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1
00:00:08,379 --> 00:00:09,655
MYLES: MOM, WHY IS
MY NEPHEW HERE?
2
00:00:09,793 --> 00:00:11,068
VIOLA: YOU JUST ADOPTED
A BABY BOY.
3
00:00:11,206 --> 00:00:12,448
DYLAN: HOW YOU DOING?
WHAT UP?
4
00:00:12,586 --> 00:00:13,793
I'M FROM THE HARD STREETS
OF CHICAGO.
5
00:00:13,931 --> 00:00:15,206
I WAS ON THAT BLOCK.
6
00:00:15,344 --> 00:00:17,068
VIOLA: THAT CHILD
HAS NEVER HAD A HOME.
7
00:00:17,206 --> 00:00:18,793
HE WOULD BE HAPPY HERE.
8
00:00:18,931 --> 00:00:20,758
DYLAN: THIS HOUSE IS DOPE, MAN.
KNOW WHAT I'M SAYIN'?
9
00:00:20,896 --> 00:00:21,965
YASMINE: IS THIS ENGLISH?
10
00:00:22,103 --> 00:00:23,448
MYLES: SOUNDS LIKE "BLBLBLBLB!"
11
00:00:23,586 --> 00:00:25,137
CHARLIE: I THINK I NEED
TO GOOGLE THIS.
12
00:00:25,275 --> 00:00:26,275
DYLAN: WE GOT WORK TO DO.
I'M GONNA HELP YOU.
13
00:00:26,413 --> 00:00:27,758
CHARLIE: WHAT ARE YOU DOING?
14
00:00:27,896 --> 00:00:29,586
MYLES: HE'S ONLY 8.
HOW BAD COULD IT BE?
15
00:00:29,724 --> 00:00:31,034
DYLAN: SO, LET ME TELL YOU
WHERE BABIES COME FROM.
16
00:00:31,172 --> 00:00:32,241
REBECCA: MOM!
17
00:00:32,379 --> 00:00:33,724
DYLAN: I'M TAKING THE TOP BUNK.
18
00:00:33,862 --> 00:00:35,344
I'M A TOP DOG IN THIS
DOG-EAT-DOG WORLD.
19
00:00:35,482 --> 00:00:36,758
YOU'RE JUST A SQUIRREL.
20
00:00:38,620 --> 00:00:42,275
[DYLAN MUMBLING]
21
00:00:42,413 --> 00:00:44,379
HOW CAN YOU SLEEP
WITH ALL OF THAT?
22
00:00:44,517 --> 00:00:46,344
CHARLIE: I DON'T HEAR ANYTHING.
23
00:00:46,482 --> 00:00:49,241
DYLAN: EXACTLY!
WHERE'S THE CAR HORNS?
24
00:00:49,379 --> 00:00:51,103
THE CAR ALARMS?
25
00:00:54,068 --> 00:00:55,655
THE CARJACKINGS?
26
00:00:56,827 --> 00:00:58,586
CHARLIE: I GUESS NONE OF THAT
HAPPENS HERE.
27
00:00:58,724 --> 00:01:01,310
THAT'S THE BEAUTY
OF THE SUBURBS.
28
00:01:03,655 --> 00:01:05,655
DYLAN: THAT'S THE BOOTY
OF THE SUBURBS!
29
00:01:05,793 --> 00:01:07,172
CHARLIE: EWW!
30
00:01:07,310 --> 00:01:09,310
DYLAN: I NEED SOME NOISE
SO I CAN FALL ASLEEP.
31
00:01:09,448 --> 00:01:11,275
NOT ALL THIS PEACE AND QUIET.
32
00:01:11,413 --> 00:01:13,724
CHARLIE: O...K.
33
00:01:13,862 --> 00:01:16,068
[REBECCA GROANING LOUDLY]
34
00:01:21,206 --> 00:01:23,413
DYLAN: NOW THAT'S MORE LIKE IT.
35
00:01:23,551 --> 00:01:26,103
REBECCA: OH. I'M SORRY.
WERE Y'ALL ASLEEP?
36
00:01:26,241 --> 00:01:27,586
CHARLIE: NO.
DYLAN CAN'T SLEEP.
37
00:01:27,724 --> 00:01:29,758
[DYLAN SNORING]
38
00:01:31,344 --> 00:01:34,689
CHARLIE: WELL, I'M UP.
WHAT'S WRONG?
39
00:01:34,827 --> 00:01:36,758
REBECCA: GRANDMA V IS SLEEPING
IN MY ROOM.
40
00:01:36,896 --> 00:01:38,689
SHE IS REALLY ANNOYING.
41
00:01:38,827 --> 00:01:43,000
SHE WENT TO THE BATHROOM
FOR THE ELEVENTH TIME.
42
00:01:43,137 --> 00:01:46,103
HER BLADDER IS THE SIZE
OF A PEA.
43
00:01:46,241 --> 00:01:47,655
CHARLIE: TOO BAD
YOU CAN'T BE ME.
44
00:01:47,793 --> 00:01:50,275
I'M LIVING MY BEST LIFE
ROOMING WITH DYLAN.
45
00:01:50,413 --> 00:01:52,034
REBECCA: DYLAN?
THE 8-YEAR-OLD
46
00:01:52,172 --> 00:01:56,448
WHO HAS MORE LIMITED EDITION
SNEAKERS THAN COMMON SENSE?
47
00:01:58,241 --> 00:01:59,517
I'M GOOD.
48
00:01:59,655 --> 00:02:01,758
CHARLIE: HE COULDN'T EVEN
FALL ASLEEP...
49
00:02:01,896 --> 00:02:04,620
'CAUSE HE WAS
MISSING THE STREETS.
50
00:02:04,758 --> 00:02:07,310
[FOOTSTEPS]
REBECCA: OH, THAT'S GRANDMA.
BE QUIET.
51
00:02:08,655 --> 00:02:12,344
DYLAN: YO! THIS SILENCE
IS SO DEAFENING!
52
00:02:12,482 --> 00:02:14,620
IT WAS JUST GETTING
LOUD ENOUGH TO SLEEP!
53
00:02:14,758 --> 00:02:16,000
REBECCA: SHH!
54
00:02:16,137 --> 00:02:19,379
DYLAN: AH, WHAT?
WAIT. REBECCA, WHY ARE YOU HERE?
55
00:02:19,517 --> 00:02:21,172
REBECCA: I'M HIDING
FROM GRANDMA. SHH!
56
00:02:21,310 --> 00:02:23,448
DYLAN: WORD, WORD.
I HEARD THAT.
57
00:02:23,586 --> 00:02:27,793
GOD BLESS HER.
SHE GOT THAT CORN CHIP FEET.
58
00:02:27,931 --> 00:02:31,379
REBECCA: RIGHT?
WHERE THE DIP AT?
59
00:02:31,517 --> 00:02:33,206
DYLAN: IT'S 7 DIFFERENT PERFUMES
60
00:02:33,344 --> 00:02:35,034
THAT ALL SMELL LIKE
A DIFFERENT PEANUT.
61
00:02:35,172 --> 00:02:37,620
REBECCA: SHE REALLY THINK SHE
DOING SOMETHING WITH THOSE.
62
00:02:37,758 --> 00:02:40,000
CHARLIE: I THOUGHT
SHE SMELLED GOOD.
63
00:02:40,137 --> 00:02:42,724
DYLAN: HERE.
TRY THIS.
64
00:02:42,862 --> 00:02:44,172
GOT A WHOLE BAG.
65
00:02:46,000 --> 00:02:47,862
NEVER KNOW WHEN
YOU MIGHT NEED ONE.
66
00:02:49,413 --> 00:02:50,448
REBECCA: THANKS, DYLAN.
YOU KNOW,
67
00:02:50,586 --> 00:02:52,172
MAYBE I MISJUDGED YOU.
68
00:02:53,586 --> 00:02:55,379
VIOLA: WHAT YOU DOING
IN HERE, BABY?
69
00:02:55,517 --> 00:02:56,827
REBECCA: OH, I WAS
GOING TO THE BATHROOM
70
00:02:56,965 --> 00:02:58,137
WHEN I SAW THE LIGHT ON.
