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1
00:00:11,327 --> 00:00:14,035
From now on, we have to assume
that whatever Claude sees
2
00:00:14,118 --> 00:00:15,744
and hears, it sees and hears.
3
00:00:17,410 --> 00:00:19,661
You asked me where my people
are buried around here.
4
00:00:19,744 --> 00:00:23,952
The old Bear Cave.
It's been sealed since 1947.
5
00:00:26,369 --> 00:00:28,577
He's in there. We found him.
6
00:00:29,077 --> 00:00:30,911
We're gonna
be back in a couple of hours.
7
00:00:31,410 --> 00:00:34,243
It's not right. Not telling them
that that thing's out there.
8
00:00:34,702 --> 00:00:36,952
What if it doesn't cotton
to being contained?
9
00:00:37,035 --> 00:00:39,118
Then we kill it
before it can kill us.
10
00:00:39,327 --> 00:00:40,786
What if it can't be killed?
11
00:00:42,744 --> 00:00:44,702
Do you know what you just did?
12
00:00:45,077 --> 00:00:45,993
I know what I just did.
13
00:00:46,077 --> 00:00:47,535
I gave you the heads up
of your life.
14
00:00:47,869 --> 00:00:49,494
He's in my head, Seale.
15
00:00:49,577 --> 00:00:50,827
So, you just told that thing
16
00:00:50,911 --> 00:00:52,744
that all of those people
are coming for it.
17
00:00:52,827 --> 00:00:53,827
♪
18
00:00:58,661 --> 00:00:59,911
♪
19
00:01:29,494 --> 00:01:30,911
There you go!
20
00:01:39,577 --> 00:01:41,327
- Jesus Christ!
- Fuck!
21
00:01:50,327 --> 00:01:51,869
We gotta get outta here.
22
00:01:51,952 --> 00:01:54,827
And go where?
- I don't know. Just to get
the fuck outta here.
23
00:01:58,118 --> 00:01:59,535
Who's the shooter?
24
00:02:05,993 --> 00:02:08,827
Jack!
We can talk about this!
25
00:02:09,619 --> 00:02:10,911
Motherf...!
26
00:02:10,993 --> 00:02:12,869
No, no, no.
Come on, come on!
27
00:02:22,035 --> 00:02:24,285
- Ah! Goddammit!
- Take this! Take this!
28
00:02:24,369 --> 00:02:27,410
Motherfucker!
29
00:02:34,869 --> 00:02:36,243
Is that fucking Howie?
30
00:02:40,744 --> 00:02:42,327
Uh-oh!
31
00:02:42,410 --> 00:02:44,661
Oh, yeah, get in there.
32
00:02:44,744 --> 00:02:46,869
- Jesus Christ!
- Keep going! Keep going!
33
00:02:46,952 --> 00:02:48,345
- Is that Pelley?
- Go! Go! Just go!
34
00:02:48,369 --> 00:02:50,369
- Go!
- Get the fuck out!
35
00:02:50,452 --> 00:02:51,911
- Move!
- Jesus Christ!
36
00:02:51,993 --> 00:02:54,035
Oh, my god!
37
00:02:59,952 --> 00:03:02,118
Hey, Seale, what the hell
you doin', man?
38
00:03:07,494 --> 00:03:09,243
Motherfucker!
39
00:03:11,452 --> 00:03:13,077
Oh, no! Get off!
40
00:03:17,285 --> 00:03:18,869
- Go! Go, go!
- Go now! Go now!
41
00:03:18,952 --> 00:03:21,202
Seale!
Seale, whatcha doin', man?
42
00:03:21,285 --> 00:03:22,452
Get back here!
43
00:03:26,619 --> 00:03:28,202
Hey Seale, get back here!
44
00:03:28,285 --> 00:03:29,285
I got you.
45
00:03:40,285 --> 00:03:41,285
Yeah!
46
00:03:53,202 --> 00:03:54,911
Shit!
47
00:03:54,993 --> 00:03:57,369
Fucker!
48
00:03:59,535 --> 00:04:02,702
I see you!
49
00:04:02,786 --> 00:04:05,410
Oh shit!
50
00:04:05,494 --> 00:04:08,577
Fucker! Get up! Get up!
Up, up...
51
00:04:08,661 --> 00:04:11,494
Get up, up, up, up.
We don't have... Go! Go!
52
00:04:11,577 --> 00:04:12,827
Oh, shit.
53
00:04:15,702 --> 00:04:17,077
Fuck!
54
00:04:17,160 --> 00:04:18,661
Let's get the fuck outta here!
55
00:04:21,577 --> 00:04:24,327
Oh shit! Seale!
56
00:04:24,410 --> 00:04:27,035
Claude! Don't go out!
Damn it! Don't!
57
00:04:28,035 --> 00:04:29,160
Seale!
58
00:04:30,410 --> 00:04:31,952
Fuck!
59
00:04:32,035 --> 00:04:34,952
Motherfucker!
60
00:04:35,035 --> 00:04:36,535
Oh, God, man.
61
00:04:38,494 --> 00:04:41,786
They got him good, man.
Oh shit!
62
00:04:41,869 --> 00:04:44,702
Fuck! Oh! Oh shit!
63
00:04:44,786 --> 00:04:45,993
Oh, man.
64
00:04:47,077 --> 00:04:50,243
Fucking hurts to be shot, man.
Fucking hurts.
65
00:04:50,327 --> 00:04:53,118
Yeah. With the slugs he's using,
66
00:04:53,202 --> 00:04:55,118
you're lucky you didn't get
your arm taken off.
67
00:04:55,202 --> 00:04:57,202
- Hurts to get shot.
- You know what...
68
00:04:57,285 --> 00:04:59,535
If we could just get
some fucking bars!
69
00:05:00,535 --> 00:05:02,035
Don't even think about it.
70
00:05:03,202 --> 00:05:05,202
Hey, when the GIs
were getting chewed up
71
00:05:05,285 --> 00:05:07,303
on the beaches on D-Day,
you know what they're told?
72
00:05:07,327 --> 00:05:10,118
Um... Uh... Ad... Advance or die.
73
00:05:10,202 --> 00:05:12,122
- Or something like that.
- That's fucking right.
74
00:05:13,577 --> 00:05:14,619
Can you fire lefty?
75
00:05:14,702 --> 00:05:16,118
Yeah, that's about all I can do.
76
00:05:16,202 --> 00:05:17,962
- Take this! Take this!
- No! No! No, no, no!
77
00:05:18,661 --> 00:05:19,702
Andy!
78
00:05:20,827 --> 00:05:22,243
What the hell is he doing?
79
00:05:22,327 --> 00:05:24,702
I don't fucking kn... I think
he's going to get reception.
80
00:05:26,535 --> 00:05:29,952
Ah, Jesus, man. Why couldn't you
stay where you are?
81
00:05:30,577 --> 00:05:31,619
Son of a...
