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1
00:00:02,435 --> 00:00:04,270
-PREVIOUSLY ON NYPD BLUE.
- AM I CHARGED WITH A CRIME?
2
00:00:04,637 --> 00:00:06,606
DON'T BE FLAILIN'
YOUR ARMS AROUND.
I DON'T HAVE TO GO WITH YOU.
3
00:00:06,606 --> 00:00:08,975
YOU DEALING WITH THAT ONE NIGGER
IN A THOUSAND WHO KNOWS WHAT
YOU CAN AND CANNOT DO.
4
00:00:09,309 --> 00:00:12,445
- I'M DEALING WITH THE NIGGER
WHOSE BIG MOUTH IS RESPONSIBLE--
- SHUT UP, ANDY.
5
00:00:12,712 --> 00:00:15,715
- BACK OFF!
- WHAT YOU SAID
IN THAT ELEVATOR--
6
00:00:15,715 --> 00:00:18,518
ABOUT THOSE LOWLIFE HOMEYS
DECIDIN' TO ACT BLACK.
7
00:00:18,518 --> 00:00:21,087
SO YOU GOT A PROBLEM
WITH ME TOO?
PARTNER,
8
00:00:21,087 --> 00:00:23,590
I WAS NOT COMFORTABLE
WITH THOSE WORDS.
9
00:00:23,590 --> 00:00:26,493
I AM NOT COMFORTABLE WITH
THE THOUGHTS BEHIND IT. I JUST
WANT YOU TO UNDERSTAND THAT.
10
00:00:26,493 --> 00:00:29,696
YOU GOT PEOPLE WORKING
FOR YOU THAT LIKE TO
TOSS AROUND "NIGGER"...
11
00:00:29,696 --> 00:00:31,765
JUST LIKE SAYING,
"HOW YOU DOIN'?"
12
00:00:31,765 --> 00:00:34,334
I'VE SAID THAT WORD.
I'VE THOUGHT IT PLENTY.
13
00:00:34,334 --> 00:00:38,371
BUT I'VE NEVER USED IT ON
THE JOB TILL YOUR HUMP PAL
PUT US ON THAT ROAD.
14
00:01:14,074 --> 00:01:16,609
HUH?
IT LOOKS LIKE
SOME KIND OF DRIVE-BY.
15
00:01:16,609 --> 00:01:20,113
D.O.A. IN THE BACK'S
HOLDING A NINE-MILLIMETER
AND MAYBE HALF A GRAM OF COKE.
16
00:01:20,113 --> 00:01:23,416
HALF A GRAM, HUH?
WHAT'D YOU DO, WEIGH IT?
17
00:01:23,416 --> 00:01:25,752
YOU SAFEGUARD THE CRIME SCENE.
YOU DON'T GO THROUGH
NOBODY'S POCKETS.
18
00:01:26,019 --> 00:01:28,555
- I HAPPENED TO NOTICE.
- ANDY.
19
00:01:33,026 --> 00:01:37,430
MY MAN, KWASI.
WE HAPPEN TO KNOW THIS WAS
A WONDERFUL COMMUNITY ACTIVIST,
20
00:01:37,430 --> 00:01:39,799
OTHERWISE THIS COULD
LOOK DRUG RELATED.
21
00:01:39,799 --> 00:01:42,368
"AISHA, 10:30."
22
00:01:42,368 --> 00:01:44,938
- WHAT, IS THAT
SOME TRIBAL NAME?
- IT'S A WOMAN'S NAME.
23
00:01:44,938 --> 00:01:47,240
SUSAN'S A WOMAN'S NAME.
24
00:01:47,674 --> 00:01:50,610
[ Officer ]
I'VE GOT THE ADDRESS OF
THE D.O.A. IN THE FRONT SEAT.
25
00:02:05,291 --> 00:02:08,661
AW, MAN, I DON'T WANT
THIS TO BE AISHA.
26
00:02:18,338 --> 00:02:21,007
[ Simone ]
HI.
HI.
27
00:02:25,411 --> 00:02:28,481
-[ Doorbell Buzzes ]
- ARE YOU LOOKING FOR MY DAD?
28
00:02:28,915 --> 00:02:31,618
BECAUSE HE'LL BE BACK
AT 10:30.
29
00:02:33,419 --> 00:02:35,522
WE'RE-WE'RE POLICEMEN.
30
00:02:35,522 --> 00:02:38,258
- IS YOUR DAD KWASI OLUSHOLA?
- MM-HMM.
31
00:02:38,258 --> 00:02:41,361
- WHAT'S YOUR NAME?
- I'M HANNA.
32
00:02:41,728 --> 00:02:44,964
- HANNA, HUH?
-WELL, MY DAD
CALLS ME AISHA.
33
00:02:46,900 --> 00:02:49,302
UH, IS YOUR MOMS
AROUND HERE?
34
00:02:49,302 --> 00:02:52,172
NAH, SHE LIVES
IN THE BRONX.
35
00:02:52,172 --> 00:02:55,675
MY DADDY'S TAKING ME
TO MY BASEBALL GAME.
36
00:02:55,675 --> 00:03:00,013
HANNA, WE WERE SUPPOSED TO TELL
YOU THAT YOUR DAD'S INVOLVED
WITH SOMETHING ELSE JUST NOW.
37
00:03:00,013 --> 00:03:02,982
DO YOU KNOW
YOUR MOM'S PHONE NUMBER?
YOU CAN WRITE IT DOWN HERE.
38
00:03:05,418 --> 00:03:07,253
WHAT'S MY DAD INVOLVED WITH?
39
00:03:07,253 --> 00:03:11,858
YOU KNOW, HANNA,
WE ACTUALLY DIDN'T
GET TO TALK WITH HIM.
40
00:03:12,292 --> 00:03:16,763
RIGHT NOW WE HAVE TO CALL
YOUR MOMS AND THEN SHE'LL
EXPLAIN TO YOU WHAT'S GOING ON.
41
00:03:17,263 --> 00:03:20,700
WELL, UH, YOU WANT TO
COME IN MY DAD'S APARTMENT
AND USE HIS PHONE?
42
00:03:20,700 --> 00:03:25,004
YEAH, THAT-- THAT'D BE GOOD.
THANKS.
YOU'RE WELCOME.
43
00:04:45,151 --> 00:04:49,322
SOME SKELL WINO SAW
A LATE-MODEL CAR PULL UP
TO THE CAR KWASI'S IN.
44
00:04:49,622 --> 00:04:52,725
GUYS IN THAT CAR START BLASTIN'.
KWASI TRIES TO PULL AWAY,
DRIVES INTO THE STOOP.
45
00:04:52,992 --> 00:04:56,629
SKELL SAYS TWO BLACK GUYS
IN THE HIT CAR, THREE GUYS
IN THE CAR KWASI'S IN.
46
00:04:56,963 --> 00:05:00,833
THREE GUYS?
YEAH. HE ALSO SAYS THE HIT CAR
WAS GREEN OR RED.
47
00:05:00,833 --> 00:05:03,069
SO I DON'T MAKE HIM
THAT RELIABLE.
48
00:05:03,069 --> 00:05:05,938
CRIME SCENE RECOVERED
11 .380 CASINGS OFF THE STREET.
49
00:05:05,938 --> 00:05:09,976
LIFTED SOME PAINT OFF THE RIGHT
FRONT OF KWASI'S CAR. IT COULD
HAVE COME FROM THE HIT CAR.
50
00:05:09,976 --> 00:05:13,913
D.O.A. IN THE BACKSEAT'S,
UH, MARCUS CAMERON.
STREET NAME'S "PRINCE."
51
00:05:14,347 --> 00:05:19,852
THREE COLLARS FOR SALE.
ONE PENDING'S AN "A" FELONY, SO
IT HAD TO BE A DECENT WEIGHT.
52
00:05:20,153 --> 00:05:23,289
NARCOTICS IS COMING UP
WITH THE GUY'S ASSOCIATES.
KWASI YOU KNOW.
53
00:05:23,790 --> 00:05:26,292
[ Phone Rings ]
54
00:05:26,292 --> 00:05:29,362
- YEAH?
- I GUESS THE ONE D.O.A.--
55
00:05:29,362 --> 00:05:31,931
HE'S NOW THE DEALER
FORMERLYKNOWN AS PRINCE.
56
00:05:31,931 --> 00:05:34,567
[ Fancy ]
OKAY. YEAH. GOT IT.
57
00:05:36,669 --> 00:05:39,105
BODEGA SHOOTING ON AVENUE "D,"
ONE D.O.A.
58
00:05:39,505 --> 00:05:42,008
[ Martinez ] I'M UP.
OKAY. NARCOTICS'LL BE
HELPING WITH THEIRS.
59
00:05:42,008 --> 00:05:44,210
- YOU WANT TO WORK THE BODEGA
WITH JAMES AND GREG?
- SURE.
60
00:05:44,510 --> 00:05:47,013
HEY, BOSS, YOU MIND VERY MUCH
IF DIANE STAYS ON OURS?
61
00:05:47,013 --> 00:05:50,083
WE WERE WITH HIS LITTLE GIRL
TILL THE MOTHER GOT THERE.
62
00:05:50,083 --> 00:05:54,387
WE DIDN'T REALLY TELL HER KWASI
WAS DEAD. SHE MIGHT NOT WANT
TO TALK TO US NO MORE.
63
00:05:54,887 --> 00:05:56,789
NO PROBLEM.
JUST GIVE ME A SECOND.
64
00:05:56,789 --> 00:05:59,492
OKAY. LET ME KNOW IF YOU
NEED HELP ON CANVASS.
65
00:05:59,726 --> 00:06:03,763
- OKAY, LIEU.
- CAN YOU GIVE US ANY HELP
WITH KWASI'S WIFE?
66
00:06:04,030 --> 00:06:06,032
NO. THEY MUST'VE SPLIT UP
BEFORE I KNEW HIM.
67
00:06:06,032 --> 00:06:09,235
SHE LEFT HIM EARLY?
MAYBE SHE'S GOT SOME SENSE.
68
00:06:09,736 --> 00:06:13,306
WAIT A MINUTE.
THAT'S THE LAST BALL-BREAKIN'
ABOUT KWASI.
69
00:06:13,306 --> 00:06:15,475
YOU HAD THIS GUY UP
FOR SAINTHOOD.
70
00:06:15,742 --> 00:06:19,011
I NEVER HAD HIM UP FOR
SAINTHOOD, AND I DON'T KNOW THAT
HE'S COMING OUT OF THIS WRONG.
71
00:06:19,512 --> 00:06:22,048
I'M TELLING YOU,
YOU'RE DONE PISSIN' ON HYDRANTS
TILL WE FIND OUT.
72
00:06:22,548 --> 00:06:24,917
NOBODY'S LOOKING TO
MAKE HIM WRONG IF HE'S NOT.
73
00:06:30,723 --> 00:06:32,625
[ Man ]
WORK TOGETHER ON THIS, GUYS.
74
00:06:32,625 --> 00:06:35,495
HI, HANNA. MRS. TORRENCE.
75
00:06:35,495 --> 00:06:37,445
WHAT DO YOU WANT
TO ASK ME?
76
00:06:37,445 --> 00:06:41,032
WELL, WE WANTED TO TELL YOU HOW
SORRY WE WERE ABOUT YOUR DAD,
FIRST THING.
77
00:06:41,032 --> 00:06:44,285
AND WE NEED TO TALK TO YOU
ABOUT WHAT YOUR DAD WAS DOING
BEFORE HE LEFT THE APARTMENT.
78
00:06:44,285 --> 00:06:47,956
AND THERE'S SOME OTHER THINGS.
WE ALSO NEED TO TALK
TO YOUR MOM.
79
00:06:47,956 --> 00:06:50,625
WE WANTED TO GIVE BOTH OF YOU
A LITTLE BIT OF TIME TO
YOURSELVES BEFORE WE DID THAT.
80
00:06:50,625 --> 00:06:52,927
SO YOU LIED
THAT HE WAS ALIVE?
81
00:06:52,927 --> 00:06:57,599
-WE TALKED ABOUT THAT, HANNA.
