Original subtitles

[ FLAPS LIPS ]

FLOYD, WHAT TIME WE CLOSE?

45 MINUTES AGO.

WHAT TIME IS IT NOW, FLOYD?

46 MINUTES AFTER WE CLOSE.

OOH, I SURE AM READY TO GO HOME.

[ YAWNS LOUDLY ]

YOU BETTER GET YOUR ASS UP OUTTA HERE.

UH...

UH, HATTIE...

WHAT THE HELL IS THIS?!

WE DONE STAYED TILL 45 EXTRA MINUTES!

SHE DONE SAT HERE AND ORDER ALL THIS HERE FOOD,

AND THIS ALL SHE LEAVE?!

YEAH, YOU BETTER BE GLAD YOU GOT UP OUTTA HERE!

I'LL KICK YOU OUTTA HERE NEXT TIME!

THANK YOU, MA'AM!

HATTIE.

NO, THANK YOU, MA'AM!

COME HERE. [ GRUNTS ]

YOU KNOW WHAT? THESE CUSTOMERS ARE CRAZY.

YEAH, THEY SURE IS.

CRAZY FOR COMING BACK UP IN HERE.

WE GOT GOOD FOOD HERE, FLOYD.

THAT'S WHY THEY KEEP COMING HERE.

WE MAY HAVE FOOD...

BUT YOUR ATTITUDE SUCKS.

AIN'T NOTHING WRONG WITH HAVING A BAD ATTITUDE THESE DAYS.

WHAT?!

IT AIN'T. YOU GOT TO TAKE ME AS I AM.

I'D RATHER NOT.

WHAT IS SHE DOING AT THE DOOR LIKE THAT?

YOU'LL SEE.

WHAT? WATCH THIS HERE.

UH, LINDA, BABE?

YES?

BABE, WHY YOU KEEP PACING BACK UP AND FORTH

TO THAT FRONT DOOR LIKE THAT THERE?

WHY DO YOU KEEP GOING BACK AND FORTH TO THE DOOR?

[ EXHALES ]

OH, MAMA, I WAS JUST ‐‐

YOU LOOKING FOR PHILIP.

IS THAT IT?

UH, YEAH.

NO, I WASN'T.

MM‐HMM. THEN WHY ARE YOU STILL HERE?

WHAT ARE YOU TALKING ABOUT?

YOU DON'T NORMALLY STAY THIS LATE.

RIGHT.

YOU KNOW WHAT? YOU'VE BEEN COMING IN EARLY AND LEAVING LATE

EVERY DAY FOR THE LAST SIX WEEKS.

RIGHT.

WELL, I'M JUST TRYING TO SAVE UP ENOUGH MONEY TO MOVE OUT.

[ GASPS ] HOO! THERE IT IS.

YOU FELT THAT, FLOYD? I DID. I DID.

MM, THERE YOU GO. LET THE LORD USE YOU, BABY.

Floyd: HEY. ALL RIGHTY.

HE USING YOU BODILY NOW.

WHOO! AMEN.

I FELT THAT.

NOW YOU SURE PHILIP HAS NOTHING TO DO WITH THIS?

NO, HE DOESN'T.

ARE YOU SURE YOU'RE NOT LOOKING FOR PHILIP?

YES, I'M SURE I'M NOT LOOKING FOR PHILIP.

OKAY. I GUESS YOU WON'T MIND THAT HE GOT A NEW WOMAN.

WHAT THE HELL YOU SAY, FLOYD?!

PHILIP GOT A NEW WOMAN.

OH, HELL, NO!

WHY HELL NOT?

'CAUSE LINDA WANT HIM.

MAMA, STOP IT. I DO NOT WANT HIM.

QUIT SAYING THAT DAMN LIE!

I'M NOT LYING AND I DON'T CARE IF HE'S SEEING SOMEONE.

[ SPEAKS INDISTINCTLY ] ALWAYS TOLD ME

YOU HAD TO BE CAREFUL OF PEOPLE WITH BIG FOREHEADS

'CAUSE THEY TELL A LOTTA LIES.

[ CHUCKLES ] WITH THAT HEAD, THAT'S GENERATIONAL LIES.

WELL, I DON'T CARE, AND THAT'S THAT.

LINDA, QUIT LYING!

I'M NOT. I DON'T CARE.

YOU KNOW WHAT? YOU GON' LISTEN AT ME!

