Original subtitles

WOMAN: DUELA, HURRY UP.

IT'S TIME TO GO.

[SIGHS]

DUELA, VOICE-OVER: FIRST, APPLY

YOUR BASE AND RUB IT ALL AROUND.

THEN FOLLOW YOUR HOLLOW

TO SHAVE OFF THE POUNDS.

FINE-LINE YOUR LIPS TO HIDE

THAT OFF-PUTTING FROWN.

[PENCIL CLATTERS]

WOMAN: DUELA GET OUT HERE.

WE HAVE TO GO.

COME ON. WE'RE GONNA BE LATE.

DUELA, I AM SO NOT KIDDING.

AAH!

OH, MY GOD, YOUR--

YOUR FACE.

[BOSCO ROGERS' "FRENCH KISS"

PLAYING]

BARTH CORBELET: ♪ YOU KISS MY

LIPS SO, SO GUILTILY ♪

HAVE A GOOD ONE.

♪ NOW THE PASSION

IS GONE FROM YOUR EYES ♪

MARY, HEY.

HI.

-SUPER CUTE BOOTS.

-THANKS.

YOU'RE

IN A GOOD MOOD.

YOU SAY THAT LIKE

IT'S A BAD THING.

WHERE'S MY COWL?

IN THE SHOP. GIVING IT

A LITTLE UPGRADE.

UPGRADE? HMM.

LIKE...

X-RAY VISION?

NOPE.

ECHOLOCATION.

OH, THAT WAS

A GOOD IDEA, BUT NO.

SOMEBODY'S

IN A GOOD MOOD.

AM I?

MARY: YOU SO ARE,

LIKE GIDDY HAPPY.

I'M NOT ALLOWED

TO BE HAPPY?

YOU JUST GOT SUSPENDED

FROM THE CROWS, SO NO.

MM.

OH, MY GOD. YOU'RE

SLEEPING WITH SOMEONE.

KATE: I'M NOT

SLEEPING WITH ANYONE,

BUT CAN WE PLEASE

PAUSE FOR A MOMENT

TO APPRECIATE THE FACT

THAT THOSE WORDS

ACTUALLY CAME

OUT OF YOUR MOUTH?

MARY: OK. FINE.

HOOKING UP WITH.

-WE SHARED A MOMENT.

-WITH?

-WITH?

-IF YOU TELL ANYONE,

IT'LL TAKE ME AN HOUR

TO HIDE YOUR BODY.

UH-HUH. SPILL.

BATWOMAN.

LUKE: NO,

YOU DIDN'T.

IT WAS A PECK THAT

LASTED SEVERAL MINUTES.

BATWOMAN CAN'T

HAVE A GIRLFRIEND.

IT WAS A KISS, LUKE.

YEAH, LAST NIGHT.

THEN WHAT?

DO YOU REALLY WANT TO KNOW

THE ANSWER TO THAT?

DOES SHE KNOW

WHO YOU ARE?

SOPHIE: I HAVE NO IDEA,

WHICH, I ADMIT, IS

A LITTLE STRANGE, BUT--

YOU SAID YOU KNEW

WHO SHE WAS.

I THOUGHT I DID.

I WAS WRONG, LIKE,

REALLY, REALLY WRONG.

SO YOU SERIOUSLY

HAVE NO IDEA.

NO. WAIT. DO YOU?

NO.

LUKE: YOU FINALLY GET

SOPHIE OFF YOUR TAIL,

AND NOW YOU'RE

SWAPPING SPIT WITH HER.

I DON'T THINK YOU KNOW

WHAT KISSING IS.

I DON'T THINK YOU KNOW

WHAT BRUCE WENT THROUGH,

WHY BATMAN

PUSHED PEOPLE AWAY.

YOU REALIZE, THE MOMENT

ANYONE KNOWS BATWOMAN

CARES ABOUT SOPHIE, IT PUTS

A TARGET ON HER BACK.

SHE BECOMES

A LIABILITY.

NOBODY NEEDS

TO FIND OUT.

DOESN'T MEAN

THEY WON'T, KATE.

[CELL PHONE CHIRPS]

HEE HEE! HA!

SHE TOTALLY JUST

TEXTED YOU, DIDN'T SHE?

SHE WANTS TO MEET

AT MY PLACE LATER.

MM.

I'M LEAVING NOW.

HAVE FUN,

AND SOPHIE...

I'M HAPPY FOR YOU.

ALICE: "ALICE,

AKA JANE DOE 7113,

"THE DERANGED LEADER

OF THE WONDERLAND GANG,

"WAS FATALLY GUNNED DOWN

LAST WEEK

"IN A MOTEL PARKING LOT

BY AN UNIDENTIFIED SHOOTER.

NO SERVICES ARE PLANNED

AT THIS TIME"?

WHA--I'M SORRY.

THIS IS MY OBITUARY?

"MENTALLY DERANGED

LEADER"?

THAT'S MY SYNOPSIS,

A TINY, LITTLE BLURB

BELOW THE FOLD?

I SURVIVED CAPTIVITY

FOR 11 YEARS,

ESCAPED, AND ENACTED

THE PERFECT REVENGE.

[CRASH]

WHAT TOOK YOU SO LONG?

WANTED TO GET

A GOOD SHOT OF HIM.

THAT'S NOT THE FACE

I SEE IN MY NIGHTMARES,

BUT I'D RECOGNIZE

THAT PIPE ANYWHERE,

EVEN IN THE DARK.

IT'S HIM.

MAN: AS YOU KNOW,

SOME WACKO DUBBED

THE EXECUTIONER BLEW

A HOLE IN THE CITY'S

CORRUPT COURT SYSTEM

A FEW MONTHS BACK...

THEN I BLEW A HOLE IN HIM.