71
00:02:58,275 --> 00:02:59,689
VIOLA: IS THAT A CLOTHES PIN?
72
00:03:01,413 --> 00:03:04,034
DYLAN USED TO USE THOSE
ALL THE TIME.
73
00:03:04,172 --> 00:03:06,034
OH, IF YOU GOING
TO THAT BATHROOM,
74
00:03:06,172 --> 00:03:08,275
YOU MIGHT NEED ONE.
75
00:03:08,413 --> 00:03:10,172
I USED ALL THE AIR FRESHENER
76
00:03:10,310 --> 00:03:14,172
BUT IT'S, UM, LINGERING.
77
00:03:14,310 --> 00:03:17,206
NIGHT, BABIES. [CHUCKLES]
78
00:03:17,344 --> 00:03:20,103
KIDS: EWW!
79
00:03:20,241 --> 00:03:23,206
CHARLIE: THAT'S GROSS.
DYLAN: THANK YOU. SEE?
80
00:03:23,344 --> 00:03:25,896
NEVER KNOW WHEN
YOU MIGHT NEED ONE.
81
00:03:26,034 --> 00:03:27,724
NOW, SOMEBODY GO OUTSIDE
82
00:03:27,862 --> 00:03:29,379
AND LOUDLY RATTLE A TRASH CAN
83
00:03:29,517 --> 00:03:32,206
SO I CAN FALL BACK ASLEEP.
84
00:03:37,034 --> 00:03:39,551
♪ MA KNEW I WAS IMPORTANT,
NOT A REGULAR GUY ♪
85
00:03:39,689 --> 00:03:41,965
♪ EVERYBODY FOLLOW ME,
IMMA TAKE YOU ON A TRIP ♪
86
00:03:42,103 --> 00:03:44,758
♪ BUCKLE UP, LET'S GO,
I'MMA GETCHU ALL HIP ♪
87
00:03:44,896 --> 00:03:47,172
♪ I'M A STAR, CAME UP
FROM A BLOCK IN CHI-TOWN ♪
88
00:03:47,310 --> 00:03:49,827
♪ LIVIN' LARGE, I'M TRYNA
BALANCE SCHOOL AND THESE BARS ♪
89
00:03:49,965 --> 00:03:52,344
♪ CAME FAR,
AIN'T NO BETTER FEELIN' ♪
90
00:03:52,482 --> 00:03:54,931
♪ I TELL 'EM, "YOU GON LOVE
YOUNG DYLAN" ♪
91
00:03:55,068 --> 00:03:57,275
♪ YOUNG DYLAN ♪
SINGERS: ♪ AY! YOUNG DYL ♪
92
00:03:57,413 --> 00:03:59,241
DYLAN: DYLAN!
♪ YOUNG DYLAN ♪
93
00:03:59,379 --> 00:04:01,068
SINGERS: ♪ AY! YOUNG DYL ♪
DYLAN: ♪ AY! GET 'EM, DYL ♪
94
00:04:01,206 --> 00:04:03,448
♪ I TELL 'EM, "YOU GON LOVE
YOUNG DYLAN" ♪
95
00:04:07,551 --> 00:04:10,862
DYLAN: CHARLIE, I'M SAYING
IF I CAN LAND A DEAL,
96
00:04:11,000 --> 00:04:12,310
MY WHOLE LIFE WILL CHANGE.
97
00:04:12,448 --> 00:04:15,310
CHARLIE: WOW, A DEAL?
THAT'S SO COOL!
98
00:04:15,448 --> 00:04:16,793
WHAT'S A DEAL?
99
00:04:18,137 --> 00:04:20,000
DYLAN: MAN, I'LL BE
ROCKING THE LABELS
100
00:04:20,137 --> 00:04:23,275
AND RIDING IN MY BENZO.
101
00:04:23,413 --> 00:04:24,758
CHARLIE: AWESOME, DYLAN!
I'M SO GLAD
102
00:04:24,896 --> 00:04:25,896
YOU'RE STAYING WITH US.
103
00:04:26,034 --> 00:04:28,103
DYLAN: I'M NOT.
104
00:04:28,241 --> 00:04:29,379
CHARLIE: THAT'S FAIR.
105
00:04:29,517 --> 00:04:32,034
DYLAN: EXCEPT YOUR MOM IS
106
00:04:32,172 --> 00:04:33,551
SELLING THAT CELEB HOUSE SOON.
107
00:04:33,689 --> 00:04:35,758
THAT'S COOL.
WHO DO YOU THINK IT COULD BE?
108
00:04:35,896 --> 00:04:37,724
OOH, DRAKE.
109
00:04:37,862 --> 00:04:39,137
CHARLIE: PROBABLY NOT.
110
00:04:39,275 --> 00:04:40,793
DYLAN: I FEEL LIKE
I CAN GO PLATINUM,
111
00:04:40,931 --> 00:04:44,103
IF I HOOK UP WITH THE RIGHT
CELEB PRODUCER.
112
00:04:44,241 --> 00:04:46,344
THAT'S MY DREAM.
WHAT'S YOURS, C?
113
00:04:46,482 --> 00:04:50,586
CHARLIE: CHARLIE WILSON:
LOCAL LIBRARIAN.
114
00:04:50,724 --> 00:04:53,793
[DYLAN LAUGHS]
YOU'RE KILLING ME, BRUH.
115
00:04:53,931 --> 00:04:56,482
I'MMA TEACH YOU
HOW TO ROLL WITH ME.
116
00:04:56,620 --> 00:04:57,965
CHARLIE: I WANNA CHANGE
MY ANSWER.
117
00:04:58,103 --> 00:04:59,655
THIS IS MY DREAM.
118
00:05:01,206 --> 00:05:03,827
YASMINE: GOOD MORNING, BOYS.
MYLES: MORNING, BOYS.
119
00:05:03,965 --> 00:05:05,310
HEY, DYL.
SLEEP OK?
120
00:05:05,448 --> 00:05:07,517
DYLAN: NAH.
WE NEED TO TALK, MAN.
121
00:05:07,655 --> 00:05:10,137
MYLES: OH, WE DO?
WELL, WHAT DO WE NEED
TO TALK ABOUT?
122
00:05:10,275 --> 00:05:11,310
DYLAN: I JUST THINK I NEED
123
00:05:11,448 --> 00:05:13,586
BETTER ACCOMMODATIONS THAN THIS.
124
00:05:13,724 --> 00:05:16,551
MYLES: YOU LIVE IN A BIG HOUSE
WITH A BIG BACKYARD AND--
125
00:05:16,689 --> 00:05:18,655
YASMINE: AND A VERANDA.
126
00:05:18,793 --> 00:05:21,517
DYLAN: THAT'S EXACTLY
WHAT I'M TALKING ABOUT!
127
00:05:21,655 --> 00:05:24,344
AND AUNTIE, COME ON, TELL US!
128
00:05:24,482 --> 00:05:26,551
WHO'S YOUR DEAL WITH?
YOU'VE GOTTA TELL US.
129
00:05:26,689 --> 00:05:27,965
IS IT LIL' BABY?
130
00:05:28,103 --> 00:05:29,551
YASMINE: I THOUGHT THAT WAS
YOUR RAP NAME.
131
00:05:29,689 --> 00:05:33,655
DYLAN: HUH? NO.
I'M YOUNG DYLAN.
132
00:05:33,793 --> 00:05:35,827
YASMINE: REALLY?
'CAUSE "LIL' BABY"
133
00:05:35,965 --> 00:05:38,379
JUST MATCHES SOMEHOW.
134
00:05:38,517 --> 00:05:40,620
ANYWAY, I TOLD YOU KIDS
THAT IT'S A SECRET.
135
00:05:40,758 --> 00:05:42,344
I SIGNED WHAT'S CALLED AN NDA.
136
00:05:42,482 --> 00:05:44,275
THAT MEANS ZIPPED LIPS.
137
00:05:44,413 --> 00:05:45,793
DYLAN AND CHARLIE: AW, MAN!
138
00:05:45,931 --> 00:05:47,172
CHARLIE: COME ON, MOM!