- WE THOUGHT YOUR MOM SHOULD
TELL YOU ABOUT YOUR DAD.
82
00:06:57,599 --> 00:07:00,301
I FOUND OUT WHO YOU ARE.
I DON'T WANT YOU
TALKING WITH HER.
83
00:07:00,301 --> 00:07:03,972
THIS IS DETECTIVE RUSSELL.
MAYBE YOU COULD TALK WITH HER
WHILE WE TALK WITH YOUR MOM.
84
00:07:03,972 --> 00:07:09,027
DIANE RUSSELL.
I'M SORRY ABOUT YOUR DAD, HANNA.
85
00:07:09,027 --> 00:07:11,613
YOU WANT ME WITH YOU
WHILE YOU TALK TO HER?
86
00:07:11,613 --> 00:07:14,199
YOU WEREN'T WITH DADDY.
87
00:07:14,199 --> 00:07:17,485
HANNA, UM,
WHY DON'T WE TALK BACK HERE,
ALL RIGHT?
88
00:07:19,454 --> 00:07:23,124
I DON'T KNOW IF YOU'RE HUNGRY,
BUT WE'VE GOT SOME THINGS
IN THE REFRIGERATOR.
89
00:07:23,124 --> 00:07:27,495
-[ Hanna ] OKAY.
-WOULD YOU FEEL COMFORTABLE
TALKING IN HERE?
90
00:07:27,495 --> 00:07:30,215
- OR WOULD YOU RATHER GO
INTO AN INTERVIEW ROOM?
- WE CAN TALK HERE.
91
00:07:30,215 --> 00:07:33,301
- RIGHT THIS WAY.
-[ Door Creaks ]
92
00:07:33,301 --> 00:07:36,921
- YOU WANT ME TO EXCUSE MYSELF?
- I'VE DEALT WITH PEOPLE
LIKE YOU BEFORE.
93
00:07:36,921 --> 00:07:38,757
IT'S HANNA WE WERE
TRYING TO PROTECT.
94
00:07:38,757 --> 00:07:41,843
MA'AM, RIGHT HERE.
95
00:07:45,330 --> 00:07:48,349
DO YOU HAVE ANY IDEA
WHY THIS HAPPENED TO
YOUR HUSBAND, MRS. TORRENCE?
96
00:07:48,349 --> 00:07:53,238
- NO.
- DO YOU KNOW MARCUS CAMERON,
THE MAN WHO WAS SHOT WITH HIM?
97
00:07:53,238 --> 00:07:56,608
WE DIDN'T HAVE MANY FRIENDS IN
COMMON, AND WE'D BEEN SEPARATED
THREE AND A HALF YEARS.
98
00:07:56,608 --> 00:07:59,277
HIS STREET NAME WAS PRINCE,
THIS MARCUS CAMERON.
I DIDN'T KNOW HIM.
99
00:07:59,277 --> 00:08:01,996
DO YOU MIND IF I ASK YOU
ABOUT YOU AND KWASI NOT HAVING
FRIENDS IN COMMON?
100
00:08:01,996 --> 00:08:06,251
I'M A NURSING SUPERVISOR.
IT TAKES A LOT OF TIME.
SO DID HANNA.
101
00:08:06,251 --> 00:08:11,122
WE FOUND A NOTE IN
KWASI'S POCKET ABOUT, UH,
YOUR DAUGHTER'S BASEBALL GAME.
102
00:08:11,122 --> 00:08:14,042
HE CALLED HER AISHA.
WHAT DO YOU WANT
TO KNOW ABOUT THAT?
103
00:08:14,542 --> 00:08:17,095
WELL, ACTUALLY, I'M INTERESTED
TO KNOW WHY YOU BOTH
CALL HER DIFFERENT NAMES.
104
00:08:17,595 --> 00:08:20,932
DON'T PLAY DETECTIVE
GAMES WITH ME, PLEASE.
PEOPLE SEPARATE FOR REASONS.
105
00:08:20,932 --> 00:08:24,686
NONE OF THE THINGS KWASI
AND I DISAGREED ABOUT
HAD ANYTHING TO DO...
106
00:08:24,686 --> 00:08:27,272
-WITH YOUR INVESTIGATION.
- YOU SURE ABOUT THAT?
107
00:08:27,272 --> 00:08:29,607
-I'M SURE.
- IS THAT 'CAUSE YOU KNOW
WHY HE WAS MURDERED?
108
00:08:30,108 --> 00:08:32,477
I KNOW HE WASN'T MURDERED
FOR ANY OF THE REASONS
YOU'D LIKE TO THINK.
109
00:08:32,477 --> 00:08:35,313
MY HUSBAND WAS AN HONORABLE,
GOOD-HEARTED MAN,
110
00:08:35,313 --> 00:08:39,367
AND HE WAS BRAVE ENOUGH
TO BELIEVE IN PEOPLE OTHERS
WANTED TO KEEP IN THE JUNK HEAP.
111
00:08:39,617 --> 00:08:43,488
THAT'S WHAT GOT HIM KILLED
SOMEHOW-- TRYING TO HELP.
112
00:08:43,488 --> 00:08:45,657
[ Simone ]
WHAT WORK WAS KWASI
INVOLVED WITH MOST RECENTLY?
113
00:08:45,657 --> 00:08:50,912
HE WAS INVOLVED WITH HANNA.
THAT'S WHAT I KNOW ABOUT.
OKAY.
114
00:08:50,912 --> 00:08:56,134
HANNA WANTS TO SAY
SOMETHING TO HER MOM.
115
00:08:56,634 --> 00:09:02,090
I'M SORRY, MOM, FOR WHAT
I SAID TO YOU. AND I'M SORRY
IF I HURT YOUR FEELINGS.
116
00:09:02,090 --> 00:09:05,560
IT'S OKAY, PUMPKIN.
117
00:09:05,560 --> 00:09:08,897
PLEASE DON'T BE MAD AT ME
AND GO AWAY TOO.
118
00:09:08,897 --> 00:09:13,434
COME HERE. IT'S ALL RIGHT.
I UNDERSTAND.
I'M NOT GOING ANYWHERE.
119
00:09:13,434 --> 00:09:16,154
HANNA WANTED HER
MOM TO KNOW THAT.
120
00:09:16,154 --> 00:09:19,774
- UH-HUH.
-AND SHE WAS TELLING ME
ABOUT HER UNCLE, TOO,
121
00:09:19,774 --> 00:09:22,944
AND HOW HER DAD WAS
TRYING TO HELP HIM.
122
00:09:24,279 --> 00:09:28,199
WHO WAS DADDY
TRYING TO HELP?
UNCLE JEROME.
123
00:09:28,199 --> 00:09:31,953
- HE CALLED DADDY. [ Sniffles ]
- JEROME'S KWASI'S BROTHER?
124
00:09:31,953 --> 00:09:34,706
- NO.
- MY BROTHER.
125
00:09:34,706 --> 00:09:39,878
DADDY WENT TO MEET HIM
IN HIS CAR AND SAID HE'D
BE BACK IN TIME FOR MY GAME.
126
00:09:39,878 --> 00:09:44,015
HANNA, DID YOUR DAD SAY
WHAT HE WAS TRYING TO HELP
YOUR UNCLE ABOUT?
127
00:09:44,015 --> 00:09:47,635
NO. HE JUST SAID
HE'LL BE BACK.
128
00:09:50,271 --> 00:09:54,442
WHERE ARE WE GOING TO FIND
YOUR BROTHER, MRS. TORRENCE?
129
00:09:54,442 --> 00:09:58,696
I DON'T KNOW.
I HAVEN'T BEEN ABLE
TO REACH HIM IN TWO DAYS.
130
00:09:58,696 --> 00:10:02,784
I CAN SHOW YOU
WHERE HIS APARTMENT IS.
131
00:10:20,101 --> 00:10:23,571
HEY. WHAT DO YOU GOT?
911 FROM AN ANONYMOUS MALE.
132
00:10:23,571 --> 00:10:25,356
PLACE IS EMPTY WHEN WE GET HERE
EXCEPT THE D.O.A....
133
00:10:25,356 --> 00:10:27,775
AND SOME FOUR-YEAR-OLD KID
WANDERED IN FROM NEXT DOOR,
134
00:10:28,276 --> 00:10:30,995
AND THIS GUY,
SOME KIND OF JUICEHEAD.
135
00:10:30,995 --> 00:10:34,532
THIS GUY SAYS HE SAW
A WOMAN RUN OFF RIGHT WHEN
THE SHOTS WENT OFF.
136
00:10:36,034 --> 00:10:41,673
[ Clears Throat ]
HEY, CHAMP. HOW'S IT GOING?
[ Grunts ]
137
00:10:41,673 --> 00:10:44,592
AH, WHO'D YOU SEE?
LISA. DOES THIS.
138
00:10:45,093 --> 00:10:49,347
- YEAH? WAS SHE IN THE STORE
WHEN THE SHOTS WENT OFF?
- I THINK SHE WAS DOING THIS.
139
00:10:49,347 --> 00:10:53,885
- COUPLE GUYS IN NICE CLOTHES.
- THAT'S THE FIRST HE SAID
ABOUT THE GUYS.
140
00:10:53,885 --> 00:10:58,139
- WHO IS THIS GUY?
IS THIS THE OWNER?
- 'SWALDO'S THE OWNER.
141
00:10:58,139 --> 00:11:02,143
OSWALDO MENDOZA. WE GOT HIS
NUMBER OFF THE BEER LICENSE.
NO ANSWER AT HIS HOUSE.
142
00:11:02,143 --> 00:11:05,196
HOW-HOW ARE WE GONNA FIND
"LISA, DOES THIS"?
143
00:11:05,697 --> 00:11:08,700
I'M NOT LOOKING FOR TROUBLE.
I'M ILL.
[ Coughs ]
144
00:11:08,700 --> 00:11:11,903
- YEAH? HOW ARE YOU ILL?
- I NEED COUGH MEDICATION.
145
00:11:11,903 --> 00:11:15,073
GOT A SCRIP AND NO MONEY.
146
00:11:15,073 --> 00:11:18,242
OKAY. TEN BUCKS FOR THE SCRIP
IF YOU TAKE US TO LISA'S STROLL.
147
00:11:18,242 --> 00:11:22,296
I NEED THE FULL CHARGE
ON THE SCRIP, $14.
148
00:11:22,296 --> 00:11:25,883
ALL RIGHT. SO THERE'S $14 IN IT.
LET'S GO BACK INSIDE.
LET'S GO.
149
00:11:25,883 --> 00:11:29,087
ALL RIGHT. YOU STAY HERE.
OKAY? STAY RIGHT HERE.
150
00:11:31,005 --> 00:11:33,725
HEY.
151
00:11:33,725 --> 00:11:35,927
LOOK AT THIS.
152
00:11:35,927 --> 00:11:39,897
NOTHING ON THE SHELVES
BUT CONDOMS, GARBAGE BAGS,
153
00:11:40,398 --> 00:11:42,433
SWEET PICKLES.
154
00:11:42,433 --> 00:11:45,436
WHAT MORE WOULD A SHOPPER NEED?
WE GET HERE,
THERE'S A FOUR-YEAR-OLD...
155
00:11:45,436 --> 00:11:47,522
STANDING TWO FEET FROM THE BODY,
THREE FEET FROM THE GUN.
156
00:11:47,522 --> 00:11:50,908
YEAH. HOORAY FOR
NEIGHBORHOOD WATCH.
157
00:12:05,923 --> 00:12:07,925
HE'S VERY GOOD ABOUT
HIS RESPONSIBILITIES.
158
00:12:08,426 --> 00:12:12,430
HE'S WORKED AT THIS BUILDING
FOR SIX YEARS. I DON'T KNOW
WHERE HE WOULD BE.
159
00:12:12,430 --> 00:12:17,351
YOU, UH, SAID YOUR BROTHER
HAD THAT ONE PROBLEM
A WHILE BACK.
160
00:12:17,351 --> 00:12:20,138
THAT WAS 22 YEARS AGO.
THEY ASKED HIM TO BE A LOOKOUT.
