Original subtitles

(PUFF)

(MURMUR)

Damn misery!

Damn dirty!

- (with pugIiese accent) Porca whore, what are you doing? - Lucky charm.

Stay still that bothers me. How fast! I want to eat.

(with Roman accent) In a little while start a TV program.

They make proton Ianci, piercing missions ... GoIdrake!

'' Mortacci tui ''!

You always get me The eye on the extreme right!

Here is that family happened to me: a miserable mogIie goes away ...

..and a brother-in-law misses me bickering bread!

Dad, I told you that he had a friar II baIordo.

- Great gratitude! And me that I'm a mother. - From mother?!

You know I stayed because I disapprove of my sore.

- The truth is that here you eat and drink. - Am I an asshole? - Guess.

(TELEPHONE RING) Go to open.

- It's the Teephono. - Now I go. - Come on !

- I'm going. - Go answer!

MaIedizione to you! Why do not you kill yourself?

'' HaIIo ''? Here Laricchiuta House Presta.

- I'm NicoIino. - How are you ? I did not think it was you.

- Are you all right at home? - Sure. - How's my appointment?

- Walk. - Let's stop it, I have always been walking for three years.

- Not to shorten the time ... - I'm sending Angela to study for you.

As you wish, but a little is missing quarter to the end of the school.

I'm sure in an environment healthy as your ...

..AngeIa, at least in these 3 months, will find again the desire to study.

Here in Rome, Iei is distracted moIto. AIIora?

- All right. - I was sure about that. Thank you. Do I start it right away?

- Yes, yes. - I would like to say hello your wife. - What wife?

How '' quaIe mogIie ''? Your second mogie, AmaIia.

The sore of the mogy of mine brother-in-law, we are almost relatives.

I call her, I do not know where the house is.

It's in the right wing, here. Amaia, love?

(Spits) There is NicoIino that you want to know.

- Are you dumb ? - It's that of the ministry, my relative.

- Say you're Amaiah. - But there is not. - Make a castrated voice.

EccoIa, NicoIino, he was doing chores.

- (effeminate voice) How are you, Commendatore? - All right.

- How are you ? - I'm fine thanks.

- Angela arrives tomorrow. - I am pleased to. - Is it a disturbance?

- (male voice) No disturbance. - What happened to your voice?

(effeminate voice) I have degIi atiti e low, the strings have been struck.

- Your mother's double bass! - Cover yourself, my dear.

- Greetings to all. - Thank you very much and respect to the lady. '' Bye-bye ''.

- Dad, who is this AngeIa? - A relative, you do not know.

In 1754, your great-grandfather Oronzo he emigrated to America ...

..and met Aunt ImeIda, who later married in Canada.

- Now he tells you all about the Bible. - In short, it's a relative of ours.

You will sleep in the closet upstairs and Iei +++++++++in your room.

We missed it this rogue of AngeIa!

If you look like NicoIino who knows what redfish will be.

However, if you look like your mother ... It's good, mom!

It has two '' roofIe '' that make me crazy.

Imagine! What do you care? So I go to Fedora.

That's waiting for me ... Four, five ... eight!

Ah! But from where ...! Ah! II caIcagno!

(MUSIC)

''BaiIate, baiIate'' !

'' Oie, beautiful '!

(with napoIetano accent) '' But what's that, tonight ''?

- What's going on with you ? - We missed AngeIa, my cousin.

It will also be racchia!

Yes maybe !

- When will you take me to your house? - It would make me comfortable, my love.

I'll tell you again The chronicle of my family?

My boyfriend was a feIice orphan,

then I married this unfortunate one of AmaIia and Iui ineIosito.

AmaIia ran away and was offended, more my brother-in-law is at our house.

If I bring you too, that is definitely angry.

- You are the father and Ii figIio. - But you are not the Holy Spirit.

It starts ! Tac, tac, tac. Who is it i character of the week?

Tac, tac, tac. (SCREAM)

- Tarzan! - Do you like ? - Sure. I'm your Jane!

- Go to the forest, come on! - Yes, immediately...

- Tarzan, there is a coccodriIIo! - You want to kill my '' Jenny ''?

- Help ! - I dive into the sea! Ahh!

I broke my knee. Give me the belly, cuddly!

Tisquarcio. Cuddly blood, I become mandriIIo. Here is the monkey.

- What are you doing, coccodriIIaccio? - Yes good. - Do you want to escape me?

Do you want to put it on me? No, I'll put myself on you!

Wicked, maI, do you want to kill Jenny?

I give you 40 pugnaIate, 57 pugnaIate, 84 pugnaIate!

- Yes like this ! - 91 ... How many pugnaIate? I vogIio to give one.

One is good. What do I care? Here, cuddle!

(SCREAM) (panting) Yes!

The lords travelers who have took the train to Cerignola ...

(Pugliese accent) ... they are requested to bring it back to the first track.

Travelers from Rome have the coincidence ...

- Here! - My niece is one student, that is a nun.

I know a nun who always studies.

- NicoIino is Christian Democrat. - That fuck ... - Amen. - Peace and love.

If it were republica, I figia would you dress with ivy leaves?

- Is the mail coming? - Here. We finished a hand in tresette.

- Come on, download. - Now they put I put it in the vaigies?

No, generIe, this is my stuff.

During the trip, I miss you he had us in tresette.

- It must be this. - '' Mortacci, how is bona ''! - This I say.

- Hi, you're Easter, are not you? - '' BeIIa mia ''!

- No, Uncle EasterI am me. - Oh sorry. - '' unio beiia of your ''!

- You do not have a priestly face, but from pacioccone. - Not so.

- '' StronzoIo ''. - Have you seen it? - What shapes! Uh, BartoIomeo!

Miss, forget the car.

I traveled with Iui for I DO NOT HAVE BEEN IN THE BAGS.

- Is it a crow? - It's an Indian merit and knows how to talk.

- (pappagaIIo) Hi, assholes. - He recognized us.

Prof. Cacioppo arrives.

Good morning guys ! (NOISE OF THE DOOR)

- It was you ? - No, it was Iui. - But I...

- It was you ? - Sorry, dad ... - Daddy, a dick!

- Go to place, '' asshole ''! You come here. - I ? - Come here.

We're even.

(ADMIRATION) Hi guys !

Good, good, seated.

This Miss is AngeIa MancineIIi.

She is my niece and your partner of cIasse for this quarter.

(APPLAUSE) Thank you. All right, all right, thanks.

That's enough. We are not at the FestivaI of Sanremo!

Sit here.

I would like to tell you something else: I am very well known ...

- You're a crash. Welcome. - What's your name ? - Irma.

I am known for my caIma, but if I piss off, bitch ...

I'm going to break you and I split my head, clear?

It was you ? Debaires maIedetti!

(tartagiare) Less maIe than today you have not taken the wrong joke.

- They did it, professor. - Mr. Headmaster, is you here? - Yup.

The next time, come on time, so these exchanges do not happen.

(TartagIiando) I have been...

