All language subtitles for batwoman.s01e14.internal.720p.web.h264-trump.www.RapidMovieZ.com_Track03

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian Download
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English Download
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German Download
el Greek Download
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese Download
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,334 --> 00:00:04,921 WOMAN: DUELA, HURRY UP. IT'S TIME TO GO. 2 00:00:04,963 --> 00:00:08,007 [SIGHS] 3 00:00:08,048 --> 00:00:14,138 DUELA, VOICE-OVER: FIRST, APPLY YOUR BASE AND RUB IT ALL AROUND. 4 00:00:14,179 --> 00:00:18,977 THEN FOLLOW YOUR HOLLOW TO SHAVE OFF THE POUNDS. 5 00:00:19,018 --> 00:00:24,858 FINE-LINE YOUR LIPS TO HIDE THAT OFF-PUTTING FROWN. 6 00:00:24,899 --> 00:00:27,484 [PENCIL CLATTERS] 7 00:01:00,350 --> 00:01:03,521 WOMAN: DUELA GET OUT HERE. WE HAVE TO GO. 8 00:01:03,563 --> 00:01:06,649 COME ON. WE'RE GONNA BE LATE. 9 00:01:06,691 --> 00:01:09,569 DUELA, I AM SO NOT KIDDING. 10 00:01:09,611 --> 00:01:11,278 AAH! 11 00:01:11,320 --> 00:01:15,115 OH, MY GOD, YOUR-- YOUR FACE. 12 00:01:18,620 --> 00:01:20,954 [BOSCO ROGERS' "FRENCH KISS" PLAYING] 13 00:01:20,996 --> 00:01:23,582 BARTH CORBELET: ♪ YOU KISS MY LIPS SO, SO GUILTILY ♪ 14 00:01:23,625 --> 00:01:24,167 HAVE A GOOD ONE. 15 00:01:24,209 --> 00:01:27,795 ♪ NOW THE PASSION IS GONE FROM YOUR EYES ♪ 16 00:01:27,837 --> 00:01:29,963 MARY, HEY. 17 00:01:30,006 --> 00:01:30,381 HI. 18 00:01:30,423 --> 00:01:33,051 -SUPER CUTE BOOTS. -THANKS. 19 00:01:33,093 --> 00:01:35,302 YOU'RE IN A GOOD MOOD. 20 00:01:35,344 --> 00:01:38,765 YOU SAY THAT LIKE IT'S A BAD THING. 21 00:01:38,807 --> 00:01:39,348 WHERE'S MY COWL? 22 00:01:39,390 --> 00:01:43,394 IN THE SHOP. GIVING IT A LITTLE UPGRADE. 23 00:01:43,436 --> 00:01:45,354 UPGRADE? HMM. 24 00:01:45,396 --> 00:01:48,483 LIKE... X-RAY VISION? 25 00:01:48,525 --> 00:01:49,651 NOPE. 26 00:01:49,692 --> 00:01:51,069 ECHOLOCATION. 27 00:01:51,110 --> 00:01:53,822 OH, THAT WAS A GOOD IDEA, BUT NO. 28 00:01:53,862 --> 00:01:56,740 SOMEBODY'S IN A GOOD MOOD. 29 00:01:56,783 --> 00:01:57,283 AM I? 30 00:01:57,325 --> 00:01:59,451 MARY: YOU SO ARE, LIKE GIDDY HAPPY. 31 00:01:59,493 --> 00:02:00,870 I'M NOT ALLOWED TO BE HAPPY? 32 00:02:00,912 --> 00:02:04,165 YOU JUST GOT SUSPENDED FROM THE CROWS, SO NO. 33 00:02:04,206 --> 00:02:05,959 MM. 34 00:02:06,000 --> 00:02:08,044 OH, MY GOD. YOU'RE SLEEPING WITH SOMEONE. 35 00:02:08,086 --> 00:02:10,504 KATE: I'M NOT SLEEPING WITH ANYONE, 36 00:02:10,546 --> 00:02:12,173 BUT CAN WE PLEASE PAUSE FOR A MOMENT 37 00:02:12,215 --> 00:02:13,925 TO APPRECIATE THE FACT THAT THOSE WORDS 38 00:02:13,967 --> 00:02:15,717 ACTUALLY CAME OUT OF YOUR MOUTH? 39 00:02:15,759 --> 00:02:17,762 MARY: OK. FINE. HOOKING UP WITH. 40 00:02:17,804 --> 00:02:21,140 -WE SHARED A MOMENT. -WITH? 41 00:02:21,181 --> 00:02:24,686 -WITH? -IF YOU TELL ANYONE, 42 00:02:24,727 --> 00:02:27,312 IT'LL TAKE ME AN HOUR TO HIDE YOUR BODY. 43 00:02:27,354 --> 00:02:30,733 UH-HUH. SPILL. 44 00:02:30,775 --> 00:02:32,317 BATWOMAN. 45 00:02:32,360 --> 00:02:32,944 LUKE: NO, YOU DIDN'T. 46 00:02:32,944 --> 00:02:36,406 IT WAS A PECK THAT LASTED SEVERAL MINUTES. 47 00:02:36,447 --> 00:02:38,615 BATWOMAN CAN'T HAVE A GIRLFRIEND. 48 00:02:38,658 --> 00:02:41,076 IT WAS A KISS, LUKE. 49 00:02:41,118 --> 00:02:41,743 YEAH, LAST NIGHT. THEN WHAT? 50 00:02:41,743 --> 00:02:44,288 DO YOU REALLY WANT TO KNOW THE ANSWER TO THAT? 51 00:02:44,329 --> 00:02:46,248 DOES SHE KNOW WHO YOU ARE? 52 00:02:46,290 --> 00:02:47,959 SOPHIE: I HAVE NO IDEA, 53 00:02:48,001 --> 00:02:50,502 WHICH, I ADMIT, IS A LITTLE STRANGE, BUT-- 54 00:02:50,545 --> 00:02:52,379 YOU SAID YOU KNEW WHO SHE WAS. 55 00:02:52,421 --> 00:02:52,921 I THOUGHT I DID. 56 00:02:52,963 --> 00:02:56,050 I WAS WRONG, LIKE, REALLY, REALLY WRONG. 57 00:02:56,091 --> 00:02:58,302 SO YOU SERIOUSLY HAVE NO IDEA. 58 00:02:58,343 --> 00:03:01,097 NO. WAIT. DO YOU? 59 00:03:01,139 --> 00:03:02,556 NO. 60 00:03:02,598 --> 00:03:04,099 LUKE: YOU FINALLY GET SOPHIE OFF YOUR TAIL, 61 00:03:04,141 --> 00:03:05,475 AND NOW YOU'RE SWAPPING SPIT WITH HER. 62 00:03:05,518 --> 00:03:07,020 I DON'T THINK YOU KNOW WHAT KISSING IS. 63 00:03:07,061 --> 00:03:08,604 I DON'T THINK YOU KNOW WHAT BRUCE WENT THROUGH, 64 00:03:08,646 --> 00:03:10,105 WHY BATMAN PUSHED PEOPLE AWAY. 65 00:03:10,147 --> 00:03:12,150 YOU REALIZE, THE MOMENT ANYONE KNOWS BATWOMAN 66 00:03:12,192 --> 00:03:14,943 CARES ABOUT SOPHIE, IT PUTS A TARGET ON HER BACK. 67 00:03:14,985 --> 00:03:16,945 SHE BECOMES A LIABILITY. 68 00:03:16,987 --> 00:03:18,781 NOBODY NEEDS TO FIND OUT. 69 00:03:18,823 --> 00:03:21,867 DOESN'T MEAN THEY WON'T, KATE. 70 00:03:22,618 --> 00:03:24,787 [CELL PHONE CHIRPS] 71 00:03:24,829 --> 00:03:26,038 HEE HEE! HA! 72 00:03:26,079 --> 00:03:28,750 SHE TOTALLY JUST TEXTED YOU, DIDN'T SHE? 73 00:03:28,790 --> 00:03:31,794 SHE WANTS TO MEET AT MY PLACE LATER. 74 00:03:31,836 --> 00:03:33,045 MM. 75 00:03:33,086 --> 00:03:34,296 I'M LEAVING NOW. 76 00:03:34,338 --> 00:03:37,841 HAVE FUN, AND SOPHIE... 77 00:03:38,343 --> 00:03:41,763 I'M HAPPY FOR YOU. 78 00:03:43,180 --> 00:03:47,143 ALICE: "ALICE, AKA JANE DOE 7113, 79 00:03:47,185 --> 00:03:51,313 "THE DERANGED LEADER OF THE WONDERLAND GANG, 80 00:03:51,355 --> 00:03:52,981 "WAS FATALLY GUNNED DOWN LAST WEEK 81 00:03:53,024 --> 00:03:57,236 "IN A MOTEL PARKING LOT BY AN UNIDENTIFIED SHOOTER. 82 00:03:57,277 --> 00:04:00,573 NO SERVICES ARE PLANNED AT THIS TIME"? 83 00:04:00,615 --> 00:04:04,451 WHA--I'M SORRY. THIS IS MY OBITUARY? 84 00:04:04,493 --> 00:04:07,830 "MENTALLY DERANGED LEADER"? 85 00:04:07,872 --> 00:04:10,082 THAT'S MY SYNOPSIS, 86 00:04:10,123 --> 00:04:13,044 A TINY, LITTLE BLURB BELOW THE FOLD? 87 00:04:13,086 --> 00:04:17,923 I SURVIVED CAPTIVITY FOR 11 YEARS, 88 00:04:17,966 --> 00:04:22,136 ESCAPED, AND ENACTED THE PERFECT REVENGE. 89 00:04:22,177 --> 00:04:23,721 [CRASH] 90 00:04:23,762 --> 00:04:25,555 WHAT TOOK YOU SO LONG? 91 00:04:25,598 --> 00:04:28,434 WANTED TO GET A GOOD SHOT OF HIM. 92 00:04:30,185 --> 00:04:33,273 THAT'S NOT THE FACE I SEE IN MY NIGHTMARES, 93 00:04:33,314 --> 00:04:37,651 BUT I'D RECOGNIZE THAT PIPE ANYWHERE, 94 00:04:37,694 --> 00:04:41,656 EVEN IN THE DARK. 95 00:04:41,697 --> 00:04:43,699 IT'S HIM. 96 00:04:44,033 --> 00:04:46,034 MAN: AS YOU KNOW, SOME WACKO DUBBED 97 00:04:46,076 --> 00:04:48,161 THE EXECUTIONER BLEW A HOLE IN THE CITY'S 98 00:04:48,204 --> 00:04:49,956 CORRUPT COURT SYSTEM A FEW MONTHS BACK... 99 00:04:49,997 --> 00:04:52,040 THEN I BLEW A HOLE IN HIM. WHAT'S YOUR POINT? 