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1
00:00:02,350 --> 00:00:05,483
WOMAN: DUELA, HURRY UP.
IT'S TIME TO GO.
2
00:00:05,527 --> 00:00:08,356
[SIGHS]
3
00:00:09,531 --> 00:00:15,319
DUELA, VOICE-OVER: FIRST, APPLY
YOUR BASE AND RUB IT ALL AROUND.
4
00:00:15,363 --> 00:00:20,368
THEN FOLLOW YOUR HOLLOW
TO SHAVE OFF THE POUNDS.
5
00:00:20,411 --> 00:00:25,721
FINE-LINE YOUR LIPS TO HIDE
THAT OFF-PUTTING FROWN.
6
00:00:25,764 --> 00:00:27,549
[PENCIL CLATTERS]
7
00:01:01,496 --> 00:01:04,325
WOMAN: DUELA GET OUT HERE.
WE HAVE TO GO.
8
00:01:04,368 --> 00:01:07,371
COME ON. WE'RE GONNA BE LATE.
9
00:01:07,415 --> 00:01:09,895
DUELA, I AM SO NOT KIDDING.
10
00:01:09,939 --> 00:01:12,202
AAH!
11
00:01:12,246 --> 00:01:15,249
OH, MY GOD, YOUR--
YOUR FACE.
12
00:01:19,601 --> 00:01:22,082
[BOSCO ROGERS' "FRENCH KISS"
PLAYING]
13
00:01:22,125 --> 00:01:24,084
BARTH CORBELET: ♪ YOU KISS MY
LIPS SO, SO GUILTILY ♪
14
00:01:24,127 --> 00:01:25,563
HAVE A GOOD ONE.
15
00:01:25,607 --> 00:01:28,566
♪ NOW THE PASSION
IS GONE FROM YOUR EYES ♪
16
00:01:28,610 --> 00:01:30,394
MARY, HEY.
17
00:01:30,438 --> 00:01:31,526
HI.
18
00:01:31,569 --> 00:01:33,963
-SUPER CUTE BOOTS.
-THANKS.
19
00:01:34,006 --> 00:01:36,226
YOU'RE
IN A GOOD MOOD.
20
00:01:36,270 --> 00:01:39,229
YOU SAY THAT LIKE
IT'S A BAD THING.
21
00:01:39,273 --> 00:01:40,926
WHERE'S MY COWL?
22
00:01:40,970 --> 00:01:43,929
IN THE SHOP. GIVING IT
A LITTLE UPGRADE.
23
00:01:43,973 --> 00:01:46,106
UPGRADE? HMM.
24
00:01:46,149 --> 00:01:48,847
LIKE...
X-RAY VISION?
25
00:01:48,891 --> 00:01:50,110
NOPE.
26
00:01:50,153 --> 00:01:52,024
ECHOLOCATION.
27
00:01:52,068 --> 00:01:54,505
OH, THAT WAS
A GOOD IDEA, BUT NO.
28
00:01:54,549 --> 00:01:57,117
SOMEBODY'S
IN A GOOD MOOD.
29
00:01:57,160 --> 00:01:58,509
AM I?
30
00:01:58,553 --> 00:02:00,250
MARY: YOU SO ARE,
LIKE GIDDY HAPPY.
31
00:02:00,294 --> 00:02:01,773
I'M NOT ALLOWED
TO BE HAPPY?
32
00:02:01,817 --> 00:02:04,776
YOU JUST GOT SUSPENDED
FROM THE CROWS, SO NO.
33
00:02:04,820 --> 00:02:06,778
MM.
34
00:02:06,822 --> 00:02:09,172
OH, MY GOD. YOU'RE
SLEEPING WITH SOMEONE.
35
00:02:09,216 --> 00:02:11,566
KATE: I'M NOT
SLEEPING WITH ANYONE,
36
00:02:11,609 --> 00:02:13,307
BUT CAN WE PLEASE
PAUSE FOR A MOMENT
37
00:02:13,350 --> 00:02:14,830
TO APPRECIATE THE FACT
THAT THOSE WORDS
38
00:02:14,873 --> 00:02:16,527
ACTUALLY CAME
OUT OF YOUR MOUTH?
39
00:02:16,571 --> 00:02:18,616
MARY: OK. FINE.
HOOKING UP WITH.
40
00:02:18,660 --> 00:02:22,142
-WE SHARED A MOMENT.
-WITH?
41
00:02:22,185 --> 00:02:25,623
-WITH?
-IF YOU TELL ANYONE,
42
00:02:25,667 --> 00:02:27,930
IT'LL TAKE ME AN HOUR
TO HIDE YOUR BODY.
43
00:02:27,973 --> 00:02:31,151
UH-HUH. SPILL.
44
00:02:31,194 --> 00:02:33,065
BATWOMAN.
45
00:02:33,109 --> 00:02:34,545
LUKE: NO,
YOU DIDN'T.
46
00:02:34,589 --> 00:02:37,287
IT WAS A PECK THAT
LASTED SEVERAL MINUTES.
47
00:02:37,331 --> 00:02:39,202
BATWOMAN CAN'T
HAVE A GIRLFRIEND.
48
00:02:39,246 --> 00:02:41,987
IT WAS A KISS, LUKE.
49
00:02:42,031 --> 00:02:43,641
YEAH, LAST NIGHT.
THEN WHAT?
50
00:02:43,685 --> 00:02:45,121
DO YOU REALLY WANT TO KNOW
THE ANSWER TO THAT?
51
00:02:45,165 --> 00:02:47,036
DOES SHE KNOW
WHO YOU ARE?
52
00:02:47,079 --> 00:02:48,690
SOPHIE: I HAVE NO IDEA,
53
00:02:48,733 --> 00:02:51,475
WHICH, I ADMIT, IS
A LITTLE STRANGE, BUT--
54
00:02:51,519 --> 00:02:52,955
YOU SAID YOU KNEW
WHO SHE WAS.
55
00:02:52,998 --> 00:02:54,261
I THOUGHT I DID.
56
00:02:54,304 --> 00:02:57,002
I WAS WRONG, LIKE,
REALLY, REALLY WRONG.
57
00:02:57,046 --> 00:02:58,917
SO YOU SERIOUSLY
HAVE NO IDEA.
58
00:02:58,961 --> 00:03:01,703
NO. WAIT. DO YOU?
59
00:03:01,746 --> 00:03:03,618
NO.
60
00:03:03,661 --> 00:03:05,185
LUKE: YOU FINALLY GET
SOPHIE OFF YOUR TAIL,
61
00:03:05,228 --> 00:03:06,577
AND NOW YOU'RE
SWAPPING SPIT WITH HER.
62
00:03:06,621 --> 00:03:08,013
I DON'T THINK YOU KNOW
WHAT KISSING IS.
63
00:03:08,057 --> 00:03:09,406
I DON'T THINK YOU KNOW
WHAT BRUCE WENT THROUGH,
64
00:03:09,450 --> 00:03:10,886
WHY BATMAN
PUSHED PEOPLE AWAY.
65
00:03:10,929 --> 00:03:13,367
YOU REALIZE, THE MOMENT
ANYONE KNOWS BATWOMAN
66
00:03:13,410 --> 00:03:15,586
CARES ABOUT SOPHIE, IT PUTS
A TARGET ON HER BACK.
67
00:03:15,630 --> 00:03:17,588
SHE BECOMES
A LIABILITY.
68
00:03:17,632 --> 00:03:19,547
NOBODY NEEDS
TO FIND OUT.
69
00:03:19,590 --> 00:03:21,897
DOESN'T MEAN
THEY WON'T, KATE.
70
00:03:23,290 --> 00:03:25,205
[CELL PHONE CHIRPS]
71
00:03:25,248 --> 00:03:27,076
HEE HEE! HA!
72
00:03:27,119 --> 00:03:29,644
SHE TOTALLY JUST
TEXTED YOU, DIDN'T SHE?
73
00:03:29,687 --> 00:03:32,081
SHE WANTS TO MEET
AT MY PLACE LATER.
74
00:03:32,124 --> 00:03:33,474
MM.
75
00:03:33,517 --> 00:03:35,215
I'M LEAVING NOW.
76
00:03:35,258 --> 00:03:37,913
HAVE FUN,
AND SOPHIE...
77
00:03:39,044 --> 00:03:41,830
I'M HAPPY FOR YOU.
78
00:03:44,267 --> 00:03:48,402
ALICE: "ALICE,
AKA JANE DOE 7113,
79
00:03:48,445 --> 00:03:52,275
"THE DERANGED LEADER
OF THE WONDERLAND GANG,
80
00:03:52,319 --> 00:03:54,234
"WAS FATALLY GUNNED DOWN
LAST WEEK
81
00:03:54,277 --> 00:03:58,368
"IN A MOTEL PARKING LOT
BY AN UNIDENTIFIED SHOOTER.
82
00:03:58,412 --> 00:04:01,632
NO SERVICES ARE PLANNED
AT THIS TIME"?
83
00:04:01,676 --> 00:04:05,288
WHA--I'M SORRY.
THIS IS MY OBITUARY?
84
00:04:05,332 --> 00:04:08,422
"MENTALLY DERANGED
LEADER"?
85
00:04:08,465 --> 00:04:10,859
THAT'S MY SYNOPSIS,
86
00:04:10,902 --> 00:04:13,775
A TINY, LITTLE BLURB
BELOW THE FOLD?
87
00:04:13,818 --> 00:04:18,780
I SURVIVED CAPTIVITY
FOR 11 YEARS,
88
00:04:18,823 --> 00:04:22,610
ESCAPED, AND ENACTED
THE PERFECT REVENGE.
89
00:04:22,653 --> 00:04:24,394
[CRASH]
90
00:04:24,438 --> 00:04:26,440
WHAT TOOK YOU SO LONG?
91
00:04:26,483 --> 00:04:28,572
WANTED TO GET
A GOOD SHOT OF HIM.
92
00:04:31,445 --> 00:04:34,404
THAT'S NOT THE FACE
I SEE IN MY NIGHTMARES,
93
00:04:34,448 --> 00:04:38,278
BUT I'D RECOGNIZE
THAT PIPE ANYWHERE,
94
00:04:38,321 --> 00:04:42,107
EVEN IN THE DARK.
95
00:04:42,151 --> 00:04:43,805
IT'S HIM.
96
00:04:44,893 --> 00:04:46,938
MAN: AS YOU KNOW,
SOME WACKO DUBBED
97
00:04:46,982 --> 00:04:49,289
THE EXECUTIONER BLEW
A HOLE IN THE CITY'S
98
00:04:49,332 --> 00:04:50,899
CORRUPT COURT SYSTEM
A FEW MONTHS BACK...
99
00:04:50,942 --> 00:04:52,988
THEN I BLEW A HOLE IN HIM.
WHAT'S YOUR POINT?