161
00:12:20,138 --> 00:12:22,273
HE DIDN'T KNOW WHAT THEY
WERE DOING NECESSARILY.
162
00:12:22,273 --> 00:12:24,392
IF JEROME WAS INVOLVED
WITH KWASI GETTING HURT--
163
00:12:24,392 --> 00:12:26,978
I DON'T KNOW.
THEN I DON'T KNOW ANYTHING.
164
00:12:26,978 --> 00:12:31,065
[ Sniffing ]
[ Whimpering ]
165
00:12:31,065 --> 00:12:32,984
BOBBY.
166
00:12:35,787 --> 00:12:39,624
OH, GOD.
OH, DON'T KILL ANYBODY.
167
00:12:39,624 --> 00:12:43,578
IT'S THE POLICE,
AND IT'S YOUR SISTER.
I'M GONNA OPEN THIS DOOR.
168
00:12:47,248 --> 00:12:49,550
-[ Mrs. Torrence ] JEROME.
-[ Sipowicz ]
COME ON OUT OF THERE.
169
00:12:49,550 --> 00:12:53,504
-COME ON.
- [ Crying ] I MESSED MYSELF.
170
00:12:53,504 --> 00:12:57,975
JEROME, WHAT HAPPENED?
HOW'D KWASI GET SHOT?
171
00:13:00,595 --> 00:13:04,816
I'M ASHAMED.
I'M ASHAMED OF EVERYTHING.
172
00:13:07,185 --> 00:13:09,987
TURN AROUND.
173
00:13:23,251 --> 00:13:25,453
HE DIDN'T GIVE YOU
ANYTHING IN THE CAR?
174
00:13:25,453 --> 00:13:27,338
JUST SOME STAINS
TO CLEAN UP.
175
00:13:27,338 --> 00:13:30,758
JOSH IS WITH HIM
IN THE LOCKER ROOM
UNTIL HE GETS TOGETHER.
176
00:13:30,758 --> 00:13:34,762
NARCOTICS SAYS, UH,
MARCUS CAMERON, THE D.O.A.
IN THE CAR WITH KWASI,
177
00:13:34,762 --> 00:13:37,181
WAS IN
GERARD MARKHAM'S CREW.
THIS IS PRINCE?
178
00:13:37,181 --> 00:13:40,384
YEAH. MARKHAM'S
STREET NAME'S "FAT CAT."
THEY GAVE US HIS USUAL PLACES.
179
00:13:40,384 --> 00:13:45,940
- YOU RUN JEROME THROUGH B.C.I.?
- SIX MONTHS FOR BURGLARY
WHEN HE WAS 18. CLEAN SINCE.
180
00:13:46,440 --> 00:13:48,442
HE'S BEEN A SUPER
AT THE SAME BUILDING
FOR THE PAST SEVEN YEARS.
181
00:13:48,442 --> 00:13:50,194
FROM WHAT HIS SISTER SAYS,
HE'S A REGULAR AT CHURCH.
182
00:13:50,194 --> 00:13:51,863
ANYTHING PASS BETWEEN
THEM IN THE CAR?
183
00:13:51,863 --> 00:13:54,949
HE TOLD HER THAT HE WAS
ASHAMED AND VERY SORRY.
[ Knocking ]
184
00:13:54,949 --> 00:13:57,869
YEAH?
HE'S CLEANED UP.
I GOT HIM IN 2.
185
00:14:04,292 --> 00:14:06,794
SHE OUGHTA TAKE
THAT GIRL HOME.
186
00:14:06,794 --> 00:14:11,999
SHE, UH, DON'T WANT TO LEAVE
UNTIL SHE FINDS OUT WHAT
HER BROTHER HAS TO DO WITH IT.
187
00:14:16,254 --> 00:14:18,589
HOW'S IT GOING, JEROME?
188
00:14:19,590 --> 00:14:22,476
YOU WANT A SODA
OR SOMETHING?
189
00:14:22,476 --> 00:14:25,263
- YOU SURE YOU DON'T WANT
ANYTHING TO DRINK?
- NO.
190
00:14:25,263 --> 00:14:27,565
LOOK, 'CAUSE, JEROME, WE--
191
00:14:27,565 --> 00:14:30,818
WE GOTTA KNOW WHAT YOUR PART
IN THIS WAS, AND WE NEED YOU
PULLED TOGETHER.
192
00:14:30,818 --> 00:14:34,238
OKAY?
NOW, HANNA, YOUR NIECE--
193
00:14:34,238 --> 00:14:38,659
SHE PUTS YOU WITH HER DAD
JUST BEFORE HIM AND ANOTHER GUY
GOT MURDERED.
194
00:14:38,659 --> 00:14:41,445
THERE'S A WITNESS
ON THE SCENE THAT SAID
THERE WAS A THIRD GUY...
195
00:14:41,445 --> 00:14:44,365
IN THE CAR PAST THE TWO VICTIMS,
SO WE GOTTA MAKE THAT GUY YOU.
196
00:14:44,866 --> 00:14:47,251
WHY DID THE SHOOTERS
LET YOU GET AWAY?
WERE YOU THE SETUP GUY?
197
00:14:47,251 --> 00:14:51,539
- NO.
- JEROME, SAY SOMETHING
PAST "NO" HERE, OKAY?
198
00:14:51,539 --> 00:14:53,841
I'M AFRAID TO SAY.
199
00:14:53,841 --> 00:14:56,093
WELL, YOU'RE GONNA
HAVE TO GET OVER THAT.
200
00:14:56,093 --> 00:14:59,764
'CAUSE I GOT HIM KILLED,
AND IF MORE IS GONNA HAPPEN--
201
00:14:59,764 --> 00:15:02,967
- YOU GOT KWASI KILLED?
- YES.
202
00:15:02,967 --> 00:15:06,387
TELL US HOW YOU THINK
YOU GOT HIM KILLED.
203
00:15:06,387 --> 00:15:10,391
I HAD FOUND SOME DRUGS
IN MY BUILDING.
204
00:15:10,391 --> 00:15:13,778
THEY WERE HIDDEN
IN A BOOM BOX
UNDER THE LANDING,
205
00:15:13,778 --> 00:15:18,115
AND I CALLED IT
TO THE POLICE ATTENTION.
WHEN WAS THIS?
206
00:15:18,115 --> 00:15:23,070
FOUR NIGHTS,
WHICH LATER I FOUND OUT
WAS COCAINE.
207
00:15:23,070 --> 00:15:26,290
AND I LEFT A NOTE TO TELL 'EM
WHERE TO FIND IT.
208
00:15:26,290 --> 00:15:28,826
THIS WAS AT THE 27
YOU LEFT THE NOTE?
209
00:15:28,826 --> 00:15:33,164
I COULDN'T-- I COULDN'T LOOK
TO SEE WHAT HAPPENED AFTER,
'CAUSE I'M DOWNSTAIRS.
210
00:15:33,164 --> 00:15:36,050
BUT NEXT DAY IT WAS GONE.
211
00:15:36,050 --> 00:15:39,637
THEN HERE COME THE DRUG DEALER
LOOKING FOR ME,
212
00:15:39,637 --> 00:15:45,226
SAY HE GONNA KILL ME
EITHER IF I DON'T GIVE HIM
HIS DRUGS OR MONEY, $37,000.
213
00:15:45,226 --> 00:15:48,229
SAY HE KNEW IT WAS ME
'CAUSE OF THE STORAGE AREA.
214
00:15:48,229 --> 00:15:50,932
WHAT WAS HIS NAME?
HE DIDN'T SAY.
215
00:15:50,932 --> 00:15:53,234
HE'S THE GUY THAT WAS IN THE CAR
WITH YOU AND KWASI?
YEAH.
216
00:15:53,234 --> 00:15:57,855
HOW'D KWASI GET INTO IT?
I HAD WENT TO HIM,
'CAUSE I WAS AFRAID.
217
00:15:57,855 --> 00:16:02,410
I WAS SUPPOSED TO MEET HIM
TODAY AT FOURTH AND "B."
218
00:16:02,410 --> 00:16:05,162
WAIT A MINUTE.
THIS IS PRINCE, THE GUY
WHO WANTED HIS DRUGS BACK?
219
00:16:05,162 --> 00:16:07,832
OR EITHER HE WAS
GONNA KILL ME.
220
00:16:07,832 --> 00:16:12,003
I BEEN AFRAID TO TELL HIM
THAT I HAD TOLD THE POLICE,
221
00:16:12,003 --> 00:16:15,373
AND I DIDN'T KNOW
WHAT TO DO.
222
00:16:15,373 --> 00:16:17,708
AND I CALLED KWASI.
DID HE KNOW PRINCE?
223
00:16:17,708 --> 00:16:22,596
UH-UH. I JUST WANTED KWASI
TO TELL WHAT HAPPENED.
224
00:16:22,596 --> 00:16:26,934
AND HE DID IT FOR ME.
THE OTHER GUY MET YOU?
225
00:16:26,934 --> 00:16:32,640
HE GOT OUT OF HIS CAR
AT FOURTH AND "B,"
GOT IN KWASI'S BACKSEAT.
226
00:16:32,640 --> 00:16:38,479
KWASI SAID THAT I CALLED 911
TO TAKE THE DRUGS AWAY, AND THAT
THAT WAS THE RIGHT THING TO DO.
227
00:16:38,479 --> 00:16:42,616
AND THAT IF HE HARMED ME
OVER IT, KWASI WOULD CALL
THE POLICE HIMSELF.
228
00:16:43,117 --> 00:16:44,986
THEN HE SAID THAT
HE HAD BEEN FRONTED...
229
00:16:44,986 --> 00:16:48,622
FOR HALF THOSE DRUGS,
AND THAT WHO HE OWED
WAS AFTER HIM.
230
00:16:48,622 --> 00:16:51,709
KWASI'S SAYING,
"WELL, THAT'S BETWEEN Y'ALL."
231
00:16:52,209 --> 00:16:54,211
THEN HELL BROKE LOOSE.
232
00:16:54,211 --> 00:16:57,214
A CAR DROVE UP
DOING WEIRD STUFF
WITH THEIR DOORS--
233
00:16:57,214 --> 00:16:59,216
CLOSING 'EM,
OPENING 'EM WEIRD.
234
00:17:00,217 --> 00:17:03,220
THEN THE SHOOTING STARTED.
235
00:17:03,220 --> 00:17:07,558
KWASI DROVE OFF,
BUT HE JUST DROVE INTO
THE FRONT OF THE BUILDING.
236
00:17:07,558 --> 00:17:10,261
HE MUST'VE
ALREADY BEEN SHOT.
237
00:17:10,261 --> 00:17:15,766
THEN THEY CAME OVER
AND SHOT THE GUY
IN THE BACKSEAT FROM CLOSE,
238
00:17:15,766 --> 00:17:19,103
THEN DROVE OFF.
BUT THEY DIDN'T TRY
AND SHOOT YOU.
239
00:17:19,103 --> 00:17:23,574
[ Snorts ]
KWASI FELL OVER ME IN THE SEAT.
240
00:17:23,574 --> 00:17:25,409
I DON'T KNOW
IF THEY EVEN SAW ME.
241
00:17:25,409 --> 00:17:28,829
SEEMED LIKE THEY WAS
AFTER THE OTHER ONE.
242
00:17:28,829 --> 00:17:32,033
- DID YOU GET ANY KIND
OF LOOK AT THEM?
- NOT MUCH.
243
00:17:32,033 --> 00:17:35,002
- JEROME, WHAT DOES THAT MEAN?
- I DON'T KNOW HOW MUCH
A LOOK I GOT.
244
00:17:35,002 --> 00:17:39,790
I GOT A LOOK AT 'EM,
BUT I DON'T KNOW HOW MUCH
IN TERMS OF RECOGNIZING.
245
00:17:39,790 --> 00:17:44,428
I'M NOT TRYING TO LIE TO YOU.
I'LL HELP YOU IF I CAN.
246
00:17:45,212 --> 00:17:47,548
YOU KNOW SOMEONE
NAMED FAT CAT?
NO.
247
00:17:47,548 --> 00:17:49,934
BUT HE SAID SOMETHING
ABOUT HIM-- THE PRINCE.
