Original subtitles

[ BIRDS CHIRPING ]

Hattie: OKAY, YEAH, YEAH.

AND BE THERE ON TIME, TOO, FLOYD,

AND CALL DREW, SAM, AND DANNY,

AND TELL THEM I'M GONNA NEED THEM TO HELP ME OUT SOME, TOO.

UH‐HUH.

OKAY, GREAT.

WELL, I CAN'T BE YOUR FRIEND THIS MORNING.

OKAY? GREAT, GOOD‐BYE.

OH, GOOD MORNING.

GOOD MORNING!

WHAT SMELLS SO GOOD?

YEAH, I COOKED FOR YOU, BABY.

OH, THANK YOU, MAMA.

YEAH, YEAH.

GOT TO KEEP YOU HEALTHY,

YOU AND THAT BABY HEALTHY.

THAT'S IMPORTANT.

YEAH.

HOW YOU FEEL, BABE?

I FEEL GOOD.

OH, GOOD. THEN THAT MEANS YOU CAN COME

HELP ME AT THE DINER.

OH, MAMA.

WHAT?!

YOU KNOW I CAN'T BE AROUND ALL THOSE CHEMICALS.

WELL, PUT A MASK ON.

IT'S NOT HEALTHY FOR THE BABY.

OKAY, THEN, WELL, COME GET YOU A CHAIR

AND SET OUTSIDE AND GO THROUGH THE INVENTORY FOR ME, THEN.

I'M GOING SOMEWHERE WITH PHILIP.

WHERE Y'ALL GOING, THEN?

I NEED TO TALK TO HIM.

ABOUT WHAT?

WELL, I'M GONNA TELL HIM

THAT I CAN'T MOVE IN WITH HIM.

OH, THE HELL YOU PREACH.

UNH‐UNH ‐‐ YOU GOT TO GET THE HELL UP OUT OF HERE.

OOH, THAT MAKE MY NERVES SO BAD.

MAMA!

THEN YOU GOT TO GET THE HELL UP OUT OF HERE.

THANK YOU VERY MUCH.

I MEAN IT.

WHY CAN'T YOU GO AND MOVE IN OVER THERE WITH HIM?

MAMA, IT'S HIS LATE WIFE'S DECORATIONS,

HER FURNITURE.

I NEED HIM TO CHANGE ALL OF IT AND REPAINT.

WELL, HE SURE AIN'T GONNA LIKE IT, THEN.

WELL, HE'S GONNA HAVE TO

BECAUSE I CANNOT LIVE IN THAT HOUSE

ON TOP OF ALL HER MEMORIES.

WELL, GOOD LUCK WITH THAT, SPORT.

‐‐Captions by VITAC‐‐ www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

[ BIRDS CHIRPING ]

COME ON, NOW, WAIT A MINUTE, LINDA.

NOW, I DON'T KNOW ABOUT THAT, BABY.

WELL, MAMA, I HAVE TO TELL HIM.

BUT, BUT, BUT ‐‐

NO BUTS, MAMA.

NOW, HE KEEPS ASKING ABOUT IT,

AND I AM NOT MOVING INTO THAT HOUSE

THAT WAS SET FOR THAT WOMAN.

HE HAS TO UNDERSTAND THAT.

YEAH, BUT, BABY, HOW YOU GONNA TELL HIM?

I'M JUST GONNA TELL HIM.

NO, NO.

YOU CAN'T JUST WALK UP INTO A MAN'S HOUSE

AND JUST TALK CRAZY TO HIM.

WHAT?

NO, NO, LINDA, YOU GOT TO BE GENTLE.

YOU GOT TO JUST ‐‐

JUST TAKE YOUR TIME AND SLOW MOVE IT,

YOU KNOW WHAT I MEAN?

HOW, MAMA?

YOU SEE, WHAT YOU DO IS,

YOU... YOU JUST RUN UPSTAIRS,

AND YOU RUN HIM A HOT BUBBLE BATH,

AND THEN YOU LIGHT THE CANDLES.

[ SNAPPING FINGERS ] THEN PUT ON SOME OF THAT

BLUES MUSIC, BABY.

