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1
00:00:01,334 --> 00:00:04,921
WOMAN: DUELA, HURRY UP.
IT'S TIME TO GO.
2
00:00:04,963 --> 00:00:08,007
[SIGHS]
3
00:00:08,048 --> 00:00:14,138
DUELA, VOICE-OVER: FIRST, APPLY
YOUR BASE AND RUB IT ALL AROUND.
4
00:00:14,179 --> 00:00:18,977
THEN FOLLOW YOUR HOLLOW
TO SHAVE OFF THE POUNDS.
5
00:00:19,018 --> 00:00:24,858
FINE-LINE YOUR LIPS TO HIDE
THAT OFF-PUTTING FROWN.
6
00:00:24,899 --> 00:00:27,484
[PENCIL CLATTERS]
7
00:01:00,350 --> 00:01:03,521
WOMAN: DUELA GET OUT HERE.
WE HAVE TO GO.
8
00:01:03,563 --> 00:01:06,649
COME ON. WE'RE GONNA BE LATE.
9
00:01:06,691 --> 00:01:09,569
DUELA, I AM SO NOT KIDDING.
10
00:01:09,611 --> 00:01:11,278
AAH!
11
00:01:11,320 --> 00:01:15,115
OH, MY GOD, YOUR--
YOUR FACE.
12
00:01:18,620 --> 00:01:20,954
[BOSCO ROGERS' "FRENCH KISS"
PLAYING]
13
00:01:20,996 --> 00:01:23,582
BARTH CORBELET: ♪ YOU KISS MY
LIPS SO, SO GUILTILY ♪
14
00:01:23,625 --> 00:01:24,167
HAVE A GOOD ONE.
15
00:01:24,209 --> 00:01:27,795
♪ NOW THE PASSION
IS GONE FROM YOUR EYES ♪
16
00:01:27,837 --> 00:01:29,963
MARY, HEY.
17
00:01:30,006 --> 00:01:30,381
HI.
18
00:01:30,423 --> 00:01:33,051
-SUPER CUTE BOOTS.
-THANKS.
19
00:01:33,093 --> 00:01:35,302
YOU'RE
IN A GOOD MOOD.
20
00:01:35,344 --> 00:01:38,765
YOU SAY THAT LIKE
IT'S A BAD THING.
21
00:01:38,807 --> 00:01:39,348
WHERE'S MY COWL?
22
00:01:39,390 --> 00:01:43,394
IN THE SHOP. GIVING IT
A LITTLE UPGRADE.
23
00:01:43,436 --> 00:01:45,354
UPGRADE? HMM.
24
00:01:45,396 --> 00:01:48,483
LIKE...
X-RAY VISION?
25
00:01:48,525 --> 00:01:49,651
NOPE.
26
00:01:49,692 --> 00:01:51,069
ECHOLOCATION.
27
00:01:51,110 --> 00:01:53,822
OH, THAT WAS
A GOOD IDEA, BUT NO.
28
00:01:53,862 --> 00:01:56,740
SOMEBODY'S
IN A GOOD MOOD.
29
00:01:56,783 --> 00:01:57,283
AM I?
30
00:01:57,325 --> 00:01:59,451
MARY: YOU SO ARE,
LIKE GIDDY HAPPY.
31
00:01:59,493 --> 00:02:00,870
I'M NOT ALLOWED
TO BE HAPPY?
32
00:02:00,912 --> 00:02:04,165
YOU JUST GOT SUSPENDED
FROM THE CROWS, SO NO.
33
00:02:04,206 --> 00:02:05,959
MM.
34
00:02:06,000 --> 00:02:08,044
OH, MY GOD. YOU'RE
SLEEPING WITH SOMEONE.
35
00:02:08,086 --> 00:02:10,504
KATE: I'M NOT
SLEEPING WITH ANYONE,
36
00:02:10,546 --> 00:02:12,173
BUT CAN WE PLEASE
PAUSE FOR A MOMENT
37
00:02:12,215 --> 00:02:13,925
TO APPRECIATE THE FACT
THAT THOSE WORDS
38
00:02:13,967 --> 00:02:15,717
ACTUALLY CAME
OUT OF YOUR MOUTH?
39
00:02:15,759 --> 00:02:17,762
MARY: OK. FINE.
HOOKING UP WITH.
40
00:02:17,804 --> 00:02:21,140
-WE SHARED A MOMENT.
-WITH?
41
00:02:21,181 --> 00:02:24,686
-WITH?
-IF YOU TELL ANYONE,
42
00:02:24,727 --> 00:02:27,312
IT'LL TAKE ME AN HOUR
TO HIDE YOUR BODY.
43
00:02:27,354 --> 00:02:30,733
UH-HUH. SPILL.
44
00:02:30,775 --> 00:02:32,317
BATWOMAN.
45
00:02:32,360 --> 00:02:32,944
LUKE: NO,
YOU DIDN'T.
46
00:02:32,944 --> 00:02:36,406
IT WAS A PECK THAT
LASTED SEVERAL MINUTES.
47
00:02:36,447 --> 00:02:38,615
BATWOMAN CAN'T
HAVE A GIRLFRIEND.
48
00:02:38,658 --> 00:02:41,076
IT WAS A KISS, LUKE.
49
00:02:41,118 --> 00:02:41,743
YEAH, LAST NIGHT.
THEN WHAT?
50
00:02:41,743 --> 00:02:44,288
DO YOU REALLY WANT TO KNOW
THE ANSWER TO THAT?
51
00:02:44,329 --> 00:02:46,248
DOES SHE KNOW
WHO YOU ARE?
52
00:02:46,290 --> 00:02:47,959
SOPHIE: I HAVE NO IDEA,
53
00:02:48,001 --> 00:02:50,502
WHICH, I ADMIT, IS
A LITTLE STRANGE, BUT--
54
00:02:50,545 --> 00:02:52,379
YOU SAID YOU KNEW
WHO SHE WAS.
55
00:02:52,421 --> 00:02:52,921
I THOUGHT I DID.
56
00:02:52,963 --> 00:02:56,050
I WAS WRONG, LIKE,
REALLY, REALLY WRONG.
57
00:02:56,091 --> 00:02:58,302
SO YOU SERIOUSLY
HAVE NO IDEA.
58
00:02:58,343 --> 00:03:01,097
NO. WAIT. DO YOU?
59
00:03:01,139 --> 00:03:02,556
NO.
60
00:03:02,598 --> 00:03:04,099
LUKE: YOU FINALLY GET
SOPHIE OFF YOUR TAIL,
61
00:03:04,141 --> 00:03:05,475
AND NOW YOU'RE
SWAPPING SPIT WITH HER.
62
00:03:05,518 --> 00:03:07,020
I DON'T THINK YOU KNOW
WHAT KISSING IS.
63
00:03:07,061 --> 00:03:08,604
I DON'T THINK YOU KNOW
WHAT BRUCE WENT THROUGH,
64
00:03:08,646 --> 00:03:10,105
WHY BATMAN
PUSHED PEOPLE AWAY.
65
00:03:10,147 --> 00:03:12,150
YOU REALIZE, THE MOMENT
ANYONE KNOWS BATWOMAN
66
00:03:12,192 --> 00:03:14,943
CARES ABOUT SOPHIE, IT PUTS
A TARGET ON HER BACK.
67
00:03:14,985 --> 00:03:16,945
SHE BECOMES
A LIABILITY.
68
00:03:16,987 --> 00:03:18,781
NOBODY NEEDS
TO FIND OUT.
69
00:03:18,823 --> 00:03:21,867
DOESN'T MEAN
THEY WON'T, KATE.
70
00:03:22,618 --> 00:03:24,787
[CELL PHONE CHIRPS]
71
00:03:24,829 --> 00:03:26,038
HEE HEE! HA!
72
00:03:26,079 --> 00:03:28,750
SHE TOTALLY JUST
TEXTED YOU, DIDN'T SHE?
73
00:03:28,790 --> 00:03:31,794
SHE WANTS TO MEET
AT MY PLACE LATER.
74
00:03:31,836 --> 00:03:33,045
MM.
75
00:03:33,086 --> 00:03:34,296
I'M LEAVING NOW.
76
00:03:34,338 --> 00:03:37,841
HAVE FUN,
AND SOPHIE...
77
00:03:38,343 --> 00:03:41,763
I'M HAPPY FOR YOU.
78
00:03:43,180 --> 00:03:47,143
ALICE: "ALICE,
AKA JANE DOE 7113,
79
00:03:47,185 --> 00:03:51,313
"THE DERANGED LEADER
OF THE WONDERLAND GANG,
80
00:03:51,355 --> 00:03:52,981
"WAS FATALLY GUNNED DOWN
LAST WEEK
81
00:03:53,024 --> 00:03:57,236
"IN A MOTEL PARKING LOT
BY AN UNIDENTIFIED SHOOTER.
82
00:03:57,277 --> 00:04:00,573
NO SERVICES ARE PLANNED
AT THIS TIME"?
83
00:04:00,615 --> 00:04:04,451
WHA--I'M SORRY.
THIS IS MY OBITUARY?
84
00:04:04,493 --> 00:04:07,830
"MENTALLY DERANGED
LEADER"?
85
00:04:07,872 --> 00:04:10,082
THAT'S MY SYNOPSIS,
86
00:04:10,123 --> 00:04:13,044
A TINY, LITTLE BLURB
BELOW THE FOLD?
87
00:04:13,086 --> 00:04:17,923
I SURVIVED CAPTIVITY
FOR 11 YEARS,
88
00:04:17,966 --> 00:04:22,136
ESCAPED, AND ENACTED
THE PERFECT REVENGE.
89
00:04:22,177 --> 00:04:23,721
[CRASH]
90
00:04:23,762 --> 00:04:25,555
WHAT TOOK YOU SO LONG?
91
00:04:25,598 --> 00:04:28,434
WANTED TO GET
A GOOD SHOT OF HIM.
92
00:04:30,185 --> 00:04:33,273
THAT'S NOT THE FACE
I SEE IN MY NIGHTMARES,
93
00:04:33,314 --> 00:04:37,651
BUT I'D RECOGNIZE
THAT PIPE ANYWHERE,
94
00:04:37,694 --> 00:04:41,656
EVEN IN THE DARK.
95
00:04:41,697 --> 00:04:43,699
IT'S HIM.
96
00:04:44,033 --> 00:04:46,034
MAN: AS YOU KNOW,
SOME WACKO DUBBED
97
00:04:46,076 --> 00:04:48,161
THE EXECUTIONER BLEW
A HOLE IN THE CITY'S
98
00:04:48,204 --> 00:04:49,956
CORRUPT COURT SYSTEM
A FEW MONTHS BACK...
99
00:04:49,997 --> 00:04:52,040
THEN I BLEW A HOLE IN HIM.
WHAT'S YOUR POINT?