248
00:17:50,368 --> 00:17:54,722
SAID HIS NAME ABOUT THE DRUGS.
FAT CAT WAS WHO FRONTED HIM.
249
00:17:58,359 --> 00:18:01,562
COULD I GET A SODA?
YEAH.
250
00:18:03,481 --> 00:18:05,483
[ On Speaker ]
YEAH, WE'LL GET YOU A SODA.
251
00:18:10,404 --> 00:18:12,206
YOU BUY THAT?
DO YOU?
252
00:18:13,374 --> 00:18:15,993
SOUNDS PRETTY GOOD.
253
00:18:16,494 --> 00:18:18,079
TAKE HIM HOME, JOSH.
LET HIM KNOW
WE'LL NEED HIM BACK...
254
00:18:18,579 --> 00:18:21,549
TO TRY TO MAKE I.D.'s
IF WE COME UP
WITH FAT CAT'S BUTTON GUYS.
255
00:18:21,549 --> 00:18:23,551
ALL RIGHT.
SAYS HE WANTS
A CAN OF SODA.
256
00:18:23,551 --> 00:18:26,003
I'LL GET IT ON THE WAY OUT.
257
00:18:26,003 --> 00:18:28,889
SO WE'RE GONNA RUN IT
FOR THE MOTHER?
YEAH. GET HER TO GO HOME.
258
00:18:28,889 --> 00:18:32,143
[ Door Closes ]
THAT LITTLE GIRL DOESN'T NEED
TO BE HANGIN' AROUND HERE.
259
00:18:33,477 --> 00:18:36,814
[ Man Chattering ]
260
00:18:36,814 --> 00:18:40,901
YEAH, THANKS FOR CALLING BACK.
I JUST WANTED TO ASK YOU
A FEW QUESTIONS.
261
00:18:44,155 --> 00:18:47,575
WHAT DID MY BROTHER SAY?
WAS HE INVOLVED?
262
00:18:48,826 --> 00:18:51,579
[ Door Closes ]
IT'S ALL RIGHT.
263
00:18:51,579 --> 00:18:57,201
YOUR BROTHER TURNED IN
SOME DRUGS TO THE POLICE THAT
HE HAD FOUND IN HIS BUILDING.
264
00:18:57,201 --> 00:19:00,204
WHEN THE DEALER WHO HAD STASHED
THE DRUGS FIGURED OUT IT WAS
JEROME WHO'D FOUND THEM,
265
00:19:00,204 --> 00:19:02,423
HE STARTED
THREATENING JEROME.
266
00:19:02,923 --> 00:19:04,925
THEN JEROME ASKED KWASI
TO TALK TO THE DEALER.
267
00:19:04,925 --> 00:19:07,678
KWASI-- HE, UH, STOOD UP
FOR YOUR BROTHER.
268
00:19:07,678 --> 00:19:11,182
HE TOLD THE DEALER TO LEAVE
JEROME ALONE, AND WHILE
THIS ALL WAS HAPPENING...
269
00:19:11,182 --> 00:19:15,686
IT LOOKS LIKE THE PEOPLE WHO
THE DEALER HAD GOTTEN THE DRUGS
FROM CAME AND THEY SHOT 'EM.
270
00:19:15,686 --> 00:19:20,107
- AND THEY SHOT KWASI TOO.
- THAT'S WHAT IT LOOKS LIKE.
271
00:19:20,107 --> 00:19:22,860
SO MY DAD WAS BEING
A GOOD PERSON.
272
00:19:22,860 --> 00:19:26,113
THAT'S RIGHT, HANNA.
273
00:19:28,315 --> 00:19:30,701
ALL RIGHT. ALL RIGHT.
274
00:19:30,701 --> 00:19:32,903
WELL, I KNOW YOU PROBABLY
WANT TO GET HOME NOW.
275
00:19:32,903 --> 00:19:35,706
I WANT TO KNOW MY HUSBAND'S
KILLERS ARE GONNA BE ARRESTED.
276
00:19:35,706 --> 00:19:40,461
WE GOT A GOOD IDEA WHO TO LOOK
FOR, AND WE'RE GONNA NOTIFY
YOU WHEN ANYTHING HAPPENS.
277
00:19:40,461 --> 00:19:44,415
DO YOU HAVE SOMEONE
TO BE WITH YOU, MARGARET?
278
00:19:44,415 --> 00:19:48,719
I DON'T WANT YOU ALL
ARRANGING MY GRIEVING ANY MORE
THAN MY HUSBAND WOULD.
279
00:20:01,982 --> 00:20:04,518
BYE.
280
00:20:09,440 --> 00:20:11,859
SURE HOPE WE GET
THIS FAT CAT'S PLACES
FROM THE BOSS.
281
00:20:11,859 --> 00:20:14,912
PROBABLY NO USE LOOKING
TILL MIDNIGHT.
282
00:20:14,912 --> 00:20:19,283
YEAH, THEY DON'T LIKE
BEING OUT EARLY IF THEY'RE
NOT DOING MURDERS.
283
00:20:19,283 --> 00:20:23,254
ANYONE GOT SOME
SLEEPING BLANKETS? I DON'T
THINK WE'RE GOING HOME TONIGHT.
284
00:20:23,254 --> 00:20:26,757
[ Man Chattering ]
[ Phone Ringing ]
285
00:20:26,757 --> 00:20:30,261
I'M GIVING YOU FULL COOPERATION.
WHATEVER YOU WANT TO KNOW.
THAT'S GREAT, LISA.
286
00:20:30,261 --> 00:20:34,181
I DON'T KNOW NOTHIN'
ABOUT WHAT HAPPENED.
COME ON. SIT OVER HERE.
287
00:20:37,635 --> 00:20:42,473
LISA, A GUY WHO HANGS ON
THE STREET OUTSIDE A BODEGA SAYS
THAT RIGHT AFTER THE MURDER,
288
00:20:42,473 --> 00:20:44,808
YOU CAME RUNNING OUT,
RIGHT AFTER THE SHOTS
WERE FIRED.
289
00:20:44,808 --> 00:20:48,145
WELL, IF YOU WANT
TO BELIEVE A COUGH-SYRUP JUNKIE
AND A JUICEHEAD--
290
00:20:48,145 --> 00:20:50,314
YOU'RE SAYING YOU WEREN'T
IN THE BODEGA?
291
00:20:50,314 --> 00:20:52,816
NO, I'M JUST TELLING YOU
WHAT LONNY IS.
292
00:20:52,816 --> 00:20:55,619
AND I HAPPENED TO HAVE
BEEN IN THE BODEGA
TO GET A FEMALE PRODUCT.
293
00:20:55,619 --> 00:20:57,871
LONNY SAYS YOU WERE
DOING SOME GUYS IN THERE.
294
00:20:57,871 --> 00:21:00,874
YEAH, WELL,
LONNY WOULDN'T KNOW SEX
FROM AN UPTOWN BUS.
295
00:21:00,874 --> 00:21:03,460
YOU DON'T MAKE YOURSELF
A WITNESS, LISA, WE'RE GONNA
MAKE YOU AN ACCOMPLICE.
296
00:21:03,460 --> 00:21:06,130
SO STOP BUM-RAPPING LONNY
AND TELL US WHAT WENT ON.
297
00:21:06,130 --> 00:21:09,500
I WAS IN THE BODEGA
TO GET A FEMALE PRODUCT.
298
00:21:09,500 --> 00:21:12,836
TWO GENTLEMEN ASKED
TO ASK ME SOMETHING
IN THE BASEMENT.
299
00:21:12,836 --> 00:21:18,475
SO I GO DOWN THERE WITH ONE
AFTER THE OTHER ONE, AND THE
OTHER ONE YELLS, "IT'S HIM."
300
00:21:18,475 --> 00:21:22,896
- WHICH WAS OSWALDO MENDOZA.
- NOT OSWALDO, THE FIRST
GENTLEMAN IN THE BASEMENT.
301
00:21:22,896 --> 00:21:24,982
LISA, THE GUY YOU WERE
DOWN THERE WITH THAT
WENT BACK UPSTAIRS--
302
00:21:25,482 --> 00:21:28,068
- I'M ASKING YOU:
WHO WAS HE TALKING ABOUT?
- NOT OSWALDO.
303
00:21:28,068 --> 00:21:30,354
THEY WERE WAITING
FOR SOMEONE TO COME IN.
304
00:21:30,354 --> 00:21:32,656
THE WELL-DRESSED GUYS
WERE WAITING FOR THE GUY
WHO GOT MURDERED?
305
00:21:32,656 --> 00:21:36,327
THAT'S WHAT I WOULD GATHER.
AND WHAT DID OSWALDO
HAVE TO DO WITH IT?
306
00:21:36,327 --> 00:21:38,327
OSWALDO SAID I SHOULD
PARTY WITH THEM.
307
00:21:38,327 --> 00:21:41,780
SO NOW YOU'RE DONE
PARTYING WITH THE GUY,
WHO ALREADY WENT BACK UPSTAIRS,
308
00:21:41,780 --> 00:21:44,283
AND HE SHOUTS OUT,
"IT'S HIM."
309
00:21:44,283 --> 00:21:48,120
-WHAT'S THE OTHER GUY
YOU'RE STILL DOING DO?
-HE'S STRAIGHTENIN' HIMSELF OUT.
310
00:21:48,120 --> 00:21:52,341
THEN THERE IS SHOTS
AND CRYIN' AND MOANIN'.
311
00:21:52,341 --> 00:21:57,462
AND HE RUNS UPSTAIRS,
AND I GATHER THAT THEY BOTH
RUN OUT THE ALLEY DOOR.
312
00:21:57,462 --> 00:22:00,516
- AND WHERE'S OSWALDO?
- OSWALDO'S GONE.
313
00:22:00,516 --> 00:22:02,801
AND THE TWO WELL-DRESSED GUYS
OSWALDO HAD YOU PARTY WITH--
314
00:22:02,801 --> 00:22:06,188
THEY WERE GONE.
IT'S JUST THE GUY
THAT'S WHACKED THAT'S LEFT.
315
00:22:06,188 --> 00:22:08,524
YEAH, BLEEDIN' AND CRYIN'
"MADRE"IN SPANISH.
316
00:22:08,524 --> 00:22:12,194
- AND YOU BOOK?
- YEAH, AND THAT TURD LONNY
GIVES ME UP.
317
00:22:14,530 --> 00:22:17,316
I COOPERATED FULLY.
I WANT TO GO.
318
00:22:17,316 --> 00:22:19,868
YOU'RE STAYING HERE
TILL WE FIND OSWALDO.
319
00:22:20,369 --> 00:22:24,623
OH, BROTHER.
CAN I AT LEAST GET SOME STUFF
FROM MY GIRLFRIEND'S?
320
00:22:24,623 --> 00:22:27,709
WHO'RE YOU KIDDING, LISA?
FORGET ABOUT
YOUR CRACK PIPE...
321
00:22:27,709 --> 00:22:30,546
TILL WE GET
OSWALDO IN HERE.
[ Sighs ]
322
00:22:30,546 --> 00:22:35,751
WELL, UNDER THOSE CIRCUMSTANCES,
OSWALDO'S PROBABLY OVER
AT HIS NUMBERS ROOM,
323
00:22:35,751 --> 00:22:37,803
OVER HERE ON NINTH.
324
00:22:48,931 --> 00:22:50,816
[ Metal Detector Chirps ]
325
00:22:50,816 --> 00:22:53,602
- BACK OFF, BACK OFF.
- WHAT'S GOIN' ON, FELLAS?
326
00:22:53,602 --> 00:22:56,021
WE'RE PICKIN' UP A GUY.
WHO YOU LOOKING FOR?
327
00:22:56,521 --> 00:22:59,825
TURN THE MUSIC OFF,
TURN THE LIGHTS ON
AND STAY OUT OF OUR WAY.
328
00:22:59,825 --> 00:23:01,994
I THINK THAT GUY'S
ON THE JOB.
329
00:23:01,994 --> 00:23:04,363
[ No Audible Dialogue ]
330
00:23:05,864 --> 00:23:08,166
???? [ Funk ]
331
00:23:11,169 --> 00:23:14,623
ALL RIGHT. BACK OFF.