139
00:05:47,310 --> 00:05:49,103
DYLAN: YEAH, MAN,
THIS IS CELEBRITY...
140
00:05:49,241 --> 00:05:50,482
[CHARLIE AND DYLAN
SHOUTING AT ONCE]
MYLES: HEY, HEY, HEY,
141
00:05:50,620 --> 00:05:53,551
HEY, HEY, HEY!
[SNORTING]
142
00:05:53,689 --> 00:05:55,862
DYLAN: ...JUST TELL ME.
143
00:05:56,000 --> 00:05:59,413
MYLES: IT'S A WHISTLE.
STOP IT. OK?
144
00:05:59,551 --> 00:06:01,862
NONDISCLOSURE AGREEMENT.
LIPS SEALED.
THAT'S IT.
145
00:06:02,000 --> 00:06:05,068
DYLAN: WELL, I'MMA STILL
GIVE Y'ALL MY RYDER,
146
00:06:05,206 --> 00:06:10,827
BECAUSE IF I'M STAYING HERE,
SOME THINGS GOTTA CHANGE.
147
00:06:10,965 --> 00:06:12,551
CHARLIE: WHAT'S A RYDER?
148
00:06:12,689 --> 00:06:15,965
DYLAN: IT'S WHAT US STARS
BE DEMANDING.
149
00:06:16,103 --> 00:06:17,689
MYLES: HMPH! RYDER.
150
00:06:17,827 --> 00:06:19,344
YOU REALLY ABOUT
TO WRITE THAT DOWN?
151
00:06:19,482 --> 00:06:22,620
VIOLA: WELL, I NEED
TO BE GETTING BACK.
152
00:06:22,758 --> 00:06:25,310
YASMINE: OH!
LEAVING SO SOON?
153
00:06:26,344 --> 00:06:28,000
VIOLA: HAR-HAR.
154
00:06:30,655 --> 00:06:33,448
I BETTER HURRY.
I DON'T LIKE DRIVING AT NIGHT.
155
00:06:33,586 --> 00:06:34,965
MYLES: MOM, IT'S THE MORNING,
156
00:06:35,103 --> 00:06:36,172
AND YOU ALWAYS DRIVE AT NIGHT.
157
00:06:36,310 --> 00:06:38,068
VIOLA: I DRIVE ON LADIES' NIGHT
158
00:06:38,206 --> 00:06:39,862
DOWN TO THE CLURB.
159
00:06:44,172 --> 00:06:46,206
CHARLIE: WHAT'S A CLURB?
160
00:06:47,827 --> 00:06:50,275
VIOLA: I WANTED TO MAKE SURE
DYLAN WAS OK.
161
00:06:50,413 --> 00:06:51,862
MYLES: YOU KNOW,
YOU DROPPED HIM OFF HERE,
162
00:06:52,000 --> 00:06:53,689
BUT YOU SEEM TO BE
OVER HERE ALL THE TIME.
163
00:06:53,827 --> 00:06:55,862
YOU CAN JUST TAKE HIM
BACK WITH YOU.
164
00:06:56,000 --> 00:06:57,068
YASMINE: HE'S FINE.
165
00:06:57,206 --> 00:06:59,068
DYLAN: NO.
I'M NOT.
166
00:06:59,206 --> 00:07:01,551
GRANDMA PLAYED ME.
167
00:07:01,689 --> 00:07:03,724
VIOLA: BOY,
WHAT ARE YOU TALKING ABOUT?
168
00:07:03,862 --> 00:07:07,344
DYLAN: YOU TOLD ME
THIS FAMILY WAS DOPE.
169
00:07:07,482 --> 00:07:09,620
THEY'RE, LIKE, LAME.
170
00:07:09,758 --> 00:07:12,931
THEY HAVE SOMETHING
CALLED "RESPONSIBILITIES."
171
00:07:14,620 --> 00:07:17,241
VIOLA: NEWS FLASH--
EVERYONE DOES.
172
00:07:17,379 --> 00:07:19,206
YOU JUST DON'T BE
PAYING ATTENTION.
173
00:07:19,344 --> 00:07:22,172
DYLAN.
DYLAN: OW! COME ON!
174
00:07:22,310 --> 00:07:28,379
VIOLA: COME HERE, BABY. BYE.
GRANDMA LOVES YOU.
175
00:07:28,517 --> 00:07:30,793
DYLAN: FOR REAL, THOUGH?
VIOLA: MM-HMM.
176
00:07:30,931 --> 00:07:32,344
MYLES: MAMA, YOU DON'T WANT
TO STAY FOR BREAKFAST?
177
00:07:32,482 --> 00:07:34,172
VIOLA: OOH, DON'T THREATEN ME.
178
00:07:34,310 --> 00:07:35,965
I'VE HAD YASMINE'S COOKING.
179
00:07:36,103 --> 00:07:40,724
IT'S LIKE ASSAULT WITH TWO
TABLESPOONS OF A DEADLY WEAPON.
180
00:07:40,862 --> 00:07:43,068
ALL RIGHT, I GOT TO GO, Y'ALL.
181
00:07:43,206 --> 00:07:47,758
LOCK THIS DOGGIE DOOR OR, HMM,
I'LL BE BACK.
182
00:07:50,137 --> 00:07:51,482
MYLES: BYE, MOM.
183
00:07:51,620 --> 00:07:55,482
DYLAN: YO, GRANDMA
BE LIKE ON THAT SAUCE.
184
00:07:55,620 --> 00:07:58,413
CHARLIE: SHE SURE DO. AIOLI.
185
00:07:58,551 --> 00:08:03,827
DYLAN: FIRST LESSON. "AIOLI."
WHAT IS THAT?
186
00:08:03,965 --> 00:08:05,068
SAY "SAUCE."
187
00:08:06,931 --> 00:08:08,310
CHARLIE: SOW-CE.
188
00:08:08,448 --> 00:08:10,689
DYLAN: THERE YOU GO, KID...
189
00:08:12,413 --> 00:08:14,862
AND ANOTHER THING.
YOU BOOK SMART.
190
00:08:15,000 --> 00:08:19,275
I AM STREET SMART.
SO, LOSE THE PAD.
191
00:08:19,413 --> 00:08:21,724
CHARLIE: HEY.
[PAD HITS FLOOR]
192
00:08:21,862 --> 00:08:25,241
YASMINE: AH, SO, DYLAN.
193
00:08:25,379 --> 00:08:26,758
WHERE HAVE YOU BEEN
GOING TO SCHOOL?
194
00:08:26,896 --> 00:08:30,655
DYLAN: OH. I'VE BEEN
HOMESCHOOLED...
195
00:08:30,793 --> 00:08:33,517
♪ HOME WITH NO SCHOOL,
FOOL, THAT'S THE TRUTH ♪
196
00:08:33,655 --> 00:08:36,068
♪ THE GOLDEN RULE,
I BE EDUCATING MYSELF ♪
197
00:08:36,206 --> 00:08:38,862
♪ TALKING TO THE REF LIKE
YOU DON'T KNOW ABOUT ME ♪
198
00:08:39,000 --> 00:08:41,517
♪ YOU AIN'T MY EQUAL,
YOU JUST THE ENEMY ♪
199
00:08:41,655 --> 00:08:42,862
♪ YOU AIN'T NO FRIEND TO ME ♪
200
00:08:44,448 --> 00:08:46,655
MYLES: AH. I GOT THIS ONE.
201
00:08:46,793 --> 00:08:48,379
YEAH, HE WENT TO SCHOOL
WITH A REF AND AN ENEMY.
202
00:08:48,517 --> 00:08:51,206
DYLAN: NO!
I PLAYED BALL ALL DAY.
203
00:08:51,344 --> 00:08:53,000
MY MOM GIVE ME A BOOK,
BE LIKE,
204
00:08:53,137 --> 00:08:54,689
"READ THIS."
205
00:08:54,827 --> 00:08:57,724
SHE'D BE IN HER ROOM,
BUT I'M GOOD.
206
00:08:57,862 --> 00:09:00,551
I'M STREET SMART
AND WHEN I'M DONE,
207
00:09:00,689 --> 00:09:02,103
CUZZO WILL BE FLY, TOO.