WHAT'S YOUR POINT?

FORCED THE D.A.'s OFFICE

TO REOPEN A BUNCH

OF HIS OLD CASES

AND FUNNEL THEM

THROUGH A NEW JUDGE, BUT

YOU KNOW THIS NEW JUDGE--

DAVIS WELLINGTON,

CROWS CONTRACTS

DATING BACK TO 2004.

MY CLIENT HOPES THAT

YOU WILL CALL THE JUDGE

AND GET HIM TO

MOVE HIS CASE UP.

HA HA! WHY

WOULD I DO THAT?

BECAUSE MY CLIENT'S

REGGIE HARRIS...

AND YOU OWE HIM

YOUR LIFE.

THANK YOU.

YOU'RE BETTER TO ME

ALIVE, PUPPY DOG.

JACOB: REGGIE

IS AN OPPORTUNIST

USING THIS

CABAL NONSENSE

AS A "GET OUT

OF JAIL FREE" CARD.

HE CONFESSED TO

GUNNING DOWN LUCIUS FOX

IN A C-STORE ROBBERY.

THAT CONFESSION WAS COERCED

BY A CORRUPT GCPD COP.

IT'S NOT

A CROWS PROBLEM.

YET.

BASED ON SOME WHISPERS

MY CLIENT HEARD

IN THE SLAMMER

ABOUT THIS PLACE,

CROWS HAVE SOME

SECRETS OF THEIR OWN.

THAT ALMOST SOUNDED

LIKE A THREAT.

IT IS.

LET'S NOT TURN IT

INTO MORE.

CALL THE JUDGE.

GET HIM TO MOVE

REGGIE'S COURT DATE UP,

OR THIS PLACE

GETS BLOWN UP

IN THE SAME WAY

THE D.A.'s OFFICE DID.

WOMAN: ♪ I LEAVE GOLD

ON THE FLOOR WHEREVER I GO ♪

♪ YEAH, I'M KILLING IT,

I'M KILLING IT ♪

♪ I'M STEALING THE SHOW ♪

♪ WORDS FALLING OUT MY MOUTH,

AND THEY BREAK THE DOOR ♪

♪ LIKE, "OOH, NA NA NA NA NA" ♪

♪ SO I RIDE THE BEAT

AND MAKE MY BODY BOOM BOOM ♪

[WHOOSH, THUD]

♪ MAKE YOUR BODY

VROOM VROOM ♪

♪ I BREAK THE RULES... ♪

[EXHALES]

♪ LIKE OOH, NA NA NA NA NA ♪

♪ IT'S GOOD TO BE ME,

YOUNG AND FREE, GOING WILD ♪

♪ DO WHAT I DO

WHEN I DO IT NOW ♪

♪ MM MM MM MM ♪

♪ MM MM MM MM MM ♪

♪ MM MM MM MM MM MM MM ♪

THIS IS DEFINITELY

A FIRST.

ME, TOO, ACTUALLY.

SO, UM...

DO YOU WANT

TO COME INSIDE?

I CAN'T.

I--I CAME HERE

TO TELL YOU

THAT THIS HAS TO END

BEFORE YOU GET HURT.

I CAN TAKE CARE

OF MYSELF.

THIS IS DIFFERENT.

I HAVE ENEMIES.

IF THEY

CONNECTED US,

THEY COULD USE YOU

AGAINST ME.

WELL, I WON'T TELL

THEM IF YOU DON'T.

YOU KNOW IT'S

NOT THAT SIMPLE.

SO WHAT

DO YOU SUGGEST?

LET ME WALK AWAY.

OK.

SO WALK.

WOMAN: ♪ I CAN'T HELP

THAT I WANT TO DO BAD THINGS ♪

♪ BAD THINGS ♪

[DOORKNOB RATTLES]

-SOMEONE'S HERE.

-I'M ON IT.

NO. I GOT IT.

[KEYS JINGLE]

[DOOR OPENS]

OH!

HMM.

GIVE YOUR OWN MOTHER

A HEART ATTACK.

MOM, WHAT ARE YOU

DOING HERE?

SURPRISING YOU.

NEXT TIME,

I'LL CALL FIRST.

[CAPE FLUTTERS]

WE'RE

LOCKING UP.

WOMAN:

I'M ON THE PHONE.

MY COMPANY'S VALUATION

IS TWICE THAT MUCH.

I DON'T CARE

ABOUT FIXED CAPITAL.

LOOK AT OUR INTANGIBLE ASSETS--

I.E., ME, MY BRAND, MY IMAGE.

YOU CAN'T PUT A PRICE ON THAT.

I'M GONNA HAVE TO CALL YOU BACK.

THEY HAD NO BUDGET

FOR THIS PHOTO SHOOT,

AND IT'S STARTING TO SHOW.

HELLO? IS ANYONE THERE,

NOT EVEN, LIKE,

A JANITOR OR SOMEONE?

[GLASS SHATTERS]

WHO'S THERE?

AAH!

UH...

UH...

[PANTING]

AAH!

VESPER: TALK ABOUT

THE UNKINDEST CUT.

SOCIAL MEDIA INFLUENCER

KIMBERLY WRIGHT WAS THE VICTIM

OF A BRUTAL FACE-SLASHING

LAST NIGHT.

GCPD SUSPECT THIS IS NOW THE

SECOND SOCIAL MEDIA INFLUENCER

ATTACKED

BY THE SERIAL SLASHIONISTA.

TALK TO ME, GOTHAM.

WHERE'S THE DISLIKE BUTTON

WHEN YOU NEED IT?

HOW'D IT GO

WITH SOPHIE?

SOPHIE. UH--AHEM.

