Original subtitles

GABI: YOU GOT IT?

[SIGHS]

JACOB: UH-OH. LOOKS LIKE

THERE'S NO ROOM FOR YOU GIRLS.

WELL, I GUESS I'LL

JUST HAVE TO GIVE A FEW

OF THESE PRESENTS AWAY

TO MAKE ROOM

IN THE BACK.

-VERY FUNNY, DADDY.

-WE CAN GO WITH MOM.

OH, I SEE.

NOW THAT YOU'RE

OFFICIALLY YOUNG WOMEN,

YOU'RE MAKING

YOUR OWN DECISIONS.

UNDERSTOOD.

THEN I WILL SEE YOU

BOTH AT HOME.

INGRID MICHAELSON: ♪ MOTHER ♪

-GREAT PARTY, HONEY.

-LOVE YOU.

-LOVE YOU, TOO.

-SEE YOU AT HOME.

ALL RIGHT.

THERE WAS ONE GIFT

THAT COULDN'T FIT

IN HIS CAR.

MICHAELSON: ♪ SOMETHING

IN THE WOODS IS COMING ♪

♪ CLOSE ENOUGH TO HEAR ♪

♪ IF I CLOSE MY EYES... ♪

AWESOME!

IT'S OUR BIRTHSTONE.

RED IS A VERY

SYMBOLIC COLOR.

IT'S THE COLOR

OF LOVE,

BUT IT'S ALSO

THE COLOR

OF PASSION,

COURAGE, WAR.

AT ONE POINT OR ANOTHER,

YOU'RE GOING TO HAVE TO

WRESTLE WITH ALL

OF THESE EMOTIONS,

AND WHAT DEFINES

YOUR CHARACTER

IS YOU HOW YOU

BALANCE THEM.

SO KEEP ME

CLOSE TO YOUR HEART

BECAUSE I'LL BE THINKING

OF YOU WHEN I WEAR MINE.

MICHAELSON: ♪ MOTHER ♪

MAZEL TOV.

MICHAELSON:

♪ DO I HAVE TO COME IN NOW? ♪

MMM.

I'M SO PROUD OF YOU.

MICHAELSON: ♪ IS THE DAY

ALMOST OVER? ♪

K, I DON'T SEE

YOUR CAR.

CAN YOU FLASH YOUR

LIGHTS OR SOMETHING?

A CREEPY GUY IS

FOLLOWING ME.

OH. WHAT? YOU WON'T EVEN

TALK TO ME?

JUST LEAVE ME ALONE.

HEH. NO ONE WITH THOSE LEGS

WANTS TO BE LEFT ALONE, HUH?

COME ON. I'M FRIENDLY.

I'M NOT.

THIS JUST BECAME

A PARTY.

AGH!

[GROANING]

YOU OK?

[BANG]

UNH!

WHAT A DICK.

OH, MY GOD!

WOMAN: I'D ASK FOR A SELFIE,

BUT I THINK YOU'RE

NEEDED ELSEWHERE.

NEXT TIME.

CARTWRIGHT.

WHAT COULDN'T YOU TELL ME

OVER THE PHONE?

I NEED YOU TO PROMISE

YOU WON'T KILL HIM.

KILL WHO?

THAT DIDN'T SOUND

LIKE A PROMISE.

KATE, OPEN

THE DAMN DOOR.

-HOW'D YOU FIND HIM?

-HE WAS LEFT.

-BY WHOM?

-I WILL TELL YOU EVERYTHING,

BUT FIRST, I NEED YOU

TO DRINK THIS.

KATE.

DRINK IT. TRUST ME.

I THINK ALICE FOUND HIM

AND LEFT HIM FOR ME.

ALICE IS DEAD.

THAT'S THE THING.

SHE'S NOT.

MOUSE?

MOUSE, WHERE ARE YOU?

[MOUSE WHEEZING]

[GAS HISSING]

"OH, DEAR.

I SHALL BE TOO LATE."

[HISSING STOPS]

NO. STAY AWAY FROM ME!

MOUSE, IT'S ME.

THE CATERPILLAR TOLD

ME WHERE TO FIND YOU.

YOU'RE DEAD. YOU'RE DEAD.

YOU'RE DEAD! HELP!

MOUSE!

[EXHALES]

CARTWRIGHT THOUGHT

HE KILLED ME,

BUT HE WAS WRONG.

IT WAS SOMEONE ELSE,

ANOTHER WOMAN

WHO FOOLED YOU.

I'M HERE NOW.

WHAT'S THE SECRET

PASSWORD?