208
00:09:03,275 --> 00:09:04,482
BRUH!
209
00:09:06,068 --> 00:09:08,241
[MYLES LAUGHS]
210
00:09:08,379 --> 00:09:09,724
YASMINE: HEY.
211
00:09:09,862 --> 00:09:11,448
DYLAN: BETTER WATCH
YOUR KID, MAN.
212
00:09:12,862 --> 00:09:15,586
MYLES: HMM.
I HAVE NO IDEA--I DON'T KNOW.
213
00:09:15,724 --> 00:09:16,724
WHAT'S A CUZZO?
214
00:09:16,862 --> 00:09:18,620
REBECCA: "CUZZO" IS COUSIN.
215
00:09:20,241 --> 00:09:23,413
YASMINE: SO, HE'S SAYING
THAT COUSIN WILL...
216
00:09:23,551 --> 00:09:25,103
BE ABLE TO FLY?
217
00:09:25,241 --> 00:09:26,793
REBECCA: HE'S SAYING
218
00:09:26,931 --> 00:09:28,689
THAT WHEN HE'S DONE
TEACHING CHARLIE,
219
00:09:28,827 --> 00:09:30,620
CHARLIE WILL BE COOL LIKE HIM.
220
00:09:30,758 --> 00:09:31,793
HE THINKS HE'S COOL.
221
00:09:31,931 --> 00:09:33,344
MYLES: OK.
YASMINE: OH.
222
00:09:33,482 --> 00:09:38,068
REBECCA: [INDISTINCT].
223
00:09:38,206 --> 00:09:40,758
CHARLIE: WASSUP, HARVARD LAW?
IT'S YOUNG C!
224
00:09:43,827 --> 00:09:46,793
[MYLES AND YASMINE PANTING]
225
00:09:46,931 --> 00:09:48,655
YASMINE: DID WE JUST HAVE
THE SAME DAY-MARE?
226
00:09:49,586 --> 00:09:51,137
MYLES: THINK SO.
227
00:09:51,275 --> 00:09:52,482
IT'S OK, THOUGH, BABY.
228
00:09:52,620 --> 00:09:54,551
WE GOT THIS. UHH!
229
00:09:54,689 --> 00:09:56,793
YEAH. BUT FIRST WE HAVE TO
230
00:09:56,931 --> 00:09:58,724
GET A DICTIONARY
FOR STREET SLANG.
231
00:10:03,275 --> 00:10:04,724
REBECCA: WHO ARE YOU
ASKING TO THE DANCE?
232
00:10:04,862 --> 00:10:07,103
BETHANY: WHO AM I
ASKING TO THE DANCE?
233
00:10:07,241 --> 00:10:08,896
NO ONE.
234
00:10:09,034 --> 00:10:12,689
I'M GETTING ASKED TO THE DANCE.
235
00:10:12,827 --> 00:10:15,379
REBECCA: BETHANY, HOW MANY TIMES
DO I HAVE TO TELL YOU?
236
00:10:15,517 --> 00:10:17,379
WE ARE GIRLS
AND WE ARE POWERFUL.
237
00:10:17,517 --> 00:10:18,827
WE DON'T WAIT FOR BOYS
TO ASK US.
238
00:10:18,965 --> 00:10:21,620
WE ASK THEM.
239
00:10:21,758 --> 00:10:24,517
BETHANY: I DON'T KNOW.
MY MOM SAYS
240
00:10:24,655 --> 00:10:26,655
I SHOULD WAIT TO GET
ASKED TO THE DANCE
241
00:10:26,793 --> 00:10:28,551
SO I DON'T END UP LIKE MY AUNT.
242
00:10:28,689 --> 00:10:29,758
REBECCA: YOUR AUNT THAT
LIVES IN A HOUSE
243
00:10:29,896 --> 00:10:31,517
WITH A BUNCH OF CATS?
244
00:10:31,655 --> 00:10:35,896
BETHANY: NO! THE AUNT
WITH THE RACCOON FARM.
245
00:10:36,034 --> 00:10:37,689
REBECCA: WELL,
AS POWERFUL WOMEN,
246
00:10:37,827 --> 00:10:39,482
WE CAN DO WHATEVER WE WANT.
247
00:10:39,620 --> 00:10:41,413
LIVE WITH CATS, FARM RACCOONS,
248
00:10:41,551 --> 00:10:44,000
AND ASK BOYS TO
THE DANCE OURSELVES.
249
00:10:44,137 --> 00:10:46,827
BETHANY: LOOK, HERE COMES ZURI.
NOW'S YOUR TURN!
250
00:10:46,965 --> 00:10:49,034
ZURI: HI, REBECCA.
REBECCA: UM, HEY.
251
00:10:49,172 --> 00:10:51,586
ZURI: HEY.
[BETHANY WHISPERS] GIRL POWER.
252
00:10:51,724 --> 00:10:53,586
REBECCA: OH, CAN I TALK
TO YOU ABOUT THE DANCE?
253
00:10:53,724 --> 00:10:55,137
ZURI: YEAH, I WAS GONNA
TALK TO YOU ABOUT IT.
254
00:10:55,275 --> 00:10:56,862
REBECCA: LET ME SAY
MY THING FIRST.
255
00:10:57,000 --> 00:10:58,689
BETHANY: WHAT WERE YOU
GOING TO SAY, ZURI?
256
00:10:58,827 --> 00:11:00,862
ZURI: I WAS GONNA ASK IF
REBECCA WANTED TO GO WITH ME.
257
00:11:01,000 --> 00:11:02,551
THAT'D MAKE ME VERY HAPPY.
258
00:11:02,689 --> 00:11:05,827
REBECCA: OHHHH!
259
00:11:05,965 --> 00:11:09,413
BETHANY: INTERESTING QUANDARY.
260
00:11:09,551 --> 00:11:14,965
WOULD YOU LIKE TO GO
TO THE DANCE WITH HIM, REBECCA?
261
00:11:15,103 --> 00:11:16,310
REBECCA: BETHANY!
262
00:11:16,448 --> 00:11:19,275
ZURI: YEAH. WOULD YOU LIKE
TO GO WITH ME?
263
00:11:19,413 --> 00:11:25,793
REBECCA: UH...UHH?
UH...UHH!
264
00:11:25,931 --> 00:11:28,517
[BETHANY WHISPERS] YES!
REBECCA: NO.
265
00:11:28,655 --> 00:11:31,068
ZURI: YOU DON'T?
WHY NOT?
266
00:11:31,206 --> 00:11:33,931
BETHANY: YES, REBECCA,
WHY IS THAT?
267
00:11:35,620 --> 00:11:39,413
REBECCA: BECAUSE...ER...WAIT.
268
00:11:39,551 --> 00:11:40,896
WHY DO I NEED A REASON?
269
00:11:41,034 --> 00:11:43,965
ZURI: I JUST...
I THOUGHT YOU LIKED ME.
270
00:11:44,103 --> 00:11:45,724
REBECCA: YOU THINK
BECAUSE YOU'RE THE MAN,
271
00:11:45,862 --> 00:11:47,586
I HAVE TO HAVE AN EXCUSE
272
00:11:47,724 --> 00:11:50,275
TO NOT WANT TO GO
TO THE DANCE WITH YOU?
273
00:11:50,413 --> 00:11:54,482
BETHANY: THIS IS GOING GREAT.
274
00:11:54,620 --> 00:11:56,344
REBECCA: I'M NOT GOING WITH YOU.
BYE, ZURI.
275
00:11:56,482 --> 00:11:59,172
ZURI: I, WELL, SORRY.
GOOD-BYE.
276
00:12:05,310 --> 00:12:09,000
REBECCA: OHH!
WHAT JUST HAPPENED?
277
00:12:10,344 --> 00:12:12,103
BETHANY: THE GUY YOU WANTED
TO GO TO THE DANCE WITH...
278
00:12:12,241 --> 00:12:15,379
AHEM. ASKED YOU TO GO
TO THE DANCE WITH HIM
279
00:12:15,517 --> 00:12:19,000
AND YOU, MY FRIEND, SAID NO.
