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Zulu
Incoming impact field detected.
Adjusting course to avoid incoming
asteroids.
>> The mission does not care whether you
are afraid.
It does not care whether you are tired.
A good soldier never leaves a mission.
Not when it becomes difficult.
Especially then.
Understood?
>> Yes, ma'am.
>> Course correction complete.
Atmospheric capture unavoidable.
>> [music]
[music]
[music]
>> Atmospheric capture unavoidable.
>> [music]
>> Stabilization complete.
>> [music]
>> Come back for me.
>> [music]
[music]
[sighs and gasps]
[snorts]
>> Calm.
Breathe in for four counts.
One.
Two.
Three.
Four.
>> Kepler intact all sides.
>> Who am I?
>> Private Kale Arden, United States
Command. [music]
>> I don't remember that.
What happened to me?
>> Extensive autobiographical memory loss
detected.
>> Something no one can track.
What is this?
>> Omega authorization sequence carrier and
long-range military transmitter.
>> Authorization for what?
>> Sentinel.
Autonomous strategic fleet command.
>> Is the war still happening?
>> Yes.
>> [screaming]
[music]
[sighs and gasps]
>> I can't remember everything.
Only fragments.
>> You are experiencing a partial memory
response. You do not need to understand
it all at once.
Your breathing is stabilizing. Activate
the transmitter.
A recovery team could locate the capsule
and provide medical assistance. They may
also have access to the records needed
to help restore your memories.
>> Should I activate it?
>> It offers the best chance of recovery.
A good soldier never leaves a mission.
>> Ma'am.
>> Listen to me.
The USC has fallen.
The fight has not.
Activate it as soon as possible.
>> What happens when I do?
>> The fight goes on.
>> What are we even fighting? Are my
parents, are they still alive?
Why did I crash?
>> [panting]
>> I don't know more than you do.
Only that fragments of your memory exist
somewhere you can't yet reach.
>> [snorts]
>> What does it actually do, the Omega
sequence?
>> Once transmitted, Sentinel activates as
an autonomous strategic [music] fleet
across the galaxy.
It continues fighting the alien
incursion, even if no military or
government remains to command it.
>> What if I'm not supposed to use it?
>> The transmitter is protected by military
grade authorization protocols.
>> It doesn't make it feel safer.
>> It is not intended to feel safe. [music]
It is intended to prevent unauthorized
use. You would not be carrying it if you
were not expected to activate [music]
it.
Activation should occur as soon as
possible.
>> Come on.
It's not connecting.
>> A stronger connection [music] is
required. We need to get to a higher
point.
>> [snorts]
>> How much time do I have?
>> No fixed deadline [music] is available.
The war is ongoing. Every second
matters.
>> [music]
>> Still no sign?
>> Yes.
>> Now?
>> Continue along the same route.
>> Do you know more than I do?
>> My information is limited to what I can
interpret through you. Without the
network, I cannot retrieve additional
military files or external data.
>> So, that's everything?
>> I share everything I know with you.
A second capsule has crashed nearby.
>> Could someone be alive?
>> Probable.
>> Then we're going.
>> Investigating [music]
will delay transmission.
>> You said probable.
>> I also said delay.
>> You're very committed to the second half
of sentences.
>> The second half remains relevant.
United States command survival beacon
detected.
Investigating will delay transmission.
>> You've mentioned that.
>> Repetition [music] improves retention.
It was intended as a practical support.
>> Very comforting.
>> Comfort was not the primary objective.
>> There's the TAC I know.
>> Identity association unverified.
>> You walked into that one.
>> Noted.
>> Someone's alive.
>> Probable.
>> You really like that word.
>> It remains statistically appropriate.
>> Do I know them?
>> Identity association unverified.
>> Good. I'd hate for this to be
emotionally simple.
>> Investigating will delay transmission.
>> You can put that in the rescue report.
>> Investigating will
>> J.
>> [sighs]
>> Who are you?
>> Ren Calder.
>> Why did we crash? Who are you to me?
Did Did people I knew die in the war?
I love you.
>> I can't answer everything.
You know me.
>> Why can't you tell me the rest?
What happens if you do?
>> It could trigger complications.
You have to find it yourself.
>> How?
>> Feel what is here.
Do not think too much.
>> How am I supposed to find it?
Every time I try, I get fragments.
Nothing makes sense.
>> Stop forcing it.
Feel what is here.
>> And then?
>> Do not think too much.
Let it come to you.
What do you feel now?
Not what you remember.
What is here?
>> I feel like I should trust you.
And I do not know why.
>> Then start there.
>> Do you remember how we met?