EVERYBODY, BACK OFF.
TURN THAT MUSIC OFF!
332
00:23:14,623 --> 00:23:18,877
COME ON. EVERYBODY,
GET YOUR HANDS IN THE AIR!
COME ON. GET OFF ME. BACK OFF.
333
00:23:18,877 --> 00:23:20,712
HANDS WHERE WE
CAN SEE 'EM.
HANDS OUT, EVERYBODY.
334
00:23:20,712 --> 00:23:22,798
[ Simone ]
HANDS UP. PUT YOUR HANDS UP.
335
00:23:22,798 --> 00:23:25,100
- WHAT'S GOIN' ON, MAN?
- GERARD MARKHAM?
336
00:23:25,100 --> 00:23:28,353
[ Chuckles ]
OH, YOU CALL ME THAT,
MY MAMA MUST'VE SENT YOU.
337
00:23:28,353 --> 00:23:31,106
- GET UP!
- [ Russell ] YOU DROP THIS?
338
00:23:31,106 --> 00:23:33,892
- FROM WHERE?
- STAND UP.
339
00:23:33,892 --> 00:23:37,729
[ Sipowicz ] YOU TOO, PEEWEE.
GET UP. COME ON. STAND UP.
OVER HERE. COME HERE.
340
00:23:37,729 --> 00:23:39,615
THIS MEAN WE GOING IN?
341
00:23:40,115 --> 00:23:42,618
THAT'S RIGHT, FAT CAT.
WE ARE GOING IN. I NEED
ANOTHER PAIR OF CUFFS HERE.
342
00:23:42,618 --> 00:23:45,370
SEE, YOU CALL ME THAT,
NOW I KNOW WHO YOU'RE
TALKING ABOUT.
343
00:23:45,871 --> 00:23:47,956
YOU KEEP TALKING LIKE
WE'RE CHUMS, BLIMPY.
344
00:23:47,956 --> 00:23:49,791
WE'LL GIVE YOU
THE SECRET HANDSHAKE
AT THE STATION HOUSE.
345
00:23:49,791 --> 00:23:52,411
ALL RIGHT.
COME ON.
GO FOR A WALK.
346
00:23:59,885 --> 00:24:01,637
DAMN.
347
00:24:04,172 --> 00:24:06,391
[ Chattering ]
348
00:24:09,728 --> 00:24:12,431
I WANT TO TELL YOU,
I SEARCHED 'EM ALL
BEFORE THEY WENT IN.
349
00:24:12,431 --> 00:24:14,733
YOU WANT TO BE
A DEFENSE WITNESS
FOR THESE GUYS?
350
00:24:14,733 --> 00:24:17,235
I WAS JUST CONCERNED
YOU HAD PROBABLE CAUSE.
351
00:24:17,736 --> 00:24:19,237
THEY GOT YOU
WAY IN THEIR POCKET,
DON'T THEY, BROTHER?
352
00:24:19,237 --> 00:24:21,490
MY C.O. KNOWS THAT I DO
OFF-DUTY SECURITIES.
353
00:24:21,490 --> 00:24:24,159
IN AN UNLICENSED PREMISES,
SERVES LIQUOR TO FELONS.
354
00:24:24,159 --> 00:24:28,330
I DON'T GO UPSTAIRS TOO MUCH.
YEAH, WELL, THAT'S WHAT'S
GOING ON UP THERE.
355
00:24:28,330 --> 00:24:32,367
NOW, I'M COMING BACK
OFF DUTY, SO YOU CAN PICK
BETWEEN AN ASS-WHIPPIN'...
356
00:24:32,367 --> 00:24:35,337
OR HAVING YOUR C.O.
IN MY OFFICE WHILE I.A.B.
TAKES YOUR STATEMENT.
357
00:24:36,672 --> 00:24:39,424
THIS GUY'S A COLLAR.
I HOPE YOU ALREADY
GOT YOUR BRIBE.
358
00:24:54,439 --> 00:24:57,826
HEY, HEY. LET'S TALK, FELLAS.
I DON'T NEED THIS CAGE.
359
00:25:00,779 --> 00:25:03,865
- [ Simone ] YEAH. COME HERE.
-[ Sipowicz ] STAND OVER THERE.
360
00:25:03,865 --> 00:25:06,118
YOU KNOW,
I GET CLAUSTROPHOBIC
JUST TAKING A WALK IN THE PARK.
361
00:25:06,118 --> 00:25:09,121
- YOU'RE A COLLAR
FOR THE GUN, FAT CAT.
- NO, THE GUN WAS ON THE FLOOR.
362
00:25:09,621 --> 00:25:11,456
- I DON'T THINK YOU CAN
PUT THAT ON ME.
- HE'S TELLING YOU SOMETHING.
363
00:25:11,456 --> 00:25:14,209
WHY DON'T YOU SHUT YOUR MOUTH,
OR I'M GONNA START
BEATIN' ON YOU.
364
00:25:14,209 --> 00:25:16,344
[ Clears Throat ]
I'M GONNA GET A COKE.
365
00:25:16,344 --> 00:25:19,047
YOU'RE A COLLAR
FOR THE GUN, FAT CAT.
366
00:25:19,047 --> 00:25:21,516
BUT THE CONVERSATION'S
NOT ABOUT THE GUN.
THE CONVERSATION'S ABOUT PRINCE.
367
00:25:21,516 --> 00:25:24,853
- CONNECTION WITH WHAT?
- CONNECTION WITH SELLING COKE
FOR YOU, FAT CAT.
368
00:25:24,853 --> 00:25:28,774
WHEN HE COMES UP LATE PAYING OFF
A FRONT, YOU GET SOME OTHER GUYS
IN YOUR CREW TO TAKE HIM OUT.
369
00:25:28,774 --> 00:25:33,061
HEY, YOU KNOW,
I WAS AT THE JAVITS BOAT SHOW
ALL YESTERDAY WITH MY MOTHER.
370
00:25:33,061 --> 00:25:35,647
SO YOU KNOW HE GOT
HIT YESTERDAY?
NEWSPAPER SAID.
371
00:25:35,647 --> 00:25:38,066
OH, NEGROES READ.
[ Laughs ]
372
00:25:38,567 --> 00:25:41,570
HOW ABOUT THEM MODELS
AT THAT BOAT SHOW
WITH THEIR TITTIES HANGING OUT?
373
00:25:41,570 --> 00:25:45,207
MAN, WHITE WOMEN SMILIN'
AT THE BROTHERS. HUH!
374
00:25:45,207 --> 00:25:49,044
GOT ME ALL EXCITED,
DETECTIVE SIPOWICZ.
375
00:25:49,044 --> 00:25:54,416
DID YOU GET EXCITED, FAT CAT?
HOW COULD YOU TELL WITH YOUR
BELLY HANGING OVER YOUR JOINT?
376
00:25:54,416 --> 00:25:56,468
BACK IN THE CAGE.
COME ON.
377
00:25:56,968 --> 00:25:59,221
AW, FAT CAT GETS
CLAUSTROPHOBIC IN THERE.
378
00:25:59,221 --> 00:26:03,058
I'M GONNA ASK MY LAWYER WHAT
TIME WE GOT HERE. YOU BETTER
TELL HIM WHERE I'M AT TOO.
379
00:26:03,058 --> 00:26:05,977
SHUT YOUR MOUTH.
380
00:26:10,849 --> 00:26:13,852
THAT'S MY THIRD PILL SUBLINGUAL.
YOU'RE BOTH WITNESS.
381
00:26:13,852 --> 00:26:16,905
WHAT BROUGHT ON
THE PRESSURE, OSWALDO?
WAITING FOR THE BROOKLYN NUMBER?
382
00:26:17,405 --> 00:26:20,442
- HOW ABOUT ACTING
IN CONCERT ON A MURDER?
- I GOT ANGINA.
383
00:26:20,442 --> 00:26:23,612
UP FOR A BYPASS.
YEAH?
RIGHT OVER HERE.
384
00:26:23,612 --> 00:26:26,615
WHY'D THAT GUY
IN YOUR BODEGA GET SHOT?
DON'T ASK ME.
385
00:26:27,115 --> 00:26:29,117
OSWALDO, YOU WERE
HAVING THAT WHORE...
386
00:26:29,117 --> 00:26:32,754
KEEP THOSE BUTTON GUYS HAPPY
IN YOUR GROCERY'S BASEMENT.
387
00:26:32,754 --> 00:26:35,173
YOU WANT US TO BELIEVE
THAT YOU DON'T KNOW
WHAT THEY WERE DOING THERE?
388
00:26:35,674 --> 00:26:38,176
I GOT TIGHTNESS IN MY CHEST
AND THE NITRO
ISN'T RELIEVING IT.
389
00:26:38,176 --> 00:26:40,462
THAT'S FROM NOT
TELLING THE TRUTH.
THAT SHUTS YOUR SYSTEM DOWN.
390
00:26:40,462 --> 00:26:44,766
YOU'RE NEVER GONNA
HEAR THIS IN A COURTROOM.
391
00:26:44,766 --> 00:26:48,603
- WE'RE NOT IN A COURTROOM.
- THE GUY WHO WAS SHOT
WAS SHAKING ME DOWN.
392
00:26:48,603 --> 00:26:52,274
WHAT HAPPENED WAS BEYOND
MY CONTROL, BUT THAT'S
WHAT HE WAS THERE FOR.
393
00:26:52,274 --> 00:26:54,559
MY UNDERSTANDING,
THEY WAS GONNA TALK TO HIM.
THE OTHER HAPPENED.
394
00:26:55,010 --> 00:26:57,946
- IT WAS LIKE A HORSE WAS ON ME,
THE MIDDLE OF MY CHEST.
- YOU HIRED THESE TWO GUYS?
395
00:26:57,946 --> 00:27:01,817
-I DID NOT HIRE THEM.
- SO WHO WERE THEY, OSWALDO?
CONCERNED RELATIVES?
396
00:27:01,817 --> 00:27:04,786
I PAY A GUY TO LOOK OUT
FOR ME, ALL RIGHT?
I ALREADY PAY SOMEBODY.
397
00:27:04,786 --> 00:27:07,739
AND?
AND THOSE GUYS
WORK FOR HIM.
398
00:27:07,739 --> 00:27:09,991
YOU GOTTA FIND A WAY
TO GIVE 'EM UP, OSWALDO.
399
00:27:09,991 --> 00:27:13,795
IF YOU THINK I'M GONNA GET
BETWEEN THAT-- I GOT ENOUGH
DEATH LOOKING ME IN THE FACE.
400
00:27:13,795 --> 00:27:17,465
OTHERWISE, YOU'RE OUR
CHIEF SUSPECT.
THEN PROSECUTE ME.
401
00:27:17,465 --> 00:27:21,303
I HAVE TO SEE MY PHYSICIAN.
I DON'T WANT TO BE HINDERED.
402
00:27:21,303 --> 00:27:24,306
DR. FELIX MOSCOSO.
I DON'T WANT NO TROUBLE.
403
00:27:26,091 --> 00:27:28,643
AM I PALE?
404
00:27:28,643 --> 00:27:30,762
I DON'T KNOW WHAT
YOUR NATURAL COLOR IS.
405
00:27:48,330 --> 00:27:51,449
THEY CAN'T SEE YOU, JEROME.
YOU TAKE ALL THE TIME YOU NEED.
406
00:27:59,040 --> 00:28:01,927
IT'S NUMBER THREE
OR NUMBER FOUR.
407
00:28:04,930 --> 00:28:07,182
JEROME, I'M NOT TELLING YOU
HOW TO ANSWER HERE,
408
00:28:07,182 --> 00:28:10,101
BUT I DID EXPLAIN TO YOU
THAT IF YOU'RE NOT SURE
PICKING ONE GUY OUT,
409
00:28:10,101 --> 00:28:12,470
THEN THE I.D.
DON'T HELP US NONE.
410
00:28:19,728 --> 00:28:23,315
I'M GOING WITH
NUMBER THREE.
