Original subtitles

YES, YES, YES.

IT'S A BEAUTIFUL DAY.

OOH.

GOOD MORNING.

HEY, MAMA.

YOU UP MIGHTY EARLY.

YEP.

WHAT, THAT BABY KEPT YOU AWAKE?

NO.

THEN WHAT IS IT?

I NEED TO GO TALK TO PHILIP ABOUT THIS HOUSE.

YOU STILL HARPING ON THAT, LINDA?

YES, I CANNOT LIVE IN THAT HOUSE

ON TOP OF THAT WOMAN'S STUFF AND HER MEMORY.

I TOLD YOU LET THAT GO NOW.

WELL, MAMA, I'M NOT YOU. I CAN'T LET IT GO.

IT'S NOT THAT BIG OF A DEAL.

WELL, IT ‐‐ IT'S A BIG DEAL TO ME.

I MEAN, THAT'S THAT WOMAN'S HOUSE, MAMA.

AND THIS HERE IS MY HOUSE.

WHAT DOES THAT MEAN?

YOU AIN'T GOT NO PROBLEM PARKING YOUR TOES UP THROUGH HERE.

IT'S A DIFFERENT SITUATION, MAMA.

IT'S NOT THE SAME THING.

NOT SO MUCH, BABE.

HOW IS IT THE SAME SITUATION?

YOU BOUNCE UP AND DOWN ON MY COUCH,

PUT YOUR SOUP LIPS ALL ON MY CUPS,

PARK YOUR TOES UP UNDER MY COVER.

WELL, NO STRANGE WOMAN WAS HAVING SEX UP UNDER MY COVERS.

YOU WANNA BET?

OKAY.

THAT'S ENOUGH.

WHERE YOU GOING?

I TOLD YOU, I'M GOING TO TALK TO PHILIP.

I TOLD YOU TO LET THAT GO.

WELL, I'M NOT.

OKAY.

I GOT IT.

I GOT IT. THAT'S IT.

THAT'S IT.

WELL, WHAT ‐‐

[ SIGHS ]

SURE GOT IT.

I BELIEVE I'VE GOT IT.

WHAT YOU TALKIN' ABOUT?

YOU GOT COLD FEET.

NO, MAMA, I DON'T HAVE COLD FEET.

LINDA, ARE YOU SURE?

YES, I'M SURE. I DON'T HAVE COLD FEET.

LOOK, BABY, SIT DOWN. SIT DOWN.

NOW, I KNOW YOU SCARED.

BUT THAT MAN IS EVERYTHING YOU'VE EVER WANTED,

AND YOU GOT TO LEARN TO TRUST THAT.

YOU CAN'T GO MAKING NO CRAZY DEMANDS.

I'M NOT MAKING CRAZY DEMANDS.

AND WHAT ARE YOU GONNA SAY TO HIM?

I'M GONNA TELL HIM

HE NEEDS TO GET HER STUFF AND FURNITURE OUT OF THAT HOUSE,

OR THE WEDDING IS OFF.

LINDA?

MEN DON'T LIKE DEMANDS.

YOUR DADDY DID NOT LIKE 'TIMATUMS.

I'M ‐‐ I'M NOT GIVING HIM A TOMATO, MAMA.

I'M‐A GIVE YOU A 'TIMATUM

TO UNDERSTAND WHAT THE HELL I'M SAYING.

ARE YOU SAYING ULTIMATUM?

THAT'S WHAT THE HELL I SAID.

THAT YOU CAN'T UNDERSTAND ENGLISH ‐‐

[ MUTTERS INDISTINCTLY ]

‐‐Captions by VITAC‐‐ www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

♪♪♪♪

THAT'LL BE THE DAY.

IT ACTUALLY HAPPENED. WHATEVER.

I DON'T BELIEVE YOU FOR A SECOND.

I'M TELLING YOU, GERBILS DO RACE.

HEY, FELLAS.

HEY, FLIP. HEY, FLIP.