100 00:04:52,082 --> 00:04:54,084 FORCED THE D.A.'s OFFICE TO REOPEN A BUNCH 101 00:04:54,127 --> 00:04:54,752 OF HIS OLD CASES AND FUNNEL THEM 102 00:04:54,752 --> 00:04:58,255 THROUGH A NEW JUDGE, BUT YOU KNOW THIS NEW JUDGE-- 103 00:04:58,298 --> 00:05:01,009 DAVIS WELLINGTON, CROWS CONTRACTS 104 00:05:01,050 --> 00:05:02,343 DATING BACK TO 2004. 105 00:05:02,384 --> 00:05:04,512 MY CLIENT HOPES THAT YOU WILL CALL THE JUDGE 106 00:05:04,553 --> 00:05:06,596 AND GET HIM TO MOVE HIS CASE UP. 107 00:05:06,639 --> 00:05:08,516 HA HA! WHY WOULD I DO THAT? 108 00:05:08,557 --> 00:05:13,730 BECAUSE MY CLIENT'S REGGIE HARRIS... 109 00:05:13,771 --> 00:05:18,108 AND YOU OWE HIM YOUR LIFE. 110 00:05:22,112 --> 00:05:22,654 THANK YOU. 111 00:05:22,654 --> 00:05:24,740 YOU'RE BETTER TO ME ALIVE, PUPPY DOG. 112 00:05:24,781 --> 00:05:26,742 JACOB: REGGIE IS AN OPPORTUNIST 113 00:05:26,783 --> 00:05:28,244 USING THIS CABAL NONSENSE 114 00:05:28,286 --> 00:05:29,454 AS A "GET OUT OF JAIL FREE" CARD. 115 00:05:29,495 --> 00:05:32,165 HE CONFESSED TO GUNNING DOWN LUCIUS FOX 116 00:05:32,206 --> 00:05:32,831 IN A C-STORE ROBBERY. 117 00:05:32,831 --> 00:05:36,336 THAT CONFESSION WAS COERCED BY A CORRUPT GCPD COP. 118 00:05:36,377 --> 00:05:38,086 IT'S NOT A CROWS PROBLEM. 119 00:05:38,129 --> 00:05:38,629 YET. 120 00:05:38,629 --> 00:05:42,507 BASED ON SOME WHISPERS MY CLIENT HEARD 121 00:05:42,550 --> 00:05:44,509 IN THE SLAMMER ABOUT THIS PLACE, 122 00:05:44,552 --> 00:05:48,264 CROWS HAVE SOME SECRETS OF THEIR OWN. 123 00:05:48,889 --> 00:05:52,435 THAT ALMOST SOUNDED LIKE A THREAT. 124 00:05:55,271 --> 00:05:56,355 IT IS. 125 00:05:56,396 --> 00:05:59,692 LET'S NOT TURN IT INTO MORE. 126 00:05:59,733 --> 00:06:00,901 CALL THE JUDGE. 127 00:06:00,942 --> 00:06:02,737 GET HIM TO MOVE REGGIE'S COURT DATE UP, 128 00:06:02,778 --> 00:06:03,904 OR THIS PLACE GETS BLOWN UP 129 00:06:03,946 --> 00:06:07,658 IN THE SAME WAY THE D.A.'s OFFICE DID. 130 00:06:11,370 --> 00:06:14,122 WOMAN: ♪ I LEAVE GOLD ON THE FLOOR WHEREVER I GO ♪ 131 00:06:14,165 --> 00:06:15,750 ♪ YEAH, I'M KILLING IT, I'M KILLING IT ♪ 132 00:06:15,791 --> 00:06:16,500 ♪ I'M STEALING THE SHOW ♪ 133 00:06:16,500 --> 00:06:19,252 ♪ WORDS FALLING OUT MY MOUTH, AND THEY BREAK THE DOOR ♪ 134 00:06:19,295 --> 00:06:20,963 ♪ LIKE, "OOH, NA NA NA NA NA" ♪ 135 00:06:21,004 --> 00:06:23,173 ♪ SO I RIDE THE BEAT AND MAKE MY BODY BOOM BOOM ♪ 136 00:06:23,216 --> 00:06:25,175 [WHOOSH, THUD] 137 00:06:25,218 --> 00:06:26,552 ♪ MAKE YOUR BODY VROOM VROOM ♪ 138 00:06:26,593 --> 00:06:28,053 ♪ I BREAK THE RULES... ♪ 139 00:06:28,096 --> 00:06:28,512 [EXHALES] 140 00:06:28,512 --> 00:06:29,221 ♪ LIKE OOH, NA NA NA NA NA ♪ 141 00:06:29,221 --> 00:06:34,310 ♪ IT'S GOOD TO BE ME, YOUNG AND FREE, GOING WILD ♪ 142 00:06:34,351 --> 00:06:38,189 ♪ DO WHAT I DO WHEN I DO IT NOW ♪ 143 00:06:38,230 --> 00:06:40,274 ♪ MM MM MM MM ♪ 144 00:06:40,316 --> 00:06:42,526 ♪ MM MM MM MM MM ♪ 145 00:06:42,567 --> 00:06:44,987 ♪ MM MM MM MM MM MM MM ♪ 146 00:06:45,028 --> 00:06:48,199 THIS IS DEFINITELY A FIRST. 147 00:06:48,240 --> 00:06:51,994 ME, TOO, ACTUALLY. 148 00:06:53,454 --> 00:06:56,499 SO, UM... 149 00:06:58,709 --> 00:07:01,629 DO YOU WANT TO COME INSIDE? 150 00:07:03,880 --> 00:07:05,091 I CAN'T. 151 00:07:05,132 --> 00:07:06,800 I--I CAME HERE TO TELL YOU 152 00:07:06,843 --> 00:07:10,012 THAT THIS HAS TO END BEFORE YOU GET HURT. 153 00:07:10,053 --> 00:07:11,555 I CAN TAKE CARE OF MYSELF. 154 00:07:11,596 --> 00:07:14,809 THIS IS DIFFERENT. I HAVE ENEMIES. 155 00:07:14,850 --> 00:07:16,853 IF THEY CONNECTED US, 156 00:07:16,894 --> 00:07:18,855 THEY COULD USE YOU AGAINST ME. 157 00:07:18,896 --> 00:07:21,314 WELL, I WON'T TELL THEM IF YOU DON'T. 158 00:07:21,356 --> 00:07:24,192 YOU KNOW IT'S NOT THAT SIMPLE. 159 00:07:24,235 --> 00:07:27,154 SO WHAT DO YOU SUGGEST? 160 00:07:27,196 --> 00:07:31,408 LET ME WALK AWAY. 161 00:07:31,451 --> 00:07:34,327 OK. 162 00:07:36,872 --> 00:07:37,581 SO WALK. 163 00:07:37,622 --> 00:07:45,005 WOMAN: ♪ I CAN'T HELP THAT I WANT TO DO BAD THINGS ♪ 164 00:07:45,047 --> 00:07:49,177 ♪ BAD THINGS ♪ 165 00:07:49,218 --> 00:07:51,721 [DOORKNOB RATTLES] 166 00:07:51,762 --> 00:07:54,098 -SOMEONE'S HERE. -I'M ON IT. 167 00:07:54,139 --> 00:07:56,933 NO. I GOT IT. 168 00:07:58,144 --> 00:08:00,396 [KEYS JINGLE] 169 00:08:00,437 --> 00:08:05,108 [DOOR OPENS] 170 00:08:07,987 --> 00:08:09,279 OH! 171 00:08:09,322 --> 00:08:09,779 HMM. 172 00:08:09,822 --> 00:08:11,824 GIVE YOUR OWN MOTHER A HEART ATTACK. 173 00:08:11,865 --> 00:08:13,867 MOM, WHAT ARE YOU DOING HERE? 174 00:08:13,910 --> 00:08:15,911 SURPRISING YOU. 175 00:08:15,952 --> 00:08:19,456 NEXT TIME, I'LL CALL FIRST. 176 00:08:21,625 --> 00:08:23,752 [CAPE FLUTTERS] 177 00:08:32,220 --> 00:08:33,471 WE'RE LOCKING UP. 178 00:08:33,513 --> 00:08:34,096 WOMAN: I'M ON THE PHONE. 179 00:08:34,096 --> 00:08:37,350 MY COMPANY'S VALUATION IS TWICE THAT MUCH. 180 00:08:37,390 --> 00:08:39,226 I DON'T CARE ABOUT FIXED CAPITAL. 181 00:08:39,268 --> 00:08:44,565 LOOK AT OUR INTANGIBLE ASSETS-- I.E., ME, MY BRAND, MY IMAGE. 182 00:08:44,606 --> 00:08:47,567 YOU CAN'T PUT A PRICE ON THAT. 183 00:08:47,610 --> 00:08:48,152 I'M GONNA HAVE TO CALL YOU BACK. 184 00:08:48,193 --> 00:08:51,404 THEY HAD NO BUDGET FOR THIS PHOTO SHOOT, 185 00:08:51,447 --> 00:08:54,866 AND IT'S STARTING TO SHOW. 186 00:08:56,244 --> 00:08:59,371 HELLO? IS ANYONE THERE, 187 00:08:59,413 --> 00:09:03,083 NOT EVEN, LIKE, A JANITOR OR SOMEONE? 188 00:09:03,125 --> 00:09:04,961 [GLASS SHATTERS] 189 00:09:05,001 --> 00:09:07,212 WHO'S THERE? 190 00:09:27,649 --> 00:09:29,693 AAH! 191 00:09:43,415 --> 00:09:44,875 UH... 192 00:09:46,210 --> 00:09:49,129 UH... 193 00:09:49,171 --> 00:09:51,966 [PANTING] 194 00:09:53,259 --> 00:09:54,677 AAH! 195 00:09:58,139 --> 00:09:58,847 VESPER: TALK ABOUT THE UNKINDEST CUT. 196 00:09:58,847 --> 00:10:02,475 SOCIAL MEDIA INFLUENCER KIMBERLY WRIGHT WAS THE VICTIM 197 00:10:02,518 --> 00:10:04,894 OF A BRUTAL FACE-SLASHING LAST NIGHT. 198 00:10:04,937 --> 00:10:08,732 GCPD SUSPECT THIS IS NOW THE SECOND SOCIAL MEDIA INFLUENCER 199 00:10:08,774 --> 00:10:12,068 ATTACKED BY THE SERIAL SLASHIONISTA. 200 00:10:12,110 --> 00:10:13,321 TALK TO ME, GOTHAM. 201 00:10:13,361 --> 00:10:16,240 WHERE'S THE DISLIKE BUTTON WHEN YOU NEED IT? 202 00:10:16,282 --> 00:10:17,950 HOW'D IT GO WITH SOPHIE? 