OOH.

AND YOU JUST DROP DOWN IN HIS EAR,

SAY, "HEY, BABY, LET ME HOLLA AT YOU FOR A MINUTE."

THAT ‐‐ THAT ‐‐

♪♪ BOOP, DOO, DOO ♪♪

"IF YOU JUST LET ME CHANGE THE FURNITURE AND EVERYTHING..."

♪♪ DOO, DOO, DOO ♪♪

"THEN I'LL LET YOU MAKE LOVE TO ME ALL NIGHT LONG."

♪♪ DOO DOO DOO DOO DOO ♪♪

MA‐‐ MAMA!

YOU KNOW I'M NOT GONNA DO THAT.

YEAH, RIGHT.

LIKE YOU AIN'T GOT THE SENSE

GOD GIVE A BILLY GOAT.

MAMA, WHAT DOES BILLY AND HIS GOATS

HAVE TO DO WITH THIS?

OH, NOW YOU WANT TO GET ALL DEEP AND EVERYTHING

SINCE YOU DONE GOT PREGNANT.

I MAKE ONE MISTAKE,

AND YOU CANNOT LET ME LIVE IT DOWN.

NO, BABY, YOU GOT TO LIVE IT UP

'CAUSE YOU GOT A BABY TO RAISE.

OKAY, WELL, BUT I WILL TELL HIM.

YOU ‐‐ YOU ‐‐ YOU ‐‐

YOU GOT TO GET THE HELL OUT OF MY HOUSE.

NOW, YOU KNOW IF YOU GO OVER THERE

TALKING CRAZY TO HIM AND EVERYTHING,

HE AIN'T GONNA WANNA CHANGE NOTHING.

WHAT DO YOU MEAN, MAMA?

'CAUSE I'M NOT SEDUCING HIM.

WELL, TRY THIS.

HERE WE GO.

NO, LISTEN AT ME NOW, BABE.

OKAY, I'M LISTENING.

MAKE HIM THINK IT'S HIS IDEA.

HOW?

BY DROPPING LITTLE HINTS AND EVERYTHING.

YOU GO SHOPPING,

AND YOU SEE A SOFA OR SOMETHING YOU LIKE.

YOU SAY, "BABY, DO YOU LIKE THIS SOFA?"

OH, OKAY, THE SOFA PART WAS THE ‐‐

THAT'S A GOOD IDEA,

BUT THE REST OF THAT ‐‐

TOO MUCH.

WELL, YOU SEE, YOU CAN'T BE TOO HARD.

YOU GOT TO BE GENTLE,

AND SOME MEN, YOU JUST

HAVE TO EASE 'EM INTO IT,

YOU SEE WHAT I'M SAYING?

OKAY, OKAY.

I'LL TRY THAT. THAT'S GOOD ADVICE, MAMA.

YEAH, AND IF THAT DON'T WORK...

THEN YOU BRING OUT THE POLE.

AND YOU JUST WORK IT.

TWERK, TWERK, TWERK, TWERK, TWERK, TWERK.

YOU JUST TWERK IT, TWERK, TWERK, TWERK, TWERK.

YOU GOT ME, HUH?

YEAH, I GOT YOU, MAMA.

YOU JUST KEEP TWERKING, LINDA.

JUST TWERK. GIVE ME $2.

COME ON, LINDA.

STOP VIOLATING THE FURNITURE.

LINDA, GIVE ME A DOLLAR, BABE.

LINDA!

[ KNOCKING ]

[ KNOCKING CONTINUES ]

[ SNIFFS ]

[ CLEARS THROAT ]

HEY, BABY.

HI, BEAUTIFUL. [ KISSES ]

MM!

WHERE ARE THE KIDS?

AT SCHOOL.

OKAY.

IT'S JUST YOU AND ME TODAY, BABY.

OKAY, GREAT.

SO, HOW'S THE WEDDING PLANNING COMING?

IT'S COMING.

YEAH?

HOW YOU FEELING? YOU KNOW?

HOW WE DOING? WE OKAY?

