All language subtitles for Batwoman s01e14_English

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese Download
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish Download
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,350 --> 00:00:05,483 WOMAN: DUELA, HURRY UP. IT'S TIME TO GO. 2 00:00:05,527 --> 00:00:08,356 [SIGHS] 3 00:00:09,531 --> 00:00:15,319 DUELA, VOICE-OVER: FIRST, APPLY YOUR BASE AND RUB IT ALL AROUND. 4 00:00:15,363 --> 00:00:20,368 THEN FOLLOW YOUR HOLLOW TO SHAVE OFF THE POUNDS. 5 00:00:20,411 --> 00:00:25,721 FINE-LINE YOUR LIPS TO HIDE THAT OFF-PUTTING FROWN. 6 00:00:25,764 --> 00:00:27,549 [PENCIL CLATTERS] 7 00:01:01,496 --> 00:01:04,325 WOMAN: DUELA GET OUT HERE. WE HAVE TO GO. 8 00:01:04,368 --> 00:01:07,371 COME ON. WE'RE GONNA BE LATE. 9 00:01:07,415 --> 00:01:09,895 DUELA, I AM SO NOT KIDDING. 10 00:01:09,939 --> 00:01:12,202 AAH! 11 00:01:12,246 --> 00:01:15,249 OH, MY GOD, YOUR-- YOUR FACE. 12 00:01:19,601 --> 00:01:22,082 [BOSCO ROGERS' "FRENCH KISS" PLAYING] 13 00:01:22,125 --> 00:01:24,084 BARTH CORBELET: ♪ YOU KISS MY LIPS SO, SO GUILTILY ♪ 14 00:01:24,127 --> 00:01:25,563 HAVE A GOOD ONE. 15 00:01:25,607 --> 00:01:28,566 ♪ NOW THE PASSION IS GONE FROM YOUR EYES ♪ 16 00:01:28,610 --> 00:01:30,394 MARY, HEY. 17 00:01:30,438 --> 00:01:31,526 HI. 18 00:01:31,569 --> 00:01:33,963 -SUPER CUTE BOOTS. -THANKS. 19 00:01:34,006 --> 00:01:36,226 YOU'RE IN A GOOD MOOD. 20 00:01:36,270 --> 00:01:39,229 YOU SAY THAT LIKE IT'S A BAD THING. 21 00:01:39,273 --> 00:01:40,926 WHERE'S MY COWL? 22 00:01:40,970 --> 00:01:43,929 IN THE SHOP. GIVING IT A LITTLE UPGRADE. 23 00:01:43,973 --> 00:01:46,106 UPGRADE? HMM. 24 00:01:46,149 --> 00:01:48,847 LIKE... X-RAY VISION? 25 00:01:48,891 --> 00:01:50,110 NOPE. 26 00:01:50,153 --> 00:01:52,024 ECHOLOCATION. 27 00:01:52,068 --> 00:01:54,505 OH, THAT WAS A GOOD IDEA, BUT NO. 28 00:01:54,549 --> 00:01:57,117 SOMEBODY'S IN A GOOD MOOD. 29 00:01:57,160 --> 00:01:58,509 AM I? 30 00:01:58,553 --> 00:02:00,250 MARY: YOU SO ARE, LIKE GIDDY HAPPY. 31 00:02:00,294 --> 00:02:01,773 I'M NOT ALLOWED TO BE HAPPY? 32 00:02:01,817 --> 00:02:04,776 YOU JUST GOT SUSPENDED FROM THE CROWS, SO NO. 33 00:02:04,820 --> 00:02:06,778 MM. 34 00:02:06,822 --> 00:02:09,172 OH, MY GOD. YOU'RE SLEEPING WITH SOMEONE. 35 00:02:09,216 --> 00:02:11,566 KATE: I'M NOT SLEEPING WITH ANYONE, 36 00:02:11,609 --> 00:02:13,307 BUT CAN WE PLEASE PAUSE FOR A MOMENT 37 00:02:13,350 --> 00:02:14,830 TO APPRECIATE THE FACT THAT THOSE WORDS 38 00:02:14,873 --> 00:02:16,527 ACTUALLY CAME OUT OF YOUR MOUTH? 39 00:02:16,571 --> 00:02:18,616 MARY: OK. FINE. HOOKING UP WITH. 40 00:02:18,660 --> 00:02:22,142 -WE SHARED A MOMENT. -WITH? 41 00:02:22,185 --> 00:02:25,623 -WITH? -IF YOU TELL ANYONE, 42 00:02:25,667 --> 00:02:27,930 IT'LL TAKE ME AN HOUR TO HIDE YOUR BODY. 43 00:02:27,973 --> 00:02:31,151 UH-HUH. SPILL. 44 00:02:31,194 --> 00:02:33,065 BATWOMAN. 45 00:02:33,109 --> 00:02:34,545 LUKE: NO, YOU DIDN'T. 46 00:02:34,589 --> 00:02:37,287 IT WAS A PECK THAT LASTED SEVERAL MINUTES. 47 00:02:37,331 --> 00:02:39,202 BATWOMAN CAN'T HAVE A GIRLFRIEND. 48 00:02:39,246 --> 00:02:41,987 IT WAS A KISS, LUKE. 49 00:02:42,031 --> 00:02:43,641 YEAH, LAST NIGHT. THEN WHAT? 50 00:02:43,685 --> 00:02:45,121 DO YOU REALLY WANT TO KNOW THE ANSWER TO THAT? 51 00:02:45,165 --> 00:02:47,036 DOES SHE KNOW WHO YOU ARE? 52 00:02:47,079 --> 00:02:48,690 SOPHIE: I HAVE NO IDEA, 53 00:02:48,733 --> 00:02:51,475 WHICH, I ADMIT, IS A LITTLE STRANGE, BUT-- 54 00:02:51,519 --> 00:02:52,955 YOU SAID YOU KNEW WHO SHE WAS. 55 00:02:52,998 --> 00:02:54,261 I THOUGHT I DID. 56 00:02:54,304 --> 00:02:57,002 I WAS WRONG, LIKE, REALLY, REALLY WRONG. 57 00:02:57,046 --> 00:02:58,917 SO YOU SERIOUSLY HAVE NO IDEA. 58 00:02:58,961 --> 00:03:01,703 NO. WAIT. DO YOU? 59 00:03:01,746 --> 00:03:03,618 NO. 60 00:03:03,661 --> 00:03:05,185 LUKE: YOU FINALLY GET SOPHIE OFF YOUR TAIL, 61 00:03:05,228 --> 00:03:06,577 AND NOW YOU'RE SWAPPING SPIT WITH HER. 62 00:03:06,621 --> 00:03:08,013 I DON'T THINK YOU KNOW WHAT KISSING IS. 63 00:03:08,057 --> 00:03:09,406 I DON'T THINK YOU KNOW WHAT BRUCE WENT THROUGH, 64 00:03:09,450 --> 00:03:10,886 WHY BATMAN PUSHED PEOPLE AWAY. 65 00:03:10,929 --> 00:03:13,367 YOU REALIZE, THE MOMENT ANYONE KNOWS BATWOMAN 66 00:03:13,410 --> 00:03:15,586 CARES ABOUT SOPHIE, IT PUTS A TARGET ON HER BACK. 67 00:03:15,630 --> 00:03:17,588 SHE BECOMES A LIABILITY. 68 00:03:17,632 --> 00:03:19,547 NOBODY NEEDS TO FIND OUT. 69 00:03:19,590 --> 00:03:21,897 DOESN'T MEAN THEY WON'T, KATE. 70 00:03:23,290 --> 00:03:25,205 [CELL PHONE CHIRPS] 71 00:03:25,248 --> 00:03:27,076 HEE HEE! HA! 72 00:03:27,119 --> 00:03:29,644 SHE TOTALLY JUST TEXTED YOU, DIDN'T SHE? 73 00:03:29,687 --> 00:03:32,081 SHE WANTS TO MEET AT MY PLACE LATER. 74 00:03:32,124 --> 00:03:33,474 MM. 75 00:03:33,517 --> 00:03:35,215 I'M LEAVING NOW. 76 00:03:35,258 --> 00:03:37,913 HAVE FUN, AND SOPHIE... 77 00:03:39,044 --> 00:03:41,830 I'M HAPPY FOR YOU. 78 00:03:44,267 --> 00:03:48,402 ALICE: "ALICE, AKA JANE DOE 7113, 79 00:03:48,445 --> 00:03:52,275 "THE DERANGED LEADER OF THE WONDERLAND GANG, 80 00:03:52,319 --> 00:03:54,234 "WAS FATALLY GUNNED DOWN LAST WEEK 81 00:03:54,277 --> 00:03:58,368 "IN A MOTEL PARKING LOT BY AN UNIDENTIFIED SHOOTER. 82 00:03:58,412 --> 00:04:01,632 NO SERVICES ARE PLANNED AT THIS TIME"? 83 00:04:01,676 --> 00:04:05,288 WHA--I'M SORRY. THIS IS MY OBITUARY? 84 00:04:05,332 --> 00:04:08,422 "MENTALLY DERANGED LEADER"? 