280
00:12:21,551 --> 00:12:25,000
REBECCA: YOU EVER HEARD OF
A RHETORICAL QUESTION, BETHANY?
281
00:12:25,137 --> 00:12:30,413
BETHANY: I HAVE, AND...
THAT WAS ONE.
282
00:12:30,551 --> 00:12:31,965
REBECCA: UHH!
283
00:12:42,206 --> 00:12:44,689
DYLAN: AIGHT, C, YOUR MOMS
COULD BE CLOSING THAT DEAL
284
00:12:44,827 --> 00:12:46,103
WITH THE CELEB ANY MOMENT.
285
00:12:46,241 --> 00:12:48,137
NOW, NEXT LESSON ON
STREET SMARTS--
286
00:12:48,275 --> 00:12:49,758
THINK ON YOUR FEET.
287
00:12:49,896 --> 00:12:51,689
CHARLIE: THINK ON MY FEET.
YASMINE: BOYS, DINNER.
288
00:12:51,827 --> 00:12:53,413
DYLAN: LOSE THE BANDANA.
289
00:12:53,551 --> 00:12:54,965
CHARLIE: I THINK IT LOOKS FLY.
290
00:12:55,103 --> 00:12:57,241
DYLAN: IT DOES NOT.
WHAT ARE YOU--A COWBOY?
291
00:12:57,379 --> 00:12:59,379
CHARLIE: I WISH!
292
00:12:59,517 --> 00:13:00,620
DYLAN: FOCUS!
293
00:13:00,758 --> 00:13:02,068
YASMINE: BOYS!
294
00:13:03,689 --> 00:13:04,896
DYLAN: COMING, AUNTIE.
295
00:13:07,758 --> 00:13:08,931
MYLES: AHH. MM. HEY.
296
00:13:09,068 --> 00:13:11,137
THIS WAS GREAT.
THIS WAS GOOD.
297
00:13:11,275 --> 00:13:13,413
YASMINE: THANKS, SWEET.
DYLAN: YO.
298
00:13:13,551 --> 00:13:16,517
Y'ALL PUT OUT, LIKE, 7 FORKS,
AND I ONLY USED ONE.
299
00:13:16,655 --> 00:13:19,206
MYLES: YUP, AND WHEN WE'RE DONE,
GUESS WHO DOES THE DISHES?
300
00:13:19,344 --> 00:13:20,586
THE KIDS.
301
00:13:21,620 --> 00:13:24,103
DYLAN: OH, THAT'S COLD.
302
00:13:24,241 --> 00:13:26,517
BUT NAW, MAN.
WHEN MY HANDS BE ON THE MIC,
303
00:13:26,655 --> 00:13:28,551
THIS MANICURE GOTTA STAY
ON POINT,
304
00:13:28,689 --> 00:13:30,172
LIKE I GOT THE SCHMONEY.
305
00:13:32,275 --> 00:13:34,413
MYLES: I DON'T HAVE A CLUE.
I HAVE NO--
306
00:13:34,551 --> 00:13:35,620
YASMINE: WE CAN SEARCH ONLINE.
307
00:13:35,758 --> 00:13:36,758
MYLES: YES! RIGHT, RIGHT,
308
00:13:36,896 --> 00:13:37,862
WITH THE EBONICS DICTIONARY,
309
00:13:38,000 --> 00:13:40,689
THE EBONICS-TIONARY. YEAH.
310
00:13:40,827 --> 00:13:43,344
REBECCA: HE SAID THAT WHEN
HE HOLDS THE MICROPHONE,
311
00:13:43,482 --> 00:13:44,827
HIS NAILS NEED TO LOOK GREAT,
312
00:13:44,965 --> 00:13:47,620
LIKE HE'S RICH AND HAS MONEY.
313
00:13:47,758 --> 00:13:49,655
YASMINE: BABY, ARE WE THAT OLD?
314
00:13:49,793 --> 00:13:51,206
MYLES: APPARENTLY.
315
00:13:51,344 --> 00:13:53,620
DYLAN: YO, YES.
316
00:13:53,758 --> 00:13:55,655
[KNOCKING ON DOOR]
317
00:13:55,793 --> 00:13:57,068
MYLES: OOH, WHO COULD THAT BE?
318
00:13:57,206 --> 00:13:59,310
DYLAN: IS IT THE DEAL?
IS IT THE DEAL?
319
00:13:59,448 --> 00:14:01,448
YASMINE: OHH!
CHARLIE: MOM, IS IT THE DEAL?
320
00:14:01,586 --> 00:14:03,344
YASMINE: WE'RE GONNA FIND OUT!
321
00:14:03,482 --> 00:14:07,000
AND BOYS, BEHAVE.
322
00:14:07,137 --> 00:14:09,655
REBECCA: YES, CHILDREN,
BEHAVE YOURSELVES.
323
00:14:11,793 --> 00:14:12,793
MAN: BLESS UP.
HOW YOU DOING?
324
00:14:12,931 --> 00:14:15,758
REBECCA: DJ KHALED! [SCREAMS]
325
00:14:15,896 --> 00:14:18,000
YASMINE: CALM--
CALM DOWN, BABY!
326
00:14:18,137 --> 00:14:20,965
MYLES: [INDISTINCT].
[REBECCA STOPS SCREAMING]
327
00:14:21,103 --> 00:14:23,103
[REBECCA SCREAMS]
YASMINE: HONEY!
328
00:14:23,241 --> 00:14:24,517
[REBECCA STOPS SCREAMING]
MYLES: TWO OF 'EM.
329
00:14:24,655 --> 00:14:26,827
YUP, RIGHT THERE.
330
00:14:26,965 --> 00:14:29,758
REBECCA, GET AHOLD OF YOURSELF.
COME ON.
331
00:14:29,896 --> 00:14:31,068
HE'S JUST A MAN.
332
00:14:31,206 --> 00:14:32,689
DJ KHALED: HOW YOU DOING, MAN?
333
00:14:32,827 --> 00:14:34,482
THERE'S A LOT GOING ON.
EVERYTHING GOOD?
334
00:14:34,620 --> 00:14:37,862
MYLES: HOW YOU DOING, MR. DJ?
I'M YASMINE--MYLES'S HUSBAND.
335
00:14:38,000 --> 00:14:39,379
DJ KHALED: I'M A LITTLE CONFU--
336
00:14:39,517 --> 00:14:41,655
YASMINE: NO, I'M SORRY.
NEVER MIND HIM.
337
00:14:41,793 --> 00:14:43,275
COME ON IN.
MYLES: YEAH, COME ON IN.
338
00:14:43,413 --> 00:14:47,034
MOVE, MOVE, MOVE, MOVE!
MOVE, MOVE!
339
00:14:47,172 --> 00:14:50,620
DYLAN: YO, YOU'RE GONNA TRY
TO SNIPE THE MAN ON HIS 6?
340
00:14:50,758 --> 00:14:51,758
I'M JUST SAYING.
341
00:14:51,896 --> 00:14:53,172
MYLES: YES, YOU ARE SAYING.
342
00:14:53,310 --> 00:14:54,482
DJ KHALED: I'MMA TELL YOU
WHAT HE'S SAYING.
343
00:14:54,620 --> 00:14:55,931
HE'S SAYING YOU GOT CAUGHT
344
00:14:56,068 --> 00:14:57,413
DOING A SELFIE.
WHAT'S GOING ON HERE?
345
00:14:57,551 --> 00:14:59,241
MYLES: I WAS TESTING
THE BATTERIES. HELLO.
346
00:14:59,379 --> 00:15:00,758
DJ KHALED: YOU PLAYED YOURSELF
IS WHAT REALLY HAPPENED,
347
00:15:00,896 --> 00:15:03,172
BUT IT'S LOVE,
IT'S ALWAYS LOVE.
348
00:15:03,310 --> 00:15:04,620
MYLES: ALWAYS.
DJ KHALED: ALWAYS LOVE.
349
00:15:04,758 --> 00:15:07,034
MYLES: OH, YOU SPEAK DYLAN.