WE FEELING OKAY?

YES.

ALL RIGHT.

YEAH, I'M ‐‐ I'M GOOD.

ACTUALLY, I JUST REALLY NEED TO SIT DOWN.

YOU KNOW, I NEED TO SIT.

YEAH, COME ON IN.

AND HAVE A SEAT.

COME ON RIGHT HERE.

JUST SIT DOWN RIGHT HERE. THERE YOU GO.

OH!

WHOA.

OH, MY.

WHAT, WHAT, WHAT?

OH, THAT ‐‐

‐WHAT? ‐THAT SOFA!

IT'S SO HARD.

OH, OKAY. WELL, I'M SORRY.

WELL, SIT OVER HERE.

COME ON, SIT OVER THERE, RIGHT THERE.

OKAY, OKAY.

ALL RIGHT.

THERE WE GO.

OH!

WHAT?

IT'S JUST ‐‐ I MEAN, IT'S NO RECLINE.

IT'S JUST SO ‐‐ IT'S SO UPRIGHT.

IT'S ‐‐

OKAY, WELL, COME ON, LET ME HELP YOU.

IT'S JUST UNCOMFORTABLE. JUST ‐‐ HELP ME, HELP ME.

COME BACK OVER HERE. I GOT YOU.

‐OH! ‐ALL RIGHT, OKAY, ALL RIGHT.

‐OH! ‐YOU OKAY?

YOU ALL RIGHT?

NO, NO, THANK‐THANK YOU. I'M JUST GONNA STAND.

ALL RIGHT.

‐I'M JUST GONNA STAND. ‐I'M SORRY.

I'M SORRY, BABY, I'M SORRY.

DON'T BE SORRY.

IT'S OKAY.

OKAY.

BUT I JUST ‐‐

I JUST SO HAPPEN TO HAVE A CHAIR IN MY STORAGE.

YEAH?

MAY‐MAYBE I CAN BRING IT BY.

OKAY.

UH...

WELL, WHERE WOULD WE PUT IT?

RIGHT THERE.

RIGHT WHERE?

RIGHT WHERE THAT CHAIR IS.

OH.

OKAY.

IS THAT A PROBLEM?

NO, NO, NO.

NO, NO, THAT'S ‐‐ THAT'S FINE.

OKAY, GREAT. WE CAN GO GET IT TODAY.

UH, TODAY?

MM‐HMM.

OKAY, WE CAN GET IT TODAY

IF WE CAN PUT IT OVER THERE.

OVER WHERE?

[ CLEARS THROAT ]

OVER THERE.

BABY, THAT'S ALMOST OUT THE HOUSE.

[ LAUGHS ] YEAH, YEAH.

YOU DON'T WANT MY CHAIR HERE?

HUH?

YOU DON'T WANT MY CHAIR HERE?

WELL, BABY, IT'S JUST ‐‐

MY FURNITURE HAS ‐‐ IT'S SENTIMENTAL.

OH.

I SEE.

SEE, YOU UNDERSTAND, RIGHT?

DO YOU WANT ME TO LIVE HERE?

YES.

DO YOU WANT ME TO BE COMFORTABLE?

YES.

THEN ALL THIS FURNITURE NEEDS TO CHANGE.

SAY...

SAY WHAT?

YEAH.

YEAH.

BABY, UM, I'M SORRY,

BUT I CAN'T CHANGE MY FURNITURE.

I LIKE IT THE WAY THAT IT IS.

PHILIP.

HONEY, I'M SORRY.

WHAT KIND OF COMPROMISE IS THAT?

LOOK, BABY, I LOVE YOU,

AND I WILL TAKE THE SHIRT

OFF OF MY BACK AND GIVE IT TO YOU,

BUT I DON'T WANT TO CHANGE MY FURNITURE.

WHY NOT?

I TOLD YOU, IT HAS ‐‐

SENTIMENTAL ‐‐ YEAH.

YES.

OKAY, WELL, WE NEED TO TALK ABOUT THAT.

HONEY, WHAT IS THERE TO TALK ABOUT?