411
00:28:23,315 --> 00:28:25,200
AND WHERE DO YOU
RECOGNIZE HIM FROM?
412
00:28:25,200 --> 00:28:28,069
SHOOTIN' UP THE CAR I WAS IN
WHERE MY BROTHER-IN-LAW
GOT KILLED--
413
00:28:28,069 --> 00:28:30,822
MY FORMER BROTHER-IN-LAW.
414
00:28:30,822 --> 00:28:33,325
IS THAT RIGHT?
415
00:28:35,543 --> 00:28:40,465
DON'T WORRY. I WASN'T DOING
ANYTHING ANYWAY. IF YOU NEED ME,
I'LL BE ON THE UPSTAIRS COT.
416
00:28:40,465 --> 00:28:43,218
WASTE OF TIME TRYING HIM
ON THE SECOND HITTER.
417
00:28:43,218 --> 00:28:47,138
HEY, LIEU. I JUST GOT
A PHONE TIP. SOME DRUNK'S
BRAGGING ON A BODEGA WHACK.
418
00:28:47,138 --> 00:28:50,091
WHERE'S THIS?
UP ON NINTH, A DOMINICAN BAR.
419
00:28:50,091 --> 00:28:52,010
WANT US TO TAKE A LOOK?
YEAH, GO AHEAD.
420
00:28:52,010 --> 00:28:54,980
WHAT ABOUT THE IDEA
OF E.S.U. FOR BACKUP?
421
00:28:55,480 --> 00:28:57,148
HEY, GREG, THAT'LL TAKE
THREE HOURS.
422
00:28:57,649 --> 00:29:00,602
YEAH, I'D HATE TO SIT AROUND
HERE ON OVERTIME.
423
00:29:00,602 --> 00:29:04,189
WHICH HITTER
YOU WANT TO FLIP?
WHO DO YOU THINK'S DUMBER?
424
00:29:04,189 --> 00:29:06,074
GOT A NICE DOPEY
VIBE OFF THAT HOLLIS.
425
00:29:06,074 --> 00:29:11,279
IF WE KEEP TRENTON, TOO,
MAYBE WE CAN MAKE HIM THINK
HOLLIS GAVE HIM UP.
426
00:29:11,279 --> 00:29:14,082
WON'T THAT MAKE
TRENT DUMBER?
427
00:29:16,368 --> 00:29:19,454
-THANKS, HAROLD.
- WANT HIM UNCUFFED?
428
00:29:19,454 --> 00:29:21,873
YEAH, TAKE HIS CUFFS OFF.
429
00:29:33,935 --> 00:29:35,804
[ Door Closes ]
430
00:29:38,306 --> 00:29:43,862
I'M A FRIEND OF YOUR BOSS,
HOLLIS. WE'RE BOTH ON
THE SAME TEAM.
431
00:29:43,862 --> 00:29:46,231
- YOU UNDERSTAND
WHAT I'M SAYIN'?
- YEAH.
432
00:29:46,231 --> 00:29:48,650
WELL, THEN YOU'RE
ONE UP ON YOUR BUDDY
IN THERE,
433
00:29:48,650 --> 00:29:50,452
SO YOU'RE THE ONE
THAT'S GOTTA SET
HIS MIND STRAIGHT.
434
00:29:50,452 --> 00:29:52,821
OKAY?
I CAN WALK YOU BOTH OUT
OFF AN ILLEGAL SEARCH,
435
00:29:52,821 --> 00:29:55,790
BUT TRENT IS SAYING
HE DON'T EVEN WORK
FOR FAT CAT.
436
00:29:56,291 --> 00:29:59,794
- DO WHAT YOU GOTTA DO, CHIEF.
- I CAN'T, BECAUSE YOUR ASSHOLE
BUDDY ISN'T LETTING ME.
437
00:30:00,295 --> 00:30:02,964
I'M TELLING YOU,
THE D.A. DON'T HEAR YOU
VOUCH FOR THIS OTHER GUY,
438
00:30:02,964 --> 00:30:07,302
THE WRONGFUL SEARCH GOES AWAY,
THEN MY HUSTLE IS GONE,
AND I'LL BLOW YOUR HEAD OFF.
439
00:30:07,302 --> 00:30:09,304
I DON'T KNOW WHAT
YOU'RE TELLING ME.
440
00:30:09,804 --> 00:30:12,891
YOU VOUCH TRENT WORKS
FOR FAT CAT. THE D.A. IS
WATCHING THROUGH THE MIRROR.
441
00:30:12,891 --> 00:30:16,261
THEN WE GO
WITH ILLEGAL SEARCH.
VOUCH HOW?
442
00:30:16,261 --> 00:30:19,597
I LEAD YOU INTO THE ROOM.
YOU VOUCH HE WORKS FOR FAT CAT.
I LEAD YOU OUT.
443
00:30:19,597 --> 00:30:23,318
I DON'T KNOW HOW TO VOUCH.
"YES, THAT'S HIM."
"HE'S THE ONE WHO WAS WITH ME."
444
00:30:23,318 --> 00:30:26,154
IS THAT TOO TOUGH FOR YOU,
HOLLIS? WHAT THE HELL
DO I CARE HOW YOU VOUCH?
445
00:30:26,654 --> 00:30:29,024
ALL RIGHT.
YOU VOUCH,
AND YOU GET OUT.
446
00:30:29,024 --> 00:30:32,327
ALL RIGHT.
RIGHT. COME ON.
447
00:30:43,621 --> 00:30:45,673
THAT'S HIM.
448
00:30:45,673 --> 00:30:47,926
I-I VOUCH HE'S THE GUY.
449
00:30:51,796 --> 00:30:54,632
YOUR BUDDY JUST
GIVE YOU UP, TRENT,
OR AM I TAKING THAT WRONG?
450
00:30:54,632 --> 00:30:56,468
IS THERE ANYTHING YOU
WANT TO DO ABOUT THAT,
451
00:30:56,968 --> 00:31:01,856
OR, UH, YOU WANT TO START
THINKING ABOUT BEING A HUSBAND
TO SOME GUY NAMED JOE?
452
00:31:01,856 --> 00:31:05,360
NO. I WANT TO DO
SOMETHING ABOUT IT.
WHO I GOTTA TALK TO?
453
00:31:05,360 --> 00:31:07,729
I'M A WONDERFUL LISTENER.
454
00:31:07,729 --> 00:31:10,532
[ Chuckles ]
WHAT A COUNTRY.
455
00:31:10,532 --> 00:31:15,370
COPS AT THE 27 COME UP
WITH THE NOTE THAT SUPER SAID
HE LEFT ABOUT THE DRUGS?
456
00:31:15,370 --> 00:31:18,239
NO NOTE,
NO VOUCHERED DRUGS.
457
00:31:18,239 --> 00:31:23,378
YOU THINK SOMEONE
DOWN AT THE 27 HAS
AN INTERESTING SECOND JOB?
458
00:31:23,378 --> 00:31:25,246
I DON'T KNOW, COHEN.
459
00:31:31,753 --> 00:31:34,506
???? [ Latin ]
460
00:31:41,563 --> 00:31:45,233
WHAT'RE YOU DRINKING?
TWO DIFFERENT GUYS AT THE END
OF THE BAR FIT A CALL WE GOT.
461
00:31:45,233 --> 00:31:48,403
- I DON'T KNOW ABOUT NO CALL.
-YEAH, YOU DO. YOU MADE IT.
462
00:31:48,403 --> 00:31:52,273
LOOK, I DON'T WANT THE GUY
IN MY BAR, BUT I'M NOT
GETTING INVOLVED PAST THAT.
463
00:31:52,273 --> 00:31:55,777
ALL I'M ASKING IS,
POINT THE GUY OUT.
464
00:31:55,777 --> 00:32:00,665
DON'T COME BACK FOR NO I.D.
I DIDN'T HEAR NOTHING,
AND I DIDN'T SEE NOTHING.
465
00:32:00,665 --> 00:32:02,667
THE GUY ALL THE WAY
AT THE END IS THE GUY.
466
00:32:04,119 --> 00:32:06,087
[ Man ]
PACK OF SMOKES.
467
00:32:06,087 --> 00:32:08,540
KEEP YOUR HANDS
ON THE BAR.
AY, ��QUE�� PASA?
468
00:32:08,540 --> 00:32:11,126
-WHAT'S GOING ON?
- [ Martinez ]
SHUT UP. WE'RE GOING IN.
469
00:32:11,126 --> 00:32:14,095
FOR WHAT?
WHAT'S GOING ON?
I SAID, SHUT UP.
470
00:32:14,095 --> 00:32:16,464
DOMINGO. [ Speaking Spanish ]
HEY. SOME BROAD YOU
KISSED OFF GAVE YOU UP.
471
00:32:16,965 --> 00:32:19,350
SO DON'T PISS ME OFF
OR I'LL KICK YOUR ASS.
ALL RIGHT, ALL RIGHT.
472
00:32:19,350 --> 00:32:22,220
SOME BROAD, HUH?
SOME BROAD, DOMINGO?
473
00:32:36,951 --> 00:32:39,787
THIS REINTERVIEW--
HE'S GONNA THINK I'M DOING IT
LOOKIN' TO HURT THE OTHER GUY.
474
00:32:39,787 --> 00:32:42,991
WE GOTTA DO THE REINTERVIEW.
I'M TELLING YOU WHAT
FANCY'S GONNA THINK.
475
00:32:42,991 --> 00:32:45,877
WITH HIM EVERYTHING'S RACIAL.
476
00:32:48,246 --> 00:32:50,715
IF YOU SEE GREG,
HE NEEDS TO CALL HIS SUPER.
477
00:32:50,715 --> 00:32:55,503
I THINK HE WENT WITH JAMES TO
COURT. HE'S LOOKING FOR THAT
HOOKER IN THE BODEGA HOMICIDE.
478
00:32:56,004 --> 00:32:59,424
[ Spits ] REGARDS TO THIS
REINTERVIEW WITH JEROME,
WE KNOW WE GOT THE COLLARS.
479
00:32:59,924 --> 00:33:03,311
IF IT TURNS OUT SOME COP
DIDN'T LOG THE COKE IN,
THE D.A. AND THE I.A.B....
480
00:33:03,311 --> 00:33:05,813
ARE GONNA TURN
THE 27 UPSIDE DOWN.
481
00:33:05,813 --> 00:33:09,184
I JUST DON'T WANNA
LEAVE NO STONE UNTURNED,
ALTERNATIVE POSSIBILITIES.
482
00:33:09,184 --> 00:33:11,569
I AGREE.
NO ONE'S UNWILLING
TO ACCEPT...
483
00:33:11,569 --> 00:33:13,938
THIS OTHER GUY
WAS DOING GOOD-- KWASI.
484
00:33:15,440 --> 00:33:18,243
PICKED UP JEROME.
HE'S IN 2.
ALL RIGHT. THANKS, JOSH.
485
00:33:18,243 --> 00:33:21,746
ASTRACHAN'S SHUTTLE SERVICE.
486
00:33:26,284 --> 00:33:28,086
SIT OVER THERE.
HUH?
487
00:33:28,086 --> 00:33:30,755
SIT OVER THERE.
[ Door Closes ]
488
00:33:32,624 --> 00:33:34,509
WE GOT TO KNOW MORE
ABOUT THAT NOTE, JEROME,
489
00:33:34,509 --> 00:33:36,878
WHERE YOU TOLD THE POLICE
ABOUT THE DRUGS.
490
00:33:37,378 --> 00:33:39,881
I WROTE IT AND I
LEFT IT AT THE DESK.
491
00:33:39,881 --> 00:33:44,052
YOU WROTE IT
AND LEFT IT ON THE DESK
AT THE 27 STATION HOUSE?
492
00:33:44,052 --> 00:33:48,306
TWO BLOCKS UP AND ONE OVER
FROM MY BUILDING.
I DON'T KNOW THE NUMBER.
493
00:33:48,306 --> 00:33:50,975
- WAS THE SERGEANT AT THE DESK?
- NOBODY WAS AT THE DESK.
494
00:33:50,975 --> 00:33:54,562
YOU LYING PIECE OF CRAP!