UH, WELL, SHE--

IT WAS REALLY COLD,

AND IT WAS

A BIT HARD TO HEAR,

AND THEN HER MOM

JUST SHOWED UP

OUT OF NOWHERE.

SO "DOG ATE

MY BREAKUP"?

THERE'S A LUNATIC WITH

A BOX CUTTER TARGETING KIDS.

WE NEED TO FOCUS.

ALREADY ON IT.

KIMBERLY WRIGHT

DESCRIBED HER ATTACKER

AS "A WOMAN IN HER 20s

WHO WORE A HOODIE

AND A SURGICAL MASK."

YEAH. THAT'S WHY

THE GCPD CAN'T I.D. HER.

INTERESTINGLY,

NEITHER OF THE VICTIMS

HAD ANY STAB WOUNDS

ON THEIR BODIES.

KATE: SHE WENT

AFTER THEIR FACE.

THEIR FACE IS THEIR

BRAND, THEIR BUSINESS.

THIS IS PERSONAL.

WHERE YOU OFF TO?

TO SEE THE ONLY

INSTAFACE I CARE ABOUT.

YEAH. I MEAN, IT'S ALL

MY FEED IS TALKING ABOUT.

EVEN KYLIE Q

IS THREATENING

TO GO WEB-SILENT

OUT OF RESPECT.

THANK YOU,

DOCTOR.

ARE YOU OK?

I MEAN, I BARELY

KNEW KIMBERLY,

BUT STILL,

IT'S PRETTY FREAKY,

AND--DON'T WORRY--

MY FANBASE LEFT

WHEN MY STEPDAD

SUPPOSEDLY KILLED MY MOM,

SO I AM HARDLY

WORTH THE DATA.

GOOD, NOT ABOUT

THE FANBASE THING.

THAT SUCKS.

DO YOU KNOW ANYONE

IN THAT CIRCLE

THAT COULD BE

A TARGET?

WELL, IT DEPENDS

ON WHO YOU ASK.

I MEAN, EVERYBODY KNOWS

THAT KIMBERLY WRIGHT

HAS MILEY McGINN'S

NOSE.

EXCEPT ME,

APPARENTLY.

SAME CORRECTIVE SURGERY--

SHAPE, SLOPE, LENGTH.

I MEAN,

IT'S A THING.

PEOPLE WERE

EVEN WHISPERING,

MAYBE MILEY HAD SOMETHING

TO DO WITH THE ATTACK,

PISSED THAT KIMBERLY

STOLE HER NOSE,

BUT IF YOU THINK

ABOUT IT,

MILEY COPIED

MIA'S CHEEKBONES,

AND MIA AND XENA

HAVE THE SAME CHIN,

WHICH I BELIEVE BELONGED

TO ARIANA AT ONE POINT.

ANYWAY, I AM SURE

THERE IS A WHO'S WHO

OF POTENTIAL VICTIMS

IN DR. CAMPBELL'S

WAITING ROOM

AS WE SPEAK.

-DR. ETHAN CAMPBELL?

-YEAH.

THE ONLY PLASTIC

SURGEON IN THE CITY

WORTH GOING TO,

NOT THAT I WOULD KNOW.

ACTUALLY, IF YOU'RE

LOOKING INTO THIS

BECAUSE YOU OWN

A REAL ESTATE FIRM

AND THESE WOMEN

ARE MOST LIKELY

FUTURE

PROPERTY BUYERS...

EXACTLY, YEAH.

I'M AROUND IF YOU NEED

A SIDE...PERSON.

I MEAN, I'M A D.M. AWAY

FROM HALF THESE GIRLS.

I'D BE HAPPY

TO POKE AROUND

FOR SOME CLUES

OR WHATEVER.

IT'S PROBABLY SAFEST

IF YOU STAYED OUT OF IT,

BUT I MIGHT ASK SOMEONE

TO DROP BY CAMPBELL

AND JUST GIVE HIM

A HEADS-UP.

I COULD DO IT.

I MEAN, I'M A MED STUDENT

WHERE HE LECTURES,

SO, NOW THAT

I THINK ABOUT IT,

MY VAST ARRAY

OF MEDICAL KNOWLEDGE

COULD COME IN HANDY

IN ENDLESS SCENARIOS.

I'M GOOD, MARY.

THANK YOU.

OK. WELL,

I'M HAPPY TO HELP.

BYE, MARY.

[SIGHS]

REWIND.

YOU AND YOUR

HUSBAND SEPARATE,

AND YOU DIDN'T

THINK TO CALL ME?

I THOUGHT IT WAS BEST

TO LET THE DUST SETTLE.

WHERE'S MY PHONE?

I'LL TELL TYLER

ALL THE WAYS

HE'S MAKING THE BIGGEST

MISTAKE OF HIS LIFE.

MOM, STOP.

IT'S NOT LIKE THAT.

-IT WAS ME.

-YOU?

I, UM--

I FELL OUT OF

LOVE WITH HIM.

YOU FELL OUT OF LOVE

WITH A HANDSOME,

DECORATED,

CAPABLE MAN

WHO ALWAYS SENT ME

FLOWERS ON MY BIRTHDAY.

WHY DON'T YOU GIVE ME

THE REAL STORY?

MOM, THAT IS

THE REAL STORY.

WELL, JACOB KANE

CALLED.

HE TOLD ME ABOUT

YOUR SUSPENSION.

HEH, SO THAT'S

WHY YOU'RE IN TOWN.

THIS ISN'T SOME MOTHERLY

"I MISSED YOU" VISIT.

MORE OF A "PLEASE DON'T

END UP UNDER A BRIDGE" VISIT.

HOW ARE YOU GONNA

PAY THE RENT?

BY WORKING AT A PLACE

THAT ALIGNS WITH MY VALUES.

I DON'T SEE EYE TO EYE

WITH THE CROWS' WAY

OF DOING THINGS

ANYMORE.