85 00:04:08,465 --> 00:04:10,859 THAT'S MY SYNOPSIS, 86 00:04:10,902 --> 00:04:13,775 A TINY, LITTLE BLURB BELOW THE FOLD? 87 00:04:13,818 --> 00:04:18,780 I SURVIVED CAPTIVITY FOR 11 YEARS, 88 00:04:18,823 --> 00:04:22,610 ESCAPED, AND ENACTED THE PERFECT REVENGE. 89 00:04:22,653 --> 00:04:24,394 [CRASH] 90 00:04:24,438 --> 00:04:26,440 WHAT TOOK YOU SO LONG? 91 00:04:26,483 --> 00:04:28,572 WANTED TO GET A GOOD SHOT OF HIM. 92 00:04:31,445 --> 00:04:34,404 THAT'S NOT THE FACE I SEE IN MY NIGHTMARES, 93 00:04:34,448 --> 00:04:38,278 BUT I'D RECOGNIZE THAT PIPE ANYWHERE, 94 00:04:38,321 --> 00:04:42,107 EVEN IN THE DARK. 95 00:04:42,151 --> 00:04:43,805 IT'S HIM. 96 00:04:44,893 --> 00:04:46,938 MAN: AS YOU KNOW, SOME WACKO DUBBED 97 00:04:46,982 --> 00:04:49,289 THE EXECUTIONER BLEW A HOLE IN THE CITY'S 98 00:04:49,332 --> 00:04:50,899 CORRUPT COURT SYSTEM A FEW MONTHS BACK... 99 00:04:50,942 --> 00:04:52,988 THEN I BLEW A HOLE IN HIM. WHAT'S YOUR POINT? 100 00:04:53,031 --> 00:04:54,859 FORCED THE D.A.'s OFFICE TO REOPEN A BUNCH 101 00:04:54,903 --> 00:04:56,557 OF HIS OLD CASES AND FUNNEL THEM 102 00:04:56,600 --> 00:04:59,255 THROUGH A NEW JUDGE, BUT YOU KNOW THIS NEW JUDGE-- 103 00:04:59,299 --> 00:05:01,953 DAVIS WELLINGTON, CROWS CONTRACTS 104 00:05:01,997 --> 00:05:03,433 DATING BACK TO 2004. 105 00:05:03,477 --> 00:05:05,392 MY CLIENT HOPES THAT YOU WILL CALL THE JUDGE 106 00:05:05,435 --> 00:05:07,350 AND GET HIM TO MOVE HIS CASE UP. 107 00:05:07,394 --> 00:05:09,439 HA HA! WHY WOULD I DO THAT? 108 00:05:09,483 --> 00:05:14,444 BECAUSE MY CLIENT'S REGGIE HARRIS... 109 00:05:14,488 --> 00:05:18,318 AND YOU OWE HIM YOUR LIFE. 110 00:05:22,452 --> 00:05:23,845 THANK YOU. 111 00:05:23,888 --> 00:05:25,716 YOU'RE BETTER TO ME ALIVE, PUPPY DOG. 112 00:05:25,760 --> 00:05:27,588 JACOB: REGGIE IS AN OPPORTUNIST 113 00:05:27,631 --> 00:05:28,980 USING THIS CABAL NONSENSE 114 00:05:29,024 --> 00:05:30,634 AS A "GET OUT OF JAIL FREE" CARD. 115 00:05:30,678 --> 00:05:32,767 HE CONFESSED TO GUNNING DOWN LUCIUS FOX 116 00:05:32,810 --> 00:05:34,464 IN A C-STORE ROBBERY. 117 00:05:34,508 --> 00:05:37,162 THAT CONFESSION WAS COERCED BY A CORRUPT GCPD COP. 118 00:05:37,206 --> 00:05:38,338 IT'S NOT A CROWS PROBLEM. 119 00:05:38,381 --> 00:05:39,817 YET. 120 00:05:39,861 --> 00:05:43,386 BASED ON SOME WHISPERS MY CLIENT HEARD 121 00:05:43,430 --> 00:05:45,475 IN THE SLAMMER ABOUT THIS PLACE, 122 00:05:45,519 --> 00:05:48,435 CROWS HAVE SOME SECRETS OF THEIR OWN. 123 00:05:49,871 --> 00:05:52,569 THAT ALMOST SOUNDED LIKE A THREAT. 124 00:05:55,920 --> 00:05:57,226 IT IS. 125 00:05:57,269 --> 00:06:00,229 LET'S NOT TURN IT INTO MORE. 126 00:06:00,272 --> 00:06:01,839 CALL THE JUDGE. 127 00:06:01,883 --> 00:06:03,493 GET HIM TO MOVE REGGIE'S COURT DATE UP, 128 00:06:03,537 --> 00:06:04,842 OR THIS PLACE GETS BLOWN UP 129 00:06:04,886 --> 00:06:07,758 IN THE SAME WAY THE D.A.'s OFFICE DID. 130 00:06:12,894 --> 00:06:15,026 WOMAN: ♪ I LEAVE GOLD ON THE FLOOR WHEREVER I GO ♪ 131 00:06:15,070 --> 00:06:16,506 ♪ YEAH, I'M KILLING IT, I'M KILLING IT ♪ 132 00:06:16,550 --> 00:06:18,290 ♪ I'M STEALING THE SHOW 133 00:06:18,334 --> 00:06:19,901 ♪ WORDS FALLING OUT MY MOUTH, AND THEY BREAK THE DOOR ♪ 134 00:06:19,944 --> 00:06:22,120 ♪ LIKE, "OOH, NA NA NA NA NA" 135 00:06:22,164 --> 00:06:23,557 ♪ SO I RIDE THE BEAT AND MAKE MY BODY BOOM BOOM ♪ 136 00:06:23,600 --> 00:06:26,037 [WHOOSH, THUD] 137 00:06:26,081 --> 00:06:27,387 ♪ MAKE YOUR BODY VROOM VROOM ♪ 138 00:06:27,430 --> 00:06:28,431 ♪ I BREAK THE RULES... 139 00:06:28,475 --> 00:06:29,693 [EXHALES] 140 00:06:29,737 --> 00:06:31,434 ♪ LIKE OOH, NA NA NA NA NA 141 00:06:31,478 --> 00:06:35,525 ♪ IT'S GOOD TO BE ME, YOUNG AND FREE, GOING WILD ♪ 142 00:06:35,569 --> 00:06:38,789 ♪ DO WHAT I DO WHEN I DO IT NOW ♪ 143 00:06:38,833 --> 00:06:41,096 ♪ MM MM MM MM 144 00:06:41,139 --> 00:06:43,359 ♪ MM MM MM MM MM 145 00:06:43,403 --> 00:06:45,840 ♪ MM MM MM MM MM MM MM 146 00:06:45,883 --> 00:06:48,669 THIS IS DEFINITELY A FIRST. 147 00:06:48,712 --> 00:06:52,063 ME, TOO, ACTUALLY. 148 00:06:54,152 --> 00:06:56,633 SO, UM... 149 00:06:59,636 --> 00:07:01,769 DO YOU WANT TO COME INSIDE? 150 00:07:04,293 --> 00:07:05,773 I CAN'T. 151 00:07:05,816 --> 00:07:07,775 I--I CAME HERE TO TELL YOU 152 00:07:07,818 --> 00:07:10,865 THAT THIS HAS TO END BEFORE YOU GET HURT. 153 00:07:10,908 --> 00:07:12,475 I CAN TAKE CARE OF MYSELF. 154 00:07:12,519 --> 00:07:15,478 THIS IS DIFFERENT. I HAVE ENEMIES. 155 00:07:15,522 --> 00:07:17,654 IF THEY CONNECTED US, 156 00:07:17,698 --> 00:07:19,917 THEY COULD USE YOU AGAINST ME. 157 00:07:19,961 --> 00:07:22,267 WELL, I WON'T TELL THEM IF YOU DON'T. 158 00:07:22,311 --> 00:07:24,966 YOU KNOW IT'S NOT THAT SIMPLE. 159 00:07:25,009 --> 00:07:28,056 SO WHAT DO YOU SUGGEST? 160 00:07:28,099 --> 00:07:32,016 LET ME WALK AWAY. 161 00:07:32,060 --> 00:07:34,497 OK. 162 00:07:37,282 --> 00:07:39,502 SO WALK. 163 00:07:39,546 --> 00:07:45,595 WOMAN: ♪ I CAN'T HELP THAT I WANT TO DO BAD THINGS ♪ 164 00:07:45,639 --> 00:07:49,730 ♪ BAD THINGS 165 00:07:49,773 --> 00:07:52,602 [DOORKNOB RATTLES] 166 00:07:52,646 --> 00:07:54,604 -SOMEONE'S HERE. -I'M ON IT. 167 00:07:54,648 --> 00:07:56,998 NO. I GOT IT. 168 00:07:58,652 --> 00:08:01,002 [KEYS JINGLE] 169 00:08:01,045 --> 00:08:05,180 [DOOR OPENS] 170 00:08:08,313 --> 00:08:09,924 OH! 171 00:08:09,967 --> 00:08:10,968 HMM. 172 00:08:11,012 --> 00:08:12,622 GIVE YOUR OWN MOTHER A HEART ATTACK. 