# ..a little chilled! #

# But the coIpo, I caught him! #

(LAUGH) If you're angry, you're singing, professor.

- Arrive it. - I'm sorry.

(LAUGH) Why are you laughing ?! SiIenzio!

Not vogIio to hear a '' moscoIa ''!

This is the hour of the cappuccino. Now comes SaIvatore.

Well!

(LAUGH)

- (professor) A ... me ... rica ... - We, here ... He? I ?

Both.

(LAUGH)

Come here, you. Give me it's good. Open your hands ... Open your hands!

- Ouch! - Go to the place.

(Spits)

(tartagiare) Zitti ... that ... I said zi ... shut up that Iui ...

'' What, you want to fuck me? ''

(LAUGH)

(effeminate voice) Mom!

(tartagiare and singing) Who is pre ... prepared, come.

- Teacher ! - You ! I ... miracoIo!

What a miracle! I wish I could say that yesterday Gino saw a UFO.

- (tartagiare) Ah, yes? How it was ? - How was it, Gino?

BeIIo, big, round.

- It was fe ... fe ... fe ... - Was he stupid? - No, was he still?

- Yes, then he sent a bundle of Iuce azzurrina. - And that Iuce!

(tartagiare and singing) Very good, and where did you see him?

- Towards the sea. - They always screw it with UFOs.

- The professor is a fixed one. - They're nice guys.

- Your cousin Marco is nice, is not he? - Even the others are not maIe.

He is the nicest, and then I'm his girlfriend.

- Because you are not in it bench? - He still does not know.

(tartagiare) Let's forget bullshit like the questions.

(TartagIiando) I WANT to explain Ie ga ... ga ...

- The gaIIine? - the gaIassie!

# They are called gaIassie those systems in space. #

# MiIIe armies of steIIe. #

# Hundred miIiardi in a mass of gas and also of poIvere! '' #

(APPLAUSE) Good boy ! Good boy !

(BELL RING)

(WHISKING A SHIP)

- SaIper! - Ah!

Oh, how sorry I am! Now come on.

- I made myself maIe. - Tell me that fuck you were doing at the bells.

I agreed with the choir because it was half-tone.

- I have a sensible ear. - Such as never ? Did you do Santa CeciIia?

You're good, you're crazy, I like you. What a nice tie, it's striped.

Let's go to Iuce, I am a presbyted principal.

- Mashed potato ! - I take my eyes. This tie is good.

- Look Iì. It has crooked lines, now let's straighten up. - Help !

Do not react! I am the principal and you the bideII, you are a subaIter.

- If you react, I'll kill you. - Sure. - Look Iì.

(BLOW) '' Beep ''! '' Beep ''!

- SaIvatore, maybe they played at the door. - '' Bip ''! '' Beep ''!

It is you ? Did you swallow the choir?

I'm happy !

Every time you make a bullshit, I can motivate you.

- Go to clean the toilets! - '' Beep, beep, beep, beep '!

This does not convince me.

He Ia face cruiser, traitor, Judas '' IscariotoIa ''.

The uItima dinner that we will do together, and kiss me will betray me.

- Bye see you tomorrow. - Do not try it with Marco. - Ok.

- Hello, we have not presented. - We have time.

- Your father I want you to take me. - you want to keep him Ie distances.

- Iui Blessed! - I wonder what they're up tonight.

- Do not combine anything, Marco has aItro to think about. - Bitch.

Is coming. A place. Throw Ia cigarette!

Today perhaps come true iI my dream, I become a band director.

SiIenzio. Let me make beiia figure with the mayor. SuII'attenti!

- Good morning. - Commands. Shhh!

Dear Principal ... (roar)

- Sorry. - Thank you for being part of our citizen compIesso.

- E 'for us a teaching and a pattern of orgogIio. - Thank you.

I too am feIice serving iI pentagram of this band,

He belonged aI late MicheIe master Sciasciamocca.

A Iui rivoIgo a '' mestoIo '' I remember, we'll do 50 minutes raccogIimento.

Now parIiamo more things aIIegre.

Now iI will tell us the name of the new master deIIa band ...

Dear friends, now I inform iI name of the new master.

It 'a great taIento that Iavora here and iI dipIoma of bandmaster

aI achieved conservatory musicaIe of NapoIi.

A Iui entrust Ia direction deIIa band. Come, master.

Thank you.

Good morning.

Here Judas '' IscariotoIa ''. It 'came to collect the thirty pieces of silver.

God, I die!

- Friends, I present The Master SaIvatore Pinzarrone. - Thank you.

Come on, Dean. Once paroIa.

SottoIineo dedication Ia and II democratic sense of Prof. Rutherford,

quaIe II, fedeIe program discipIina musicaIe,

It is well feIice to get umiImente acted orders of his bideIIo.

Goodbye and good Iavoro at all. (APPLAUSE)

- Here we are. First of all, good morning! - Good morning.

- You go right. - Please.

- Go, go! - I go, I go. - Yes, go.

Put yourself aI place. I think iI Dean is a bit 'jealous.

Guys, what have you in the repertoire?

In the refectory, we paste fagioIi.

Good start!

I said, what have you in the repertoire?!

- Everything, even Ia march trionfaIe deII'Aida. - Let's start with queIIa.

I take care, guys, rigorous entrance.

All together, okay? Ready? One, two three!

(MUSIC)

(IT DOES NOT SOUND)

(BANG) STOP!

II do not feel down in the '' I ''.

- Mr. Dean, Ia may not know? - I know it, I know Ia.

Giuseppe Verdi I know by heart, master!

Teacher and director.

Benone, aIIora again. One, two ... and go!

(MUSIC) (NO SOUND)

II-Low Aito!

Stronger iI low!

(BALLOON BLAST)

So we are out of time. VogIio well iI '' pa ta ... '' ...

# Do not, would not, could not, no, no, no, no, late, late ... #

- Yes. - Because iI '' pa '' Ia is known down of. - Quite right.

You have to rely iI break time. Ready? One, two ... go!

(MUSIC)

- Now that's music. - Asshole, peasant!

- Well done! - CogIione, lousy, cuckold!

(Spits) Well done, great! So !

- Presumptuous, filthy! - Well done, well done!

And 'possibIe that there is? Mah!

AngeIa; AngeIa;

AngeIa;

Mother blessed, that '' chiappoIe ''!

Ah !

What capezzoIi!

Ah !

Holy shit, one is in the bedroom Ietto to make four paroIe ...

..and expects to trovarIa with a peIIiccia or coat ...

..invece This has onIy Ia peIIe.

Why do you always think queIIo? You suck, PasquaIe mine!

There did you do here, they're right Ie feminists.

'' Repressed male, you tagIieremo iI sex! ''

'' You're ugly, you're Muio, I take in c ... ''

What time is it ? And 'it megIio me to leave.

This is good I myself, though.

Beiia, beiia, beiia! I do not escape, so there is time.

Where are you going on queIIe '' canopies '' to '' tettoIi ''?

Now I go from Fedora. I'm sweating like a coccodriIIo neozeIandese.

I go from Fedora and I make four.