100
00:04:52,082 --> 00:04:54,084
FORCED THE D.A.'s OFFICE
TO REOPEN A BUNCH
101
00:04:54,127 --> 00:04:54,752
OF HIS OLD CASES
AND FUNNEL THEM
102
00:04:54,752 --> 00:04:58,255
THROUGH A NEW JUDGE, BUT
YOU KNOW THIS NEW JUDGE--
103
00:04:58,298 --> 00:05:01,009
DAVIS WELLINGTON,
CROWS CONTRACTS
104
00:05:01,050 --> 00:05:02,343
DATING BACK TO 2004.
105
00:05:02,384 --> 00:05:04,512
MY CLIENT HOPES THAT
YOU WILL CALL THE JUDGE
106
00:05:04,553 --> 00:05:06,596
AND GET HIM TO
MOVE HIS CASE UP.
107
00:05:06,639 --> 00:05:08,516
HA HA! WHY
WOULD I DO THAT?
108
00:05:08,557 --> 00:05:13,730
BECAUSE MY CLIENT'S
REGGIE HARRIS...
109
00:05:13,771 --> 00:05:18,108
AND YOU OWE HIM
YOUR LIFE.
110
00:05:22,112 --> 00:05:22,654
THANK YOU.
111
00:05:22,654 --> 00:05:24,740
YOU'RE BETTER TO ME
ALIVE, PUPPY DOG.
112
00:05:24,781 --> 00:05:26,742
JACOB: REGGIE
IS AN OPPORTUNIST
113
00:05:26,783 --> 00:05:28,244
USING THIS
CABAL NONSENSE
114
00:05:28,286 --> 00:05:29,454
AS A "GET OUT
OF JAIL FREE" CARD.
115
00:05:29,495 --> 00:05:32,165
HE CONFESSED TO
GUNNING DOWN LUCIUS FOX
116
00:05:32,206 --> 00:05:32,831
IN A C-STORE ROBBERY.
117
00:05:32,831 --> 00:05:36,336
THAT CONFESSION WAS COERCED
BY A CORRUPT GCPD COP.
118
00:05:36,377 --> 00:05:38,086
IT'S NOT
A CROWS PROBLEM.
119
00:05:38,129 --> 00:05:38,629
YET.
120
00:05:38,629 --> 00:05:42,507
BASED ON SOME WHISPERS
MY CLIENT HEARD
121
00:05:42,550 --> 00:05:44,509
IN THE SLAMMER
ABOUT THIS PLACE,
122
00:05:44,552 --> 00:05:48,264
CROWS HAVE SOME
SECRETS OF THEIR OWN.
123
00:05:48,889 --> 00:05:52,435
THAT ALMOST SOUNDED
LIKE A THREAT.
124
00:05:55,271 --> 00:05:56,355
IT IS.
125
00:05:56,396 --> 00:05:59,692
LET'S NOT TURN IT
INTO MORE.
126
00:05:59,733 --> 00:06:00,901
CALL THE JUDGE.
127
00:06:00,942 --> 00:06:02,737
GET HIM TO MOVE
REGGIE'S COURT DATE UP,
128
00:06:02,778 --> 00:06:03,904
OR THIS PLACE
GETS BLOWN UP
129
00:06:03,946 --> 00:06:07,658
IN THE SAME WAY
THE D.A.'s OFFICE DID.
130
00:06:11,370 --> 00:06:14,122
WOMAN: ♪ I LEAVE GOLD
ON THE FLOOR WHEREVER I GO ♪
131
00:06:14,165 --> 00:06:15,750
♪ YEAH, I'M KILLING IT,
I'M KILLING IT ♪
132
00:06:15,791 --> 00:06:16,500
♪ I'M STEALING THE SHOW ♪
133
00:06:16,500 --> 00:06:19,252
♪ WORDS FALLING OUT MY MOUTH,
AND THEY BREAK THE DOOR ♪
134
00:06:19,295 --> 00:06:20,963
♪ LIKE, "OOH, NA NA NA NA NA" ♪
135
00:06:21,004 --> 00:06:23,173
♪ SO I RIDE THE BEAT
AND MAKE MY BODY BOOM BOOM ♪
136
00:06:23,216 --> 00:06:25,175
[WHOOSH, THUD]
137
00:06:25,218 --> 00:06:26,552
♪ MAKE YOUR BODY
VROOM VROOM ♪
138
00:06:26,593 --> 00:06:28,053
♪ I BREAK THE RULES... ♪
139
00:06:28,096 --> 00:06:28,512
[EXHALES]
140
00:06:28,512 --> 00:06:29,221
♪ LIKE OOH, NA NA NA NA NA ♪
141
00:06:29,221 --> 00:06:34,310
♪ IT'S GOOD TO BE ME,
YOUNG AND FREE, GOING WILD ♪
142
00:06:34,351 --> 00:06:38,189
♪ DO WHAT I DO
WHEN I DO IT NOW ♪
143
00:06:38,230 --> 00:06:40,274
♪ MM MM MM MM ♪
144
00:06:40,316 --> 00:06:42,526
♪ MM MM MM MM MM ♪
145
00:06:42,567 --> 00:06:44,987
♪ MM MM MM MM MM MM MM ♪
146
00:06:45,028 --> 00:06:48,199
THIS IS DEFINITELY
A FIRST.
147
00:06:48,240 --> 00:06:51,994
ME, TOO, ACTUALLY.
148
00:06:53,454 --> 00:06:56,499
SO, UM...
149
00:06:58,709 --> 00:07:01,629
DO YOU WANT
TO COME INSIDE?
150
00:07:03,880 --> 00:07:05,091
I CAN'T.
151
00:07:05,132 --> 00:07:06,800
I--I CAME HERE
TO TELL YOU
152
00:07:06,843 --> 00:07:10,012
THAT THIS HAS TO END
BEFORE YOU GET HURT.
153
00:07:10,053 --> 00:07:11,555
I CAN TAKE CARE
OF MYSELF.
154
00:07:11,596 --> 00:07:14,809
THIS IS DIFFERENT.
I HAVE ENEMIES.
155
00:07:14,850 --> 00:07:16,853
IF THEY
CONNECTED US,
156
00:07:16,894 --> 00:07:18,855
THEY COULD USE YOU
AGAINST ME.
157
00:07:18,896 --> 00:07:21,314
WELL, I WON'T TELL
THEM IF YOU DON'T.
158
00:07:21,356 --> 00:07:24,192
YOU KNOW IT'S
NOT THAT SIMPLE.
159
00:07:24,235 --> 00:07:27,154
SO WHAT
DO YOU SUGGEST?
160
00:07:27,196 --> 00:07:31,408
LET ME WALK AWAY.
161
00:07:31,451 --> 00:07:34,327
OK.
162
00:07:36,872 --> 00:07:37,581
SO WALK.
163
00:07:37,622 --> 00:07:45,005
WOMAN: ♪ I CAN'T HELP
THAT I WANT TO DO BAD THINGS ♪
164
00:07:45,047 --> 00:07:49,177
♪ BAD THINGS ♪
165
00:07:49,218 --> 00:07:51,721
[DOORKNOB RATTLES]
166
00:07:51,762 --> 00:07:54,098
-SOMEONE'S HERE.
-I'M ON IT.
167
00:07:54,139 --> 00:07:56,933
NO. I GOT IT.
168
00:07:58,144 --> 00:08:00,396
[KEYS JINGLE]
169
00:08:00,437 --> 00:08:05,108
[DOOR OPENS]
170
00:08:07,987 --> 00:08:09,279
OH!
171
00:08:09,322 --> 00:08:09,779
HMM.
172
00:08:09,822 --> 00:08:11,824
GIVE YOUR OWN MOTHER
A HEART ATTACK.
173
00:08:11,865 --> 00:08:13,867
MOM, WHAT ARE YOU
DOING HERE?
174
00:08:13,910 --> 00:08:15,911
SURPRISING YOU.
175
00:08:15,952 --> 00:08:19,456
NEXT TIME,
I'LL CALL FIRST.
176
00:08:21,625 --> 00:08:23,752
[CAPE FLUTTERS]
177
00:08:32,220 --> 00:08:33,471
WE'RE
LOCKING UP.
178
00:08:33,513 --> 00:08:34,096
WOMAN:
I'M ON THE PHONE.
179
00:08:34,096 --> 00:08:37,350
MY COMPANY'S VALUATION
IS TWICE THAT MUCH.
180
00:08:37,390 --> 00:08:39,226
I DON'T CARE
ABOUT FIXED CAPITAL.
181
00:08:39,268 --> 00:08:44,565
LOOK AT OUR INTANGIBLE ASSETS--
I.E., ME, MY BRAND, MY IMAGE.
182
00:08:44,606 --> 00:08:47,567
YOU CAN'T PUT A PRICE ON THAT.
183
00:08:47,610 --> 00:08:48,152
I'M GONNA HAVE TO CALL YOU BACK.
184
00:08:48,193 --> 00:08:51,404
THEY HAD NO BUDGET
FOR THIS PHOTO SHOOT,
185
00:08:51,447 --> 00:08:54,866
AND IT'S STARTING TO SHOW.
186
00:08:56,244 --> 00:08:59,371
HELLO? IS ANYONE THERE,
187
00:08:59,413 --> 00:09:03,083
NOT EVEN, LIKE,
A JANITOR OR SOMEONE?
188
00:09:03,125 --> 00:09:04,961
[GLASS SHATTERS]
189
00:09:05,001 --> 00:09:07,212
WHO'S THERE?
190
00:09:27,649 --> 00:09:29,693
AAH!
191
00:09:43,415 --> 00:09:44,875
UH...
192
00:09:46,210 --> 00:09:49,129
UH...
193
00:09:49,171 --> 00:09:51,966
[PANTING]
194
00:09:53,259 --> 00:09:54,677
AAH!
195
00:09:58,139 --> 00:09:58,847
VESPER: TALK ABOUT
THE UNKINDEST CUT.
196
00:09:58,847 --> 00:10:02,475
SOCIAL MEDIA INFLUENCER
KIMBERLY WRIGHT WAS THE VICTIM
197
00:10:02,518 --> 00:10:04,894
OF A BRUTAL FACE-SLASHING
LAST NIGHT.
198
00:10:04,937 --> 00:10:08,732
GCPD SUSPECT THIS IS NOW THE
SECOND SOCIAL MEDIA INFLUENCER
199
00:10:08,774 --> 00:10:12,068
ATTACKED
BY THE SERIAL SLASHIONISTA.
200
00:10:12,110 --> 00:10:13,321
TALK TO ME, GOTHAM.
201
00:10:13,361 --> 00:10:16,240
WHERE'S THE DISLIKE BUTTON
WHEN YOU NEED IT?
202
00:10:16,282 --> 00:10:17,950
HOW'D IT GO
WITH SOPHIE?
203
00:10:17,991 --> 00:10:20,745
SOPHIE. UH--AHEM.
UH, WELL, SHE--
204
00:10:20,786 --> 00:10:22,663
IT WAS REALLY COLD,
AND IT WAS
205
00:10:22,705 --> 00:10:24,539
A BIT HARD TO HEAR,
AND THEN HER MOM
206
00:10:24,581 --> 00:10:26,167
JUST SHOWED UP
OUT OF NOWHERE.