100
00:04:53,031 --> 00:04:54,859
FORCED THE D.A.'s OFFICE
TO REOPEN A BUNCH
101
00:04:54,903 --> 00:04:56,557
OF HIS OLD CASES
AND FUNNEL THEM
102
00:04:56,600 --> 00:04:59,255
THROUGH A NEW JUDGE, BUT
YOU KNOW THIS NEW JUDGE--
103
00:04:59,299 --> 00:05:01,953
DAVIS WELLINGTON,
CROWS CONTRACTS
104
00:05:01,997 --> 00:05:03,433
DATING BACK TO 2004.
105
00:05:03,477 --> 00:05:05,392
MY CLIENT HOPES THAT
YOU WILL CALL THE JUDGE
106
00:05:05,435 --> 00:05:07,350
AND GET HIM TO
MOVE HIS CASE UP.
107
00:05:07,394 --> 00:05:09,439
HA HA! WHY
WOULD I DO THAT?
108
00:05:09,483 --> 00:05:14,444
BECAUSE MY CLIENT'S
REGGIE HARRIS...
109
00:05:14,488 --> 00:05:18,318
AND YOU OWE HIM
YOUR LIFE.
110
00:05:22,452 --> 00:05:23,845
THANK YOU.
111
00:05:23,888 --> 00:05:25,716
YOU'RE BETTER TO ME
ALIVE, PUPPY DOG.
112
00:05:25,760 --> 00:05:27,588
JACOB: REGGIE
IS AN OPPORTUNIST
113
00:05:27,631 --> 00:05:28,980
USING THIS
CABAL NONSENSE
114
00:05:29,024 --> 00:05:30,634
AS A "GET OUT
OF JAIL FREE" CARD.
115
00:05:30,678 --> 00:05:32,767
HE CONFESSED TO
GUNNING DOWN LUCIUS FOX
116
00:05:32,810 --> 00:05:34,464
IN A C-STORE ROBBERY.
117
00:05:34,508 --> 00:05:37,162
THAT CONFESSION WAS COERCED
BY A CORRUPT GCPD COP.
118
00:05:37,206 --> 00:05:38,338
IT'S NOT
A CROWS PROBLEM.
119
00:05:38,381 --> 00:05:39,817
YET.
120
00:05:39,861 --> 00:05:43,386
BASED ON SOME WHISPERS
MY CLIENT HEARD
121
00:05:43,430 --> 00:05:45,475
IN THE SLAMMER
ABOUT THIS PLACE,
122
00:05:45,519 --> 00:05:48,435
CROWS HAVE SOME
SECRETS OF THEIR OWN.
123
00:05:49,871 --> 00:05:52,569
THAT ALMOST SOUNDED
LIKE A THREAT.
124
00:05:55,920 --> 00:05:57,226
IT IS.
125
00:05:57,269 --> 00:06:00,229
LET'S NOT TURN IT
INTO MORE.
126
00:06:00,272 --> 00:06:01,839
CALL THE JUDGE.
127
00:06:01,883 --> 00:06:03,493
GET HIM TO MOVE
REGGIE'S COURT DATE UP,
128
00:06:03,537 --> 00:06:04,842
OR THIS PLACE
GETS BLOWN UP
129
00:06:04,886 --> 00:06:07,758
IN THE SAME WAY
THE D.A.'s OFFICE DID.
130
00:06:12,894 --> 00:06:15,026
WOMAN: ♪ I LEAVE GOLD
ON THE FLOOR WHEREVER I GO ♪
131
00:06:15,070 --> 00:06:16,506
♪ YEAH, I'M KILLING IT,
I'M KILLING IT ♪
132
00:06:16,550 --> 00:06:18,290
♪ I'M STEALING THE SHOW
133
00:06:18,334 --> 00:06:19,901
♪ WORDS FALLING OUT MY MOUTH,
AND THEY BREAK THE DOOR ♪
134
00:06:19,944 --> 00:06:22,120
♪ LIKE, "OOH, NA NA NA NA NA"
135
00:06:22,164 --> 00:06:23,557
♪ SO I RIDE THE BEAT
AND MAKE MY BODY BOOM BOOM ♪
136
00:06:23,600 --> 00:06:26,037
[WHOOSH, THUD]
137
00:06:26,081 --> 00:06:27,387
♪ MAKE YOUR BODY
VROOM VROOM ♪
138
00:06:27,430 --> 00:06:28,431
♪ I BREAK THE RULES...
139
00:06:28,475 --> 00:06:29,693
[EXHALES]
140
00:06:29,737 --> 00:06:31,434
♪ LIKE OOH, NA NA NA NA NA
141
00:06:31,478 --> 00:06:35,525
♪ IT'S GOOD TO BE ME,
YOUNG AND FREE, GOING WILD ♪
142
00:06:35,569 --> 00:06:38,789
♪ DO WHAT I DO
WHEN I DO IT NOW ♪
143
00:06:38,833 --> 00:06:41,096
♪ MM MM MM MM
144
00:06:41,139 --> 00:06:43,359
♪ MM MM MM MM MM
145
00:06:43,403 --> 00:06:45,840
♪ MM MM MM MM MM MM MM
146
00:06:45,883 --> 00:06:48,669
THIS IS DEFINITELY
A FIRST.
147
00:06:48,712 --> 00:06:52,063
ME, TOO, ACTUALLY.
148
00:06:54,152 --> 00:06:56,633
SO, UM...
149
00:06:59,636 --> 00:07:01,769
DO YOU WANT
TO COME INSIDE?
150
00:07:04,293 --> 00:07:05,773
I CAN'T.
151
00:07:05,816 --> 00:07:07,775
I--I CAME HERE
TO TELL YOU
152
00:07:07,818 --> 00:07:10,865
THAT THIS HAS TO END
BEFORE YOU GET HURT.
153
00:07:10,908 --> 00:07:12,475
I CAN TAKE CARE
OF MYSELF.
154
00:07:12,519 --> 00:07:15,478
THIS IS DIFFERENT.
I HAVE ENEMIES.
155
00:07:15,522 --> 00:07:17,654
IF THEY
CONNECTED US,
156
00:07:17,698 --> 00:07:19,917
THEY COULD USE YOU
AGAINST ME.
157
00:07:19,961 --> 00:07:22,267
WELL, I WON'T TELL
THEM IF YOU DON'T.
158
00:07:22,311 --> 00:07:24,966
YOU KNOW IT'S
NOT THAT SIMPLE.
159
00:07:25,009 --> 00:07:28,056
SO WHAT
DO YOU SUGGEST?
160
00:07:28,099 --> 00:07:32,016
LET ME WALK AWAY.
161
00:07:32,060 --> 00:07:34,497
OK.
162
00:07:37,282 --> 00:07:39,502
SO WALK.
163
00:07:39,546 --> 00:07:45,595
WOMAN: ♪ I CAN'T HELP
THAT I WANT TO DO BAD THINGS ♪
164
00:07:45,639 --> 00:07:49,730
♪ BAD THINGS
165
00:07:49,773 --> 00:07:52,602
[DOORKNOB RATTLES]
166
00:07:52,646 --> 00:07:54,604
-SOMEONE'S HERE.
-I'M ON IT.
167
00:07:54,648 --> 00:07:56,998
NO. I GOT IT.
168
00:07:58,652 --> 00:08:01,002
[KEYS JINGLE]
169
00:08:01,045 --> 00:08:05,180
[DOOR OPENS]
170
00:08:08,313 --> 00:08:09,924
OH!
171
00:08:09,967 --> 00:08:10,968
HMM.
172
00:08:11,012 --> 00:08:12,622
GIVE YOUR OWN MOTHER
A HEART ATTACK.
173
00:08:12,666 --> 00:08:14,494
MOM, WHAT ARE YOU
DOING HERE?
174
00:08:14,537 --> 00:08:16,626
SURPRISING YOU.
175
00:08:16,670 --> 00:08:19,629
NEXT TIME,
I'LL CALL FIRST.
176
00:08:22,284 --> 00:08:23,851
[CAPE FLUTTERS]
177
00:08:32,773 --> 00:08:34,339
WE'RE
LOCKING UP.
178
00:08:34,383 --> 00:08:35,819
WOMAN:
I'M ON THE PHONE.
179
00:08:35,863 --> 00:08:38,256
MY COMPANY'S VALUATION
IS TWICE THAT MUCH.
180
00:08:38,300 --> 00:08:40,476
I DON'T CARE
ABOUT FIXED CAPITAL.
181
00:08:40,520 --> 00:08:45,394
LOOK AT OUR INTANGIBLE ASSETS--
I.E., ME, MY BRAND, MY IMAGE.
182
00:08:45,437 --> 00:08:48,440
YOU CAN'T PUT A PRICE ON THAT.
183
00:08:48,484 --> 00:08:49,877
I'M GONNA HAVE TO CALL YOU BACK.
184
00:08:49,920 --> 00:08:52,270
THEY HAD NO BUDGET
FOR THIS PHOTO SHOOT,
185
00:08:52,314 --> 00:08:54,969
AND IT'S STARTING TO SHOW.
186
00:08:56,884 --> 00:09:00,365
HELLO? IS ANYONE THERE,
187
00:09:00,409 --> 00:09:03,586
NOT EVEN, LIKE,
A JANITOR OR SOMEONE?
188
00:09:03,630 --> 00:09:05,501
[GLASS SHATTERS]
189
00:09:05,545 --> 00:09:07,242
WHO'S THERE?
190
00:09:28,263 --> 00:09:29,830
AAH!
191
00:09:43,757 --> 00:09:44,975
UH...
192
00:09:46,542 --> 00:09:49,545
UH...
193
00:09:49,589 --> 00:09:52,069
[PANTING]
194
00:09:53,549 --> 00:09:54,811
AAH!
195
00:09:59,294 --> 00:10:01,122
VESPER: TALK ABOUT
THE UNKINDEST CUT.
196
00:10:01,165 --> 00:10:03,603
SOCIAL MEDIA INFLUENCER
KIMBERLY WRIGHT WAS THE VICTIM
197
00:10:03,646 --> 00:10:06,127
OF A BRUTAL FACE-SLASHING
LAST NIGHT.
198
00:10:06,170 --> 00:10:09,739
GCPD SUSPECT THIS IS NOW THE
SECOND SOCIAL MEDIA INFLUENCER
199
00:10:09,783 --> 00:10:12,699
ATTACKED
BY THE SERIAL SLASHIONISTA.
200
00:10:12,742 --> 00:10:14,178
TALK TO ME, GOTHAM.
201
00:10:14,222 --> 00:10:16,920
WHERE'S THE DISLIKE BUTTON
WHEN YOU NEED IT?
202
00:10:16,964 --> 00:10:18,835
HOW'D IT GO
WITH SOPHIE?
203
00:10:18,879 --> 00:10:21,621
SOPHIE. UH--AHEM.
UH, WELL, SHE--
204
00:10:21,664 --> 00:10:23,666
IT WAS REALLY COLD,
AND IT WAS
205
00:10:23,710 --> 00:10:25,450
A BIT HARD TO HEAR,
AND THEN HER MOM
206
00:10:25,494 --> 00:10:26,843
JUST SHOWED UP
OUT OF NOWHERE.