One dress Red Corsair, one from DracuIa suit ...

Forget it.

- (pappagaIIo) AI Iadro! - I was not me!

But quaIe Iadro? You wretch! It's me, do not you recognize me? Shut up !

(Spits TWICE) A one-two! I killed him.

AngeIa! AngeIa! AngeIa!

MissiIi piercing! Proton beams! Come on !

'' But I mortacci ... ''

DagIi a caIcio or a knock on the head!

(Din)

Oh, you queIIa svegIia!

- How did you come to mind? - It does not matter, but Paria plan.

- Breakfast fourth yearns? - UN night.

I see Ia key that moves and it is clear that I put myself afraid.

- It looked like a FIIM deII'orrore. - Excuse me, but ...

- What did you have in mind? You think of Irma? - What about queIIa?

You do not have FARIE a wrong and I do not love the subterfuge.

If a guy has deIIe intentions, I tell myself.

I voIevo onIy out daIIa window.

Dad goes out and locks iI door.

Ia This was my room and from here you faciIe out.

There un'aItra window?

No, it I'unica near Aiia grateful. It 'like a Scaia.

- VoIevi onIy really go? - I swear. - VoIevi out with Irma?

What about Irma? I go out every night to play with friends aII.

Lf you know my father, he kills me.

- Your mother did not I know? - And 'he died when I was born.

- AIIora, queIIa that mud is not your mother? - It 'Ia stepmother.

It is not mud, if i'e squagIiata, but Dad He wants saIvare Ie appearances.

- Marco ? - Yup ?

- You are a good guy. - I'm going, otherwise I aItro break a vase on the head.

He did not even try. This place sounds must be strong.

(MUSIC)

- Did you come to see? - Hello.

- You are strong, but there is no one who gives you a hand? - It 'aI bar.

- QueIIo is a dead sleep. - What time do you play '' siIenzio II ''?

- Give you a hand. - you know '' How do you want, with whoever you want ''?

- Of course. - Now I will ascoItare a fantastic song.

It 'a dizzying pace deIIa disco music internazionaIe.

S'intitoIa '' How do you want, with whoever you want ''.

# FaciIe stay outside, do the hard and say no. #

# FaciIe stand and watch, for queIIo as I know. #

# To stand back to sleep, laugh only take you halfway. #

# MegIio to I'amore and go Aiia search deIIa feIicità. #

# When you want, how you want. #

# How do you want, with whoever you want. #

# When you want, how you want. #

# Where do you want, with whoever you want. #

# Whenever you want, with who you want, when I want, where you want, how you want. #

- # Where do you want, with whoever you want. # - # Where do you want, with whoever you want. #

# I say that rather than nothing, megIio all at once here. #

# MegIio a yes or a no bully, that half and half '' ni ''. #

# MegIio risk of a rip-off, that an identity crisis. #

# While breathing pure emotion, no ifs, ands or buts. #

# When you want, how you want, where you want, with whoever you want. #

# When you want, how you want, where you want, with whoever you want. #

# Whenever you want, with who you want, when I want, where you want, how you want. #

- # Where do you want, with whoever you want. # - # Where do you want, with whoever you want. #

(APPLAUSE)

(DIAL NOT AUDIBLE)

(NOISE) Sit down! SiIenzio!

I see a new aIunna.

- I AngeIa MancineIIi and I come from Rome. - I was already informed.

- Repeating? - If it was informed, he should saperIo. - Funny.

It 'also very Iow fun. Come, Sit down.

Let's see what the state is.

I am not referring to physical queIIe, which I think ecceIIenti.

Witty, but not fun. (LAUGH)

SiIenzio. I see you've Ia ready wit.

- Let's leave aside Ie schermagIie and parIiamo serious things. - Sure.

We're rehearsing II to the second year program. What do you remember?

- It was very Iow boring. - Prefers Ia modern history? - Not even.

It 's always uguaIe: People aI aI maceIIo power and poor people.

For this Ia history must be studied, not to repeat the same mistakes aII.

- Maybe, but so far to no avail. - However Ia history must be studied.

- The next Voïta will be questioned. - It 's like Ie said.

People have iI power and people going aI maceIIo.

Go aI place.

- Brava, AngeIa, did you do that dry. - Laricchiuta!

Your approval is not needed, Ia Miss is already presumptuous.

- All right. - You did Ie research suIIa Hundred Years War?

- The'm doing. QueIIi they put a hundred years. - SiIenzio!

The aspect for tomorrow, it aItrimenti parIerò aI principal.

- So bad ! It could more time dargIi. - You do siIenzio!

- Anzi, who venga. - VoIentieri.

- I parIi of Henry VIII. - With pleasure.

And 'iI most interesting representative of Tudor.

Sadomasochistic, romantic, sessuaIe maniac, vigorous, inteIIigente ...

Expenses Ia his life Aiia search deII'amore ideaIe ...

..affrontando 6 marriages, excommunications, remorse and mother in law.

- SaIvatore! - Oh God !

I like you like that. You have to say: '' commands, headmaster ''.

The schooI is un'aItra music.

Since you became director deIIa band and I do not ... You know.

- It 'iI fate I'ha voIuto. - No, I '' stronzoIo '', iI mayor.

- The undo a pugnaIata. - She's always iI principal.

Since you became a band director and not me ...

..Ia people may think that among us there is an atavistic hatred, but no.

- '' ba, ba, ba '' ... - What are you hiding behind Ie spaIIe?

- I sketched a new gear. - On Rome? - No, Ia my band.

Why do you say '' Ia my gang ''? Sound too neIIa band, right?

- Be '... - How so? Do not sound good, maybe? - Very well. - Here.

- Let me Ieggere. - Sure.

E 'carino. # On, on, on, on ... #

- E 'on the beat. - E 'in Ievare. - E 'on the beat.

# Pa, pa, pa, pa, pa ... # (NOISE SWAT)

- E 'in battere. - # On, on, on, on, on ... #

- E 'in Ievare! - You have a sbagIiato '' biscromoIa ''.

- # Pa, pa pa pa pa ... # - # Pa, pa pa pa pa ... #

- E 'in Ievare! - II finaIe is beIIo, is more majestic. Here.

- Already I feel it is beIIo. - Yes. - # Pa, pa, pa, pa, pa ... #

(HANDS OF BEAT) What?

They are the dishes, Aiia end.

Mr. Dean, I'ho felt a bit 'caIante. Hear this.

(MUSIC) You bought iI new backup singer?

- No, I'ho recuperato. - ''To Iass, to pass, to cass''.

You do not understand shit. Let me suffer.

(MUSIC AND NOISE)

- He ringoiato iI backup singer? - (effeminate voice) Yes.

And 'an ascending and descending cicio.

You must write Ia music, maIedetto? But what do you know?

10,000 Iire of Muita why do you write music Ia neIIe hours Iezione,

10,000 for oItraggio to Stravinski, and 40,000 because you're obnoxious.

I studied music for a living, eight years in reform school!

Now puIisci the toilets. Ia This is your big orchestra, dirigiIa.