207
00:10:26,207 --> 00:10:28,251
SO "DOG ATE
MY BREAKUP"?
208
00:10:28,293 --> 00:10:32,340
THERE'S A LUNATIC WITH
A BOX CUTTER TARGETING KIDS.
209
00:10:32,380 --> 00:10:34,508
WE NEED TO FOCUS.
210
00:10:34,549 --> 00:10:35,091
ALREADY ON IT.
211
00:10:35,091 --> 00:10:37,470
KIMBERLY WRIGHT
DESCRIBED HER ATTACKER
212
00:10:37,510 --> 00:10:38,053
AS "A WOMAN IN HER 20s
213
00:10:38,095 --> 00:10:40,096
WHO WORE A HOODIE
AND A SURGICAL MASK."
214
00:10:40,139 --> 00:10:42,350
YEAH. THAT'S WHY
THE GCPD CAN'T I.D. HER.
215
00:10:42,390 --> 00:10:44,059
INTERESTINGLY,
NEITHER OF THE VICTIMS
216
00:10:44,100 --> 00:10:45,894
HAD ANY STAB WOUNDS
ON THEIR BODIES.
217
00:10:45,936 --> 00:10:47,437
KATE: SHE WENT
AFTER THEIR FACE.
218
00:10:47,480 --> 00:10:50,941
THEIR FACE IS THEIR
BRAND, THEIR BUSINESS.
219
00:10:50,982 --> 00:10:53,402
THIS IS PERSONAL.
220
00:10:53,985 --> 00:10:54,528
WHERE YOU OFF TO?
221
00:10:54,570 --> 00:10:58,282
TO SEE THE ONLY
INSTAFACE I CARE ABOUT.
222
00:10:59,408 --> 00:11:01,326
YEAH. I MEAN, IT'S ALL
MY FEED IS TALKING ABOUT.
223
00:11:01,369 --> 00:11:02,702
EVEN KYLIE Q
IS THREATENING
224
00:11:02,745 --> 00:11:05,038
TO GO WEB-SILENT
OUT OF RESPECT.
225
00:11:05,081 --> 00:11:07,166
THANK YOU,
DOCTOR.
226
00:11:07,207 --> 00:11:08,625
ARE YOU OK?
227
00:11:08,668 --> 00:11:11,211
I MEAN, I BARELY
KNEW KIMBERLY,
228
00:11:11,253 --> 00:11:14,005
BUT STILL,
IT'S PRETTY FREAKY,
229
00:11:14,048 --> 00:11:16,549
AND--DON'T WORRY--
MY FANBASE LEFT
230
00:11:16,591 --> 00:11:18,885
WHEN MY STEPDAD
SUPPOSEDLY KILLED MY MOM,
231
00:11:18,927 --> 00:11:21,471
SO I AM HARDLY
WORTH THE DATA.
232
00:11:21,514 --> 00:11:24,140
GOOD, NOT ABOUT
THE FANBASE THING.
233
00:11:24,182 --> 00:11:25,558
THAT SUCKS.
234
00:11:25,600 --> 00:11:27,477
DO YOU KNOW ANYONE
IN THAT CIRCLE
235
00:11:27,519 --> 00:11:28,770
THAT COULD BE
A TARGET?
236
00:11:28,812 --> 00:11:30,022
WELL, IT DEPENDS
ON WHO YOU ASK.
237
00:11:30,063 --> 00:11:31,691
I MEAN, EVERYBODY KNOWS
THAT KIMBERLY WRIGHT
238
00:11:31,731 --> 00:11:33,317
HAS MILEY McGINN'S
NOSE.
239
00:11:33,359 --> 00:11:34,652
EXCEPT ME,
APPARENTLY.
240
00:11:34,693 --> 00:11:37,822
SAME CORRECTIVE SURGERY--
SHAPE, SLOPE, LENGTH.
241
00:11:37,863 --> 00:11:39,615
I MEAN,
IT'S A THING.
242
00:11:39,657 --> 00:11:40,240
PEOPLE WERE
EVEN WHISPERING,
243
00:11:40,282 --> 00:11:43,201
MAYBE MILEY HAD SOMETHING
TO DO WITH THE ATTACK,
244
00:11:43,244 --> 00:11:45,370
PISSED THAT KIMBERLY
STOLE HER NOSE,
245
00:11:45,413 --> 00:11:46,621
BUT IF YOU THINK
ABOUT IT,
246
00:11:46,663 --> 00:11:48,164
MILEY COPIED
MIA'S CHEEKBONES,
247
00:11:48,206 --> 00:11:49,625
AND MIA AND XENA
HAVE THE SAME CHIN,
248
00:11:49,667 --> 00:11:52,086
WHICH I BELIEVE BELONGED
TO ARIANA AT ONE POINT.
249
00:11:52,128 --> 00:11:54,171
ANYWAY, I AM SURE
THERE IS A WHO'S WHO
250
00:11:54,212 --> 00:11:56,465
OF POTENTIAL VICTIMS
IN DR. CAMPBELL'S
251
00:11:56,506 --> 00:11:57,758
WAITING ROOM
AS WE SPEAK.
252
00:11:57,799 --> 00:11:59,427
-DR. ETHAN CAMPBELL?
-YEAH.
253
00:11:59,467 --> 00:12:01,261
THE ONLY PLASTIC
SURGEON IN THE CITY
254
00:12:01,302 --> 00:12:04,264
WORTH GOING TO,
NOT THAT I WOULD KNOW.
255
00:12:04,306 --> 00:12:07,600
ACTUALLY, IF YOU'RE
LOOKING INTO THIS
256
00:12:07,643 --> 00:12:09,687
BECAUSE YOU OWN
A REAL ESTATE FIRM
257
00:12:09,729 --> 00:12:12,022
AND THESE WOMEN
ARE MOST LIKELY
258
00:12:12,063 --> 00:12:13,524
FUTURE
PROPERTY BUYERS...
259
00:12:13,566 --> 00:12:14,649
EXACTLY, YEAH.
260
00:12:14,692 --> 00:12:17,485
I'M AROUND IF YOU NEED
A SIDE...PERSON.
261
00:12:17,528 --> 00:12:19,613
I MEAN, I'M A D.M. AWAY
FROM HALF THESE GIRLS.
262
00:12:19,654 --> 00:12:21,157
I'D BE HAPPY
TO POKE AROUND
263
00:12:21,197 --> 00:12:22,533
FOR SOME CLUES
OR WHATEVER.
264
00:12:22,575 --> 00:12:24,409
IT'S PROBABLY SAFEST
IF YOU STAYED OUT OF IT,
265
00:12:24,451 --> 00:12:26,327
BUT I MIGHT ASK SOMEONE
TO DROP BY CAMPBELL
266
00:12:26,370 --> 00:12:28,246
AND JUST GIVE HIM
A HEADS-UP.
267
00:12:28,288 --> 00:12:28,831
I COULD DO IT.
268
00:12:28,873 --> 00:12:32,209
I MEAN, I'M A MED STUDENT
WHERE HE LECTURES,
269
00:12:32,250 --> 00:12:34,754
SO, NOW THAT
I THINK ABOUT IT,
270
00:12:34,794 --> 00:12:36,463
MY VAST ARRAY
OF MEDICAL KNOWLEDGE
271
00:12:36,504 --> 00:12:40,259
COULD COME IN HANDY
IN ENDLESS SCENARIOS.
272
00:12:40,301 --> 00:12:43,220
I'M GOOD, MARY.
THANK YOU.
273
00:12:43,261 --> 00:12:45,764
OK. WELL,
I'M HAPPY TO HELP.
274
00:12:45,806 --> 00:12:48,558
BYE, MARY.
275
00:12:48,600 --> 00:12:51,102
[SIGHS]
276
00:12:52,395 --> 00:12:54,398
REWIND.
277
00:12:54,440 --> 00:12:56,734
YOU AND YOUR
HUSBAND SEPARATE,
278
00:12:56,775 --> 00:13:00,403
AND YOU DIDN'T
THINK TO CALL ME?
279
00:13:00,446 --> 00:13:04,533
I THOUGHT IT WAS BEST
TO LET THE DUST SETTLE.
280
00:13:04,575 --> 00:13:05,784
WHERE'S MY PHONE?
281
00:13:05,826 --> 00:13:06,368
I'LL TELL TYLER
ALL THE WAYS
282
00:13:06,409 --> 00:13:08,703
HE'S MAKING THE BIGGEST
MISTAKE OF HIS LIFE.
283
00:13:08,745 --> 00:13:13,125
MOM, STOP.
IT'S NOT LIKE THAT.
284
00:13:13,708 --> 00:13:16,504
-IT WAS ME.
-YOU?
285
00:13:16,544 --> 00:13:18,923
I, UM--
286
00:13:18,963 --> 00:13:20,673
I FELL OUT OF
LOVE WITH HIM.
287
00:13:20,716 --> 00:13:23,719
YOU FELL OUT OF LOVE
WITH A HANDSOME,
288
00:13:23,760 --> 00:13:25,221
DECORATED,
CAPABLE MAN
289
00:13:25,261 --> 00:13:28,139
WHO ALWAYS SENT ME
FLOWERS ON MY BIRTHDAY.
290
00:13:28,182 --> 00:13:31,393
WHY DON'T YOU GIVE ME
THE REAL STORY?
291
00:13:31,434 --> 00:13:34,938
MOM, THAT IS
THE REAL STORY.
292
00:13:34,980 --> 00:13:36,565
WELL, JACOB KANE
CALLED.
293
00:13:36,606 --> 00:13:38,149
HE TOLD ME ABOUT
YOUR SUSPENSION.
294
00:13:38,192 --> 00:13:41,570
HEH, SO THAT'S
WHY YOU'RE IN TOWN.
295
00:13:41,611 --> 00:13:44,657
THIS ISN'T SOME MOTHERLY
"I MISSED YOU" VISIT.
296
00:13:44,697 --> 00:13:47,201
MORE OF A "PLEASE DON'T
END UP UNDER A BRIDGE" VISIT.
297
00:13:47,243 --> 00:13:49,452
HOW ARE YOU GONNA
PAY THE RENT?
298
00:13:49,495 --> 00:13:52,873
BY WORKING AT A PLACE
THAT ALIGNS WITH MY VALUES.
299
00:13:52,914 --> 00:13:55,668
I DON'T SEE EYE TO EYE
WITH THE CROWS' WAY
300
00:13:55,709 --> 00:13:57,126
OF DOING THINGS
ANYMORE.
301
00:13:57,168 --> 00:13:58,671
OH, PLEASE DON'T
TELL ME YOU WISH
302
00:13:58,711 --> 00:14:00,255
THEY WERE MORE
LIKE THE GCPD.
303
00:14:00,297 --> 00:14:04,259
NO, MORE LIKE
BATWOMAN.