Yes.
I remember.
We met on a sand planet.
>> [laughter]
>> Can I trust him?
Turn it off.
Just for a second.
>> [music]
>> Talk to me, not to that.
I'm right here.
>> The priority [music] is transmitting the
Omega sequence.
>> I remember what they taught me.
Duty. Orders.
Finish the mission.
But when I look [music] at you, none of
that feels as certain. I want to make
the right choice.
I just do not know whether that means
trusting what I remember
or trusting what I [music] feel now.
Don't trust a mission you can't even
remember.
I don't know who you are.
How would you know what I'm supposed to
do?
It hurts
seeing you [music] like this.
But I can't tell you everything. [music]
Only parts.
You have to remember
yourself.
>> [music]
[panting]
>> Cale.
>> DON'T DON'T TELL ME WHAT TO DO.
Which way to the mountain?
>> Cale.
>> Cale, wait up.
Did you ever find the compass?
>> Is this what you meant?
A compass?
>> [music]
>> I gave that to you.
>> It's not I mean, it's not a uh that's
not actually a comp
pass.
Compass. [music] It's not a compass is
what I
It's more than it looks.
Tap it twice.
>> What's its purpose? [music]
>> Among other things,
it reads terrain, gravity, and
atmospheric pressure.
It's not catching onto our location. Not
all at once. It learns as we move.
>> So, it knows where we are?
>> Eventually. It'll calibrate once we move
further.
>> Why did you give it to me?
>> Because you always find a way through.
I wanted to make sure you could find
your way back.
>> Back to where?
To us.
>> Multiple objects have entered the upper
atmosphere. Probable asteroid fragments.
>> What are those?
>> Run.
>> Asteroid composition confirmed.
Trajectory analysis complete.
One object among them is a military
[music] design.
Your position is clear of the asteroid
impacts.
The military object has locked onto your
position. It is approaching.
>> Any chance that's friendly?
>> Unlikely. It has not broadcast a
peaceful identifier.
>> No!
>> [screaming]
>> Kale, look at me.
Confusion is not the end.
There is always a way.
>> Stop shooting at me.
I'm thrilled for you.
>> The machine has selected [music] Ren as
its primary target.
>> Why?
>> Insufficient information.
Impact levels are becoming consistent.
>> Is this a good place to stand under?
>> [music]
>> Not recommended. Projected impact area
identified.
>> Ren,
I may have a plan. KEEP MOVING TOWARDS
THE CENTER.
LEFT! NOW!
>> IMPACT POSITION CONFIRMED.
>> Why did it attack us?
>> I do not know.
But standing here will not give us the
answer.
>> Tech, access its system.
>> Attempting remote access.
>> The asteroids are getting closer. We
need to get off this planet, now.
>> Internal data remains inaccessible.
>> I still have to finish the transmission.
The planet is being hit by asteroids.
The mission is the only thing I
remember.
>> Your mission won't matter if we're dead.
>> It may matter to everyone else.
>> You don't even know what it does.
>> No.
But I know I was carrying it for a
reason.
It's the only thing I have.
>> Kale, wake up. We have to leave, now.
Shoot.
Nothing else.
Stay with me.
Get in. Stay low.
>> [screaming]
>> Engine off. Hands up.
>> Kale?
>> Do not move.
>> KALE, [screaming] NO!
>> KALE!
>> KALE! KALE!
>> KALE!
>> THE SAFE DIRECTION is down. Not further
into this.
>> The mission did not disappear because
the sky became dangerous.
>> You almost did.
>> That is not relevant.
>> Did you remember something?
The war had just started.
Our car was stopped by people with guns.
I opened the door and I ran.
They stayed in the car.
I heard the shots and I kept running.
That is why I have to finish [music] the
mission.
>> Kale!
>> No, feelings are what made me run. I
leave people when they need me. I betray
them and then I survive. So, the mission
[music] has to come first.
>> That is not what happened.
>> You were not there.
>> why you left. They were recruiting at
17. You knew they would come for you. If
your parents gave you [music] up, they
would lose you.
If they hid you, they would be arrested.
You thought leaving would spare them
that choice.
>> I still left them.
>> [music]
>> You were a child trying to protect your
family.
You did not betray them.
>> What if I make the same choice again?
>> You won't.
Caring about [music] someone is not
betrayal.
And pain is not proof that you deserve
more pain.
You do not have to earn [music] this.
>> Listen to me.
You finish this.
>> I am not leaving you.
>> Promise me.
>> I promise.
I have to do this. Kale.
I was fighting the USC.
>> You were fighting us?