207
00:10:26,887 --> 00:10:29,150
SO "DOG ATE
MY BREAKUP"?
208
00:10:29,193 --> 00:10:32,806
THERE'S A LUNATIC WITH
A BOX CUTTER TARGETING KIDS.
209
00:10:32,849 --> 00:10:35,156
WE NEED TO FOCUS.
210
00:10:35,199 --> 00:10:36,679
ALREADY ON IT.
211
00:10:36,723 --> 00:10:38,072
KIMBERLY WRIGHT
DESCRIBED HER ATTACKER
212
00:10:38,115 --> 00:10:39,726
AS "A WOMAN IN HER 20s
213
00:10:39,769 --> 00:10:41,075
WHO WORE A HOODIE
AND A SURGICAL MASK."
214
00:10:41,118 --> 00:10:43,338
YEAH. THAT'S WHY
THE GCPD CAN'T I.D. HER.
215
00:10:43,381 --> 00:10:45,122
INTERESTINGLY,
NEITHER OF THE VICTIMS
216
00:10:45,166 --> 00:10:46,776
HAD ANY STAB WOUNDS
ON THEIR BODIES.
217
00:10:46,820 --> 00:10:48,169
KATE: SHE WENT
AFTER THEIR FACE.
218
00:10:48,212 --> 00:10:51,520
THEIR FACE IS THEIR
BRAND, THEIR BUSINESS.
219
00:10:51,563 --> 00:10:53,435
THIS IS PERSONAL.
220
00:10:54,566 --> 00:10:56,046
WHERE YOU OFF TO?
221
00:10:56,090 --> 00:10:58,353
TO SEE THE ONLY
INSTAFACE I CARE ABOUT.
222
00:11:00,268 --> 00:11:02,009
YEAH. I MEAN, IT'S ALL
MY FEED IS TALKING ABOUT.
223
00:11:02,052 --> 00:11:03,663
EVEN KYLIE Q
IS THREATENING
224
00:11:03,706 --> 00:11:05,795
TO GO WEB-SILENT
OUT OF RESPECT.
225
00:11:05,839 --> 00:11:07,667
THANK YOU,
DOCTOR.
226
00:11:07,710 --> 00:11:09,538
ARE YOU OK?
227
00:11:09,581 --> 00:11:11,975
I MEAN, I BARELY
KNEW KIMBERLY,
228
00:11:12,019 --> 00:11:14,891
BUT STILL,
IT'S PRETTY FREAKY,
229
00:11:14,935 --> 00:11:17,677
AND--DON'T WORRY--
MY FANBASE LEFT
230
00:11:17,720 --> 00:11:19,722
WHEN MY STEPDAD
SUPPOSEDLY KILLED MY MOM,
231
00:11:19,766 --> 00:11:22,203
SO I AM HARDLY
WORTH THE DATA.
232
00:11:22,246 --> 00:11:24,596
GOOD, NOT ABOUT
THE FANBASE THING.
233
00:11:24,640 --> 00:11:26,250
THAT SUCKS.
234
00:11:26,294 --> 00:11:28,252
DO YOU KNOW ANYONE
IN THAT CIRCLE
235
00:11:28,296 --> 00:11:29,689
THAT COULD BE
A TARGET?
236
00:11:29,732 --> 00:11:31,081
WELL, IT DEPENDS
ON WHO YOU ASK.
237
00:11:31,125 --> 00:11:32,517
I MEAN, EVERYBODY KNOWS
THAT KIMBERLY WRIGHT
238
00:11:32,561 --> 00:11:34,084
HAS MILEY McGINN'S
NOSE.
239
00:11:34,128 --> 00:11:35,825
EXCEPT ME,
APPARENTLY.
240
00:11:35,869 --> 00:11:38,567
SAME CORRECTIVE SURGERY--
SHAPE, SLOPE, LENGTH.
241
00:11:38,610 --> 00:11:40,525
I MEAN,
IT'S A THING.
242
00:11:40,569 --> 00:11:41,962
PEOPLE WERE
EVEN WHISPERING,
243
00:11:42,005 --> 00:11:44,094
MAYBE MILEY HAD SOMETHING
TO DO WITH THE ATTACK,
244
00:11:44,138 --> 00:11:46,053
PISSED THAT KIMBERLY
STOLE HER NOSE,
245
00:11:46,096 --> 00:11:47,532
BUT IF YOU THINK
ABOUT IT,
246
00:11:47,576 --> 00:11:49,056
MILEY COPIED
MIA'S CHEEKBONES,
247
00:11:49,099 --> 00:11:50,840
AND MIA AND XENA
HAVE THE SAME CHIN,
248
00:11:50,884 --> 00:11:53,016
WHICH I BELIEVE BELONGED
TO ARIANA AT ONE POINT.
249
00:11:53,060 --> 00:11:55,105
ANYWAY, I AM SURE
THERE IS A WHO'S WHO
250
00:11:55,149 --> 00:11:57,107
OF POTENTIAL VICTIMS
IN DR. CAMPBELL'S
251
00:11:57,151 --> 00:11:58,718
WAITING ROOM
AS WE SPEAK.
252
00:11:58,761 --> 00:12:00,284
-DR. ETHAN CAMPBELL?
-YEAH.
253
00:12:00,328 --> 00:12:02,199
THE ONLY PLASTIC
SURGEON IN THE CITY
254
00:12:02,243 --> 00:12:05,202
WORTH GOING TO,
NOT THAT I WOULD KNOW.
255
00:12:05,246 --> 00:12:08,597
ACTUALLY, IF YOU'RE
LOOKING INTO THIS
256
00:12:08,640 --> 00:12:10,642
BECAUSE YOU OWN
A REAL ESTATE FIRM
257
00:12:10,686 --> 00:12:12,775
AND THESE WOMEN
ARE MOST LIKELY
258
00:12:12,819 --> 00:12:13,994
FUTURE
PROPERTY BUYERS...
259
00:12:14,037 --> 00:12:15,299
EXACTLY, YEAH.
260
00:12:15,343 --> 00:12:18,302
I'M AROUND IF YOU NEED
A SIDE...PERSON.
261
00:12:18,346 --> 00:12:20,478
I MEAN, I'M A D.M. AWAY
FROM HALF THESE GIRLS.
262
00:12:20,522 --> 00:12:21,871
I'D BE HAPPY
TO POKE AROUND
263
00:12:21,915 --> 00:12:23,307
FOR SOME CLUES
OR WHATEVER.
264
00:12:23,351 --> 00:12:25,353
IT'S PROBABLY SAFEST
IF YOU STAYED OUT OF IT,
265
00:12:25,396 --> 00:12:27,224
BUT I MIGHT ASK SOMEONE
TO DROP BY CAMPBELL
266
00:12:27,268 --> 00:12:28,748
AND JUST GIVE HIM
A HEADS-UP.
267
00:12:28,791 --> 00:12:30,097
I COULD DO IT.
268
00:12:30,140 --> 00:12:33,013
I MEAN, I'M A MED STUDENT
WHERE HE LECTURES,
269
00:12:33,056 --> 00:12:35,755
SO, NOW THAT
I THINK ABOUT IT,
270
00:12:35,798 --> 00:12:37,408
MY VAST ARRAY
OF MEDICAL KNOWLEDGE
271
00:12:37,452 --> 00:12:41,108
COULD COME IN HANDY
IN ENDLESS SCENARIOS.
272
00:12:41,151 --> 00:12:43,980
I'M GOOD, MARY.
THANK YOU.
273
00:12:44,024 --> 00:12:46,461
OK. WELL,
I'M HAPPY TO HELP.
274
00:12:46,504 --> 00:12:49,246
BYE, MARY.
275
00:12:49,290 --> 00:12:51,205
[SIGHS]
276
00:12:52,772 --> 00:12:55,165
REWIND.
277
00:12:55,209 --> 00:12:57,689
YOU AND YOUR
HUSBAND SEPARATE,
278
00:12:57,733 --> 00:13:01,389
AND YOU DIDN'T
THINK TO CALL ME?
279
00:13:01,432 --> 00:13:05,001
I THOUGHT IT WAS BEST
TO LET THE DUST SETTLE.
280
00:13:05,045 --> 00:13:06,655
WHERE'S MY PHONE?
281
00:13:06,698 --> 00:13:08,048
I'LL TELL TYLER
ALL THE WAYS
282
00:13:08,091 --> 00:13:09,353
HE'S MAKING THE BIGGEST
MISTAKE OF HIS LIFE.
283
00:13:09,397 --> 00:13:13,227
MOM, STOP.
IT'S NOT LIKE THAT.
284
00:13:14,576 --> 00:13:17,231
-IT WAS ME.
-YOU?
285
00:13:17,274 --> 00:13:19,886
I, UM--
286
00:13:19,929 --> 00:13:21,713
I FELL OUT OF
LOVE WITH HIM.
287
00:13:21,757 --> 00:13:24,499
YOU FELL OUT OF LOVE
WITH A HANDSOME,
288
00:13:24,542 --> 00:13:26,240
DECORATED,
CAPABLE MAN
289
00:13:26,283 --> 00:13:29,112
WHO ALWAYS SENT ME
FLOWERS ON MY BIRTHDAY.
290
00:13:29,156 --> 00:13:32,289
WHY DON'T YOU GIVE ME
THE REAL STORY?
291
00:13:32,333 --> 00:13:35,727
MOM, THAT IS
THE REAL STORY.
292
00:13:35,771 --> 00:13:37,338
WELL, JACOB KANE
CALLED.
293
00:13:37,381 --> 00:13:39,166
HE TOLD ME ABOUT
YOUR SUSPENSION.
294
00:13:39,209 --> 00:13:42,604
HEH, SO THAT'S
WHY YOU'RE IN TOWN.
295
00:13:42,647 --> 00:13:45,607
THIS ISN'T SOME MOTHERLY
"I MISSED YOU" VISIT.
296
00:13:45,650 --> 00:13:48,044
MORE OF A "PLEASE DON'T
END UP UNDER A BRIDGE" VISIT.
297
00:13:48,088 --> 00:13:50,481
HOW ARE YOU GONNA
PAY THE RENT?
298
00:13:50,525 --> 00:13:54,094
BY WORKING AT A PLACE
THAT ALIGNS WITH MY VALUES.
299
00:13:54,137 --> 00:13:56,444
I DON'T SEE EYE TO EYE
WITH THE CROWS' WAY
300
00:13:56,487 --> 00:13:57,967
OF DOING THINGS
ANYMORE.
301
00:13:58,011 --> 00:13:59,360
OH, PLEASE DON'T
TELL ME YOU WISH
302
00:13:59,403 --> 00:14:01,101
THEY WERE MORE
LIKE THE GCPD.
303
00:14:01,144 --> 00:14:04,626
NO, MORE LIKE
BATWOMAN.
