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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,540 --> 00:00:07,541 HEY. 2 00:00:07,541 --> 00:00:09,510 HEY, UNCLE FLOYD. NEPHEW. 3 00:00:09,510 --> 00:00:10,777 SEE MY MAMA HERE? 4 00:00:10,777 --> 00:00:13,313 DO I LOOK LIKE YOUR MAMA'S KEEPER? 5 00:00:15,148 --> 00:00:16,883 WHAT? IS SHE STILL UPSET? 6 00:00:16,883 --> 00:00:18,218 YES. 7 00:00:18,218 --> 00:00:20,320 OH, YOU THINK I SHOULD TALK TO HER? 8 00:00:20,320 --> 00:00:21,387 ABOUT WHAT? 9 00:00:21,387 --> 00:00:23,924 YOU KNOW, TRY AND CHEER HER UP A LITTLE BIT. 10 00:00:23,924 --> 00:00:25,425 AND WHAT YOU GONNA SAY? 11 00:00:25,425 --> 00:00:27,694 I'LL TELL HER TO LISTEN TO HER HEART 12 00:00:27,694 --> 00:00:29,062 AND FOLLOW HER DREAMS. 13 00:00:34,300 --> 00:00:35,869 YOU BEEN READIN' THE BACK OF THAT CEREAL BOX AGAIN, 14 00:00:35,869 --> 00:00:38,104 HAVEN'T YOU? 15 00:00:38,104 --> 00:00:40,674 YEAH. 16 00:00:40,674 --> 00:00:43,276 I GET A NEW T‐SHIRT NEXT WEEK. 17 00:00:43,276 --> 00:00:44,410 HOO‐HOO‐HOO. 18 00:00:44,410 --> 00:00:46,412 YEAH. 19 00:00:46,412 --> 00:00:47,914 YOU REALLY DON'T KNOW WHAT TO SAY, DO YOU? 20 00:00:49,883 --> 00:00:51,985 NO, I DON'T. 21 00:00:51,985 --> 00:00:55,622 LEAVE YOUR MAMA ALONE. 22 00:00:55,622 --> 00:00:58,224 MAN, BUT WE HAVE TO DO SOMETHING. 23 00:00:58,224 --> 00:01:00,326 LIKE WHAT? 24 00:01:00,326 --> 00:01:02,503 YOU KNOW, UH... 25 00:01:02,503 --> 00:01:04,204 WELL, WHY DON'T YOU THINK OF SOME THINGS 26 00:01:04,204 --> 00:01:05,839 THAT MAYBE YOUR GRANDMOTHER WOULD SAY. 27 00:01:05,839 --> 00:01:08,908 OKAY. 28 00:01:08,908 --> 00:01:10,944 [ Imitating Hattie ] LINDA, I'M GONNA KICK YOUR ‐‐ 29 00:01:10,944 --> 00:01:11,945 NAH, THAT WOULDN'T GO WELL. 30 00:01:11,945 --> 00:01:12,946 [ Normal ] NO, THAT'S A BAD ONE. 31 00:01:12,946 --> 00:01:14,347 NO. NO. UH...OOH! I GOT IT. 32 00:01:14,347 --> 00:01:15,749 OKAY. 33 00:01:15,749 --> 00:01:17,618 [ Imitating Hattie ] LINDA, GET YOUR SCAR‐‐ 34 00:01:17,618 --> 00:01:19,786 MNH‐MNH. 35 00:01:19,786 --> 00:01:22,589 SHE DOESN'T SAY MANY POSITIVE THINGS. 36 00:01:22,589 --> 00:01:24,157 YOU NOTICED THAT, TOO? 37 00:01:24,157 --> 00:01:25,425 YEAH. 38 00:01:25,425 --> 00:01:28,128 WELL, SINCE YOU CAN'T THINK OF ANYTHING TO SAY, 39 00:01:28,128 --> 00:01:29,462 JUST LEAVE IT ALONE. 40 00:01:29,462 --> 00:01:30,731 YOUR MOTHER WILL BE ALL RIGHT. 41 00:01:30,731 --> 00:01:31,865 SHE GOT YOUR GRANDMOTHER. 42 00:01:31,865 --> 00:01:34,501 [ LAUGHING ] 43 00:01:34,501 --> 00:01:36,202 YOU OKAY? 44 00:01:36,202 --> 00:01:37,571 [ COUGHING ] 45 00:01:37,571 --> 00:01:39,272 LIFT YOUR ARMS. LIFT YOUR ARMS. 46 00:01:39,272 --> 00:01:41,942 COVER YOUR MOUTH WITH ONE HAND, WE GOT CUSTOMERS. 47 00:01:41,942 --> 00:01:42,943 THERE YOU GO. 48 00:01:42,943 --> 00:01:44,244 [ Strained ] GOOD ONE, UNCLE FLOYD. 49 00:01:44,244 --> 00:01:46,046 YOU SO FUNNY. SO FUNNY. 50 00:01:46,046 --> 00:01:47,714 GEEZ, I KILLED ME ON THAT ONE. 51 00:01:47,714 --> 00:01:48,782 I'M SORRY. WHOO. 52 00:01:48,782 --> 00:01:50,951 WE GOT TO DO SOMETHING. 53 00:01:50,951 --> 00:01:52,786 BRO, I'VE ALREADY TRIED TO TALK TO HER. 54 00:01:52,786 --> 00:01:54,354 AND? 55 00:01:56,056 --> 00:01:57,323 YOU SEE THIS SCAR? 56 00:01:57,323 --> 00:01:59,292 HEY, MAN, I DON'T WANT TO... YEAH. 57 00:01:59,292 --> 00:02:00,293 YEAH. 58 00:02:00,293 --> 00:02:02,335 I JUST GOT THE BANDAGES OFF. 59 00:02:02,335 --> 00:02:03,336 MM‐HMM. 60 00:02:03,336 --> 00:02:05,105 SHE BITE YOU IN THE NIPPLE? 61 00:02:06,206 --> 00:02:10,043 THAT'S A PREVIOUS INJURY. [ CHUCKLES ] 62 00:02:10,043 --> 00:02:11,578 NO, SHE DIDN'T, 63 00:02:11,578 --> 00:02:15,348 BUT SHE USED HER FRONT TOOTH TO DO THAT. 64 00:02:15,348 --> 00:02:16,550 WHAT? 65 00:02:16,550 --> 00:02:17,751 IF IT WASN'T FOR THAT SQUIRREL 66 00:02:17,751 --> 00:02:18,885 RUNNIN' ACROSS THE STREET AND SHE CHASED IT. 67 00:02:18,885 --> 00:02:20,486 SQUIRREL! 