82
00:05:35,410 --> 00:05:36,993
Jesus!
83
00:05:37,077 --> 00:05:38,619
Fuck!
84
00:05:41,744 --> 00:05:43,827
Go, Andy! Go!
85
00:05:43,911 --> 00:05:49,494
- One... two... boom!
- Fuck!
86
00:05:49,577 --> 00:05:50,619
Just go!
87
00:05:50,952 --> 00:05:51,952
Shit!
88
00:05:54,327 --> 00:05:55,369
Go!
89
00:05:57,410 --> 00:05:59,077
Go! Go, Andy!
90
00:06:02,535 --> 00:06:03,577
Go, go, go!
91
00:06:43,494 --> 00:06:44,577
What happened?
92
00:06:56,993 --> 00:06:58,661
Andy! No!
93
00:06:58,993 --> 00:07:00,160
No, no!
94
00:07:01,869 --> 00:07:05,035
No! No, no, no!
Holly, no! No, go back!
95
00:07:05,118 --> 00:07:07,118
- I'll get him. I'll get him. Go!
- No!
96
00:07:07,786 --> 00:07:08,827
Go back!
97
00:07:40,993 --> 00:07:42,869
Yeah!
98
00:07:42,952 --> 00:07:47,035
Mother nature!
99
00:07:47,911 --> 00:07:48,911
Ah!
100
00:08:05,327 --> 00:08:06,535
Holly!
101
00:08:08,702 --> 00:08:09,702
Holly!
102
00:08:19,827 --> 00:08:23,285
Holly! Holly, get back here!
103
00:08:25,869 --> 00:08:26,869
Fuck!
104
00:08:26,952 --> 00:08:28,410
What the fuck is she doing?
105
00:08:28,494 --> 00:08:30,243
Holly, get back here!
106
00:08:31,535 --> 00:08:32,577
Holly!
107
00:08:33,077 --> 00:08:34,577
Get back here!
108
00:08:48,702 --> 00:08:50,786
Damn you to hell!
109
00:09:07,452 --> 00:09:09,535
Oh, he definitely will.
110
00:09:09,619 --> 00:09:11,744
Ow!
111
00:09:13,369 --> 00:09:14,410
Fuck!
112
00:09:16,702 --> 00:09:18,869
Fuck you!
113
00:09:20,744 --> 00:09:23,410
No more.
114
00:09:37,619 --> 00:09:40,285
Come at me, motherfucker.
115
00:09:53,494 --> 00:09:54,702
Holly!
116
00:09:55,619 --> 00:09:57,535
Fuck.
117
00:10:04,827 --> 00:10:06,369
Come on, come on.
118
00:10:07,911 --> 00:10:09,869
Jack's done.
119
00:10:09,952 --> 00:10:11,272
Tell Sablo
to save his ammunition,
120
00:10:11,327 --> 00:10:13,369
and tell him to stop shooting.
It's...
121
00:10:13,452 --> 00:10:14,993
It's splitting my head in two.
122
00:10:16,160 --> 00:10:17,327
It's time.
123
00:11:04,035 --> 00:11:07,744
♪
124
00:11:37,452 --> 00:11:39,410
You're gonna be all right
out here by yourself?
125
00:11:39,494 --> 00:11:40,911
I'll be fine. You be careful.
126
00:11:43,118 --> 00:11:45,952
♪
127
00:12:08,827 --> 00:12:10,035
Ralph!
128
00:12:16,035 --> 00:12:17,410
Put it down, Jack.
129
00:12:20,661 --> 00:12:22,786
Jack, just put it down, man.
130
00:12:28,494 --> 00:12:29,702
It's in there.
131
00:12:32,410 --> 00:12:33,452
Kill it.
132
00:12:38,327 --> 00:12:39,369
No!
133
00:13:57,993 --> 00:13:59,911
Watch out.
134
00:14:17,661 --> 00:14:19,035
You okay?
135
00:14:19,118 --> 00:14:21,869
Yeah... Yeah, yes.
136
00:14:23,577 --> 00:14:25,035
Uh, better be careful.
137
00:14:44,744 --> 00:14:45,911
Look.
138
00:14:46,911 --> 00:14:49,035
He can be killed.
139
00:14:49,118 --> 00:14:52,077
- How's that?
- He's scared of falling.
140
00:14:53,243 --> 00:14:54,452
Like us.
141
00:15:09,118 --> 00:15:10,494
He's feeding.
142
00:15:12,452 --> 00:15:14,118
Breadcrumbs from hell.
143
00:16:35,535 --> 00:16:36,702
Stop.
144
00:16:58,993 --> 00:17:00,410
He was in a frenzy.
145
00:17:06,410 --> 00:17:08,202
- Holly.
- Hmm?
146
00:17:10,786 --> 00:17:11,911
Look.
147
00:17:14,619 --> 00:17:16,118
This is where it happened.
148
00:17:22,869 --> 00:17:24,661
They're all in there.
149
00:17:24,744 --> 00:17:26,786
Must have been going crazy
trying to get to them.
150
00:17:26,869 --> 00:17:29,285
♪
151
00:17:35,744 --> 00:17:37,118
- Holly.
- Hmm?
152
00:17:43,827 --> 00:17:44,911
See it?
153
00:17:46,619 --> 00:17:47,661
The light?
154
00:18:39,661 --> 00:18:41,952
Watch your step coming in.
155
00:18:42,035 --> 00:18:43,369
It's very slippery.
156
00:18:44,702 --> 00:18:48,077
Stay close to the walls in case
you need to grab onto something.
157
00:18:50,577 --> 00:18:53,535
You haven't come all this way
just to turn back now, have you?
158
00:19:18,035 --> 00:19:19,535
Well, howdy there, sheriff.
159
00:19:21,077 --> 00:19:23,535
And you must be the lovely
Miss Holly.
160
00:19:26,035 --> 00:19:27,993
Claude doesn't know
your last name,
161
00:19:28,077 --> 00:19:30,702
but he thinks about you
all the time.
162
00:19:33,077 --> 00:19:34,118
It's Gibney.
163
00:19:38,911 --> 00:19:40,077
Holly Gibney.
164
00:19:42,285 --> 00:19:43,577
It's you I have to thank
165
00:19:43,661 --> 00:19:46,535
for this situation
I find myself in, ain't it?
166
00:19:49,911 --> 00:19:52,285
I wanna know what made it
so easy for you
167
00:19:52,369 --> 00:19:53,744
to believe in me,
168
00:19:53,827 --> 00:19:56,035
and how on earth did she manage
169
00:19:56,118 --> 00:19:59,035
to convince a cowpoke
like you, sheriff.
170
00:20:02,577 --> 00:20:03,744
What are you?
171
00:20:07,869 --> 00:20:11,243
- What is your name?
- Oh... you know.
172
00:20:12,118 --> 00:20:13,869
Where did you come from?
173
00:20:13,952 --> 00:20:16,035
- I don't remember.