304
00:14:04,669 --> 00:14:06,149
OHH...
305
00:14:06,193 --> 00:14:09,022
SHE IS SOMEONE WHO
REPRESENTS ALL OF GOTHAM--
306
00:14:09,065 --> 00:14:11,807
THE POOR, THE RICH,
AND IN BETWEEN--
307
00:14:11,851 --> 00:14:14,157
AND SHE'S SAVED MY LIFE
ON SEVERAL OCCASIONS.
308
00:14:14,201 --> 00:14:16,943
SHE IS A DAMN CRIMINAL
WHO GETS AWAY WITH IT.
309
00:14:16,986 --> 00:14:18,683
YOU NEVER HAD
A PROBLEM WITH BATMAN.
310
00:14:18,727 --> 00:14:19,859
YOU THOUGHT
HE WAS CUTE.
311
00:14:19,902 --> 00:14:21,512
BATMAN WAS DIFFERENT.
312
00:14:21,556 --> 00:14:24,167
HOW, MOM? HOW WAS
BATMAN DIFFERENT?
313
00:14:24,211 --> 00:14:28,998
HE REPRESENTED VALUES
I ACTUALLY BELIEVED IN.
314
00:14:29,042 --> 00:14:32,915
YOU MEAN,
HE'S NOT GAY.
315
00:14:32,959 --> 00:14:35,091
[EXHALES]
316
00:14:38,268 --> 00:14:40,357
SOPHIE: HEY, I DON'T
HAVE A LOT OF TIME,
317
00:14:40,401 --> 00:14:42,577
SO WE SHOULD PROBABLY
MAKE THIS QUICK.
318
00:14:42,620 --> 00:14:44,492
YOU OK?
319
00:14:44,535 --> 00:14:46,929
MY MOM, SHE--
320
00:14:46,973 --> 00:14:48,931
[SIGHS]
321
00:14:48,975 --> 00:14:50,715
I'M 28 YEARS OLD.
322
00:14:50,759 --> 00:14:53,588
I HAVE TWO DEGREES AND
OWN A CONDO ON A RIVER,
323
00:14:53,631 --> 00:14:55,546
AND I SPEND EVERY
WAKING MOMENT
324
00:14:55,590 --> 00:14:57,461
WONDERING IF
SHE'S PROUD OF ME.
325
00:14:57,505 --> 00:15:00,421
AND IF SHE WERE TO
FIND OUT ABOUT THIS--
326
00:15:00,464 --> 00:15:05,905
UPSIDE OF HAVING
TO HIDE IT--SHE WON'T.
327
00:15:08,516 --> 00:15:09,473
SO WHAT'S UP?
328
00:15:09,517 --> 00:15:11,519
I DID SOME DIGGING,
AND I THINK
329
00:15:11,562 --> 00:15:13,738
THE GOTHAM SERIAL SLASHER
IS TARGETING PATIENTS
330
00:15:13,782 --> 00:15:16,393
FROM A PLASTIC SURGEON BY
THE NAME OF ETHAN CAMPBELL.
331
00:15:16,437 --> 00:15:17,699
I KNOW HIM.
332
00:15:17,742 --> 00:15:19,744
HIS AFFIDAVIT CLEARED MY
BOSS OF MURDER CHARGES.
333
00:15:19,788 --> 00:15:21,181
THAT'S WHY I'M HERE.
334
00:15:21,224 --> 00:15:23,226
I NEED YOU TO FIND OUT
WHAT HE KNOWS.
335
00:15:23,270 --> 00:15:26,882
I HAVE NO AUTHORITY.
THE CROWS SUSPENDED ME.
336
00:15:26,926 --> 00:15:28,928
DOES CAMPBELL
KNOW THAT?
337
00:15:32,061 --> 00:15:33,671
THE LAST VICTIM
OF THE SLASHER
338
00:15:33,715 --> 00:15:36,239
WAS ALSO A PATIENT
OF YOURS--MIA CORTEZ.
339
00:15:36,283 --> 00:15:37,675
WE'RE WORRIED
THE NEXT VICTIM
340
00:15:37,719 --> 00:15:39,503
COULD BE A NAME
IN ONE OF THOSE FILES.
341
00:15:39,547 --> 00:15:41,505
KIMBERLY WRIGHT TOLD EVERY ONE
OF HER 10 MILLION FOLLOWERS
342
00:15:41,549 --> 00:15:46,075
ABOUT HER NOSE JOB, SO IF
IT'S A CASE OF JEALOUSY,
343
00:15:46,119 --> 00:15:48,991
YOU HAVE A LOT OF NAMES
TO SIFT THROUGH.
344
00:15:49,035 --> 00:15:50,558
ONE THEORY IS
SHE'S TARGETING
345
00:15:50,601 --> 00:15:52,777
COPYCAT SURGERIES.
346
00:15:52,821 --> 00:15:54,040
HAVE YOU EVER--
347
00:15:54,083 --> 00:15:56,651
CUT A SMILE INTO
A PATIENT'S FACE?
348
00:15:56,694 --> 00:16:00,698
NO, AGENT MOORE.
I CERTAINLY HAVE NOT.
349
00:16:00,742 --> 00:16:02,309
[SIGHS]
350
00:16:07,618 --> 00:16:11,448
THEN MAYBE SHE'S NOT
TARGETING COPYCATS.
351
00:16:11,492 --> 00:16:14,451
MAYBE SHE'S
MAKING COPYCATS.
352
00:16:14,495 --> 00:16:16,323
BY INFLICTING
HER VICTIMS
353
00:16:16,366 --> 00:16:18,281
WITH THE SAME
SCARS SHE HAS?
354
00:16:18,325 --> 00:16:19,848
HAVE YOU EVER
TREATED A WOMAN
355
00:16:19,891 --> 00:16:21,850
WITH THIS TYPE
OF SCARRING?
356
00:16:21,893 --> 00:16:26,028
UH, ACTUALLY, YES,
8 YEARS AGO.
357
00:16:26,072 --> 00:16:27,464
A TEENAGE GIRL
WAS BROUGHT TO ME
358
00:16:27,508 --> 00:16:30,641
WITH A PSYCHIATRIC RAP SHEET
AS LONG AS MY ARM,
359
00:16:30,685 --> 00:16:35,820
HAD THE WORST SELF-INFLICTED
SCARS I'VE EVER SEEN.
360
00:16:35,864 --> 00:16:38,127
SHE CUT
HER OWN FACE?
361
00:16:38,171 --> 00:16:40,303
YES. SHE DID.
362
00:16:43,654 --> 00:16:45,830
KATE: DUELA DENT. WHAT
CAN YOU FIND ON HER?
363
00:16:45,874 --> 00:16:48,572
LUKE, ON COMMS: DAUGHTER
OF EVELYN, FATHER UNKNOWN.
364
00:16:48,616 --> 00:16:50,966
HER UNCLE HARVEY
IS A BELOVED A.D.A.
365
00:16:51,010 --> 00:16:52,620
WAIT. HERE'S SOMETHING.
366
00:16:52,663 --> 00:16:54,361
SHE WAS JUST RELEASED FROM
A MENTAL HEALTH FACILITY.
367
00:16:54,404 --> 00:16:56,058
HOW DID YOU
GET HER NAME?
368
00:16:56,102 --> 00:16:57,668
BAT SOURCES, OK?
369
00:16:57,712 --> 00:16:59,714
WOULD THOSE BAT SOURCES
BE OF THE TALL, DARK,
370
00:16:59,757 --> 00:17:01,933
AND GIRLFRIEND-
MATERIAL VARIETY?
371
00:17:01,977 --> 00:17:04,153
I'M CHOOSING
TO IGNORE THAT.
372
00:17:04,197 --> 00:17:07,504
I FOUND SOMETHING.
373
00:17:11,204 --> 00:17:13,641
IT'S HER HIT LIST.
374
00:17:19,560 --> 00:17:21,910
RUN THE NAME
MYRTIS DINKER.
375
00:17:21,953 --> 00:17:24,130
MYRTIS DINKER?
376
00:17:24,173 --> 00:17:27,394
NOPE. NOTHING,
NO MYRTIS DINKER.
377
00:17:27,437 --> 00:17:32,312
OH, I HAVE AN IDEA.
378
00:17:32,355 --> 00:17:35,750
PRESS THE RED BUTTON
ON YOUR RIGHT GAUNTLET.
379
00:17:37,795 --> 00:17:39,493
OH.
380
00:17:39,536 --> 00:17:43,105
SORRY.
YOUR LEFT GAUNTLET.
381
00:17:44,585 --> 00:17:46,195
[WHIR]
382
00:17:46,239 --> 00:17:48,110
[CAMERA SHUTTER CLICKS]
383
00:17:48,154 --> 00:17:49,372
THAT WAS
YOUR UPGRADE?
384
00:17:49,416 --> 00:17:51,374
COWL CAM.
WHAT DO YOU THINK?
385
00:17:51,418 --> 00:17:52,897
USE THIS WITHOUT
MY PERMISSION,
386
00:17:52,941 --> 00:17:54,508
AND I WILL FIND A NEW PLACE
TO PUT MY BATARANG.
387
00:17:54,551 --> 00:17:57,293
YEAH. COPY THAT.
RUNNING THE IMAGE NOW.
388
00:18:00,035 --> 00:18:02,255
AND?
389
00:18:03,604 --> 00:18:06,302
I'M STILL WORKING
OUT THE BUGS. JUST--
390
00:18:12,352 --> 00:18:15,094
[DOOR CLOSES]
391
00:18:37,812 --> 00:18:39,727
[WOMAN MOANS]
392
00:18:45,298 --> 00:18:47,561
YOU'RE OK. IT'S OK.
393
00:18:47,604 --> 00:18:52,174
IT'S OK. I'M GONNA
GET YOU HELP. JUST--
394
00:18:54,568 --> 00:18:56,613
-HUH! HYAH!
-UHH!
395
00:18:56,657 --> 00:18:59,834
COME ANY CLOSER, AND I TURN
MY MOM INTO A PEZ DISPENSER.
396
00:18:59,877 --> 00:19:01,444
DUELA, YOU DO NOT
NEED TO DO THIS.
397
00:19:01,488 --> 00:19:02,750
AND SHE DIDN'T
HAVE TO FORCE ME
398
00:19:02,793 --> 00:19:04,317
TO BE SOMEONE I'M NOT,
SOMEONE I HATE,
399
00:19:04,360 --> 00:19:05,883
SOMEONE I CAN'T
EVEN LOOK AT,
400
00:19:05,927 --> 00:19:08,495
SO I'M GONNA GO, AND
YOU'RE GONNA NEED A MOP.
401
00:19:08,538 --> 00:19:11,933
NO! NO.
402
00:19:11,976 --> 00:19:14,153
STAY WITH ME.
STAY WITH ME.
403
00:19:14,196 --> 00:19:17,634
IT'S GONNA BE OK.
YOU'RE GONNA BE OK.