68 00:02:20,486 --> 00:02:22,689 I WAS A GONER. 69 00:02:22,689 --> 00:02:25,358 LOOK, JUST TALK TO HER ANOTHER TIME. 70 00:02:25,358 --> 00:02:27,160 NO, WE GOT TO DO SOMETHING. 71 00:02:27,160 --> 00:02:29,229 I MEAN, WILL WAS SO MEAN TO HER. 72 00:02:29,229 --> 00:02:30,897 YEAH, HE KIND OF TALKED TO HER LIKE A DOG. 73 00:02:30,897 --> 00:02:33,299 YEAH. SHOULD'VE SNATCHED HIS ASS UP. 74 00:02:35,035 --> 00:02:36,737 WHAT? YEAH. 75 00:02:36,737 --> 00:02:39,573 YOU KNOW, I SHOULD'VE JUST PUNCHED HIM RIGHT IN THE KISSER. 76 00:02:39,573 --> 00:02:41,675 YOU ALMOST GOT ME. I DO. 77 00:02:41,675 --> 00:02:43,744 THAT WAS QUICK. WHAT? 78 00:02:43,744 --> 00:02:46,212 AND THEN I SHOULD'VE KICKED HIM IN THE CHIN. 79 00:02:46,212 --> 00:02:48,582 ACTUALLY THE CHIN IS HIGHER. 80 00:02:48,582 --> 00:02:50,917 NOT WHEN YOU ON THE GROUND ALREADY. 81 00:02:50,917 --> 00:02:52,786 TRUE THAT. 82 00:02:52,786 --> 00:02:53,787 YEAH. 83 00:02:53,787 --> 00:02:55,589 THEN I SHOULD'VE PULLED HIS HAIR. 84 00:02:55,589 --> 00:02:57,791 YOU KNOW HOW PEOPLE TRY TO CATCH IT, 85 00:02:57,791 --> 00:02:59,660 I DON'T KNOW IF YOU COULD'VE. 86 00:02:59,660 --> 00:03:01,902 OH ‐‐ OH, I WOULD HAVE AND THEN I JUST ‐‐ 87 00:03:01,902 --> 00:03:03,604 WOULD HAVE JUST ‐‐ JUST SCRATCHED HIS EYES OUT! 88 00:03:03,604 --> 00:03:04,838 [ YOWLS ] 89 00:03:08,575 --> 00:03:10,977 THAT WAS FAST. YEAH. 90 00:03:10,977 --> 00:03:14,581 YOU FOUND YOUR INNER CAT... 91 00:03:14,581 --> 00:03:16,917 WOMAN. 92 00:03:16,917 --> 00:03:17,984 OOH! 93 00:03:17,984 --> 00:03:19,953 THEN I'D HAVE GOT HIM WITH THE WINDMILL. 94 00:03:19,953 --> 00:03:21,655 NOT THE WINDMILL. MM‐HMM. 95 00:03:21,655 --> 00:03:23,156 SPEEDIN' UP. OOH, SLOW IT. 96 00:03:23,156 --> 00:03:25,892 [ WHOOSHING ] 97 00:03:25,892 --> 00:03:27,761 YEAH. GOT TO BREATHE. 98 00:03:27,761 --> 00:03:29,596 YEAH. GOT TO BREATHE. 99 00:03:29,596 --> 00:03:30,764 GOT TO PACE YOURSELF ON THAT. 100 00:03:30,764 --> 00:03:31,832 YEAH. YEAH. 101 00:03:31,832 --> 00:03:33,333 BUT YOU KNOW WHAT I WOULD'VE DONE AFTER THAT? 102 00:03:33,333 --> 00:03:35,869 WHAT? I WOULD'VE WHOOPED YOUR ASS. 103 00:03:37,003 --> 00:03:38,471 WHY? 104 00:03:38,471 --> 00:03:41,575 AND THEN I'D WHOOP YOUR ASS FOR ASKIN' ME WHY. 105 00:03:41,575 --> 00:03:44,310 THOSE ARE GREAT...MOVES. 106 00:03:44,310 --> 00:03:47,213 YEAH, FOR A 12‐YEAR‐OLD LITTLE GIRL. 107 00:04:06,106 --> 00:04:07,240 I'M GOIN' BACK THERE. 108 00:04:07,240 --> 00:04:08,975 NO, NO, NO! I WOULDN'T DO THAT. 109 00:04:08,975 --> 00:04:10,076 WHAT? LOOK. 110 00:04:10,076 --> 00:04:11,111 LET ME TELL YOU THIS STORY. 111 00:04:11,111 --> 00:04:12,613 AS A MATTER OF FACT, IT INVOLVES CATS. 112 00:04:12,613 --> 00:04:13,780 [ GASPS ] 113 00:04:19,653 --> 00:04:21,822 YOU DO NEED RITALIN. 114 00:04:21,822 --> 00:04:25,526 ANYWAY, THERE WAS ONCE THIS LITTLE OLD BOY 115 00:04:25,526 --> 00:04:27,994 AND HE REALLY LOVED LIONS. 116 00:04:27,994 --> 00:04:29,229 AND SO ONE DAY, HE WENT TO THE ZOO 117 00:04:29,229 --> 00:04:30,664 AND HE WANTED TO GET CLOSER TO THE LIONS. 118 00:04:30,664 --> 00:04:31,898 YEAH. 119 00:04:31,898 --> 00:04:34,000 SO HE JUMPED OVER THE CAGE, 120 00:04:34,000 --> 00:04:38,905 HE OPENED THE DOOR AND CLOSED THE CAGE BEHIND HIM. 121 00:04:38,905 --> 00:04:42,609 THEN OVER IN THE CORNER, THERE WAS THE LION SNARLIN' 122 00:04:42,609 --> 00:04:44,277 AND DROOLIN' WITH LOVE IN HIS EYES ‐‐ 123 00:04:44,277 --> 00:04:46,713 IS THERE A POINT TO THIS? 124 00:04:47,981 --> 00:04:48,982 YES. 125 00:04:48,982 --> 00:04:53,219 THEN GET TO IT, MAN. DAMN! 126 00:04:53,219 --> 00:04:57,057 LET ME TELL MY STORY HERE. 127 00:04:57,057 --> 00:04:58,525 WELL, YEAH, THERE'S A POINT, 128 00:04:58,525 --> 00:05:00,493 BUT I'M JUST SAYIN', DON'T GO BACK THERE. 