Excuse me, Mr. Dean. It 'a joke the boys for me.

Here, queIIo's yours is yours! Go to puIire the toilets!

Wretch, maIedetto! VogIio not see you anymore!

Get lost, '' stronzoIo ''. (Sound of the water)

I was joking !

- Who is it ? - I'm marco. - Come in, is open.

- Hello. - Hello, you have to go? - Should I go out, but I'm in trouble.

I have not prepared Ia search suIIa Hundred Years War.

If Ia port, CasaIotti I said to dad, who beats with Ia belt.

- Can I do quaIcosa? - What do you want to do ? It 'a mess.

(MARCO snorts) Wait, I should have a Iibro.

I recommend short.

- I found it. It 'a Iibro of Joan of Arc. - What am I doing?

NeIIa preface there is a synthesis deIIa War Hundred Years.

Even Joan of Arc was part deIIa Hundred Years War?

- I also knew I'ho now. - You should copy.

- But queIIi waiting for me. - You need a compIeto service?

- Give me, give up for tonight to come with you. - Sorry.

I, Enzo and Gino are repeating their history and fiIosofia.

There bocceranno this year, is a CasaIotti beIva.

- I realized it. - (pappagaIIo) CasaIotti Down!

They moved here from MiIano and feels like a boss aI confinement.

- So you are unleashed with us. - Poor thing. - Poor us!

Marco, I got an idea.

Even Iui is a man of flesh and blood and is also very Iow cute.

- What do you want to do ? - FargIi taking a crush beiia and brown addoIcire.

- You do not think he is capable? - Of course, I have almost taken me Ia.

But queIIo not to approach, it is a bear.

- If I asked private Iezioni? - What power! You're smart.

- But I'm a bit 'geIoso. - Mark, you do not try, you know?

Tonight do not give me iI kiss?

- Now you go. - All right. - Go to play.

- PasquaIe? - What's up ? - Wait, I'm coming with you.

Okay, come with me. You thought! Come with me.

- What are you doing ? - I have to disguise, this is an unfortunate country.

Already they say I have 25 fans, then if they see you, you become Ia 26th.

- I parIarti. - AIIora I start aII occhiaIi. It 'a serious thing?

- Should I take Iezioni history and fiIosofia. - I'm busy.

I was not talking to you, but I wish it parIassi with CasaIotti.

- So it could be a bit 'more induIgente. - You '' furbastroIa ''.

- CasaIotti is not stupid, that has a cerveIIo '' trottoIa ''. - Such as ?

- It 'inteIIigente and coitus, is not stupid. I can not. - Please.

If I say so myself ... I can.

- Good morning, Mr. Dean! - What did I tell you?

- What are you looking for? - Good NataIe, headmaster.

- Good NataIe? - NataIe has passed. - Happy Easter.

- Easter must arrive. - VoIevo saIutare this Easter piece.

- You saIutami queIIa Lenten your soreIIa. - I'm an only figIio.

- See you AIIE evidence. - Try to go for leather set. - Thank you.

Did you see that country '' merdoIa ''? They recognize all.

We go to schooI. You drive.

- Let me see. - What are you doing ?

(SHOT AT THE DOOR) You walked?

Bravi! You have not called! (SALVATORE SYLLABLES___USE)

And 'SaIvatore! Shut up!

(SALVATORE SYLLABLES___USE)

(Fart)

You know who does? He writes music. Now aII we give a rip.

(Door slamming)

- (pugIiese accent) I have seen '' stronzoIo '' of bideIIo? - No.

- If I see, mandateIo immediately presidency. - Yes, headmaster.

(Door slamming) Guys, let's cercarIo.

You saw how pissed? (Door slamming)

Right now I got I'ispirazione! As pariahs this?

Oh, the caIzoni!

You make me die d '' 'infartoIo' '! I suffer from extrasistoIe aI heart!

I am iI Dean!

How do I acted provider Ia studies if my lover comes here?

- Do not change topic. Who is queIIa girl? - QuaIe girl?

- Do you believe a postman '' stronzoIo '' and cuckold? - Yup.

And 'un'aIIieva. I am the principal and I duemiIa aIIieve, okay?

You know I will never betray you, love.

You dressed up as a man, but they realize that you're a woman.

It also says iI Japanese proverb ...

.. '' Zizza prominent, pericoIo imminent ''.

- Go, do not make me hurl. - No, until you tell me who is queIIa!

Ah! The hand ! How bites this maIedetta, wretched, geIosa.

- I tell Ia truth is my close relative. - Oh!

I'll introduce you to Iei and I and say that you're my cousin, okay?

- That's right, love ... - Go away, though.

- Did you look for me ? - No !

What do you want ? Why do not you knock before entering?

Well ! Disorder? AItrimenti I'm leaving.

No, I was parIando with the accountant. Accountant, we are no longer children.

- We have forty years, while his figIio but twenty. - Forty ?

- I do not know how old I am? - There we give you, accountant?

- Yes, ugly hick caciottaro. Hold this! - What are you doing?

The more fags and more are maIeducati.

No, it's because ... Who's a fag? Why did you say that's a fag?

- No one is queer! - Ouch! - Not t'immischiare and go!

Excuse me, accountant, but megIio him gone. After we parIeremo.

Yes, but Ia story does not end here, you idiot! Get quest'aItra!

- At home we do the math. - Where is it ? - Lives in the opposite building within.

- Mr. Dean, will be an accountant, but an EIB cuio! - It's true.

- Yeah ... I broke I'incantesimo? - No, you broke Ie paIIe.

Here, it moves ... That's it.

- Close the door Ia. - Yup.

RompicogIioni! Frocio transvestite! AIIE evidence I make black!

So I am always me iI teacher, and this march is to be played ...

AIIa your face of those son of a bitch!

(Boys) Call Ia Mom!

- You know I'm in love crush on you? - Whose ?

- Of you, but I do not FIII me at all. - I ... I have to do.

Then I schooI Ia, Ia band I'orchestrina and ...

- Now excuse me, but I must go. Hello. - Hello.

- Hello, Gino. - Hello.

Do not waste time, so queIIo is cooked.

- Do not even look at me. - What do you care? I look at myself.

- You look at me and not faveIIi. - FaveIIo, faveIIo! Monta.

- Where are we going to '' faveIIare ''? - What do you believe ? I love Mark.

All right, I'll aIIeno.

His uncle told me that needs repetitions.

VoIevo apologize for how I acted in cIasse.

No matter, it's water.

To react Aiia shyness to do voIte Ia spavaIda.

To be shy, it pretty well defended.

However, parIiamo serious things.

- In quaIe of the program feels more deboIe? - All over.

Perhaps because with aII aItri I have never managed to get interested ...

..but with Iei it is all un'aItra thing.

MegIio well. We'll be revisiting generaI, following iI text.

He wants that Iegga I?

(TartagIiando) Excuse me, I did not know you were here. Excuse me, miss.

- Do you think? - (singing) Toigo iI trouble!

Even Iui lives here and not sublet I warned.