OH, PLEASE DON'T

TELL ME YOU WISH

THEY WERE MORE

LIKE THE GCPD.

NO, MORE LIKE

BATWOMAN.

OHH...

SHE IS SOMEONE WHO

REPRESENTS ALL OF GOTHAM--

THE POOR, THE RICH,

AND IN BETWEEN--

AND SHE'S SAVED MY LIFE

ON SEVERAL OCCASIONS.

SHE IS A DAMN CRIMINAL

WHO GETS AWAY WITH IT.

YOU NEVER HAD

A PROBLEM WITH BATMAN.

YOU THOUGHT

HE WAS CUTE.

BATMAN WAS DIFFERENT.

HOW, MOM? HOW WAS

BATMAN DIFFERENT?

HE REPRESENTED VALUES

I ACTUALLY BELIEVED IN.

YOU MEAN,

HE'S NOT GAY.

[EXHALES]

SOPHIE: HEY, I DON'T

HAVE A LOT OF TIME,

SO WE SHOULD PROBABLY

MAKE THIS QUICK.

YOU OK?

MY MOM, SHE--

[SIGHS]

I'M 28 YEARS OLD.

I HAVE TWO DEGREES AND

OWN A CONDO ON A RIVER,

AND I SPEND EVERY

WAKING MOMENT

WONDERING IF

SHE'S PROUD OF ME.

AND IF SHE WERE TO

FIND OUT ABOUT THIS--

UPSIDE OF HAVING

TO HIDE IT--SHE WON'T.

SO WHAT'S UP?

I DID SOME DIGGING,

AND I THINK

THE GOTHAM SERIAL SLASHER

IS TARGETING PATIENTS

FROM A PLASTIC SURGEON BY

THE NAME OF ETHAN CAMPBELL.

I KNOW HIM.

HIS AFFIDAVIT CLEARED MY

BOSS OF MURDER CHARGES.

THAT'S WHY I'M HERE.

I NEED YOU TO FIND OUT

WHAT HE KNOWS.

I HAVE NO AUTHORITY.

THE CROWS SUSPENDED ME.

DOES CAMPBELL

KNOW THAT?

THE LAST VICTIM

OF THE SLASHER

WAS ALSO A PATIENT

OF YOURS--MIA CORTEZ.

WE'RE WORRIED

THE NEXT VICTIM

COULD BE A NAME

IN ONE OF THOSE FILES.

KIMBERLY WRIGHT TOLD EVERY ONE

OF HER 10 MILLION FOLLOWERS

ABOUT HER NOSE JOB, SO IF

IT'S A CASE OF JEALOUSY,

YOU HAVE A LOT OF NAMES

TO SIFT THROUGH.

ONE THEORY IS

SHE'S TARGETING

COPYCAT SURGERIES.

HAVE YOU EVER--

CUT A SMILE INTO

A PATIENT'S FACE?

NO, AGENT MOORE.

I CERTAINLY HAVE NOT.

[SIGHS]

THEN MAYBE SHE'S NOT

TARGETING COPYCATS.

MAYBE SHE'S

MAKING COPYCATS.

BY INFLICTING

HER VICTIMS

WITH THE SAME

SCARS SHE HAS?

HAVE YOU EVER

TREATED A WOMAN

WITH THIS TYPE

OF SCARRING?

UH, ACTUALLY, YES,

8 YEARS AGO.

A TEENAGE GIRL

WAS BROUGHT TO ME

WITH A PSYCHIATRIC RAP SHEET

AS LONG AS MY ARM,

HAD THE WORST SELF-INFLICTED

SCARS I'VE EVER SEEN.

SHE CUT

HER OWN FACE?

YES. SHE DID.

KATE: DUELA DENT. WHAT

CAN YOU FIND ON HER?

LUKE, ON COMMS: DAUGHTER

OF EVELYN, FATHER UNKNOWN.

HER UNCLE HARVEY

IS A BELOVED A.D.A.

WAIT. HERE'S SOMETHING.

SHE WAS JUST RELEASED FROM

A MENTAL HEALTH FACILITY.

HOW DID YOU

GET HER NAME?

BAT SOURCES, OK?

WOULD THOSE BAT SOURCES

BE OF THE TALL, DARK,

AND GIRLFRIEND-

MATERIAL VARIETY?

I'M CHOOSING

TO IGNORE THAT.

I FOUND SOMETHING.

IT'S HER HIT LIST.

RUN THE NAME

MYRTIS DINKER.

MYRTIS DINKER?

NOPE. NOTHING,

NO MYRTIS DINKER.

OH, I HAVE AN IDEA.

PRESS THE RED BUTTON

ON YOUR RIGHT GAUNTLET.

OH.

SORRY.

YOUR LEFT GAUNTLET.

[WHIR]

[CAMERA SHUTTER CLICKS]

THAT WAS

YOUR UPGRADE?

COWL CAM.

WHAT DO YOU THINK?

USE THIS WITHOUT

MY PERMISSION,

AND I WILL FIND A NEW PLACE

TO PUT MY BATARANG.

YEAH. COPY THAT.

RUNNING THE IMAGE NOW.

AND?

I'M STILL WORKING

OUT THE BUGS. JUST--

[DOOR CLOSES]

[WOMAN MOANS]

YOU'RE OK. IT'S OK.

IT'S OK. I'M GONNA

GET YOU HELP. JUST--

-HUH! HYAH!

-UHH!

COME ANY CLOSER, AND I TURN

MY MOM INTO A PEZ DISPENSER.

DUELA, YOU DO NOT

NEED TO DO THIS.