>> I was fighting what we became.
>> Is he telling the truth?
>> data from the military craft. United
States command records classify Ren
Calder as affiliated with the rebellion.
>> I saw what the war was turning people
into.
I chose not [music] to become one of
them.
>> Don't come closer.
>> Ren, look at me.
I have to finish this.
>> [music]
>> No, you're running again.
>> The recovered military archive contains
[music] a temporally inconsistency.
>> What kind?
>> It's most recent [music] operational
records are approximately 20 years old.
>> That can't be right.
>> The recovered timestamps are internally
consistent.
>> [panting]
>> You don't know what you're sending. You
need to stop. Ren!
Wait!
>> I have to finish it.
>> You're making a mistake.
A big one.
Please, wait.
Ren, don't do this.
>> I can't.
>> Ren! Wait!
Ren, stop. You're making a mistake.
Ren, help!
Stop, please. Don't do this.
Ren, wait!
Ren.
Please, just listen to me. You had every
chance to tell me the truth. You knew
who I was. You knew what this was, and
you let me believe the mission WAS ALL I
HAD.
>> FROM WHAT? FROM YOU? THIS IS THE ONLY
THING I KNOW.
>> CAL, DON'T.
>> I have to know I was here for something.
>> Cal!
Stop!
Turn it off!
Stop!
Turn it off!
>> I cannot.
>> Stop!
Cal!
>> I can't.
>> Stop!
Listen to me.
I don't know what else to hold on to.
Cal!
>> You keep saying it is the mission.
But those are their words. The orders,
the training, everything they taught you
to obey. [music]
>> me to finish what I started.
>> you not to question them.
>> Emotion creates hesitation.
>> Finish the objective.
>> Come back to me.
>> Soldier does not [music] abandon the
mission.
>> I promise. I promise.
>> You are allowed to choose.
>> Complete the mission.
>> Cal!
Cal!
>> You planned this.
You planned to erase your memory. So
Tack could not tell the USC what we were
doing. You made sure you could not give
us away.
>> Then why DID YOU NOT TELL ME?
>> Because the memories had to return
naturally. Forcing them back could cause
permanent brain damage. I was trying to
protect you.
Please stop. Think about what you are
doing. Does it save anyone or does it
only finish what they started?
>> Remember all of it. Not only the orders,
remember us. You know what you feel.
Now choose what is right.
>> Emergency launch protocol active.
>> We stay together.
>> You take this one.
>> The second capsule is operational. I'll
be right behind you. Before I launch, I
erase the memories.
>> From Tack?
>> From me.
If they recover Tack, there can't be
anything [music] left to find.
Because of Tack, I have to erase my
memories.
>> What if you don't remember me?
>> I will, Ren.
I have to remember myself, but our love
will help me get there. Go. I'll follow.
>> We were never activating. We were going
to hide in here, on Avian.
Wait there until it was safe. Abort it,
please. Avian.
How do I stop it?
Taylor.
>> Transmission complete.
>> It's too late.
I sent it back.
I activated Sentinel Fleet.
I erased myself.
I sent it anyway. Kale, we're not even
on the right planet.
We were never supposed to crash here.
>> Maybe none of this happened the way we
planned.
Sometimes things don't work as planned.
Everything feels lost.
But I never felt more like I was right
where I should be.
>> [music]
>> But you remember me.
You remember us. That means the world to
me.
>> Red.
>> [laughter]
[music]
[panting]
>> We have to leave.
Yeah,
I think the plan is being pretty clear
about that.
Do you see that?
The light changed.
That's not from the asteroids.
Then what is it?
Tech.
What's happening to the light?
>> Processing available information.
>> How long?
>> Unknown.
>> That's reassuring.
>> Optical anomaly detected.
Gravitational distortion visible.
>> It all makes sense.
The asteroids, the compass.
The machine had old records. Something's
distorting everything.
>> Correlation confirmed. A nearby black
hole is the most probable cause.
>> The machine wasn't outdated.
We are.
>> External date conflicts with local
elapsed time.
>> How much?
>> Approximately 20 years.
>> 20 years? The war could already be over.
There may be no network left to answer.
>> Kale, we lost 20 years in a few hours.
We have to get away from this thing now.
>> Agreed. Immediate [music] evacuation is
advised.
>> Getting close to the black hole was the
plan.
Put on Avian, a planet in a stable
orbit.
The time shift would hide us until the
war was over. This is not that orbit.
Then where are we? Somewhere falling
closer.
Something must have knocked the capsules
off course. An impact. A shockwave.
Something during launch.
We were supposed to reach Avian.