"ARE THERE ANY LIONS

AND TIGERS ABOUT HERE?"

"IT'S ONLY THE RED QUEEN

SNORING."

SEE? IT'S ME,

YOUR BELOVED SISTER.

NOW WHAT IS

THIS PLACE?

THIS...

THIS USED TO BE HER HOUSE.

WHOSE HOUSE?

THE QUEEN.

THE QUEEN OF HEARTS.

[HUMMING]

YOU MOVED YOUR THINGS

OUT OF THE ATTIC?

HOW LONG IS SHE GONNA BE

STAYING WITH US?

JOHNNY, THAT'S NO WAY

TO TALK.

YOUR GRANDMOTHER CAN'T

LIVE ON HER OWN ANYMORE.

PUT THAT BUCKET AWAY,

ALICE.

ALICE!

THE BUCKET GOES AWAY.

OH. SORRY.

IT'S FINE.

STAY INSIDE.

I'LL JUST PULL

THIS THING

THROUGH THE COLD

MYSELF.

HELLO, MOTHER.

WELCOME HOME.

YOUR DEAR MOTHER

IS CARTING

AN OXYGEN TANK,

AND YOU GREET HER

WITH AN OPEN FLAME?

AH.

I CAN TAKE A HINT.

AND WHO'S THIS

HANDSOME YOUNG BOY?

HI, GRANDMA.

UH, JOHNNY, GET

YOUR GRANDMOTHER'S BAGS.

YOU FIXED HIS SCAR

BEAUTIFULLY.

WHEN ARE YOU GONNA

FIX THIS?

OH, MOTHER, YOU'RE STILL

AS BEAUTIFUL AS CAN BE.

PFFT.

AND THIS MUST

BE THE GIRL.

MY NAME IS ALICE.

SO PLEASED, YOUR MAJESTY.

WELL, AREN'T YOU

A CURIOUS THING

WITH YOUR MILKY

YOUNG COMPLEXION?

I LIKE YOUR PURSE.

AND I LIKE

YOUR NECKLACE.

WHERE DID YOU

GET THAT?

OH. UM, I DON'T

ACTUALLY REMEMBER.

I SAW BETH'S BODY.

SHE WAS DEAD!

I KNOW WHAT YOU SAW.

ALL THAT MATTERS IS

THAT IT WASN'T OUR BETH.

WELL, WHAT ARE YOU

SAYING,

THAT THE GIRL

ON THE METAL SLAB

WAS AN IMPOSTOR?

OR ANOTHER SKIN PIRATE

MINION.

GOTHAM HAS SEEN

CRAZIER THINGS.

IN FACT, THERE'S ONE

RIGHT IN FRONT OF US NOW.

TURNS OUT THE BASTARD

WHO MAKES FACES

IN HIS BASEMENT

ALSO MASQUERADES

AROUND GOTHAM'S ELITE

AS THE CITY'S BELOVED

PLASTIC SURGEON.

RIGHT UNDER OUR NOSE.

WE NEED TO CALL THE GCPD

AND GET HIM ARRESTED.

BASED ON WHAT?

SOME CRAZY HORROR STORY

YOU AND I TELL

THE VERY SAME

POLICE COMMISSIONER

WHO WRONGLY ACCUSED ME

OF MURDER

NO LESS

THAN 4 MONTHS AGO?

-IT'S THE TRUTH.

-WHICH CAN ONLY BE CORROBORATED

BY A LUNATIC, WHO

EVERYONE IN GOTHAM

THINKS IS DEAD.

WE NEED TO THINK

THIS THROUGH.

WHAT DO YOU SUGGEST,

WE KILL HIM,

BURY HIS BODY,

AND GO ON

WITH OUR LIVES?

[COUGHING]

RISE AND SHINE,

YOU SON OF A BITCH.

I WAS EXPECTING ALICE.

WELL, YOU GOT ONE MEANER.

DO YOU WANT ME TO START

WITH YOUR NOSE

OR YOUR KNEECAPS?

WHO IS

"MOMMY DEAREST"?

HEH HEH HEH.

WELL...

ALICE IS PLAYING GAMES

AGAINST THE MASTER OF GAMES.

NO. I'M NOT GOING TO

LET HER WIN.

YOU DON'T KNOW ALICE

LIKE I DO.

HMM. I KNOW I SPENT

THE LAST 6 YEARS

FOOLING GOTHAM,

YOUR LATE WIFE,

AND THE BOTH OF YOU.

ALICE: WHAT IS

THE CATERPILLAR DOING?