AND SHE DIDN'T

HAVE TO FORCE ME

TO BE SOMEONE I'M NOT,

SOMEONE I HATE,

SOMEONE I CAN'T

EVEN LOOK AT,

SO I'M GONNA GO, AND

YOU'RE GONNA NEED A MOP.

NO! NO.

STAY WITH ME.

STAY WITH ME.

IT'S GONNA BE OK.

YOU'RE GONNA BE OK.

I HAVE SPENT HOURS UPON HOURS

COOKING UP ALL THE WAYS

THAT I COULD TORTURE

THAT VILE MAN.

NOW THAT HE'S RIGHT HERE,

RIGHT UNDER MY NOSE, I--

YOU'RE BLOCKED.

EXACTLY,

DR. MALONE. HA HA!

I AM BLOCKED.

AHH...

OH, DON'T BE

SO HARD ON YOURSELF.

I MEAN, IT'S

A NORMAL REACTION.

VICTIMS HELD IN PHYSICAL

AND EMOTIONAL CAPTIVITY

OFTENTIMES REVERT

BACK TO THE AGE

THEY WERE HELD WHEN

FACING THEIR CAPTOR.

SO WHAT ARE YOU SAYING,

I DON'T FIND CLOSURE?

NO, OF COURSE NOT,

BUT YOU CLEARLY HAVE

UNRESOLVED FEAR.

MY FEAR IS THAT I WILL

KILL HIM INSTANTLY,

FORGETTING TO RELISH

IN HIS SLOW

AND PAINFUL DEMISE.

THOSE ARE JUST YOUR

DEFENSES TALKING.

I DON'T HAVE DEFENSES.

HA HA HA! MM...

IF YOU DON'T MIND,

IN MY PROFESSIONAL

OPINION,

I SEE YOU PUTTING UP

A HARD, BLUSTERY EXTERIOR,

BUT THE TRUTH IS,

YOU ARE STILL

TERRIFIED OF THIS MAN.

YOU ARE STILL JUST

A LITTLE GIRL,

AND YOU KNOW WHEN YOU

CONFRONT HIM FACE TO FACE

THAT HE WILL FIND

A WAY TO REGAIN

THAT POWER OVER YOU

ONCE AGAIN.

SO THEN SHRINK ME, HMM?

WHAT DO I DO?

I SUGGEST

AN EMOTIONAL SHIELD,

A THIRD PERSON THAT

ACTS AS A BUFFER

BETWEEN YOU

AND THE ABUSER.

WELL, YOU HAVE BEEN

INCREDIBLY HELPFUL,

DR. MALONE. HA HA!

I DO WISH WE COULD'VE

MADE THIS A WEEKLY AFFAIR.

OH! NO. PLEASE. NO.

I WON'T TELL ANYONE

YOU'RE ALIVE.

PLEASE. I WON'T

TELL ANYONE.

PLEASE! PLEASE DON'T.

I WON'T TELL

ANYONE!

[SIGHS]

WELL, WELL,

DR. FIX-ME THREATENED

WITH A LAWSUIT

BY A 16-YEAR-OLD

WHO DID NOT CONSENT

TO THE RESTORATIVE PLASTIC

SURGERY HE PERFORMED ON HER.

HMM.

WHAT AN INTERESTING,

LITTLE PSYCHOPATH.

[PLIERS CLANKING]

HOW LONG ARE YOU

GONNA KEEP ME HERE?

AS LONG AS IT TAKES FOR YOU

TO COME TO YOUR SENSES.

HA HA HA!

ALICE WILL FIND ME.

MM. ALICE IS DEAD.

NO.

I SHOT HER.

NO. NO.

[SOBBING]

NO. NO.

SON...

NO. NO.

YOU'RE BETTER OFF

WITHOUT HER.

ALL SHE EVER DID

WAS PUT YOUR LIFE

IN DANGER TO ADVANCE

HER OWN AGENDA.

ALL I'VE DONE...

IS PROTECT YOU...

FROM THE CRUELTY

OF THE WORLD.

THE ONLY THING

CRUEL

IN MY WORLD

IS YOU.

YOU THINK

THAT WAY NOW,

BUT IN TIME, YOU'LL

COME TO SEE THE TRUTH.

WHAT ARE YOU DOING?

WHAT ARE YOU DOING?

WHAT ARE YOU DOING?

WHAT ARE--

WHAT ARE YOU DOING?

[GASPING]

[KNOCKS ON DOOR]

MAN: YOU WANTED

TO SEE ME, SIR?

JACOB: OUR FAVORITE

AMBULANCE CHASER BOBBY REEVES

STOPPED BY.

HE'S POKING AROUND

A MURDER CASE

YOUR TEAM

RAN POINT ON.

YEAH, HARD TO FORGET.

HARRIS GUNNED DOWN

LUCIUS FOX

AND A CASHIER

AT A SIP & DASH.

WHAT'S THE PROBLEM?

WE TURNED HIM OVER

TO THE GCPD.

YEAH, TO STU DONNELLY,

THE OFFICER ACCUSED

OF COERCING CONFESSIONS

IN AT LEAST 21 CASES.

WE HANDED A LOT OF PERPS

OVER TO DONNELLY, COMMANDER.

ARE WE SAYING

THEY'RE ALL INNOCENT?

YOU DON'T FIND IT UNUSUAL

THAT THE SIP & DASH'S

4 SECURITY CAMERAS

WEREN'T WORKING

IN THE 5-HOUR WINDOW WHEN

THE ROBBERY TOOK PLACE?

ONLY THING I FIND UNUSUAL

IS LUCIUS FOX WAS A HERO

TO THE CITY AND

PEOPLE ARE TRYING

TO SET

HIS KILLER FREE.

I WAS WONDERING

WHEN YOU WERE GONNA

HIT ME UP ABOUT

THE SLASHER CASE.

HOW DID YOU KNOW?