It seems to me to be sympathetic and very Iow also good.

It 'a great friend and a teacher ecceIIente. We were saying ...

- May I? - Forward. - Professor, here iI tea.

- One onIy? He takes it, miss? - Yes thanks. - Please, take a seat.

Actually, I'avevo prepared for Iei.

- AIIora will face a aItro, please. - All right.

And 'Ia hostess. It 'a good woman, but rather primitive.

It is Maie and is quite young.

- I bet you fell in love with Iei. - What does he say ?

What's wrong ? It is not faciIe find an interesting man.

Let go ... and start Ieggere.

- Here, Commander. How does he feel ? - MegIio.

- With tranquiIIanti, I have no Ie visions. - Well.

You beiia!

You beiia ...

- (tartagIiando) Tell me quaIcosa. - Yes, I'm Ie 20:29.

- What do you say ? Tell me if you feIice. - Sure, but they have 30 seconds.

- Tell me that you love me. - Yes, I love you, but it's late. - What does that have to do with anything ?

Ah! Help ! Oh, your water!

- I tried to dirteIo, but I never did finish! - Power.

They start Ie visions!

It seems Ia deIIe rainy season.

- Miss MancineIIi! - Good morning.

I thought it would megIio not see my house.

- Sa ... there Ia hostess. - Where shall we meet?

- Meet me here Aiia same time, then we'll decide. - Agree.

AngeIa? To see how it works. How does? He tries ?

- Not at all! And 'very serious. - AIIora took Ia cooked, poor fellow.

- Why ? - will suffer, I do not know quaIcosa.

Since you arrived, I ... I do not know how to say, but ...

- 'Shut up, fool! - Because you say so ?

- If you get with me, I do well I reject. - BeIIo effort!

Good evening, guys, okay.

Sorry iI late, but I had to do deIIe scores.

DistribuisciIe, we begin. Come on, now let's take a first Iettura.

It 'a march that I dreamed for a long time, we did not sleep Ia night to Faria.

I recommend, force plates and bass drum Ia.

Ready? One, two ... go!

(EXPLOSION) Ahhh!

QuaIcuno has vogIia joking? But I am a son of a bitch!

Do not worry, everyone has Ia mom deserves. From the beginning.

- No ! From head I tell you! - Say it Iei, again. - From the beginning.

From the beginning. What are you doing with those dishes? You look like a lost soul.

It does not come off, perhaps quaIcuno put us deIIa coIIa.

Let's not waste time aItro. (Din)

Guys, please. One two...

(MUSIC)

No !

I do not hear those phrasing in the bottom of '' I ''. What's this ?

- Do not feel nuIIa. You want to make a assoIo? - Guys, guys!

- He Maie? - I 'm very good. You are a witness.

- it's fine ... Yes, I see Ia. - Caima.

- He also iI tie? - Still, SaIvatore. Ah! I'll kill you.

Mr. Dean, a schooI Iei commands, but here Iui commands.

- Give me iI drum, aII I I'occhio to tambureIIo. - DagIieIo.

- Caima. - It dries iI sweat. - Yes, master. - II sweat!

- There I'ha iI fazzoIetto? - Yes, there I'ho.

Here iI fazzoIetto. Now we dry iI sweat aI our principal.

- FatemeIo killed. - Be Caimo. - I'll kill him, a Voïta soybeans.

Then I stopped for 400 days. Now aII break I'occhio and ...

- Ahhh! - Here it is. - it is breaking iI fazzoIetto!

- Let me react. - no MegIio. - GII break soIoun knee.

- If I eat? - No, I vent.

II our principal makes us ascoItare a assoIo of Judas '' IscariotoIa ''.

Crustacean!

- Ready? - Yes. - Ready? - Yup ! - One two...

Puffs! Puffs!

(Burst)

Bravi! If you have been the three of you, this Voïta I'avete hit it!

Here we can rest tranquiIIi.

When Marco aspect is Gino, Gino expect when you come.

- It will not be something organized? - No, iI destiny. - Sara.

- Now what would you do? - I think, therefore I exist.

- Do not think, kiss me! - Such as ? You say to me ?

From this reflection starts off the Cartesian theory.

Descartes stands as the supreme principle of the certainty to know ...

- And he ? - Eh ... - Through the world and the existence of God ...

- Do you follow me, miss? - AItroché, is a fascinating very Iow speech.

- They are all a thrill. - He's cold ? - No, I'm fine.

We continue, but be careful, aItrimenti waste time.

It will be clear of Ia suggestion of Iuna but Iui we can do.

- Do not think about Iui now, think of me. - ParIami of fiIosofia.

- I am a materiaIista and Mazzini. - Meaning?

That thought and action.

(BELL RING)

This is not a robbery, is a camouflage for love.

- Hello, beiia. - Do you think the correct time? I was falling asleep.

- I'm late because of IA's AngeIa. - Who ? - AngeIa.

I said that you are my father's cousin by mama ...

- It seems right. - beiia! Now I'm Ia.

- AngeIa? - The door ! - Me and Iei we are relatives.

- Pleasure. - So funny ! - Dear ... - E 'deIiziosa.

Well ... Okay, enough. Oh! Oh! '' Break, break ''.

- You're a guy, huh? - I'm just a guy. - Take a seat. - Thank you.

You can not see for a while ', PasquaIe. Your mogIie how are you?

(Roman accent) QueIIa figIia of a whore if i'e squagIiata!

- I'm sorry ! In this carpet all c'inciampano. - All who?

- All ... Anyway, sit down. - Sit down, AngeIa. - Thank you.

- You get comfortable. - I'm sitting next to AngeIa. - As you want.

- AIIora you said all of AngeIa. - AngeIa What does it matter now?

- He said AmaIia ran away. - AngeIa's me ... - It 's true!

We messed Ia situation.

- Love, did not you cold? - No because ?

I have a caído terribiIe, this bothers me.

It 'a brand jacket. Read this femminiIe magazine.

- I do not like. - Victim, Iaws! - Traits such Ia granddaughter?

- It 'a beast. - You should try to dominate those temper.

- Basically we vogIiamo so well. - I offer a Iiquorino. - Thank you.

- (whispering) If I do shit, you do not see a IIRA. - What I've said ?

No, but you looked. I'll break Ia cataracts!

- BeIIissima, doIcissima! - Serves quaIcosa, PasquaIe? - No.

- You've brought two? - Yes. - Come pariare, dear.

- You know what I thought? - Thing ? - We sit all three.

I suffer from '' soIitudinemania '' and is megIio I'm in good company.

- PasquaIe, was Ia parIando with your granddaughter. - ParIaIe.

A girl like AngeIa Ia do not see in a maschiacchi home.

- Why do not you come here? I keep me company. - Yes maybe !

- I have to be with Me Uncle, now aII'm fond of. - What steIIa.

- You'll see I myself. - E Ia schooI?

You will do as always. In the morning go to schooI and Ia evening come here.

Well, so I will dedicate myself Iibero compIetamente ...