- What is your nature?
174
00:20:16,118 --> 00:20:19,077
We're not very good answering
each other's questions, are we?
175
00:20:19,160 --> 00:20:21,369
- Are there more of you?
- Why?
176
00:20:21,452 --> 00:20:23,452
Have you seen
someone like me before?
177
00:20:24,410 --> 00:20:25,494
Are there others?
178
00:20:27,619 --> 00:20:30,160
'Cause there have been times
when I...
179
00:20:30,243 --> 00:20:32,577
- sense there could be more...
- Shut up.
180
00:20:37,035 --> 00:20:39,327
You really gon' pull
that trigger, sheriff?
181
00:20:52,077 --> 00:20:53,702
Well, you go ahead and do it...
182
00:20:54,993 --> 00:20:56,494
if you don't mind dying.
183
00:20:59,869 --> 00:21:03,494
Will the real
Claude Bolton please stand up?
184
00:21:22,952 --> 00:21:25,577
- You see?
- Step back!
185
00:21:25,661 --> 00:21:27,744
Stop yelling.
186
00:21:30,285 --> 00:21:34,160
They're here, you know.
The dead.
187
00:21:34,243 --> 00:21:38,285
The rescuers that couldn't even
rescue themselves.
188
00:21:38,369 --> 00:21:40,869
But... you couldn't get to them,
could you?
189
00:21:42,410 --> 00:21:47,035
Well, it don't matter.
I still feel their presence.
190
00:21:47,118 --> 00:21:51,202
Especially the four Boltons.
They give off such a glow.
191
00:21:53,118 --> 00:21:54,202
Glow?
192
00:21:56,035 --> 00:21:59,035
They're the blood
that I'm becoming.
193
00:22:00,243 --> 00:22:01,535
It feels like...
194
00:22:03,369 --> 00:22:04,911
like I'm being entered.
195
00:22:05,786 --> 00:22:08,160
And what enters me, fills me.
196
00:22:09,619 --> 00:22:13,993
You have no idea
what it feels like to have
197
00:22:14,077 --> 00:22:16,327
all of that emotion
inside of me.
198
00:22:16,410 --> 00:22:17,327
Why children?
199
00:22:17,410 --> 00:22:19,786
Stop asking him questions!
200
00:22:21,160 --> 00:22:23,744
I eat to survive, just like you.
201
00:22:23,827 --> 00:22:26,452
- Shut up.
- Why children?
202
00:22:30,369 --> 00:22:31,869
'Cause they taste the sweetest.
203
00:22:31,952 --> 00:22:33,577
- Motherfucker!
- Stop!
204
00:22:35,619 --> 00:22:36,702
He's poison.
205
00:22:45,160 --> 00:22:46,702
I can't let you leave.
206
00:22:48,118 --> 00:22:49,285
You know that, right?
207
00:22:52,577 --> 00:22:53,619
No.
208
00:22:56,077 --> 00:22:57,661
We're the ones
who can't let you leave.
209
00:22:59,118 --> 00:23:00,577
Jack left one of us out there.
210
00:23:00,661 --> 00:23:03,035
He knows we're in here
and he knows what you are.
211
00:23:03,118 --> 00:23:04,160
He'll send more.
212
00:23:05,202 --> 00:23:06,285
I see.
213
00:23:08,869 --> 00:23:09,993
But I need to eat.
214
00:23:19,786 --> 00:23:20,827
Claude.
215
00:23:21,494 --> 00:23:22,744
Put the gun down.
216
00:23:24,744 --> 00:23:25,911
Don't shoot.
217
00:23:28,702 --> 00:23:32,285
Don't shoot. If you shoot,
the whole chamber will fall
on our heads.
218
00:23:33,327 --> 00:23:34,702
Hey, Claude.
219
00:23:35,786 --> 00:23:38,160
Just take your finger
off the trigger, okay?
220
00:23:44,118 --> 00:23:45,202
Claude, just...
221
00:23:46,577 --> 00:23:47,786
Just look at us.
222
00:23:50,077 --> 00:23:51,160
Just look at us.
223
00:23:52,410 --> 00:23:53,452
That's it.
224
00:23:54,952 --> 00:23:56,661
Now... Now put the gun down.
225
00:24:22,077 --> 00:24:23,369
Oh, my God.
226
00:24:24,702 --> 00:24:25,869
It's collapsing.
227
00:24:28,202 --> 00:24:30,702
Move! Now! Now! Holly!
228
00:24:30,786 --> 00:24:32,118
Claude!
229
00:24:32,202 --> 00:24:33,369
Holly!
230
00:24:36,327 --> 00:24:38,494
Cover your head!
Tuck your head!
231
00:25:10,452 --> 00:25:11,577
Hey.
232
00:25:13,661 --> 00:25:14,786
Over here.
233
00:25:22,952 --> 00:25:25,285
Sh...
234
00:25:25,369 --> 00:25:28,827
- I can't move.
- Hold on... Oh, shit.
235
00:25:28,911 --> 00:25:31,369
Okay. Um...
236
00:25:33,243 --> 00:25:34,285
Ready?
237
00:25:34,369 --> 00:25:37,619
- Three, two, one. Yeah.
- Okay.
238
00:25:38,869 --> 00:25:41,077
You got it?
239
00:25:41,369 --> 00:25:42,869
Oh, man.
240
00:25:42,952 --> 00:25:44,661
- You okay?
- Yeah, I'll live.
241
00:25:48,327 --> 00:25:50,452
Told you not to shoot.
242
00:25:57,494 --> 00:26:01,160
Okay. We'll be back in a moment,
okay? Hold tight.
243
00:26:01,243 --> 00:26:02,410
All right.
244
00:26:03,619 --> 00:26:05,077
Ah, fuck.
245
00:26:24,661 --> 00:26:25,702
Hmm.
246
00:26:28,118 --> 00:26:29,661
Do you have some kind of knife?
247
00:26:37,118 --> 00:26:38,202
Good.
248
00:26:46,494 --> 00:26:49,827
- Yeah, Holly. Leave it.
Leave it. Leave it.
249
00:26:49,911 --> 00:26:52,077
If we were ever to claim
that this thing
250
00:26:52,160 --> 00:26:54,827
killed Frankie Peterson,
they'll write us off as loons.
251
00:26:54,911 --> 00:26:56,535
Terry's name
will never be cleared.
252
00:26:59,202 --> 00:27:00,327
Who's Terry?
253
00:27:12,243 --> 00:27:13,369
Did I kill him?
254
00:27:14,911 --> 00:27:17,243
Yeah. Yeah.
255
00:27:17,327 --> 00:27:19,202
Okay, buddy.
256
00:27:19,285 --> 00:27:21,118
- We do this on three, yeah?
- Mm-hmm.
257
00:27:21,202 --> 00:27:24,327
- Okay. Three, two, one.
- Two, one.