304
00:14:04,301 --> 00:14:04,884
OHH...
305
00:14:04,927 --> 00:14:07,929
SHE IS SOMEONE WHO
REPRESENTS ALL OF GOTHAM--
306
00:14:07,971 --> 00:14:10,640
THE POOR, THE RICH,
AND IN BETWEEN--
307
00:14:10,682 --> 00:14:13,101
AND SHE'S SAVED MY LIFE
ON SEVERAL OCCASIONS.
308
00:14:13,143 --> 00:14:15,812
SHE IS A DAMN CRIMINAL
WHO GETS AWAY WITH IT.
309
00:14:15,855 --> 00:14:17,856
YOU NEVER HAD
A PROBLEM WITH BATMAN.
310
00:14:17,898 --> 00:14:19,232
YOU THOUGHT
HE WAS CUTE.
311
00:14:19,274 --> 00:14:20,734
BATMAN WAS DIFFERENT.
312
00:14:20,775 --> 00:14:23,070
HOW, MOM? HOW WAS
BATMAN DIFFERENT?
313
00:14:23,111 --> 00:14:28,116
HE REPRESENTED VALUES
I ACTUALLY BELIEVED IN.
314
00:14:28,158 --> 00:14:32,580
YOU MEAN,
HE'S NOT GAY.
315
00:14:32,620 --> 00:14:34,956
[EXHALES]
316
00:14:37,293 --> 00:14:39,253
SOPHIE: HEY, I DON'T
HAVE A LOT OF TIME,
317
00:14:39,294 --> 00:14:41,922
SO WE SHOULD PROBABLY
MAKE THIS QUICK.
318
00:14:41,963 --> 00:14:43,591
YOU OK?
319
00:14:43,631 --> 00:14:46,634
MY MOM, SHE--
320
00:14:46,677 --> 00:14:48,303
[SIGHS]
321
00:14:48,345 --> 00:14:49,804
I'M 28 YEARS OLD.
322
00:14:49,846 --> 00:14:52,682
I HAVE TWO DEGREES AND
OWN A CONDO ON A RIVER,
323
00:14:52,725 --> 00:14:54,684
AND I SPEND EVERY
WAKING MOMENT
324
00:14:54,726 --> 00:14:56,769
WONDERING IF
SHE'S PROUD OF ME.
325
00:14:56,812 --> 00:14:59,606
AND IF SHE WERE TO
FIND OUT ABOUT THIS--
326
00:14:59,648 --> 00:15:05,696
UPSIDE OF HAVING
TO HIDE IT--SHE WON'T.
327
00:15:07,865 --> 00:15:08,282
SO WHAT'S UP?
328
00:15:08,323 --> 00:15:10,658
I DID SOME DIGGING,
AND I THINK
329
00:15:10,701 --> 00:15:12,785
THE GOTHAM SERIAL SLASHER
IS TARGETING PATIENTS
330
00:15:12,827 --> 00:15:15,788
FROM A PLASTIC SURGEON BY
THE NAME OF ETHAN CAMPBELL.
331
00:15:15,831 --> 00:15:16,414
I KNOW HIM.
332
00:15:16,456 --> 00:15:19,125
HIS AFFIDAVIT CLEARED MY
BOSS OF MURDER CHARGES.
333
00:15:19,168 --> 00:15:20,251
THAT'S WHY I'M HERE.
334
00:15:20,293 --> 00:15:22,004
I NEED YOU TO FIND OUT
WHAT HE KNOWS.
335
00:15:22,046 --> 00:15:26,091
I HAVE NO AUTHORITY.
THE CROWS SUSPENDED ME.
336
00:15:26,133 --> 00:15:28,719
DOES CAMPBELL
KNOW THAT?
337
00:15:31,054 --> 00:15:32,847
THE LAST VICTIM
OF THE SLASHER
338
00:15:32,889 --> 00:15:35,267
WAS ALSO A PATIENT
OF YOURS--MIA CORTEZ.
339
00:15:35,308 --> 00:15:36,644
WE'RE WORRIED
THE NEXT VICTIM
340
00:15:36,684 --> 00:15:38,437
COULD BE A NAME
IN ONE OF THOSE FILES.
341
00:15:38,479 --> 00:15:40,605
KIMBERLY WRIGHT TOLD EVERY ONE
OF HER 10 MILLION FOLLOWERS
342
00:15:40,648 --> 00:15:45,027
ABOUT HER NOSE JOB, SO IF
IT'S A CASE OF JEALOUSY,
343
00:15:45,068 --> 00:15:47,988
YOU HAVE A LOT OF NAMES
TO SIFT THROUGH.
344
00:15:48,029 --> 00:15:49,822
ONE THEORY IS
SHE'S TARGETING
345
00:15:49,865 --> 00:15:52,158
COPYCAT SURGERIES.
346
00:15:52,201 --> 00:15:52,659
HAVE YOU EVER--
347
00:15:52,659 --> 00:15:55,788
CUT A SMILE INTO
A PATIENT'S FACE?
348
00:15:55,828 --> 00:16:00,292
NO, AGENT MOORE.
I CERTAINLY HAVE NOT.
349
00:16:00,333 --> 00:16:02,168
[SIGHS]
350
00:16:06,923 --> 00:16:10,760
THEN MAYBE SHE'S NOT
TARGETING COPYCATS.
351
00:16:10,802 --> 00:16:13,806
MAYBE SHE'S
MAKING COPYCATS.
352
00:16:13,846 --> 00:16:15,599
BY INFLICTING
HER VICTIMS
353
00:16:15,640 --> 00:16:17,350
WITH THE SAME
SCARS SHE HAS?
354
00:16:17,393 --> 00:16:18,851
HAVE YOU EVER
TREATED A WOMAN
355
00:16:18,894 --> 00:16:20,937
WITH THIS TYPE
OF SCARRING?
356
00:16:20,980 --> 00:16:25,109
UH, ACTUALLY, YES,
8 YEARS AGO.
357
00:16:25,149 --> 00:16:26,360
A TEENAGE GIRL
WAS BROUGHT TO ME
358
00:16:26,402 --> 00:16:29,738
WITH A PSYCHIATRIC RAP SHEET
AS LONG AS MY ARM,
359
00:16:29,779 --> 00:16:34,909
HAD THE WORST SELF-INFLICTED
SCARS I'VE EVER SEEN.
360
00:16:34,951 --> 00:16:37,745
SHE CUT
HER OWN FACE?
361
00:16:37,788 --> 00:16:40,164
YES. SHE DID.
362
00:16:42,750 --> 00:16:44,753
KATE: DUELA DENT. WHAT
CAN YOU FIND ON HER?
363
00:16:44,794 --> 00:16:47,798
LUKE, ON COMMS: DAUGHTER
OF EVELYN, FATHER UNKNOWN.
364
00:16:47,840 --> 00:16:50,174
HER UNCLE HARVEY
IS A BELOVED A.D.A.
365
00:16:50,216 --> 00:16:50,884
WAIT. HERE'S SOMETHING.
366
00:16:50,926 --> 00:16:53,511
SHE WAS JUST RELEASED FROM
A MENTAL HEALTH FACILITY.
367
00:16:53,553 --> 00:16:55,596
HOW DID YOU
GET HER NAME?
368
00:16:55,639 --> 00:16:56,264
BAT SOURCES, OK?
369
00:16:56,264 --> 00:16:58,767
WOULD THOSE BAT SOURCES
BE OF THE TALL, DARK,
370
00:16:58,808 --> 00:17:01,061
AND GIRLFRIEND-
MATERIAL VARIETY?
371
00:17:01,102 --> 00:17:03,647
I'M CHOOSING
TO IGNORE THAT.
372
00:17:03,688 --> 00:17:07,401
I FOUND SOMETHING.
373
00:17:10,695 --> 00:17:13,574
IT'S HER HIT LIST.
374
00:17:18,871 --> 00:17:21,330
RUN THE NAME
MYRTIS DINKER.
375
00:17:21,373 --> 00:17:23,083
MYRTIS DINKER?
376
00:17:23,125 --> 00:17:26,836
NOPE. NOTHING,
NO MYRTIS DINKER.
377
00:17:26,878 --> 00:17:31,049
OH, I HAVE AN IDEA.
378
00:17:31,090 --> 00:17:35,721
PRESS THE RED BUTTON
ON YOUR RIGHT GAUNTLET.
379
00:17:37,221 --> 00:17:38,640
OH.
380
00:17:38,682 --> 00:17:42,935
SORRY.
YOUR LEFT GAUNTLET.
381
00:17:43,854 --> 00:17:45,521
[WHIR]
382
00:17:45,564 --> 00:17:47,398
[CAMERA SHUTTER CLICKS]
383
00:17:47,441 --> 00:17:48,442
THAT WAS
YOUR UPGRADE?
384
00:17:48,483 --> 00:17:50,611
COWL CAM.
WHAT DO YOU THINK?
385
00:17:50,652 --> 00:17:51,236
USE THIS WITHOUT
MY PERMISSION,
386
00:17:51,278 --> 00:17:53,404
AND I WILL FIND A NEW PLACE
TO PUT MY BATARANG.
387
00:17:53,447 --> 00:17:57,159
YEAH. COPY THAT.
RUNNING THE IMAGE NOW.
388
00:17:59,744 --> 00:18:02,080
AND?
389
00:18:02,663 --> 00:18:06,167
I'M STILL WORKING
OUT THE BUGS. JUST--
390
00:18:11,882 --> 00:18:14,926
[DOOR CLOSES]
391
00:18:36,949 --> 00:18:39,660
[WOMAN MOANS]
392
00:18:44,664 --> 00:18:46,625
YOU'RE OK. IT'S OK.
393
00:18:46,666 --> 00:18:52,005
IT'S OK. I'M GONNA
GET YOU HELP. JUST--
394
00:18:53,882 --> 00:18:55,342
-HUH! HYAH!
-UHH!
395
00:18:55,384 --> 00:18:58,886
COME ANY CLOSER, AND I TURN
MY MOM INTO A PEZ DISPENSER.
396
00:18:58,929 --> 00:19:00,638
DUELA, YOU DO NOT
NEED TO DO THIS.
397
00:19:00,681 --> 00:19:01,848
AND SHE DIDN'T
HAVE TO FORCE ME
398
00:19:01,890 --> 00:19:03,517
TO BE SOMEONE I'M NOT,
SOMEONE I HATE,
399
00:19:03,558 --> 00:19:04,893
SOMEONE I CAN'T
EVEN LOOK AT,
400
00:19:04,934 --> 00:19:08,020
SO I'M GONNA GO, AND
YOU'RE GONNA NEED A MOP.
401
00:19:08,063 --> 00:19:11,023
NO! NO.
402
00:19:11,066 --> 00:19:13,067
STAY WITH ME.
STAY WITH ME.
403
00:19:13,109 --> 00:19:17,530
IT'S GONNA BE OK.
YOU'RE GONNA BE OK.