WHY WOULD YOUR OWN

FATHER LOCK YOU HERE

AND POISON YOU

LIKE THIS?

HE WANTED ME

TO SEE THE TRUTH.

WHAT ARE YOU

TALKING ABOUT?

THE TOXIN--

HE WANTED ME TO UNLOCK

MY GREATEST FEAR,

AND AS IT TURNS OUT,

YOU PSYCHOTIC BITCH,

MY GREATEST FEAR

IS YOU!

UNH!

MOUSE...STOP.

WHAT ARE YOU DOING?

MOUSE: YOU...DESTROYED

OUR FAMILY,

-AND NOW...

-NO.

-YOUR GREATEST FEAR...

-NO.

WILL DESTROY YOU.

[GAS HISSING]

NO.

[GASPING]

[DOOR SLAMS, LOCKS]

[YOUNG ALICE SCREAMS]

[LOW BOOMS]

[EERIE SINGING]

[WHEELS SQUEAKING]

NO.

[SHUDDERS]

NO, NO, NO.

-OHH!

-OFF WITH YOUR HEAD!

[WHIMPERS]

[INDISTINCT CHATTER]

SO POP BY IN A WEEK,

AND I'LL SEE HOW

YOU'RE HEALING, OK?

-THANK YOU.

-OF COURSE.

SO THIS IS

THE CLINIC I'VE

HEARD SO MUCH ABOUT.

YOU'RE HERE. GOOD.

SO I CALLED BECAUSE

I HAVE BETH NEWS.

-UH, WHERE'S KATE?

-I FIGURED YOU'D ALSO CALL HER.

AREN'T YOU, LIKE,

HER KEEPER?

AREN'T YOU, LIKE,

HER SISTER?

I GOT A LEAD

ON BETH'S MURDERER.

-THAT GUY KILLED BETH?

-NO.

HE CAME IN

FOR A FLU SHOT,

BUT HE SAW

OUR FLYER.

MR. DOG...

-JUST MAD DOG.

-YEAH. WELL, JUST TELL HIM

WHAT YOU TOLD ME.

SAW THE CAR YOU'RE

LOOKING FOR.

OK. THIS SEEMS LEGITIMATE.

WHERE WAS IT?

JUNKYARD OFF THE 30

AT GREEN.

SAME COLOR,

SAME PARTIAL PLATES.

YOU DIDN'T THINK TO

TAKE A PICTURE, MAD DOG?

-YOU GOT A PROBLEM WITH THAT?

-NO. WE BELIEVE YOU.

THANK YOU.

PRETTY SURE YOU JUST GAVE

A THOUSAND BUCKS TO A GUY

WITH A FACE TATTOO.

HE IS OUR FIRST LEAD

TOWARDS FINDING

BETH'S KILLER.

YOU'RE REALLY DRAGGING ME

TO THIS JUNKYARD?

TECHNICALLY,

YOU'RE DRIVING.

OK.

AFTER SO MANY YEARS APART,

THE ONLY WAY MY SON AND I

COULD START OUR LIFE ANEW

WAS IF HE BELIEVED

ALICE WAS HIS ENEMY

WHO DESTROYED OUR FAMILY.

HE WAS QUITE SUGGESTABLE

TO THE IDEA

AFTER I USED A LITTLE

CONCOCTION

FROM AN OLD COLLEAGUE.

YOU MAY HAVE HEARD OF HIM.

DR. JONATHAN CRANE?

FEAR TOXIN.

SCARECROW'S M.O.

TRIGGERS YOUR

GREATEST FEAR.

AND NOW ALICE IS HIS.

MUCH LIKE

THE REST OF GOTHAM,

MOUSE THINKS THAT

ALICE IS DEAD.

SEEING HIS GREATEST FEAR

MANIFESTED IN FRONT OF HIM,

MOUSE WILL

UNDOUBTEDLY SNAP.

MY GUESS IS BY NOW

HE'S DOSING HER

WITH INSURMOUNTABLE AMOUNTS

OF THE HALLUCINOGEN HIMSELF.

UNLESS ADRENALINE IS

ADMINISTERED SOON,

SHE'LL BE GONE FOREVER.

JACOB: WHERE IS SHE?

I'LL TELL YOU

WHERE SHE IS...

IN RETURN

FOR MY FREEDOM.

NOT HAPPENING.

ALICE UNTIL NOW

HAS BEEN FOCUSED.

HER PLANS ARE ALWAYS

CALCULATED, POINTED.