258
00:27:28,327 --> 00:27:30,369
- Ooh-ooh-ooh.
- Ah, shit.
259
00:27:33,869 --> 00:27:35,786
- Watch your head.
- All right.
260
00:27:35,869 --> 00:27:37,827
Yep.
261
00:27:39,827 --> 00:27:40,869
Ah, man.
262
00:27:48,993 --> 00:27:52,702
♪
263
00:28:04,911 --> 00:28:06,077
What's wrong?
264
00:28:08,661 --> 00:28:10,786
- Nothing, I'll catch up.
- Okay.
265
00:28:26,952 --> 00:28:28,952
Now look at you playing possum.
266
00:28:30,952 --> 00:28:32,077
How I know?
267
00:28:34,243 --> 00:28:36,243
What's left of your heart.
268
00:28:36,327 --> 00:28:39,118
Whatever it's called,
it's still pumpin'.
269
00:28:40,118 --> 00:28:42,285
Otherwise,
you got nothin' comin' out.
270
00:28:44,160 --> 00:28:45,160
Sawdust.
271
00:28:48,619 --> 00:28:50,911
I didn't know whether or not
you could be killed.
272
00:28:50,993 --> 00:28:53,786
I thought you could be
like anyone else, but...
273
00:28:55,619 --> 00:28:57,118
I'm not so sure anymore.
274
00:28:59,035 --> 00:29:02,327
I know that, uh,
this knife's certainly...
275
00:29:02,410 --> 00:29:06,869
isn't doing the trick.
Here's how I see it.
276
00:29:06,952 --> 00:29:08,993
You're weak.
You're getting weaker.
277
00:29:09,577 --> 00:29:10,827
You can't run.
278
00:29:11,535 --> 00:29:12,827
You can't hide.
279
00:29:14,202 --> 00:29:15,494
You can't hunt,
280
00:29:15,577 --> 00:29:19,577
which means you can't feed
and fill yourself.
281
00:29:19,661 --> 00:29:22,702
There's nothing stopping me
from just walking outta here
right now,
282
00:29:22,786 --> 00:29:25,577
come back with a bus load
of tourists and just watch them
283
00:29:25,661 --> 00:29:27,744
fucking push each other
out of the way,
284
00:29:27,827 --> 00:29:29,702
desperate, trying to get
the best angle
285
00:29:29,786 --> 00:29:32,077
of what's left
of your fucking face.
286
00:29:44,535 --> 00:29:48,202
And then comes the ever curious
scientific community.
287
00:29:49,160 --> 00:29:51,327
They're gonna be real interested
in you.
288
00:29:52,369 --> 00:29:56,118
Poking, probing, injecting,
extracting.
289
00:29:56,202 --> 00:29:58,410
They'll cut little pieces
of you off,
290
00:29:58,494 --> 00:30:00,661
take it back to the lab,
291
00:30:00,744 --> 00:30:04,993
Just keep fucking carving you
and carving you and carving you
292
00:30:05,077 --> 00:30:07,702
until...
293
00:30:07,786 --> 00:30:10,702
Yeah, you wouldn't want that,
would ya?
294
00:30:13,202 --> 00:30:15,327
♪
295
00:30:17,243 --> 00:30:22,827
And it would serve our purposes
much better...
296
00:30:24,577 --> 00:30:28,661
if no one ever knew
that you ever existed.
297
00:30:30,786 --> 00:30:31,869
So...
298
00:30:34,077 --> 00:30:35,243
you gotta go.
299
00:31:00,118 --> 00:31:02,243
♪
300
00:31:12,619 --> 00:31:13,827
♪
301
00:31:46,202 --> 00:31:50,077
♪
302
00:33:27,494 --> 00:33:28,619
He, uh...
303
00:33:30,702 --> 00:33:32,285
He came here to be with me.
304
00:33:35,619 --> 00:33:37,035
That was the only reason.
305
00:33:44,619 --> 00:33:47,077
Holly, the locals could appear
at any stage.
306
00:33:47,160 --> 00:33:49,452
We need to talk pretty fast.
307
00:33:50,744 --> 00:33:52,243
Get our story straight.
308
00:35:43,202 --> 00:35:44,911
Lieutenant Sablo from GBI.
309
00:35:53,202 --> 00:35:56,661
- Hayes.
- Hayes, it's Sablo.
310
00:35:56,744 --> 00:35:59,035
We're down here
in Cecil, Tennessee.
311
00:35:59,118 --> 00:36:01,410
There was a shootout
in the parking lot.
312
00:36:01,494 --> 00:36:04,160
The gift shop,
Alec Pelley's dead.
313
00:36:04,243 --> 00:36:07,786
Howie Saloman is dead.
Jack Hoskins is dead.
314
00:36:09,577 --> 00:36:10,577
They're dead?
315
00:36:12,077 --> 00:36:15,077
The shooter was a cop.
One of your own.
316
00:36:17,327 --> 00:36:18,494
But he didn't act alone.
317
00:36:18,577 --> 00:36:21,452
In fact, he was compelled
to kill by someone else.
318
00:36:22,202 --> 00:36:24,077
Like... he had an accomplice?
319
00:36:24,160 --> 00:36:26,160
No, I'm saying Hoskins
was the accomplice.
320
00:36:26,243 --> 00:36:28,952
The alpha who I believe killed
Frankie Peterson
321
00:36:29,035 --> 00:36:31,869
is still out there. He
attempted to grab another boy
322
00:36:31,952 --> 00:36:35,285
down here two nights ago.
He got away,
323
00:36:35,369 --> 00:36:38,952
but we got him on video,
so I'm gonna send you the link.
324
00:36:39,035 --> 00:36:40,428
Wait, wait, wait.
Hold on, just, uh...
325
00:36:40,452 --> 00:36:42,661
It's nobody's fault, okay?
326
00:36:42,744 --> 00:36:45,369
But I believe certain decisions
coming out of your office
327
00:36:45,452 --> 00:36:47,494
need to be revisited.
Wouldn't you agree?
328
00:36:50,952 --> 00:36:53,410
So, Seale Bolton
receives a phone call
329
00:36:53,494 --> 00:36:56,577
from an unknown individual
who says he works with me.
330
00:36:56,661 --> 00:37:00,661
This individual claims to have
knowledge of the whereabouts
331
00:37:00,744 --> 00:37:04,327
of a more likely suspect
in the Frankie Peterson murder.
332
00:37:06,410 --> 00:37:07,928
You wanna tell me
what happened, Claude?
333
00:37:07,952 --> 00:37:10,077
I already told you.
- Well, I'd like
to hear it again.
334
00:37:10,160 --> 00:37:13,619
Detective Sablo and Anderson,
335
00:37:13,702 --> 00:37:16,827
they came to interview me
when the Cherokee County DA
336
00:37:16,911 --> 00:37:20,035
was considering reopening
the Frank Peterson homicide.