IT'S PHILIP, DAMN IT.

All: HEY, FLIP, DAMN IT.

SO, YOU WANT YOUR USUAL?

NO, I'M NOT HUNGRY.

OH, OKAY, THEN.

YOU COME TO A DINER, AND YOU'RE NOT HUNGRY. WOW.

WELL, ACTUALLY, I CAME BY FOR A LITTLE MANLY ADVICE.

[ ALL CHUCKLING DEEPLY ] ALL RIGHT. ALL RIGHT.

ALL RIGHT. ALL RIGHT. ALL RIGHT.

TESTOSTERONE CENTRAL. WHAT?

WHAT KIND OF ADVICE?

UH, WOMAN ADVICE.

OKAY, OKAY. OKAY, OKAY. [ ALL CHUCKLING DEEPLY ]

WOMANIZERS. OKAY, OKAY, OKAY.

YEAH‐YEAH. [ CHUCKLES ]

[ Deep voice ] YOU CAME TO THE RIGHT PLACE!

IF YOU WANT TO LOSE A WOMAN.

SO, LET ME GUESS, UH...

WHICH WOMAN IN PARTICULAR YOU WANT TO TALK ABOUT?

LINDA. SURPRISE!

[ CHUCKLES ] [ CHUCKLES DRYLY ]

WATCH WHAT YOU SAY ABOUT MY MAMA.

[ HISSES ]

I ‐‐ NO, I LOVE YOUR MOTHER.

YOU KNOW THAT, RIGHT? YEAH, I KNOW YOU DO.

THIS IS NOT REALLY BAD.

BUT THEN WHAT IS IT?

WELL, SHE WAS BY MY HOUSE EARLIER,

AND SHE WANTS ME TO CHANGE ALL THE FURNITURE IN MY HOUSE.

UH, WHY?

'CAUSE MY LATE WIFE DECORATED IT.

OH. UH, WELL, YEAH.

WHAT?

ARE WE STILL ON THIS?

STILL ON WHAT?

YOU HOLDING ON TO YOUR LATE WIFE.

OHH, OOPS.

[ BLOWS, VOCALIZES ]

I'M NOT HOLDING ON TO MY LATE WIFE.

BRO, YOU HOLDING ON TO HER

LIKE A BODYGUARD HOLDING ON TO A SISTER‐IN‐LAW IN AN ELEVATOR.

NO, I'M NOT.

UH, IT LOOKS THAT WAY TO ME.

WELL, MY KIDS ARE USED TO IT.

PHILIP, HAVE YOU ASKED YOUR KIDS ABOUT HOW THEY FEEL

ABOUT YOU CHANGING THE FURNITURE?

NO.

WELL, HOW DO YOU KNOW THEY DON'T EVEN MIND?

WELL ‐‐

WELL, MAYBE...

JUST MAYBE...

IT'S FOR YOU.

DAMN.

I AM HOLDING ON TO MY LATE WIFE.

YOU SEE?

LOOK, PHILIP, IT'S OBVIOUS THAT YOU REALLY LOVED HER.

VERY MUCH!

YEAH, I DID.

WE KNOW!

I MEAN, THE PICTURES EVERYWHERE.

A SKOSH. A LITTLE WEIRD.

IT'S LIKE A SHRINE.

NO, IT'S NOT. YES, IT IS.

IT IS.

IS IT?

THEY'RE RIGHT.

WELL, NOW I FEEL BAD.

WHY?

'CAUSE I CAN ONLY IMAGINE WHAT LINDA MUST BE FEELING.

OH, DON'T WORRY ABOUT LINDA. SHE'S A STRONG GIRL.

STRONG AS AN OX.

MM!

LIKE HER MOTHER.

WHEW!

DON'T GET KNOCKED THE HELL OUT, SAM.

YOU TOOK THE WORDS RIGHT OUT OF MY MOUTH.

FLOYD SAYS WORSE THINGS!

HELL, I'M IN THE FAMILY. I GET TO INSULT THEM.