350
00:15:07,172 --> 00:15:08,724
DYLAN: YO.
DJ KHALED: DYLAN?
351
00:15:08,862 --> 00:15:10,793
DYLAN: Y'ALL GOTTA CHILL
WITH THAT GROUPIE STUFF.
352
00:15:10,931 --> 00:15:12,241
DJ KHALED: HE'S BASICALLY
TRYING TO SAY
353
00:15:12,379 --> 00:15:14,551
YOU GOTTA CHILL OUT
AND JUST RELAX, MAN.
354
00:15:14,689 --> 00:15:16,827
YASMINE: HA HA!
HE'S ONLY BEEN HERE A FEW DAYS,
355
00:15:16,965 --> 00:15:18,379
BUT IT'S BEEN A STRUGGLE.
356
00:15:18,517 --> 00:15:20,655
[MYLES LAUGHS]
YES, YES.
357
00:15:20,793 --> 00:15:22,724
DJ KHALED: WE LOVE THE KIDS.
358
00:15:22,862 --> 00:15:24,241
MYLES: YEAH, WE ACTUALLY
HAD TO GO BUY
359
00:15:24,379 --> 00:15:27,482
A SUBSCRIPTION TO
AN EBONICS TRANSLATION SITE.
360
00:15:27,620 --> 00:15:29,000
YEAH. I EVEN DOWNLOADED THE APP.
361
00:15:29,137 --> 00:15:32,172
IT'S CRAZY. IT'S...IT'S...
362
00:15:32,310 --> 00:15:36,034
AFRICAN-AMERICAN
VERNACULAR THING...
363
00:15:36,172 --> 00:15:41,551
YASMINE: SO... ♪ MR. DJ,
PUT A RECORD ON ♪
364
00:15:41,689 --> 00:15:44,206
I'M SORRY, MR. KHALED.
I DON'T KNOW WHY I SAID THAT.
365
00:15:44,344 --> 00:15:47,103
MYLES: REALLY?
YASMINE: UH...WHAT BRINGS
YOU BY?
366
00:15:47,241 --> 00:15:48,827
DJ KHALED: WELL,
I CAME TO TELL YOU THAT
367
00:15:48,965 --> 00:15:50,241
I WANT TO GET THE HOUSE.
368
00:15:50,379 --> 00:15:52,241
YASMINE: OH!
DJ KHALED: AND NOT ONLY
369
00:15:52,379 --> 00:15:54,137
DO I WANT TO GET THE HOUSE,
I WANT TO KEEP THIS TOP SECRET
370
00:15:54,275 --> 00:15:55,965
BECAUSE I'M DOING THIS
FOR MY MOTHER.
371
00:15:56,103 --> 00:15:57,379
YASMINE: OH.
DJ KHALED: IT'S SOMETHING
I WANT TO
372
00:15:57,517 --> 00:15:59,310
KEEP ON THE LOW, YOU KNOW?
SHH. QUIET.
373
00:15:59,448 --> 00:16:01,344
YASMINE: YES. FOR SURE.
DJ KHALED: PLEASE.
374
00:16:01,482 --> 00:16:02,931
YASMINE: WE CAN GET
THE PRICE LOW.
375
00:16:03,068 --> 00:16:04,241
DJ KHALED: OH, YEAH, I SAW...
I ALWAYS
376
00:16:04,379 --> 00:16:05,896
WANT TO GET A GOOD DEAL.
I LIKE THAT.
377
00:16:06,034 --> 00:16:07,413
REBECCA: MOM, THAT MEANS
DON'T TELL ANYONE.
378
00:16:07,551 --> 00:16:10,931
YASMINE: OH.
OH! YES!
379
00:16:11,068 --> 00:16:14,172
FO SHO! HA HA HA HA!
I CAN DO THAT.
380
00:16:14,310 --> 00:16:15,482
DJ KHALED: PLEASE KEEP THIS
TOP SECRET.
381
00:16:15,620 --> 00:16:16,965
KEEP IT ON THE LOW.
382
00:16:17,103 --> 00:16:18,241
DYLAN: ♪ INTRODUCING
YOUNG DYLAN ♪
383
00:16:18,379 --> 00:16:19,724
♪ TELL ME, WHO DON'T KNOW ME? ♪
384
00:16:19,862 --> 00:16:20,827
♪ PUT RESPECT UP ON MY NAME ♪
385
00:16:20,965 --> 00:16:22,068
♪ I'M THE YOUNGEST O.G. ♪
386
00:16:22,206 --> 00:16:23,655
♪ KHALED, THIS A COOL BEAT ♪
387
00:16:23,793 --> 00:16:24,827
♪ YOU CAN CALL ME
WHAT YOU WANT ♪
388
00:16:24,965 --> 00:16:26,344
♪ BUT DON'T CALL ME ROPE ♪
389
00:16:26,482 --> 00:16:27,689
♪ THERE'S MONEY
[INDISTINCT] ♪
390
00:16:27,827 --> 00:16:29,310
♪ I COULD GROW A GOATEE ♪
391
00:16:29,448 --> 00:16:31,034
DJ KHALED: HOLD UP, HOLD UP.
YOU JUST MADE THAT UP?
392
00:16:31,172 --> 00:16:33,275
DYLAN: YEAH, BRO.
I FREESTYLE AND SO DOES HE.
393
00:16:33,413 --> 00:16:35,310
CHARLIE: YEAH, CHECK IT.
♪ THEY CALL ME C ♪
394
00:16:35,448 --> 00:16:38,068
♪ THE LETTER BEFORE B,
BUT I'M GETTING STRAIGHT "A"S ♪
395
00:16:38,206 --> 00:16:40,413
♪ HEY-HEY ♪
MYLES: RRUFF! HA HA!
396
00:16:40,551 --> 00:16:42,137
DJ KHALED: YOU COME UP
WITH THAT, TOO?
397
00:16:42,275 --> 00:16:43,724
DYLAN: CHARLIE, MAN, I SAID
398
00:16:43,862 --> 00:16:46,344
STREET SMART,
NOT SESAME STREET.
399
00:16:46,482 --> 00:16:48,275
DJ KHALED:
THAT'S INCREDIBLE, KID.
400
00:16:48,413 --> 00:16:50,448
CHARLIE: THANK YOU!
DJ KHALED: NOT YOU, BUT
401
00:16:50,586 --> 00:16:51,931
I MEAN HIM, BUT LOVE, THOUGH.
402
00:16:52,068 --> 00:16:53,965
DYLAN: THANKS.
I GOTTA STAY HUMBLE.
403
00:16:54,103 --> 00:16:55,620
ON MY GRIND, THOUGH.
404
00:16:55,758 --> 00:16:57,310
DJ KHALED: HAVE YOU THOUGHT
ABOUT BEING A RAPPER?
405
00:16:57,448 --> 00:16:58,620
DYLAN: YEAH, MAN.
BEEN A DREAM MY WHOLE LIFE.
406
00:16:58,758 --> 00:17:00,724
REBECCA: YUP, ALL 8 YEARS.
407
00:17:00,862 --> 00:17:04,103
DJ KHALED: THIS KID IS AMAZING.
YOU GOTTA LET ME SIGN HIM.
408
00:17:04,241 --> 00:17:05,655
CHARLIE: AND ME?
DJ KHALED: I'M SORRY, NOT YOU,
409
00:17:05,793 --> 00:17:08,655
BUT THIS IS THE ONLY TIME
I DON'T WANT ANOTHER ONE.
410
00:17:08,793 --> 00:17:10,103
IT'S LOVE, THOUGH.
411
00:17:10,241 --> 00:17:12,517
DYLAN: YO, MAN,
LET'S GET THIS PAPER.
412
00:17:12,655 --> 00:17:14,793
WHO GOT A PEN? SIKE!
413
00:17:14,931 --> 00:17:16,241
I ALWAYS CARRY ONE,
414
00:17:16,379 --> 00:17:18,310
JUST IN CASE
I'M ABOUT TO SIGN A DEAL.
415
00:17:18,448 --> 00:17:21,000
DJ KHALED: HE'S A STAR.
MYLES: WAIT--WAIT A MINUTE.