337
00:37:20,118 --> 00:37:21,243
Why you?
338
00:37:21,327 --> 00:37:23,535
Because I identified the man
they arrested for it,
339
00:37:23,619 --> 00:37:26,661
Terry Maitland, when he walked
into the Peach Crease,
covered in blood.
340
00:37:26,744 --> 00:37:28,136
But the more
you thought about it...
341
00:37:28,160 --> 00:37:29,470
Well, the more
I thought about it,
342
00:37:29,494 --> 00:37:32,744
the more I... I realized
I made a mistake. It wasn't him.
343
00:37:32,827 --> 00:37:35,285
It was just someone who looked
a little like him. That's all.
344
00:37:36,786 --> 00:37:38,786
Witnesses
from the Peterson homicide.
345
00:37:38,869 --> 00:37:40,619
I need the transcripts
from the interviews.
346
00:37:51,661 --> 00:37:54,744
This caller, did he specifically
tell you where to find him?
347
00:37:54,827 --> 00:37:57,827
Yeah, the abandoned
souvenir shop on the side
348
00:37:57,911 --> 00:37:59,702
of that hill,
so we went to investigate.
349
00:37:59,786 --> 00:38:01,911
- You went there?
- Yeah. My assumption is that
350
00:38:01,993 --> 00:38:03,827
he's there to take out
Claude Bolton,
351
00:38:03,911 --> 00:38:05,369
who he perceives as a threat.
352
00:38:05,452 --> 00:38:07,077
Him being Jack Hoskins.
353
00:38:07,160 --> 00:38:10,035
The detective from your squad
who's been in the wind
354
00:38:10,118 --> 00:38:12,452
for kidnapping,
attempted murder.
355
00:38:12,535 --> 00:38:13,702
The same.
356
00:38:15,160 --> 00:38:18,494
Yeah, so, I, uh...
interpreted the phone call
357
00:38:18,577 --> 00:38:20,827
as being made to set up
an ambush.
358
00:38:20,911 --> 00:38:22,243
Frankly, I thought
the whole thing
359
00:38:22,327 --> 00:38:23,911
was gonna turn out
to be bullshit.
360
00:38:25,452 --> 00:38:26,577
Was wrong.
361
00:38:33,077 --> 00:38:35,577
How long they gonna keep
my brother's body for?
362
00:38:35,661 --> 00:38:37,369
Hopefully not for too long.
363
00:38:37,452 --> 00:38:39,285
Well, how long is not too long?
364
00:38:39,369 --> 00:38:41,369
Claude,
tell me about the phone call.
365
00:38:47,535 --> 00:38:49,243
March 3rd through the 7th,
366
00:38:49,327 --> 00:38:52,243
Maitland's last visit
to see his father, um...
367
00:38:53,452 --> 00:38:58,077
On my investigation,
I encountered Mr. Katcavage,
368
00:38:58,160 --> 00:39:02,494
uh... former Dayton PD detective
who had worked dozens
369
00:39:02,577 --> 00:39:05,952
of homicides over the years.
I found him...
370
00:39:09,118 --> 00:39:11,661
I found him, uh,
highly competent,
371
00:39:11,744 --> 00:39:14,118
so I recommended
that my employer...
372
00:39:14,202 --> 00:39:16,160
hire him as part of the team.
373
00:39:16,243 --> 00:39:19,077
♪
374
00:39:40,369 --> 00:39:43,160
♪ If you stop ♪
375
00:39:43,243 --> 00:39:48,452
♪ To catch your breath ♪
376
00:39:52,327 --> 00:39:53,786
Hey, darlin', it's me.
377
00:39:54,702 --> 00:39:56,327
So if we're gonna pull this off,
Jeannie,
378
00:39:56,410 --> 00:39:58,369
there's something I need you
to do.
379
00:39:58,452 --> 00:40:01,243
♪ ...At your heels ♪
380
00:40:06,118 --> 00:40:13,118
♪ You may find
That loneliness ♪
381
00:40:18,577 --> 00:40:21,911
♪ Is indeed ♪
382
00:40:21,993 --> 00:40:27,327
♪ Your oldest friend ♪
383
00:40:42,035 --> 00:40:43,702
Thank you. Thank you.
384
00:40:58,035 --> 00:41:01,202
Whether you accept or reject
the reality of that thing,
385
00:41:01,285 --> 00:41:04,410
it's not important right now.
What is important...
386
00:41:05,577 --> 00:41:07,202
is that when they ask you,
387
00:41:07,952 --> 00:41:09,410
and they will definitely ask you
388
00:41:09,494 --> 00:41:11,702
about that meeting
with Holly Gibney,
389
00:41:12,911 --> 00:41:15,744
please don't mention anything
about shape shifters
390
00:41:15,827 --> 00:41:21,911
or El Cucos or anything
that might sound supernatural.
391
00:41:22,494 --> 00:41:23,535
Okay?
392
00:41:24,702 --> 00:41:25,744
Otherwise...
393
00:41:27,202 --> 00:41:28,369
I can do that.
394
00:41:29,369 --> 00:41:33,327
♪
395
00:41:36,702 --> 00:41:41,577
♪ You may awake ♪
396
00:41:41,661 --> 00:41:45,535
♪ In the night ♪
397
00:41:48,786 --> 00:41:55,243
♪ And wonder who you are ♪
398
00:42:01,535 --> 00:42:08,619
♪ If you don't turn on
The light ♪
399
00:42:27,118 --> 00:42:34,118
♪ You may remain a lost star ♪
400
00:42:41,452 --> 00:42:45,494
♪
401
00:42:55,285 --> 00:42:57,619
What I've come to tell you
today, Mrs. Maitland...
402
00:43:01,243 --> 00:43:03,035
is that there have been
certain developments
403
00:43:03,118 --> 00:43:06,160
in the Frankie Peterson
homicide case.
404
00:43:07,993 --> 00:43:11,993
Some new avenues of inquiry
have opened.
405
00:43:19,160 --> 00:43:20,535
We're reopening the case.
406
00:43:25,661 --> 00:43:27,661
What about your slam dunk
forensics?
407
00:43:29,744 --> 00:43:31,911
Well, we reexamined the perp DNA
408
00:43:31,993 --> 00:43:34,410
we got from the crime scene
and discovered that
409
00:43:34,494 --> 00:43:37,577
what we actually had
was a mixture of samples,
410
00:43:37,661 --> 00:43:38,869
perp and the victim,
411
00:43:38,952 --> 00:43:40,178
which makes it unreliable
in court.
412
00:43:40,202 --> 00:43:43,243
Girls, I need you
to go upstairs, please.
413
00:43:53,619 --> 00:43:56,285
On Monday, I'm holding
a press conference
414
00:43:56,369 --> 00:43:58,869
to announce the reopening
of the investigation...
415
00:44:00,535 --> 00:44:06,035
and to officially go on record
regarding the dropping
416
00:44:06,118 --> 00:44:07,869
of charges
against Terry Maitland.