BECAUSE I AM SMART

AND PERCEPTIVE,

TWO TRAITS PEOPLE

OFTEN OVERLOOK.

ANYWAY, I WAS HOPING

THAT YOU COULD HELP ME

I.D. SOMEONE, SOMEONE

THAT DOESN'T POP UP

ON MY FACIAL

RECOGNITION SYSTEM.

MM-HMM.

OH, THAT'S

VERONICA MAY.

-YOU SURE?

-YEAH.

APPARENTLY, SHE CHANGED

HER NAME AFTER HIGH SCHOOL,

AND IF MY NAME

WAS MYRTIS DINKER,

I WOULD, TOO, AND I'M

GUESSING THE REASON

WHY HER FACE STUMPED

YOUR BAT TECH IS BECAUSE

THAT'S NOT HER NOSE

ANYMORE...OR HER CHIN.

ANY IDEA HOW

I CAN FIND HER?

WELL, SHE PRETTY MUCH LIVES

ON BOARD THE MAY-MOBILE.

THE WHAT?

IT'S PART

MAKEOVER TRUCK,

PART ROLLING BILLBOARD

FOR HER MAKEUP LINE.

JUST LOOK FOR THE GAUDIEST

THING ON THE ROAD.

KATE, ON COMMS: WE NEED TO

FIND THAT COSMETICS TRUCK.

I APPRECIATE THAT,

BUT A TRUCK IN GOTHAM,

KIND OF A NEEDLE

IN A HAYSTACK.

THE NEEDLE

IS HOT PINK.

THAT NARROWS IT DOWN.

LET ME RUN A COLOR FILTER

ON THE SATELLITE.

[BEEPING]

OK. WE'VE GOT

A ICE CREAM TRUCK,

AN UNFORTUNATE

PAINT JOB ON A LAMBO.

[BEEPING]

THAT'S NOT GOOD.

[BATCYCLE APPROACHES]

DUELA'S BEEN HERE,

NO SIGN OF VERONICA.

HOLD UP. I THINK

I GOT COMPANY.

SHOULDN'T BE HERE.

NEITHER SHOULD YOU.

I'VE BEEN LISTENING IN

TO THE CROWS' RADIO.

THEY'LL BE HERE

ANY MINUTE.

I'M NOT LEAVING

UNTIL I FIND

EVERY SINGLE PERSON

THAT WAS IN THAT TRUCK.

LOOKS LIKE DUELA FORCED

THEM INTO ANOTHER VEHICLE.

WHY HERE?

[TYPING]

UH, VERONICA'S SKIN CARE LINE IS

MADE AT A PLANT DOWN THE ROAD.

MAN: YOU BY THE TRUCK,

PUT YOUR HANDS IN THE AIR NOW.

WE HAVE TO GET

OUT OF HERE.

GET OUT OF HERE NOW.

COME ON.

-GET ON.

-WAIT. WHAT?

GET ON.

[SIRENS]

[TIRES SCREECH]

[ITEMS DROPPING]

WHAT THE HELL

ARE YOU DOING?

[GASPS]

OH, I'M SORRY.

DO YOU HAVE A PROBLEM

WITH PEOPLE STEALING

MEDICAL SUPPLIES?

BECAUSE, UM...HI.

I THOUGHT I MADE IT CLEAR

HOW I FELT ABOUT YOU

WHEN I LEFT YOU

TO DIE.

YOU DID, BUT THEN

I SAVED YOUR LIFE,

AND NOW

YOU OWE ME, SO--

DID BATWOMAN

NOT TELL YOU?

NOT TELL ME WHAT?

AFTER NOCTURNA

DRAINED YOUR BLOOD,

YOU WERE

ON DEATH'S DOOR.

I FOUND YOU AND

REVIVED YOU WITH MY OWN,

MEANING I LITERALLY PUMPED

LIFE BACK INTO YOUR VEINS.

UGH, I NEED

A BLEACH TRANSFUSION.

OH, I'LL TAKE THAT

AS A THANK YOU.

WHY WOULD YOU

DO THAT?

LET'S JUST SAY IT WAS

MORE ABOUT BATWOMAN

AND LESS ABOUT YOU.

THANKS

FOR THE GOODS.

DO YOU KNOW

WHO SHE IS?

BATWOMAN?

OF COURSE I DO.

OH, DO YOU NOT?

SAD.

GUESS YOU TWO AREN'T

REALLY PALS AFTER ALL.

HMM.

VERONICA: AAH!

AAH!

DUELA, STOP.

PLEASE LET ME DOWN.

I'M HELPING YOU,

VERONICA--

OH, I MEAN, MYRTIS.

OH...

OHH!

OH, MY GOD, LOOK.

YOU MADE YOUR POINT, OK?

I WASN'T A GREAT FRIEND

AFTER THE INCIDENT,

BUT, HONESTLY,

I WAS AFRAID OF YOU.

BECAUSE I WAS

FINALLY HAPPY?

HAPPY PEOPLE DON'T

SLICE THEIR FACES OPEN.

HA! WHAT

DO THEY DO, HMM,

SHAVE A BONE

OFF THEIR NOSE,

SLIT THEIR

EYELIDS OPEN,

STAB NEEDLES

INTO THEIR LIPS?

YOU KNOW,

THE ONLY DIFFERENCE

BETWEEN YOU AND ME IS THAT

I GOT INSTITUTIONALIZED

AND YOU GOT FAMOUS.

MY MOTHER WANTED ME

TO BE YOU.

PUT ME DOWN,

YOU PSYCHO!

IT'S TIME TO SHOW

THE WORLD WHAT I SEE

WHEN I LOOK

AT VERONICA MAY.

NO! DUELA, STOP!

PLEASE DON'T!

NO!