416
00:17:21,137 --> 00:17:24,103
WAIT A MINUTE.
WHAT DO YOU MEAN "SIGN HIM"?
417
00:17:24,241 --> 00:17:26,793
DJ KHALED: TO MY LABEL.
LET HIM RELEASE AN ALBUM.
418
00:17:26,931 --> 00:17:28,827
DYLAN: I'M SORRY.
WHAT'S AN ALBUM?
419
00:17:28,965 --> 00:17:30,310
DJ KHALED: IT'S LIKE
DROPPING A DIGITAL.
420
00:17:30,448 --> 00:17:31,517
YOU KNOW, I'M SPEAKING
THEIR LANGUAGE NOW.
421
00:17:31,655 --> 00:17:32,655
YOU KNOW HOW IT GO.
422
00:17:32,793 --> 00:17:34,379
MYLES: OK.
ALL RIGHT.
423
00:17:34,517 --> 00:17:37,068
YOU KNOW WHAT?
UH, THANK YOU FOR YOUR INTEREST.
424
00:17:37,206 --> 00:17:38,689
LOOK, WE'RE NOT HIS PARENTS,
425
00:17:38,827 --> 00:17:40,896
BUT WE'VE BEEN PLACED
IN CHARGE OF HIS CARE, SO.
426
00:17:41,034 --> 00:17:42,655
YASMINE: WE JUST WANT
TO MAKE SURE THAT
427
00:17:42,793 --> 00:17:45,310
HE'S IN A STABLE AND...
428
00:17:45,448 --> 00:17:46,896
MYLES: YES, AND SO,
AT THIS TIME,
429
00:17:47,034 --> 00:17:48,551
WE THINK IT'S BEST
THAT WE MIGHT--
430
00:17:48,689 --> 00:17:50,827
[DANCE MUSIC PLAYING]
431
00:17:50,965 --> 00:17:52,793
YASMINE: WHAT ARE YOU DOING?
HA HA HA!
432
00:17:52,931 --> 00:17:53,931
REBECCA: HE LIKED HIS RAPPING.
433
00:17:54,068 --> 00:17:55,310
MAYBE HE'LL LIKE MY DANCING.
434
00:17:55,448 --> 00:17:57,068
YASMINE: OH.
NOBODY'S GONNA LIKE THAT.
435
00:17:57,206 --> 00:17:58,275
DJ KHALED: NO, NO, THIS IS NICE.
436
00:17:58,413 --> 00:18:01,482
BUT YOU SHOULD TRY...TRY, YEAH.
437
00:18:01,620 --> 00:18:03,620
JUST--YEAH, YEAH.
438
00:18:03,758 --> 00:18:05,000
THAT--THAT'S GONNA SHOW
439
00:18:05,137 --> 00:18:06,758
THE VERSATILITY,
KNOW WHAT I'M SAYING?
440
00:18:06,896 --> 00:18:08,620
THIS THE NEW GENERATION.
441
00:18:08,758 --> 00:18:09,827
YASMINE: YES!
MYLES: WHAT THE OLD
GENERATION STARTED.
442
00:18:09,965 --> 00:18:12,758
YASMINE: YEAH! [CHEERING]
443
00:18:12,896 --> 00:18:14,758
MYLES: HA HA HA!
THERE'D BE NO NEW SCHOOL
444
00:18:14,896 --> 00:18:16,103
IF IT WASN'T FOR
THE OLD SCHOOL.
445
00:18:16,241 --> 00:18:18,620
[YASMINE LAUGHS]
MYLES: HONEY. HONEY,
446
00:18:18,758 --> 00:18:20,586
YEAH, THE GRASS IS WET.
447
00:18:20,724 --> 00:18:22,517
DO ME A FAVOR, REBECCA, AND TAKE
DYLAN AND CHARLIE
448
00:18:22,655 --> 00:18:23,896
UP TO YOUR ROOM, PLEASE.
449
00:18:24,034 --> 00:18:24,896
REBECCA: OK, BUT IT'S
UNDER FUMIGATION
450
00:18:25,034 --> 00:18:27,482
SINCE GRANDMA LEFT.
451
00:18:27,620 --> 00:18:31,068
COME ON, EVERYONE.
LET'S DO THE SPRINKLER!
452
00:18:32,793 --> 00:18:34,931
DYLAN: THAT DANCE IS WACK.
453
00:18:35,068 --> 00:18:36,517
I'LL BACK IN A MINUTE, DJ.
454
00:18:36,655 --> 00:18:38,758
DJ KHALED: YEAH, MAKE SURE
WE STAY IN CONTACT.
455
00:18:38,896 --> 00:18:40,517
I'M GONNA TALK TO
YOUR PEOPLE, OK?
456
00:18:40,655 --> 00:18:42,241
DYLAN: YES...
DJ KHALED: Y'ALL KEEP
DOING YOUR THING.
457
00:18:42,379 --> 00:18:44,586
MYLES: MR. KHALED,
YOU THE BEST.
458
00:18:44,724 --> 00:18:46,344
WE THE BEST.
DJ KHALED: WE THE BEST.
459
00:18:46,482 --> 00:18:48,068
MYLES: WE THE BEST. YEAH.
DJ KHALED: WE THE BEST.
460
00:18:48,206 --> 00:18:50,448
MYLES: UM, ONCE AGAIN,
WE FEEL LIKE
461
00:18:50,586 --> 00:18:52,655
IT'S BEST TO GIVE HIM
A STABLE HOME FIRST.
462
00:18:52,793 --> 00:18:54,482
DJ KHALED: I'MMA BE HONEST.
I HAVE TWO BOYS, SO, I GET IT.
463
00:18:54,620 --> 00:18:55,896
MYLES: MM.
YASMINE: WE WORRY THAT
464
00:18:56,034 --> 00:18:58,172
HE'S A BAD INFLUENCE ON OUR SON.
465
00:18:59,137 --> 00:19:00,413
DJ KHALED: YEAH, THAT BOY
SHOULDN'T RAP.
466
00:19:00,551 --> 00:19:04,034
REAL TALK.
NO, BUT IT'S LOVE, THOUGH.
467
00:19:04,172 --> 00:19:06,103
NO, IT'S LOVE.
468
00:19:06,241 --> 00:19:08,310
UM, BUT THIS IS THE PAPERWORK
FOR THE HOUSE,
469
00:19:08,448 --> 00:19:10,034
AND REMEMBER,
IT'S FOR MY MOTHER.
470
00:19:10,172 --> 00:19:11,620
PLEASE KEEP THIS QUIET.
471
00:19:11,758 --> 00:19:14,034
YASMINE: STAY ON THE LOW.
DJ KHALED: YES, PLEASE.
472
00:19:14,172 --> 00:19:15,379
BEFORE I GO,
CAN I SAY GOOD-BYE?
473
00:19:15,517 --> 00:19:18,965
YASMINE: OF COURSE,
KIDS, COME DOWN.
474
00:19:19,103 --> 00:19:20,344
SAY GOOD-BYE!
475
00:19:25,862 --> 00:19:27,689
OH, BOY.
HERE WE GO.
476
00:19:27,827 --> 00:19:29,793
DYLAN: YO, MOM, GET HER
TO PLEASE STOP.
477
00:19:29,931 --> 00:19:31,517
YASMINE: YUP.
478
00:19:31,655 --> 00:19:33,724
DYLAN: I MEAN,
THAT'S EMBARRASSING.
479
00:19:33,862 --> 00:19:35,068
DJ KHALED: YO, NICE MEETING YOU.
480
00:19:35,206 --> 00:19:36,758
DYLAN: YO. WHAT UP?
481
00:19:36,896 --> 00:19:38,586
NO DEAL?
WHAT'S WITH THAT?
482
00:19:38,724 --> 00:19:41,275
DJ KHALED: LOOK,
YOU'RE REALLY TALENTED.
483
00:19:41,413 --> 00:19:43,000
I HAVE TO AGREE
WITH YOUR GUARDIANS.
484
00:19:43,137 --> 00:19:45,137
STAY IN SCHOOL.
STAY FOCUSED.