203 00:10:17,991 --> 00:10:20,745 SOPHIE. UH--AHEM. UH, WELL, SHE-- 204 00:10:20,786 --> 00:10:22,663 IT WAS REALLY COLD, AND IT WAS 205 00:10:22,705 --> 00:10:24,539 A BIT HARD TO HEAR, AND THEN HER MOM 206 00:10:24,581 --> 00:10:26,167 JUST SHOWED UP OUT OF NOWHERE. 207 00:10:26,207 --> 00:10:28,251 SO "DOG ATE MY BREAKUP"? 208 00:10:28,293 --> 00:10:32,340 THERE'S A LUNATIC WITH A BOX CUTTER TARGETING KIDS. 209 00:10:32,380 --> 00:10:34,508 WE NEED TO FOCUS. 210 00:10:34,549 --> 00:10:35,091 ALREADY ON IT. 211 00:10:35,091 --> 00:10:37,470 KIMBERLY WRIGHT DESCRIBED HER ATTACKER 212 00:10:37,510 --> 00:10:38,053 AS "A WOMAN IN HER 20s 213 00:10:38,095 --> 00:10:40,096 WHO WORE A HOODIE AND A SURGICAL MASK." 214 00:10:40,139 --> 00:10:42,350 YEAH. THAT'S WHY THE GCPD CAN'T I.D. HER. 215 00:10:42,390 --> 00:10:44,059 INTERESTINGLY, NEITHER OF THE VICTIMS 216 00:10:44,100 --> 00:10:45,894 HAD ANY STAB WOUNDS ON THEIR BODIES. 217 00:10:45,936 --> 00:10:47,437 KATE: SHE WENT AFTER THEIR FACE. 218 00:10:47,480 --> 00:10:50,941 THEIR FACE IS THEIR BRAND, THEIR BUSINESS. 219 00:10:50,982 --> 00:10:53,402 THIS IS PERSONAL. 220 00:10:53,985 --> 00:10:54,528 WHERE YOU OFF TO? 221 00:10:54,570 --> 00:10:58,282 TO SEE THE ONLY INSTAFACE I CARE ABOUT. 222 00:10:59,408 --> 00:11:01,326 YEAH. I MEAN, IT'S ALL MY FEED IS TALKING ABOUT. 223 00:11:01,369 --> 00:11:02,702 EVEN KYLIE Q IS THREATENING 224 00:11:02,745 --> 00:11:05,038 TO GO WEB-SILENT OUT OF RESPECT. 225 00:11:05,081 --> 00:11:07,166 THANK YOU, DOCTOR. 226 00:11:07,207 --> 00:11:08,625 ARE YOU OK? 227 00:11:08,668 --> 00:11:11,211 I MEAN, I BARELY KNEW KIMBERLY, 228 00:11:11,253 --> 00:11:14,005 BUT STILL, IT'S PRETTY FREAKY, 229 00:11:14,048 --> 00:11:16,549 AND--DON'T WORRY-- MY FANBASE LEFT 230 00:11:16,591 --> 00:11:18,885 WHEN MY STEPDAD SUPPOSEDLY KILLED MY MOM, 231 00:11:18,927 --> 00:11:21,471 SO I AM HARDLY WORTH THE DATA. 232 00:11:21,514 --> 00:11:24,140 GOOD, NOT ABOUT THE FANBASE THING. 233 00:11:24,182 --> 00:11:25,558 THAT SUCKS. 234 00:11:25,600 --> 00:11:27,477 DO YOU KNOW ANYONE IN THAT CIRCLE 235 00:11:27,519 --> 00:11:28,770 THAT COULD BE A TARGET? 236 00:11:28,812 --> 00:11:30,022 WELL, IT DEPENDS ON WHO YOU ASK. 237 00:11:30,063 --> 00:11:31,691 I MEAN, EVERYBODY KNOWS THAT KIMBERLY WRIGHT 238 00:11:31,731 --> 00:11:33,317 HAS MILEY McGINN'S NOSE. 239 00:11:33,359 --> 00:11:34,652 EXCEPT ME, APPARENTLY. 240 00:11:34,693 --> 00:11:37,822 SAME CORRECTIVE SURGERY-- SHAPE, SLOPE, LENGTH. 241 00:11:37,863 --> 00:11:39,615 I MEAN, IT'S A THING. 242 00:11:39,657 --> 00:11:40,240 PEOPLE WERE EVEN WHISPERING, 243 00:11:40,282 --> 00:11:43,201 MAYBE MILEY HAD SOMETHING TO DO WITH THE ATTACK, 244 00:11:43,244 --> 00:11:45,370 PISSED THAT KIMBERLY STOLE HER NOSE, 245 00:11:45,413 --> 00:11:46,621 BUT IF YOU THINK ABOUT IT, 246 00:11:46,663 --> 00:11:48,164 MILEY COPIED MIA'S CHEEKBONES, 247 00:11:48,206 --> 00:11:49,625 AND MIA AND XENA HAVE THE SAME CHIN, 248 00:11:49,667 --> 00:11:52,086 WHICH I BELIEVE BELONGED TO ARIANA AT ONE POINT. 249 00:11:52,128 --> 00:11:54,171 ANYWAY, I AM SURE THERE IS A WHO'S WHO 250 00:11:54,212 --> 00:11:56,465 OF POTENTIAL VICTIMS IN DR. CAMPBELL'S 251 00:11:56,506 --> 00:11:57,758 WAITING ROOM AS WE SPEAK. 252 00:11:57,799 --> 00:11:59,427 -DR. ETHAN CAMPBELL? -YEAH. 253 00:11:59,467 --> 00:12:01,261 THE ONLY PLASTIC SURGEON IN THE CITY 254 00:12:01,302 --> 00:12:04,264 WORTH GOING TO, NOT THAT I WOULD KNOW. 255 00:12:04,306 --> 00:12:07,600 ACTUALLY, IF YOU'RE LOOKING INTO THIS 256 00:12:07,643 --> 00:12:09,687 BECAUSE YOU OWN A REAL ESTATE FIRM 257 00:12:09,729 --> 00:12:12,022 AND THESE WOMEN ARE MOST LIKELY 258 00:12:12,063 --> 00:12:13,524 FUTURE PROPERTY BUYERS... 259 00:12:13,566 --> 00:12:14,649 EXACTLY, YEAH. 260 00:12:14,692 --> 00:12:17,485 I'M AROUND IF YOU NEED A SIDE...PERSON. 261 00:12:17,528 --> 00:12:19,613 I MEAN, I'M A D.M. AWAY FROM HALF THESE GIRLS. 262 00:12:19,654 --> 00:12:21,157 I'D BE HAPPY TO POKE AROUND 263 00:12:21,197 --> 00:12:22,533 FOR SOME CLUES OR WHATEVER. 264 00:12:22,575 --> 00:12:24,409 IT'S PROBABLY SAFEST IF YOU STAYED OUT OF IT, 265 00:12:24,451 --> 00:12:26,327 BUT I MIGHT ASK SOMEONE TO DROP BY CAMPBELL 266 00:12:26,370 --> 00:12:28,246 AND JUST GIVE HIM A HEADS-UP. 267 00:12:28,288 --> 00:12:28,831 I COULD DO IT. 268 00:12:28,873 --> 00:12:32,209 I MEAN, I'M A MED STUDENT WHERE HE LECTURES, 269 00:12:32,250 --> 00:12:34,754 SO, NOW THAT I THINK ABOUT IT, 270 00:12:34,794 --> 00:12:36,463 MY VAST ARRAY OF MEDICAL KNOWLEDGE 271 00:12:36,504 --> 00:12:40,259 COULD COME IN HANDY IN ENDLESS SCENARIOS. 272 00:12:40,301 --> 00:12:43,220 I'M GOOD, MARY. THANK YOU. 273 00:12:43,261 --> 00:12:45,764 OK. WELL, I'M HAPPY TO HELP. 274 00:12:45,806 --> 00:12:48,558 BYE, MARY. 275 00:12:48,600 --> 00:12:51,102 [SIGHS] 276 00:12:52,395 --> 00:12:54,398 REWIND. 277 00:12:54,440 --> 00:12:56,734 YOU AND YOUR HUSBAND SEPARATE, 278 00:12:56,775 --> 00:13:00,403 AND YOU DIDN'T THINK TO CALL ME? 279 00:13:00,446 --> 00:13:04,533 I THOUGHT IT WAS BEST TO LET THE DUST SETTLE. 280 00:13:04,575 --> 00:13:05,784 WHERE'S MY PHONE? 281 00:13:05,826 --> 00:13:06,368 I'LL TELL TYLER ALL THE WAYS 282 00:13:06,409 --> 00:13:08,703 HE'S MAKING THE BIGGEST MISTAKE OF HIS LIFE. 283 00:13:08,745 --> 00:13:13,125 MOM, STOP. IT'S NOT LIKE THAT. 284 00:13:13,708 --> 00:13:16,504 -IT WAS ME. -YOU? 285 00:13:16,544 --> 00:13:18,923 I, UM-- 286 00:13:18,963 --> 00:13:20,673 I FELL OUT OF LOVE WITH HIM. 287 00:13:20,716 --> 00:13:23,719 YOU FELL OUT OF LOVE WITH A HANDSOME, 288 00:13:23,760 --> 00:13:25,221 DECORATED, CAPABLE MAN 289 00:13:25,261 --> 00:13:28,139 WHO ALWAYS SENT ME FLOWERS ON MY BIRTHDAY. 290 00:13:28,182 --> 00:13:31,393 WHY DON'T YOU GIVE ME THE REAL STORY? 291 00:13:31,434 --> 00:13:34,938 MOM, THAT IS THE REAL STORY. 292 00:13:34,980 --> 00:13:36,565 WELL, JACOB KANE CALLED. 293 00:13:36,606 --> 00:13:38,149 HE TOLD ME ABOUT YOUR SUSPENSION. 294 00:13:38,192 --> 00:13:41,570 HEH, SO THAT'S WHY YOU'RE IN TOWN. 295 00:13:41,611 --> 00:13:44,657 THIS ISN'T SOME MOTHERLY "I MISSED YOU" VISIT. 296 00:13:44,697 --> 00:13:47,201 MORE OF A "PLEASE DON'T END UP UNDER A BRIDGE" VISIT. 297 00:13:47,243 --> 00:13:49,452 HOW ARE YOU GONNA PAY THE RENT? 298 00:13:49,495 --> 00:13:52,873 BY WORKING AT A PLACE THAT ALIGNS WITH MY VALUES. 299 00:13:52,914 --> 00:13:55,668 I DON'T SEE EYE TO EYE WITH THE CROWS' WAY 300 00:13:55,709 --> 00:13:57,126 OF DOING THINGS ANYMORE. 