DIDN'T YOU JUST SAY THAT YOU

WANT ME TO BE COMFORTABLE HERE?

YES, I DO.

BUT LOOK, HERE, EXCUSE ME.

HANG ON.

ON THIS FURNITURE.

YOU SEE?

LOOK AT THIS.

IT'S COMFORTABLE.

WHAT IS THIS REALLY ABOUT?

HONEY, WHAT DO YOU MEAN?

IS IT BECAUSE YOUR LATE WIFE, DONNA,

CHOSE THIS FURNITURE?

[ SIGHS ]

HONEY, NO.

IT'S BECAUSE MY KIDS ARE USED TO IT.

WELL, WE'RE A DIFFERENT FAMILY NOW, PHILIP,

AND WE NEED DIFFERENT THINGS

SO THAT WE CAN CREATE OUR OWN SENTIMENT.

LINDA.

NO, NO, PHILIP.

I KNOW THERE ARE A LOT OF MEMORIES HERE FOR YOU,

BUT YOU HAVE TO UNDERSTAND WHERE MY MIND GOES.

WHERE DOES YOUR MIND GO?

TO YOUR BEDROOM.

SHUT YOUR MOUTH.

DID YOU MAKE LOVE TO DONNA IN THAT BED?

OH. OF COURSE I DID.

THEN HOW DO YOU THINK THAT MAKES ME FEEL?

WELL, SHE AIN'T HERE NOW.

THAT IS HER BED.

THIS IS HER SOFA AND HER CHAIR AND HER HOUSE.

OKAY, YOU SAID YOU LIKE ALL OF THIS FURNITURE,

BUT NOW YOU JUST WANT TO CHANGE EVERYTHING.

WHAT IS THIS REALLY ABOUT?

THIS IS NOT ABOUT THE FURNITURE, IS IT?

THIS IS ABOUT YOU AND ME.

YES, IT IS.

HONEY.

YOU DON'T HAVE TO BE JEALOUS OF DONNA.

I KNOW.

THEN WHAT IS THIS?

OKAY, I DON'T WANT TO ARGUE ABOUT THIS, PHILIP.

WE ARE NOT ARGUING.

THEN ALL I WANT TO DO IS CHANGE THIS FURNITURE.

LINDA, I'M SORRY, BUT I CAN'T.

THEN I'M SORRY.

I CAN'T LIVE HERE.

WHAT?

LINDA, COME ON, BABY, PLEASE.

NO, PHILIP, I WILL NEVER BE COMFORTABLE IN THIS HOUSE.

LINDA, COME ON, LET'S JUST SIT DOWN.

‐NO, NO. ‐LINDA.

‐NO. ‐LINDA, WHERE YOU GOING?

HOME.

WHY? COME ON.

‐LINDA. ‐I'LL CALL YOU LATER.

‐LINDA. ‐I'LL CALL YOU LATER.

[ SIGHS ] LINDA, COME AND TALK ‐‐

LINDA!

[ CLATTERING ] Sam: [ SCREAMS ]

OW!

Hattie: GET IN THERE!

WHAT ARE THEY DOING BACK THERE?

Hattie: HARDER!

Sam: [ GRUNTING ]

I'M TRYING!

[ CHUCKLES ]

MISS HATTIE'S BACK THERE WITH SAM.

[ CUTLERY CRASHING ] OH, GRANDMA, NO, IT'S TOO ROUGH!

MY NEPHEW BACK THERE, TOO?

UH, YEAH, HE BETTER BE.

WHAT ARE THEY DOING?

OH, YOU KNOW WHAT THEY'RE DOING.

NO.

OH, YEAH.

Sam: [ GRUNTS ]

OH, THEY'RE COMING OUT. I CAN'T LOOK.

OH.

THAT WAS DEEP.

OH.

YEP, MISS HATTIE DRAGGED ALL OF US DOWN HERE

TO HELP HER WITH HER SPRING CLEANING.

WHEW.

WHAT DID YOU THINK THEY WERE DOING?

I SHUDDER TO THINK.

YOU LATE, FLOYD.

WELL, I'M SORRY.