173 00:08:12,666 --> 00:08:14,494 MOM, WHAT ARE YOU DOING HERE? 174 00:08:14,537 --> 00:08:16,626 SURPRISING YOU. 175 00:08:16,670 --> 00:08:19,629 NEXT TIME, I'LL CALL FIRST. 176 00:08:22,284 --> 00:08:23,851 [CAPE FLUTTERS] 177 00:08:32,773 --> 00:08:34,339 WE'RE LOCKING UP. 178 00:08:34,383 --> 00:08:35,819 WOMAN: I'M ON THE PHONE. 179 00:08:35,863 --> 00:08:38,256 MY COMPANY'S VALUATION IS TWICE THAT MUCH. 180 00:08:38,300 --> 00:08:40,476 I DON'T CARE ABOUT FIXED CAPITAL. 181 00:08:40,520 --> 00:08:45,394 LOOK AT OUR INTANGIBLE ASSETS-- I.E., ME, MY BRAND, MY IMAGE. 182 00:08:45,437 --> 00:08:48,440 YOU CAN'T PUT A PRICE ON THAT. 183 00:08:48,484 --> 00:08:49,877 I'M GONNA HAVE TO CALL YOU BACK. 184 00:08:49,920 --> 00:08:52,270 THEY HAD NO BUDGET FOR THIS PHOTO SHOOT, 185 00:08:52,314 --> 00:08:54,969 AND IT'S STARTING TO SHOW. 186 00:08:56,884 --> 00:09:00,365 HELLO? IS ANYONE THERE, 187 00:09:00,409 --> 00:09:03,586 NOT EVEN, LIKE, A JANITOR OR SOMEONE? 188 00:09:03,630 --> 00:09:05,501 [GLASS SHATTERS] 189 00:09:05,545 --> 00:09:07,242 WHO'S THERE? 190 00:09:28,263 --> 00:09:29,830 AAH! 191 00:09:43,757 --> 00:09:44,975 UH... 192 00:09:46,542 --> 00:09:49,545 UH... 193 00:09:49,589 --> 00:09:52,069 [PANTING] 194 00:09:53,549 --> 00:09:54,811 AAH! 195 00:09:59,294 --> 00:10:01,122 VESPER: TALK ABOUT THE UNKINDEST CUT. 196 00:10:01,165 --> 00:10:03,603 SOCIAL MEDIA INFLUENCER KIMBERLY WRIGHT WAS THE VICTIM 197 00:10:03,646 --> 00:10:06,127 OF A BRUTAL FACE-SLASHING LAST NIGHT. 198 00:10:06,170 --> 00:10:09,739 GCPD SUSPECT THIS IS NOW THE SECOND SOCIAL MEDIA INFLUENCER 199 00:10:09,783 --> 00:10:12,699 ATTACKED BY THE SERIAL SLASHIONISTA. 200 00:10:12,742 --> 00:10:14,178 TALK TO ME, GOTHAM. 201 00:10:14,222 --> 00:10:16,920 WHERE'S THE DISLIKE BUTTON WHEN YOU NEED IT? 202 00:10:16,964 --> 00:10:18,835 HOW'D IT GO WITH SOPHIE? 203 00:10:18,879 --> 00:10:21,621 SOPHIE. UH--AHEM. UH, WELL, SHE-- 204 00:10:21,664 --> 00:10:23,666 IT WAS REALLY COLD, AND IT WAS 205 00:10:23,710 --> 00:10:25,450 A BIT HARD TO HEAR, AND THEN HER MOM 206 00:10:25,494 --> 00:10:26,843 JUST SHOWED UP OUT OF NOWHERE. 207 00:10:26,887 --> 00:10:29,150 SO "DOG ATE MY BREAKUP"? 208 00:10:29,193 --> 00:10:32,806 THERE'S A LUNATIC WITH A BOX CUTTER TARGETING KIDS. 209 00:10:32,849 --> 00:10:35,156 WE NEED TO FOCUS. 210 00:10:35,199 --> 00:10:36,679 ALREADY ON IT. 211 00:10:36,723 --> 00:10:38,072 KIMBERLY WRIGHT DESCRIBED HER ATTACKER 212 00:10:38,115 --> 00:10:39,726 AS "A WOMAN IN HER 20s 213 00:10:39,769 --> 00:10:41,075 WHO WORE A HOODIE AND A SURGICAL MASK." 214 00:10:41,118 --> 00:10:43,338 YEAH. THAT'S WHY THE GCPD CAN'T I.D. HER. 215 00:10:43,381 --> 00:10:45,122 INTERESTINGLY, NEITHER OF THE VICTIMS 216 00:10:45,166 --> 00:10:46,776 HAD ANY STAB WOUNDS ON THEIR BODIES. 217 00:10:46,820 --> 00:10:48,169 KATE: SHE WENT AFTER THEIR FACE. 218 00:10:48,212 --> 00:10:51,520 THEIR FACE IS THEIR BRAND, THEIR BUSINESS. 219 00:10:51,563 --> 00:10:53,435 THIS IS PERSONAL. 220 00:10:54,566 --> 00:10:56,046 WHERE YOU OFF TO? 221 00:10:56,090 --> 00:10:58,353 TO SEE THE ONLY INSTAFACE I CARE ABOUT. 222 00:11:00,268 --> 00:11:02,009 YEAH. I MEAN, IT'S ALL MY FEED IS TALKING ABOUT. 223 00:11:02,052 --> 00:11:03,663 EVEN KYLIE Q IS THREATENING 224 00:11:03,706 --> 00:11:05,795 TO GO WEB-SILENT OUT OF RESPECT. 225 00:11:05,839 --> 00:11:07,667 THANK YOU, DOCTOR. 226 00:11:07,710 --> 00:11:09,538 ARE YOU OK? 227 00:11:09,581 --> 00:11:11,975 I MEAN, I BARELY KNEW KIMBERLY, 228 00:11:12,019 --> 00:11:14,891 BUT STILL, IT'S PRETTY FREAKY, 229 00:11:14,935 --> 00:11:17,677 AND--DON'T WORRY-- MY FANBASE LEFT 230 00:11:17,720 --> 00:11:19,722 WHEN MY STEPDAD SUPPOSEDLY KILLED MY MOM, 231 00:11:19,766 --> 00:11:22,203 SO I AM HARDLY WORTH THE DATA. 232 00:11:22,246 --> 00:11:24,596 GOOD, NOT ABOUT THE FANBASE THING. 233 00:11:24,640 --> 00:11:26,250 THAT SUCKS. 234 00:11:26,294 --> 00:11:28,252 DO YOU KNOW ANYONE IN THAT CIRCLE 235 00:11:28,296 --> 00:11:29,689 THAT COULD BE A TARGET? 236 00:11:29,732 --> 00:11:31,081 WELL, IT DEPENDS ON WHO YOU ASK. 237 00:11:31,125 --> 00:11:32,517 I MEAN, EVERYBODY KNOWS THAT KIMBERLY WRIGHT 238 00:11:32,561 --> 00:11:34,084 HAS MILEY McGINN'S NOSE. 239 00:11:34,128 --> 00:11:35,825 EXCEPT ME, APPARENTLY. 240 00:11:35,869 --> 00:11:38,567 SAME CORRECTIVE SURGERY-- SHAPE, SLOPE, LENGTH. 241 00:11:38,610 --> 00:11:40,525 I MEAN, IT'S A THING. 242 00:11:40,569 --> 00:11:41,962 PEOPLE WERE EVEN WHISPERING, 243 00:11:42,005 --> 00:11:44,094 MAYBE MILEY HAD SOMETHING TO DO WITH THE ATTACK, 244 00:11:44,138 --> 00:11:46,053 PISSED THAT KIMBERLY STOLE HER NOSE, 245 00:11:46,096 --> 00:11:47,532 BUT IF YOU THINK ABOUT IT, 246 00:11:47,576 --> 00:11:49,056 MILEY COPIED MIA'S CHEEKBONES, 247 00:11:49,099 --> 00:11:50,840 AND MIA AND XENA HAVE THE SAME CHIN, 248 00:11:50,884 --> 00:11:53,016 WHICH I BELIEVE BELONGED TO ARIANA AT ONE POINT. 249 00:11:53,060 --> 00:11:55,105 ANYWAY, I AM SURE THERE IS A WHO'S WHO 250 00:11:55,149 --> 00:11:57,107 OF POTENTIAL VICTIMS IN DR. CAMPBELL'S 251 00:11:57,151 --> 00:11:58,718 WAITING ROOM AS WE SPEAK. 252 00:11:58,761 --> 00:12:00,284 -DR. ETHAN CAMPBELL? -YEAH. 253 00:12:00,328 --> 00:12:02,199 THE ONLY PLASTIC SURGEON IN THE CITY 254 00:12:02,243 --> 00:12:05,202 WORTH GOING TO, NOT THAT I WOULD KNOW. 255 00:12:05,246 --> 00:12:08,597 ACTUALLY, IF YOU'RE LOOKING INTO THIS 256 00:12:08,640 --> 00:12:10,642 BECAUSE YOU OWN A REAL ESTATE FIRM 257 00:12:10,686 --> 00:12:12,775 AND THESE WOMEN ARE MOST LIKELY 258 00:12:12,819 --> 00:12:13,994 FUTURE PROPERTY BUYERS... 