404
00:19:21,203 --> 00:19:25,903
I HAVE SPENT HOURS UPON HOURS
COOKING UP ALL THE WAYS
405
00:19:25,947 --> 00:19:29,298
THAT I COULD TORTURE
THAT VILE MAN.
406
00:19:29,342 --> 00:19:33,215
NOW THAT HE'S RIGHT HERE,
RIGHT UNDER MY NOSE, I--
407
00:19:33,259 --> 00:19:36,175
YOU'RE BLOCKED.
408
00:19:36,218 --> 00:19:40,483
EXACTLY,
DR. MALONE. HA HA!
409
00:19:40,527 --> 00:19:45,488
I AM BLOCKED.
AHH...
410
00:19:46,402 --> 00:19:48,361
OH, DON'T BE
SO HARD ON YOURSELF.
411
00:19:48,404 --> 00:19:49,927
I MEAN, IT'S
A NORMAL REACTION.
412
00:19:49,971 --> 00:19:52,408
VICTIMS HELD IN PHYSICAL
AND EMOTIONAL CAPTIVITY
413
00:19:52,452 --> 00:19:54,497
OFTENTIMES REVERT
BACK TO THE AGE
414
00:19:54,541 --> 00:19:57,544
THEY WERE HELD WHEN
FACING THEIR CAPTOR.
415
00:19:57,587 --> 00:20:01,809
SO WHAT ARE YOU SAYING,
I DON'T FIND CLOSURE?
416
00:20:01,852 --> 00:20:03,680
NO, OF COURSE NOT,
417
00:20:03,724 --> 00:20:05,595
BUT YOU CLEARLY HAVE
UNRESOLVED FEAR.
418
00:20:05,639 --> 00:20:09,599
MY FEAR IS THAT I WILL
KILL HIM INSTANTLY,
419
00:20:09,643 --> 00:20:14,213
FORGETTING TO RELISH
IN HIS SLOW
420
00:20:14,256 --> 00:20:16,650
AND PAINFUL DEMISE.
421
00:20:16,693 --> 00:20:18,478
THOSE ARE JUST YOUR
DEFENSES TALKING.
422
00:20:18,521 --> 00:20:22,873
I DON'T HAVE DEFENSES.
HA HA HA! MM...
423
00:20:22,917 --> 00:20:24,745
IF YOU DON'T MIND,
424
00:20:24,788 --> 00:20:27,704
IN MY PROFESSIONAL
OPINION,
425
00:20:27,748 --> 00:20:30,533
I SEE YOU PUTTING UP
A HARD, BLUSTERY EXTERIOR,
426
00:20:30,577 --> 00:20:32,883
BUT THE TRUTH IS,
427
00:20:32,927 --> 00:20:35,451
YOU ARE STILL
TERRIFIED OF THIS MAN.
428
00:20:35,495 --> 00:20:37,975
YOU ARE STILL JUST
A LITTLE GIRL,
429
00:20:38,019 --> 00:20:40,456
AND YOU KNOW WHEN YOU
CONFRONT HIM FACE TO FACE
430
00:20:40,500 --> 00:20:42,632
THAT HE WILL FIND
A WAY TO REGAIN
431
00:20:42,676 --> 00:20:46,549
THAT POWER OVER YOU
ONCE AGAIN.
432
00:20:49,987 --> 00:20:54,731
SO THEN SHRINK ME, HMM?
WHAT DO I DO?
433
00:20:54,775 --> 00:20:57,995
I SUGGEST
AN EMOTIONAL SHIELD,
434
00:20:58,039 --> 00:21:00,563
A THIRD PERSON THAT
ACTS AS A BUFFER
435
00:21:00,607 --> 00:21:03,566
BETWEEN YOU
AND THE ABUSER.
436
00:21:03,610 --> 00:21:08,441
WELL, YOU HAVE BEEN
INCREDIBLY HELPFUL,
437
00:21:08,484 --> 00:21:10,921
DR. MALONE. HA HA!
438
00:21:10,965 --> 00:21:13,968
I DO WISH WE COULD'VE
MADE THIS A WEEKLY AFFAIR.
439
00:21:14,011 --> 00:21:16,536
OH! NO. PLEASE. NO.
440
00:21:16,579 --> 00:21:18,320
I WON'T TELL ANYONE
YOU'RE ALIVE.
441
00:21:18,364 --> 00:21:20,191
PLEASE. I WON'T
TELL ANYONE.
442
00:21:20,235 --> 00:21:22,585
PLEASE! PLEASE DON'T.
443
00:21:22,629 --> 00:21:25,936
I WON'T TELL
ANYONE!
444
00:21:25,980 --> 00:21:27,851
[SIGHS]
445
00:21:33,117 --> 00:21:34,684
WELL, WELL,
446
00:21:34,728 --> 00:21:36,860
DR. FIX-ME THREATENED
WITH A LAWSUIT
447
00:21:36,904 --> 00:21:40,037
BY A 16-YEAR-OLD
WHO DID NOT CONSENT
448
00:21:40,081 --> 00:21:44,041
TO THE RESTORATIVE PLASTIC
SURGERY HE PERFORMED ON HER.
449
00:21:46,305 --> 00:21:48,481
HMM.
450
00:21:48,524 --> 00:21:51,484
WHAT AN INTERESTING,
LITTLE PSYCHOPATH.
451
00:21:52,963 --> 00:21:55,662
[PLIERS CLANKING]
452
00:22:05,454 --> 00:22:08,979
HOW LONG ARE YOU
GONNA KEEP ME HERE?
453
00:22:10,241 --> 00:22:12,679
AS LONG AS IT TAKES FOR YOU
TO COME TO YOUR SENSES.
454
00:22:12,722 --> 00:22:17,466
HA HA HA!
ALICE WILL FIND ME.
455
00:22:17,510 --> 00:22:20,904
MM. ALICE IS DEAD.
456
00:22:22,863 --> 00:22:24,386
NO.
457
00:22:24,430 --> 00:22:26,997
I SHOT HER.
458
00:22:27,041 --> 00:22:30,827
NO. NO.
459
00:22:30,871 --> 00:22:34,135
[SOBBING]
460
00:22:34,178 --> 00:22:35,484
NO. NO.
461
00:22:35,528 --> 00:22:38,313
SON...
NO. NO.
462
00:22:38,357 --> 00:22:40,663
YOU'RE BETTER OFF
WITHOUT HER.
463
00:22:40,707 --> 00:22:42,622
ALL SHE EVER DID
WAS PUT YOUR LIFE
464
00:22:42,665 --> 00:22:45,538
IN DANGER TO ADVANCE
HER OWN AGENDA.
465
00:22:45,581 --> 00:22:50,412
ALL I'VE DONE...
IS PROTECT YOU...
466
00:22:52,240 --> 00:22:54,721
FROM THE CRUELTY
OF THE WORLD.
467
00:22:54,764 --> 00:22:58,028
THE ONLY THING
CRUEL
468
00:22:58,072 --> 00:23:01,815
IN MY WORLD
IS YOU.
469
00:23:08,387 --> 00:23:10,650
YOU THINK
THAT WAY NOW,
470
00:23:10,693 --> 00:23:15,568
BUT IN TIME, YOU'LL
COME TO SEE THE TRUTH.
471
00:23:15,611 --> 00:23:17,874
WHAT ARE YOU DOING?
472
00:23:17,918 --> 00:23:19,615
WHAT ARE YOU DOING?
WHAT ARE YOU DOING?
473
00:23:19,659 --> 00:23:21,791
WHAT ARE--
WHAT ARE YOU DOING?
474
00:23:21,835 --> 00:23:24,185
[GASPING]
475
00:23:24,228 --> 00:23:25,882
[KNOCKS ON DOOR]
476
00:23:25,926 --> 00:23:27,797
MAN: YOU WANTED
TO SEE ME, SIR?
477
00:23:27,841 --> 00:23:29,886
JACOB: OUR FAVORITE
AMBULANCE CHASER BOBBY REEVES
478
00:23:29,930 --> 00:23:31,410
STOPPED BY.
479
00:23:31,453 --> 00:23:32,759
HE'S POKING AROUND
A MURDER CASE
480
00:23:32,802 --> 00:23:36,415
YOUR TEAM
RAN POINT ON.
481
00:23:36,458 --> 00:23:39,592
YEAH, HARD TO FORGET.
482
00:23:39,635 --> 00:23:40,984
HARRIS GUNNED DOWN
LUCIUS FOX
483
00:23:41,028 --> 00:23:42,725
AND A CASHIER
AT A SIP & DASH.
484
00:23:42,769 --> 00:23:44,423
WHAT'S THE PROBLEM?
485
00:23:44,466 --> 00:23:45,772
WE TURNED HIM OVER
TO THE GCPD.
486
00:23:45,815 --> 00:23:47,904
YEAH, TO STU DONNELLY,
THE OFFICER ACCUSED
487
00:23:47,948 --> 00:23:51,168
OF COERCING CONFESSIONS
IN AT LEAST 21 CASES.
488
00:23:51,212 --> 00:23:53,910
WE HANDED A LOT OF PERPS
OVER TO DONNELLY, COMMANDER.
489
00:23:53,954 --> 00:23:55,912
ARE WE SAYING
THEY'RE ALL INNOCENT?
490
00:23:55,956 --> 00:23:57,871
YOU DON'T FIND IT UNUSUAL
THAT THE SIP & DASH'S
491
00:23:57,914 --> 00:23:59,742
4 SECURITY CAMERAS
WEREN'T WORKING
492
00:23:59,786 --> 00:24:01,875
IN THE 5-HOUR WINDOW WHEN
THE ROBBERY TOOK PLACE?
493
00:24:01,918 --> 00:24:05,008
ONLY THING I FIND UNUSUAL
IS LUCIUS FOX WAS A HERO
494
00:24:05,052 --> 00:24:07,097
TO THE CITY AND
PEOPLE ARE TRYING
495
00:24:07,141 --> 00:24:10,449
TO SET
HIS KILLER FREE.
496
00:24:14,714 --> 00:24:16,803
I WAS WONDERING
WHEN YOU WERE GONNA
497
00:24:16,846 --> 00:24:19,283
HIT ME UP ABOUT
THE SLASHER CASE.
498
00:24:19,327 --> 00:24:20,850
HOW DID YOU KNOW?
499
00:24:20,894 --> 00:24:23,462
BECAUSE I AM SMART
AND PERCEPTIVE,
500
00:24:23,505 --> 00:24:25,855
TWO TRAITS PEOPLE
OFTEN OVERLOOK.
501
00:24:25,899 --> 00:24:28,031
ANYWAY, I WAS HOPING
THAT YOU COULD HELP ME
502
00:24:28,075 --> 00:24:29,946
I.D. SOMEONE, SOMEONE
THAT DOESN'T POP UP
503
00:24:29,990 --> 00:24:31,861
ON MY FACIAL
RECOGNITION SYSTEM.
504
00:24:31,905 --> 00:24:33,341
MM-HMM.