PICKING ON SAM, FLIP.

YOU'RE GONNA FIT RIGHT IN WITH THIS FAMILY!

[ CHUCKLES DRYLY ] [ CHUCKLES ]

[ CHUCKLES DRYLY ]

[ CLEARS THROAT ]

I GOTTA GO.

WHOA, WHERE YOU GOING?

I'M GOING TO CHANGE THE FURNITURE IN MY HOUSE.

ARE YOU SURE ABOUT THIS?

I LOVE HER THAT MUCH.

OKAY, WELL, SUIT YOURSELF, BRO.

Hattie: LINDA! WHAT ‐‐

LINDA! BABY.

AH, ME. OH!

LINDA, DON'T ‐‐ SHE'S PREGNANT!

DON'T ‐‐ DON'T DO THIS!

HATTIE! I AM.

[ Muttering ] DON'T YOU TOUCH ME WITH THAT THING.

HONEY, YOU ALL RIGHT?

LINDA, MEN DON'T LIKE 'TIMATUMS!

I LIKE TOMATOES.

SHUT THE HELL UP, DANNY!

LINDA, I BEG YOU, BABY, PLEASE DON'T DO THIS.

MAMA ‐‐ MAMA, I AM.

LINDA, DON'T!

HEY, Y'ALL. HEY, BABE, I NEED TO TALK TO YOU.

HEY, I NEED TO TALK TO YOU, TOO. NO, LET ME GET THIS OUT FIRST.

I WILL, OKAY, BUT LOOK, LISTEN. NO, NO, WHAT I HAVE TO SAY ‐‐

I LOVE YOU, BUT IF YOU WANT TO MARRY ME,

YOU'RE GONNA HAVE TO GET YOUR LATE WIFE DONNA'S STUFF

OUT OF THAT HOUSE. CHANGE THAT FURNITURE.

AND IF YOU CAN'T DO THAT FOR ME, THEN THE WEDDING IS OFF.

LINDA!

SAY WHAT?

YOU HEARD ME, PHILIP.

WAIT A MINUTE. LET ME GET THIS RIGHT.

YOU GONNA EMBARRASS ME IN FRONT OF ALL THESE PEOPLE

AND GIVE ME AN ULTIMATUM WHEN YOU KNOW I DON'T LIKE THAT.

THEY DON'T LIKE THAT, LINDA.

YOU KNOW MENS DO NOT LIKE THE 'TIMATUMS.

SAY IT, AND I'LL SLAP YOU.

YEAH, PHILIP, THAT'S WHAT IT IS.

UH, MAMA?

NO, NO, NO, BABY.

NOW, THIS NEEDS TO BE SAID, AND I MEANT WHAT I SAID.

IF YOU CAN'T CHANGE THE FURNITURE,

PHILIP, THE WEDDING IS OFF.

DAMN.

OOH, DON'T LET THE WEDDING BE OFF.

SO, WHAT'S IT GONNA BE, PHILIP?

LINDA.

WEDDING'S OFF.

AAH!

PHILIP, PHILIP.

MISS HATTIE. PLEASE TALK TO ME, FLIP.

MISS HATTIE ‐‐ SHE DIDN'T MEAN IT, FLIP.

YES, SHE DID. NO, SHE DIDN'T, FLIP.

IT'S PHILIP, DAMN IT.

OKAY, I'LL CALL YOU WHATEVER YOU WANT.

FLIP, DAMN IT.

AAH! MISS HATTIE, I GOT ‐‐

M‐MISS HATTIE ‐‐ [ WAILING ]

FLIP. MISS HATTIE ‐‐

FLIP!

AAH. FLIP!

AAH!

AAH. I FEEL SICK.

I'M GETTING DOWN.

OH, NO. I'M GETTING DOWN.

OH, NO. OH, YES, I AM.

[ CRYING ]

MISS HATTIE. DON'T GO.

MISS HATTIE ‐‐ PLEASE DON'T GO.