301 00:13:57,168 --> 00:13:58,671 OH, PLEASE DON'T TELL ME YOU WISH 302 00:13:58,711 --> 00:14:00,255 THEY WERE MORE LIKE THE GCPD. 303 00:14:00,297 --> 00:14:04,259 NO, MORE LIKE BATWOMAN. 304 00:14:04,301 --> 00:14:04,884 OHH... 305 00:14:04,927 --> 00:14:07,929 SHE IS SOMEONE WHO REPRESENTS ALL OF GOTHAM-- 306 00:14:07,971 --> 00:14:10,640 THE POOR, THE RICH, AND IN BETWEEN-- 307 00:14:10,682 --> 00:14:13,101 AND SHE'S SAVED MY LIFE ON SEVERAL OCCASIONS. 308 00:14:13,143 --> 00:14:15,812 SHE IS A DAMN CRIMINAL WHO GETS AWAY WITH IT. 309 00:14:15,855 --> 00:14:17,856 YOU NEVER HAD A PROBLEM WITH BATMAN. 310 00:14:17,898 --> 00:14:19,232 YOU THOUGHT HE WAS CUTE. 311 00:14:19,274 --> 00:14:20,734 BATMAN WAS DIFFERENT. 312 00:14:20,775 --> 00:14:23,070 HOW, MOM? HOW WAS BATMAN DIFFERENT? 313 00:14:23,111 --> 00:14:28,116 HE REPRESENTED VALUES I ACTUALLY BELIEVED IN. 314 00:14:28,158 --> 00:14:32,580 YOU MEAN, HE'S NOT GAY. 315 00:14:32,620 --> 00:14:34,956 [EXHALES] 316 00:14:37,293 --> 00:14:39,253 SOPHIE: HEY, I DON'T HAVE A LOT OF TIME, 317 00:14:39,294 --> 00:14:41,922 SO WE SHOULD PROBABLY MAKE THIS QUICK. 318 00:14:41,963 --> 00:14:43,591 YOU OK? 319 00:14:43,631 --> 00:14:46,634 MY MOM, SHE-- 320 00:14:46,677 --> 00:14:48,303 [SIGHS] 321 00:14:48,345 --> 00:14:49,804 I'M 28 YEARS OLD. 322 00:14:49,846 --> 00:14:52,682 I HAVE TWO DEGREES AND OWN A CONDO ON A RIVER, 323 00:14:52,725 --> 00:14:54,684 AND I SPEND EVERY WAKING MOMENT 324 00:14:54,726 --> 00:14:56,769 WONDERING IF SHE'S PROUD OF ME. 325 00:14:56,812 --> 00:14:59,606 AND IF SHE WERE TO FIND OUT ABOUT THIS-- 326 00:14:59,648 --> 00:15:05,696 UPSIDE OF HAVING TO HIDE IT--SHE WON'T. 327 00:15:07,865 --> 00:15:08,282 SO WHAT'S UP? 328 00:15:08,323 --> 00:15:10,658 I DID SOME DIGGING, AND I THINK 329 00:15:10,701 --> 00:15:12,785 THE GOTHAM SERIAL SLASHER IS TARGETING PATIENTS 330 00:15:12,827 --> 00:15:15,788 FROM A PLASTIC SURGEON BY THE NAME OF ETHAN CAMPBELL. 331 00:15:15,831 --> 00:15:16,414 I KNOW HIM. 332 00:15:16,456 --> 00:15:19,125 HIS AFFIDAVIT CLEARED MY BOSS OF MURDER CHARGES. 333 00:15:19,168 --> 00:15:20,251 THAT'S WHY I'M HERE. 334 00:15:20,293 --> 00:15:22,004 I NEED YOU TO FIND OUT WHAT HE KNOWS. 335 00:15:22,046 --> 00:15:26,091 I HAVE NO AUTHORITY. THE CROWS SUSPENDED ME. 336 00:15:26,133 --> 00:15:28,719 DOES CAMPBELL KNOW THAT? 337 00:15:31,054 --> 00:15:32,847 THE LAST VICTIM OF THE SLASHER 338 00:15:32,889 --> 00:15:35,267 WAS ALSO A PATIENT OF YOURS--MIA CORTEZ. 339 00:15:35,308 --> 00:15:36,644 WE'RE WORRIED THE NEXT VICTIM 340 00:15:36,684 --> 00:15:38,437 COULD BE A NAME IN ONE OF THOSE FILES. 341 00:15:38,479 --> 00:15:40,605 KIMBERLY WRIGHT TOLD EVERY ONE OF HER 10 MILLION FOLLOWERS 342 00:15:40,648 --> 00:15:45,027 ABOUT HER NOSE JOB, SO IF IT'S A CASE OF JEALOUSY, 343 00:15:45,068 --> 00:15:47,988 YOU HAVE A LOT OF NAMES TO SIFT THROUGH. 344 00:15:48,029 --> 00:15:49,822 ONE THEORY IS SHE'S TARGETING 345 00:15:49,865 --> 00:15:52,158 COPYCAT SURGERIES. 346 00:15:52,201 --> 00:15:52,659 HAVE YOU EVER-- 347 00:15:52,659 --> 00:15:55,788 CUT A SMILE INTO A PATIENT'S FACE? 348 00:15:55,828 --> 00:16:00,292 NO, AGENT MOORE. I CERTAINLY HAVE NOT. 349 00:16:00,333 --> 00:16:02,168 [SIGHS] 350 00:16:06,923 --> 00:16:10,760 THEN MAYBE SHE'S NOT TARGETING COPYCATS. 351 00:16:10,802 --> 00:16:13,806 MAYBE SHE'S MAKING COPYCATS. 352 00:16:13,846 --> 00:16:15,599 BY INFLICTING HER VICTIMS 353 00:16:15,640 --> 00:16:17,350 WITH THE SAME SCARS SHE HAS? 354 00:16:17,393 --> 00:16:18,851 HAVE YOU EVER TREATED A WOMAN 355 00:16:18,894 --> 00:16:20,937 WITH THIS TYPE OF SCARRING? 356 00:16:20,980 --> 00:16:25,109 UH, ACTUALLY, YES, 8 YEARS AGO. 357 00:16:25,149 --> 00:16:26,360 A TEENAGE GIRL WAS BROUGHT TO ME 358 00:16:26,402 --> 00:16:29,738 WITH A PSYCHIATRIC RAP SHEET AS LONG AS MY ARM, 359 00:16:29,779 --> 00:16:34,909 HAD THE WORST SELF-INFLICTED SCARS I'VE EVER SEEN. 360 00:16:34,951 --> 00:16:37,745 SHE CUT HER OWN FACE? 361 00:16:37,788 --> 00:16:40,164 YES. SHE DID. 362 00:16:42,750 --> 00:16:44,753 KATE: DUELA DENT. WHAT CAN YOU FIND ON HER? 363 00:16:44,794 --> 00:16:47,798 LUKE, ON COMMS: DAUGHTER OF EVELYN, FATHER UNKNOWN. 364 00:16:47,840 --> 00:16:50,174 HER UNCLE HARVEY IS A BELOVED A.D.A. 365 00:16:50,216 --> 00:16:50,884 WAIT. HERE'S SOMETHING. 366 00:16:50,926 --> 00:16:53,511 SHE WAS JUST RELEASED FROM A MENTAL HEALTH FACILITY. 367 00:16:53,553 --> 00:16:55,596 HOW DID YOU GET HER NAME? 368 00:16:55,639 --> 00:16:56,264 BAT SOURCES, OK? 369 00:16:56,264 --> 00:16:58,767 WOULD THOSE BAT SOURCES BE OF THE TALL, DARK, 370 00:16:58,808 --> 00:17:01,061 AND GIRLFRIEND- MATERIAL VARIETY? 371 00:17:01,102 --> 00:17:03,647 I'M CHOOSING TO IGNORE THAT. 372 00:17:03,688 --> 00:17:07,401 I FOUND SOMETHING. 373 00:17:10,695 --> 00:17:13,574 IT'S HER HIT LIST. 374 00:17:18,871 --> 00:17:21,330 RUN THE NAME MYRTIS DINKER. 375 00:17:21,373 --> 00:17:23,083 MYRTIS DINKER? 376 00:17:23,125 --> 00:17:26,836 NOPE. NOTHING, NO MYRTIS DINKER. 377 00:17:26,878 --> 00:17:31,049 OH, I HAVE AN IDEA. 378 00:17:31,090 --> 00:17:35,721 PRESS THE RED BUTTON ON YOUR RIGHT GAUNTLET. 379 00:17:37,221 --> 00:17:38,640 OH. 380 00:17:38,682 --> 00:17:42,935 SORRY. YOUR LEFT GAUNTLET. 381 00:17:43,854 --> 00:17:45,521 [WHIR] 382 00:17:45,564 --> 00:17:47,398 [CAMERA SHUTTER CLICKS] 383 00:17:47,441 --> 00:17:48,442 THAT WAS YOUR UPGRADE? 384 00:17:48,483 --> 00:17:50,611 COWL CAM. WHAT DO YOU THINK? 385 00:17:50,652 --> 00:17:51,236 USE THIS WITHOUT MY PERMISSION, 386 00:17:51,278 --> 00:17:53,404 AND I WILL FIND A NEW PLACE TO PUT MY BATARANG. 387 00:17:53,447 --> 00:17:57,159 YEAH. COPY THAT. RUNNING THE IMAGE NOW. 388 00:17:59,744 --> 00:18:02,080 AND? 389 00:18:02,663 --> 00:18:06,167 I'M STILL WORKING OUT THE BUGS. JUST-- 390 00:18:11,882 --> 00:18:14,926 [DOOR CLOSES] 391 00:18:36,949 --> 00:18:39,660 [WOMAN MOANS] 392 00:18:44,664 --> 00:18:46,625 YOU'RE OK. IT'S OK. 393 00:18:46,666 --> 00:18:52,005 IT'S OK. I'M GONNA GET YOU HELP. JUST-- 394 00:18:53,882 --> 00:18:55,342 -HUH! HYAH! -UHH! 395 00:18:55,384 --> 00:18:58,886 COME ANY CLOSER, AND I TURN MY MOM INTO A PEZ DISPENSER. 396 00:18:58,929 --> 00:19:00,638 DUELA, YOU DO NOT NEED TO DO THIS. 397 00:19:00,681 --> 00:19:01,848 AND SHE DIDN'T HAVE TO FORCE ME 398 00:19:01,890 --> 00:19:03,517 TO BE SOMEONE I'M NOT, SOMEONE I HATE, 399 00:19:03,558 --> 00:19:04,893 SOMEONE I CAN'T EVEN LOOK AT, 400 00:19:04,934 --> 00:19:08,020 SO I'M GONNA GO, AND YOU'RE GONNA NEED A MOP. 401 00:19:08,063 --> 00:19:11,023 NO! NO. 402 00:19:11,066 --> 00:19:13,067 STAY WITH ME. STAY WITH ME. 403 00:19:13,109 --> 00:19:17,530 IT'S GONNA BE OK. YOU'RE GONNA BE OK. 404 00:19:21,160 --> 00:19:24,954 I HAVE SPENT HOURS UPON HOURS COOKING UP ALL THE WAYS 405 00:19:24,997 --> 00:19:28,040 THAT I COULD TORTURE THAT VILE MAN. 406 00:19:28,083 --> 00:19:32,753 NOW THAT HE'S RIGHT HERE, RIGHT UNDER MY NOSE, I-- 407 00:19:32,796 --> 00:19:35,339 YOU'RE BLOCKED. 