259 00:12:14,037 --> 00:12:15,299 EXACTLY, YEAH. 260 00:12:15,343 --> 00:12:18,302 I'M AROUND IF YOU NEED A SIDE...PERSON. 261 00:12:18,346 --> 00:12:20,478 I MEAN, I'M A D.M. AWAY FROM HALF THESE GIRLS. 262 00:12:20,522 --> 00:12:21,871 I'D BE HAPPY TO POKE AROUND 263 00:12:21,915 --> 00:12:23,307 FOR SOME CLUES OR WHATEVER. 264 00:12:23,351 --> 00:12:25,353 IT'S PROBABLY SAFEST IF YOU STAYED OUT OF IT, 265 00:12:25,396 --> 00:12:27,224 BUT I MIGHT ASK SOMEONE TO DROP BY CAMPBELL 266 00:12:27,268 --> 00:12:28,748 AND JUST GIVE HIM A HEADS-UP. 267 00:12:28,791 --> 00:12:30,097 I COULD DO IT. 268 00:12:30,140 --> 00:12:33,013 I MEAN, I'M A MED STUDENT WHERE HE LECTURES, 269 00:12:33,056 --> 00:12:35,755 SO, NOW THAT I THINK ABOUT IT, 270 00:12:35,798 --> 00:12:37,408 MY VAST ARRAY OF MEDICAL KNOWLEDGE 271 00:12:37,452 --> 00:12:41,108 COULD COME IN HANDY IN ENDLESS SCENARIOS. 272 00:12:41,151 --> 00:12:43,980 I'M GOOD, MARY. THANK YOU. 273 00:12:44,024 --> 00:12:46,461 OK. WELL, I'M HAPPY TO HELP. 274 00:12:46,504 --> 00:12:49,246 BYE, MARY. 275 00:12:49,290 --> 00:12:51,205 [SIGHS] 276 00:12:52,772 --> 00:12:55,165 REWIND. 277 00:12:55,209 --> 00:12:57,689 YOU AND YOUR HUSBAND SEPARATE, 278 00:12:57,733 --> 00:13:01,389 AND YOU DIDN'T THINK TO CALL ME? 279 00:13:01,432 --> 00:13:05,001 I THOUGHT IT WAS BEST TO LET THE DUST SETTLE. 280 00:13:05,045 --> 00:13:06,655 WHERE'S MY PHONE? 281 00:13:06,698 --> 00:13:08,048 I'LL TELL TYLER ALL THE WAYS 282 00:13:08,091 --> 00:13:09,353 HE'S MAKING THE BIGGEST MISTAKE OF HIS LIFE. 283 00:13:09,397 --> 00:13:13,227 MOM, STOP. IT'S NOT LIKE THAT. 284 00:13:14,576 --> 00:13:17,231 -IT WAS ME. -YOU? 285 00:13:17,274 --> 00:13:19,886 I, UM-- 286 00:13:19,929 --> 00:13:21,713 I FELL OUT OF LOVE WITH HIM. 287 00:13:21,757 --> 00:13:24,499 YOU FELL OUT OF LOVE WITH A HANDSOME, 288 00:13:24,542 --> 00:13:26,240 DECORATED, CAPABLE MAN 289 00:13:26,283 --> 00:13:29,112 WHO ALWAYS SENT ME FLOWERS ON MY BIRTHDAY. 290 00:13:29,156 --> 00:13:32,289 WHY DON'T YOU GIVE ME THE REAL STORY? 291 00:13:32,333 --> 00:13:35,727 MOM, THAT IS THE REAL STORY. 292 00:13:35,771 --> 00:13:37,338 WELL, JACOB KANE CALLED. 293 00:13:37,381 --> 00:13:39,166 HE TOLD ME ABOUT YOUR SUSPENSION. 294 00:13:39,209 --> 00:13:42,604 HEH, SO THAT'S WHY YOU'RE IN TOWN. 295 00:13:42,647 --> 00:13:45,607 THIS ISN'T SOME MOTHERLY "I MISSED YOU" VISIT. 296 00:13:45,650 --> 00:13:48,044 MORE OF A "PLEASE DON'T END UP UNDER A BRIDGE" VISIT. 297 00:13:48,088 --> 00:13:50,481 HOW ARE YOU GONNA PAY THE RENT? 298 00:13:50,525 --> 00:13:54,094 BY WORKING AT A PLACE THAT ALIGNS WITH MY VALUES. 299 00:13:54,137 --> 00:13:56,444 I DON'T SEE EYE TO EYE WITH THE CROWS' WAY 300 00:13:56,487 --> 00:13:57,967 OF DOING THINGS ANYMORE. 301 00:13:58,011 --> 00:13:59,360 OH, PLEASE DON'T TELL ME YOU WISH 302 00:13:59,403 --> 00:14:01,101 THEY WERE MORE LIKE THE GCPD. 303 00:14:01,144 --> 00:14:04,626 NO, MORE LIKE BATWOMAN. 304 00:14:04,669 --> 00:14:06,149 OHH... 305 00:14:06,193 --> 00:14:09,022 SHE IS SOMEONE WHO REPRESENTS ALL OF GOTHAM-- 306 00:14:09,065 --> 00:14:11,807 THE POOR, THE RICH, AND IN BETWEEN-- 307 00:14:11,851 --> 00:14:14,157 AND SHE'S SAVED MY LIFE ON SEVERAL OCCASIONS. 308 00:14:14,201 --> 00:14:16,943 SHE IS A DAMN CRIMINAL WHO GETS AWAY WITH IT. 309 00:14:16,986 --> 00:14:18,683 YOU NEVER HAD A PROBLEM WITH BATMAN. 310 00:14:18,727 --> 00:14:19,859 YOU THOUGHT HE WAS CUTE. 311 00:14:19,902 --> 00:14:21,512 BATMAN WAS DIFFERENT. 312 00:14:21,556 --> 00:14:24,167 HOW, MOM? HOW WAS BATMAN DIFFERENT? 313 00:14:24,211 --> 00:14:28,998 HE REPRESENTED VALUES I ACTUALLY BELIEVED IN. 314 00:14:29,042 --> 00:14:32,915 YOU MEAN, HE'S NOT GAY. 315 00:14:32,959 --> 00:14:35,091 [EXHALES] 316 00:14:38,268 --> 00:14:40,357 SOPHIE: HEY, I DON'T HAVE A LOT OF TIME, 317 00:14:40,401 --> 00:14:42,577 SO WE SHOULD PROBABLY MAKE THIS QUICK. 318 00:14:42,620 --> 00:14:44,492 YOU OK? 319 00:14:44,535 --> 00:14:46,929 MY MOM, SHE-- 320 00:14:46,973 --> 00:14:48,931 [SIGHS] 321 00:14:48,975 --> 00:14:50,715 I'M 28 YEARS OLD. 322 00:14:50,759 --> 00:14:53,588 I HAVE TWO DEGREES AND OWN A CONDO ON A RIVER, 323 00:14:53,631 --> 00:14:55,546 AND I SPEND EVERY WAKING MOMENT 324 00:14:55,590 --> 00:14:57,461 WONDERING IF SHE'S PROUD OF ME. 325 00:14:57,505 --> 00:15:00,421 AND IF SHE WERE TO FIND OUT ABOUT THIS-- 326 00:15:00,464 --> 00:15:05,905 UPSIDE OF HAVING TO HIDE IT--SHE WON'T. 327 00:15:08,516 --> 00:15:09,473 SO WHAT'S UP? 328 00:15:09,517 --> 00:15:11,519 I DID SOME DIGGING, AND I THINK 329 00:15:11,562 --> 00:15:13,738 THE GOTHAM SERIAL SLASHER IS TARGETING PATIENTS 330 00:15:13,782 --> 00:15:16,393 FROM A PLASTIC SURGEON BY THE NAME OF ETHAN CAMPBELL. 331 00:15:16,437 --> 00:15:17,699 I KNOW HIM. 332 00:15:17,742 --> 00:15:19,744 HIS AFFIDAVIT CLEARED MY BOSS OF MURDER CHARGES. 333 00:15:19,788 --> 00:15:21,181 THAT'S WHY I'M HERE. 334 00:15:21,224 --> 00:15:23,226 I NEED YOU TO FIND OUT WHAT HE KNOWS. 335 00:15:23,270 --> 00:15:26,882 I HAVE NO AUTHORITY. THE CROWS SUSPENDED ME. 336 00:15:26,926 --> 00:15:28,928 DOES CAMPBELL KNOW THAT? 337 00:15:32,061 --> 00:15:33,671 THE LAST VICTIM OF THE SLASHER 338 00:15:33,715 --> 00:15:36,239 WAS ALSO A PATIENT OF YOURS--MIA CORTEZ. 339 00:15:36,283 --> 00:15:37,675 WE'RE WORRIED THE NEXT VICTIM 340 00:15:37,719 --> 00:15:39,503 COULD BE A NAME IN ONE OF THOSE FILES. 