THERE'S ALWAYS SOMEBODY
AT THE DESK!
495
00:33:54,562 --> 00:33:56,781
DESCRIBE THE DESK THAT
YOU'RE TALKING ABOUT, JEROME.
496
00:33:56,781 --> 00:34:00,952
IT'S A LITTLE DESK
JUST WHEN YOU WALK IN.
497
00:34:00,952 --> 00:34:03,988
- GOT FLYERS ON IT.
- COMMUNITY RELATIONS DESK.
498
00:34:05,990 --> 00:34:08,793
WHAT IF I TOLD YOU, JEROME,
499
00:34:08,793 --> 00:34:12,163
THAT WE HEARD THAT YOU AND KWASI
WERE BOTH IN ON THIS DRUG DEAL?
500
00:34:12,163 --> 00:34:15,416
- THAT'S NOT TRUE.
- NOBODY'S LOOKING TO
HURT YOU HERE, JEROME.
501
00:34:15,416 --> 00:34:18,553
THERE'S NO EVIDENCE THAT
WE CAN USE. BUT IF YOU
WERE INVOLVED IN THIS,
502
00:34:18,553 --> 00:34:20,755
WE GOTTA KNOW ABOUT IT
FOR WHAT WE TAKE TO THE D.A.
503
00:34:20,755 --> 00:34:24,342
-IT'S NOT TRUE.
-MAYBE KWASI WAS INVOLVED
AND YOU JUST TOOK THE RIDE?
504
00:34:24,342 --> 00:34:26,677
DIDN'T EVEN KNOW
WHAT IT WAS ABOUT?
HE WASN'T.
505
00:34:26,677 --> 00:34:28,930
HE DIED TRYING TO HELP ME.
506
00:34:28,930 --> 00:34:34,518
IF I SHOULD'VE SIGNED MY NAME
OR TOOK THE DRUGS IN MYSELF,
507
00:34:34,518 --> 00:34:36,938
THAT'S ON ME.
508
00:34:36,938 --> 00:34:39,740
DON'T DO THAT TO HIM.
509
00:34:48,749 --> 00:34:52,036
SEE, THAT IS BLACKMAIL.
I KNOW YOU TALKED TO THE JUDGE.
RELAX, LISA.
510
00:34:52,036 --> 00:34:55,289
IF YOU'RE MAKING LONNY THE TRICK
ON THE COMPLAINT AGAINST ME,
THAT IS A JOKE.
511
00:34:55,289 --> 00:34:58,042
SHUT YOUR MOUTH, LISA,
AND WE'LL STRAIGHTEN THIS OUT.
I WANT OUT!
512
00:34:58,542 --> 00:35:00,544
I'M SUPPOSED TO SEE
MY GIRLFRIEND!
513
00:35:00,544 --> 00:35:03,431
WHAT YOU WANT TO DO ON THE
OUTSIDE CAN PROBABLY HAPPEN, BUT
FIRST YOU DO SOMETHING FOR US.
514
00:35:03,431 --> 00:35:06,884
I SHOWED YOU WHERE TO FIND
OSWALDO. I DID SOMETHING
FOR YOU YESTERDAY.
515
00:35:09,887 --> 00:35:13,140
LISA, WE PICKED UP
A GUY LAST NIGHT.
SOMEONE DROPPED A DIME,
516
00:35:13,140 --> 00:35:17,478
HEARD HIM TALKING IN A BAR
HOW HIM AND A BUDDY
WHACKED A GUY IN A BODEGA.
517
00:35:17,895 --> 00:35:21,115
- UH-UH. FORGET IT. NO WAY.
- WE JUST WANT YOU TO LOOK
AT THIS GUY IN A LINEUP.
518
00:35:21,115 --> 00:35:23,067
NO WAY.
I WOULDN'T RECOGNIZE HIM.
519
00:35:23,067 --> 00:35:25,903
NO ONE'S GOING TO ASK YOU
TO TESTIFY, LISA.
YOU DIDN'T SEE THE SHOOTING.
520
00:35:25,903 --> 00:35:28,572
WE JUST WANT TO KNOW:
DID YOU BANG THIS GUY
IN THE BASEMENT?
521
00:35:28,572 --> 00:35:31,459
I DIDN'T BANG ANYONE, OKAY?
I CAN PROVE I HAD
A FEMALE SITUATION!
522
00:35:31,459 --> 00:35:35,913
WHATEVER YOU DID
IN THE BASEMENT.
NO! NO! NO WAY!
523
00:35:35,913 --> 00:35:39,300
WHY DON'T YOU TALK TO OSWALDO
INSTEAD OF JAMMING ME UP.
YOU TALK TO THAT ASSHOLE LONNY.
524
00:35:39,300 --> 00:35:43,304
- LONNY DIDN'T SEE NOTHING.
- WELL, I DIDN'T EITHER.
525
00:35:43,304 --> 00:35:46,974
I DON'T WANT
TO MAKE AN I.D.
526
00:35:51,679 --> 00:35:54,015
GENTLEMEN.
527
00:35:54,015 --> 00:35:56,067
[ Fancy ] CHARGE FAT CAT
AND THE TWO SHOOTERS
ON THE HOMICIDE.
528
00:35:56,567 --> 00:35:59,236
ON THE DRUG NOTE,
WE THINK THE SUPER'S
TELLING THE TRUTH.
529
00:35:59,737 --> 00:36:01,605
MEANING ONE CORRUPT COP MINIMUM.
530
00:36:02,106 --> 00:36:04,108
[ Fancy ] THAT PART DOESN'T
WORK OUT OF THIS OFFICE.
I.A.B. AND THE 27.
531
00:36:04,108 --> 00:36:05,860
AND IT DON'T GIVE YOU NO REASON
TO GET IN BED WITH FAT CAT.
532
00:36:05,860 --> 00:36:07,945
BE INTERESTING TO HEAR
WHO WAS ON HIS PAYROLL.
533
00:36:07,945 --> 00:36:11,248
LOOKS TO PIGGYBACK
ONE CASE ON THE OTHER...
534
00:36:11,248 --> 00:36:14,085
TO GET A BIGGER SPLASH
FOR HIS BOSS,
THIS GREASY LITTLE TWERP.
535
00:36:14,085 --> 00:36:17,755
-DON'T BRING IT
INTO THIS OFFICE.
-HOW DO I GET TO BE THE BAD GUY?
536
00:36:17,755 --> 00:36:20,841
ASK YOUR PARENTS.
537
00:36:20,841 --> 00:36:23,377
HI. YOU CALLED IN
THAT MRS. TORRENCE
AND HER DAUGHTER?
538
00:36:23,377 --> 00:36:26,013
UH, YEAH. YEAH.
DO THIS WITH ME.
539
00:36:31,185 --> 00:36:33,137
MRS. TORRENCE.
540
00:36:33,137 --> 00:36:37,608
WHEN THERE'S DEVELOPMENTS
IN A CASE WE TRY TO LET
YOU KNOW ABOUT THEM.
541
00:36:38,109 --> 00:36:39,977
HAVE THERE BEEN ARRESTS?
THERE HAVE BEEN, YES.
542
00:36:39,977 --> 00:36:43,364
WE'VE ARRESTED TWO MEN
WE BELIEVE DID
THE ACTUAL SHOOTINGS,
543
00:36:43,364 --> 00:36:47,201
AND WE PUT A WARRANT
OUT FOR A MAN
WE THINK GAVE THE ORDER.
544
00:36:47,702 --> 00:36:49,787
HIS LAWYER'S
BRINGING HIM IN.
545
00:36:49,787 --> 00:36:53,574
WHY DID YOU ACCUSE MY BROTHER
OF BEING INVOLVED AGAIN?
546
00:36:53,574 --> 00:36:57,128
WE WERE VERIFYING THAT HE
WASN'T INVOLVED. SOMETIMES
YOU TAKE INTERVIEW TECHNIQUES,
547
00:36:57,128 --> 00:36:59,497
YOU MAKE IT SEEM THAT YOU
THINK SOMETHING THAT YOU DON'T.
548
00:36:59,497 --> 00:37:02,216
TAKING HIS WORD WOULD'VE BEEN
OUT OF THE QUESTION.
549
00:37:02,216 --> 00:37:04,385
UNDER THESE CIRCUMSTANCES,
YES, IT WOULD HAVE, MA'AM.
550
00:37:05,586 --> 00:37:07,805
EXCUSE ME.
551
00:37:07,805 --> 00:37:10,591
WE WANTED TO TELL YOU
ABOUT THE ARREST,
552
00:37:10,591 --> 00:37:14,261
AND WE UNDERSTOOD
AND APPRECIATED WHAT
KWASI'S ROLE HAD BEEN.
553
00:37:14,261 --> 00:37:17,898
YESTERDAY HANNA SAID
SHE BELIEVED THAT
HER DAD WAS A HERO,
554
00:37:17,898 --> 00:37:20,484
AND THAT'S WHAT OUR
INVESTIGATION PROVED.
555
00:37:20,484 --> 00:37:25,189
[ Clears Throat ]
WHAT IT'S WORTH, UH,
I HAD SOME RESPECT FOR HIM TOO.
556
00:37:25,656 --> 00:37:29,243
HE COULD'VE JAMMED ME UP
ON THIS JOB WHEN HIM AND ME
GOT INTO IT,
557
00:37:29,243 --> 00:37:33,531
BUT HE SAID HIS PIECE
TO ME MAN-TO-MAN
AND LEFT IT THERE.
558
00:37:33,531 --> 00:37:36,117
- CAN WE GO?
-I'D ALSO SAY TO HANNA...
559
00:37:36,617 --> 00:37:41,922
IT'S HARD TO LOSE A DAD BEFORE
HIS TIME, 'CAUSE THAT HAPPENED
WITH MY SON,
560
00:37:41,922 --> 00:37:44,625
AND I'M SORRY
FOR YOU ON THAT SCORE.
561
00:37:45,126 --> 00:37:47,428
YOU JUST REMEMBER THAT'S THE MAN
WHO CALLED YOUR FATHER A NIGGER.
562
00:37:47,428 --> 00:37:50,548
PLEASE,
DON'T SAY THAT TO HER.
563
00:37:50,548 --> 00:37:54,018
IT, UH--
IT WAS CIRCUMSTANCES THAT
I THINK YOU KNOW ABOUT,
564
00:37:54,018 --> 00:37:57,805
BUT I DON'T THINK SHE
COULD UNDERSTAND THAT.
565
00:37:57,805 --> 00:38:00,391
I DON'T EVER WANT HER
TO UNDERSTAND SOMEONE
USING THAT WORD.
566
00:38:00,891 --> 00:38:02,943
YOU CALLED HIM A NIGGER.
567
00:38:02,943 --> 00:38:06,280
ARE YOU A BIGOT
AND A HYPOCRITE TOO?
I APOLOGIZE THEN.
568
00:38:06,280 --> 00:38:09,900
PEOPLE WHO HATED HIM ALIVE
DON'T GET TO SAY
NICE THINGS NOW.
569
00:38:09,900 --> 00:38:12,620
HANNA, I--
570
00:38:12,620 --> 00:38:18,292
I APOLOGIZE FOR USING
THAT WORD ABOUT YOUR FATHER.
571
00:38:20,711 --> 00:38:23,130
ALL RIGHT.
572
00:38:52,159 --> 00:38:55,696
I'M LEONARD MOSCOSO,
OSWALDO MENDOZA'S ATTORNEY.
573
00:38:55,696 --> 00:38:58,749
I THOUGHT MOSCOSO'S HIS DOCTOR.
I BELIEVE FELIX MOSCOSO
IS HIS DOCTOR.
574
00:38:59,250 --> 00:39:01,202
MR. MENDOZA'S ILL
AND CAN'T LOOK AT YOUR LINEUP.
575
00:39:01,702 --> 00:39:04,455
YEAH? CAN WE BRING HIM
A PHOTO ARRAY?
AT PRESENT, HE'S TOO ILL.
576
00:39:04,455 --> 00:39:07,842
HE CAN MAKE THE I.D.'s OFF THE
RECORD IF HE WANTS. WE'LL GO
AT THESE GUYS A DIFFERENT WAY.