417
00:44:11,993 --> 00:44:13,535
Your family has suffered enough,
418
00:44:13,619 --> 00:44:16,202
and I just want to do
whatever I...
419
00:44:23,202 --> 00:44:27,786
Because of your pending lawsuits
against me and my office...
420
00:44:29,744 --> 00:44:32,077
I have to refrain
from telling you
421
00:44:32,702 --> 00:44:34,077
what is in my heart.
422
00:44:36,744 --> 00:44:38,077
I completely understand.
423
00:44:54,993 --> 00:44:56,410
Was he mean to you?
424
00:44:59,619 --> 00:45:01,243
No, my love,
he wasn't mean to me.
425
00:45:32,535 --> 00:45:33,661
Flying or driving?
426
00:45:34,619 --> 00:45:35,619
Driving.
427
00:45:38,285 --> 00:45:40,535
About ten hours, right? Chicago?
428
00:45:40,619 --> 00:45:41,744
- Yeah.
- Ten hours?
429
00:45:41,827 --> 00:45:45,952
I have a couple of stops
I have to make along the way.
430
00:45:47,993 --> 00:45:50,160
You know, I wouldn't mind
teaming up again,
431
00:45:50,243 --> 00:45:52,410
the opportunity ever arose.
432
00:45:52,494 --> 00:45:54,160
I mean,
preferably on something simple
433
00:45:54,243 --> 00:45:56,993
like a gangland triple homicide.
Something like that.
434
00:45:59,035 --> 00:46:00,993
When I was in the caves,
435
00:46:01,077 --> 00:46:04,369
El Cuco asked me,
uh, why I was so open
436
00:46:04,452 --> 00:46:06,369
to believing in its existence.
437
00:46:08,869 --> 00:46:11,869
My father was ex-military
and when I was little,
438
00:46:11,952 --> 00:46:14,993
he would say,
"A man knows a man."
439
00:46:16,993 --> 00:46:20,619
Well, if I had the time
to think in that cave
440
00:46:20,702 --> 00:46:23,369
and the inclination to answer
that thing,
441
00:46:23,452 --> 00:46:24,786
I would have said...
442
00:46:26,160 --> 00:46:28,661
"An outsider knows an outsider."
443
00:46:52,494 --> 00:46:55,535
Holly. What else is out there?
444
00:48:13,744 --> 00:48:17,744
I never told you but...
I saw Derek.
445
00:48:19,619 --> 00:48:21,952
He... spoke to me.
446
00:48:23,452 --> 00:48:25,369
- What did he say?
- Well, it...
447
00:48:25,452 --> 00:48:27,869
It wasn't Derek, so...
448
00:48:27,952 --> 00:48:30,619
Ralph... Tell me what he said.
Just humor me.
449
00:48:33,077 --> 00:48:35,327
He said that I need
to let him go.
450
00:48:38,035 --> 00:48:39,118
Let him go?
451
00:48:41,702 --> 00:48:44,827
Well, fat chance of that.
452
00:48:54,160 --> 00:48:55,661
I don't know.
453
00:48:55,744 --> 00:48:58,327
I like to think the way
this whole experience...
454
00:49:00,827 --> 00:49:02,118
cracked the world open.
455
00:49:03,827 --> 00:49:05,535
Maybe the next time he appears,
456
00:49:06,452 --> 00:49:08,369
maybe it's gonna be
the real Derek.
457
00:49:10,160 --> 00:49:12,827
Or maybe after a few years pass,
458
00:49:13,661 --> 00:49:14,786
many more years,
459
00:49:15,535 --> 00:49:16,869
we'll just go visit him.
460
00:49:19,744 --> 00:49:21,869
♪
461
00:50:55,702 --> 00:51:01,243
♪
462
00:51:08,494 --> 00:51:10,619
♪
463
00:51:20,410 --> 00:51:24,035
♪
464
00:51:43,035 --> 00:51:45,077
"Get Out and Get
It". That's Devon Gilfillian.
465
00:51:45,160 --> 00:51:47,869
Before that, Janis Joplin
with "Get It While You Can",
466
00:51:47,952 --> 00:51:50,410
and a song of the same name
by Robert Finley
467
00:51:50,494 --> 00:51:51,952
right before that on the show.
468
00:51:52,035 --> 00:51:53,702
Now, here's an obscure
little gem
469
00:51:53,786 --> 00:51:55,702
for all your audiophiles
out there.
470
00:51:55,786 --> 00:51:57,702
This is a Dixieland revival
romp,
471
00:51:57,786 --> 00:52:01,452
peaking at number two
on the Billboard Hot 100, 1963,
472
00:52:01,535 --> 00:52:03,619
and it's one
of my personal favorites.
473
00:52:03,702 --> 00:52:04,911
Here it is.
474
00:52:04,993 --> 00:52:07,661
♪ ♪
475
00:53:57,619 --> 00:53:59,202
He has my brother!
Someone!
476
00:53:59,285 --> 00:54:02,285
You know,
there's a universal dread
477
00:54:02,577 --> 00:54:04,410
of what comes in the night.
478
00:54:05,243 --> 00:54:08,327
This being
has existed through time
479
00:54:08,577 --> 00:54:10,744
in different cultures
under different names,
480
00:54:10,827 --> 00:54:11,827
under different guises.
481
00:54:12,160 --> 00:54:15,327
They all seem to center around
some kind of a boogie man.
482
00:54:15,494 --> 00:54:17,535
Some kind of a creature
from outside.
483
00:54:17,786 --> 00:54:20,202
That is El Cuco, the outsider.
484
00:54:25,410 --> 00:54:28,827
One of the... the characteristics
of this creature is that
485
00:54:29,118 --> 00:54:32,160
he also feeds off grief
and chaos.
486
00:54:33,077 --> 00:54:36,202
We know that he will go near
the biggest point of grief
487
00:54:36,494 --> 00:54:37,744
in his target's life.
488
00:54:37,827 --> 00:54:40,077
And we know by this point
that his target is Claude.
489
00:54:40,535 --> 00:54:43,535
El Cuco likes to hold up
near his victims' families.
490
00:54:43,619 --> 00:54:45,577
If the Bolton's have people
buried there,
491
00:54:45,661 --> 00:54:46,786
we should check it out.
492
00:54:46,993 --> 00:54:48,243
They're looking for graveyards,
493
00:54:48,327 --> 00:54:49,687
and they're looking
for cemeteries.
494
00:54:49,869 --> 00:54:51,887
They're looking to find out
where the Boltons were buried.
495
00:54:51,911 --> 00:54:57,077
Meanwhile, you have
this sequence set in the 1940s.
496
00:54:57,160 --> 00:54:58,577
That whole cave flashback
497
00:54:58,661 --> 00:55:00,661
was beautifully done
by Dennis Lehane.
498
00:55:03,243 --> 00:55:04,285
Boys?