485
00:19:45,275 --> 00:19:47,206
KEEP DREAMING.
KEEP WORKING HARD.
486
00:19:47,344 --> 00:19:49,517
IT'S GONNA HAPPEN.
DON'T STOP.
487
00:19:49,655 --> 00:19:51,068
WE ALL PROUD OF YOU.
488
00:19:51,206 --> 00:19:53,655
DYLAN: BUT I'M NOT BOOK SMART.
I'M STREET SMART.
489
00:19:53,793 --> 00:19:55,000
DJ KHALED: YOU'RE VERY SMART.
490
00:19:55,137 --> 00:19:56,310
CHARLIE: YEAH, HE DOESN'T
NEED SCHOOL.
491
00:19:56,448 --> 00:19:58,241
DYLAN: YEAH.
DJ KHALED: NO.
492
00:19:58,379 --> 00:19:59,827
MYLES, YASMINE, AND DJ KHALED:
EVERYBODY NEEDS SCHOOL.
493
00:19:59,965 --> 00:20:01,896
DJ KHALED: KEEP DREAMING BIG,
DO GOOD IN SCHOOL,
494
00:20:02,034 --> 00:20:03,965
AND TRUST ME,
YOU'RE GONNA BE GREAT.
495
00:20:04,103 --> 00:20:07,413
DYLAN: ALL RIGHT.
BUT LET ME HOLLER AT YOU.
496
00:20:09,965 --> 00:20:11,448
I'VE JUST MET THESE PEOPLE.
497
00:20:11,586 --> 00:20:13,586
THESE PEOPLE DON'T
KNOW ME LIKE THAT.
498
00:20:13,724 --> 00:20:15,413
THEY SO LAME, MAN.
499
00:20:15,551 --> 00:20:18,172
DJ KHALED: NO...
THEY'RE VERY SMART.
500
00:20:18,310 --> 00:20:19,965
THEY GOT YOUR BEST INTERESTS.
501
00:20:20,103 --> 00:20:21,482
I AGREE WITH THEM.
502
00:20:21,620 --> 00:20:23,517
THEY'RE SHOWING YOU LOVE.
YOUR TIME WILL COME.
503
00:20:23,655 --> 00:20:25,310
I SEE YOU.
WE'RE GONNA MEET AGAIN.
504
00:20:25,448 --> 00:20:28,034
YOU KNOW THAT MY MOM LIVE HERE
NOW, SO, YOU GOOD.
505
00:20:28,172 --> 00:20:31,275
DYLAN: YEAH. YEAH.
ALL RIGHT.
506
00:20:32,758 --> 00:20:34,034
DJ KHALED: NICE MEETING Y'ALL.
LOVE.
507
00:20:34,172 --> 00:20:35,448
BEAUTIFUL FAMILY.
THANK YOU.
508
00:20:35,586 --> 00:20:37,275
MYLES: BYE-BYE.
DJ KHALED: BLESS UP.
509
00:20:37,413 --> 00:20:39,862
YASMINE: BYE. THANK YOU SO MUCH.
MYLES: THANK YOU SO MUCH.
510
00:20:40,000 --> 00:20:42,448
MYLES: ALL RIGHT.
YASMINE: OOH!
511
00:20:42,586 --> 00:20:44,551
MYLES: WE THE BEST.
YASMINE: OOH!
512
00:20:44,689 --> 00:20:49,172
OH. BABY, YOU BE YOU.
513
00:20:50,310 --> 00:20:51,689
CHARLIE: YOU CAN STOP NOW.
514
00:20:53,482 --> 00:20:54,965
MYLES: LOOK, GUYS,
LET'S ALL SIT DOWN
515
00:20:55,103 --> 00:20:57,000
AND TALK AS A FAMILY.
COME ON, COME ON.
516
00:21:00,793 --> 00:21:04,103
DYLAN: MAN, I WAS READY TO SIGN!
517
00:21:04,241 --> 00:21:05,793
I KNOW Y'ALL DIDN'T
JUST CAUSE ME
518
00:21:05,931 --> 00:21:07,655
TO MISS MY BIG BREAK.
519
00:21:07,793 --> 00:21:10,000
YOU KNOW HOW MUCH
PAPER THEY SLANGING?
520
00:21:11,000 --> 00:21:13,068
I COULD BE STACKING PAPER.
521
00:21:13,206 --> 00:21:15,689
MYLES: STOP TALKING LIKE THAT.
YASMINE: OH.
522
00:21:15,827 --> 00:21:17,758
WHAT YOUR UNCLE IS TRYING TO SAY
523
00:21:17,896 --> 00:21:19,827
IS THAT WE LOVE YOU,
524
00:21:19,965 --> 00:21:21,103
AND WE WANT TO MAKE SURE THAT
525
00:21:21,241 --> 00:21:22,586
YOU HAVE A STABLE HOME BEFORE
526
00:21:22,724 --> 00:21:26,275
WE LET YOU DO A DEAL
TO STACK YO' PAPERS.
527
00:21:26,413 --> 00:21:29,413
DYLAN: OK.
YEAH, I CAN GET WITH THAT.
528
00:21:29,551 --> 00:21:30,344
YASMINE: OK.
529
00:21:30,482 --> 00:21:31,655
MYLES: WELL, THANK YOU.
530
00:21:31,793 --> 00:21:33,344
DYLAN: WHAT ARE YOU
THANKING ME FOR?
531
00:21:33,482 --> 00:21:36,241
MYLES: FOR SAYING SOMETHING
I CAN UNDERSTAND.
532
00:21:36,379 --> 00:21:38,413
DYLAN: OK.
I GOT YOU.
533
00:21:41,000 --> 00:21:42,241
YOU KNOW WHAT?
534
00:21:42,379 --> 00:21:45,172
TOMORROW, I'M GONNA
SET THE TABLE.
535
00:21:45,310 --> 00:21:48,172
I'M GONNA PUT OUT EVERY FORK
IN THE DRAWER.
536
00:21:49,827 --> 00:21:52,862
MYLES: THAT BOY HAS NO IDEA
WHICH FORK TO USE.
537
00:21:53,000 --> 00:21:54,586
YASMINE: BABY, NEITHER DO YOU.
538
00:22:00,931 --> 00:22:02,931
BETHANY: LOOK WHO'S HERE.
2:00.
539
00:22:03,068 --> 00:22:04,275
3:00.
540
00:22:06,275 --> 00:22:08,068
FORGET I SAID ANYTHING.
541
00:22:08,206 --> 00:22:10,620
ZURI: HEY, BETHANY, REBECCA.
542
00:22:10,758 --> 00:22:11,862
REBECCA: HI, ZURI.
543
00:22:12,000 --> 00:22:13,379
[ZURI AND REBECCA
TALKING AT ONCE]
544
00:22:13,517 --> 00:22:15,103
REBECCA: SORRY.
ZURI: I WAS JUST REPLAYING
545
00:22:15,241 --> 00:22:17,379
THE CONVERSATION IN MY MIND
AND I REALIZED
546
00:22:17,517 --> 00:22:18,586
YOU WANTED TO SAY
SOMETHING BEFORE
547
00:22:18,724 --> 00:22:20,000
I OPENED MY BIG MOUTH,
548
00:22:20,137 --> 00:22:21,000
AND I SHOULD'VE
JUST WAITED TO HEAR
549
00:22:21,137 --> 00:22:22,379
WHAT YOU HAD TO SAY.
550
00:22:22,517 --> 00:22:25,034
YOU'RE SUCH
AN INDEPENDENT WOMAN.
551
00:22:25,172 --> 00:22:27,965
REBECCA: WOW, ZURI,
HOW FEMINIST OF YOU.
552
00:22:28,103 --> 00:22:30,241
ZURI: THE FUTURE IS FEMALE.
553
00:22:30,379 --> 00:22:32,172
REBECCA: OK.
I WAS WONDERING
554
00:22:32,310 --> 00:22:34,034
IF YOU'D LIKE TO GO
TO THE DANCE WITH ME.
555
00:22:34,172 --> 00:22:36,965
ZURI: I'D LOVE TO.
I'M HONORED YOU ASKED.
41002
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