LOOK, MISS HATTIE, COME ON. OOH, I JUST ‐‐

MISS HATTIE. OOH, DON'T GO, FLIP.

I GOT TO.

PLEASE. I GOTTA GO.

CAN'T WE JUST PRAY ABOUT IT? I GOTTA GO.

I'LL PRAY. I'M SORRY.

[ WAILING ]

OH, I'M GONNA KILL YOU, LINDA.

♪♪♪♪

♪♪♪♪

LINDA!

MNH‐MNH, I DON'T WANT TO HEAR IT, UNCLE FLOYD.

I BEGGED YOU NOT TO DO THAT, LINDA!

WELL, I DID, MAMA.

MEN DON'T LIKE TO BE PUSHED INTO A CORNER!

WELL, THAT MAN NEEDS TO RESPECT MY WISHES.

AND YOU NEED TO GIVE HIM TIME.

BUT, MAMA ‐‐

NO, DANNY, STAY OUT OF IT.

DANNY HAS SOMETHING TO SAY!

SHUT UP, SAM.

ALL OF Y'ALL STAY OUT OF IT.

YOU AIN'T GOT TO RUN ME OVER.

BUT, MAMA ‐‐ NO, NO, NO, DAN. LET HER GO.

[ Crying ] IT'S JUST SO SAD.

I KNOW, I KNOW. [ MOANS ]

OOH.

[ MOANS ]

[ MOANING ]

I BEGGED HER NOT TO DO THAT.

DON'T CRY, MISS HATTIE.

I'M SO SAD.

THIS IS JUST SO SAD.

[ BOTH MOANING ]

[ MOANS ] I‐I KNOW, GRANDMA.

IT IS SAD LOSING THE MAN SHE LOVES, THOUGH.

THAT'S NOT WHY I'M CRYING!

WHAT?

I'M CRYING 'CAUSE SHE'S GONNA PARK HER TOES UNDER MY TABLE!

LITTLE ‐‐ OHH, GOD!

I SAID SHE STAYED TOO LONG!

THIS WAS ALL SO AVOIDABLE.

HOW, DANNY? HOW? YOU TELL ME THAT.

HE HAD JUST SAT HERE AND AGREED TO CHANGE THE HOUSE.

WHAT?!

YEAH, HE WAS JUST GONNA GO HOME TO DO IT.

OH, HELL NO!

YEAH. I BET HE AIN'T GONNA DO IT NOW.

I KNOW HE'S NOT. COME ON. WE GOTTA GO FIND MY MOM.

COME ON. NO.

NO.

NO? NO.

JUST LEAVE IT.

JUST LET IT BE.

IF IT'S TRUE LOVE, IT'LL WORK ITSELF OUT.

BUT WHAT IF IT'S NOT TRUE LOVE?

THEN SHE GONNA BE PARKED UNDER YOUR TABLE.

♪♪♪♪

[ KNOCKING ON DOOR ]

COMING!

HEY, GIRL, HEY.

WHOA, HEY.

HEY.

WHEW. HOW ARE YOU?

I'M GOOD. JUST, UH, OPENING MY DOOR

FOR PEOPLE WHOM I DID NOT INVITE OVER.

[ LAUGHS ]

YOU ‐‐

YOU'RE FUNNY.

SO, UH, YEAH. UM, IF YOU'RE LOOKING FOR THE BOYS,

THEY'RE NOT HERE. THEY'RE AT THE DINER.

I KNOW.

OH, OKAY.

SO, WHAT'S UP?

OH...NOTHIN'.

YOU, UH, DON'T HAVE ANY FRIENDS, DO YOU?

NO.

I‐I SHOULD GET SOME.

WHAT ‐‐ WHAT ARE YOU DOING IN YOUR BED CLOTHES

SO EARLY IN THE DAY?

[ SIGHS ] I DON'T REALLY FEEL TOO WELL.

OH, OH, OH.

MM, WELL, WHAT IS IT?

CRAMPS.