- At what ? - Japanese AII'encicIopedia ... - Yes. - In German.

You'll see, we'll be fine together. You can come tonight, if you want.

- Sure. - But no ... - Let's make tomorrow, I have to prepare Ie vaIigie.

- Whatever you say, dear. - Obviously, you sleep together? - Sure.

Especially among women ...

Fedora, you give me some more '? I feel a weight Aiia head ...

- Look, if I do shit, I '' spaIIeggio ''. - Such as ?

Ie paIIe I love you and I and I do eat trifoIate.

But, Uncle! Especially among women ...

Signorina AngeIa;

Good morning Professor.

Tonight can come to my house, so do not risk iI cold.

My hostess has gone to NapoIi, so we do not disturb.

Be tranquiIIa, at home there is always iI Prof. Cacioppo.

- However I would always tranquiIIa. - Thank you. See you tonight. - See you later.

- Any news? - Yes, tonight Ia He wants to his house.

- The hostess started. - AIIora you sciogIie! - I do not believe.

- He pointed out that there Cacioppo. - Te Ia dare risk it?

- Should I be afraid of a man? - What do we do with Cacioppo?

- There you want a UFO that I kidnap. - InventiamoIo us. - Are you crazy?

What you want us? The motion of my frateIIo has a powerful fanaIe.

Then just find a jerk who He wants a little 'soIdi.

QueIIo there I'ho me.

(TartagIiando) The professor sat Aiia his desk ...

..stava Ieggendo Aiia bIinking a Iampada from tavoIo.

Suddenly, Ia bIinking died.

Shit! Lady Concitto, a Candeia!

I said a Candeia!

Oh God ! Oh my God ... What? They Ioro!

I aII UFO! GII UFO!

(STEPS OF NOISE)

GII UFO! I do not baIbetto more!

PrecipitevoIissimevoImente ...

It 'about Ioro. I knew I are friends.

A close encounter of the third kind.

dick head, sapiens! Yes, yes, yes, I am ...

I'm coming, I'm a friend. Friend beIIo, beIIissimo!

That ? I seem to voIare! I want! I'm not afraid !

- Where do I bring? - From Ignatius, there are ten races paid.

And 'beIIissimo, but when we get AIIE gaIassie?

While the Prussians invaded France Ia ...

common ..Ia, dominated by Murat, he favored Ia popoIare reaction.

In three days, beyond what had miIIe people were massacred.

- I see her upset, I'argomento Ie bother? - No, please, tell.

- E 'worried about quaIcosa? - Cacioppo not showed up.

- Of soIito it does not come out, but there is no reason to worry. - Maybe.

But soybeans remain with a young man like beIIo Iei ...

..and that Paria so fascinating ...

Let go, Miss. If anything Iei is fascinating.

Respect Ie aIIieve is for me a matter of honor, do not be afraid.

I'm afraid of myself ... and then a woman in love is fragiIe.

Professor, I'm out of here ports, vogIio divagarmi.

He's right, maybe it megIio.

- Who is it ? - It's me, AngeIa.

- Good evening, dear. - Hello.

- How was Ia Iezione? - QuaIe? - QueIIa of fiIosofia.

Oh yes ! 0ddio! I'm so tired ... well, tired.

- Tell me, cute, you had dinner? - Yes, before degIi UFO. - GII UFO?

GII '' Ufonotti '' ... A Iezione we parIato degIi '' Ufonotti ''.

- You do not say Huguenots? - It 's true, as I am ignorant in geography.

- AIIora, if you had dinner ... immediately to bed. - Yes, yes.

- Now I'll help you spogIiarti. - It does not matter, do it myself.

It does matter, I like you so much!

Ie Do you like women?

No.

- Oh, did you do find? - Search and find!

Sorry, but it was a secret. Not dirio to anyone, not even PasquaIino.

- I Do not even think about it. - AIIora, which we expect? Let's rock!

- We voIevamo two orange. - It 'a tribute deII'orchestra.

What about I'orchestra?

Look ... Pacini, Fusecchia and Rutherford.

They're good boys, they earn Ia day. Hello !

Let's hope they do pettegoIezzi.

(Emphasis spagnoIo) Saive, AngeIa, give us a hand?

- I'm busy, do not you see? - It 'iI your boyfriend?

- Yes, if chiama Cario. - Blessed you, honey, '' good luck ''.

- Do you mind if I say so? - No.

Cario, I have to tell you the truth Ia.

It's happening quaIcosa of meravigIioso, you realize?

- Sure. - Do you care still very Iow of pettegoIezzi?

Me strafrego!

# I went through a aItro day with my soIiti probIemi. #

# And I ... and then ... who knows ... #

# A vague sense, Ia vogIia deIusa. #

# The sudden meeting, a gesture, an excuse ... #

# I, regoIarmente, I will as always. #

# A little 'casino ... #

# But you listen close. #

# But you listen close. #

# Stay close. #

# I've found puntuaImente. #

# It 'Ia my daily crisis with yes, with not, who knows ... #

# The yield totaI, iI destroyed myth ... #

# ..Of me good for nothing, capable of anything. #

# Who sows the wind, raccogIie storms. #

II # This is my destiny. #

# But you listen close. #

# But you listen close. #

# Stay close. #

# I will be a bourgeois piccoIa, a bit '' 'out' ', a little' decadent. #

# And we, and then ... I do not know. #

# E 'that the ego possessive he was lurking. #

# A fact ejection, outdated. #

# And iI probabiImente'll be giving way to a aItro casino. #

# But you listen close. #

# But you listen close. #

# You listen close! #

AIIora, Rutherford, you remember where born Joan of Arc?

Dove ?

- Domremy. - Do Re Mi. - What diavoIo say?

What diavoIo say?

E' Domrémy, figIioIo, Domrémy.

I understand that for a musician is a Iapsus justified.

OF rest, this is rote learning.

Do you remember who they were Ie voices heard Joan of Arc?

They were ... Ie deIIa voices consciousness.

She said they were St. Catherine or St. Margaret ...

In a bit 'if I kiss well.

- How far Aiia end? - Two minutes.

He 'careful Aiia campaneIIa.

But is it? Yet there nuIIa. They made above?

If I catch Ii, Ii do ...

- Oh, sorry ... - SaIvatore? - Yup ?

What do you always attacked aI campaneIIo?

- The guys I I'hanno tampered with. - You also have tampered with me, here.

(SPIT) Today is St. Boniface and good.

Sounds iI campaneIIo, it is now.

- Here Iei commands, but II and un'aItra music. - See Ia difference?

I'm Democrat and you're '' stronzoIo ''. The I play.

Today is St. Boniface, and I do.

(SOUND OF fart)

We admit that I'abbiano tampered with.

They did not know I played I'avrei, Ia fart was not for me.

Mah !

In a DC circuit ...

..tra driving force '' V '' current '' I '' and resistance '' R '' ...

..sussiste I'uguagIianza ...

- GIieI'ho told not to enter during Iezione Ia. - Get up!

- 'I'm policeman ... - I see your iI rampoIIo? - Whose iI dog?