129 00:05:00,493 --> 00:05:02,402 I'M NOT LISTENIN' TO YOU. 130 00:05:02,402 --> 00:05:04,170 FINE. YOU AIN'T GOT TO LISTEN TO ME. 131 00:05:04,170 --> 00:05:06,239 [ SCOFFS ] I'M NOT. 132 00:05:06,239 --> 00:05:08,208 GREAT STORY. 133 00:05:08,208 --> 00:05:10,711 THAT WAS THE INJURED NIPPLE. 134 00:05:12,245 --> 00:05:14,114 I LOVE THE CATS. 135 00:05:14,114 --> 00:05:15,782 LOVE THE CATS. 136 00:05:15,782 --> 00:05:17,718 [ CHUCKLES LIGHTLY ] 137 00:05:17,718 --> 00:05:20,020 YOU WORRY ME. 138 00:05:21,688 --> 00:05:24,257 MAMA... [ CHUCKLES LIGHTLY ] 139 00:05:24,257 --> 00:05:27,093 IT'S DANNY. 140 00:05:27,093 --> 00:05:28,394 GONNA GIVE YOU A HUGGY. 141 00:05:28,394 --> 00:05:29,863 MARK. 142 00:05:29,863 --> 00:05:32,098 [ METAL CLANGING ] 143 00:05:35,435 --> 00:05:38,872 I SHOULDN'T HAVE TOOK MY ASS BACK THERE. 144 00:05:38,872 --> 00:05:41,341 THAT'S WHAT THE LITTLE BOY SAID AT THE ZOO. 145 00:05:44,511 --> 00:05:48,248 IT'S HOT AS HELL BACK THERE. 146 00:05:48,248 --> 00:05:49,616 THAT STOVE ACTIN' UP AGAIN, HATTIE? 147 00:05:49,616 --> 00:05:51,718 NO, BUT LINDA IS. 148 00:05:53,053 --> 00:05:54,555 IT MUST BE HOT AS HELL BACK THERE 149 00:05:54,555 --> 00:05:56,623 TO RUN SATAN OUT THE KITCHEN. 150 00:05:58,659 --> 00:06:00,734 GRANDMA, IS MY MOM ALL RIGHT? 151 00:06:00,734 --> 00:06:03,103 YEAH, SHE'LL BE FINE. 152 00:06:03,103 --> 00:06:06,339 DANNY, JUST GO ON AND JUST LEAVE YOUR MOM ALONE. 153 00:06:06,339 --> 00:06:09,309 I KNOW, BUT SHE'S STILL MY MAMA. 154 00:06:09,309 --> 00:06:11,578 YOU KNOW WHAT, YOU COULD JUST BE LIKE FLOYD 155 00:06:11,578 --> 00:06:13,547 AND NOT GIVE A DAMN ABOUT YOUR MAMA. 156 00:06:14,748 --> 00:06:16,850 WHAT? WHAT ARE YOU TALKIN' ABOUT? 157 00:06:16,850 --> 00:06:19,319 I LOVED MY MOTHER TO THE VERY DAY SHE DIE. 158 00:06:19,319 --> 00:06:21,321 THAT INSURANCE POLICY. 159 00:06:23,256 --> 00:06:24,257 WHAT? 160 00:06:24,257 --> 00:06:25,258 YEAH. 161 00:06:25,258 --> 00:06:26,492 FLOYD BURY HIS MAMA 162 00:06:26,492 --> 00:06:28,662 IN ONE OF THEM BOXES OUT HERE BACK THERE IN THE BACK, 163 00:06:28,662 --> 00:06:32,165 AND THEN KEPT THE REST OF THE MONEY FOR HIS OWN SELF. 164 00:06:32,165 --> 00:06:33,433 UNCLE FLOYD. 165 00:06:33,433 --> 00:06:36,169 I DON'T SEE THE POINT IN SPENDIN' ALL THAT MONEY 166 00:06:36,169 --> 00:06:39,706 ON A CASKET THAT EVERYBODY AIN'T GONNA SEE BUT ONE TIME. 167 00:06:39,706 --> 00:06:41,441 YEAH, YOU KNOW WHAT, I'M‐A REMEMBER THAT 168 00:06:41,441 --> 00:06:44,177 WHEN IT'S TIME TO BURY YOUR MONKEY ASS. 169 00:06:45,912 --> 00:06:48,248 THAT COMIN' FROM AN ORANGUTAN. 170 00:06:49,816 --> 00:06:51,852 HELLO. HEY THERE, DREW. 171 00:06:51,852 --> 00:06:53,520 SAM. 172 00:06:53,520 --> 00:06:54,821 DANNY. 173 00:06:54,821 --> 00:06:55,856 WHAT? 174 00:06:55,856 --> 00:06:57,791 WHAT ARE YOU DOING HERE? 175 00:06:57,791 --> 00:06:59,325 I'M HERE TO CHECK ON MY MAMA. 176 00:06:59,325 --> 00:07:00,667 SHE'S FINE. 177 00:07:00,667 --> 00:07:01,835 YOU DON'T KNOW THAT. 178 00:07:03,937 --> 00:07:05,539 SHE WAS FINE LAST NIGHT. 179 00:07:07,574 --> 00:07:11,344 AND HOW DO YOU KNOW IF SHE WAS FINE LAST NIGHT? 180 00:07:11,344 --> 00:07:14,848 STRATEGICALLY PLACED CAMERAS. 181 00:07:16,817 --> 00:07:18,819 STOP MAKIN' FUN OF ME. OKAY? 182 00:07:18,819 --> 00:07:21,555 SHE WAS REALLY UPSET. SHE WAS REALLY HURT. 183 00:07:21,555 --> 00:07:22,856 WELL, WE'RE HURTING. 184 00:07:22,856 --> 00:07:25,291 YOU KNOW WE HAVE A PROJECT DUE, RIGHT? 185 00:07:26,326 --> 00:07:28,394 AND YOU, YOU LEFT ME ALONE 186 00:07:28,394 --> 00:07:34,100 WITH THIS ‐‐ THIS THING IN A CREEPY SWEATER. 