OH.

WELL, WARM MILK USED TO HELP ME.

OH, YEAH, I READ ABOUT THAT.

IN THE OLD TESTAMENT.

YEAH, JOSHUA USED TO DO THAT FOR HIS WIFE, GENESIS, EH?

[ SIGHS ]

I WOULD DO IT, BUT I JUST DON'T HAVE THE STRENGTH.

THAT'S ALL RIGHT, LITTLE GIRL.

I'LL GET IT.

I'LL GET IT FOR YOU.

OKAY, GREAT!

THANKS, MAMA. EXCUSE ME.

[ CHUCKLES ]

[ SIGHS ]

SO, REALLY, WHAT BRINGS YOU ON MY SIDE OF THE TOWN?

OH, NOTHING.

COME ON.

YOU KNOW NO ONE ELSE CARES ABOUT YOUR PROBLEMS.

[ CHUCKLING ]

OKAY.

WELL...

SPILL IT.

YOU'VE BEEN TO PHILIP'S HOUSE. YEAH.

AND YOU'VE SEEN ALL THE PICTURES OF HIS LATE WIFE, DONNA.

OH, YEAH, HONEY. SHE WAS STUNNING.

HAIR LAID TO THE GODS!

MM‐HMM.

I THINK SHE USED TO GET HER HAIR DONE BY MY GUY...

WELL, I ASKED PHILIP TO GET RID OF ALL HER STUFF

AND CHANGE THE FURNITURE.

AND THAT DIDN'T GO TOO WELL, DID IT?

NO. [ SIGHS ]

YEAH, I FIGURED THAT IT WOULDN'T.

HOW?

WELL, BECAUSE, I MEAN, HE REALLY LOVED HER, YOU KNOW?

SHE WAS AMAZING. [ CHUCKLES ]

SHE WAS LIKE A DIAMOND IN THE SKY, ONE OF A KIND.

[ CHUCKLES ]

YEAH, I KNOW.

AND WHAT YOU ALSO NEED TO KNOW

IS THAT IF PHILIP COULD LOVE HER,

HE CAN LOVE YOU EVEN MORE.

DO YOU THINK THAT'S EVEN POSSIBLE?

LOOK, GIRL, I DON'T KNOW ABOUT ALL THAT.

ALL I KNOW IS IF THAT FINE, SEXY MAN WANTED YOUR DUSTY ASS,

I'M STILL IN THE GAME.

[ LAUGHS ]

WE STILL OUT HERE. YOU FEEL ME?

YEAH, WE GONNA MAKE IT. WE GONNA BE ALL RIGHT.

I SAID WE GONNA BE ALL ‐‐

THE WEDDING IS OFF.

WHAT?!

YEAH.

WHY?

BECAUSE I GAVE HIM AN ULTIMATUM.

I SAID THE FURNITURE OR ME.

NO, YOU DIDN'T!

NO!

[ Crying ] THIS MEANS EVERYTHING TO ME!

WHY WOULD YOU MESS THIS UP?

WELL, 'CAUSE I ‐‐ 'CAUSE I MEANT IT, DREW.

[ SIGHS ]

YOU DID NOT MEAN IT. YES, I DID.

NO, YOU DIDN'T. YOU NEED TO CALL HIM.

NO, WHY? I MEANT WHAT I SAID.

[ SIGHS ]

IN RELATIONSHIPS, YOU HAVE TO UNDERSTAND

THAT YOU HAVE TO COMPROMISE.

IT'S NOT JUST ABOUT YOU AND WHAT YOU WANT.

WELL, I DON'T THINK I CAN DO THAT, DREW.

[ SIGHS ] LINDA, YOU'RE WRONG.

HOW AM I WRONG?

[ SIGHS ] IT'S NOT THAT YOU'RE WRONG,

BECAUSE YOU'RE ENTITLED TO YOUR OPINION,

BUT YOU'RE JUST HANDLING THIS WHOLE THING WRONG.