NO. YOU GOT ME?

NO, NO, NO, NO, HATTIE. NO, NO. LET HER ‐‐

LET HER THINK THE WAY SHE DOES. ALL RIGHT?

FLOYD. NO, I'M SERIOUS.

JUST LET IT GO.

I AIN'T LET NOTHING GO!

SHE LET A GOOD MAN GO!

BUT YOU DON'T EVEN KNOW HIM LIKE THAT.

I KNOW HIM WELL ENOUGH TO KNOW HE GOT HIS OWN PLACE.

AND ANYBODY GOT THEY OWN PLACE, THAT'S A GOOD MAN.

WELL, LOOK, HE MOVED ON.

SHE SAID SHE DIDN'T WANT HIM. RIGHT, LINDA?

RIGHT.

[ Lowered voice ] I'M‐A GIVE HER 30 SECONDS.

THAT LONG?

SO WHO IS THIS WOMAN?

SEE. "C" WHAT?

SEESAW.

LOOK, SHE'S A REALLY NICE LADY AND SHE LIVES IN MY BUILDING.

SO...

GOOD FOR FLIPPIN' FLIP.

WELL, THEN THAT'S A GOOD THING. THAT MEAN YOU DON'T CARE.

SO IT REALLY DOESN'T MATTER, DOES IT?

NO, IT DOESN'T.

[ Lowered voice ] 20 SECONDS.

SO...HE'S JUST NOT GONNA COME BY HERE ANYMORE?

NO. HE JUST HASN'T BEEN BY HERE IN SIX WEEKS.

WELL, GOOD, 'CAUSE I'M SICK OF SEEING HIS FACE.

THAT WHAT HER MOUTH SAY.

WHY DON'T YOU JUST CALL HIM THEN?

I'M NOT CALLING THAT MAN!

I DON'T WANNA TALK TO HIM, I DON'T WANNA SEE HIM,

SO I'M NOT CALLING HIM!

YOU ALL RIGHT?

SHE BURNT HALF YOUR EYEBROW AT THE END.

WAIT, WAIT, WAIT, WAIT, WAIT.

HOW DID THEY MEET?

IS THAT YOU, LINDA?

YOU CAN'T SEE, FLOYD?

OOH! [ GRUNTS ]

HOW DID THEY MEET, UNCLE FLOYD?

HELL, I INTRODUCED THEM. I TOLD YOU SHE LIVES IN MY BUILDING.

WHAT?

YEAH.

WHAT THE HELL YOU DO THAT FOR, FLOYD?!

HELL, LINDA DIDN'T WANT HIM!

WELL, SHE SLEPT WITH HIM.

[ GRUNTS ]

MAMA! WHAT?

I TOLD YOU IT WAS A HORRIBLE ACCIDENT

THAT I REGRET BIG‐TIME.

BUT YOU THE ONE SAY HE WAS GOOD.

MNH!

MNH‐MNH. MAMA!

WHAT? YOU SAID IT, I DIDN'T.

MAMA, I DON'T WANT TO TALK ABOUT THIS AT ALL.

OKAY, GOOD. GO HOME, 'CAUSE YOU GETTING ON MY DAMN NERVES.

FINE. I WILL.

GOOD.

FLOYD, I'M‐A BEAT THE HELL OUTTA YOU.

WHAT FOR?

'CAUSE YOU INTRODUCED THAT WOMAN TO FLIP.

JUST LIKE HER, I DON'T WANNA TALK ABOUT THIS, ALL RIGHT?

HE MOVED ON, SHE MOVED ON,

SHE DIDN'T WANT HIM,

AND SHE HADN'T CALLED HIM IN SIX WEEKS, SO THERE.

I TOLD THAT GIRL TO CALL HIM.

I TOLD HER THAT OVER AND OVER AND OVER AND OVER AGAIN,

AND SHE STILL AIN'T CALLED HIM!

SHE JUST A STUBBORN AND HARDHEADED WOMAN.

I WONDER WHERE SHE GET THAT FROM.

HELLO, POT.

MEET KETTLE.

WHY WON'T SHE CALL HIM?

I DON'T KNOW.

SHE SAYS SHE GOT GOOD REASONS WHY SHE AIN'T GONNA CALL HIM,

AND DON'T NONE OF 'EM MAKE NO DAMN SENSE.

YES, THEY DO.