NO, YOU ISN'T. YOU DID THAT ON PURPOSE.

NO, I DIDN'T.

YES, HELL, YOU DID,

'CAUSE I CALLED YOU THIS MORNING,

TOLD YOU TO MAKE SURE YOU BE HERE ON TIME.

WELL, YOU CALLED ME AT OH‐DARK‐30.

HELL, I WAS STILL SLEEPING.

I THOUGHT I WAS DREAMING.

YOU ABOUT TO HAVE A NIGHTMARE!

I KNOW.

[ IMITATING HATTIE ] I'M LOOKING AT A NIGHTMARE.

YOU SOUND JUST LIKE ME, FLOYD.

I BEEN HERE TOO LONG.

I HAD TO GET SAM AND DANNY

TO GO BACK THERE AND CLEAN THAT ‐‐

[ IMITATING FLOYD ] GREASE TRAP.

AND THAT WAS "THIS‐GUSTING."

NOW YOU KNOW WHAT I HAVE TO GO THROUGH EVERY WEEK.

FLOYD, GET IN THERE AND GET THAT GRILL CLEANED.

FINE, YOU WITHERED CHRYSANTHEMUM DUST.

AND MAKE SURE YOU GET UP UNDER THEM CABINETS.

FINE.

MAKE SURE YOU MOP THAT FLOOR, TOO, FLOYD.

YEAH, YEAH.

SWEEP IT FIRST 'CAUSE YOU LIKE TO MOP ON TOP OF DIRT.

I LIKE TO PUSH THE ROACHES AROUND.

MAKE SURE YOU TAKE THEM BOXES AND EVERYTHING

AND CRUSH THEM BOXES FOR ME, HEAR, FLOYD?

FINE.

MAKE SURE YOU CRUSH 'EM, FLOYD.

‐WHY? ‐YOU JUST MAKE SURE YOU

CRUSH THE BOXES, FLOYD!

WHAT I WANT YOU TO DO, FLOYD?

YOU WANT ME TO ‐‐

[ IMITATING HATTIE ] CRUSH THE BOXES, FLOYD!

OKAY, GREAT.

OKAY, GREAT.

DANNY, SAM, Y'ALL START BACK THERE IN THE PANTRY.

ALL RIGHT.

MAKE SURE Y'ALL PUT THEM TOWELS AND EVERYTHING

BACK ON THE SHELVES NICE AND NEAT, HEAR?

OKAY.

MAKE ‐‐ MAKE ‐‐ MAKE ‐‐

MAKE SURE Y'ALL TAKE THEM BOXES AND STACK 'EM UP NEAT

SO FLOYD CAN CRUSH THE BOXES, YOU HEAR ME?

‐ALL RIGHT. ‐ALL RIGHT.

GET TO STEPPIN'!

OKAY.

OKAY, GREAT.

IS THIS HEIFER POLISHING HER FINGERNAILS?

DREW! [ CLATTERING ]

I ‐‐ I'M SORRY.

WHAT WOULD YOU LIKE ME TO DO, MISS HATTIE?

START BEHIND THE COUNTER, DREW.

OKAY.

DO SOMETHING OTHER THAN YOUR FINGERNAILS.

OKAY.

I'M THRILLED.

DREW?

HAVE YOU EVER USED A BROOM?

UM, NO.

BUT YOU USE ONE.

YOU RIDE IT AT NIGHT, RIGHT?

DREW, GET TO STEPPIN'.

GET STARTED.

‐QUICKLY. ‐OKAY.

LOWER, DREW.

OKAY, GOT IT.

DON'T YOU KNOW HOW TO DROP IT LIKE IT'S HOT, DREW?

DON'T ACT LIKE THIS IS YOUR FIRST TIME.

I KNOW YOUR KIND.

YOU UNDERCOVER HO.

Floyd: THAT'S WHERE MOST HO's ARE.

OOH.

THIS IS SO NICE.

I SURE APPRECIATE Y'ALL HELPING ME OUT OVER HERE.

OOH, THIS SO NICE.

JUST SO NICE THAT Y'ALL COME HELP ME DO THIS HERE.