YOU KNOW, I KNOW I'M YOUNG, SO I KNOW I DON'T KNOW A LOT,

BUT WHAT I DO KNOW IS THAT IN RELATIONSHIPS,

ANYTHING CAN BE SOLVED AS LONG AS YOU COMMUNICATE.

HOW WILL HE KNOW WHAT YOU REALLY WANT IF YOU DON'T TALK TO HIM?

WILL YOU JUST ‐‐ JUST CALL HIM?

JUST CALL HIM.

OKAY.

I'LL GO OVER THERE.

[ SIGHS ] GOOD.

OH, AND, UH, NO MORE ONIONS AND TOMATOES.

ONIONS AND TOM‐‐

I'M SORRY. I‐I'M THINKING ABOUT COOKING.

THAT WAS YOUR OTHER PROBLEM.

♪♪♪♪

WHY ISN'T HE ANSWERING?

DOES HE HAVE SOMEBODY IN THERE?

OOH, I CAN'T SEE.

OOH, I'M...

I'M ‐‐ OOH, I'M‐A ‐‐ OOH.

LINDA? YEAH? HEY. HMM.

HEY, BABY.

HI.

I APOLOGIZE.

NO, I APOLOGIZE.

I SHOULDN'T HAVE GIVEN YOU AN ULTIMATUM.

YOU'RE RIGHT.

YOU KNOW I DON'T LIKE THAT.

I DO.

I LOVE YOU.

I KNOW.

AND I TRY TO SHOW YOU.

I KNOW, PHILIP, BUT THIS HOUSE AND YOUR LATE WIFE'S STUFF

AND THE FURNITURE AND ALL ‐‐ IT'S JUST A LOT TO CONTEND WITH.

I MEAN, THE WAY YOU TALK ABOUT HER LIKE SHE WAS A SAINT.

HOW AM I SUPPOSED TO LIVE UP TO THAT?

SWEETHEART, WHAT DO YOU DON'T UNDERSTAND

IS THAT YOU ALREADY HAVE.

HAVE I?

IF YOU HADN'T,

I WOULD NEVER HAVE ASKED YOU TO MARRY ME.

PHILIP ‐‐ LINDA, I LOVE YOU.

[ SIGHS ]

OKAY.

LISTEN.

YOU DON'T HAVE TO CHANGE ANYTHING.

I'LL FIGURE OUT SOME WAY TO ‐‐ TO DEAL WITH IT.

YOU SURE?

YEAH. I'M SURE.

OKAY.

[ CHUCKLES ] OKAY.

WANT TO COME IN? YEAH.

ALL RIGHT, COME ON.

♪♪♪♪

♪♪♪♪

[ CHUCKLES ]

WHAT ‐‐ WATCH YOUR STEP.

WHAT THE WHAT?

PHILIP.

THIS IS YOUR HOME TO DO WITH WHATEVER YOU WANT TO.

OH, PHILIP. ARE YOU SURE?

I'M POSITIVE.

NOW, THE KIDS' ROOM STAYS THE SAME.

OKAY. OKAY?

YES, I ‐‐ YES, IT SHOULD.

THAT'S ‐‐ YES.

WELL, ONE MORE THING.

I ALSO TOOK ALL OF THE FURNITURE OUT OF...

THE BEDROOM.

OH.

OH. OOH.

OH. OH.

OH. OH.

MM. OOH.

[ CHUCKLES ] SO ‐‐ SO MAYBE ‐‐

NO, NO. MNH‐MNH, MNH‐MNH.

OOH, GIRL! IT'S LIKE ‐‐ I CANNOT ‐‐

MNH‐MNH.

[ WHINING ]

WATCH YOURSELF. [ CHUCKLES ]

LOVE, I LOVE YOU.

I LOVE YOU, TOO.

LET'S GO SHOPPING FOR OUR NEW HOME, HMM?

OKAY.

[ SIGHS ]

THANK YOU.

IT'S MY PLEASURE.

♪♪♪♪