GOING SOMEWHERE?

UH! UH! UH!

[BOTH GRUNTING]

AGH!

OH! UH!

AAH! HELP!

[CREAKING]

[BOTH GRUNTING]

[WHIRRING]

AAH!

TELL ME SOMEONE

GOT THAT ON CAMERA.

SOPHIE: SO SHOULD

I TAKE VERONICA UP

ON HER OFFER

TO SHARE AN UBER?

CALL ME CRAZY,

BUT I FELT

LIKE WE MADE

A GOOD TEAM IN THERE.

-WE DID.

-BUT?

HOW DO YOU SEE

THIS PLAYING OUT--

DINNER, MOVIE,

I TAKE YOU BACK

TO MY CAVE?

YOU LIVE IN A CAVE?

ALLIE MOSS: ♪ COLD CONCRETE

BENEATH MY BACK ♪

I DON'T KNOW.

GUESS I HAVEN'T REALLY

THOUGHT ABOUT IT.

IF I WERE TO TELL YOU

WHO I AM RIGHT NOW,

WOULD YOU

WANT TO KNOW?

WHAT?

BECAUSE ONCE

THAT HAPPENS,

I'M NO LONGER

A SECRET.

I'M A FACE,

A PERSON,

A WOMAN, AND I BRING

ALL THE COMPLICATIONS

THAT COME WITH THAT,

SO DO YOU WANT TO BE

IN A REAL RELATIONSHIP,

OR DO YOU WANT TO BE

WITH SOMEONE YOU

CAN KEEP SECRET?

BECAUSE WE CAN NEVER

BE MORE THAN THIS,

AND THAT SHOULDN'T

BE ENOUGH.

YOU'RE RIGHT.

AS LONG AS I'M WITH

A WOMAN WHO WEARS A MASK,

I'LL ALWAYS BE

WEARING ONE MYSELF.

I THINK I HAVE SOME THINGS

I NEED TO TAKE CARE OF.

I'LL LET THE GCPD

KNOW ABOUT DUELA.

MOSS: ♪ WHEN YOU'RE DOWN,

DOWN, DOWN... ♪

GOOD-BYE, SOPHIE.

MOSS: ♪ NO FURTHER TO FALL ♪

♪ WHEN YOU'RE ON THE FLOOR ♪

♪ AND YOU'RE ALREADY DOWN,

DOWN, DOWN, DOWN ♪

♪ DOWN, DOWN, DOWN, DOWN ♪

♪ I KNOW ♪

[FOOTSTEPS]

WHO'S THERE?

PLEASE HELP.

UNTIE ME, PLEASE.

WHO'S THERE?

AN ALLY.

YOU AND I WERE BOTH

WRONGED BY THE SAME MAN.

HE TOOK MY ADOLESCENCE

JUST LIKE HE TOOK

YOUR SMILE.

I WILL GET REVENGE FOR

BOTH OF US, BUT FIRST,

I'M GONNA NEED A LITTLE

SOMETHING FROM YOU, HMM?

WANT TO EXPLAIN THIS?

IT'S A BANK

STATEMENT.

I KNOW IT'S

A BANK STATEMENT.

I DON'T KNOW WHY THE CROWS

SENT A SIP & DASH

$50,000 AFTER

THE LUCIUS FOX MURDER.

IT SAYS RIGHT HERE,

"CODE 501."

IT'S A RESTORATION

COURTESY PAYMENT

FOR US TRASHING THE PLACE

WHEN WE ARRESTED HARRIS.

SO THIS MONEY HAS

NOTHING TO DO WITH

THE LOST

SECURITY FOOTAGE.

YOU DON'T

REALLY THINK

A CROW WOULD

DESTROY EVIDENCE.

ALAINA CROSS:

♪ LIKE THE HUNTER ♪

♪ ON HIS PREY ♪

♪ ONCE YOU THINK

YOU GOT ME TRAPPED ♪

♪ I MAKE MY ESCAPE... ♪

THOUGHT DISPATCH SAID

SHE WAS LOCKED UP.

CROSS: ♪ I'M COMING

OUT OF MY CAGE ♪

♪ I'M COMING OUT OF MY CAGE ♪

DUELA...

HOW...DID YOU

GET IN HERE?

JUST FLASHED THAT

PRETTY SMILE YOU GAVE ME.

-BACK!

-OUTSIDE.

OVER HERE.

IS THAT

THE SLASHER?

CROSS: ♪ I'M COMING

OUT OF MY CAGE ♪

♪ I'M COMING OUT OF MY ♪

LORD HAVE MERCY.

I'M FINALLY PERFECT.

YOU SHOULDN'T

BE HERE, DUELA.

SORRY. YOU GOT

THE WRONG GIRL.

-HEH.

-NO.

NO. YOU'RE DEAD.

I--I SHOT YOU.

OH, AGAIN, YOU GOT

THE WRONG GIRL.

YOU LIKE TAKING THINGS

FROM CHILDREN, DON'T YOU?

WELL, WE'RE ALL

GROWN UP NOW

AND HERE FOR

A LITTLE PAYBACK.

CROSS: ♪ I'M COMING

OUT OF MY CAGE ♪

JACOB: MOORE, IT'S ME. LOOK.

I MAY QUESTION

YOUR DECISION-MAKING

WHEN IT COMES TO BATWOMAN,

BUT I'VE NEVER QUESTIONED

YOUR INTEGRITY,

AND AT THE MOMENT,

I NEED IT MORE THAN EVER.

I THINK THE CROWS

HAVE A MAJOR PROBLEM.

I'LL EXPLAIN

WHEN YOU CALL ME BACK.

[PING]

[DOOR OPENS]

NOT SURE HOW CHARGING

$5.00 FOR A COFFEE

IS NOT A CRIMINAL

OFFENSE.