505
00:24:33,384 --> 00:24:35,822
OH, THAT'S
VERONICA MAY.
506
00:24:35,865 --> 00:24:37,388
-YOU SURE?
-YEAH.
507
00:24:37,432 --> 00:24:38,912
APPARENTLY, SHE CHANGED
HER NAME AFTER HIGH SCHOOL,
508
00:24:38,955 --> 00:24:41,567
AND IF MY NAME
WAS MYRTIS DINKER,
509
00:24:41,610 --> 00:24:44,570
I WOULD, TOO, AND I'M
GUESSING THE REASON
510
00:24:44,613 --> 00:24:46,528
WHY HER FACE STUMPED
YOUR BAT TECH IS BECAUSE
511
00:24:46,572 --> 00:24:49,749
THAT'S NOT HER NOSE
ANYMORE...OR HER CHIN.
512
00:24:49,792 --> 00:24:51,446
ANY IDEA HOW
I CAN FIND HER?
513
00:24:51,490 --> 00:24:53,492
WELL, SHE PRETTY MUCH LIVES
ON BOARD THE MAY-MOBILE.
514
00:24:53,535 --> 00:24:54,754
THE WHAT?
515
00:24:54,797 --> 00:24:56,146
IT'S PART
MAKEOVER TRUCK,
516
00:24:56,190 --> 00:24:58,235
PART ROLLING BILLBOARD
FOR HER MAKEUP LINE.
517
00:24:58,279 --> 00:25:02,370
JUST LOOK FOR THE GAUDIEST
THING ON THE ROAD.
518
00:25:02,413 --> 00:25:04,807
KATE, ON COMMS: WE NEED TO
FIND THAT COSMETICS TRUCK.
519
00:25:04,851 --> 00:25:07,593
I APPRECIATE THAT,
BUT A TRUCK IN GOTHAM,
520
00:25:07,636 --> 00:25:09,812
KIND OF A NEEDLE
IN A HAYSTACK.
521
00:25:09,856 --> 00:25:11,640
THE NEEDLE
IS HOT PINK.
522
00:25:11,684 --> 00:25:13,163
THAT NARROWS IT DOWN.
523
00:25:13,207 --> 00:25:14,991
LET ME RUN A COLOR FILTER
ON THE SATELLITE.
524
00:25:15,035 --> 00:25:17,690
[BEEPING]
525
00:25:17,733 --> 00:25:20,649
OK. WE'VE GOT
A ICE CREAM TRUCK,
526
00:25:20,693 --> 00:25:22,608
AN UNFORTUNATE
PAINT JOB ON A LAMBO.
527
00:25:22,651 --> 00:25:26,133
[BEEPING]
528
00:25:26,176 --> 00:25:27,874
THAT'S NOT GOOD.
529
00:25:28,831 --> 00:25:31,791
[BATCYCLE APPROACHES]
530
00:25:39,059 --> 00:25:42,671
DUELA'S BEEN HERE,
NO SIGN OF VERONICA.
531
00:25:43,933 --> 00:25:47,023
HOLD UP. I THINK
I GOT COMPANY.
532
00:25:48,895 --> 00:25:50,897
SHOULDN'T BE HERE.
533
00:25:50,940 --> 00:25:52,420
NEITHER SHOULD YOU.
534
00:25:52,463 --> 00:25:53,987
I'VE BEEN LISTENING IN
TO THE CROWS' RADIO.
535
00:25:54,030 --> 00:25:55,336
THEY'LL BE HERE
ANY MINUTE.
536
00:25:55,379 --> 00:25:56,685
I'M NOT LEAVING
UNTIL I FIND
537
00:25:56,729 --> 00:25:58,382
EVERY SINGLE PERSON
THAT WAS IN THAT TRUCK.
538
00:25:58,426 --> 00:26:02,125
LOOKS LIKE DUELA FORCED
THEM INTO ANOTHER VEHICLE.
539
00:26:02,169 --> 00:26:04,040
WHY HERE?
540
00:26:04,084 --> 00:26:05,955
[TYPING]
541
00:26:05,999 --> 00:26:08,567
UH, VERONICA'S SKIN CARE LINE IS
MADE AT A PLANT DOWN THE ROAD.
542
00:26:08,610 --> 00:26:10,612
MAN: YOU BY THE TRUCK,
PUT YOUR HANDS IN THE AIR NOW.
543
00:26:10,656 --> 00:26:12,092
WE HAVE TO GET
OUT OF HERE.
544
00:26:12,135 --> 00:26:14,616
GET OUT OF HERE NOW.
COME ON.
545
00:26:14,660 --> 00:26:16,575
-GET ON.
-WAIT. WHAT?
546
00:26:16,618 --> 00:26:19,012
GET ON.
547
00:26:19,055 --> 00:26:21,362
[SIRENS]
548
00:26:25,279 --> 00:26:27,934
[TIRES SCREECH]
549
00:26:42,862 --> 00:26:45,255
[ITEMS DROPPING]
550
00:26:48,824 --> 00:26:50,739
WHAT THE HELL
ARE YOU DOING?
551
00:26:50,783 --> 00:26:52,523
[GASPS]
552
00:26:52,567 --> 00:26:54,438
OH, I'M SORRY.
553
00:26:54,482 --> 00:26:55,875
DO YOU HAVE A PROBLEM
554
00:26:55,918 --> 00:26:57,659
WITH PEOPLE STEALING
MEDICAL SUPPLIES?
555
00:26:57,703 --> 00:27:01,271
BECAUSE, UM...HI.
556
00:27:01,315 --> 00:27:03,317
I THOUGHT I MADE IT CLEAR
HOW I FELT ABOUT YOU
557
00:27:03,360 --> 00:27:04,710
WHEN I LEFT YOU
TO DIE.
558
00:27:04,753 --> 00:27:07,669
YOU DID, BUT THEN
I SAVED YOUR LIFE,
559
00:27:07,713 --> 00:27:11,151
AND NOW
YOU OWE ME, SO--
560
00:27:11,194 --> 00:27:12,892
DID BATWOMAN
NOT TELL YOU?
561
00:27:12,935 --> 00:27:14,284
NOT TELL ME WHAT?
562
00:27:14,328 --> 00:27:15,590
AFTER NOCTURNA
DRAINED YOUR BLOOD,
563
00:27:15,634 --> 00:27:16,896
YOU WERE
ON DEATH'S DOOR.
564
00:27:16,939 --> 00:27:18,593
I FOUND YOU AND
REVIVED YOU WITH MY OWN,
565
00:27:18,637 --> 00:27:22,597
MEANING I LITERALLY PUMPED
LIFE BACK INTO YOUR VEINS.
566
00:27:22,641 --> 00:27:25,295
UGH, I NEED
A BLEACH TRANSFUSION.
567
00:27:25,339 --> 00:27:28,647
OH, I'LL TAKE THAT
AS A THANK YOU.
568
00:27:28,690 --> 00:27:30,257
WHY WOULD YOU
DO THAT?
569
00:27:30,300 --> 00:27:34,435
LET'S JUST SAY IT WAS
MORE ABOUT BATWOMAN
570
00:27:34,478 --> 00:27:37,830
AND LESS ABOUT YOU.
571
00:27:37,873 --> 00:27:40,702
THANKS
FOR THE GOODS.
572
00:27:40,746 --> 00:27:44,619
DO YOU KNOW
WHO SHE IS?
573
00:27:44,663 --> 00:27:46,708
BATWOMAN?
574
00:27:46,752 --> 00:27:49,406
OF COURSE I DO.
575
00:27:49,450 --> 00:27:52,671
OH, DO YOU NOT?
576
00:27:52,714 --> 00:27:54,673
SAD.
577
00:27:54,716 --> 00:27:57,023
GUESS YOU TWO AREN'T
REALLY PALS AFTER ALL.
578
00:27:57,066 --> 00:27:59,460
HMM.
579
00:28:01,897 --> 00:28:05,422
VERONICA: AAH!
580
00:28:05,466 --> 00:28:08,774
AAH!
581
00:28:11,298 --> 00:28:14,954
DUELA, STOP.
PLEASE LET ME DOWN.
582
00:28:14,997 --> 00:28:16,869
I'M HELPING YOU,
VERONICA--
583
00:28:16,912 --> 00:28:19,349
OH, I MEAN, MYRTIS.
584
00:28:19,393 --> 00:28:21,700
OH...
585
00:28:21,743 --> 00:28:23,353
OHH!
586
00:28:23,397 --> 00:28:26,095
OH, MY GOD, LOOK.
YOU MADE YOUR POINT, OK?
587
00:28:26,139 --> 00:28:28,837
I WASN'T A GREAT FRIEND
AFTER THE INCIDENT,
588
00:28:28,881 --> 00:28:31,013
BUT, HONESTLY,
I WAS AFRAID OF YOU.
589
00:28:31,057 --> 00:28:33,059
BECAUSE I WAS
FINALLY HAPPY?
590
00:28:33,102 --> 00:28:35,888
HAPPY PEOPLE DON'T
SLICE THEIR FACES OPEN.
591
00:28:35,931 --> 00:28:39,195
HA! WHAT
DO THEY DO, HMM,
592
00:28:39,239 --> 00:28:41,981
SHAVE A BONE
OFF THEIR NOSE,
593
00:28:42,024 --> 00:28:43,809
SLIT THEIR
EYELIDS OPEN,
594
00:28:43,852 --> 00:28:46,550
STAB NEEDLES
INTO THEIR LIPS?
595
00:28:46,594 --> 00:28:48,204
YOU KNOW,
THE ONLY DIFFERENCE
596
00:28:48,248 --> 00:28:51,033
BETWEEN YOU AND ME IS THAT
I GOT INSTITUTIONALIZED
597
00:28:51,077 --> 00:28:53,166
AND YOU GOT FAMOUS.
598
00:28:53,209 --> 00:28:55,995
MY MOTHER WANTED ME
TO BE YOU.
599
00:28:56,038 --> 00:28:58,258
PUT ME DOWN,
YOU PSYCHO!
600
00:28:58,301 --> 00:29:00,782
IT'S TIME TO SHOW
THE WORLD WHAT I SEE
601
00:29:00,826 --> 00:29:03,872
WHEN I LOOK
AT VERONICA MAY.
602
00:29:03,916 --> 00:29:08,398
NO! DUELA, STOP!
PLEASE DON'T!
603
00:29:08,442 --> 00:29:10,357
NO!
604
00:29:19,061 --> 00:29:22,543
GOING SOMEWHERE?
605
00:29:22,586 --> 00:29:25,415
UH! UH! UH!
606
00:29:25,459 --> 00:29:27,896
[BOTH GRUNTING]
607
00:29:28,854 --> 00:29:30,594
AGH!
608
00:29:30,638 --> 00:29:32,858
OH! UH!
609
00:29:32,901 --> 00:29:37,123
AAH! HELP!