COLLATERAL DAMAGE

IS MINIMIZED,

BUT THIS TYPE

OF CHEMICAL EXPOSURE

WILL UNDO ALL OF THAT.

ANY WISPS OF SANITY

ALICE IS CLINGING TO

WILL DISSOLVE

IN THE WIND.

IF SHE DOESN'T JUMP

OFF THE NEAREST ROOFTOP,

WELL, THEN...

I IMAGINE SHE'LL

UNRAVEL COMPLETELY,

OUT HERSELF TO GOTHAM

IN THE PROCESS

OF GOING NUCLEAR.

I WOULD HATE TO BE

IN THE BLAST RADIUS

WHEN THAT HAPPENS.

DAD, STOP!

STOP, DAD!

DAD! UNH!

IF YOU KILL HIM,

THEN WE ARE NO

BETTER THAN HE IS.

NOT TO MENTION YOU'LL

NEVER FIND OUT

WHERE ALICE IS BEING

TORTURED.

HOO. I CAN ONLY IMAGINE

THE DARKNESS

SHE HAS INSIDE OF HER.

I HAVE A FEELING

I KNOW EXACTLY

WHO'S PAYING HER

A VISIT.

WHO?

MOMMY DEAREST.

[FOOTSTEPS]

YOUNG ALICE:

I BEG PARDON,

YOUR MAJESTY.

PUT IT THERE, GIRL.

I WAS AS BEAUTIFUL

AS YOU ONCE.

YOU'RE STILL

BEAUTIFUL, MA'AM.

I'M A CIRCUS ACT.

LEASHED TO THIS CAN OF AIR

LIKE IT'S MY DAMN DOG.

YOU HAVE NO IDEA

HOW LUCKY YOU ARE.

I WASTED MY LIFE

WITH A MAN

WHO NEVER LOVED ME

AND TOOK TOO LONG

TO DIE.

NOW NOT ONLY

AM I ALONE,

I'M ALONE AND OLD.

I'M SORRY,

YOUR MAJESTY.

HAVE YOU EVER MADE

TEA, ALICE?

I HAVE.

THEN YOU OUGHT TO KNOW

HOW TO KEEP IT

FROM BEING SO SWEET!

ALICE: I'M SORRY,

YOUR MAJESTY.

I THOUGHT YOU

WANTED IT SWEET.

YOU WERE WRONG.

HOLD OUT YOUR HANDS.

I THOUGHT YOU WANTED

IT SWEET.

I THOUGHT YOU WANTED

IT SWEET!

I SAID HOLD OUT

YOUR HANDS, GIRL!

[WHIMPERING]

-NO, PLEASE.

-PALMS UP!

NO. I SWEAR I DIDN'T--

[SCREAMING]

HOW MANY TIMES

HAVE I TOLD YOU?

IF IT'S TOO HOT

FOR THE HANDS,

IT'S TOO HOT

FOR THE LIPS.

[MOANING]

YOU CHANGED

YOUR HAIR.

WHY WOULD YOU CHANGE

YOUR HAIR?

NO. I KEPT IT SHORT

JUST AS YOU LIKE IT.

YOU COLORED IT.

IT WAS SO PRETTY.

WHAT DID YOU DO,

ALICE?

YOU WERE SUCH

A PRETTY GIRL.

[MOANING]

NO, NO, NO.

I LOVE MY HAIR.

-PLEASE DON'T.

-YOUR HAIR WANTS CUTTING!

I'M SORRY.

PLEASE STOP IT.

NO. NO.

[SCREAMING]

WE'RE OUT OF CREAM!

I ASSURE YOU

I BROUGHT CREAM.

WHY ARE WE OUT

OF CREAM, ALICE?

I'LL FIND SOME.

I'LL GO NOW. I'LL FIND SOME.

NO, NO, NO. NO, NO.

WE CAN'T HAVE RUN OUT.

NO, NO.

[WOMAN VOCALIZING]

THERE'S NO CREAM.

WE HAVEN'T ANY CREAM.

[BREATHING HEAVILY]

WHAT ARE YOU DOING HERE?

WHY IS THIS LOCKED?

WHY ARE YOU HERE?

I NEED CREAM

FOR THE QUEEN'S TEA.

THERE'S NO CREAM

OUT HERE.

I'M DESPERATE.

SHE HATES ME.

MOTHER DOESN'T HATE YOU.

SHE DOES HATE ME

BECAUSE I AM

YOUNG AND BEAUTIFUL

AND SHE'S OLD

AND HAGGARD.