[ GRUNTS ]

GIRL, DON'T ROLL UP ON ME LIKE THAT.

THIS WAS A PRIVATE CONVERSATION

WITH ME AND FLOYD.

A PRIVATE CONVERSATION BETWEEN ME AND FLOYD.

GO ON. GET OUTTA HERE, GIRL.

I WILL.

UNCLE FLOYD?

SO HE'S REALLY... SEEING THIS...WOMAN?

YES, AND SHE'S AWFULLY CUTE.

AND SHE LIVES AT YOUR BUILDING?

I SAID THAT.

I HEARD IT WHEN HE SAID IT TO YOU.

TWICE. TWICE.

WHY DON'T YOU JUST CALL HIM THEN?

NO, I'M NOT CALLING HIM, UNCLE FLOYD.

BUT HE LIKES HER?

OH, YES.

I BET HE DOESN'T SEE HER EVERY DAY.

YES, HE DOES.

WELL, HOW CAN HE WITH HIS ‐‐ THE KIDS AND HIS FULL‐TIME JOB?

THERE'S NO TIME.

[ Under breath ] MM.

DID HE LOSE HIS SHOP?

HELL, NO.

WELL, IT HAD TO BE SOMETHING.

[ Loudly ] HE LIKES HER!

THAT'S WHY HE SEES HER EVERY DAY!

HE DOES?

YES.

[ SCOFFS SHARPLY ]

YOU GET THAT?

MNH‐MNH. LOOK AT THAT. WHAT THE HELL?

HE'S A STALKER.

WHAT THE HELL WRONG WITH HER?

I MEAN, WHAT WOMAN WANTS A MAN IN HER HOUSE EVERY DAY?

WELL, EVERY DAY? YOU AND HER ARE CRAZY.

LOOK, THAT'S HIS CHOICE.

WELL, I WOULDN'T WANT A MAN ALL...

UP UNDERNEATH ME EVERY DAY.

WELL, I DAMN SURE WOULD.

UP UNDER ME, ON TOP OF ME ‐‐

MAMA! COME ON, MAN!

WHAT? YOU NEED TO GO AND CALL THAT MAN!

TRYING TO ACT LIKE YOU DON'T LIKE THAT MAN!

WELL, I DON'T.

AND I DON'T CARE ABOUT... FLIP.

OR THE PRETTY LITTLE WOMAN IN UNCLE FLOYD'S BUILDING.

SHE WANT FLIP TO FLIP HER.

[ CHUCKLES ]

SO WHAT APARTMENT DOES SHE STAY IN?

[ GRUNTS AND EXHALES ] REALLY?

WHY?

I'M JUST ASKING.

BUT YOU'RE JUST ASKING FOR A REASON.

I DON'T CARE. I'M JUST ASKING.

WELL, STOP ASKING.

WELL, I DON'T CARE.

THAT'S FUNNY.

HER "I DON'T CARE" SOUNDS JUST LIKE "I REALLY DO CARE."

YOU KNOW WHAT? SHE'S STANDING HER,

TRYING TO ACT CRAZY, LIKE SHE DON'T WANT THAT MAN.

YOU THE ONE LET HIM GO.

I WOULD CHOKE YOU TO SLEEP FOR DOING THAT.

OH, PRETTY, SEXY, BALDHEADED STALLION.

I'M GOING HOME.

YOU DO JUST THAT!

AND WHEN YOU GET THERE,

YOU GO TO YOUR ROOM AND PUT ON YOUR PAJAMAS

AND GO DO A SLUMBER PARTY!

'CAUSE I HAVE COMPANY COMING OVER.

MAMA!

GET OUT.

BYE.

SEE YA.

[ MOVIE PLAYING ON TV ] DANNY?

I DON'T LIKE THIS MOVIE.

WHO CHOSE THIS?!

SHE DID.

WHAT? IT'S SO GOOD!

NO, IT'S NOT.

I DON'T GET IT.

ME EITHER.

YOU JUST GOTTA LOOK DEEP INTO YOUR SPIRIT.

YOU GOTTA LOOK INTO IT.

[ SIGHS ]

LOOK INTO IT. WHAT DO YOU SEE?

[ GRUNTS AND CHUCKLES ]

I SEE...

I SEE A TREE, MAN.

A TREE

IS A METAPHOR FOR LIFE.

AND THIS IS A METAPHOR

FOR ME CHOKING YOU OUT!