404
00:19:21,160 --> 00:19:24,954
I HAVE SPENT HOURS UPON HOURS
COOKING UP ALL THE WAYS
405
00:19:24,997 --> 00:19:28,040
THAT I COULD TORTURE
THAT VILE MAN.
406
00:19:28,083 --> 00:19:32,753
NOW THAT HE'S RIGHT HERE,
RIGHT UNDER MY NOSE, I--
407
00:19:32,796 --> 00:19:35,339
YOU'RE BLOCKED.
408
00:19:35,382 --> 00:19:39,927
EXACTLY,
DR. MALONE. HA HA!
409
00:19:39,970 --> 00:19:45,349
I AM BLOCKED.
AHH...
410
00:19:45,558 --> 00:19:47,394
OH, DON'T BE
SO HARD ON YOURSELF.
411
00:19:47,435 --> 00:19:49,104
I MEAN, IT'S
A NORMAL REACTION.
412
00:19:49,145 --> 00:19:51,355
VICTIMS HELD IN PHYSICAL
AND EMOTIONAL CAPTIVITY
413
00:19:51,397 --> 00:19:53,482
OFTENTIMES REVERT
BACK TO THE AGE
414
00:19:53,525 --> 00:19:56,444
THEY WERE HELD WHEN
FACING THEIR CAPTOR.
415
00:19:56,486 --> 00:20:01,074
SO WHAT ARE YOU SAYING,
I DON'T FIND CLOSURE?
416
00:20:01,115 --> 00:20:02,826
NO, OF COURSE NOT,
417
00:20:02,867 --> 00:20:04,577
BUT YOU CLEARLY HAVE
UNRESOLVED FEAR.
418
00:20:04,619 --> 00:20:08,789
MY FEAR IS THAT I WILL
KILL HIM INSTANTLY,
419
00:20:08,832 --> 00:20:13,586
FORGETTING TO RELISH
IN HIS SLOW
420
00:20:13,628 --> 00:20:15,547
AND PAINFUL DEMISE.
421
00:20:15,588 --> 00:20:17,507
THOSE ARE JUST YOUR
DEFENSES TALKING.
422
00:20:17,548 --> 00:20:21,929
I DON'T HAVE DEFENSES.
HA HA HA! MM...
423
00:20:21,970 --> 00:20:23,931
IF YOU DON'T MIND,
424
00:20:23,971 --> 00:20:26,474
IN MY PROFESSIONAL
OPINION,
425
00:20:26,516 --> 00:20:30,019
I SEE YOU PUTTING UP
A HARD, BLUSTERY EXTERIOR,
426
00:20:30,061 --> 00:20:32,105
BUT THE TRUTH IS,
427
00:20:32,146 --> 00:20:34,441
YOU ARE STILL
TERRIFIED OF THIS MAN.
428
00:20:34,482 --> 00:20:36,984
YOU ARE STILL JUST
A LITTLE GIRL,
429
00:20:37,027 --> 00:20:39,403
AND YOU KNOW WHEN YOU
CONFRONT HIM FACE TO FACE
430
00:20:39,445 --> 00:20:41,656
THAT HE WILL FIND
A WAY TO REGAIN
431
00:20:41,698 --> 00:20:46,411
THAT POWER OVER YOU
ONCE AGAIN.
432
00:20:49,122 --> 00:20:54,001
SO THEN SHRINK ME, HMM?
WHAT DO I DO?
433
00:20:54,044 --> 00:20:57,005
I SUGGEST
AN EMOTIONAL SHIELD,
434
00:20:57,047 --> 00:20:59,633
A THIRD PERSON THAT
ACTS AS A BUFFER
435
00:20:59,674 --> 00:21:02,594
BETWEEN YOU
AND THE ABUSER.
436
00:21:02,635 --> 00:21:07,974
WELL, YOU HAVE BEEN
INCREDIBLY HELPFUL,
437
00:21:08,016 --> 00:21:10,059
DR. MALONE. HA HA!
438
00:21:10,102 --> 00:21:12,980
I DO WISH WE COULD'VE
MADE THIS A WEEKLY AFFAIR.
439
00:21:13,020 --> 00:21:15,481
OH! NO. PLEASE. NO.
440
00:21:15,523 --> 00:21:17,526
I WON'T TELL ANYONE
YOU'RE ALIVE.
441
00:21:17,567 --> 00:21:19,528
PLEASE. I WON'T
TELL ANYONE.
442
00:21:19,568 --> 00:21:22,029
PLEASE! PLEASE DON'T.
443
00:21:22,071 --> 00:21:25,157
I WON'T TELL
ANYONE!
444
00:21:25,200 --> 00:21:27,786
[SIGHS]
445
00:21:32,540 --> 00:21:33,625
WELL, WELL,
446
00:21:33,666 --> 00:21:36,086
DR. FIX-ME THREATENED
WITH A LAWSUIT
447
00:21:36,127 --> 00:21:38,922
BY A 16-YEAR-OLD
WHO DID NOT CONSENT
448
00:21:38,963 --> 00:21:44,010
TO THE RESTORATIVE PLASTIC
SURGERY HE PERFORMED ON HER.
449
00:21:45,929 --> 00:21:47,346
HMM.
450
00:21:47,388 --> 00:21:51,309
WHAT AN INTERESTING,
LITTLE PSYCHOPATH.
451
00:21:52,059 --> 00:21:55,521
[PLIERS CLANKING]
452
00:22:04,489 --> 00:22:08,910
HOW LONG ARE YOU
GONNA KEEP ME HERE?
453
00:22:09,201 --> 00:22:11,913
AS LONG AS IT TAKES FOR YOU
TO COME TO YOUR SENSES.
454
00:22:11,954 --> 00:22:16,917
HA HA HA!
ALICE WILL FIND ME.
455
00:22:16,960 --> 00:22:20,838
MM. ALICE IS DEAD.
456
00:22:22,257 --> 00:22:23,924
NO.
457
00:22:23,967 --> 00:22:26,303
I SHOT HER.
458
00:22:26,345 --> 00:22:30,097
NO. NO.
459
00:22:30,140 --> 00:22:33,727
[SOBBING]
460
00:22:33,769 --> 00:22:35,019
NO. NO.
461
00:22:35,061 --> 00:22:37,230
SON...
NO. NO.
462
00:22:37,271 --> 00:22:39,607
YOU'RE BETTER OFF
WITHOUT HER.
463
00:22:39,648 --> 00:22:41,692
ALL SHE EVER DID
WAS PUT YOUR LIFE
464
00:22:41,734 --> 00:22:44,488
IN DANGER TO ADVANCE
HER OWN AGENDA.
465
00:22:44,528 --> 00:22:50,242
ALL I'VE DONE...
IS PROTECT YOU...
466
00:22:51,286 --> 00:22:54,163
FROM THE CRUELTY
OF THE WORLD.
467
00:22:54,205 --> 00:22:57,291
THE ONLY THING
CRUEL
468
00:22:57,334 --> 00:23:01,712
IN MY WORLD
IS YOU.
469
00:23:07,426 --> 00:23:09,429
YOU THINK
THAT WAY NOW,
470
00:23:09,471 --> 00:23:15,059
BUT IN TIME, YOU'LL
COME TO SEE THE TRUTH.
471
00:23:15,102 --> 00:23:16,769
WHAT ARE YOU DOING?
472
00:23:16,811 --> 00:23:18,646
WHAT ARE YOU DOING?
WHAT ARE YOU DOING?
473
00:23:18,688 --> 00:23:21,273
WHAT ARE--
WHAT ARE YOU DOING?
474
00:23:21,316 --> 00:23:23,609
[GASPING]
475
00:23:23,652 --> 00:23:25,112
[KNOCKS ON DOOR]
476
00:23:25,153 --> 00:23:25,820
MAN: YOU WANTED
TO SEE ME, SIR?
477
00:23:25,820 --> 00:23:29,324
JACOB: OUR FAVORITE
AMBULANCE CHASER BOBBY REEVES
478
00:23:29,365 --> 00:23:30,450
STOPPED BY.
479
00:23:30,491 --> 00:23:32,118
HE'S POKING AROUND
A MURDER CASE
480
00:23:32,160 --> 00:23:35,704
YOUR TEAM
RAN POINT ON.
481
00:23:35,747 --> 00:23:38,666
YEAH, HARD TO FORGET.
482
00:23:38,708 --> 00:23:40,251
HARRIS GUNNED DOWN
LUCIUS FOX
483
00:23:40,292 --> 00:23:42,170
AND A CASHIER
AT A SIP & DASH.
484
00:23:42,211 --> 00:23:43,380
WHAT'S THE PROBLEM?
485
00:23:43,422 --> 00:23:44,756
WE TURNED HIM OVER
TO THE GCPD.
486
00:23:44,798 --> 00:23:46,842
YEAH, TO STU DONNELLY,
THE OFFICER ACCUSED
487
00:23:46,883 --> 00:23:50,261
OF COERCING CONFESSIONS
IN AT LEAST 21 CASES.
488
00:23:50,302 --> 00:23:52,888
WE HANDED A LOT OF PERPS
OVER TO DONNELLY, COMMANDER.
489
00:23:52,931 --> 00:23:54,766
ARE WE SAYING
THEY'RE ALL INNOCENT?
490
00:23:54,807 --> 00:23:57,018
YOU DON'T FIND IT UNUSUAL
THAT THE SIP & DASH'S
491
00:23:57,059 --> 00:23:58,561
4 SECURITY CAMERAS
WEREN'T WORKING
492
00:23:58,603 --> 00:24:00,521
IN THE 5-HOUR WINDOW WHEN
THE ROBBERY TOOK PLACE?
493
00:24:00,564 --> 00:24:04,276
ONLY THING I FIND UNUSUAL
IS LUCIUS FOX WAS A HERO
494
00:24:04,317 --> 00:24:06,318
TO THE CITY AND
PEOPLE ARE TRYING
495
00:24:06,361 --> 00:24:10,281
TO SET
HIS KILLER FREE.
496
00:24:13,785 --> 00:24:15,953
I WAS WONDERING
WHEN YOU WERE GONNA
497
00:24:15,996 --> 00:24:18,623
HIT ME UP ABOUT
THE SLASHER CASE.
498
00:24:18,664 --> 00:24:20,000
HOW DID YOU KNOW?
499
00:24:20,040 --> 00:24:22,501
BECAUSE I AM SMART
AND PERCEPTIVE,
500
00:24:22,544 --> 00:24:24,671
TWO TRAITS PEOPLE
OFTEN OVERLOOK.
501
00:24:24,712 --> 00:24:27,132
ANYWAY, I WAS HOPING
THAT YOU COULD HELP ME
502
00:24:27,173 --> 00:24:28,967
I.D. SOMEONE, SOMEONE
THAT DOESN'T POP UP
503
00:24:29,009 --> 00:24:31,385
ON MY FACIAL
RECOGNITION SYSTEM.
504
00:24:31,428 --> 00:24:32,554
MM-HMM.