IT WAS MY MOTHER

WHO SIPHONED HER HAPPINESS,

SNUFFED HER SPARK,

BEAT HER SO HARD

AND SO OFTEN THAT

EVENTUALLY IT WAS EASIER

FOR ALICE TO BE NUMB

THAN HUMAN.

I IMAGINE NOW

IN THE THROES

OF ALICE'S MADNESS

MY MOTHER IS ONCE AGAIN

CALLING FOR HER TEA.

YOU THREW BETH

IN A CELLAR

AND TAUGHT HER HOW

TO CARVE UP FACES,

BUT MOMMY IS

THE BAD GUY?

NICE TRY.

I AM GONNA FIND HER,

AND THEN I'M GONNA

SKIN YOU ALIVE.

THIS IS HIS.

TRACE IT,

SEE IF WE CAN FIND OUT

WHERE HE LED ALICE.

HOW ABOUT A GLASS

OF WATER?

HOW ABOUT NOT?

IS THAT WHY ALICE

TOLD ME TO ASK

ABOUT MOMMY DEAREST?

BECAUSE YOUR MOM

WAS THE ONE

THAT BROKE HER?

SHE WANTED YOU TO HEAR

HER STORY

AND GET YOU

TO KILL ME.

SHE WANTED TO BREAK

YOU, TOO.

YOU'RE WRONG.

SHE KNOWS I WOULD

NEVER KILL ANYONE.

BECAUSE...

YOU'RE SO DIFFERENT?

WE ARE DIFFERENT.

THEN BE MERCIFUL.

GIVE ME WATER.

I'LL TELL YOU

WHERE SHE IS.

YOU NEVER KNEW

MY REAL SISTER.

THE GIRL

I GREW UP WITH

WAS KIND AND GOOD,

HAD A SOFT SPOT

FOR PEOPLE WHO

DIDN'T NECESSARILY

DESERVE IT.

NOW TELL ME

WHERE ALICE IS.

YOU'LL NEVER FIND HER!

LUKE: SO YOU PAID A GUY

A THOUSAND BUCKS

TO TELL YOU THERE'S

A CAR IN A JUNKYARD.

HOW MUCH WILL YOU GIVE ME

IF I TELL YOU

THERE'S SAND

AT THE BEACH?

OK. WHY DON'T WE

CHASE DOWN ONE

OF THE LEADS

THAT YOU'VE

GENERATED?

SO YOU DON'T HAPPEN

TO HAVE A COOL,

GADGETY THINGAMADO

TO HELP US NARROW

DOWN THE SEARCH,

DO YOU,

YOU KNOW, FROM WORK?

SORRY. HOW WOULD

A REAL ESTATE GADGET

HELP WITH THIS EXACTLY?

-FORGET IT.

-OK. LOOK. OBVIOUSLY, MAD DOG

WAS HIGH ON SOMETHING,

AND IF WE PUT FAITH

IN ANYTHING THAT HE SAID,

WE'RE JUST AS HIGH

AS HE WAS.

OK. SO IF YOU WERE

GONNA GET HIGH,

WHERE WOULD YOU GO?

NO IDEA BECAUSE

I WOULDN'T.

BUT IF YOU WERE,

YOU WOULD GO

SOMEWHERE WHERE IT

WAS WARM.

OH! IT'S GOT TO BE

AROUND HERE SOMEWHERE.

THERE. THAT'S

THE ONLY CAR

THAT STILL HAS

ITS TIRES ON IT.

MARY: AND THE COLOR

MATCHES.

AND THE PLATE'S

A MATCH.

THIS IS ME APOLOGIZING

FOR EVER DOUBTING YOU.

MM-HMM.

IS THAT IT?

IT'S THE SAME CALIBER

THAT KILLED BETH.

[CELL PHONE VIBRATING]

OH! HOLD THIS.

HI. I DON'T KNOW

WHAT YOU'RE SELLING,

BUT PLEASE PUT ME

ON YOUR DO NOT CALL LIST.

MARY, I NEED

YOUR HELP.

BATWOMAN?

I'M SORRY. BATWOMAN'S

CALLING YOU?

HOW DO I CLOSE

A SEVERE NECK WOUND?

-YOURS?

-NO, NO, HE'S A BAD GUY.

HE HAS INFORMATION

THAT I NEED.

CAN YOU GET HIM

TO A HOSPITAL?

WOULD I BE CALLING

IF I COULD?

RIGHT. OK. IS IT

THE CAROTID ARTERY?

CAROTID ARTERY?

IS SHE OK?