187 00:07:34,100 --> 00:07:36,336 YOU KNOW THIS SEXY THING IN A CREEPY SWEATER 188 00:07:36,336 --> 00:07:37,403 IS YOUR FANTASY? 189 00:07:39,005 --> 00:07:42,042 NO, MORE LIKE MY NIGHTMARE. 190 00:07:42,042 --> 00:07:44,110 PLEASE. YOU LOVE ME. 191 00:07:44,110 --> 00:07:46,079 YOU LOVE ME LONG TIME. 192 00:07:48,214 --> 00:07:49,449 YEAH, I LOVE YOU. 193 00:07:49,449 --> 00:07:52,719 I LOVE YOU LIKE A DOCTOR LOVES HIS SCALPEL. 194 00:07:52,719 --> 00:07:54,354 HMM. 195 00:07:54,354 --> 00:07:58,625 WILL YOU PLEASE COME BACK WITH US TO THE OFFICE? 196 00:07:58,625 --> 00:07:59,626 YEAH. 197 00:07:59,626 --> 00:08:01,127 NOT UNTIL I CHECK ON MY MAMA. 198 00:08:01,127 --> 00:08:03,970 WELL, GO ON BACK THERE AND CHECK ON HER THEN. 199 00:08:03,970 --> 00:08:06,640 I ALREADY WENT BACK THERE ONCE. 200 00:08:06,640 --> 00:08:08,742 AND HOW'D THAT PAN OUT FOR YOU? 201 00:08:08,742 --> 00:08:12,445 SOME REALLY NICE PANS, VERY CHOICE. 202 00:08:12,445 --> 00:08:14,247 BUT YOU KNOW, I'LL JUST SHOOT HER A TEXT. 203 00:08:16,282 --> 00:08:18,318 TAKE YOUR SCARY TAIL BACK THERE. 204 00:08:18,318 --> 00:08:20,220 DON'T PUSH ME. 205 00:08:20,220 --> 00:08:21,588 WHOA. 206 00:08:23,223 --> 00:08:25,491 [ SCOFFS ] YOU CAUGHT THAT ONE, GRANDMA. 207 00:08:25,491 --> 00:08:26,492 [ SCOFFS ] 208 00:08:26,492 --> 00:08:28,629 THAT WAS REAL CUTE FOR YOU. 209 00:08:30,196 --> 00:08:32,899 LOOKIN' LIKE A LITTLE 12‐YEAR‐OLD GIRL. 210 00:08:35,836 --> 00:08:37,470 GO ON BACK THERE NOW. 211 00:08:39,773 --> 00:08:41,007 LOOK AT HIM. 212 00:08:41,007 --> 00:08:42,408 WHAT? 213 00:08:42,408 --> 00:08:44,778 HE'S SCARED TO GO BACK THERE. 214 00:08:44,778 --> 00:08:46,513 WHY? 215 00:08:46,513 --> 00:08:49,249 WAIT. IS LINDA STILL UPSET ABOUT WILL? 216 00:08:49,249 --> 00:08:50,851 SHE ALWAYS UPSET. 217 00:08:50,851 --> 00:08:53,486 Danny: MAMA... 218 00:08:53,486 --> 00:08:54,821 [ METAL CLANGING ] 219 00:08:54,821 --> 00:08:55,922 DON'T SCRATCH HIS FACE! 220 00:08:57,591 --> 00:08:59,025 DID SHE GET YOUR FACE, BOO? 221 00:08:59,025 --> 00:09:00,527 UNH‐UNH. 222 00:09:00,527 --> 00:09:03,837 THAT WAS FASTER THIS TIME. 223 00:09:03,837 --> 00:09:05,338 WHAT HAPPENED? 224 00:09:05,338 --> 00:09:08,008 YOU KNOW, I THINK WE SHOULD JUST GET TO WORK. 225 00:09:08,008 --> 00:09:11,344 THAT'S EXACTLY WHAT I WAS TRYIN' TO TELL YOU. 226 00:09:11,344 --> 00:09:13,246 WAS SHE HANGIN' UPSIDE DOWN IN THE FREEZER? 227 00:09:13,914 --> 00:09:15,882 [ LAUGHS ] SHE PROBABLY WAS, FLOYD. 228 00:09:15,882 --> 00:09:17,350 I KNEW IT. [ CHUCKLES ] YEAH. 229 00:09:17,350 --> 00:09:21,221 I KNEW IT. DON'T TALK ABOUT MY MAMA. 230 00:09:21,221 --> 00:09:24,558 SHE GET IT FROM HER MAMA. 231 00:09:24,558 --> 00:09:27,994 AND I GOT IT FROM YOUR MAMA. 232 00:09:29,462 --> 00:09:32,232 DON'T YOU TALK ABOUT MY MAMA. 233 00:09:32,232 --> 00:09:36,269 YOU JUST MAD 'CAUSE I TOOK THAT CARDBOARD BOX. 234 00:09:36,269 --> 00:09:38,539 HEY, I DON'T KNOW WHAT TO SAY TO HER. 235 00:09:38,539 --> 00:09:40,907 THAT I'M SURE OF, 236 00:09:40,907 --> 00:09:43,877 BUT MAYBE WE CAN GET THE SAGE ADVICE 237 00:09:43,877 --> 00:09:46,813 FROM A WOMAN WHO'S ALWAYS REJECTED. 238 00:09:46,813 --> 00:09:49,816 MMM. MMM.MMM. 239 00:09:49,816 --> 00:09:50,851 AND LONELY. 240 00:09:50,851 --> 00:09:53,353 OH! 241 00:09:53,353 --> 00:09:56,189 AND DOESN'T...HAVE... ANYONE. 242 00:09:56,189 --> 00:09:57,257 RIGHT ON. 243 00:09:57,257 --> 00:09:59,159 GO AHEAD AND TALK MISS HATTIE, THAT'S ‐‐ 244 00:09:59,159 --> 00:10:00,834 THAT WOULD BE PROBABLY BE YOU, DREW. 245 00:10:00,834 --> 00:10:02,035 NO, YOU GO AHEAD AND DO IT. 246 00:10:02,035 --> 00:10:03,970 I THINK THEY BE TALKIN' ABOUT YOU IN THERE. 