610
00:29:42,737 --> 00:29:45,827
[CREAKING]
611
00:29:50,701 --> 00:29:53,313
[BOTH GRUNTING]
612
00:30:06,805 --> 00:30:08,545
[WHIRRING]
613
00:30:12,462 --> 00:30:14,203
AAH!
614
00:30:17,293 --> 00:30:20,993
TELL ME SOMEONE
GOT THAT ON CAMERA.
615
00:30:32,004 --> 00:30:34,049
SOPHIE: SO SHOULD
I TAKE VERONICA UP
616
00:30:34,093 --> 00:30:36,225
ON HER OFFER
TO SHARE AN UBER?
617
00:30:36,269 --> 00:30:38,706
CALL ME CRAZY,
BUT I FELT
618
00:30:38,749 --> 00:30:40,490
LIKE WE MADE
A GOOD TEAM IN THERE.
619
00:30:40,534 --> 00:30:43,842
-WE DID.
-BUT?
620
00:30:43,885 --> 00:30:46,061
HOW DO YOU SEE
THIS PLAYING OUT--
621
00:30:46,105 --> 00:30:47,933
DINNER, MOVIE,
622
00:30:47,976 --> 00:30:49,978
I TAKE YOU BACK
TO MY CAVE?
623
00:30:50,022 --> 00:30:52,067
YOU LIVE IN A CAVE?
624
00:30:52,111 --> 00:30:54,635
ALLIE MOSS: ♪ COLD CONCRETE
BENEATH MY BACK ♪
625
00:30:54,678 --> 00:30:56,332
I DON'T KNOW.
626
00:30:56,376 --> 00:30:58,030
GUESS I HAVEN'T REALLY
THOUGHT ABOUT IT.
627
00:30:58,073 --> 00:31:00,859
IF I WERE TO TELL YOU
WHO I AM RIGHT NOW,
628
00:31:00,902 --> 00:31:02,512
WOULD YOU
WANT TO KNOW?
629
00:31:02,556 --> 00:31:03,774
WHAT?
630
00:31:03,818 --> 00:31:04,950
BECAUSE ONCE
THAT HAPPENS,
631
00:31:04,993 --> 00:31:06,865
I'M NO LONGER
A SECRET.
632
00:31:06,908 --> 00:31:10,303
I'M A FACE,
A PERSON,
633
00:31:10,346 --> 00:31:14,524
A WOMAN, AND I BRING
ALL THE COMPLICATIONS
634
00:31:14,568 --> 00:31:16,439
THAT COME WITH THAT,
SO DO YOU WANT TO BE
635
00:31:16,483 --> 00:31:19,225
IN A REAL RELATIONSHIP,
OR DO YOU WANT TO BE
636
00:31:19,268 --> 00:31:23,011
WITH SOMEONE YOU
CAN KEEP SECRET?
637
00:31:23,055 --> 00:31:26,362
BECAUSE WE CAN NEVER
BE MORE THAN THIS,
638
00:31:26,406 --> 00:31:29,452
AND THAT SHOULDN'T
BE ENOUGH.
639
00:31:32,412 --> 00:31:34,283
YOU'RE RIGHT.
640
00:31:36,068 --> 00:31:38,200
AS LONG AS I'M WITH
A WOMAN WHO WEARS A MASK,
641
00:31:38,244 --> 00:31:40,899
I'LL ALWAYS BE
WEARING ONE MYSELF.
642
00:31:42,857 --> 00:31:46,426
I THINK I HAVE SOME THINGS
I NEED TO TAKE CARE OF.
643
00:31:46,469 --> 00:31:49,733
I'LL LET THE GCPD
KNOW ABOUT DUELA.
644
00:31:49,777 --> 00:31:54,738
MOSS: ♪ WHEN YOU'RE DOWN,
DOWN, DOWN... ♪
645
00:31:54,782 --> 00:31:58,046
GOOD-BYE, SOPHIE.
646
00:31:58,090 --> 00:32:01,136
MOSS: ♪ NO FURTHER TO FALL
647
00:32:01,180 --> 00:32:06,446
♪ WHEN YOU'RE ON THE FLOOR
648
00:32:06,489 --> 00:32:16,021
♪ AND YOU'RE ALREADY DOWN,
DOWN, DOWN, DOWN ♪
649
00:32:16,064 --> 00:32:22,984
♪ DOWN, DOWN, DOWN, DOWN
650
00:32:23,028 --> 00:32:25,030
♪ I KNOW
651
00:32:26,988 --> 00:32:28,816
[FOOTSTEPS]
652
00:32:28,859 --> 00:32:31,514
WHO'S THERE?
PLEASE HELP.
653
00:32:31,558 --> 00:32:34,082
UNTIE ME, PLEASE.
WHO'S THERE?
654
00:32:34,126 --> 00:32:35,736
AN ALLY.
655
00:32:35,779 --> 00:32:39,000
YOU AND I WERE BOTH
WRONGED BY THE SAME MAN.
656
00:32:39,044 --> 00:32:41,002
HE TOOK MY ADOLESCENCE
657
00:32:41,046 --> 00:32:43,657
JUST LIKE HE TOOK
YOUR SMILE.
658
00:32:43,700 --> 00:32:47,443
I WILL GET REVENGE FOR
BOTH OF US, BUT FIRST,
659
00:32:47,487 --> 00:32:50,490
I'M GONNA NEED A LITTLE
SOMETHING FROM YOU, HMM?
660
00:32:56,887 --> 00:32:58,802
WANT TO EXPLAIN THIS?
661
00:32:58,846 --> 00:33:00,979
IT'S A BANK
STATEMENT.
662
00:33:01,022 --> 00:33:02,589
I KNOW IT'S
A BANK STATEMENT.
663
00:33:02,632 --> 00:33:04,504
I DON'T KNOW WHY THE CROWS
SENT A SIP & DASH
664
00:33:04,547 --> 00:33:08,029
$50,000 AFTER
THE LUCIUS FOX MURDER.
665
00:33:08,073 --> 00:33:09,639
IT SAYS RIGHT HERE,
"CODE 501."
666
00:33:09,683 --> 00:33:11,467
IT'S A RESTORATION
COURTESY PAYMENT
667
00:33:11,511 --> 00:33:13,469
FOR US TRASHING THE PLACE
WHEN WE ARRESTED HARRIS.
668
00:33:13,513 --> 00:33:15,036
SO THIS MONEY HAS
NOTHING TO DO WITH
669
00:33:15,080 --> 00:33:16,995
THE LOST
SECURITY FOOTAGE.
670
00:33:17,038 --> 00:33:18,344
YOU DON'T
REALLY THINK
671
00:33:18,387 --> 00:33:21,564
A CROW WOULD
DESTROY EVIDENCE.
672
00:33:27,266 --> 00:33:30,660
ALAINA CROSS:
♪ LIKE THE HUNTER
673
00:33:30,704 --> 00:33:32,793
♪ ON HIS PREY
674
00:33:32,836 --> 00:33:35,448
♪ ONCE YOU THINK
YOU GOT ME TRAPPED ♪
675
00:33:35,491 --> 00:33:39,365
♪ I MAKE MY ESCAPE...
676
00:33:39,408 --> 00:33:42,063
THOUGHT DISPATCH SAID
SHE WAS LOCKED UP.
677
00:33:43,195 --> 00:33:46,285
CROSS: ♪ I'M COMING
OUT OF MY CAGE ♪
678
00:33:49,201 --> 00:33:53,553
♪ I'M COMING OUT OF MY CAGE
679
00:33:53,596 --> 00:33:56,947
DUELA...
680
00:33:56,991 --> 00:33:59,820
HOW...DID YOU
GET IN HERE?
681
00:33:59,863 --> 00:34:03,780
JUST FLASHED THAT
PRETTY SMILE YOU GAVE ME.
682
00:34:05,086 --> 00:34:07,088
-BACK!
-OUTSIDE.
683
00:34:07,132 --> 00:34:08,829
OVER HERE.
684
00:34:08,872 --> 00:34:10,352
IS THAT
THE SLASHER?
685
00:34:10,396 --> 00:34:14,530
CROSS: ♪ I'M COMING
OUT OF MY CAGE ♪
686
00:34:14,574 --> 00:34:16,924
♪ I'M COMING OUT OF MY
687
00:34:16,967 --> 00:34:18,969
LORD HAVE MERCY.
688
00:34:19,013 --> 00:34:22,451
I'M FINALLY PERFECT.
689
00:34:22,495 --> 00:34:25,498
YOU SHOULDN'T
BE HERE, DUELA.
690
00:34:25,541 --> 00:34:29,763
SORRY. YOU GOT
THE WRONG GIRL.
691
00:34:33,027 --> 00:34:35,116
-HEH.
-NO.
692
00:34:35,160 --> 00:34:38,293
NO. YOU'RE DEAD.
I--I SHOT YOU.
693
00:34:38,337 --> 00:34:42,341
OH, AGAIN, YOU GOT
THE WRONG GIRL.
694
00:34:42,384 --> 00:34:48,347
YOU LIKE TAKING THINGS
FROM CHILDREN, DON'T YOU?
695
00:34:48,390 --> 00:34:54,135
WELL, WE'RE ALL
GROWN UP NOW
696
00:34:54,179 --> 00:34:56,442
AND HERE FOR
A LITTLE PAYBACK.
697
00:34:56,485 --> 00:34:58,357
CROSS: ♪ I'M COMING
OUT OF MY CAGE ♪
698
00:35:02,622 --> 00:35:05,625
JACOB: MOORE, IT'S ME. LOOK.
699
00:35:05,668 --> 00:35:08,106
I MAY QUESTION
YOUR DECISION-MAKING
700
00:35:08,149 --> 00:35:09,716
WHEN IT COMES TO BATWOMAN,
701
00:35:09,759 --> 00:35:12,719
BUT I'VE NEVER QUESTIONED
YOUR INTEGRITY,
702
00:35:12,762 --> 00:35:16,462
AND AT THE MOMENT,
I NEED IT MORE THAN EVER.
703
00:35:16,505 --> 00:35:19,421
I THINK THE CROWS
HAVE A MAJOR PROBLEM.
704
00:35:19,465 --> 00:35:22,163
I'LL EXPLAIN
WHEN YOU CALL ME BACK.
705
00:35:29,214 --> 00:35:31,868
[PING]
706
00:35:33,261 --> 00:35:35,307
[DOOR OPENS]
707
00:35:37,874 --> 00:35:41,182
NOT SURE HOW CHARGING
$5.00 FOR A COFFEE
708
00:35:41,226 --> 00:35:42,836
IS NOT A CRIMINAL
OFFENSE.
709
00:35:42,879 --> 00:35:45,795
HA HA HA!
HA HA HA!
710
00:35:45,839 --> 00:35:49,364
I THINK YOU'RE GONNA
NEED SOMETHING STRONGER.
711
00:35:52,237 --> 00:35:54,543
I LIED TO YOU
THE OTHER DAY.
712
00:35:54,587 --> 00:35:57,198
THAT'S WHAT I DO NOW.