505
00:24:32,596 --> 00:24:35,182
OH, THAT'S
VERONICA MAY.
506
00:24:35,222 --> 00:24:35,848
-YOU SURE?
-YEAH.
507
00:24:35,891 --> 00:24:38,101
APPARENTLY, SHE CHANGED
HER NAME AFTER HIGH SCHOOL,
508
00:24:38,143 --> 00:24:40,479
AND IF MY NAME
WAS MYRTIS DINKER,
509
00:24:40,519 --> 00:24:43,440
I WOULD, TOO, AND I'M
GUESSING THE REASON
510
00:24:43,481 --> 00:24:45,442
WHY HER FACE STUMPED
YOUR BAT TECH IS BECAUSE
511
00:24:45,483 --> 00:24:48,819
THAT'S NOT HER NOSE
ANYMORE...OR HER CHIN.
512
00:24:48,862 --> 00:24:50,322
ANY IDEA HOW
I CAN FIND HER?
513
00:24:50,363 --> 00:24:53,115
WELL, SHE PRETTY MUCH LIVES
ON BOARD THE MAY-MOBILE.
514
00:24:53,157 --> 00:24:54,034
THE WHAT?
515
00:24:54,075 --> 00:24:55,201
IT'S PART
MAKEOVER TRUCK,
516
00:24:55,242 --> 00:24:57,244
PART ROLLING BILLBOARD
FOR HER MAKEUP LINE.
517
00:24:57,287 --> 00:25:01,249
JUST LOOK FOR THE GAUDIEST
THING ON THE ROAD.
518
00:25:01,290 --> 00:25:03,667
KATE, ON COMMS: WE NEED TO
FIND THAT COSMETICS TRUCK.
519
00:25:03,710 --> 00:25:06,755
I APPRECIATE THAT,
BUT A TRUCK IN GOTHAM,
520
00:25:06,796 --> 00:25:09,173
KIND OF A NEEDLE
IN A HAYSTACK.
521
00:25:09,215 --> 00:25:10,967
THE NEEDLE
IS HOT PINK.
522
00:25:11,009 --> 00:25:12,259
THAT NARROWS IT DOWN.
523
00:25:12,301 --> 00:25:14,221
LET ME RUN A COLOR FILTER
ON THE SATELLITE.
524
00:25:14,261 --> 00:25:16,681
[BEEPING]
525
00:25:16,722 --> 00:25:19,518
OK. WE'VE GOT
A ICE CREAM TRUCK,
526
00:25:19,558 --> 00:25:22,269
AN UNFORTUNATE
PAINT JOB ON A LAMBO.
527
00:25:22,311 --> 00:25:25,272
[BEEPING]
528
00:25:25,315 --> 00:25:27,733
THAT'S NOT GOOD.
529
00:25:28,192 --> 00:25:31,654
[BATCYCLE APPROACHES]
530
00:25:38,118 --> 00:25:42,499
DUELA'S BEEN HERE,
NO SIGN OF VERONICA.
531
00:25:43,165 --> 00:25:46,920
HOLD UP. I THINK
I GOT COMPANY.
532
00:25:48,421 --> 00:25:50,339
SHOULDN'T BE HERE.
533
00:25:50,382 --> 00:25:50,965
NEITHER SHOULD YOU.
534
00:25:50,965 --> 00:25:53,093
I'VE BEEN LISTENING IN
TO THE CROWS' RADIO.
535
00:25:53,134 --> 00:25:54,426
THEY'LL BE HERE
ANY MINUTE.
536
00:25:54,469 --> 00:25:55,010
I'M NOT LEAVING
UNTIL I FIND
537
00:25:55,052 --> 00:25:57,346
EVERY SINGLE PERSON
THAT WAS IN THAT TRUCK.
538
00:25:57,388 --> 00:26:01,393
LOOKS LIKE DUELA FORCED
THEM INTO ANOTHER VEHICLE.
539
00:26:01,433 --> 00:26:03,353
WHY HERE?
540
00:26:03,394 --> 00:26:04,144
[TYPING]
541
00:26:04,144 --> 00:26:07,315
UH, VERONICA'S SKIN CARE LINE IS
MADE AT A PLANT DOWN THE ROAD.
542
00:26:07,356 --> 00:26:09,817
MAN: YOU BY THE TRUCK,
PUT YOUR HANDS IN THE AIR NOW.
543
00:26:09,858 --> 00:26:11,403
WE HAVE TO GET
OUT OF HERE.
544
00:26:11,443 --> 00:26:13,863
GET OUT OF HERE NOW.
COME ON.
545
00:26:13,904 --> 00:26:16,199
-GET ON.
-WAIT. WHAT?
546
00:26:16,240 --> 00:26:18,285
GET ON.
547
00:26:18,326 --> 00:26:21,328
[SIRENS]
548
00:26:24,332 --> 00:26:27,836
[TIRES SCREECH]
549
00:26:42,433 --> 00:26:45,185
[ITEMS DROPPING]
550
00:26:47,896 --> 00:26:50,442
WHAT THE HELL
ARE YOU DOING?
551
00:26:50,482 --> 00:26:52,027
[GASPS]
552
00:26:52,067 --> 00:26:53,653
OH, I'M SORRY.
553
00:26:53,694 --> 00:26:54,903
DO YOU HAVE A PROBLEM
554
00:26:54,945 --> 00:26:57,156
WITH PEOPLE STEALING
MEDICAL SUPPLIES?
555
00:26:57,198 --> 00:27:00,451
BECAUSE, UM...HI.
556
00:27:00,492 --> 00:27:02,494
I THOUGHT I MADE IT CLEAR
HOW I FELT ABOUT YOU
557
00:27:02,537 --> 00:27:03,038
WHEN I LEFT YOU
TO DIE.
558
00:27:03,078 --> 00:27:06,958
YOU DID, BUT THEN
I SAVED YOUR LIFE,
559
00:27:07,000 --> 00:27:10,336
AND NOW
YOU OWE ME, SO--
560
00:27:10,377 --> 00:27:12,422
DID BATWOMAN
NOT TELL YOU?
561
00:27:12,463 --> 00:27:13,548
NOT TELL ME WHAT?
562
00:27:13,589 --> 00:27:14,798
AFTER NOCTURNA
DRAINED YOUR BLOOD,
563
00:27:14,840 --> 00:27:15,342
YOU WERE
ON DEATH'S DOOR.
564
00:27:15,383 --> 00:27:17,551
I FOUND YOU AND
REVIVED YOU WITH MY OWN,
565
00:27:17,594 --> 00:27:21,597
MEANING I LITERALLY PUMPED
LIFE BACK INTO YOUR VEINS.
566
00:27:21,640 --> 00:27:24,558
UGH, I NEED
A BLEACH TRANSFUSION.
567
00:27:24,601 --> 00:27:27,895
OH, I'LL TAKE THAT
AS A THANK YOU.
568
00:27:27,936 --> 00:27:29,355
WHY WOULD YOU
DO THAT?
569
00:27:29,396 --> 00:27:33,692
LET'S JUST SAY IT WAS
MORE ABOUT BATWOMAN
570
00:27:33,734 --> 00:27:37,072
AND LESS ABOUT YOU.
571
00:27:37,113 --> 00:27:39,824
THANKS
FOR THE GOODS.
572
00:27:39,865 --> 00:27:44,203
DO YOU KNOW
WHO SHE IS?
573
00:27:44,244 --> 00:27:46,205
BATWOMAN?
574
00:27:46,247 --> 00:27:48,833
OF COURSE I DO.
575
00:27:48,875 --> 00:27:52,378
OH, DO YOU NOT?
576
00:27:52,420 --> 00:27:53,546
SAD.
577
00:27:53,587 --> 00:27:56,383
GUESS YOU TWO AREN'T
REALLY PALS AFTER ALL.
578
00:27:56,423 --> 00:27:59,426
HMM.
579
00:28:01,429 --> 00:28:05,099
VERONICA: AAH!
580
00:28:05,141 --> 00:28:08,603
AAH!
581
00:28:10,605 --> 00:28:14,233
DUELA, STOP.
PLEASE LET ME DOWN.
582
00:28:14,275 --> 00:28:16,361
I'M HELPING YOU,
VERONICA--
583
00:28:16,403 --> 00:28:18,738
OH, I MEAN, MYRTIS.
584
00:28:18,779 --> 00:28:21,407
OH...
585
00:28:21,449 --> 00:28:21,990
OHH!
586
00:28:21,990 --> 00:28:24,868
OH, MY GOD, LOOK.
YOU MADE YOUR POINT, OK?
587
00:28:24,911 --> 00:28:27,955
I WASN'T A GREAT FRIEND
AFTER THE INCIDENT,
588
00:28:27,997 --> 00:28:30,290
BUT, HONESTLY,
I WAS AFRAID OF YOU.
589
00:28:30,333 --> 00:28:31,875
BECAUSE I WAS
FINALLY HAPPY?
590
00:28:31,917 --> 00:28:35,212
HAPPY PEOPLE DON'T
SLICE THEIR FACES OPEN.
591
00:28:35,255 --> 00:28:38,508
HA! WHAT
DO THEY DO, HMM,
592
00:28:38,549 --> 00:28:41,301
SHAVE A BONE
OFF THEIR NOSE,
593
00:28:41,344 --> 00:28:43,011
SLIT THEIR
EYELIDS OPEN,
594
00:28:43,054 --> 00:28:45,597
STAB NEEDLES
INTO THEIR LIPS?
595
00:28:45,640 --> 00:28:47,057
YOU KNOW,
THE ONLY DIFFERENCE
596
00:28:47,099 --> 00:28:50,519
BETWEEN YOU AND ME IS THAT
I GOT INSTITUTIONALIZED
597
00:28:50,561 --> 00:28:52,396
AND YOU GOT FAMOUS.
598
00:28:52,439 --> 00:28:55,316
MY MOTHER WANTED ME
TO BE YOU.
599
00:28:55,357 --> 00:28:57,609
PUT ME DOWN,
YOU PSYCHO!
600
00:28:57,652 --> 00:28:59,988
IT'S TIME TO SHOW
THE WORLD WHAT I SEE
601
00:29:00,028 --> 00:29:03,031
WHEN I LOOK
AT VERONICA MAY.
602
00:29:03,074 --> 00:29:07,828
NO! DUELA, STOP!
PLEASE DON'T!
603
00:29:07,871 --> 00:29:10,289
NO!
604
00:29:18,631 --> 00:29:22,050
GOING SOMEWHERE?
605
00:29:22,093 --> 00:29:24,511
UH! UH! UH!
606
00:29:24,554 --> 00:29:27,723
[BOTH GRUNTING]
607
00:29:28,641 --> 00:29:30,184
AGH!
608
00:29:30,226 --> 00:29:32,436
OH! UH!
609
00:29:32,479 --> 00:29:36,982
AAH! HELP!