341 00:15:39,547 --> 00:15:41,505 KIMBERLY WRIGHT TOLD EVERY ONE OF HER 10 MILLION FOLLOWERS 342 00:15:41,549 --> 00:15:46,075 ABOUT HER NOSE JOB, SO IF IT'S A CASE OF JEALOUSY, 343 00:15:46,119 --> 00:15:48,991 YOU HAVE A LOT OF NAMES TO SIFT THROUGH. 344 00:15:49,035 --> 00:15:50,558 ONE THEORY IS SHE'S TARGETING 345 00:15:50,601 --> 00:15:52,777 COPYCAT SURGERIES. 346 00:15:52,821 --> 00:15:54,040 HAVE YOU EVER-- 347 00:15:54,083 --> 00:15:56,651 CUT A SMILE INTO A PATIENT'S FACE? 348 00:15:56,694 --> 00:16:00,698 NO, AGENT MOORE. I CERTAINLY HAVE NOT. 349 00:16:00,742 --> 00:16:02,309 [SIGHS] 350 00:16:07,618 --> 00:16:11,448 THEN MAYBE SHE'S NOT TARGETING COPYCATS. 351 00:16:11,492 --> 00:16:14,451 MAYBE SHE'S MAKING COPYCATS. 352 00:16:14,495 --> 00:16:16,323 BY INFLICTING HER VICTIMS 353 00:16:16,366 --> 00:16:18,281 WITH THE SAME SCARS SHE HAS? 354 00:16:18,325 --> 00:16:19,848 HAVE YOU EVER TREATED A WOMAN 355 00:16:19,891 --> 00:16:21,850 WITH THIS TYPE OF SCARRING? 356 00:16:21,893 --> 00:16:26,028 UH, ACTUALLY, YES, 8 YEARS AGO. 357 00:16:26,072 --> 00:16:27,464 A TEENAGE GIRL WAS BROUGHT TO ME 358 00:16:27,508 --> 00:16:30,641 WITH A PSYCHIATRIC RAP SHEET AS LONG AS MY ARM, 359 00:16:30,685 --> 00:16:35,820 HAD THE WORST SELF-INFLICTED SCARS I'VE EVER SEEN. 360 00:16:35,864 --> 00:16:38,127 SHE CUT HER OWN FACE? 361 00:16:38,171 --> 00:16:40,303 YES. SHE DID. 362 00:16:43,654 --> 00:16:45,830 KATE: DUELA DENT. WHAT CAN YOU FIND ON HER? 363 00:16:45,874 --> 00:16:48,572 LUKE, ON COMMS: DAUGHTER OF EVELYN, FATHER UNKNOWN. 364 00:16:48,616 --> 00:16:50,966 HER UNCLE HARVEY IS A BELOVED A.D.A. 365 00:16:51,010 --> 00:16:52,620 WAIT. HERE'S SOMETHING. 366 00:16:52,663 --> 00:16:54,361 SHE WAS JUST RELEASED FROM A MENTAL HEALTH FACILITY. 367 00:16:54,404 --> 00:16:56,058 HOW DID YOU GET HER NAME? 368 00:16:56,102 --> 00:16:57,668 BAT SOURCES, OK? 369 00:16:57,712 --> 00:16:59,714 WOULD THOSE BAT SOURCES BE OF THE TALL, DARK, 370 00:16:59,757 --> 00:17:01,933 AND GIRLFRIEND- MATERIAL VARIETY? 371 00:17:01,977 --> 00:17:04,153 I'M CHOOSING TO IGNORE THAT. 372 00:17:04,197 --> 00:17:07,504 I FOUND SOMETHING. 373 00:17:11,204 --> 00:17:13,641 IT'S HER HIT LIST. 374 00:17:19,560 --> 00:17:21,910 RUN THE NAME MYRTIS DINKER. 375 00:17:21,953 --> 00:17:24,130 MYRTIS DINKER? 376 00:17:24,173 --> 00:17:27,394 NOPE. NOTHING, NO MYRTIS DINKER. 377 00:17:27,437 --> 00:17:32,312 OH, I HAVE AN IDEA. 378 00:17:32,355 --> 00:17:35,750 PRESS THE RED BUTTON ON YOUR RIGHT GAUNTLET. 379 00:17:37,795 --> 00:17:39,493 OH. 380 00:17:39,536 --> 00:17:43,105 SORRY. YOUR LEFT GAUNTLET. 381 00:17:44,585 --> 00:17:46,195 [WHIR] 382 00:17:46,239 --> 00:17:48,110 [CAMERA SHUTTER CLICKS] 383 00:17:48,154 --> 00:17:49,372 THAT WAS YOUR UPGRADE? 384 00:17:49,416 --> 00:17:51,374 COWL CAM. WHAT DO YOU THINK? 385 00:17:51,418 --> 00:17:52,897 USE THIS WITHOUT MY PERMISSION, 386 00:17:52,941 --> 00:17:54,508 AND I WILL FIND A NEW PLACE TO PUT MY BATARANG. 387 00:17:54,551 --> 00:17:57,293 YEAH. COPY THAT. RUNNING THE IMAGE NOW. 388 00:18:00,035 --> 00:18:02,255 AND? 389 00:18:03,604 --> 00:18:06,302 I'M STILL WORKING OUT THE BUGS. JUST-- 390 00:18:12,352 --> 00:18:15,094 [DOOR CLOSES] 391 00:18:37,812 --> 00:18:39,727 [WOMAN MOANS] 392 00:18:45,298 --> 00:18:47,561 YOU'RE OK. IT'S OK. 393 00:18:47,604 --> 00:18:52,174 IT'S OK. I'M GONNA GET YOU HELP. JUST-- 394 00:18:54,568 --> 00:18:56,613 -HUH! HYAH! -UHH! 395 00:18:56,657 --> 00:18:59,834 COME ANY CLOSER, AND I TURN MY MOM INTO A PEZ DISPENSER. 396 00:18:59,877 --> 00:19:01,444 DUELA, YOU DO NOT NEED TO DO THIS. 397 00:19:01,488 --> 00:19:02,750 AND SHE DIDN'T HAVE TO FORCE ME 398 00:19:02,793 --> 00:19:04,317 TO BE SOMEONE I'M NOT, SOMEONE I HATE, 399 00:19:04,360 --> 00:19:05,883 SOMEONE I CAN'T EVEN LOOK AT, 400 00:19:05,927 --> 00:19:08,495 SO I'M GONNA GO, AND YOU'RE GONNA NEED A MOP. 401 00:19:08,538 --> 00:19:11,933 NO! NO. 402 00:19:11,976 --> 00:19:14,153 STAY WITH ME. STAY WITH ME. 403 00:19:14,196 --> 00:19:17,634 IT'S GONNA BE OK. YOU'RE GONNA BE OK. 404 00:19:21,203 --> 00:19:25,903 I HAVE SPENT HOURS UPON HOURS COOKING UP ALL THE WAYS 405 00:19:25,947 --> 00:19:29,298 THAT I COULD TORTURE THAT VILE MAN. 406 00:19:29,342 --> 00:19:33,215 NOW THAT HE'S RIGHT HERE, RIGHT UNDER MY NOSE, I-- 407 00:19:33,259 --> 00:19:36,175 YOU'RE BLOCKED. 408 00:19:36,218 --> 00:19:40,483 EXACTLY, DR. MALONE. HA HA! 409 00:19:40,527 --> 00:19:45,488 I AM BLOCKED. AHH... 410 00:19:46,402 --> 00:19:48,361 OH, DON'T BE SO HARD ON YOURSELF. 411 00:19:48,404 --> 00:19:49,927 I MEAN, IT'S A NORMAL REACTION. 412 00:19:49,971 --> 00:19:52,408 VICTIMS HELD IN PHYSICAL AND EMOTIONAL CAPTIVITY 413 00:19:52,452 --> 00:19:54,497 OFTENTIMES REVERT BACK TO THE AGE 414 00:19:54,541 --> 00:19:57,544 THEY WERE HELD WHEN FACING THEIR CAPTOR. 415 00:19:57,587 --> 00:20:01,809 SO WHAT ARE YOU SAYING, I DON'T FIND CLOSURE? 416 00:20:01,852 --> 00:20:03,680 NO, OF COURSE NOT, 417 00:20:03,724 --> 00:20:05,595 BUT YOU CLEARLY HAVE UNRESOLVED FEAR. 418 00:20:05,639 --> 00:20:09,599 MY FEAR IS THAT I WILL KILL HIM INSTANTLY, 419 00:20:09,643 --> 00:20:14,213 FORGETTING TO RELISH IN HIS SLOW 420 00:20:14,256 --> 00:20:16,650 AND PAINFUL DEMISE. 421 00:20:16,693 --> 00:20:18,478 THOSE ARE JUST YOUR DEFENSES TALKING. 