408 00:19:35,382 --> 00:19:39,927 EXACTLY, DR. MALONE. HA HA! 409 00:19:39,970 --> 00:19:45,349 I AM BLOCKED. AHH... 410 00:19:45,558 --> 00:19:47,394 OH, DON'T BE SO HARD ON YOURSELF. 411 00:19:47,435 --> 00:19:49,104 I MEAN, IT'S A NORMAL REACTION. 412 00:19:49,145 --> 00:19:51,355 VICTIMS HELD IN PHYSICAL AND EMOTIONAL CAPTIVITY 413 00:19:51,397 --> 00:19:53,482 OFTENTIMES REVERT BACK TO THE AGE 414 00:19:53,525 --> 00:19:56,444 THEY WERE HELD WHEN FACING THEIR CAPTOR. 415 00:19:56,486 --> 00:20:01,074 SO WHAT ARE YOU SAYING, I DON'T FIND CLOSURE? 416 00:20:01,115 --> 00:20:02,826 NO, OF COURSE NOT, 417 00:20:02,867 --> 00:20:04,577 BUT YOU CLEARLY HAVE UNRESOLVED FEAR. 418 00:20:04,619 --> 00:20:08,789 MY FEAR IS THAT I WILL KILL HIM INSTANTLY, 419 00:20:08,832 --> 00:20:13,586 FORGETTING TO RELISH IN HIS SLOW 420 00:20:13,628 --> 00:20:15,547 AND PAINFUL DEMISE. 421 00:20:15,588 --> 00:20:17,507 THOSE ARE JUST YOUR DEFENSES TALKING. 422 00:20:17,548 --> 00:20:21,929 I DON'T HAVE DEFENSES. HA HA HA! MM... 423 00:20:21,970 --> 00:20:23,931 IF YOU DON'T MIND, 424 00:20:23,971 --> 00:20:26,474 IN MY PROFESSIONAL OPINION, 425 00:20:26,516 --> 00:20:30,019 I SEE YOU PUTTING UP A HARD, BLUSTERY EXTERIOR, 426 00:20:30,061 --> 00:20:32,105 BUT THE TRUTH IS, 427 00:20:32,146 --> 00:20:34,441 YOU ARE STILL TERRIFIED OF THIS MAN. 428 00:20:34,482 --> 00:20:36,984 YOU ARE STILL JUST A LITTLE GIRL, 429 00:20:37,027 --> 00:20:39,403 AND YOU KNOW WHEN YOU CONFRONT HIM FACE TO FACE 430 00:20:39,445 --> 00:20:41,656 THAT HE WILL FIND A WAY TO REGAIN 431 00:20:41,698 --> 00:20:46,411 THAT POWER OVER YOU ONCE AGAIN. 432 00:20:49,122 --> 00:20:54,001 SO THEN SHRINK ME, HMM? WHAT DO I DO? 433 00:20:54,044 --> 00:20:57,005 I SUGGEST AN EMOTIONAL SHIELD, 434 00:20:57,047 --> 00:20:59,633 A THIRD PERSON THAT ACTS AS A BUFFER 435 00:20:59,674 --> 00:21:02,594 BETWEEN YOU AND THE ABUSER. 436 00:21:02,635 --> 00:21:07,974 WELL, YOU HAVE BEEN INCREDIBLY HELPFUL, 437 00:21:08,016 --> 00:21:10,059 DR. MALONE. HA HA! 438 00:21:10,102 --> 00:21:12,980 I DO WISH WE COULD'VE MADE THIS A WEEKLY AFFAIR. 439 00:21:13,020 --> 00:21:15,481 OH! NO. PLEASE. NO. 440 00:21:15,523 --> 00:21:17,526 I WON'T TELL ANYONE YOU'RE ALIVE. 441 00:21:17,567 --> 00:21:19,528 PLEASE. I WON'T TELL ANYONE. 442 00:21:19,568 --> 00:21:22,029 PLEASE! PLEASE DON'T. 443 00:21:22,071 --> 00:21:25,157 I WON'T TELL ANYONE! 444 00:21:25,200 --> 00:21:27,786 [SIGHS] 445 00:21:32,540 --> 00:21:33,625 WELL, WELL, 446 00:21:33,666 --> 00:21:36,086 DR. FIX-ME THREATENED WITH A LAWSUIT 447 00:21:36,127 --> 00:21:38,922 BY A 16-YEAR-OLD WHO DID NOT CONSENT 448 00:21:38,963 --> 00:21:44,010 TO THE RESTORATIVE PLASTIC SURGERY HE PERFORMED ON HER. 449 00:21:45,929 --> 00:21:47,346 HMM. 450 00:21:47,388 --> 00:21:51,309 WHAT AN INTERESTING, LITTLE PSYCHOPATH. 451 00:21:52,059 --> 00:21:55,521 [PLIERS CLANKING] 452 00:22:04,489 --> 00:22:08,910 HOW LONG ARE YOU GONNA KEEP ME HERE? 453 00:22:09,201 --> 00:22:11,913 AS LONG AS IT TAKES FOR YOU TO COME TO YOUR SENSES. 454 00:22:11,954 --> 00:22:16,917 HA HA HA! ALICE WILL FIND ME. 455 00:22:16,960 --> 00:22:20,838 MM. ALICE IS DEAD. 456 00:22:22,257 --> 00:22:23,924 NO. 457 00:22:23,967 --> 00:22:26,303 I SHOT HER. 458 00:22:26,345 --> 00:22:30,097 NO. NO. 459 00:22:30,140 --> 00:22:33,727 [SOBBING] 460 00:22:33,769 --> 00:22:35,019 NO. NO. 461 00:22:35,061 --> 00:22:37,230 SON... NO. NO. 462 00:22:37,271 --> 00:22:39,607 YOU'RE BETTER OFF WITHOUT HER. 463 00:22:39,648 --> 00:22:41,692 ALL SHE EVER DID WAS PUT YOUR LIFE 464 00:22:41,734 --> 00:22:44,488 IN DANGER TO ADVANCE HER OWN AGENDA. 465 00:22:44,528 --> 00:22:50,242 ALL I'VE DONE... IS PROTECT YOU... 466 00:22:51,286 --> 00:22:54,163 FROM THE CRUELTY OF THE WORLD. 467 00:22:54,205 --> 00:22:57,291 THE ONLY THING CRUEL 468 00:22:57,334 --> 00:23:01,712 IN MY WORLD IS YOU. 469 00:23:07,426 --> 00:23:09,429 YOU THINK THAT WAY NOW, 470 00:23:09,471 --> 00:23:15,059 BUT IN TIME, YOU'LL COME TO SEE THE TRUTH. 471 00:23:15,102 --> 00:23:16,769 WHAT ARE YOU DOING? 472 00:23:16,811 --> 00:23:18,646 WHAT ARE YOU DOING? WHAT ARE YOU DOING? 473 00:23:18,688 --> 00:23:21,273 WHAT ARE-- WHAT ARE YOU DOING? 474 00:23:21,316 --> 00:23:23,609 [GASPING] 475 00:23:23,652 --> 00:23:25,112 [KNOCKS ON DOOR] 476 00:23:25,153 --> 00:23:25,820 MAN: YOU WANTED TO SEE ME, SIR? 477 00:23:25,820 --> 00:23:29,324 JACOB: OUR FAVORITE AMBULANCE CHASER BOBBY REEVES 478 00:23:29,365 --> 00:23:30,450 STOPPED BY. 479 00:23:30,491 --> 00:23:32,118 HE'S POKING AROUND A MURDER CASE 480 00:23:32,160 --> 00:23:35,704 YOUR TEAM RAN POINT ON. 481 00:23:35,747 --> 00:23:38,666 YEAH, HARD TO FORGET. 482 00:23:38,708 --> 00:23:40,251 HARRIS GUNNED DOWN LUCIUS FOX 483 00:23:40,292 --> 00:23:42,170 AND A CASHIER AT A SIP & DASH. 484 00:23:42,211 --> 00:23:43,380 WHAT'S THE PROBLEM? 485 00:23:43,422 --> 00:23:44,756 WE TURNED HIM OVER TO THE GCPD. 486 00:23:44,798 --> 00:23:46,842 YEAH, TO STU DONNELLY, THE OFFICER ACCUSED 487 00:23:46,883 --> 00:23:50,261 OF COERCING CONFESSIONS IN AT LEAST 21 CASES. 488 00:23:50,302 --> 00:23:52,888 WE HANDED A LOT OF PERPS OVER TO DONNELLY, COMMANDER. 489 00:23:52,931 --> 00:23:54,766 ARE WE SAYING THEY'RE ALL INNOCENT? 490 00:23:54,807 --> 00:23:57,018 YOU DON'T FIND IT UNUSUAL THAT THE SIP & DASH'S 491 00:23:57,059 --> 00:23:58,561 4 SECURITY CAMERAS WEREN'T WORKING 492 00:23:58,603 --> 00:24:00,521 IN THE 5-HOUR WINDOW WHEN THE ROBBERY TOOK PLACE? 493 00:24:00,564 --> 00:24:04,276 ONLY THING I FIND UNUSUAL IS LUCIUS FOX WAS A HERO 494 00:24:04,317 --> 00:24:06,318 TO THE CITY AND PEOPLE ARE TRYING 495 00:24:06,361 --> 00:24:10,281 TO SET HIS KILLER FREE. 496 00:24:13,785 --> 00:24:15,953 I WAS WONDERING WHEN YOU WERE GONNA 497 00:24:15,996 --> 00:24:18,623 HIT ME UP ABOUT THE SLASHER CASE. 498 00:24:18,664 --> 00:24:20,000 HOW DID YOU KNOW? 499 00:24:20,040 --> 00:24:22,501 BECAUSE I AM SMART AND PERCEPTIVE, 500 00:24:22,544 --> 00:24:24,671 TWO TRAITS PEOPLE OFTEN OVERLOOK. 501 00:24:24,712 --> 00:24:27,132 ANYWAY, I WAS HOPING THAT YOU COULD HELP ME 502 00:24:27,173 --> 00:24:28,967 I.D. SOMEONE, SOMEONE THAT DOESN'T POP UP 503 00:24:29,009 --> 00:24:31,385 ON MY FACIAL RECOGNITION SYSTEM. 