577
00:39:07,842 --> 00:39:11,262
- WE WANT AN INDICATION WE'RE
LOOKING AT THE RIGHT PEOPLE.
- MM-MM. TOO ILL.
578
00:39:11,262 --> 00:39:15,216
SO HOW COME HE PICKED UP
THE PHONE AT HOME WHEN
WE ASKED HIM TO COME IN?
579
00:39:15,216 --> 00:39:18,135
PEOPLE DON'T HAVE TO BE
IN HOSPITALS TO BE SICK.
580
00:39:18,135 --> 00:39:21,388
WE'RE GONNA HAVE TO KICK
THIS GUY WHO COULD'VE
GIVEN UP HIS ACCOMPLICE.
581
00:39:21,388 --> 00:39:24,024
TWO MURDERERS YOUR CLIENT
CAN GET OFF THE STREETS. WE'RE
GONNA HAVE TO TURN 'EM LOOSE.
582
00:39:24,024 --> 00:39:27,027
DON'T PRETEND YOUR CLIENT
OSWALDO WASN'T WORKING DRUG
DEALS OUT OF THAT BODEGA,
583
00:39:27,027 --> 00:39:29,980
MR. MOSCOSO,
NOT WITH THAT GROCERY SELECTION.
584
00:39:29,980 --> 00:39:33,534
AS LONG AS YOU'RE RUNNING
ERRANDS, YOU TELL OSWALDO
HE'S A LYING, GUTLESS SCUMBAG.
585
00:39:33,534 --> 00:39:36,620
IT'S EASY TO HAVE OPINIONS NOT
HAVING TO LIVE AND DO BUSINESS
IN THE NEIGHBORHOOD.
586
00:39:36,620 --> 00:39:38,989
MY OPINIONS DON'T DEPEND
WHERE I LIVE.
587
00:39:38,989 --> 00:39:41,742
TELL HIM HE'S A SCUMBAG,
AND HE GETS THE NEIGHBORHOOD
HE DESERVES.
588
00:39:41,742 --> 00:39:43,577
GOOD DAY.
GOOD DAY.
589
00:39:43,577 --> 00:39:46,497
HEY, HOW'S IT GOING?
GOOD.
HOW'S YOURSELF?
590
00:39:46,497 --> 00:39:48,499
ALL RIGHT.
591
00:39:48,999 --> 00:39:51,635
I GUESS WE GOTTA
GO KICK THIS GUY.
592
00:39:51,635 --> 00:39:53,888
[ Hand Thuds ]
593
00:40:01,262 --> 00:40:05,266
DID YOU HEAR HER
TELL THAT LITTLE GIRL
TO HATE ME?
594
00:40:05,766 --> 00:40:07,768
YEAH.
595
00:40:13,274 --> 00:40:15,776
COME BACK FROM VIETNAM,
596
00:40:15,776 --> 00:40:18,779
I GO RIGHT ON THE JOB.
597
00:40:18,779 --> 00:40:22,283
JOB DON'T SEND ME
TO THE ACADEMY OR NOTHING.
598
00:40:22,283 --> 00:40:26,787
PUTS ME UNDERCOVER RIGHT AWAY,
'CAUSE-- CAUSE I'M WHO
THEY'RE LOOKING FOR.
599
00:40:26,787 --> 00:40:30,291
JUST OUT OF THE SERVICE,
WORKING-CLASS GUY--
600
00:40:30,291 --> 00:40:35,296
ALL THE CREDENTIALS FOR BEING
SOME DISILLUSIONED ASSHOLE WHO
WANTS TO PISS ON EVERYTHING...
601
00:40:35,296 --> 00:40:39,800
I JUST SPENT
TWO AND A HALF YEARS
GETTING SHOT AT ABOUT.
602
00:40:39,800 --> 00:40:43,804
I DON'T EVEN GET
TO BE WITH COPS
WHEN I'M DEBRIEFED.
603
00:40:43,804 --> 00:40:46,523
SOME GUY IN THE BOTTOM
OF THE POST OFFICE BUILDING...
604
00:40:46,523 --> 00:40:49,526
TAKES MY INFORMATION
AND TELLS ME WHAT TO DO.
605
00:40:50,027 --> 00:40:53,314
JERK IN A SUIT--
HE DON'T EVEN TELL ME HIS NAME.
606
00:40:53,314 --> 00:40:55,733
HE HAS ME JOIN
THE YOUNG PATRIOTS.
607
00:40:55,733 --> 00:40:59,987
IT'S-- IT'S LIKE
THE WOMEN'S AUXILIARY
FOR THE BLACK PANTHERS.
608
00:40:59,987 --> 00:41:05,459
I GET TO BRING
THE PANTHERS COFFEE
AND LEAD CHEERS.
609
00:41:05,459 --> 00:41:08,963
"RIGHT ON," YOU KNOW.
"OH, YOU SAID A MOUTHFUL,
BROTHER."
610
00:41:08,963 --> 00:41:11,915
"LET'S DEFINITELY TAKE
THAT BANK OFF."
611
00:41:13,917 --> 00:41:16,420
THEN I GO WORK MY COVER JOB
UNLOADING FURNITURE.
612
00:41:16,920 --> 00:41:21,925
AND THEN I GO HOME AND I DRINK
MYSELF STUPID SO AS NOT TO RUN
MY HEAD INTO THE WALL,
613
00:41:21,925 --> 00:41:23,677
THINKING HOW MUCH I HATE
WHAT I'M DOING.
614
00:41:23,677 --> 00:41:28,065
I SAT IN RICE PADDIES THE NIGHT
SO DARK YOU DIDN'T KNOW
WHICH WAY WAS UP,
615
00:41:28,565 --> 00:41:32,653
WANTING TO SCREAM AND SHOOT
YOUR GUN OFF FOR LIGHT AND YOU'D
KNOW WHERE THE HELL YOU WERE,
616
00:41:32,653 --> 00:41:37,441
SO I COULD COME HOME AND DO
CHORES AND HEAR MY COUNTRY GET
PISSED ON BY A BUNCH OF SPADES!
617
00:41:37,441 --> 00:41:41,328
HEY, ANDY!
DON'T START TALKING LIKE THAT,
ALL RIGHT?
618
00:41:43,614 --> 00:41:45,866
I'M TRYING TO EXPLAIN
SOMETHING TO YOU.
619
00:41:45,866 --> 00:41:49,036
AND I'M TELLING YOU
THAT WHEN YOU USE
THAT KIND OF LANGUAGE,
620
00:41:49,036 --> 00:41:52,256
I CAN'T GET TO
WHAT YOU'RE SAYING.
621
00:41:52,256 --> 00:41:54,758
YOU DON'T HAVE
TO CALL 'EM SPADES
TO TELL WHAT HAPPENED.
622
00:41:54,758 --> 00:41:58,345
- SPADES IS HOW I FEEL.
- YOU CALL THAT
LITTLE GIRL A SPADE?
623
00:41:58,345 --> 00:42:00,014
SHE'S NOT WHO
I WAS TALKING ABOUT.
624
00:42:00,014 --> 00:42:03,350
WELL, THAT'S WHO I SEE
WHEN YOU'RE TALKING.
YOU FOLLOW MY PROBLEM?
625
00:42:03,350 --> 00:42:06,470
HEY, FORGET ABOUT IT.
YOU HAVE A NICE NIGHT.
626
00:42:06,470 --> 00:42:09,356
I WAS TRYING TO EXPLAIN
SOMETHING TO YOU.
EXCUSE ME FOR--
627
00:42:09,356 --> 00:42:12,142
FOR TRYING TO TALK
TO MY PARTNER.
628
00:42:12,142 --> 00:42:13,894
[ Scoffs ]
629
00:42:15,779 --> 00:42:19,233
GO AHEAD, PARTNER.
630
00:42:19,233 --> 00:42:22,736
[ Sniffs ]
IT WAS HARD FOR ME.
YOU UNDERSTAND THAT, HUH?
631
00:42:22,736 --> 00:42:26,740
COME BACK TO THE WORLD--
LEAST I-- I THOUGHT I COULD
TALK TO SOMEBODY,
632
00:42:26,740 --> 00:42:30,461
AND MAYBE SOMEBODY, UH,
RESPECTS WHAT I DID.
633
00:42:30,461 --> 00:42:32,629
I DREAMT OF BEING A COP.
634
00:42:32,629 --> 00:42:36,633
NOW A COP SEES ME
ON THE STREET HE SPITS--
HE SPITS ON THE GROUND.
635
00:42:36,633 --> 00:42:40,137
AND I KNOW HE'S SUPPOSED TO,
'CAUSE I'M KISSING
BASTARDS' ASSES...
636
00:42:40,137 --> 00:42:44,007
WANT TO BLOW UP THE BANK
THAT MY MOTHER PAYS
HER HOUSE LOANS AT.
637
00:42:44,007 --> 00:42:48,011
AND I'M TELLING THESE BASTARDS
HOW BRAVE AND GREAT
I THINK THEY ARE.
638
00:42:48,011 --> 00:42:51,231
HOW I LOVED IT WHEN MY DAD--
HE-HE FINALLY SAVED ENOUGH...
639
00:42:51,732 --> 00:42:54,234
AFTER HE'S IN THE SERVICE
TO MOVE US FROM THE QUONSETS.
640
00:42:54,735 --> 00:42:57,488
AND WE'RE FINALLY
IN A DECENT NEIGHBORHOOD
UNTIL THEY MOVE IN.
641
00:42:57,488 --> 00:43:01,692
I GOTTA FIGHT TO KEEP
MY LUNCH MONEY, AND THE PROJECT
TURNS INTO A STY.
642
00:43:01,692 --> 00:43:04,695
AND HE GETS HIS EYE PUT OUT
BY ONE OF 'EM DRUNK
WITH A HAMMER...
643
00:43:04,695 --> 00:43:07,915
WHO DON'T WANT
HIS GAS METER READ.
644
00:43:10,084 --> 00:43:14,922
TO HAVE HER TELL
THAT LITTLE GIRL TO HATE ME--
645
00:43:16,423 --> 00:43:18,425
I TRY TO DO MY JOB.
646
00:43:18,425 --> 00:43:22,429
PUT YOUR OWN FEELINGS ASIDE
UNLESS THEY SHOW YOU
THEY'RE WRONG.
647
00:43:22,429 --> 00:43:26,216
AND THAT SWEET LITTLE GIRL
IS TOLD TO HATE ME.
648
00:43:26,216 --> 00:43:31,305
BUT WHAT IS SHE SUPPOSED TO DO,
ANDY? SHE SUPPOSED TO FEEL
SORRY FOR YOU?
649
00:43:31,805 --> 00:43:34,308
SHE'S SUPPOSED TO THINK
IT'S OKAY YOU CALL
HER FATHER A NIGGER...
650
00:43:34,308 --> 00:43:36,560
BECAUSE YOU HAD
BAD TIMES GROWING UP?
651
00:43:36,560 --> 00:43:40,647
I HAD BAD TIMES FROM THEM PEOPLE
MY WHOLE LIFE.
652
00:43:41,648 --> 00:43:43,650
HEY, MY DAD GOT HIS ASS KICKED
AT SHAPE-UPS...
653
00:43:44,151 --> 00:43:46,987
BY WHITE LONGSHOREMEN
FOR BEING DARK-SKINNED.
654
00:43:47,488 --> 00:43:51,959
I DON'T HATE THEM PEOPLE,
AND I DON'T HATE YOU.
655
00:43:51,959 --> 00:43:56,914
BUT I'M SUPPOSED TO CARE
WHAT HAPPENED TO HER PEOPLE
300 YEARS AGO.
656
00:43:58,916 --> 00:44:00,717
THERE YOU GO.
657
00:44:03,086 --> 00:44:05,088
AT LEAST SHE SHOOK MY HAND.
658
00:44:06,089 --> 00:44:07,925
YEAH.
659
00:44:09,393 --> 00:44:11,895
I DON'T THINK
SHE HATED ME THAT MUCH.
660
00:44:21,822 --> 00:44:24,158
[ Door Closes ]
61177
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