422 00:20:18,521 --> 00:20:22,873 I DON'T HAVE DEFENSES. HA HA HA! MM... 423 00:20:22,917 --> 00:20:24,745 IF YOU DON'T MIND, 424 00:20:24,788 --> 00:20:27,704 IN MY PROFESSIONAL OPINION, 425 00:20:27,748 --> 00:20:30,533 I SEE YOU PUTTING UP A HARD, BLUSTERY EXTERIOR, 426 00:20:30,577 --> 00:20:32,883 BUT THE TRUTH IS, 427 00:20:32,927 --> 00:20:35,451 YOU ARE STILL TERRIFIED OF THIS MAN. 428 00:20:35,495 --> 00:20:37,975 YOU ARE STILL JUST A LITTLE GIRL, 429 00:20:38,019 --> 00:20:40,456 AND YOU KNOW WHEN YOU CONFRONT HIM FACE TO FACE 430 00:20:40,500 --> 00:20:42,632 THAT HE WILL FIND A WAY TO REGAIN 431 00:20:42,676 --> 00:20:46,549 THAT POWER OVER YOU ONCE AGAIN. 432 00:20:49,987 --> 00:20:54,731 SO THEN SHRINK ME, HMM? WHAT DO I DO? 433 00:20:54,775 --> 00:20:57,995 I SUGGEST AN EMOTIONAL SHIELD, 434 00:20:58,039 --> 00:21:00,563 A THIRD PERSON THAT ACTS AS A BUFFER 435 00:21:00,607 --> 00:21:03,566 BETWEEN YOU AND THE ABUSER. 436 00:21:03,610 --> 00:21:08,441 WELL, YOU HAVE BEEN INCREDIBLY HELPFUL, 437 00:21:08,484 --> 00:21:10,921 DR. MALONE. HA HA! 438 00:21:10,965 --> 00:21:13,968 I DO WISH WE COULD'VE MADE THIS A WEEKLY AFFAIR. 439 00:21:14,011 --> 00:21:16,536 OH! NO. PLEASE. NO. 440 00:21:16,579 --> 00:21:18,320 I WON'T TELL ANYONE YOU'RE ALIVE. 441 00:21:18,364 --> 00:21:20,191 PLEASE. I WON'T TELL ANYONE. 442 00:21:20,235 --> 00:21:22,585 PLEASE! PLEASE DON'T. 443 00:21:22,629 --> 00:21:25,936 I WON'T TELL ANYONE! 444 00:21:25,980 --> 00:21:27,851 [SIGHS] 445 00:21:33,117 --> 00:21:34,684 WELL, WELL, 446 00:21:34,728 --> 00:21:36,860 DR. FIX-ME THREATENED WITH A LAWSUIT 447 00:21:36,904 --> 00:21:40,037 BY A 16-YEAR-OLD WHO DID NOT CONSENT 448 00:21:40,081 --> 00:21:44,041 TO THE RESTORATIVE PLASTIC SURGERY HE PERFORMED ON HER. 449 00:21:46,305 --> 00:21:48,481 HMM. 450 00:21:48,524 --> 00:21:51,484 WHAT AN INTERESTING, LITTLE PSYCHOPATH. 451 00:21:52,963 --> 00:21:55,662 [PLIERS CLANKING] 452 00:22:05,454 --> 00:22:08,979 HOW LONG ARE YOU GONNA KEEP ME HERE? 453 00:22:10,241 --> 00:22:12,679 AS LONG AS IT TAKES FOR YOU TO COME TO YOUR SENSES. 454 00:22:12,722 --> 00:22:17,466 HA HA HA! ALICE WILL FIND ME. 455 00:22:17,510 --> 00:22:20,904 MM. ALICE IS DEAD. 456 00:22:22,863 --> 00:22:24,386 NO. 457 00:22:24,430 --> 00:22:26,997 I SHOT HER. 458 00:22:27,041 --> 00:22:30,827 NO. NO. 459 00:22:30,871 --> 00:22:34,135 [SOBBING] 460 00:22:34,178 --> 00:22:35,484 NO. NO. 461 00:22:35,528 --> 00:22:38,313 SON... NO. NO. 462 00:22:38,357 --> 00:22:40,663 YOU'RE BETTER OFF WITHOUT HER. 463 00:22:40,707 --> 00:22:42,622 ALL SHE EVER DID WAS PUT YOUR LIFE 464 00:22:42,665 --> 00:22:45,538 IN DANGER TO ADVANCE HER OWN AGENDA. 465 00:22:45,581 --> 00:22:50,412 ALL I'VE DONE... IS PROTECT YOU... 466 00:22:52,240 --> 00:22:54,721 FROM THE CRUELTY OF THE WORLD. 467 00:22:54,764 --> 00:22:58,028 THE ONLY THING CRUEL 468 00:22:58,072 --> 00:23:01,815 IN MY WORLD IS YOU. 469 00:23:08,387 --> 00:23:10,650 YOU THINK THAT WAY NOW, 470 00:23:10,693 --> 00:23:15,568 BUT IN TIME, YOU'LL COME TO SEE THE TRUTH. 471 00:23:15,611 --> 00:23:17,874 WHAT ARE YOU DOING? 472 00:23:17,918 --> 00:23:19,615 WHAT ARE YOU DOING? WHAT ARE YOU DOING? 473 00:23:19,659 --> 00:23:21,791 WHAT ARE-- WHAT ARE YOU DOING? 474 00:23:21,835 --> 00:23:24,185 [GASPING] 475 00:23:24,228 --> 00:23:25,882 [KNOCKS ON DOOR] 476 00:23:25,926 --> 00:23:27,797 MAN: YOU WANTED TO SEE ME, SIR? 477 00:23:27,841 --> 00:23:29,886 JACOB: OUR FAVORITE AMBULANCE CHASER BOBBY REEVES 478 00:23:29,930 --> 00:23:31,410 STOPPED BY. 479 00:23:31,453 --> 00:23:32,759 HE'S POKING AROUND A MURDER CASE 480 00:23:32,802 --> 00:23:36,415 YOUR TEAM RAN POINT ON. 481 00:23:36,458 --> 00:23:39,592 YEAH, HARD TO FORGET. 482 00:23:39,635 --> 00:23:40,984 HARRIS GUNNED DOWN LUCIUS FOX 483 00:23:41,028 --> 00:23:42,725 AND A CASHIER AT A SIP & DASH. 484 00:23:42,769 --> 00:23:44,423 WHAT'S THE PROBLEM? 485 00:23:44,466 --> 00:23:45,772 WE TURNED HIM OVER TO THE GCPD. 486 00:23:45,815 --> 00:23:47,904 YEAH, TO STU DONNELLY, THE OFFICER ACCUSED 487 00:23:47,948 --> 00:23:51,168 OF COERCING CONFESSIONS IN AT LEAST 21 CASES. 488 00:23:51,212 --> 00:23:53,910 WE HANDED A LOT OF PERPS OVER TO DONNELLY, COMMANDER. 489 00:23:53,954 --> 00:23:55,912 ARE WE SAYING THEY'RE ALL INNOCENT? 490 00:23:55,956 --> 00:23:57,871 YOU DON'T FIND IT UNUSUAL THAT THE SIP & DASH'S 491 00:23:57,914 --> 00:23:59,742 4 SECURITY CAMERAS WEREN'T WORKING 492 00:23:59,786 --> 00:24:01,875 IN THE 5-HOUR WINDOW WHEN THE ROBBERY TOOK PLACE? 493 00:24:01,918 --> 00:24:05,008 ONLY THING I FIND UNUSUAL IS LUCIUS FOX WAS A HERO 494 00:24:05,052 --> 00:24:07,097 TO THE CITY AND PEOPLE ARE TRYING 495 00:24:07,141 --> 00:24:10,449 TO SET HIS KILLER FREE. 496 00:24:14,714 --> 00:24:16,803 I WAS WONDERING WHEN YOU WERE GONNA 497 00:24:16,846 --> 00:24:19,283 HIT ME UP ABOUT THE SLASHER CASE. 498 00:24:19,327 --> 00:24:20,850 HOW DID YOU KNOW? 499 00:24:20,894 --> 00:24:23,462 BECAUSE I AM SMART AND PERCEPTIVE, 500 00:24:23,505 --> 00:24:25,855 TWO TRAITS PEOPLE OFTEN OVERLOOK. 501 00:24:25,899 --> 00:24:28,031 ANYWAY, I WAS HOPING THAT YOU COULD HELP ME 502 00:24:28,075 --> 00:24:29,946 I.D. SOMEONE, SOMEONE THAT DOESN'T POP UP 503 00:24:29,990 --> 00:24:31,861 ON MY FACIAL RECOGNITION SYSTEM. 504 00:24:31,905 --> 00:24:33,341 MM-HMM. 505 00:24:33,384 --> 00:24:35,822 OH, THAT'S VERONICA MAY. 506 00:24:35,865 --> 00:24:37,388 -YOU SURE? -YEAH. 507 00:24:37,432 --> 00:24:38,912 APPARENTLY, SHE CHANGED HER NAME AFTER HIGH SCHOOL, 508 00:24:38,955 --> 00:24:41,567 AND IF MY NAME WAS MYRTIS DINKER, 509 00:24:41,610 --> 00:24:44,570 I WOULD, TOO, AND I'M GUESSING THE REASON 510 00:24:44,613 --> 00:24:46,528 WHY HER FACE STUMPED YOUR BAT TECH IS BECAUSE 511 00:24:46,572 --> 00:24:49,749 THAT'S NOT HER NOSE ANYMORE...OR HER CHIN. 512 00:24:49,792 --> 00:24:51,446 ANY IDEA HOW I CAN FIND HER? 513 00:24:51,490 --> 00:24:53,492 WELL, SHE PRETTY MUCH LIVES ON BOARD THE MAY-MOBILE. 