504 00:24:31,428 --> 00:24:32,554 MM-HMM. 505 00:24:32,596 --> 00:24:35,182 OH, THAT'S VERONICA MAY. 506 00:24:35,222 --> 00:24:35,848 -YOU SURE? -YEAH. 507 00:24:35,891 --> 00:24:38,101 APPARENTLY, SHE CHANGED HER NAME AFTER HIGH SCHOOL, 508 00:24:38,143 --> 00:24:40,479 AND IF MY NAME WAS MYRTIS DINKER, 509 00:24:40,519 --> 00:24:43,440 I WOULD, TOO, AND I'M GUESSING THE REASON 510 00:24:43,481 --> 00:24:45,442 WHY HER FACE STUMPED YOUR BAT TECH IS BECAUSE 511 00:24:45,483 --> 00:24:48,819 THAT'S NOT HER NOSE ANYMORE...OR HER CHIN. 512 00:24:48,862 --> 00:24:50,322 ANY IDEA HOW I CAN FIND HER? 513 00:24:50,363 --> 00:24:53,115 WELL, SHE PRETTY MUCH LIVES ON BOARD THE MAY-MOBILE. 514 00:24:53,157 --> 00:24:54,034 THE WHAT? 515 00:24:54,075 --> 00:24:55,201 IT'S PART MAKEOVER TRUCK, 516 00:24:55,242 --> 00:24:57,244 PART ROLLING BILLBOARD FOR HER MAKEUP LINE. 517 00:24:57,287 --> 00:25:01,249 JUST LOOK FOR THE GAUDIEST THING ON THE ROAD. 518 00:25:01,290 --> 00:25:03,667 KATE, ON COMMS: WE NEED TO FIND THAT COSMETICS TRUCK. 519 00:25:03,710 --> 00:25:06,755 I APPRECIATE THAT, BUT A TRUCK IN GOTHAM, 520 00:25:06,796 --> 00:25:09,173 KIND OF A NEEDLE IN A HAYSTACK. 521 00:25:09,215 --> 00:25:10,967 THE NEEDLE IS HOT PINK. 522 00:25:11,009 --> 00:25:12,259 THAT NARROWS IT DOWN. 523 00:25:12,301 --> 00:25:14,221 LET ME RUN A COLOR FILTER ON THE SATELLITE. 524 00:25:14,261 --> 00:25:16,681 [BEEPING] 525 00:25:16,722 --> 00:25:19,518 OK. WE'VE GOT A ICE CREAM TRUCK, 526 00:25:19,558 --> 00:25:22,269 AN UNFORTUNATE PAINT JOB ON A LAMBO. 527 00:25:22,311 --> 00:25:25,272 [BEEPING] 528 00:25:25,315 --> 00:25:27,733 THAT'S NOT GOOD. 529 00:25:28,192 --> 00:25:31,654 [BATCYCLE APPROACHES] 530 00:25:38,118 --> 00:25:42,499 DUELA'S BEEN HERE, NO SIGN OF VERONICA. 531 00:25:43,165 --> 00:25:46,920 HOLD UP. I THINK I GOT COMPANY. 532 00:25:48,421 --> 00:25:50,339 SHOULDN'T BE HERE. 533 00:25:50,382 --> 00:25:50,965 NEITHER SHOULD YOU. 534 00:25:50,965 --> 00:25:53,093 I'VE BEEN LISTENING IN TO THE CROWS' RADIO. 535 00:25:53,134 --> 00:25:54,426 THEY'LL BE HERE ANY MINUTE. 536 00:25:54,469 --> 00:25:55,010 I'M NOT LEAVING UNTIL I FIND 537 00:25:55,052 --> 00:25:57,346 EVERY SINGLE PERSON THAT WAS IN THAT TRUCK. 538 00:25:57,388 --> 00:26:01,393 LOOKS LIKE DUELA FORCED THEM INTO ANOTHER VEHICLE. 539 00:26:01,433 --> 00:26:03,353 WHY HERE? 540 00:26:03,394 --> 00:26:04,144 [TYPING] 541 00:26:04,144 --> 00:26:07,315 UH, VERONICA'S SKIN CARE LINE IS MADE AT A PLANT DOWN THE ROAD. 542 00:26:07,356 --> 00:26:09,817 MAN: YOU BY THE TRUCK, PUT YOUR HANDS IN THE AIR NOW. 543 00:26:09,858 --> 00:26:11,403 WE HAVE TO GET OUT OF HERE. 544 00:26:11,443 --> 00:26:13,863 GET OUT OF HERE NOW. COME ON. 545 00:26:13,904 --> 00:26:16,199 -GET ON. -WAIT. WHAT? 546 00:26:16,240 --> 00:26:18,285 GET ON. 547 00:26:18,326 --> 00:26:21,328 [SIRENS] 548 00:26:24,332 --> 00:26:27,836 [TIRES SCREECH] 549 00:26:42,433 --> 00:26:45,185 [ITEMS DROPPING] 550 00:26:47,896 --> 00:26:50,442 WHAT THE HELL ARE YOU DOING? 551 00:26:50,482 --> 00:26:52,027 [GASPS] 552 00:26:52,067 --> 00:26:53,653 OH, I'M SORRY. 553 00:26:53,694 --> 00:26:54,903 DO YOU HAVE A PROBLEM 554 00:26:54,945 --> 00:26:57,156 WITH PEOPLE STEALING MEDICAL SUPPLIES? 555 00:26:57,198 --> 00:27:00,451 BECAUSE, UM...HI. 556 00:27:00,492 --> 00:27:02,494 I THOUGHT I MADE IT CLEAR HOW I FELT ABOUT YOU 557 00:27:02,537 --> 00:27:03,038 WHEN I LEFT YOU TO DIE. 558 00:27:03,078 --> 00:27:06,958 YOU DID, BUT THEN I SAVED YOUR LIFE, 559 00:27:07,000 --> 00:27:10,336 AND NOW YOU OWE ME, SO-- 560 00:27:10,377 --> 00:27:12,422 DID BATWOMAN NOT TELL YOU? 561 00:27:12,463 --> 00:27:13,548 NOT TELL ME WHAT? 562 00:27:13,589 --> 00:27:14,798 AFTER NOCTURNA DRAINED YOUR BLOOD, 563 00:27:14,840 --> 00:27:15,342 YOU WERE ON DEATH'S DOOR. 564 00:27:15,383 --> 00:27:17,551 I FOUND YOU AND REVIVED YOU WITH MY OWN, 565 00:27:17,594 --> 00:27:21,597 MEANING I LITERALLY PUMPED LIFE BACK INTO YOUR VEINS. 566 00:27:21,640 --> 00:27:24,558 UGH, I NEED A BLEACH TRANSFUSION. 567 00:27:24,601 --> 00:27:27,895 OH, I'LL TAKE THAT AS A THANK YOU. 568 00:27:27,936 --> 00:27:29,355 WHY WOULD YOU DO THAT? 569 00:27:29,396 --> 00:27:33,692 LET'S JUST SAY IT WAS MORE ABOUT BATWOMAN 570 00:27:33,734 --> 00:27:37,072 AND LESS ABOUT YOU. 571 00:27:37,113 --> 00:27:39,824 THANKS FOR THE GOODS. 572 00:27:39,865 --> 00:27:44,203 DO YOU KNOW WHO SHE IS? 573 00:27:44,244 --> 00:27:46,205 BATWOMAN? 574 00:27:46,247 --> 00:27:48,833 OF COURSE I DO. 575 00:27:48,875 --> 00:27:52,378 OH, DO YOU NOT? 576 00:27:52,420 --> 00:27:53,546 SAD. 577 00:27:53,587 --> 00:27:56,383 GUESS YOU TWO AREN'T REALLY PALS AFTER ALL. 578 00:27:56,423 --> 00:27:59,426 HMM. 579 00:28:01,429 --> 00:28:05,099 VERONICA: AAH! 580 00:28:05,141 --> 00:28:08,603 AAH! 581 00:28:10,605 --> 00:28:14,233 DUELA, STOP. PLEASE LET ME DOWN. 582 00:28:14,275 --> 00:28:16,361 I'M HELPING YOU, VERONICA-- 583 00:28:16,403 --> 00:28:18,738 OH, I MEAN, MYRTIS. 584 00:28:18,779 --> 00:28:21,407 OH... 585 00:28:21,449 --> 00:28:21,990 OHH! 586 00:28:21,990 --> 00:28:24,868 OH, MY GOD, LOOK. YOU MADE YOUR POINT, OK? 587 00:28:24,911 --> 00:28:27,955 I WASN'T A GREAT FRIEND AFTER THE INCIDENT, 588 00:28:27,997 --> 00:28:30,290 BUT, HONESTLY, I WAS AFRAID OF YOU. 589 00:28:30,333 --> 00:28:31,875 BECAUSE I WAS FINALLY HAPPY? 590 00:28:31,917 --> 00:28:35,212 HAPPY PEOPLE DON'T SLICE THEIR FACES OPEN. 591 00:28:35,255 --> 00:28:38,508 HA! WHAT DO THEY DO, HMM, 592 00:28:38,549 --> 00:28:41,301 SHAVE A BONE OFF THEIR NOSE, 593 00:28:41,344 --> 00:28:43,011 SLIT THEIR EYELIDS OPEN, 594 00:28:43,054 --> 00:28:45,597 STAB NEEDLES INTO THEIR LIPS? 595 00:28:45,640 --> 00:28:47,057 YOU KNOW, THE ONLY DIFFERENCE 596 00:28:47,099 --> 00:28:50,519 BETWEEN YOU AND ME IS THAT I GOT INSTITUTIONALIZED 597 00:28:50,561 --> 00:28:52,396 AND YOU GOT FAMOUS. 598 00:28:52,439 --> 00:28:55,316 MY MOTHER WANTED ME TO BE YOU. 599 00:28:55,357 --> 00:28:57,609 PUT ME DOWN, YOU PSYCHO! 600 00:28:57,652 --> 00:28:59,988 IT'S TIME TO SHOW THE WORLD WHAT I SEE 601 00:29:00,028 --> 00:29:03,031 WHEN I LOOK AT VERONICA MAY. 602 00:29:03,074 --> 00:29:07,828 NO! DUELA, STOP! PLEASE DON'T! 603 00:29:07,871 --> 00:29:10,289 NO! 604 00:29:18,631 --> 00:29:22,050 GOING SOMEWHERE? 605 00:29:22,093 --> 00:29:24,511 UH! UH! UH! 606 00:29:24,554 --> 00:29:27,723 [BOTH GRUNTING] 607 00:29:28,641 --> 00:29:30,184 AGH! 608 00:29:30,226 --> 00:29:32,436 OH! UH! 609 00:29:32,479 --> 00:29:36,982 AAH! HELP! 610 00:29:42,238 --> 00:29:45,657 [CREAKING] 611 00:29:50,078 --> 00:29:53,249 [BOTH GRUNTING] 612 00:30:06,304 --> 00:30:08,515 [WHIRRING] 613 00:30:11,851 --> 00:30:14,103 AAH! 614 00:30:16,230 --> 00:30:20,818 TELL ME SOMEONE GOT THAT ON CAMERA. 