[ GRUNTS ] DEAD!

OH. SHH. AH! OH, GO TO SLEEP.

[ Whispers ] GO SLEEP.

TREE. LOOK AT THE TREE

AND THE LEAVES AND HOW THEY SWAY IN THE WIND.

[ GRUNTS ] SWAY WITH ME.

NO.

SWAY WITH ME, SAM. YEAH.

I WISH I HAD A TREE...

SO I COULD SMOKE IT.

GUESS THAT'S THE ONLY WAY

I'M GONNA ENJOY THIS MOVIE, BRAH.

YOU KNOW WHAT? YOU HAVE TO OPEN YOUR MIND TO IT.

NO. WHAT YOU NEED TO DO IS CLOSE YOUR MIND.

AND, DREW ‐‐ AND, DREW,

YOU NEED TO CLOSE YOUR LEGS.

THAT'S WHAT I WAS GONNA SAY TO YOU.

I KNOW.

THE TREE, MAN. IT'S THE TREE.

[ KNOCKING ON DOOR ]

PROBABLY ONE OF MY HOS.

HEY...OHH! HEY!

HEY! HEY, BABY.

MWAH. [ CHUCKLES ]

MISS LINDA! YOU'RE HERE.

AND WITHOUT CALLING.

SAM.

WHAT?! WE HAD AN AGREEMENT.

STOP IT. IT'S MY MOM.

HEY, MAMA. HOW ARE YOU?

HEY, BABY. I'M GOOD.

GOOD! GOOD. YEAH.

WHAT BRINGS YOU BY?

[ SIGHS ] WELL, YOUR GRANDMA HAD COMPANY...

SO SHE LOCKED YOU OUT.

YEP.

WE TRIED THAT.

STOP IT, SAM.

WHAT ARE YOU ALL WATCHING?

OOH! HAVE A SEAT.

THAT'S MY SEAT. AHH.

MM. WE'RE WATCHING

MY LIFE PASS BEFORE MY EYES.

SOME MOVIE THAT DANNY CHOSE. IT'S ABOUT A TREE AND LIFE.

IT'S REALLY AWF ‐‐

I LOVE THIS MOVIE!

REALLY AWESOME! WHOO!

SUCH A GOOD TIME!

DID YOU LIKE IT, BABY?

OH, I LOVED IT. IT'S SO GREAT.

SO GREAT

THAT I WANTED TO DIE HALFWAY THROUGH IT.

WELL, MAMA, YOU WANT SOME PIZZA?

OH. NO, BABY. I KINDA FEEL LIKE I SHOULD GO.

[ Whines ] NO!

[ Whines ] YES!

AGAIN...

STOP IT, SAM. STOP IT, SAM.

MISS LINDA, LIKE, REALLY THOUGH.

TELL ME, GIRL TO GIRL, HOW ARE YOU?

I'M GOOD, DREW. I TOLD YOU THAT.

SO, UH, HAVE YOU HEARD FROM PHILIP?

NO, BUT THAT'S BY MY CHOICE.

HA! [ CHUCKLES ]

SHE GOT DUMPED.

OKAY, FIRST OF ALL, WHEN WE DON'T HEAR FROM A GUY,

THAT'S NEVER OUR CHOICE.

WELL, GIRL, I TOLD HIM IT WOULDN'T WORK OUT.

REALLY?

YEAH.

SO, UM, WHY?

I TOLD HIM WE'RE NOT COMPATIBLE.

Sam: AW!

MISS LINDA, I WISH YOU WERE COMPATIBLE,

I DO...

WITH AN ADDRESS FAR AWAY FROM HERE.

ONE MORE WORD OUT OF YOU

AND YOU'RE SLEEPING ALONE TONIGHT, MISTER.

[ GASPS ]

IT THAT A THREAT?

YES.

SOMETHING YOU WANNA TELL ME, DANNY?

NO.

ARE YOU SURE?

YES, HE'S SURE.

NO, I MEANT I'M NOT GONNA OPEN OUR APARTMENT

TO ONE OF HIS STRAYS.

MY HOS.

OH.

WAIT, BUT...IF IT WERE WITH HIM,

WOULD YOU HAVE RUN FROM THIS PLACE, CRYING?

[ GIGGLES ] STOP IT, SAM.

IGNORE THEM.

BUT USE YOUR DISCERNMENT, GIRL.