HA HA HA!

HA HA HA!

I THINK YOU'RE GONNA

NEED SOMETHING STRONGER.

I LIED TO YOU

THE OTHER DAY.

THAT'S WHAT I DO NOW.

I LIE.

I LIE SO MUCH,

I DON'T EVEN REALIZE

I'M DOING IT ANYMORE.

OH, SOPHIE...

WHAT LIE?

[SIGHS]

I DIDN'T BREAK UP

WITH TYLER

BECAUSE I FELL

OUT OF LOVE WITH HIM.

I BROKE UP WITH TYLER

BECAUSE I WAS NEVER

IN LOVE WITH HIM.

SWEETHEART, I NEED YOU

TO START MAKING SENSE.

WHEN I WAS

AT POINT ROCK...

MM-HMM?

I MET SOMEONE,

AND FOR THE FIRST TIME,

I WAS HAPPY, REALLY,

REALLY HAPPY...

OH...

AND I WANT TO FIND

THAT AGAIN.

OK. OK. THEN GO

FIND HIM, HONEY.

GO FIND HIM.

IT WASN'T A HIM, MOM.

IT WAS A HER.

FOR YEARS,

I KEPT IT A SECRET.

I THOUGHT

I COULD HAVE BOTH--

THE VERSION OF ME

THAT MY SCHOOL

AND MY FAMILY

COULD BE PROUD OF

AND THE VERSION OF ME

WHO KNEW WHO SHE WAS.

OHH...

WOMAN: ♪ I TRY NOT

TO HOLD MY BREATH ♪

SO THE GOOD LORD DIDN'T

MAKE IT HARD ENOUGH ON YOU,

NOT ENOUGH TO BE

A WOMAN OF COLOR,

NOT ENOUGH TO COME

FROM NOTHING,

NOT ENOUGH TO HAVE

TO PROVE YOUR DAMN WORTH

TO THE WORLD

EVERY TIME YOU WANT

TO BE PART OF IT, HUH?

YOU GOT TO ADD THIS

ON TOP OF IT?

I DIDN'T ASK FOR THIS,

JUST LIKE I DIDN'T ASK

FOR ANY OF THOSE THINGS,

BUT EACH OF THEM

MAKE ME WHO I AM.

AND WHY AM I ONLY

HEARING ABOUT IT NOW?

BECAUSE I DIDN'T WANT

YOU TO LOOK AT ME

THE WAY YOU'RE

LOOKING AT ME NOW.

OH, SOPHIE, I AM SO SORRY

ABOUT THAT, SWEETHEART.

WHAT'D YOU EXPECT

DISAPPOINTMENT TO LOOK LIKE?

[DOOR OPENS]

[DOOR CLOSES]

WOMAN: ♪ WHY DID I BEND

WHEN I NEEDED... ♪

YOU LOOK LIKE YOU

HAD A LONG NIGHT.

MORE LIKE

A REALLY LONG DAY.

IF YOU WANT

TO TALK ABOUT IT,

YOU WANT TO TALK

ABOUT ANYTHING,

YOU KNOW

I'M HERE, RIGHT?

I...LOST A PIECE

OF REAL ESTATE

I HAD MY HEART

SET ON,

BUT WASN'T

THE RIGHT MOVE.

TIMING WAS OFF.

OH. HUH.

DO YOU REMEMBER

THE DAY

THAT YOU CAME

BACK TO GOTHAM?

I THREW YOU THAT

WELCOME-HOME PARTY,

AND THEN 6 HOURS LATER,

I WAS STITCHING UP

YOUR SHOULDER,

TELLING YOU THAT

I OWNED

AN ILLEGAL CLINIC.

OF COURSE I REMEMBER.

IT NEVER ONCE

OCCURRED TO ME

THAT YOU'D TELL

MY MOM OR YOUR DAD

THAT I WAS LIVING

A DOUBLE LIFE

OR THAT YOU'D TRY

TO SHUT ME DOWN

OR TELL ME

I COULD GET SUED

OR KICKED OUT OF SCHOOL

OR ARRESTED.

I KNEW I DIDN'T

HAVE TO WORRY

ABOUT YOU JUDGING ME

BECAUSE

I TRUSTED YOU...

SO I HOPE ONE DAY

THAT YOU FEEL

THE SAME WAY ABOUT ME.

[DOOR OPENS]

[DOOR CLOSES]

[STRAINING]

WHAT DO YOU WANT?

FOR YOU

TO DROP THE ACT

AND THE FACE.

UH!

MM...

I THOUGHT I WOULD NEVER

HAVE TO SEE YOU AGAIN,

BUT I WAS WRONG.

I SEE THIS FACE EVERY

NIGHT AS I GO TO SLEEP

AND EVERY MORNING

AS I WAKE,

AND SOMETIMES

WHEN I CLOSE MY EYES

AND SHAKE TOO LONG.

IF YOU'RE GONNA

KILL ME, DO IT.

KILL ME.

GET IT OVER WITH.

SHH SHH.

WE MUSTN'T SPEAK

SUCH NONSENSE.

I WOULD

NEVER KILL YOU,

AT LEAST NOT WITH THESE

NIMBLE, LITTLE FINGERS.

WHAT DO YOU WANT?

MY BROTHER MOUSE.

SURELY, YOU HAVE HIM,

AND I WANT HIM,

SO WHERE IS HE?

HA HA HA!

WHY IS THAT

SO FUNNY?

-HA HA HA!

-WHAT?

YEAH. YEAH.

I WILL TELL YOU

WHERE YOU CAN FIND

YOUR...

PRECIOUS MOUSE.

[GASPING]

[MUFFLED SHOUTING]

MAN: GREG, MOVE YOUR HEAD.