IS THE BLOOD FLOW

PULSING, RHYTHMIC?

-NO.

-OK.

THEN IT'S NOT

THE CAROTID ARTERY,

BUT YOU STILL NEED

TO CLOSE THE WOUND.

DO YOU HAVE

A NEEDLE AND THREAD?

UH...UH...

I HAVE A STAPLE GUN.

OOH. WOULDN'T BE

MY FIRST CHOICE.

OK. HERE GOES NOTHING.

UNH.

UH, HOW DO I KNOW

IF IT WORKED?

SLOWLY RELEASE

YOUR FINGERS FROM

THE PRESSURE POINT.

-ANYTHING?

-NO. NOTHING'S COMING OUT.

DOES HE HAVE A PULSE?

YES.

OK. GOOD.

I MEAN, I THINK

THAT'S

A GOOD THING.

YOU SAID HE WAS

A BAD GUY.

HE'S STILL GONNA

NEED TREATMENT.

UH, THANKS, MARY. THANKS.

OF COURSE. ANY TIME.

LITERALLY ANY TIME.

I'M HERE JUST WAITING

TO BE BECKONED.

WHAT--WHAT IS HAPPENING?

SORRY. DOCTOR-VIGILANTE

CONFIDENTIALITY.

[MOANING]

[SCREAMING]

[SOBBING]

PLEASE. "I'M SO VERY TIRED

OF BEING ALL ALONE HERE."

YOU'RE ALONE BECAUSE

NO ONE CARED ENOUGH

TO FIND YOU.

NO ONE CAME

FOR YOU THEN,

AND NO ONE WILL COME

FOR YOU NOW.

THAT'S NOT TRUE.

THAT'S NOT TRUE!

NO.

[SOBBING]

ALICE, I'M HERE.

I'M HERE.

-YOU'RE HERE.

-I'M HERE,

AND NO ONE

CAN HURT YOU.

JACOB: GET AWAY

FROM HER.

WE CAN HELP HER.

SHE CAN BE SAVED.

SHE'S A LOST CAUSE,

AND THE WORLD IS

BETTER OFF

WITH HER DEAD.

NO, NO, NO. NO.

YOU KNOW THAT'S

NOT TRUE, KATE.

ALL THE PAIN,

ALL THE MISERY,

ALL THE HURT

IS BECAUSE OF HER!

YOU'RE RIGHT.

SHE'S NOT WORTH IT,

AND SHE NEVER

WILL BE.

NO.

NO.

NO!

DON'T LEAVE ME!

DON'T LEAVE ME, KATE!

YOUNG BETH: DADDY, WAIT.

KATE, STOP.

DON'T--DON'T LEAVE ME.

DON'T LEAVE ME AGAIN.

ALICE: DON'T LEAVE ME!

NO, NO, NO!

DON'T LEAVE ME!

CLEARLY, YOU WOULD

RATHER DIE

THAN HELP ME,

AND THE LONGER

YOU SIT THERE,

THE LESS LIKELY

THOSE STAPLES ARE

GONNA HOLD,

AND YOU DIE ANYWAY.

LOOKS LIKE YOU'RE

IN A BIT OF A CONUNDRUM.

YOU'RE RIGHT. I AM,

SO I'M GONNA GIVE YOU

SOMETHING TO LIVE FOR.

YOUR FREEDOM.

WHY DO I HAVE

A HARD TIME BELIEVING YOU?

I AM OFFERING YOU

A FREE PASS

OUT OF HERE.

AND THE SECOND I TELL

YOU WHERE SHE IS,

WHAT'S TO STOP YOU

FROM KILLING ME?

ME...BECAUSE I AM

NOT A KILLER.

-YET.

-YOU DON'T KNOW ME,

SO LET ME TELL

WHO I AM.

I AM EVERYTHING YOU

STRIPPED AWAY

FROM MY SISTER--

HOPE, HONOR,

INTEGRITY.

I'M WHAT SHE

WOULD HAVE BEEN

IF NOT FOR YOU.

I'M GIVING YOU

AN OUT.

TELL ME

WHERE SHE IS.

[CELL PHONE RINGING]

KATE, ON PHONE: SHE'S

AT 614 WILLIAMS STREET.

HE TELL YOU THAT?

WE CUT A DEAL.

LET ME KNOW IF HE'S

TELLING THE TRUTH.

LUKE: I DON'T GET IT.

I'M NOT GETTING ANY HITS

ON THIS LICENSE PLATE.

ARE YOU SURE YOU

ENTERED IT RIGHT?