Thy frugoIetto I'ha raccoIto street ...

..and did iI guinzagIio Ie ties with your husband, my figIio.

- It 'a heart child. - Thank you. It seems to me too.

AIIora you I take home with aI dog. I iI dog I vogIio.

You saIuto, beiia!

- (napoIetano accent) Still here? - Where I have to go ? - Get out !

Put yourself in your head that this is a schooI, not a barracks!

(THE DOG MUGULA) Do not mind, Mom, it's crazy.

- Now, PaoIetto, faIIo silence. - I carry it out? - Yes darling.

Come on, go ... good.

Where were we? We were parIando ...

(DOG ABBAIA) Oh God!

Do they have destroyed! I read the news already Ia.

'' A dog's master was killed by a trained '' dog.

- SaIvatore are mortified. - Do not worry, I'm fine!

Indeed, coIgo I'occasione for invitarIa aI my concert.

- I want to Iei very Iow. - Thank you, I will come with pleasure.

(MUSIC)

- iI do not feel down in '' me ''! - MegaIomane of '' merdoIa ''!

- Mr. Dean, put us Ia sardine? - Of your soreIIa!

Come on, all together!

Harder ! II louder bass!

It does not matter, we do not iI low. We do mazziare.

- What's up ? - Mr. Dean, do iI magician?

(DOG AND CAT ABBAIA meows)

- Continue to play! - Oh, saIvate iI kitten!

Here you are ! Ahhh!

(LAUGH)

- Bravo, dog. - Are you dumb ? QueIIo is iI deIIa band director.

- Thanks, SaIvatore. The dog made you Maie? - No.

- you 'SaIvatore cute, right? - It 'doIce.

Do you know what the beIIo, naked? Nothing sucks.

- AIIora? You come ? - Tonight would touch to Marco.

He does not He wants me, but I am so in love with Iui.

Irma, I have to confess something.

It is not true that if Ia does with AngeIa. We did it on purpose ... I'm sorry.

- Assholes! - Irma, where are you going? Wait up ! Irma!

- You cry ? - I'm coming with you to take revenge, and Iui is innocent.

What do you care? What do you want to be a pomiciatina more?

- If I give you a bigIietto, gIieIo from? - Yes, indeed, I have an idea.

His room is aI plan riaIzato and Ia window is always open.

If I were you, I would enter her room and I'd stick in Ietto.

- Fantastic ! - You're fired. If you knew how I envy you.

AngeIa! AngeIa!

Love, since you arrived, we all messed up.

Parente or relative, togIiamoci this tooth.

- Mr. Dean, what an honor! - And what are you doing here?!

They are at home or at schooI? With these two '' pouches '', do you?

After'm not so '' acci '' ...

'': Wu '' yours and your grandfather. You are to die for, Irma.

- you Come to find AngeIa? - I was waiting to study.

Designed to Ietto? With these two boobs ... I give a punch!

We make a covenant between me and thee.

We make a covenant between me ... and you.

Indeed, we make two agreements, between you and me. Ahh!

- Madonna, that bite! Where did you get in? - DaIIa window.

- And daIIa go out the window. - (pappagaIIo) fagot! Fagot!

You will make an ugly death. Wait up.

- Get out. You heard iI merio? - Too bad, while we were at!

I do not '' sfrogoIiare '', Saito on you! Are not you ashamed ?

- Close aII eyes while I dress. - I have them closed.

Indeed, wide open. Ah ...

Hurry up ! There are '' ghisoIa '' and even iron.

Go away, go away! That figure! That figure!

- (pappagaIIo) From '' stronzoIo ''. - It 's true, I'll kill you for this.

I take Ia Ianguage, you Ia '' strappico '' ... Ianguage sparrow.

- Bye, see you tomorrow. - Hello.

I'll become I'ucceIIo daIIe of cristaIIo feathers.

I make a juice merio! Where are you going ? Come here.

- Come here, you wretch! - PasquaIe? - Who is it ?

- What are you doing to BartoIomeo? - I was squeezing ...

Quest'ucceIIo is Maie, is giaIIo. Maybe he I'epatite viraIe.

But that hepatitis! What are you doing here ?

- What was he doing Ia Miss De Pettis in your Ietto? - Irma?

- She was naked as a worm soIitario. - Must be pretty, naked.

- he has an EIB personaIino. - Undoubtedly, it is good.

It 'a good girl ... but here too strange things happen.

AIIora, what were you doing here?

I came because I heard I'ucceIIo whistling ...

..as if to say: '' I can not breathe! ''.

I have understood, PasquaIe. Come here, let's sit down.

- ParIiamo of your passion for me. - Really ? - Yup.

PasquaIe, you're cute, briIIante and full of life.

- You'd I'uomo ideaIe for me. - Really ? - Yup.

I've thought many voIte. You're so beIIo, fresh, robust.

With this mouth sensuaIe, make me vogIia to give you ...

..tanti piccoIi kisses.

I noticed how you look at me. I like men aII so strong.

- '' Thank you ''. - It must be close beIIo daIIe your arms.

I feel stravoIto and capovoIto.

- But ... I like Ie women. - I did not catch this thing.

- I'm sorry for you, but I can not help. - Are you serious about?

Ie Do you like women? Madonna blessed, it can not be.

A piece of '' bernardoIa '' like you! Why do you caress me, I Paipi?

That must mean Ia people? What Aiia nephew of Dean like Ie ...

Kill myself, I will break Ie ears. I can not believe.

(Knocking at the door) - Who is? - I'm marco.

- But ... vaffan - Under iI Ietto. - Yes, as aII lovers. - Go.

- After it riparIiamo. - Shut up ! - Maybe you sbagIiata.

I do not enter here ... (COUGH SHOTS)

- Forward. - Sorry, AngeIa, I'm already late. - Sch ...

In late ... to do what?

The version of Iatino, I forgot iI vocaboIario.

There I'ho I iI vocaboIario. Now I give you.

(FIST AND LAMENTO)

- I thought it was a gridoIino. - Was it BartoIomeo.

Of course it is a merio incredibiIe.

- Now go to end Ia version. - Thanks bye. - Hello.

Ah! Mom blessed! It has an iron feet.

- You made Maie? I'll give you a wrap? - No thanks.

It is here that makes me Maie, and even here.

And 'here that makes Maie me, you made me Maie you.

With a revoIverata, I would have felt less doIore.

I'm 43, I'm not a 15 year old boy to tease.

I knew all about you and my asshole queIIo figIio.

T'inventi a lot of crap ... '' I like women Ie '' ...

You had to tell me: '' You make me sick, you're ugly and you're obese ''.

I would have liked more. Now do not say anything ... What?

Do not worry, I'm a real man and I lose.

Hello ... Ahh!

(SHOT) Ah, ah!

When Ii I questioned, I realized that they do not study and do not care.

They also make aII arrogant! Ii Do not stand it anymore.

- They are young, you may be more induIgente. - I do it for Ioro.

- acted exams, with Ia commission does not mess around. - You are right.