247 00:10:03,970 --> 00:10:05,839 SO DEFINITELY YOU TALKIN' ABOUT DREW. 248 00:10:05,839 --> 00:10:07,240 DREW. YEAH. 249 00:10:08,542 --> 00:10:09,543 GUYS, LOOK. 250 00:10:09,543 --> 00:10:10,977 WHAT ARE WE GONNA DO ABOUT MY MOTHER? 251 00:10:10,977 --> 00:10:12,846 I ALREADY TOOK CARE OF THAT. 252 00:10:12,846 --> 00:10:14,314 OH, LORD, WHAT'D YOU DO? 253 00:10:14,314 --> 00:10:15,481 I PIXED IT. 254 00:10:15,481 --> 00:10:17,651 WAIT A MINUTE. I DON'T LIKE THE SOUND OF THIS. 255 00:10:17,651 --> 00:10:19,653 UNH‐UNH. YOU "PIXED" IT. 256 00:10:19,653 --> 00:10:21,354 WHAT IS YOU TALKIN' ABOUT, FLOYD? 257 00:10:21,354 --> 00:10:24,057 TALKIN' ABOUT YOU ALREADY PISSED. 258 00:10:24,057 --> 00:10:27,360 YEAH, YOU ‐‐ YOU WANT ME TO CHANGE YOUR DIAPEY? 259 00:10:27,360 --> 00:10:31,231 I AIN'T SAYIN' NOTHIN' ABOUT NO PISS, I ALREADY PISSED. 260 00:10:31,231 --> 00:10:32,833 OH, SHE SAID IT AGAIN. 261 00:10:32,833 --> 00:10:34,901 I KNOW. YOU GOT CUSTOMERS. 262 00:10:34,901 --> 00:10:39,139 I TALKIN' ABOUT F‐I‐X‐E‐D, "FISSED" IT. 263 00:10:39,139 --> 00:10:40,473 FIXED IT. 264 00:10:40,473 --> 00:10:41,975 OH. OH. 265 00:10:41,975 --> 00:10:44,711 THAT'S WHAT I SAID, "FISSED IT." 266 00:10:44,711 --> 00:10:46,980 SHE MUST'VE ADDED THAT TO THE HATTIENESE DICTIONARY 267 00:10:46,980 --> 00:10:48,849 WITHOUT ME. YEAH. 268 00:10:50,050 --> 00:10:52,252 NOW THEN, I ALREADY TOOKEN CARE OF IT. 269 00:10:52,252 --> 00:10:53,419 I DON'T LIKE THE SOUND OF THIS. 270 00:10:53,419 --> 00:10:54,420 YEAH. 271 00:10:54,420 --> 00:10:56,222 WHY YOU SAY THAT, FLOYD? 272 00:10:56,222 --> 00:10:57,658 'CAUSE THE LAST TIME YOU SAID THAT 273 00:10:57,658 --> 00:11:00,326 WE ALL ENDED UP IN COURT. 274 00:11:00,326 --> 00:11:02,869 WHY YOU BRINGIN' UP THE PAST, DANNY? 275 00:11:03,904 --> 00:11:05,405 THAT'S BEEN YEARS AGO. 276 00:11:05,405 --> 00:11:08,942 I'D DONE LEFT THEM NARCOTICS AND THAT LIFESTYLE ALONE. 277 00:11:08,942 --> 00:11:14,214 SOMEBODY SAY NARCOTICS? 278 00:11:14,214 --> 00:11:15,549 WHAT'D YOU DO? 279 00:11:17,150 --> 00:11:18,852 HIM. HEY. 280 00:11:18,852 --> 00:11:20,286 Sam: OH. 281 00:11:20,286 --> 00:11:21,722 OH, NO. 282 00:11:21,722 --> 00:11:23,524 YOU SLEEPING' WITH PHILLIP? 283 00:11:25,291 --> 00:11:27,193 OH, HELL NO. 284 00:11:27,193 --> 00:11:29,429 PHILLIP CAN'T HANDLE ALL THIS HERE. 285 00:11:30,931 --> 00:11:35,702 HE NEEDS HIM A NICE SORT OF CHURCH GIRL LIKE LINDA, 286 00:11:35,702 --> 00:11:37,971 AND I DEFINITELY AIN'T THAT. 287 00:11:37,971 --> 00:11:40,273 NO‐OH. YOU KNOW WHAT? 288 00:11:40,273 --> 00:11:42,308 I'M AN OLD‐SCHOOL LOVER. 289 00:11:42,308 --> 00:11:45,345 I HAVE HIM DRINKING' ON THAT DARK LIQUOR 290 00:11:45,345 --> 00:11:48,414 AND SMOKING' ON ONE OF THEM FILTER KINGS, 291 00:11:48,414 --> 00:11:52,285 SINGING' BOBBY BLUE BLAND. 292 00:11:52,285 --> 00:11:53,687 MISS HATTIE. HUH? 293 00:11:53,687 --> 00:11:55,722 THIS IS A VERY BAD IDEA. 294 00:11:55,722 --> 00:11:56,723 GO ON NOW, PHILLIP. 295 00:11:56,723 --> 00:11:58,324 GO ON BACK THERE AND TALK TO HER. 296 00:11:58,324 --> 00:11:59,726 NO, I CAN'T. 297 00:11:59,726 --> 00:12:01,635 GET YOUR BALD HEAD BACK THERE AND TALK TO HER NOW. 298 00:12:04,470 --> 00:12:06,740 [ HISSES ] OOH! 299 00:12:06,740 --> 00:12:09,175 HE ALMOST GOT IT. YEAH, I ALMOST GOT IT. 300 00:12:09,175 --> 00:12:10,544 NOW QUICK, GET IN THERE. 301 00:12:20,721 --> 00:12:22,789 COME ON, DANNY. LET'S JUST GO BACK TO WORK. 302 00:12:22,789 --> 00:12:23,924 NO, I NEED TO SEE WHAT'S GONNA HAPPEN. 303 00:12:23,924 --> 00:12:25,158 WELL, I'LL TELL YOU. 304 00:12:25,158 --> 00:12:27,628 SHE'S DISMEMBERING HIS BODY BACK THERE. 305 00:12:27,628 --> 00:12:31,431 NOT ON MY GOOD POTS AND PANS. 306 00:12:31,431 --> 00:12:34,067 NOW LET'S GO. 307 00:12:34,067 --> 00:12:35,569 NO, YOU TWO GO BACK. 308 00:12:35,569 --> 00:12:37,403 I'M NOT COVERING FOR YOU AGAIN. 