713
00:35:57,242 --> 00:35:59,853
I LIE.
I LIE SO MUCH,
714
00:35:59,896 --> 00:36:02,986
I DON'T EVEN REALIZE
I'M DOING IT ANYMORE.
715
00:36:03,030 --> 00:36:09,079
OH, SOPHIE...
WHAT LIE?
716
00:36:09,123 --> 00:36:13,171
[SIGHS]
717
00:36:13,214 --> 00:36:16,609
I DIDN'T BREAK UP
WITH TYLER
718
00:36:16,652 --> 00:36:21,135
BECAUSE I FELL
OUT OF LOVE WITH HIM.
719
00:36:21,179 --> 00:36:23,006
I BROKE UP WITH TYLER
720
00:36:23,050 --> 00:36:26,445
BECAUSE I WAS NEVER
IN LOVE WITH HIM.
721
00:36:26,488 --> 00:36:29,665
SWEETHEART, I NEED YOU
TO START MAKING SENSE.
722
00:36:29,709 --> 00:36:31,754
WHEN I WAS
AT POINT ROCK...
723
00:36:31,798 --> 00:36:33,365
MM-HMM?
724
00:36:33,408 --> 00:36:36,629
I MET SOMEONE,
725
00:36:36,672 --> 00:36:39,632
AND FOR THE FIRST TIME,
726
00:36:39,675 --> 00:36:43,549
I WAS HAPPY, REALLY,
REALLY HAPPY...
727
00:36:43,592 --> 00:36:45,203
OH...
728
00:36:45,246 --> 00:36:47,248
AND I WANT TO FIND
THAT AGAIN.
729
00:36:47,292 --> 00:36:51,034
OK. OK. THEN GO
FIND HIM, HONEY.
730
00:36:51,078 --> 00:36:53,036
GO FIND HIM.
731
00:36:53,080 --> 00:36:55,735
IT WASN'T A HIM, MOM.
732
00:36:57,824 --> 00:37:00,696
IT WAS A HER.
733
00:37:00,740 --> 00:37:04,352
FOR YEARS,
I KEPT IT A SECRET.
734
00:37:04,396 --> 00:37:07,225
I THOUGHT
I COULD HAVE BOTH--
735
00:37:07,268 --> 00:37:10,358
THE VERSION OF ME
THAT MY SCHOOL
736
00:37:10,402 --> 00:37:14,057
AND MY FAMILY
COULD BE PROUD OF
737
00:37:14,101 --> 00:37:17,887
AND THE VERSION OF ME
WHO KNEW WHO SHE WAS.
738
00:37:17,931 --> 00:37:19,498
OHH...
739
00:37:19,541 --> 00:37:23,066
WOMAN: ♪ I TRY NOT
TO HOLD MY BREATH ♪
740
00:37:23,110 --> 00:37:28,550
SO THE GOOD LORD DIDN'T
MAKE IT HARD ENOUGH ON YOU,
741
00:37:28,594 --> 00:37:31,249
NOT ENOUGH TO BE
A WOMAN OF COLOR,
742
00:37:31,292 --> 00:37:33,816
NOT ENOUGH TO COME
FROM NOTHING,
743
00:37:33,860 --> 00:37:35,862
NOT ENOUGH TO HAVE
TO PROVE YOUR DAMN WORTH
744
00:37:35,905 --> 00:37:37,907
TO THE WORLD
EVERY TIME YOU WANT
745
00:37:37,951 --> 00:37:39,866
TO BE PART OF IT, HUH?
746
00:37:39,909 --> 00:37:42,477
YOU GOT TO ADD THIS
ON TOP OF IT?
747
00:37:42,521 --> 00:37:45,088
I DIDN'T ASK FOR THIS,
748
00:37:45,132 --> 00:37:47,917
JUST LIKE I DIDN'T ASK
FOR ANY OF THOSE THINGS,
749
00:37:47,961 --> 00:37:50,616
BUT EACH OF THEM
MAKE ME WHO I AM.
750
00:37:50,659 --> 00:37:54,097
AND WHY AM I ONLY
HEARING ABOUT IT NOW?
751
00:37:54,141 --> 00:37:55,925
BECAUSE I DIDN'T WANT
YOU TO LOOK AT ME
752
00:37:55,969 --> 00:37:57,666
THE WAY YOU'RE
LOOKING AT ME NOW.
753
00:37:57,710 --> 00:38:02,758
OH, SOPHIE, I AM SO SORRY
ABOUT THAT, SWEETHEART.
754
00:38:05,108 --> 00:38:09,287
WHAT'D YOU EXPECT
DISAPPOINTMENT TO LOOK LIKE?
755
00:38:09,330 --> 00:38:11,158
[DOOR OPENS]
756
00:38:11,201 --> 00:38:13,029
[DOOR CLOSES]
757
00:38:13,073 --> 00:38:18,818
WOMAN: ♪ WHY DID I BEND
WHEN I NEEDED... ♪
758
00:38:20,472 --> 00:38:22,387
YOU LOOK LIKE YOU
HAD A LONG NIGHT.
759
00:38:22,430 --> 00:38:24,780
MORE LIKE
A REALLY LONG DAY.
760
00:38:24,824 --> 00:38:27,653
IF YOU WANT
TO TALK ABOUT IT,
761
00:38:27,696 --> 00:38:30,046
YOU WANT TO TALK
ABOUT ANYTHING,
762
00:38:30,090 --> 00:38:32,484
YOU KNOW
I'M HERE, RIGHT?
763
00:38:32,527 --> 00:38:34,442
I...LOST A PIECE
OF REAL ESTATE
764
00:38:34,486 --> 00:38:36,226
I HAD MY HEART
SET ON,
765
00:38:36,270 --> 00:38:37,967
BUT WASN'T
THE RIGHT MOVE.
766
00:38:38,011 --> 00:38:40,361
TIMING WAS OFF.
767
00:38:40,405 --> 00:38:43,321
OH. HUH.
768
00:38:45,192 --> 00:38:46,498
DO YOU REMEMBER
THE DAY
769
00:38:46,541 --> 00:38:48,238
THAT YOU CAME
BACK TO GOTHAM?
770
00:38:48,282 --> 00:38:49,762
I THREW YOU THAT
WELCOME-HOME PARTY,
771
00:38:49,805 --> 00:38:51,503
AND THEN 6 HOURS LATER,
I WAS STITCHING UP
772
00:38:51,546 --> 00:38:53,200
YOUR SHOULDER,
TELLING YOU THAT
773
00:38:53,243 --> 00:38:55,202
I OWNED
AN ILLEGAL CLINIC.
774
00:38:55,245 --> 00:38:57,813
OF COURSE I REMEMBER.
775
00:38:57,857 --> 00:39:00,729
IT NEVER ONCE
OCCURRED TO ME
776
00:39:00,773 --> 00:39:02,557
THAT YOU'D TELL
MY MOM OR YOUR DAD
777
00:39:02,601 --> 00:39:04,777
THAT I WAS LIVING
A DOUBLE LIFE
778
00:39:04,820 --> 00:39:07,432
OR THAT YOU'D TRY
TO SHUT ME DOWN
779
00:39:07,475 --> 00:39:09,434
OR TELL ME
I COULD GET SUED
780
00:39:09,477 --> 00:39:12,741
OR KICKED OUT OF SCHOOL
OR ARRESTED.
781
00:39:17,224 --> 00:39:19,618
I KNEW I DIDN'T
HAVE TO WORRY
782
00:39:19,661 --> 00:39:22,490
ABOUT YOU JUDGING ME
783
00:39:22,534 --> 00:39:26,538
BECAUSE
I TRUSTED YOU...
784
00:39:28,540 --> 00:39:31,020
SO I HOPE ONE DAY
THAT YOU FEEL
785
00:39:31,064 --> 00:39:33,153
THE SAME WAY ABOUT ME.
786
00:39:48,386 --> 00:39:49,952
[DOOR OPENS]
787
00:39:51,737 --> 00:39:53,695
[DOOR CLOSES]
788
00:39:58,526 --> 00:40:01,050
[STRAINING]
789
00:40:06,273 --> 00:40:08,754
WHAT DO YOU WANT?
790
00:40:10,582 --> 00:40:14,977
FOR YOU
TO DROP THE ACT
791
00:40:15,021 --> 00:40:17,240
AND THE FACE.
792
00:40:17,284 --> 00:40:19,939
UH!
793
00:40:25,901 --> 00:40:28,426
MM...
794
00:40:29,427 --> 00:40:34,562
I THOUGHT I WOULD NEVER
HAVE TO SEE YOU AGAIN,
795
00:40:34,606 --> 00:40:37,826
BUT I WAS WRONG.
796
00:40:37,870 --> 00:40:43,789
I SEE THIS FACE EVERY
NIGHT AS I GO TO SLEEP
797
00:40:43,832 --> 00:40:46,574
AND EVERY MORNING
AS I WAKE,
798
00:40:46,618 --> 00:40:49,795
AND SOMETIMES
WHEN I CLOSE MY EYES
799
00:40:49,838 --> 00:40:51,884
AND SHAKE TOO LONG.
800
00:40:51,927 --> 00:40:55,365
IF YOU'RE GONNA
KILL ME, DO IT.
801
00:40:55,409 --> 00:40:58,804
KILL ME.
GET IT OVER WITH.
802
00:40:58,847 --> 00:41:00,936
SHH SHH.
803
00:41:00,980 --> 00:41:04,766
WE MUSTN'T SPEAK
SUCH NONSENSE.
804
00:41:04,810 --> 00:41:07,160
I WOULD
NEVER KILL YOU,
805
00:41:07,203 --> 00:41:10,772
AT LEAST NOT WITH THESE
NIMBLE, LITTLE FINGERS.
806
00:41:10,816 --> 00:41:13,471
WHAT DO YOU WANT?
807
00:41:13,514 --> 00:41:15,690
MY BROTHER MOUSE.
808
00:41:15,734 --> 00:41:19,172
SURELY, YOU HAVE HIM,
AND I WANT HIM,
809
00:41:19,215 --> 00:41:21,130
SO WHERE IS HE?
810
00:41:21,174 --> 00:41:24,003
HA HA HA!
811
00:41:24,046 --> 00:41:27,659
WHY IS THAT
SO FUNNY?
812
00:41:27,702 --> 00:41:30,662
-HA HA HA!
-WHAT?
813
00:41:30,705 --> 00:41:33,969
YEAH. YEAH.
814
00:41:34,013 --> 00:41:36,494
I WILL TELL YOU
WHERE YOU CAN FIND
815
00:41:36,537 --> 00:41:39,540
YOUR...
816
00:41:39,584 --> 00:41:42,630
PRECIOUS MOUSE.
817
00:41:42,674 --> 00:41:45,024
[GASPING]
818
00:41:52,161 --> 00:41:54,686
[MUFFLED SHOUTING]
819
00:42:20,059 --> 00:42:21,974
MAN: GREG, MOVE YOUR HEAD.
56687
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