610
00:29:42,238 --> 00:29:45,657
[CREAKING]
611
00:29:50,078 --> 00:29:53,249
[BOTH GRUNTING]
612
00:30:06,304 --> 00:30:08,515
[WHIRRING]
613
00:30:11,851 --> 00:30:14,103
AAH!
614
00:30:16,230 --> 00:30:20,818
TELL ME SOMEONE
GOT THAT ON CAMERA.
615
00:30:30,869 --> 00:30:33,248
SOPHIE: SO SHOULD
I TAKE VERONICA UP
616
00:30:33,288 --> 00:30:35,583
ON HER OFFER
TO SHARE AN UBER?
617
00:30:35,625 --> 00:30:37,710
CALL ME CRAZY,
BUT I FELT
618
00:30:37,751 --> 00:30:39,753
LIKE WE MADE
A GOOD TEAM IN THERE.
619
00:30:39,796 --> 00:30:42,757
-WE DID.
-BUT?
620
00:30:42,798 --> 00:30:45,593
HOW DO YOU SEE
THIS PLAYING OUT--
621
00:30:45,634 --> 00:30:46,970
DINNER, MOVIE,
622
00:30:47,010 --> 00:30:49,430
I TAKE YOU BACK
TO MY CAVE?
623
00:30:49,471 --> 00:30:50,765
YOU LIVE IN A CAVE?
624
00:30:50,807 --> 00:30:54,102
ALLIE MOSS: ♪ COLD CONCRETE
BENEATH MY BACK ♪
625
00:30:54,143 --> 00:30:55,394
I DON'T KNOW.
626
00:30:55,435 --> 00:30:56,813
GUESS I HAVEN'T REALLY
THOUGHT ABOUT IT.
627
00:30:56,855 --> 00:30:59,898
IF I WERE TO TELL YOU
WHO I AM RIGHT NOW,
628
00:30:59,941 --> 00:31:01,859
WOULD YOU
WANT TO KNOW?
629
00:31:01,901 --> 00:31:02,777
WHAT?
630
00:31:02,818 --> 00:31:04,069
BECAUSE ONCE
THAT HAPPENS,
631
00:31:04,112 --> 00:31:06,154
I'M NO LONGER
A SECRET.
632
00:31:06,196 --> 00:31:09,116
I'M A FACE,
A PERSON,
633
00:31:09,157 --> 00:31:13,579
A WOMAN, AND I BRING
ALL THE COMPLICATIONS
634
00:31:13,621 --> 00:31:15,498
THAT COME WITH THAT,
SO DO YOU WANT TO BE
635
00:31:15,539 --> 00:31:18,417
IN A REAL RELATIONSHIP,
OR DO YOU WANT TO BE
636
00:31:18,459 --> 00:31:22,046
WITH SOMEONE YOU
CAN KEEP SECRET?
637
00:31:22,087 --> 00:31:25,465
BECAUSE WE CAN NEVER
BE MORE THAN THIS,
638
00:31:25,508 --> 00:31:29,386
AND THAT SHOULDN'T
BE ENOUGH.
639
00:31:31,806 --> 00:31:34,182
YOU'RE RIGHT.
640
00:31:34,893 --> 00:31:37,353
AS LONG AS I'M WITH
A WOMAN WHO WEARS A MASK,
641
00:31:37,394 --> 00:31:40,731
I'LL ALWAYS BE
WEARING ONE MYSELF.
642
00:31:41,773 --> 00:31:45,653
I THINK I HAVE SOME THINGS
I NEED TO TAKE CARE OF.
643
00:31:45,694 --> 00:31:48,615
I'LL LET THE GCPD
KNOW ABOUT DUELA.
644
00:31:48,655 --> 00:31:54,077
MOSS: ♪ WHEN YOU'RE DOWN,
DOWN, DOWN... ♪
645
00:31:54,119 --> 00:31:57,123
GOOD-BYE, SOPHIE.
646
00:31:57,164 --> 00:32:00,250
MOSS: ♪ NO FURTHER TO FALL ♪
647
00:32:00,292 --> 00:32:05,339
♪ WHEN YOU'RE ON THE FLOOR ♪
648
00:32:05,381 --> 00:32:15,141
♪ AND YOU'RE ALREADY DOWN,
DOWN, DOWN, DOWN ♪
649
00:32:15,182 --> 00:32:22,397
♪ DOWN, DOWN, DOWN, DOWN ♪
650
00:32:22,440 --> 00:32:24,858
♪ I KNOW ♪
651
00:32:26,486 --> 00:32:28,028
[FOOTSTEPS]
652
00:32:28,070 --> 00:32:30,781
WHO'S THERE?
PLEASE HELP.
653
00:32:30,823 --> 00:32:33,785
UNTIE ME, PLEASE.
WHO'S THERE?
654
00:32:33,826 --> 00:32:34,368
AN ALLY.
655
00:32:34,410 --> 00:32:38,288
YOU AND I WERE BOTH
WRONGED BY THE SAME MAN.
656
00:32:38,330 --> 00:32:39,958
HE TOOK MY ADOLESCENCE
657
00:32:39,999 --> 00:32:42,751
JUST LIKE HE TOOK
YOUR SMILE.
658
00:32:42,794 --> 00:32:46,338
I WILL GET REVENGE FOR
BOTH OF US, BUT FIRST,
659
00:32:46,381 --> 00:32:50,425
I'M GONNA NEED A LITTLE
SOMETHING FROM YOU, HMM?
660
00:32:56,223 --> 00:32:57,849
WANT TO EXPLAIN THIS?
661
00:32:57,892 --> 00:33:00,060
IT'S A BANK
STATEMENT.
662
00:33:00,103 --> 00:33:01,813
I KNOW IT'S
A BANK STATEMENT.
663
00:33:01,854 --> 00:33:03,897
I DON'T KNOW WHY THE CROWS
SENT A SIP & DASH
664
00:33:03,940 --> 00:33:06,942
$50,000 AFTER
THE LUCIUS FOX MURDER.
665
00:33:06,984 --> 00:33:08,694
IT SAYS RIGHT HERE,
"CODE 501."
666
00:33:08,736 --> 00:33:10,153
IT'S A RESTORATION
COURTESY PAYMENT
667
00:33:10,195 --> 00:33:12,573
FOR US TRASHING THE PLACE
WHEN WE ARRESTED HARRIS.
668
00:33:12,615 --> 00:33:14,282
SO THIS MONEY HAS
NOTHING TO DO WITH
669
00:33:14,325 --> 00:33:16,243
THE LOST
SECURITY FOOTAGE.
670
00:33:16,285 --> 00:33:17,412
YOU DON'T
REALLY THINK
671
00:33:17,452 --> 00:33:21,499
A CROW WOULD
DESTROY EVIDENCE.
672
00:33:26,086 --> 00:33:29,882
ALAINA CROSS:
♪ LIKE THE HUNTER ♪
673
00:33:29,923 --> 00:33:31,884
♪ ON HIS PREY ♪
674
00:33:31,925 --> 00:33:34,679
♪ ONCE YOU THINK
YOU GOT ME TRAPPED ♪
675
00:33:34,721 --> 00:33:38,223
♪ I MAKE MY ESCAPE... ♪
676
00:33:38,266 --> 00:33:41,894
THOUGHT DISPATCH SAID
SHE WAS LOCKED UP.
677
00:33:41,935 --> 00:33:46,148
CROSS: ♪ I'M COMING
OUT OF MY CAGE ♪
678
00:33:48,233 --> 00:33:52,864
♪ I'M COMING OUT OF MY CAGE ♪
679
00:33:52,904 --> 00:33:56,116
DUELA...
680
00:33:56,159 --> 00:33:58,911
HOW...DID YOU
GET IN HERE?
681
00:33:58,952 --> 00:34:03,750
JUST FLASHED THAT
PRETTY SMILE YOU GAVE ME.
682
00:34:04,500 --> 00:34:06,711
-BACK!
-OUTSIDE.
683
00:34:06,752 --> 00:34:08,086
OVER HERE.
684
00:34:08,128 --> 00:34:08,670
IS THAT
THE SLASHER?
685
00:34:08,713 --> 00:34:13,842
CROSS: ♪ I'M COMING
OUT OF MY CAGE ♪
686
00:34:13,885 --> 00:34:16,387
♪ I'M COMING OUT OF MY ♪
687
00:34:16,429 --> 00:34:18,264
LORD HAVE MERCY.
688
00:34:18,306 --> 00:34:21,684
I'M FINALLY PERFECT.
689
00:34:21,726 --> 00:34:24,561
YOU SHOULDN'T
BE HERE, DUELA.
690
00:34:24,603 --> 00:34:29,733
SORRY. YOU GOT
THE WRONG GIRL.
691
00:34:32,360 --> 00:34:34,280
-HEH.
-NO.
692
00:34:34,322 --> 00:34:37,240
NO. YOU'RE DEAD.
I--I SHOT YOU.
693
00:34:37,282 --> 00:34:40,994
OH, AGAIN, YOU GOT
THE WRONG GIRL.
694
00:34:41,036 --> 00:34:47,418
YOU LIKE TAKING THINGS
FROM CHILDREN, DON'T YOU?
695
00:34:47,460 --> 00:34:53,132
WELL, WE'RE ALL
GROWN UP NOW
696
00:34:53,173 --> 00:34:55,217
AND HERE FOR
A LITTLE PAYBACK.
697
00:34:55,259 --> 00:34:58,221
CROSS: ♪ I'M COMING
OUT OF MY CAGE ♪
698
00:35:01,556 --> 00:35:04,893
JACOB: MOORE, IT'S ME. LOOK.
699
00:35:04,936 --> 00:35:07,313
I MAY QUESTION
YOUR DECISION-MAKING
700
00:35:07,355 --> 00:35:08,898
WHEN IT COMES TO BATWOMAN,
701
00:35:08,940 --> 00:35:11,858
BUT I'VE NEVER QUESTIONED
YOUR INTEGRITY,
702
00:35:11,900 --> 00:35:15,320
AND AT THE MOMENT,
I NEED IT MORE THAN EVER.
703
00:35:15,362 --> 00:35:18,407
I THINK THE CROWS
HAVE A MAJOR PROBLEM.
704
00:35:18,449 --> 00:35:21,994
I'LL EXPLAIN
WHEN YOU CALL ME BACK.
705
00:35:28,876 --> 00:35:31,838
[PING]
706
00:35:32,797 --> 00:35:35,173
[DOOR OPENS]
707
00:35:36,967 --> 00:35:40,387
NOT SURE HOW CHARGING
$5.00 FOR A COFFEE
708
00:35:40,429 --> 00:35:41,847
IS NOT A CRIMINAL
OFFENSE.
709
00:35:41,889 --> 00:35:45,059
HA HA HA!
HA HA HA!
710
00:35:45,101 --> 00:35:49,230
I THINK YOU'RE GONNA
NEED SOMETHING STRONGER.
711
00:35:51,231 --> 00:35:53,943
I LIED TO YOU
THE OTHER DAY.
712
00:35:53,985 --> 00:35:56,362
THAT'S WHAT I DO NOW.