HEY, BABE! HOW'D IT GO?

NOT GOOD, MAMA.

WHY?

'CAUSE HE SAID HE DIDN'T WANT TO CHANGE NOTHING.

WELL, HOW'D YOU APPROACH IT?

OH, HELL.

I ALREADY SMELL A LIE.

I‐I‐I SAID,

[ Breathy voice ] "HONEY,

DO YOU LIKE THE SOFA?"

THAT'S WHERE YOU WENT WRONG!

YOU DIDN'T DO IT RIGHT, LINDA.

YOU SUPPOSED TO SAY,

"HEY, HONEY POOH BEAR,

DO YOU LIKE THE SOFA?"

YOU DIDN'T DO THAT!

OKAY, WELL, I TRIED,

BUT HE IS SET ON KEEPING EVERYTHING.

THIS IS CRAZY.

YEAH, I KNOW.

WHAT ‐‐ WHAT DID HE SAY?

HE SAID HE WANTS TO KEEP EVERYTHING FOR THE KIDS.

OH, SO NOW HE WANT TO INVOLVE THE CHILDREN.

YEAH, IT'S LIKE HE'S HIDING BEHIND 'EM.

MAYBE...

LINDA, MAYBE HE'S NOT HIDING BEHIND THE CHILDREN.

NO, HE IS.

MAYBE THOSE CHILDREN MISSES THEIR MOTHER,

AND THOSE THINGS REMIND THEM OF HER.

[SIGHS] I DIDN'T THINK ABOUT IT LIKE THAT.

WELL, YOU SHOULD. THAT'S WHY I'M HERE.

JUST SMART AND WISE.

WELL, WHAT AM I SUPPOSED TO DO, MAMA?

I CAN'T LIVE IN THAT HOUSE ON TOP OF HER MEMORIES.

BABY, YOU NEED TO TRY.

JUST TRY IT, LINDA.

I‐I‐I CAN'T.

‐WHY? ‐BECAUSE HE'S NOT TRYING.

SO, WHAT ARE YOU SAYING?

YOU'RE NOT GONNA MARRY HIM?

WHAT ARE YOU SAYING, LINDA?

YOU'RE NOT GONNA MARRY HIM?

IT'S NOT THAT DEEP, MAMA.

YOU'RE RIGHT, IT'S NOT THAT DEEP.

BABY, NOW, THIS MAN IS EVERYTHING

THAT YOU'VE EVER DREAMED OF.

LINDA, DON'T LET SOMETHING THIS SMALL

COME IN BETWEEN YOU AND YOUR HAPPINESS.

BUT HOW IS IT SMALL?

I SEE HER EVERYWHERE I LOOK.

YOU DONE MET HER?

NO, MAMA. SHE'S DEAD.

OH, GIRL, YOU SCARED ME THERE.

I THOUGHT YOU WAS SEEING DEAD PEOPLE.

SO, HOW DO YOU SEE HER?

YOU DON'T.

NOW, GET THAT FOOLISHNESS OUT OF YOUR HEAD.

DON'T MESS THIS UP, LINDA.

I DON'T WANT TO MESS ANYTHING UP, MAMA.

THEN DON'T!

GO WITH THE FLOW, BABY. JUST GO WITH IT.

[ SIGHS ] I DON'T KNOW.

LINDA.

THIS IS ALL NEW TO HIM.

YOU'VE GOT TO GIVE HIM TIME,

AND IN TIME, MAYBE HE WILL CHANGE THINGS.

BABY, YOU'VE GOT TO LEARN TO COMPROMISE.

COMPROMISE?

YEAH, COMPROMISE.

THIS FROM THE QUEEN OF "IT'S MY WAY

OR GET THE HELL OUT"?

YOU HAVE NEVER COMPROMISED A THING A DAY IN YOUR LIFE.

'CAUSE I'VE NEVER HAD TO.

GOD DIDN'T GIVE YOU WHAT HE GAVE ME.

THEY ALWAYS GIVE ME WHAT I WANT.

YOU BETTER LEARN THAT TRICK.