499
00:55:04,577 --> 00:55:06,369
Why that story is in there
500
00:55:06,786 --> 00:55:09,702
becomes one of the big questions
of the episode.
501
00:55:10,285 --> 00:55:11,452
George, daddy's coming!
502
00:55:14,243 --> 00:55:17,369
That's the biggest graveyard
in the Bolton family.
503
00:55:17,577 --> 00:55:18,786
They didn't die of, like,
504
00:55:18,869 --> 00:55:20,452
being, you know,
pummeled by boulders.
505
00:55:20,744 --> 00:55:24,035
They died of starvation,
and it was an awful thing.
506
00:55:25,452 --> 00:55:26,702
He's in there?
507
00:55:27,369 --> 00:55:29,077
That's the good news
and the bad news.
508
00:55:29,285 --> 00:55:32,744
Y'all are thinking,
"Yeah, we got this thing now.
509
00:55:33,410 --> 00:55:36,786
It's in the cave waiting."
But maybe it's waiting for you.
510
00:55:39,702 --> 00:55:41,827
The time
for philosophical discussions,
511
00:55:41,911 --> 00:55:43,702
the time for...
For Hamlet is over.
512
00:55:43,786 --> 00:55:46,369
I wanted nine
to literally just reach out
513
00:55:46,452 --> 00:55:48,702
and grab the viewer
by the throat and hold them.
514
00:55:56,577 --> 00:55:59,369
As our folks have, sort of,
descended upon the exterior
515
00:55:59,452 --> 00:56:02,494
of the cave to go confront
El Cuco, Jack Hoskins is up
516
00:56:02,577 --> 00:56:04,619
in a perch above the cave.
He's been sent there
517
00:56:04,702 --> 00:56:06,786
by El Cuco to, sort of,
take out our people.
518
00:56:06,869 --> 00:56:08,661
We spend about a good ten...
519
00:56:08,744 --> 00:56:11,160
twelve minutes
in a massive shootout.
520
00:56:13,285 --> 00:56:14,535
Yeah!
521
00:56:14,619 --> 00:56:17,702
And at the end, Jack Hoskins
becomes a mass murderer.
522
00:56:17,952 --> 00:56:19,494
It was a... an emotional scene.
523
00:56:19,577 --> 00:56:21,577
I mean, Andy gets killed...
524
00:56:22,993 --> 00:56:25,744
and Holly has to confront
that grief and what happens.
525
00:56:26,577 --> 00:56:27,977
It's a... It's a
huge moment for her
526
00:56:28,035 --> 00:56:30,702
because of the... the size
of the loss that she suffers.
527
00:56:31,077 --> 00:56:33,118
She ends up losing a lot.
528
00:56:33,285 --> 00:56:37,202
You have to watch her, sort of,
figure out how to deal
529
00:56:37,285 --> 00:56:40,744
- with that...
- Andy. No, no!
530
00:56:42,202 --> 00:56:45,035
Whilst realizing that
the reason she's feeling
531
00:56:45,243 --> 00:56:47,285
that way is because
she was in love.
532
00:56:52,369 --> 00:56:55,327
That is heartbreaking, really.
533
00:56:57,827 --> 00:57:00,077
I've never shot anything
like that.
534
00:57:00,160 --> 00:57:02,410
There're fire going over here,
and there's...
535
00:57:02,494 --> 00:57:04,577
- Holly!
- Everyone's senses
536
00:57:04,661 --> 00:57:08,494
are on high alert.
I think we got something great.
537
00:57:09,661 --> 00:57:10,702
It's time.
538
00:57:14,077 --> 00:57:16,786
When we finally confront
the creature,
539
00:57:16,869 --> 00:57:19,452
unlike a lot of Stephen King
characters, he doesn't explode
540
00:57:19,661 --> 00:57:22,369
into something, you know,
phantasmagorical,
541
00:57:22,452 --> 00:57:24,952
but in fact, is conversational.
542
00:57:25,410 --> 00:57:27,077
Watch your step coming in.
543
00:57:27,494 --> 00:57:29,285
In the cave,
he's speaking to them.
544
00:57:29,619 --> 00:57:34,577
Cuco was filled with confidence,
arrogance...
545
00:57:35,494 --> 00:57:38,619
It's very slippery.
Stay close to the walls
546
00:57:38,702 --> 00:57:40,744
in case you need
to grab on to something.
547
00:57:40,993 --> 00:57:43,410
She sees that the person
is fearing falling,
548
00:57:43,494 --> 00:57:44,993
something can happen
when they fall
549
00:57:45,285 --> 00:57:47,452
which means he can die.
He can be killed.
550
00:57:47,952 --> 00:57:50,535
And you must be
the lovely Ms. Holly.
551
00:57:50,827 --> 00:57:52,702
Claude doesn't know
your last name,
552
00:57:52,786 --> 00:57:55,369
but he thinks about you
all the time.
553
00:57:55,869 --> 00:57:56,869
It's Gibney.
554
00:57:57,035 --> 00:57:59,952
He wonders how
Holly so easily believed in him.
555
00:58:00,035 --> 00:58:04,452
El Cuco seems to recognize
that Holly has been a believer
556
00:58:04,535 --> 00:58:08,786
all along. It seems to be that
he knows her a little more
557
00:58:08,869 --> 00:58:11,452
- than... than others.
- What is your name?
558
00:58:11,535 --> 00:58:13,702
You know.
559
00:58:14,702 --> 00:58:15,869
Where did you come from?
560
00:58:16,452 --> 00:58:18,535
- I don't remember.
- What is your nature?
561
00:58:18,619 --> 00:58:19,952
We're not very good at answering
562
00:58:20,035 --> 00:58:21,661
each other's questions, are we?
563
00:58:21,744 --> 00:58:23,344
He just...
He doesn't know anything about
564
00:58:23,410 --> 00:58:26,202
who he is really.
"Am I... Am I part of a race?"
565
00:58:26,410 --> 00:58:28,327
"Or am I a sole...
566
00:58:28,410 --> 00:58:31,243
A singular,
malevolent aberration?"
567
00:58:32,243 --> 00:58:35,160
The real MacGuffin there,
to use a Hitchcock term,
568
00:58:35,577 --> 00:58:39,243
was the idea that, um...
Ralph has his gun,
569
00:58:39,619 --> 00:58:42,661
but he can't shoot this thing,
because the echoes
570
00:58:42,744 --> 00:58:44,952
will bring down the cave.
It's very...
571
00:58:45,035 --> 00:58:46,744
In very fragile shape.
572
00:58:46,911 --> 00:58:50,494
Will the real Claude Bolton
please stand up?
573
00:58:54,369 --> 00:58:56,911
It's a strange...
thing that happens
574
00:58:56,993 --> 00:58:59,035
when you're underground
for a really long time.
575
00:58:59,118 --> 00:59:01,786
Because it's cold, it's wet,
it's damp.