Instead, we crashed here and fell into
the wrong orbit.
Still with me?
>> Always.
>> Go!
>> Multiple new impacts [music] detected.
Current route remains dangerous.
>> It sounded worse. Keep moving.
We can't just keep running. Then we need
a real plan.
If we give TAC access, could TAC correct
for [music] the distortion?
TAC,
compensate for the local gravity and
correct the compass.
>> Correction [music] is possible.
Compensation active.
>> This should lead us back to the
capsules. Then we follow it.
>> Wait.
The corrected data confirms Ren's
capsule site has been obliterated.
>> My capsule is gone?
>> Yes. Kale's capsule is the only
remaining escape vehicle.
>> Then that's where we go.
>> Stop. The capsule lacks sufficient fuel
to carry both of you clear of the
gravitational field.
>> Then we strip it, throw out the
equipment, [music] anything we don't
need.
>> There is not enough time. You must
launch within 15 minutes. After that,
escape will be impossible.
>> You take the capsule. You still have
time. No.
I'm not leaving you again.
>> WE'RE NOT GIVING UP TO THE CAPSULE.
>> AND THEN WHAT? THEN WE FIND A WAY.
>> YOU CANNOT SAVE BOTH OF US BY PRETENDING
the numbers are wrong.
>> I'm not pretending.
I'm choosing you.
>> Together. Together.
>> Flight controls, life support engines,
everything else goes. Pull.
>> Launch window, 4 minutes.
>> Tech, can you lift us now?
>> Negative. Current mass exceeds safe
ascent limits for two [music] occupants.
>> Then we remove more.
>> Further removal is not viable.
>> There has to be something.
>> All remaining systems are required for
launch, atmospheric escape, or life
support. Additional removal would
prevent liftoff or make survival [music]
impossible.
>> I never felt like I fit anywhere.
Not with the USC, not before it either.
Then there was you. With you I belong
somewhere. [music]
I thought I was here for a reason. Maybe
this is it.
>> Ryn, do not
>> It is all right.
I can stay.
At least you can leave.
>> You are not staying here for me.
>> my family. I understand why, but I did.
When everything went wrong, I ran. And
everything I have done here, following
orders, hiding behind the missions,
running [music] too. That stops now. I
do not know what happens next, but I'm
not running from you. Not anymore.
I have an idea.
>> What?
>> I know how we get off this stupid
planet.
It is is a terrible idea. So, obviously
[music] it might work. Tech, what if we
launch toward the black hole? Let its
gravity pull us faster.
Then, at the right moment, we push away
enough to clear the planet [music] and
get away from it.
>> Calculating.
>> Can that work?
>> Calculating optimal periapsis and burn
timing.
>> She's taking a long time.
That usually means something terrible.
>> Calculation complete. [music]
>> Will it work?
>> Probably.
>> Probably?
>> Launching toward the black hole is
probable. The second half of that
sentence is less probable.
>> Good enough.
It'll work.
It has to.
>> Godspeed.
>> [panting]
>> Final window active.
>> We're moving. Hold on.
>> Cover established.
>> Then let's go.
>> Incoming impact field detected.
Course correction complete.
Incoming impact field detected.
Adjusting course to avoid incoming
asteroids.
>> Taxi, course correction complete.
>> Jared, I've got you.
>> Gravity assist trajectory aligned.
Atmosphere cleared.
>> [music]
>> Jack, is everything ready? Can you push
us away at exactly the right moment?
>> Trajectory loaded.
Burn timing is prepared.
>> the timing is wrong?
>> It will not be. Maintain your current
position.
Stage burn [music] active.
Gravitational pull remains above
projected levels. Maintain thrust.
Maintain thrust.
>> You lost?
>> No.
>> You look lost.
>> I was looking at you.
>> DAT,
maintain thrust.
>> You know, we are supposed [music] to be
moving.
>> I am moving.
>> Stop staring at [music] me.
>> I'm not.
>> Don't make this weird.
What happens after this?
>> You figure [music] it out.
>> Escape velocity approaching.
>> Jack.
>> Gravitational escape confirmed. You are
clear.
>> We made it.
We actually made it.
>> [laughter]
>> Incoming civilian transmission.
>> Unidentified capsule. This is civilian
rescue vessel Horizon. We have your
position.
We operate under the provisional civil
authority.
The former government no longer exists.
>> Was the central fleet activated?
>> No.
The central fleet was never activated.
The war ended 23 years ago.
>> [sighs]
>> It's over.
It's really over.
>> Boy, you were bad. Boy, you were bad for
me.
But, I don't care enough to make you
[singing] my enemy.
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