514 00:24:53,535 --> 00:24:54,754 THE WHAT? 515 00:24:54,797 --> 00:24:56,146 IT'S PART MAKEOVER TRUCK, 516 00:24:56,190 --> 00:24:58,235 PART ROLLING BILLBOARD FOR HER MAKEUP LINE. 517 00:24:58,279 --> 00:25:02,370 JUST LOOK FOR THE GAUDIEST THING ON THE ROAD. 518 00:25:02,413 --> 00:25:04,807 KATE, ON COMMS: WE NEED TO FIND THAT COSMETICS TRUCK. 519 00:25:04,851 --> 00:25:07,593 I APPRECIATE THAT, BUT A TRUCK IN GOTHAM, 520 00:25:07,636 --> 00:25:09,812 KIND OF A NEEDLE IN A HAYSTACK. 521 00:25:09,856 --> 00:25:11,640 THE NEEDLE IS HOT PINK. 522 00:25:11,684 --> 00:25:13,163 THAT NARROWS IT DOWN. 523 00:25:13,207 --> 00:25:14,991 LET ME RUN A COLOR FILTER ON THE SATELLITE. 524 00:25:15,035 --> 00:25:17,690 [BEEPING] 525 00:25:17,733 --> 00:25:20,649 OK. WE'VE GOT A ICE CREAM TRUCK, 526 00:25:20,693 --> 00:25:22,608 AN UNFORTUNATE PAINT JOB ON A LAMBO. 527 00:25:22,651 --> 00:25:26,133 [BEEPING] 528 00:25:26,176 --> 00:25:27,874 THAT'S NOT GOOD. 529 00:25:28,831 --> 00:25:31,791 [BATCYCLE APPROACHES] 530 00:25:39,059 --> 00:25:42,671 DUELA'S BEEN HERE, NO SIGN OF VERONICA. 531 00:25:43,933 --> 00:25:47,023 HOLD UP. I THINK I GOT COMPANY. 532 00:25:48,895 --> 00:25:50,897 SHOULDN'T BE HERE. 533 00:25:50,940 --> 00:25:52,420 NEITHER SHOULD YOU. 534 00:25:52,463 --> 00:25:53,987 I'VE BEEN LISTENING IN TO THE CROWS' RADIO. 535 00:25:54,030 --> 00:25:55,336 THEY'LL BE HERE ANY MINUTE. 536 00:25:55,379 --> 00:25:56,685 I'M NOT LEAVING UNTIL I FIND 537 00:25:56,729 --> 00:25:58,382 EVERY SINGLE PERSON THAT WAS IN THAT TRUCK. 538 00:25:58,426 --> 00:26:02,125 LOOKS LIKE DUELA FORCED THEM INTO ANOTHER VEHICLE. 539 00:26:02,169 --> 00:26:04,040 WHY HERE? 540 00:26:04,084 --> 00:26:05,955 [TYPING] 541 00:26:05,999 --> 00:26:08,567 UH, VERONICA'S SKIN CARE LINE IS MADE AT A PLANT DOWN THE ROAD. 542 00:26:08,610 --> 00:26:10,612 MAN: YOU BY THE TRUCK, PUT YOUR HANDS IN THE AIR NOW. 543 00:26:10,656 --> 00:26:12,092 WE HAVE TO GET OUT OF HERE. 544 00:26:12,135 --> 00:26:14,616 GET OUT OF HERE NOW. COME ON. 545 00:26:14,660 --> 00:26:16,575 -GET ON. -WAIT. WHAT? 546 00:26:16,618 --> 00:26:19,012 GET ON. 547 00:26:19,055 --> 00:26:21,362 [SIRENS] 548 00:26:25,279 --> 00:26:27,934 [TIRES SCREECH] 549 00:26:42,862 --> 00:26:45,255 [ITEMS DROPPING] 550 00:26:48,824 --> 00:26:50,739 WHAT THE HELL ARE YOU DOING? 551 00:26:50,783 --> 00:26:52,523 [GASPS] 552 00:26:52,567 --> 00:26:54,438 OH, I'M SORRY. 553 00:26:54,482 --> 00:26:55,875 DO YOU HAVE A PROBLEM 554 00:26:55,918 --> 00:26:57,659 WITH PEOPLE STEALING MEDICAL SUPPLIES? 555 00:26:57,703 --> 00:27:01,271 BECAUSE, UM...HI. 556 00:27:01,315 --> 00:27:03,317 I THOUGHT I MADE IT CLEAR HOW I FELT ABOUT YOU 557 00:27:03,360 --> 00:27:04,710 WHEN I LEFT YOU TO DIE. 558 00:27:04,753 --> 00:27:07,669 YOU DID, BUT THEN I SAVED YOUR LIFE, 559 00:27:07,713 --> 00:27:11,151 AND NOW YOU OWE ME, SO-- 560 00:27:11,194 --> 00:27:12,892 DID BATWOMAN NOT TELL YOU? 561 00:27:12,935 --> 00:27:14,284 NOT TELL ME WHAT? 562 00:27:14,328 --> 00:27:15,590 AFTER NOCTURNA DRAINED YOUR BLOOD, 563 00:27:15,634 --> 00:27:16,896 YOU WERE ON DEATH'S DOOR. 564 00:27:16,939 --> 00:27:18,593 I FOUND YOU AND REVIVED YOU WITH MY OWN, 565 00:27:18,637 --> 00:27:22,597 MEANING I LITERALLY PUMPED LIFE BACK INTO YOUR VEINS. 566 00:27:22,641 --> 00:27:25,295 UGH, I NEED A BLEACH TRANSFUSION. 567 00:27:25,339 --> 00:27:28,647 OH, I'LL TAKE THAT AS A THANK YOU. 568 00:27:28,690 --> 00:27:30,257 WHY WOULD YOU DO THAT? 569 00:27:30,300 --> 00:27:34,435 LET'S JUST SAY IT WAS MORE ABOUT BATWOMAN 570 00:27:34,478 --> 00:27:37,830 AND LESS ABOUT YOU. 571 00:27:37,873 --> 00:27:40,702 THANKS FOR THE GOODS. 572 00:27:40,746 --> 00:27:44,619 DO YOU KNOW WHO SHE IS? 573 00:27:44,663 --> 00:27:46,708 BATWOMAN? 574 00:27:46,752 --> 00:27:49,406 OF COURSE I DO. 575 00:27:49,450 --> 00:27:52,671 OH, DO YOU NOT? 576 00:27:52,714 --> 00:27:54,673 SAD. 577 00:27:54,716 --> 00:27:57,023 GUESS YOU TWO AREN'T REALLY PALS AFTER ALL. 578 00:27:57,066 --> 00:27:59,460 HMM. 579 00:28:01,897 --> 00:28:05,422 VERONICA: AAH! 580 00:28:05,466 --> 00:28:08,774 AAH! 581 00:28:11,298 --> 00:28:14,954 DUELA, STOP. PLEASE LET ME DOWN. 582 00:28:14,997 --> 00:28:16,869 I'M HELPING YOU, VERONICA-- 583 00:28:16,912 --> 00:28:19,349 OH, I MEAN, MYRTIS. 584 00:28:19,393 --> 00:28:21,700 OH... 585 00:28:21,743 --> 00:28:23,353 OHH! 586 00:28:23,397 --> 00:28:26,095 OH, MY GOD, LOOK. YOU MADE YOUR POINT, OK? 587 00:28:26,139 --> 00:28:28,837 I WASN'T A GREAT FRIEND AFTER THE INCIDENT, 588 00:28:28,881 --> 00:28:31,013 BUT, HONESTLY, I WAS AFRAID OF YOU. 589 00:28:31,057 --> 00:28:33,059 BECAUSE I WAS FINALLY HAPPY? 590 00:28:33,102 --> 00:28:35,888 HAPPY PEOPLE DON'T SLICE THEIR FACES OPEN. 591 00:28:35,931 --> 00:28:39,195 HA! WHAT DO THEY DO, HMM, 592 00:28:39,239 --> 00:28:41,981 SHAVE A BONE OFF THEIR NOSE, 593 00:28:42,024 --> 00:28:43,809 SLIT THEIR EYELIDS OPEN, 594 00:28:43,852 --> 00:28:46,550 STAB NEEDLES INTO THEIR LIPS? 595 00:28:46,594 --> 00:28:48,204 YOU KNOW, THE ONLY DIFFERENCE 596 00:28:48,248 --> 00:28:51,033 BETWEEN YOU AND ME IS THAT I GOT INSTITUTIONALIZED 597 00:28:51,077 --> 00:28:53,166 AND YOU GOT FAMOUS. 598 00:28:53,209 --> 00:28:55,995 MY MOTHER WANTED ME TO BE YOU. 599 00:28:56,038 --> 00:28:58,258 PUT ME DOWN, YOU PSYCHO! 