YEAH. PRETTY SURE

I TYPED IN ALL

6 DIGITS CORRECTLY

THE FIRST 5 TIMES

I ENTERED THEM.

WHAT ARE YOU DOING?

UM, I WAS JUST CURIOUS

ABOUT "THE INTERNATIONAL

PERIODICAL

OF TECHNOLOGY

AND INNOVATION"

VOLUME 2.

GOT A BOOK REPORT DUE?

WELL, I COULD HAVE

FINISHED READING IT

IN THE TIME IT'S

TAKEN YOU TO FIND

ONE LICENSE PLATE.

I THOUGHT YOU WERE,

LIKE, KATE'S

TECH GURU.

I'VE BEEN SEARCHING

ACTIVE REGISTRATIONS.

I DIDN'T SEARCH INACTIVE.

YES. OK. I GOT SOMETHING.

OK. UH, LOOKS LIKE

THE PLATES EXPIRED

20 YEARS AGO.

WHOSE CAR IS IT?

WELL, THE CAR WAS LAST

REGISTERED TO...

-WHAT?

-MABEL CARTWRIGHT,

AUGUST CARTWRIGHT'S

MOTHER.

WE NEED TO CALL KATE.

[SOBBING]

[SCREAMING]

[GASPING]

AAH!

[SOBBING]

[SOBBING]

I...CAN'T.

I CAN'T--I CAN'T

DO THIS AGAIN!

I CAN'T...

BE LOCKED AWAY.

"AND SHE BEGAN BY TAKING

THE LITTLE GOLDEN KEY"...

[SNIFFLES]

"AND UNLOCKING THE DOOR...

"THAT LED INTO--

INTO THE GARDEN."

JACOB: NO!

ALICE, PLEASE, NO.

GET AWAY FROM ME!

YOU'RE NOT REAL.

I'M REAL.

ALICE...IT'S ME.

AAH!

ADRENALINE.

IT'S ADRENALINE.

IT NULLIFIES THE TOXIN.

YOU'RE OK NOW.

[SOBBING]

DADDY?

WHERE'S KATE?

WAITING OUTSIDE

WITH HER HAND

ON THE DOOR?

SHE'S WITH CARTWRIGHT.

SHE WAS THE ONE

WHO GOT HIM TO TELL

US WHERE YOU WERE.

AND YOU CAME RUNNING.

WHY?

BECAUSE I CARE

AND TO KEEP YOU HANGING ON

TO WHATEVER SENSE

OF SANITY YOU HAVE LEFT.

TOUCHING.

WELL, I TAKE IT

IF CARTWRIGHT'S

STILL ALIVE

HE HASN'T GOTTEN

TO THE PART

IN THE STORY

ABOUT MOMMY DEAREST.

OH, HE TOLD US EVERYTHING.

HIS MOTHER SOUNDED

LIKE A TREAT.

HIS MOTHER?

IS THAT WHO YOU THINK

THIS IS ABOUT?

WHERE'S MABEL

RIGHT NOW?

YOUR SISTER

DIDN'T TELL YOU?

TELL ME WHAT?

MOTHER DIED

YEARS AGO.

SO YOU WERE DRIVING

HER CAR.

I HAVE NO IDEA WHAT

YOU'RE TALKING ABOUT.

DID YOU SHOOT A WOMAN

WHO YOU BELIEVED TO BE

MY SISTER?

ANSWER ME.

WE MADE A DEAL.

HMM? I TALK, I WALK

OUT OF HERE ALIVE.

DID YOU SHOOT A WOMAN

IN A MOTEL PARKING LOT

WHO YOU BELIEVED

TO BE ALICE?

SHE...LOOKED

EXACTLY LIKE HER.

THE FACE, THE EYES.

OF COURSE YOU DID.

ERGH!

OF COURSE IT WAS YOU!

I SWORE IT WAS HER.

EVEN WORE A NECKLACE

THAT MATCHED

THOSE DAMNED EARRINGS.

WHAT DID YOU

JUST SAY?

WHAT NECKLACE MATCHED

WHAT EARRINGS?

THE ONES MY MOTHER

SO COVETED

AND CAUSED

ALL THE PROBLEMS.

WHAT EARRINGS?

HOW DO THEY LOOK?

WHERE DID YOU GET THOSE?

THEY WERE A GIFT

FROM MY SON.

THAT WAS THE MOMENT

I REMEMBERED

WHERE I GOT

MY NECKLACE.

IT WAS MEANT TO MATCH

MOTHER'S EARRINGS...