309 00:12:37,403 --> 00:12:38,705 I DO THAT ALL THE TIME. 310 00:12:38,705 --> 00:12:42,609 WHAT? YOU NEVER COVER FOR ME. 311 00:12:42,609 --> 00:12:45,445 UH, YES, I DO. 312 00:12:45,445 --> 00:12:47,313 WHEN? 313 00:12:47,313 --> 00:12:49,716 OH. OH. YEP. 314 00:12:49,716 --> 00:12:51,752 REMEMBER WHEN THE HEAT WAS OUT IN THE APARTMENT, 315 00:12:51,752 --> 00:12:53,186 AND YOU NEEDED TO BE COVERED 316 00:12:53,186 --> 00:12:55,455 AND THEN I COVERED YOU WITH MY BODICE. 317 00:12:55,455 --> 00:12:57,724 OH, YOU KNOW WHAT? WHAT THE HELL? 318 00:12:57,724 --> 00:12:58,959 UNH‐UNH. MNH‐MNH. 319 00:12:58,959 --> 00:13:01,635 DON'T ENCOURAGE HIM TO FINISH THAT STORY, PLEASE. 320 00:13:01,635 --> 00:13:04,938 YEAH, THAT AIN'T NO GOOD STORY THERE. 321 00:13:04,938 --> 00:13:07,240 LOOK, DANNY. WE'LL COVER FOR YOU 322 00:13:07,240 --> 00:13:08,909 FOR AN HOUR TOPS, 323 00:13:08,909 --> 00:13:10,343 BUT THEN AFTER THAT, 324 00:13:10,343 --> 00:13:13,614 I WANT YOU TO PUT SOME EFFORT INTO THIS PROJECT. 325 00:13:15,148 --> 00:13:17,818 IS SHE STILL TALKING' ABOUT WORK? 326 00:13:17,818 --> 00:13:20,654 NO. EFFORT. PROJECT. 327 00:13:22,488 --> 00:13:24,324 SHE'S DREAMING ABOUT YOU. 328 00:13:24,324 --> 00:13:27,928 THOUGHT SO. 329 00:13:27,928 --> 00:13:30,764 YOU, UH, WANT TO SIP ON SOME BROWN LIQUOR? 330 00:13:32,766 --> 00:13:35,168 SMOKE ONE OF THEM FILTER KINGS? 331 00:13:35,168 --> 00:13:38,772 UH, BYE, DREW. SEE YA. 332 00:13:38,772 --> 00:13:39,973 HOW LONG? 333 00:13:39,973 --> 00:13:40,941 COME ON. 334 00:13:40,941 --> 00:13:42,408 YOU'RE NOT GONNA KEEP REJECTING ME. 335 00:13:43,109 --> 00:13:44,244 [ MUMBLES ANGRILY ] 336 00:13:44,244 --> 00:13:46,713 HEY, COME ON, QUASI. YOU'RE GONNA BE MINE. 337 00:13:51,652 --> 00:13:54,721 UH, YOU KNOW, HE'S BEEN BACK THERE QUITE A WHILE. 338 00:13:54,721 --> 00:13:56,790 THAT'S 'CAUSE SHE KILLED HIM. 339 00:13:56,790 --> 00:13:59,793 NO, SHE DIDN'T. RIGHT, GRANDMA? 340 00:13:59,793 --> 00:14:02,569 JUST GO INTO WORK AND LET 'EM TALK. 341 00:14:02,569 --> 00:14:03,504 UNCLE FLOYD? 342 00:14:03,504 --> 00:14:05,839 LEAVE YOUR MAMA ALONE. 343 00:14:05,839 --> 00:14:07,473 NO, I NEED TO SEE WHAT'S GOING ON. 344 00:14:07,473 --> 00:14:09,142 GO IN THERE, HELL. 345 00:14:09,142 --> 00:14:09,976 ALL RIGHT, I'M GOING BACK. 346 00:14:09,976 --> 00:14:11,477 GO ON. YOU ON YOUR OWN. 347 00:14:11,477 --> 00:14:12,378 SUIT YOURSELF. 348 00:14:14,280 --> 00:14:15,415 PHILLIP! 349 00:14:20,253 --> 00:14:21,688 Hattie: SO WHAT HAPPENED? 350 00:14:21,688 --> 00:14:22,923 NOTHING. 351 00:14:22,923 --> 00:14:24,390 WHAT IS THAT SUPPOSED TO MEAN? 352 00:14:24,390 --> 00:14:25,992 SHE DIDN'T COME OUT OF THE OFFICE. 353 00:14:25,992 --> 00:14:28,529 THIS HERE IS JUST RIDICULOUS. 354 00:14:28,529 --> 00:14:29,830 MOVE! 355 00:14:33,667 --> 00:14:38,539 SO IF SHE HAD OPENED THE DOOR, WHAT WOULD YOU HAVE SAID? 356 00:14:38,539 --> 00:14:40,340 WELL, I WOULD HAVE APOLOGIZED TO HER. 357 00:14:40,340 --> 00:14:43,043 [ BOTH GROAN ] 358 00:14:43,043 --> 00:14:44,611 I DON'T THINK SHE READY TO HEAR THAT. 359 00:14:44,611 --> 00:14:45,912 WELL, I NEED TO, OKAY? 360 00:14:45,912 --> 00:14:48,515 I DID NOT MEAN TO MESS UP HER DATE WITH WILL. 361 00:14:48,515 --> 00:14:50,283 WELL, YOU DID. 362 00:14:50,283 --> 00:14:52,418 RIGHT ON TIME, TOO. 363 00:14:52,418 --> 00:14:56,422 [ CHUCKLES ] SEALED WITH A KISS. 364 00:14:56,422 --> 00:14:58,091 [ BOTH SMOOCH ] 365 00:14:59,626 --> 00:15:01,902 [ CLANGING ] 366 00:15:01,902 --> 00:15:03,870 WHAT WAS THAT? 367 00:15:03,870 --> 00:15:07,273 A TORNADO NAMED LINDA. 368 00:15:07,273 --> 00:15:08,809 YEAH, I WAS GOING BACK THERE 369 00:15:08,809 --> 00:15:10,110 TILL I HEARD THAT. HMM. 370 00:15:10,110 --> 00:15:11,745 WELL, I'LL TAKE MY CHANCES, ALL RIGHT? 