU THE DAY WE MET AND EVERY DAY AFTER. 1280 01:41:26,714 --> 01:41:31,186 I LOVED YOU ON EVERY TRIP I TOOK ALONE, 1281 01:41:31,253 --> 01:41:33,288 AND EVEN WHEN YOU MARRIED MY BROTHER. 1282 01:41:33,355 --> 01:41:34,656 AND THEN YOU ERASED ME FROM YOUR MEMORY. 1283 01:41:34,722 --> 01:41:36,624 AND THEN YOU RETURNED, 1284 01:41:36,691 --> 01:41:41,796 AND, NO, I DID NOT LOVE YOU WHEN YOU ARRIVED. 1285 01:41:41,863 --> 01:41:45,567 AND I CERTAINLY DIDN'T LOVE YOU ON THE TRAIN. 1286 01:41:45,633 --> 01:41:50,338 BUT THEN YOU HAD TO GO AND RIDE THAT HORSE 1287 01:41:50,405 --> 01:41:54,176 AND NOT TURN AROUND WHEN I ASKED YOU TO 1288 01:41:54,242 --> 01:41:57,078 AND CARRY ME OUT OF THE CAVE. 1289 01:41:57,145 --> 01:42:02,217 ELIZABETH, I LOVE YOU. 1290 01:42:02,284 --> 01:42:06,020 I ALWAYS HAVE AND I ALWAYS WILL. 1291 01:42:06,087 --> 01:42:09,023 SHOULD I LEAVE YOU ALONE NOW? 1292 01:42:09,090 --> 01:42:12,194 ABSOLUTELY NOT. 1293 01:42:12,260 --> 01:42:22,237 [INSTRUMENTAL MUSIC] 1294 01:42:22,304 --> 01:42:42,457 [INSTRUMENTAL MUSIC] 1295 01:44:49,651 --> 01:44:52,854 CLOSED CAPTIONS BY CAPTIONLINK WWW.CAPTIONLINK.COM 82794