576
00:59:01,993 --> 00:59:04,952
Um... There's not
very much light.
577
00:59:05,410 --> 00:59:06,650
You can't really see very much.
578
00:59:06,869 --> 00:59:09,869
This amazing ability
that very few shows get to do,
579
00:59:09,952 --> 00:59:11,744
to go into a cave
and shoot for a week.
580
00:59:11,827 --> 00:59:13,786
And really shoot a cave
for a cave.
581
00:59:13,952 --> 00:59:15,535
You know, it wasn't built
on stage.
582
00:59:15,619 --> 00:59:17,118
It was all done practically.
583
00:59:17,369 --> 00:59:19,911
I eat to survive just like you.
584
00:59:19,993 --> 00:59:21,035
Shut up.
585
00:59:21,118 --> 00:59:24,077
He's got an opportunity to say
here's this, uh,
586
00:59:24,160 --> 00:59:26,202
internal mandate.
But at the end of the day,
587
00:59:26,285 --> 00:59:28,118
- you're food.
- Why children?
588
00:59:30,952 --> 00:59:32,369
'Cause they taste the sweetest.
589
00:59:32,452 --> 00:59:33,911
Do you ever feel remorse
for the egg
590
00:59:33,993 --> 00:59:37,702
that you've just eaten?
Well... you're an egg to me.
591
00:59:37,786 --> 00:59:40,035
He's been in isolation,
basically, his entire life.
592
00:59:40,118 --> 00:59:42,911
So, it was about this, sort of,
lonely being finally being able
593
00:59:42,993 --> 00:59:43,993
to explain himself.
594
00:59:46,993 --> 00:59:50,993
Paddy Considine was a really
important, um, choice.
595
00:59:51,243 --> 00:59:54,786
His ability, as an actor,
to believably play
596
00:59:54,869 --> 00:59:57,661
a cold, calculating monster
on one side,
597
00:59:57,744 --> 01:00:00,035
and a meek,
sort of down-and-out,
598
01:00:00,118 --> 01:00:01,993
kind of petty criminal
on the other side.
599
01:00:02,077 --> 01:00:04,494
You needed an actor that could
do both of those things.
600
01:00:19,911 --> 01:00:25,243
Ralph sees, uh, his dead son,
standing sentry, basically,
601
01:00:25,327 --> 01:00:26,535
at his exit to the cave.
602
01:00:26,619 --> 01:00:29,786
Ralph is not so convinced,
and he tells them to go on.
603
01:00:29,869 --> 01:00:31,993
'Cause he's assuming
the creature is still alive.
604
01:00:37,077 --> 01:00:39,744
Well, it's like that,
when two genuine
605
01:00:39,827 --> 01:00:45,702
nemesis forces, or...
get a chance to interact
606
01:00:45,786 --> 01:00:46,786
with each other.
607
01:00:46,911 --> 01:00:48,011
I didn't know whether or not
608
01:00:48,035 --> 01:00:49,035
you could be killed.
609
01:00:49,410 --> 01:00:51,827
I thought you could be,
like anyone else, but...
610
01:00:51,911 --> 01:00:55,160
I'm not so sure anymore.
611
01:00:55,369 --> 01:00:58,869
This time I said, "We don't know
about that entity."
612
01:00:59,202 --> 01:01:01,786
Sort of El Cuco morphs,
and we see the faces
613
01:01:02,035 --> 01:01:04,452
of, sort of,
all the people that El Cuco
614
01:01:04,535 --> 01:01:05,744
has been previously.
615
01:01:10,577 --> 01:01:11,869
It's basically like,
almost like,
616
01:01:12,077 --> 01:01:14,397
El Cuco, you know, is thumbing
his nose at Ralph and going,
617
01:01:14,452 --> 01:01:16,720
"You can kill me, but, like,
you know, this is who I've been
618
01:01:16,744 --> 01:01:18,219
and this is what I've done
throughout my life.
619
01:01:18,243 --> 01:01:20,563
And I'm gonna sort of show you
my cards before it happens."
620
01:01:20,619 --> 01:01:22,379
And Ralph kind of ends it
right in the middle
621
01:01:22,452 --> 01:01:23,619
of that transformation.
622
01:01:25,535 --> 01:01:27,494
His world from now on,
moving forward,
623
01:01:27,577 --> 01:01:29,827
is different.
And will always be different.
624
01:01:30,410 --> 01:01:32,202
And that will inform
his decisions
625
01:01:32,285 --> 01:01:33,285
as he moves forward.
626
01:01:33,786 --> 01:01:36,327
Just as Holly
sees herself in Ralph,
627
01:01:36,577 --> 01:01:38,160
he sees himself in her.
628
01:01:38,369 --> 01:01:40,786
- Flying or driving?
- Driving.
629
01:01:40,869 --> 01:01:42,619
It's got
a really, old-fashioned,
630
01:01:42,702 --> 01:01:45,035
romantic quality to it,
their pairing.
631
01:01:45,369 --> 01:01:46,494
You know, I wouldn't mind
632
01:01:46,577 --> 01:01:47,577
teaming up again.
633
01:01:47,702 --> 01:01:49,118
If the opportunity ever arose.
634
01:01:49,327 --> 01:01:51,285
They're a good team.
They're a good team.
635
01:01:51,619 --> 01:01:54,869
El Cuco asked me, uh,
why I was so open
636
01:01:54,952 --> 01:01:56,535
to believing in its existence.
637
01:01:56,619 --> 01:01:59,993
If I had the time to think
in the cave,
638
01:02:00,077 --> 01:02:03,661
I would have said,
"An outsider knows an outsider."
639
01:02:05,494 --> 01:02:07,786
I love exploiting
the universality
640
01:02:08,077 --> 01:02:11,327
of this creature.
My Baba Yaga is your Cuco.
641
01:02:12,118 --> 01:02:14,702
So, the concept of this...
This entity,
642
01:02:14,786 --> 01:02:17,327
that everybody thought
was a fantasy,
643
01:02:17,410 --> 01:02:18,452
is real.
644
01:02:19,702 --> 01:02:23,577
How does a person cope
with the unbelievable?
645
01:02:24,369 --> 01:02:26,577
To me it's a very
resonant subject.
646
01:02:26,661 --> 01:02:28,827
Because you can say,
"Oh, all this is supernatural,
647
01:02:28,911 --> 01:02:31,869
all this is make-believe.
We have to take these in,
648
01:02:31,952 --> 01:02:34,327
and say, "I can't believe this.
649
01:02:34,827 --> 01:02:38,494
Uh, this doesn't make any sense
to me, there's no reason for it.
650
01:02:39,285 --> 01:02:40,494
And yet, there it is."
651
01:02:42,993 --> 01:02:44,952
And that's it for the creature,
or is it?
652
01:02:47,035 --> 01:02:49,285
♪
653
01:02:57,993 --> 01:03:00,160
♪
46257
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