[ SIGHS ] NO, BUT...

I GOTTA ASK YOU, LIKE, HOW FEELIN'? 'CAUSE, UH...

YOU LOOK LIKE ME IN THIS GETUP.

YEAH, YOU LOOK LIKE YOU REALLY TRYING TO DO THE YOUNG THING.

I FEEL GOOD.

AND I'M NOT THINKING ABOUT PHILIP AT ‐‐

OH. RIGHT. RIGHT.

MM? [ ELEVATOR BELL DINGS ]

DID YOU ‐‐ DID ‐‐ DID YOU HEAR THAT?

HUH? NO.

THAT WAS PHILIP.

NO, IT WASN'T.

YES, IT IS, BABY. IT'S PHILIP.

PHILIP?

YEAH. AHA HA!

[ LAUGHS ] [ KNOCK ON DOOR ]

MUAH‐HA‐HA‐HA!

[ KNOCKING CONTINUES ]

[ GROANS ]

UH...AH. [ HUMS ]

YOU CAN HAVE YOUR SEAT BACK.

[ EXHALES SHARPLY ]

SO DID YOU KNOW ABOUT THIS?

[ CHUCKLES ] NO.

YES, I KNEW.

WHY DIDN'T YOU TELL ME?

YOU SAID YOU DIDN'T CARE.

I DON'T.

GOOD.

SHE CARES!

TRUST ME, I'VE BEEN IN THAT POSITION A TIME OR TWO.

CORRECTION ‐‐

YOU'VE BEEN IN EVERY POSITION A TIME OR TWO.

OR 3 OR 4,000.

YEAH. I HAVE.

SO WHO IS THIS WOMAN?

SHE'S OUR NEIGHBOR.

AND WHAT DOES SHE DO? MAMA.

WHAT?

[ Singsongy ] SOMEONE'S A LITTLE JELLY.

NO, I'M NOT. PLEASE. WHATEVER.

GOOD.

GOOD.

SO WHAT DOES SHE DO?

SHE'S A KINDERGARTEN TEACHER.

WELL, I BET THEM LITTLE KINDERGARTENERS HATE HER.

THEY LOVE HER.

WELL, I BET THAT HAIR ISN'T REAL.

NAH, IT'S HERS.

HOW DO YOU KNOW, DREW?

SAME HAIRDRESSER.

WELL, I DON'T CARE.

OKAY.

COME ON, LET'S FINISH WATCHING THIS MOVIE.

UH, WELL, WE CAN'T. UH, IT'S BEEN CUT DOWN.

WELL, HOW LONG HAS SHE LIVED IN THIS BUILDING?

UH, LONGER THAN I HAVE.

I DON'T CARE.

OH.

OKAY.

WELL, HER PLACE CAN'T BE THAT NICE.

SHE LIVES IN THIS BUILDING.

WHOA! HEY!

MAMA. [ SCOFFS ]

I'M SORRY, BABY.

ACTUALLY, SHE LIVES ON THE TOP FLOOR.

OH, YEAH?

YEAH.

YEAH. IT'S REALLY NICE.

FOUR TIMES BIGGER THAN THIS PLACE AND SUPER SPACIOUS.

MUCH MORE COMFY THAN THAT LITTLE DUSTY‐ASS ROOM YOU STAY

AT YOUR MAMA'S HOUSE.

HOW THEM BUNK BEDS WORKING OUT FOR YOU?

AND THE MOTHS?

ARE THEY TREATIN' YOU NICE? THEY TREATIN' YOU NICE, RIGHT?

I DON'T CARE.

YOU'RE KILLING ME WITH THIS WHOLE "I DON'T CARE" SPIEL,

ESPECIALLY BECAUSE YOU KEEP ASKING US ALL THESE QUESTIONS.

YOU KNOW WHAT? I'M JUST GONNA GO FOR A DRIVE.

[ Whines ] NO, MAMA!

GIRL, YOU KNOW YOU'RE TRYING TO FIND PHILIP.

BUT WHILE YOU'RE AT IT,

YOU SHOULD PROBABLY DRIVE OFF A CLIFF

BECAUSE SHE'S REALLY AMAZING.

I DON'T CARE.

BYE.

I DON'T CARE!

MAMA!

I DON'T CARE!

YES!

AH!

[ EXHALES SHARPLY ]

[ CRYING ] SHE KEEPS COMING BACK.

SHE CARED.