371 00:15:11,745 --> 00:15:13,079 'CAUSE I NEED TO TALK TO HER. 372 00:15:13,079 --> 00:15:16,650 YEAH, YOU'S A BRAVE FOOL. 373 00:15:16,650 --> 00:15:18,418 THEN, FLOYD, WHY DON'T YOU GO? 374 00:15:20,386 --> 00:15:23,289 YOU WANT ME TO GO BACK THERE? 375 00:15:23,289 --> 00:15:24,658 YES. 376 00:15:24,658 --> 00:15:26,927 YOU KNOW HATTIE'S BACK THERE, 377 00:15:26,927 --> 00:15:30,664 AND SHE'S MORE OF A MAN THAN ANY OF US. 378 00:15:30,664 --> 00:15:33,099 YOU KNOW, SHE HAS BEEN BACK THERE FOR A LITTLE WHILE NOW. 379 00:15:33,099 --> 00:15:36,102 THAT'S 'CAUSE SHE'S KILLING HER. 380 00:15:36,102 --> 00:15:37,771 YOU KNOW WHAT, I'M GOING BACK THERE. 381 00:15:37,771 --> 00:15:40,541 OH! OH. 382 00:15:40,541 --> 00:15:43,610 WAIT. MAMA, YOU ‐‐ GET UP! 383 00:15:43,610 --> 00:15:45,879 WHY YOU STANDING LIKE THAT? DON'T ECLIPSE THE PEOPLE. 384 00:15:47,080 --> 00:15:49,182 STOP IT. THIS AIN'T THAT BAD. 385 00:15:49,182 --> 00:15:50,651 DAMN, GET OFF. 386 00:15:50,651 --> 00:15:54,821 AN ORANGUTAN AND A SILVERBACK AGAINST EACH OTHER. 387 00:15:54,821 --> 00:15:56,957 NEXT TIME, I'LL KILL YOU. 388 00:15:58,925 --> 00:16:00,193 Floyd: NO! 389 00:16:00,193 --> 00:16:03,103 I DON'T WANT TO BE THE LETTUCE IN THIS SANDWICH. 390 00:16:03,103 --> 00:16:04,671 THIS IS NASTY. 391 00:16:04,671 --> 00:16:06,973 WE'RE GONNA STOP IT! 392 00:16:06,973 --> 00:16:09,075 TOLD YOU. HATTIE WILL TRY TO TAME 393 00:16:09,075 --> 00:16:11,444 THE SAVAGE BEAST OF THE SOUTHERN WILD. 394 00:16:13,213 --> 00:16:16,449 CAREFUL, SHE EATS HER YOUNG. 395 00:16:18,351 --> 00:16:19,285 PHILLIP. 396 00:16:19,285 --> 00:16:20,320 HI. 397 00:16:20,320 --> 00:16:22,255 HI. 398 00:16:25,526 --> 00:16:27,460 HOW ARE YOU? 399 00:16:27,460 --> 00:16:28,529 I'M GOOD. 400 00:16:28,529 --> 00:16:29,963 GOOD. 401 00:16:31,732 --> 00:16:33,233 WHAT DO YOU WANT? 402 00:16:33,233 --> 00:16:36,136 I JUST WANTED TO APOLOGIZE. 403 00:16:36,136 --> 00:16:37,738 OKAY, APOLOGY ACCEPTED. 404 00:16:37,738 --> 00:16:40,541 SO CAN YOU NOW LEAVE, PLEASE? 405 00:16:40,541 --> 00:16:43,844 NOT YOU, UNCLE FLOYD. 406 00:16:43,844 --> 00:16:44,811 SURE. 407 00:16:50,551 --> 00:16:53,654 AND SPEAK UP, TOO. 408 00:16:53,654 --> 00:16:57,724 LINDA, I CAN CALL HIM AND TELL HIM AND JUST ‐‐ 409 00:16:57,724 --> 00:16:58,992 NO, YOU CAN'T. 410 00:16:58,992 --> 00:17:01,101 LOOK ‐‐ HERE LOOK, LET ME TALK TO HIM. 411 00:17:01,101 --> 00:17:02,102 PHILLIP... LINDA... 412 00:17:02,102 --> 00:17:03,003 WILL AND I BROKE UP. 413 00:17:03,003 --> 00:17:04,404 HUH? 414 00:17:05,839 --> 00:17:08,341 REALLY? [ WHIMPERS ] 415 00:17:08,341 --> 00:17:10,176 THAT'S... 416 00:17:10,176 --> 00:17:11,444 YOU SORRY? 417 00:17:11,444 --> 00:17:13,847 I'M SO SORRY. 418 00:17:13,847 --> 00:17:16,216 THEN WHY YOU SMILING? 419 00:17:16,216 --> 00:17:18,652 I WAS JUST HAVING AN INNER THOUGHT. 420 00:17:20,353 --> 00:17:22,789 PHILLIP, LOOK. LOOK. LOOK. LOOK. LOOK. 421 00:17:22,789 --> 00:17:24,958 LET ME ‐‐ LET ME ‐‐ LISTEN. LISTEN. 422 00:17:24,958 --> 00:17:26,259 WHAT'S WRONG WITH ME? 423 00:17:26,259 --> 00:17:27,293 NOTHING. 424 00:17:27,293 --> 00:17:28,929 YOU SURE? 425 00:17:28,929 --> 00:17:30,463 YES. 426 00:17:30,463 --> 00:17:32,365 THEN WHY DO YOU RESIST ME SO? 427 00:17:32,365 --> 00:17:34,367 YOU KNOW I'VE BEEN HURT. 428 00:17:34,367 --> 00:17:36,002 OKAY, WE'VE HAD THIS CONVERSATION. 429 00:17:36,002 --> 00:17:37,704 YES. YOU'VE BEEN HURT. YES, I HAVE. 430 00:17:37,704 --> 00:17:39,272 SO ARE YOU AFRAID I'M GONNA HURT YOU? 431 00:17:40,907 --> 00:17:42,242 NO. 432 00:17:42,242 --> 00:17:43,677 THEN WHAT IS IT? 433 00:17:45,111 --> 00:17:47,447 IS IT MY KIDS? 434 00:17:47,447 --> 00:17:49,149 NO, I LOVE YOUR KIDS. 435 00:17:49,149 --> 00:17:50,651 IS IT MY JOB? 436 00:17:53,486 --> 00:17:56,557 LOOK AT WHERE I WORK. 437 00:17:56,557 --> 00:17:57,924 LIN, WATCH YOURSELF, PRECIOUS. 