615 00:30:30,869 --> 00:30:33,248 SOPHIE: SO SHOULD I TAKE VERONICA UP 616 00:30:33,288 --> 00:30:35,583 ON HER OFFER TO SHARE AN UBER? 617 00:30:35,625 --> 00:30:37,710 CALL ME CRAZY, BUT I FELT 618 00:30:37,751 --> 00:30:39,753 LIKE WE MADE A GOOD TEAM IN THERE. 619 00:30:39,796 --> 00:30:42,757 -WE DID. -BUT? 620 00:30:42,798 --> 00:30:45,593 HOW DO YOU SEE THIS PLAYING OUT-- 621 00:30:45,634 --> 00:30:46,970 DINNER, MOVIE, 622 00:30:47,010 --> 00:30:49,430 I TAKE YOU BACK TO MY CAVE? 623 00:30:49,471 --> 00:30:50,765 YOU LIVE IN A CAVE? 624 00:30:50,807 --> 00:30:54,102 ALLIE MOSS: ♪ COLD CONCRETE BENEATH MY BACK ♪ 625 00:30:54,143 --> 00:30:55,394 I DON'T KNOW. 626 00:30:55,435 --> 00:30:56,813 GUESS I HAVEN'T REALLY THOUGHT ABOUT IT. 627 00:30:56,855 --> 00:30:59,898 IF I WERE TO TELL YOU WHO I AM RIGHT NOW, 628 00:30:59,941 --> 00:31:01,859 WOULD YOU WANT TO KNOW? 629 00:31:01,901 --> 00:31:02,777 WHAT? 630 00:31:02,818 --> 00:31:04,069 BECAUSE ONCE THAT HAPPENS, 631 00:31:04,112 --> 00:31:06,154 I'M NO LONGER A SECRET. 632 00:31:06,196 --> 00:31:09,116 I'M A FACE, A PERSON, 633 00:31:09,157 --> 00:31:13,579 A WOMAN, AND I BRING ALL THE COMPLICATIONS 634 00:31:13,621 --> 00:31:15,498 THAT COME WITH THAT, SO DO YOU WANT TO BE 635 00:31:15,539 --> 00:31:18,417 IN A REAL RELATIONSHIP, OR DO YOU WANT TO BE 636 00:31:18,459 --> 00:31:22,046 WITH SOMEONE YOU CAN KEEP SECRET? 637 00:31:22,087 --> 00:31:25,465 BECAUSE WE CAN NEVER BE MORE THAN THIS, 638 00:31:25,508 --> 00:31:29,386 AND THAT SHOULDN'T BE ENOUGH. 639 00:31:31,806 --> 00:31:34,182 YOU'RE RIGHT. 640 00:31:34,893 --> 00:31:37,353 AS LONG AS I'M WITH A WOMAN WHO WEARS A MASK, 641 00:31:37,394 --> 00:31:40,731 I'LL ALWAYS BE WEARING ONE MYSELF. 642 00:31:41,773 --> 00:31:45,653 I THINK I HAVE SOME THINGS I NEED TO TAKE CARE OF. 643 00:31:45,694 --> 00:31:48,615 I'LL LET THE GCPD KNOW ABOUT DUELA. 644 00:31:48,655 --> 00:31:54,077 MOSS: ♪ WHEN YOU'RE DOWN, DOWN, DOWN... ♪ 645 00:31:54,119 --> 00:31:57,123 GOOD-BYE, SOPHIE. 646 00:31:57,164 --> 00:32:00,250 MOSS: ♪ NO FURTHER TO FALL ♪ 647 00:32:00,292 --> 00:32:05,339 ♪ WHEN YOU'RE ON THE FLOOR ♪ 648 00:32:05,381 --> 00:32:15,141 ♪ AND YOU'RE ALREADY DOWN, DOWN, DOWN, DOWN ♪ 649 00:32:15,182 --> 00:32:22,397 ♪ DOWN, DOWN, DOWN, DOWN ♪ 650 00:32:22,440 --> 00:32:24,858 ♪ I KNOW ♪ 651 00:32:26,486 --> 00:32:28,028 [FOOTSTEPS] 652 00:32:28,070 --> 00:32:30,781 WHO'S THERE? PLEASE HELP. 653 00:32:30,823 --> 00:32:33,785 UNTIE ME, PLEASE. WHO'S THERE? 654 00:32:33,826 --> 00:32:34,368 AN ALLY. 655 00:32:34,410 --> 00:32:38,288 YOU AND I WERE BOTH WRONGED BY THE SAME MAN. 656 00:32:38,330 --> 00:32:39,958 HE TOOK MY ADOLESCENCE 657 00:32:39,999 --> 00:32:42,751 JUST LIKE HE TOOK YOUR SMILE. 658 00:32:42,794 --> 00:32:46,338 I WILL GET REVENGE FOR BOTH OF US, BUT FIRST, 659 00:32:46,381 --> 00:32:50,425 I'M GONNA NEED A LITTLE SOMETHING FROM YOU, HMM? 660 00:32:56,223 --> 00:32:57,849 WANT TO EXPLAIN THIS? 661 00:32:57,892 --> 00:33:00,060 IT'S A BANK STATEMENT. 662 00:33:00,103 --> 00:33:01,813 I KNOW IT'S A BANK STATEMENT. 663 00:33:01,854 --> 00:33:03,897 I DON'T KNOW WHY THE CROWS SENT A SIP & DASH 664 00:33:03,940 --> 00:33:06,942 $50,000 AFTER THE LUCIUS FOX MURDER. 665 00:33:06,984 --> 00:33:08,694 IT SAYS RIGHT HERE, "CODE 501." 666 00:33:08,736 --> 00:33:10,153 IT'S A RESTORATION COURTESY PAYMENT 667 00:33:10,195 --> 00:33:12,573 FOR US TRASHING THE PLACE WHEN WE ARRESTED HARRIS. 668 00:33:12,615 --> 00:33:14,282 SO THIS MONEY HAS NOTHING TO DO WITH 669 00:33:14,325 --> 00:33:16,243 THE LOST SECURITY FOOTAGE. 670 00:33:16,285 --> 00:33:17,412 YOU DON'T REALLY THINK 671 00:33:17,452 --> 00:33:21,499 A CROW WOULD DESTROY EVIDENCE. 672 00:33:26,086 --> 00:33:29,882 ALAINA CROSS: ♪ LIKE THE HUNTER ♪ 673 00:33:29,923 --> 00:33:31,884 ♪ ON HIS PREY ♪ 674 00:33:31,925 --> 00:33:34,679 ♪ ONCE YOU THINK YOU GOT ME TRAPPED ♪ 675 00:33:34,721 --> 00:33:38,223 ♪ I MAKE MY ESCAPE... ♪ 676 00:33:38,266 --> 00:33:41,894 THOUGHT DISPATCH SAID SHE WAS LOCKED UP. 677 00:33:41,935 --> 00:33:46,148 CROSS: ♪ I'M COMING OUT OF MY CAGE ♪ 678 00:33:48,233 --> 00:33:52,864 ♪ I'M COMING OUT OF MY CAGE ♪ 679 00:33:52,904 --> 00:33:56,116 DUELA... 680 00:33:56,159 --> 00:33:58,911 HOW...DID YOU GET IN HERE? 681 00:33:58,952 --> 00:34:03,750 JUST FLASHED THAT PRETTY SMILE YOU GAVE ME. 682 00:34:04,500 --> 00:34:06,711 -BACK! -OUTSIDE. 683 00:34:06,752 --> 00:34:08,086 OVER HERE. 684 00:34:08,128 --> 00:34:08,670 IS THAT THE SLASHER? 685 00:34:08,713 --> 00:34:13,842 CROSS: ♪ I'M COMING OUT OF MY CAGE ♪ 686 00:34:13,885 --> 00:34:16,387 ♪ I'M COMING OUT OF MY ♪ 687 00:34:16,429 --> 00:34:18,264 LORD HAVE MERCY. 688 00:34:18,306 --> 00:34:21,684 I'M FINALLY PERFECT. 689 00:34:21,726 --> 00:34:24,561 YOU SHOULDN'T BE HERE, DUELA. 690 00:34:24,603 --> 00:34:29,733 SORRY. YOU GOT THE WRONG GIRL. 691 00:34:32,360 --> 00:34:34,280 -HEH. -NO. 692 00:34:34,322 --> 00:34:37,240 NO. YOU'RE DEAD. I--I SHOT YOU. 693 00:34:37,282 --> 00:34:40,994 OH, AGAIN, YOU GOT THE WRONG GIRL. 694 00:34:41,036 --> 00:34:47,418 YOU LIKE TAKING THINGS FROM CHILDREN, DON'T YOU? 695 00:34:47,460 --> 00:34:53,132 WELL, WE'RE ALL GROWN UP NOW 696 00:34:53,173 --> 00:34:55,217 AND HERE FOR A LITTLE PAYBACK. 697 00:34:55,259 --> 00:34:58,221 CROSS: ♪ I'M COMING OUT OF MY CAGE ♪ 698 00:35:01,556 --> 00:35:04,893 JACOB: MOORE, IT'S ME. LOOK. 699 00:35:04,936 --> 00:35:07,313 I MAY QUESTION YOUR DECISION-MAKING 700 00:35:07,355 --> 00:35:08,898 WHEN IT COMES TO BATWOMAN, 701 00:35:08,940 --> 00:35:11,858 BUT I'VE NEVER QUESTIONED YOUR INTEGRITY, 702 00:35:11,900 --> 00:35:15,320 AND AT THE MOMENT, I NEED IT MORE THAN EVER. 703 00:35:15,362 --> 00:35:18,407 I THINK THE CROWS HAVE A MAJOR PROBLEM. 704 00:35:18,449 --> 00:35:21,994 I'LL EXPLAIN WHEN YOU CALL ME BACK. 705 00:35:28,876 --> 00:35:31,838 [PING] 706 00:35:32,797 --> 00:35:35,173 [DOOR OPENS] 707 00:35:36,967 --> 00:35:40,387 NOT SURE HOW CHARGING $5.00 FOR A COFFEE 708 00:35:40,429 --> 00:35:41,847 IS NOT A CRIMINAL OFFENSE. 709 00:35:41,889 --> 00:35:45,059 HA HA HA! HA HA HA! 710 00:35:45,101 --> 00:35:49,230 I THINK YOU'RE GONNA NEED SOMETHING STRONGER. 711 00:35:51,231 --> 00:35:53,943 I LIED TO YOU THE OTHER DAY. 712 00:35:53,985 --> 00:35:56,362 THAT'S WHAT I DO NOW. 713 00:35:56,403 --> 00:35:58,989 I LIE. I LIE SO MUCH, 714 00:35:59,030 --> 00:36:02,201 I DON'T EVEN REALIZE I'M DOING IT ANYMORE. 