713
00:35:56,403 --> 00:35:58,989
I LIE.
I LIE SO MUCH,
714
00:35:59,030 --> 00:36:02,201
I DON'T EVEN REALIZE
I'M DOING IT ANYMORE.
715
00:36:02,242 --> 00:36:08,708
OH, SOPHIE...
WHAT LIE?
716
00:36:08,748 --> 00:36:12,170
[SIGHS]
717
00:36:12,210 --> 00:36:15,547
I DIDN'T BREAK UP
WITH TYLER
718
00:36:15,590 --> 00:36:20,385
BECAUSE I FELL
OUT OF LOVE WITH HIM.
719
00:36:20,427 --> 00:36:21,971
I BROKE UP WITH TYLER
720
00:36:22,012 --> 00:36:25,349
BECAUSE I WAS NEVER
IN LOVE WITH HIM.
721
00:36:25,391 --> 00:36:29,019
SWEETHEART, I NEED YOU
TO START MAKING SENSE.
722
00:36:29,061 --> 00:36:31,063
WHEN I WAS
AT POINT ROCK...
723
00:36:31,105 --> 00:36:32,898
MM-HMM?
724
00:36:32,940 --> 00:36:35,985
I MET SOMEONE,
725
00:36:36,027 --> 00:36:38,737
AND FOR THE FIRST TIME,
726
00:36:38,778 --> 00:36:43,117
I WAS HAPPY, REALLY,
REALLY HAPPY...
727
00:36:43,159 --> 00:36:44,159
OH...
728
00:36:44,202 --> 00:36:46,329
AND I WANT TO FIND
THAT AGAIN.
729
00:36:46,369 --> 00:36:50,583
OK. OK. THEN GO
FIND HIM, HONEY.
730
00:36:50,625 --> 00:36:52,293
GO FIND HIM.
731
00:36:52,335 --> 00:36:55,630
IT WASN'T A HIM, MOM.
732
00:36:57,172 --> 00:36:59,759
IT WAS A HER.
733
00:36:59,800 --> 00:37:03,346
FOR YEARS,
I KEPT IT A SECRET.
734
00:37:03,387 --> 00:37:06,097
I THOUGHT
I COULD HAVE BOTH--
735
00:37:06,139 --> 00:37:09,351
THE VERSION OF ME
THAT MY SCHOOL
736
00:37:09,393 --> 00:37:12,938
AND MY FAMILY
COULD BE PROUD OF
737
00:37:12,980 --> 00:37:17,275
AND THE VERSION OF ME
WHO KNEW WHO SHE WAS.
738
00:37:17,318 --> 00:37:17,860
OHH...
739
00:37:17,902 --> 00:37:21,947
WOMAN: ♪ I TRY NOT
TO HOLD MY BREATH ♪
740
00:37:21,989 --> 00:37:27,702
SO THE GOOD LORD DIDN'T
MAKE IT HARD ENOUGH ON YOU,
741
00:37:27,744 --> 00:37:30,331
NOT ENOUGH TO BE
A WOMAN OF COLOR,
742
00:37:30,373 --> 00:37:33,083
NOT ENOUGH TO COME
FROM NOTHING,
743
00:37:33,125 --> 00:37:35,085
NOT ENOUGH TO HAVE
TO PROVE YOUR DAMN WORTH
744
00:37:35,126 --> 00:37:37,170
TO THE WORLD
EVERY TIME YOU WANT
745
00:37:37,213 --> 00:37:39,047
TO BE PART OF IT, HUH?
746
00:37:39,090 --> 00:37:41,842
YOU GOT TO ADD THIS
ON TOP OF IT?
747
00:37:41,884 --> 00:37:44,052
I DIDN'T ASK FOR THIS,
748
00:37:44,094 --> 00:37:46,972
JUST LIKE I DIDN'T ASK
FOR ANY OF THOSE THINGS,
749
00:37:47,014 --> 00:37:49,641
BUT EACH OF THEM
MAKE ME WHO I AM.
750
00:37:49,684 --> 00:37:53,019
AND WHY AM I ONLY
HEARING ABOUT IT NOW?
751
00:37:53,061 --> 00:37:55,021
BECAUSE I DIDN'T WANT
YOU TO LOOK AT ME
752
00:37:55,063 --> 00:37:56,481
THE WAY YOU'RE
LOOKING AT ME NOW.
753
00:37:56,523 --> 00:38:02,655
OH, SOPHIE, I AM SO SORRY
ABOUT THAT, SWEETHEART.
754
00:38:04,072 --> 00:38:08,786
WHAT'D YOU EXPECT
DISAPPOINTMENT TO LOOK LIKE?
755
00:38:08,827 --> 00:38:10,579
[DOOR OPENS]
756
00:38:10,621 --> 00:38:11,998
[DOOR CLOSES]
757
00:38:12,039 --> 00:38:18,713
WOMAN: ♪ WHY DID I BEND
WHEN I NEEDED... ♪
758
00:38:19,380 --> 00:38:21,507
YOU LOOK LIKE YOU
HAD A LONG NIGHT.
759
00:38:21,548 --> 00:38:24,050
MORE LIKE
A REALLY LONG DAY.
760
00:38:24,092 --> 00:38:26,846
IF YOU WANT
TO TALK ABOUT IT,
761
00:38:26,887 --> 00:38:29,222
YOU WANT TO TALK
ABOUT ANYTHING,
762
00:38:29,264 --> 00:38:31,684
YOU KNOW
I'M HERE, RIGHT?
763
00:38:31,726 --> 00:38:33,601
I...LOST A PIECE
OF REAL ESTATE
764
00:38:33,643 --> 00:38:35,228
I HAD MY HEART
SET ON,
765
00:38:35,271 --> 00:38:37,063
BUT WASN'T
THE RIGHT MOVE.
766
00:38:37,106 --> 00:38:40,067
TIMING WAS OFF.
767
00:38:40,108 --> 00:38:43,112
OH. HUH.
768
00:38:44,362 --> 00:38:45,697
DO YOU REMEMBER
THE DAY
769
00:38:45,739 --> 00:38:47,199
THAT YOU CAME
BACK TO GOTHAM?
770
00:38:47,240 --> 00:38:48,742
I THREW YOU THAT
WELCOME-HOME PARTY,
771
00:38:48,784 --> 00:38:50,702
AND THEN 6 HOURS LATER,
I WAS STITCHING UP
772
00:38:50,744 --> 00:38:52,371
YOUR SHOULDER,
TELLING YOU THAT
773
00:38:52,413 --> 00:38:54,456
I OWNED
AN ILLEGAL CLINIC.
774
00:38:54,498 --> 00:38:57,126
OF COURSE I REMEMBER.
775
00:38:57,168 --> 00:38:59,878
IT NEVER ONCE
OCCURRED TO ME
776
00:38:59,920 --> 00:39:01,713
THAT YOU'D TELL
MY MOM OR YOUR DAD
777
00:39:01,755 --> 00:39:03,923
THAT I WAS LIVING
A DOUBLE LIFE
778
00:39:03,965 --> 00:39:06,677
OR THAT YOU'D TRY
TO SHUT ME DOWN
779
00:39:06,719 --> 00:39:08,471
OR TELL ME
I COULD GET SUED
780
00:39:08,512 --> 00:39:12,641
OR KICKED OUT OF SCHOOL
OR ARRESTED.
781
00:39:16,269 --> 00:39:19,106
I KNEW I DIDN'T
HAVE TO WORRY
782
00:39:19,148 --> 00:39:21,775
ABOUT YOU JUDGING ME
783
00:39:21,817 --> 00:39:26,405
BECAUSE
I TRUSTED YOU...
784
00:39:27,697 --> 00:39:30,076
SO I HOPE ONE DAY
THAT YOU FEEL
785
00:39:30,117 --> 00:39:33,119
THE SAME WAY ABOUT ME.
786
00:39:47,842 --> 00:39:49,887
[DOOR OPENS]
787
00:39:51,262 --> 00:39:53,556
[DOOR CLOSES]
788
00:39:58,144 --> 00:40:00,981
[STRAINING]
789
00:40:05,693 --> 00:40:08,614
WHAT DO YOU WANT?
790
00:40:09,697 --> 00:40:14,161
FOR YOU
TO DROP THE ACT
791
00:40:14,202 --> 00:40:16,914
AND THE FACE.
792
00:40:16,956 --> 00:40:19,875
UH!
793
00:40:25,213 --> 00:40:28,217
MM...
794
00:40:28,259 --> 00:40:34,139
I THOUGHT I WOULD NEVER
HAVE TO SEE YOU AGAIN,
795
00:40:34,181 --> 00:40:36,599
BUT I WAS WRONG.
796
00:40:36,641 --> 00:40:42,898
I SEE THIS FACE EVERY
NIGHT AS I GO TO SLEEP
797
00:40:42,940 --> 00:40:45,693
AND EVERY MORNING
AS I WAKE,
798
00:40:45,733 --> 00:40:49,237
AND SOMETIMES
WHEN I CLOSE MY EYES
799
00:40:49,280 --> 00:40:51,072
AND SHAKE TOO LONG.
800
00:40:51,114 --> 00:40:54,534
IF YOU'RE GONNA
KILL ME, DO IT.
801
00:40:54,577 --> 00:40:58,329
KILL ME.
GET IT OVER WITH.
802
00:40:58,371 --> 00:41:00,206
SHH SHH.
803
00:41:00,248 --> 00:41:03,960
WE MUSTN'T SPEAK
SUCH NONSENSE.
804
00:41:04,003 --> 00:41:06,172
I WOULD
NEVER KILL YOU,
805
00:41:06,213 --> 00:41:10,300
AT LEAST NOT WITH THESE
NIMBLE, LITTLE FINGERS.
806
00:41:10,342 --> 00:41:12,802
WHAT DO YOU WANT?
807
00:41:12,844 --> 00:41:14,554
MY BROTHER MOUSE.
808
00:41:14,597 --> 00:41:18,266
SURELY, YOU HAVE HIM,
AND I WANT HIM,
809
00:41:18,309 --> 00:41:20,393
SO WHERE IS HE?
810
00:41:20,436 --> 00:41:23,271
HA HA HA!
811
00:41:23,313 --> 00:41:26,983
WHY IS THAT
SO FUNNY?
812
00:41:27,025 --> 00:41:30,320
-HA HA HA!
-WHAT?
813
00:41:30,362 --> 00:41:33,114
YEAH. YEAH.
814
00:41:33,157 --> 00:41:36,159
I WILL TELL YOU
WHERE YOU CAN FIND
815
00:41:36,202 --> 00:41:39,038
YOUR...
816
00:41:39,079 --> 00:41:42,333
PRECIOUS MOUSE.
817
00:41:42,373 --> 00:41:44,918
[GASPING]
818
00:41:51,425 --> 00:41:54,552
[MUFFLED SHOUTING]
819
00:42:20,036 --> 00:42:22,539
MAN: GREG, MOVE YOUR HEAD.
63265
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