SO THAT KATE AND I

COULD ALWAYS KEEP HER

CLOSE TO OUR HEART.

HOW DID CARTWRIGHT KNOW

ABOUT GABI'S EARRINGS?

TRUST ME, DADDY.

SOME THINGS...

ARE BETTER LEFT...

ALICE, TELL ME WHERE HE

GOT THE DAMN EARRINGS!

EXACTLY

WHERE YOU THINK.

CARTWRIGHT: MY MOTHER

WANTED A FRESH START.

SHE BEGGED FOR YOUR

MOTHER'S FACE

FROM THE DAY I FISHED

IT OUT OF THE RIVER,

AND AS SHE GOT OLDER,

HER OBSESSION ONLY

GOT WORSE,

BUT I KEPT PUSHING

IT OFF,

KNOWING IT WOULD CAUSE

TROUBLE WHEN SHE TOOK ON

THE FACE OF A DEAD WOMAN,

BUT...

IT GAVE HER SOMETHING

TO LIVE FOR.

YOUR MOTHER WAS

A BEAUTIFUL WOMAN, KATE.

IT WOULD HAVE BEEN A PITY

FOR HER TO GO TO WASTE.

[GRUNTING]

MABEL: THE TEA'S

GONE COLD.

I SAID I NEED YOU

TO WARM THIS TEA.

CONSIDER IT

A PLEASURE.

WHAT THE HELL

ARE YOU DOING?

LONG LIVE THE QUEEN.

[SCREAMING]

YOU STOLE EVERYTHING

FROM ME!

[GAGGING]

EGGGH!

GABI: RED IS

A VERY SYMBOLIC COLOR.

IT'S THE COLOR OF LOVE.

IT'S ALSO THE COLOR

OF PASSION, COURAGE, WAR.

AT ONE POINT OR ANOTHER,

YOU'RE GOING TO HAVE TO WRESTLE

WITH ALL OF THESE EMOTIONS,

AND WHAT DEFINES

YOUR CHARACTER

IS HOW YOU BALANCE THEM.

COME ON. COME ON!

LIVE!

[GRUNTING]

COME ON! LIVE!

HELP ME.

NO, NO.

HE CAN'T BE DEAD.

KATE, WHAT DID YOU DO?

PLEASE, DAD.

SAVE HIM.

WAKE UP, YOU SON

OF A BITCH!

[PUFFING AIR]

KATE.

"'OH, I'VE HAD SUCH

A CURIOUS DREAM,'

SAID ALICE,

"AND SHE TOLD HER SISTER

ALL THESE STRANGE

ADVENTURES OF HERS,

"AND WHEN SHE HAD

FINISHED,

"HER SISTER KISSED HER

AND SAID,

"'IT WAS

A CURIOUS DREAM, DEAR.

"'NOW RUN IN TO YOUR TEA.

"IT'S GETTING LATE.'

"SO ALICE GOT UP

AND RAN OFF,

THINKING WHILE SHE RAN"...

"WHAT A WONDERFUL DREAM

IT HAD BEEN."

[SIGHS]

CONGRATULATIONS, DADDY.

NOW BOTH YOUR DAUGHTERS

ARE KILLERS.

DIED 7 YEARS AGO.

BURNED TO DEATH

IN A HOUSE FIRE

RIGHT AROUND THE TIME

CARTWRIGHT DISAPPEARED.

AND THE NEXT TIME HE

CRAWLS OUT OF THE WOODWORK,

HE KILLS BETH.

WE SHOULD HAVE SEEN

THIS COMING.

HEY. DON'T MAKE THIS HARDER

BY BLAMING YOURSELF.

THAT'S EASIER SAID

THAT DONE AFTER

WATCHING BETH...

DIE IN MY ARMS.

IF I KNOW, KATE,

SHE WON'T REST

TILL SHE BRINGS

THAT MONSTER TO JUSTICE.

KATE, VOICE-OVER: I THOUGHT

I FOUND THE BALANCE, BRUCE,

BUT I WAS WRONG.

I CROSSED THE LINE,

AND NOW I'M THE VERY THING

I'VE BEEN FIGHTING AGAINST.

[SIGHS]

CAN I GET ONE

ON THE HOUSE?

AHH.

WE'RE GONNA NEED THIS

WITH THE NIGHT WE HAVE

AHEAD OF US.

WHAT DO YOU MEAN?

LAST TIME I CHECKED,

BODIES DON'T BURY

THEMSELVES.

MAN: GREG, MOVE YOUR HEAD!