715 00:36:02,242 --> 00:36:08,708 OH, SOPHIE... WHAT LIE? 716 00:36:08,748 --> 00:36:12,170 [SIGHS] 717 00:36:12,210 --> 00:36:15,547 I DIDN'T BREAK UP WITH TYLER 718 00:36:15,590 --> 00:36:20,385 BECAUSE I FELL OUT OF LOVE WITH HIM. 719 00:36:20,427 --> 00:36:21,971 I BROKE UP WITH TYLER 720 00:36:22,012 --> 00:36:25,349 BECAUSE I WAS NEVER IN LOVE WITH HIM. 721 00:36:25,391 --> 00:36:29,019 SWEETHEART, I NEED YOU TO START MAKING SENSE. 722 00:36:29,061 --> 00:36:31,063 WHEN I WAS AT POINT ROCK... 723 00:36:31,105 --> 00:36:32,898 MM-HMM? 724 00:36:32,940 --> 00:36:35,985 I MET SOMEONE, 725 00:36:36,027 --> 00:36:38,737 AND FOR THE FIRST TIME, 726 00:36:38,778 --> 00:36:43,117 I WAS HAPPY, REALLY, REALLY HAPPY... 727 00:36:43,159 --> 00:36:44,159 OH... 728 00:36:44,202 --> 00:36:46,329 AND I WANT TO FIND THAT AGAIN. 729 00:36:46,369 --> 00:36:50,583 OK. OK. THEN GO FIND HIM, HONEY. 730 00:36:50,625 --> 00:36:52,293 GO FIND HIM. 731 00:36:52,335 --> 00:36:55,630 IT WASN'T A HIM, MOM. 732 00:36:57,172 --> 00:36:59,759 IT WAS A HER. 733 00:36:59,800 --> 00:37:03,346 FOR YEARS, I KEPT IT A SECRET. 734 00:37:03,387 --> 00:37:06,097 I THOUGHT I COULD HAVE BOTH-- 735 00:37:06,139 --> 00:37:09,351 THE VERSION OF ME THAT MY SCHOOL 736 00:37:09,393 --> 00:37:12,938 AND MY FAMILY COULD BE PROUD OF 737 00:37:12,980 --> 00:37:17,275 AND THE VERSION OF ME WHO KNEW WHO SHE WAS. 738 00:37:17,318 --> 00:37:17,860 OHH... 739 00:37:17,902 --> 00:37:21,947 WOMAN: ♪ I TRY NOT TO HOLD MY BREATH ♪ 740 00:37:21,989 --> 00:37:27,702 SO THE GOOD LORD DIDN'T MAKE IT HARD ENOUGH ON YOU, 741 00:37:27,744 --> 00:37:30,331 NOT ENOUGH TO BE A WOMAN OF COLOR, 742 00:37:30,373 --> 00:37:33,083 NOT ENOUGH TO COME FROM NOTHING, 743 00:37:33,125 --> 00:37:35,085 NOT ENOUGH TO HAVE TO PROVE YOUR DAMN WORTH 744 00:37:35,126 --> 00:37:37,170 TO THE WORLD EVERY TIME YOU WANT 745 00:37:37,213 --> 00:37:39,047 TO BE PART OF IT, HUH? 746 00:37:39,090 --> 00:37:41,842 YOU GOT TO ADD THIS ON TOP OF IT? 747 00:37:41,884 --> 00:37:44,052 I DIDN'T ASK FOR THIS, 748 00:37:44,094 --> 00:37:46,972 JUST LIKE I DIDN'T ASK FOR ANY OF THOSE THINGS, 749 00:37:47,014 --> 00:37:49,641 BUT EACH OF THEM MAKE ME WHO I AM. 750 00:37:49,684 --> 00:37:53,019 AND WHY AM I ONLY HEARING ABOUT IT NOW? 751 00:37:53,061 --> 00:37:55,021 BECAUSE I DIDN'T WANT YOU TO LOOK AT ME 752 00:37:55,063 --> 00:37:56,481 THE WAY YOU'RE LOOKING AT ME NOW. 753 00:37:56,523 --> 00:38:02,655 OH, SOPHIE, I AM SO SORRY ABOUT THAT, SWEETHEART. 754 00:38:04,072 --> 00:38:08,786 WHAT'D YOU EXPECT DISAPPOINTMENT TO LOOK LIKE? 755 00:38:08,827 --> 00:38:10,579 [DOOR OPENS] 756 00:38:10,621 --> 00:38:11,998 [DOOR CLOSES] 757 00:38:12,039 --> 00:38:18,713 WOMAN: ♪ WHY DID I BEND WHEN I NEEDED... ♪ 758 00:38:19,380 --> 00:38:21,507 YOU LOOK LIKE YOU HAD A LONG NIGHT. 759 00:38:21,548 --> 00:38:24,050 MORE LIKE A REALLY LONG DAY. 760 00:38:24,092 --> 00:38:26,846 IF YOU WANT TO TALK ABOUT IT, 761 00:38:26,887 --> 00:38:29,222 YOU WANT TO TALK ABOUT ANYTHING, 762 00:38:29,264 --> 00:38:31,684 YOU KNOW I'M HERE, RIGHT? 763 00:38:31,726 --> 00:38:33,601 I...LOST A PIECE OF REAL ESTATE 764 00:38:33,643 --> 00:38:35,228 I HAD MY HEART SET ON, 765 00:38:35,271 --> 00:38:37,063 BUT WASN'T THE RIGHT MOVE. 766 00:38:37,106 --> 00:38:40,067 TIMING WAS OFF. 767 00:38:40,108 --> 00:38:43,112 OH. HUH. 768 00:38:44,362 --> 00:38:45,697 DO YOU REMEMBER THE DAY 769 00:38:45,739 --> 00:38:47,199 THAT YOU CAME BACK TO GOTHAM? 770 00:38:47,240 --> 00:38:48,742 I THREW YOU THAT WELCOME-HOME PARTY, 771 00:38:48,784 --> 00:38:50,702 AND THEN 6 HOURS LATER, I WAS STITCHING UP 772 00:38:50,744 --> 00:38:52,371 YOUR SHOULDER, TELLING YOU THAT 773 00:38:52,413 --> 00:38:54,456 I OWNED AN ILLEGAL CLINIC. 774 00:38:54,498 --> 00:38:57,126 OF COURSE I REMEMBER. 775 00:38:57,168 --> 00:38:59,878 IT NEVER ONCE OCCURRED TO ME 776 00:38:59,920 --> 00:39:01,713 THAT YOU'D TELL MY MOM OR YOUR DAD 777 00:39:01,755 --> 00:39:03,923 THAT I WAS LIVING A DOUBLE LIFE 778 00:39:03,965 --> 00:39:06,677 OR THAT YOU'D TRY TO SHUT ME DOWN 779 00:39:06,719 --> 00:39:08,471 OR TELL ME I COULD GET SUED 780 00:39:08,512 --> 00:39:12,641 OR KICKED OUT OF SCHOOL OR ARRESTED. 781 00:39:16,269 --> 00:39:19,106 I KNEW I DIDN'T HAVE TO WORRY 782 00:39:19,148 --> 00:39:21,775 ABOUT YOU JUDGING ME 783 00:39:21,817 --> 00:39:26,405 BECAUSE I TRUSTED YOU... 784 00:39:27,697 --> 00:39:30,076 SO I HOPE ONE DAY THAT YOU FEEL 785 00:39:30,117 --> 00:39:33,119 THE SAME WAY ABOUT ME. 786 00:39:47,842 --> 00:39:49,887 [DOOR OPENS] 787 00:39:51,262 --> 00:39:53,556 [DOOR CLOSES] 788 00:39:58,144 --> 00:40:00,981 [STRAINING] 789 00:40:05,693 --> 00:40:08,614 WHAT DO YOU WANT? 790 00:40:09,697 --> 00:40:14,161 FOR YOU TO DROP THE ACT 791 00:40:14,202 --> 00:40:16,914 AND THE FACE. 792 00:40:16,956 --> 00:40:19,875 UH! 793 00:40:25,213 --> 00:40:28,217 MM... 794 00:40:28,259 --> 00:40:34,139 I THOUGHT I WOULD NEVER HAVE TO SEE YOU AGAIN, 795 00:40:34,181 --> 00:40:36,599 BUT I WAS WRONG. 796 00:40:36,641 --> 00:40:42,898 I SEE THIS FACE EVERY NIGHT AS I GO TO SLEEP 797 00:40:42,940 --> 00:40:45,693 AND EVERY MORNING AS I WAKE, 798 00:40:45,733 --> 00:40:49,237 AND SOMETIMES WHEN I CLOSE MY EYES 799 00:40:49,280 --> 00:40:51,072 AND SHAKE TOO LONG. 800 00:40:51,114 --> 00:40:54,534 IF YOU'RE GONNA KILL ME, DO IT. 801 00:40:54,577 --> 00:40:58,329 KILL ME. GET IT OVER WITH. 802 00:40:58,371 --> 00:41:00,206 SHH SHH. 803 00:41:00,248 --> 00:41:03,960 WE MUSTN'T SPEAK SUCH NONSENSE. 804 00:41:04,003 --> 00:41:06,172 I WOULD NEVER KILL YOU, 805 00:41:06,213 --> 00:41:10,300 AT LEAST NOT WITH THESE NIMBLE, LITTLE FINGERS. 806 00:41:10,342 --> 00:41:12,802 WHAT DO YOU WANT? 807 00:41:12,844 --> 00:41:14,554 MY BROTHER MOUSE. 808 00:41:14,597 --> 00:41:18,266 SURELY, YOU HAVE HIM, AND I WANT HIM, 809 00:41:18,309 --> 00:41:20,393 SO WHERE IS HE? 810 00:41:20,436 --> 00:41:23,271 HA HA HA! 811 00:41:23,313 --> 00:41:26,983 WHY IS THAT SO FUNNY? 812 00:41:27,025 --> 00:41:30,320 -HA HA HA! -WHAT? 813 00:41:30,362 --> 00:41:33,114 YEAH. YEAH. 814 00:41:33,157 --> 00:41:36,159 I WILL TELL YOU WHERE YOU CAN FIND 815 00:41:36,202 --> 00:41:39,038 YOUR... 816 00:41:39,079 --> 00:41:42,333 PRECIOUS MOUSE. 817 00:41:42,373 --> 00:41:44,918 [GASPING] 818 00:41:51,425 --> 00:41:54,552 [MUFFLED SHOUTING] 819 00:42:20,036 --> 00:42:22,539 MAN: GREG, MOVE YOUR HEAD. 63265

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.