438 00:17:57,924 --> 00:17:59,960 AIN'T NOTHING' WRONG WITH THIS PLACE RIGHT HERE. 439 00:18:02,903 --> 00:18:05,105 THEN WHAT IS IT? 440 00:18:05,105 --> 00:18:07,974 WHY ARE YOU PUSHING' THIS SO HARD? 441 00:18:07,974 --> 00:18:11,512 BECAUSE I WANT THIS. 442 00:18:11,512 --> 00:18:13,113 I WANT YOU. 443 00:18:17,751 --> 00:18:20,020 WHY? 444 00:18:20,020 --> 00:18:21,588 I TOLD YOU, YOU'RE BEAUTIFUL. 445 00:18:21,588 --> 00:18:23,957 AND I HAVEN'T FELT THIS WAY ABOUT ANYONE SINCE ‐‐ 446 00:18:23,957 --> 00:18:25,826 YOUR WIFE. 447 00:18:25,826 --> 00:18:27,227 YES. 448 00:18:29,996 --> 00:18:31,431 OH, THAT'S IT. 449 00:18:31,431 --> 00:18:33,133 WHAT? MY WIFE. 450 00:18:33,133 --> 00:18:34,467 WHAT ABOUT HER? 451 00:18:34,467 --> 00:18:37,838 YOU HAVE A PROBLEM WITH ME BEING MARRIED. 452 00:18:37,838 --> 00:18:39,472 NO. THEN WHAT IS IT? 453 00:18:42,543 --> 00:18:44,044 SHE'S ALL OVER YOU. 454 00:18:44,044 --> 00:18:47,681 AND SHE'S PROBABLY ALL OVER YOUR KIDS, 455 00:18:47,681 --> 00:18:52,786 AND THE DRAPES, AND THE CARPET, AND THE SOFA. 456 00:18:52,786 --> 00:18:54,354 IT'S ALL HERS. 457 00:18:54,354 --> 00:18:56,823 YES. 458 00:18:56,823 --> 00:18:58,391 I KNOW. 459 00:18:58,391 --> 00:19:00,561 OKAY. SO... 460 00:19:00,561 --> 00:19:01,868 HOW DO YOU KNOW? 461 00:19:01,868 --> 00:19:04,004 BECAUSE I SEE HER ALL OVER THERE. 462 00:19:04,004 --> 00:19:05,806 AND I SEE HER ALL OVER YOU. 463 00:19:05,806 --> 00:19:08,842 YOU'RE STILL IN LOVE WITH YOUR WIFE, PHILLIP, 464 00:19:08,842 --> 00:19:11,812 AND I CAN'T FILL IN FOR HER. 465 00:19:11,812 --> 00:19:15,849 I WON'T DO THAT TO YOU. AND I WON'T DO THAT TO ME. 466 00:19:15,849 --> 00:19:18,418 SO... LINDA. 467 00:19:18,418 --> 00:19:21,655 ...NOW, IF YOU'LL EXCUSE ME, I NEED TO GET BACK TO WORK. 468 00:19:21,655 --> 00:19:24,190 LINDA, LISTEN, JUST ‐‐ NO, PHILLIP. NO. 469 00:19:24,190 --> 00:19:25,058 LINDA. 470 00:19:35,669 --> 00:19:36,703 DAMN IT. 471 00:19:38,772 --> 00:19:40,907 [ SIGHS ] GOT SHOT DOWN AGAIN, HUH? 472 00:19:42,743 --> 00:19:45,045 YOU NEED A BULLETPROOF VEST. 473 00:19:47,080 --> 00:19:49,249 YEAH. 474 00:19:49,249 --> 00:19:51,117 MAN, YOU GET SHOT DOWN MORE THAN I DO, 475 00:19:51,117 --> 00:19:52,252 AND I NEVER REALLY TRY. 476 00:19:54,487 --> 00:19:56,523 AND WHY IS THAT, DANNY? 477 00:19:57,958 --> 00:20:01,367 I LIKE BEING SINGLE, UNCLE FLOYD. 478 00:20:01,367 --> 00:20:05,238 IS THERE SOMETHING WE NEED TO TALK ABOUT? 479 00:20:05,238 --> 00:20:07,240 IS THERE SOMETHING YOU NEED TO SHUT UP ABOUT? 480 00:20:09,242 --> 00:20:11,411 OKAY. OKAY. OKAY. LOOK. I'M SERIOUS, ALL RIGHT? 481 00:20:11,411 --> 00:20:13,379 I MEAN, HOW ‐‐ WHAT DO I NEED TO DO 482 00:20:13,379 --> 00:20:15,682 TO LET THIS WOMAN KNOW THAT I'M INTO HER? 483 00:20:17,317 --> 00:20:19,620 BEAT HER. 484 00:20:19,620 --> 00:20:20,754 [ LAUGHS ] 485 00:20:20,754 --> 00:20:22,956 I WISH SHE WOULD, YOU BALD‐HEAD BASTARD. 486 00:20:22,956 --> 00:20:26,326 OKAY. Y'ALL STOP PLAYING, I'M SERIOUS. 487 00:20:26,326 --> 00:20:27,360 I'M SERIOUS. 488 00:20:27,360 --> 00:20:29,630 LOOK. JUST GIVE IT SOME TIME. 489 00:20:29,630 --> 00:20:33,900 LOOKS LIKE HIS TIME IS UP. 490 00:20:33,900 --> 00:20:36,770 UM, OKAY. YOU KNOW WHAT? I'LL SEE Y'ALL AROUND. 491 00:20:36,770 --> 00:20:40,674 HEY, DID YOU ORDER SOMETHING? 492 00:20:40,674 --> 00:20:41,908 NO. 493 00:20:44,678 --> 00:20:48,281 I'M GONNA BILL HIM ANYWAY. 494 00:20:48,281 --> 00:20:51,451 HE'LL NEVER FIGURE IT OUT, HE ALWAYS ORDERS COFFEE. 495 00:20:51,451 --> 00:20:54,454 THEN THAT MEANS THE PRICE WILL BE THE SAME. 496 00:20:54,454 --> 00:20:56,489 I'M GONNA PUT HIM DOWN FOR 20 COFFEES. 32968

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