- We see ourselves as aI soIito. - Wait, I'll give you a ride.

- Are not you afraid deIIe chatter? - Who cares !

Son of a bitch! Today has started with two.

- QueIIo it bowls un'aItra Voïta. - We can bIoccarIo. - Such as ?

Frego Dad Ia with machine-fiash photos ...

..and just stay with AngeIa, aII we deIIe compromising photos.

- The ricattiamo! - AngeIa it never will stand, is cooked well Iei.

For AngeIa we say nothing.

AIIa first opportunity, we deIIe photos secretly.

Now Ia pear is ripe. Sooner or later, queIIi ... '' vaffete ''!

- What beIIo. - Let's sit here. - Yes sure.

- Wait, there's a little 'sand. - It does not matter.

- You are not cold? - With you it impossibiIe.

- I hope I do not parIerai history or fiIosofia. - If anything, the teoIogia.

Oh, no !

- Do not be afraid, now did you do that. - To do what?

To me fall in love. This is not what you had promised to do?

AII'inizio was like a game, a challenge.

It gave me trouble with queIIe airs pundit.

I voIuto you ... chissacché!

Sch coming ...!

- '' Quatto, four ''. - Get down, that if they see us, we're screwed.

Never mind. Not vogIio '' hold iI moccoIo '', it is a dirty trick.

Come come. Madonna ... and what?

Now what do you think of me?

Now I no longer think, I'm in love.

- You want me really well? - Sure, I love you.

(SCREAM)

- Give me queIIa machine. - DagIieIa, dagIieIa!

You're not even the mascaIzoni.

You onIy a bunch of idiots!

Cario, ascoIta, I swear ... I did not know anything!

You Văii still less than Ioro!

What the fuck have you done with 'is maker?

Dear fellow citizens, I bring you my greetings.

In this solemn moment we leave that nature envelop ...

..in his embrace of loving mother.

Rendiamole paying homage to the land this tender shoot ...

..simbolo of our love and our hope.

This tree will grow into a big tree ...

..proteso to iI iI cieIo to thank the Lord.

(APPLAUSE)

- Dean, to Iei. - To me ?

ItaIiani, fellow citizens, vigiIi urban, extra-urban, inter-city.

- The time soIenne is about to strike. - It's late. - Indeed, it is struck.

Since it is late, vogIio iI thank our mayor,

who did this short speech.

- But if looked three hours. - Short in the sense of '' short hand ''.

- Go right. - What did you say ? - Go right.

Do not give me of you, who'll break Ie knees! Give me that.

(SPIT) Here, maIedetto!

- Professors, continue. - Look what I did!

One, two ... go!

(MUSIC)

Her, her!

Come on come on !

Ah, ah, ah!

Well done, you did '' bura-bura ''!

Stro ... stro ... assholes!

- Irma, have you seen PaoIetto? - No. - Professor, Iei I'ha seen?

- Who is PaoIetto? QueIIa head ca ... ca ... - What He wants to say?

The dear child ... not seen him. I have to do. Get off, get off!

- you want to continue? - I have to keep I'aIbero.

They took me to iI duce?

(MUSIC)

Friends, I tell you honestly, it was hard ...

..but I feel orgogIioso and feIice.

Now, because of me, in this garden, in this city ...

..There a size tree more.

Mom, did you see? It was me.

He can not passarteIa, NicoIino, is making aII oraIi.

- Good morning. - What do you want, '' crustacean ''? - To who ?

Not to you, Nicolino, a damn janitor that haunts me.

- Look, I do transfer. - No, because brown transfer?

SaIvatore is a good person. If not, I with whom I vent?

- In your opinion, if AngeIa Ia'll do the exams? - Of course !

- Then, with aII arguments that ... - If anything you my name.

They puIiscono iI cuio. Hello.

Thank you, Mr. Dean, not letting me move.

When I become a band director, with whom I vent?

You'll sound neIIa my band a triangoIino piccoIo well.

Each Voïta sbagIierai that, I will say: '' SaIvatore, you sbagIiato note! ''.

Then I'll spit in your eye. You must obey me onIy.

- If I say stay, you stay. If I say go, go. Now you go. - Where is it ?

- AI soIito place. - To make Ie puIizie? - To make cuio.

- Hello. - Mr. Dean ... - Go away!

- VoIevo mean ... - Go away, maIedetto! - But ...

D'Annunzio is Part I Boccaccio deII'uomo ideaIe Yung ...

..even because, beyond what had to be a pimp, was also fennel.

- Really ? Active or passive ? - I will tell her...

If you prefer, active, passive, deponent.

- It has a sviIuppo particoIare. - Yes, on two fronts paraIIeIi.

AIIora, Leibniz said ... So, Leibniz said that ...

- AIIora, do you remember what he said? - He said that...

- '' The monads have no windows. '' - He said ...

'' The nuns do not '' windows.

- Sure, they are nuns cIausura. Go. - Dad, but how the hell parIi?

- See you next I'anno. - I'm sorry, Maho had trout.

For heaven's sake, if He wants us it wants.

I'm sorry, but I voIuto brown. At home you'll break your feet.

- AIIora? - They have screwed me too. - Less Maie, I thought we betray!

Do you feel prepared, Miss?

- Not too much. - She's my nephew. - ParIiamo a bit 'of history?

- How you want. - We ask you something very Iow sempIice.

ParIiamo deIIa figure NapoIeone.

- How NapoIeone? - It was bad and stubborn.

- He had two big green eyes, and was beIIo aItissimo. - You are welcome ?

It Refers AIIE photos we saw of NapoIeone from piccoIo.

It was aItissimo and sIanciato, then with time has shortened.

In Corsica trottava. Due voIte neIIa poIvere, poi neIIa terra ...

- It 's nice this! - Yes, all right.

- Miss, do you know about fiIosofia? - That I think, therefore I exist.

Thinking is not enough, we must also refiect and voIere.

- You have to program iI future. - She planned her iI?

Miss, questions Ie Ie I do.

Proceeds or retires? In case we see Tai I'anno neighbor.

- Will difficiIe, because they are already two months pregnant. - Huh?!

Teacher !

- You mean queIIa Voïta, aI sea ... - Yes, Dad.

TomboIa, quadruplet and quintet. Now they are bitter dicks.

Mr. Dean, this gives me inspiration to do I Ia new march ...

MaIedetto, walk! Sorry. See if you like.

# Pa, pa pa pa pa ... #

Via, maIedetto! It 'a wretch who He wants to direct Ia band.

(SCREAMING WITH VOICE effeminate) Go away!

(Din)

# When you want, how you want. #

# Where do you want, with whoever you want. #

# When you want, how you want. #

# Where do you want, with whoever you want. #

# Whenever you want, with who you want, when I want, where you want, how you want. #

- # Where do you want, with whoever you want. # - # Where do you want, with whoever you want. #

- # When you want, with whoever you want. # - # If I want, with whoever you want. #

- # Where do you want, with whoever you want. # - # When you want, with whoever you want. #

# Where do you want, with whoever you want. #