600 00:28:58,301 --> 00:29:00,782 IT'S TIME TO SHOW THE WORLD WHAT I SEE 601 00:29:00,826 --> 00:29:03,872 WHEN I LOOK AT VERONICA MAY. 602 00:29:03,916 --> 00:29:08,398 NO! DUELA, STOP! PLEASE DON'T! 603 00:29:08,442 --> 00:29:10,357 NO! 604 00:29:19,061 --> 00:29:22,543 GOING SOMEWHERE? 605 00:29:22,586 --> 00:29:25,415 UH! UH! UH! 606 00:29:25,459 --> 00:29:27,896 [BOTH GRUNTING] 607 00:29:28,854 --> 00:29:30,594 AGH! 608 00:29:30,638 --> 00:29:32,858 OH! UH! 609 00:29:32,901 --> 00:29:37,123 AAH! HELP! 610 00:29:42,737 --> 00:29:45,827 [CREAKING] 611 00:29:50,701 --> 00:29:53,313 [BOTH GRUNTING] 612 00:30:06,805 --> 00:30:08,545 [WHIRRING] 613 00:30:12,462 --> 00:30:14,203 AAH! 614 00:30:17,293 --> 00:30:20,993 TELL ME SOMEONE GOT THAT ON CAMERA. 615 00:30:32,004 --> 00:30:34,049 SOPHIE: SO SHOULD I TAKE VERONICA UP 616 00:30:34,093 --> 00:30:36,225 ON HER OFFER TO SHARE AN UBER? 617 00:30:36,269 --> 00:30:38,706 CALL ME CRAZY, BUT I FELT 618 00:30:38,749 --> 00:30:40,490 LIKE WE MADE A GOOD TEAM IN THERE. 619 00:30:40,534 --> 00:30:43,842 -WE DID. -BUT? 620 00:30:43,885 --> 00:30:46,061 HOW DO YOU SEE THIS PLAYING OUT-- 621 00:30:46,105 --> 00:30:47,933 DINNER, MOVIE, 622 00:30:47,976 --> 00:30:49,978 I TAKE YOU BACK TO MY CAVE? 623 00:30:50,022 --> 00:30:52,067 YOU LIVE IN A CAVE? 624 00:30:52,111 --> 00:30:54,635 ALLIE MOSS: ♪ COLD CONCRETE BENEATH MY BACK ♪ 625 00:30:54,678 --> 00:30:56,332 I DON'T KNOW. 626 00:30:56,376 --> 00:30:58,030 GUESS I HAVEN'T REALLY THOUGHT ABOUT IT. 627 00:30:58,073 --> 00:31:00,859 IF I WERE TO TELL YOU WHO I AM RIGHT NOW, 628 00:31:00,902 --> 00:31:02,512 WOULD YOU WANT TO KNOW? 629 00:31:02,556 --> 00:31:03,774 WHAT? 630 00:31:03,818 --> 00:31:04,950 BECAUSE ONCE THAT HAPPENS, 631 00:31:04,993 --> 00:31:06,865 I'M NO LONGER A SECRET. 632 00:31:06,908 --> 00:31:10,303 I'M A FACE, A PERSON, 633 00:31:10,346 --> 00:31:14,524 A WOMAN, AND I BRING ALL THE COMPLICATIONS 634 00:31:14,568 --> 00:31:16,439 THAT COME WITH THAT, SO DO YOU WANT TO BE 635 00:31:16,483 --> 00:31:19,225 IN A REAL RELATIONSHIP, OR DO YOU WANT TO BE 636 00:31:19,268 --> 00:31:23,011 WITH SOMEONE YOU CAN KEEP SECRET? 637 00:31:23,055 --> 00:31:26,362 BECAUSE WE CAN NEVER BE MORE THAN THIS, 638 00:31:26,406 --> 00:31:29,452 AND THAT SHOULDN'T BE ENOUGH. 639 00:31:32,412 --> 00:31:34,283 YOU'RE RIGHT. 640 00:31:36,068 --> 00:31:38,200 AS LONG AS I'M WITH A WOMAN WHO WEARS A MASK, 641 00:31:38,244 --> 00:31:40,899 I'LL ALWAYS BE WEARING ONE MYSELF. 642 00:31:42,857 --> 00:31:46,426 I THINK I HAVE SOME THINGS I NEED TO TAKE CARE OF. 643 00:31:46,469 --> 00:31:49,733 I'LL LET THE GCPD KNOW ABOUT DUELA. 644 00:31:49,777 --> 00:31:54,738 MOSS: ♪ WHEN YOU'RE DOWN, DOWN, DOWN... ♪ 645 00:31:54,782 --> 00:31:58,046 GOOD-BYE, SOPHIE. 646 00:31:58,090 --> 00:32:01,136 MOSS: ♪ NO FURTHER TO FALL 647 00:32:01,180 --> 00:32:06,446 ♪ WHEN YOU'RE ON THE FLOOR 648 00:32:06,489 --> 00:32:16,021 ♪ AND YOU'RE ALREADY DOWN, DOWN, DOWN, DOWN ♪ 649 00:32:16,064 --> 00:32:22,984 ♪ DOWN, DOWN, DOWN, DOWN 650 00:32:23,028 --> 00:32:25,030 ♪ I KNOW 651 00:32:26,988 --> 00:32:28,816 [FOOTSTEPS] 652 00:32:28,859 --> 00:32:31,514 WHO'S THERE? PLEASE HELP. 653 00:32:31,558 --> 00:32:34,082 UNTIE ME, PLEASE. WHO'S THERE? 654 00:32:34,126 --> 00:32:35,736 AN ALLY. 655 00:32:35,779 --> 00:32:39,000 YOU AND I WERE BOTH WRONGED BY THE SAME MAN. 656 00:32:39,044 --> 00:32:41,002 HE TOOK MY ADOLESCENCE 657 00:32:41,046 --> 00:32:43,657 JUST LIKE HE TOOK YOUR SMILE. 658 00:32:43,700 --> 00:32:47,443 I WILL GET REVENGE FOR BOTH OF US, BUT FIRST, 659 00:32:47,487 --> 00:32:50,490 I'M GONNA NEED A LITTLE SOMETHING FROM YOU, HMM? 660 00:32:56,887 --> 00:32:58,802 WANT TO EXPLAIN THIS? 661 00:32:58,846 --> 00:33:00,979 IT'S A BANK STATEMENT. 662 00:33:01,022 --> 00:33:02,589 I KNOW IT'S A BANK STATEMENT. 663 00:33:02,632 --> 00:33:04,504 I DON'T KNOW WHY THE CROWS SENT A SIP & DASH 664 00:33:04,547 --> 00:33:08,029 $50,000 AFTER THE LUCIUS FOX MURDER. 665 00:33:08,073 --> 00:33:09,639 IT SAYS RIGHT HERE, "CODE 501." 666 00:33:09,683 --> 00:33:11,467 IT'S A RESTORATION COURTESY PAYMENT 667 00:33:11,511 --> 00:33:13,469 FOR US TRASHING THE PLACE WHEN WE ARRESTED HARRIS. 668 00:33:13,513 --> 00:33:15,036 SO THIS MONEY HAS NOTHING TO DO WITH 669 00:33:15,080 --> 00:33:16,995 THE LOST SECURITY FOOTAGE. 670 00:33:17,038 --> 00:33:18,344 YOU DON'T REALLY THINK 671 00:33:18,387 --> 00:33:21,564 A CROW WOULD DESTROY EVIDENCE. 672 00:33:27,266 --> 00:33:30,660 ALAINA CROSS: ♪ LIKE THE HUNTER 673 00:33:30,704 --> 00:33:32,793 ♪ ON HIS PREY 674 00:33:32,836 --> 00:33:35,448 ♪ ONCE YOU THINK YOU GOT ME TRAPPED ♪ 675 00:33:35,491 --> 00:33:39,365 ♪ I MAKE MY ESCAPE... 676 00:33:39,408 --> 00:33:42,063 THOUGHT DISPATCH SAID SHE WAS LOCKED UP. 677 00:33:43,195 --> 00:33:46,285 CROSS: ♪ I'M COMING OUT OF MY CAGE ♪ 678 00:33:49,201 --> 00:33:53,553 ♪ I'M COMING OUT OF MY CAGE 679 00:33:53,596 --> 00:33:56,947 DUELA... 680 00:33:56,991 --> 00:33:59,820 HOW...DID YOU GET IN HERE? 681 00:33:59,863 --> 00:34:03,780 JUST FLASHED THAT PRETTY SMILE YOU GAVE ME. 682 00:34:05,086 --> 00:34:07,088 -BACK! -OUTSIDE. 683 00:34:07,132 --> 00:34:08,829 OVER HERE. 684 00:34:08,872 --> 00:34:10,352 IS THAT THE SLASHER? 685 00:34:10,396 --> 00:34:14,530 CROSS: ♪ I'M COMING OUT OF MY CAGE ♪ 686 00:34:14,574 --> 00:34:16,924 ♪ I'M COMING OUT OF MY 687 00:34:16,967 --> 00:34:18,969 LORD HAVE MERCY. 688 00:34:19,013 --> 00:34:22,451 I'M FINALLY PERFECT. 689 00:34:22,495 --> 00:34:25,498 YOU SHOULDN'T BE HERE, DUELA. 690 00:34:25,541 --> 00:34:29,763 SORRY. YOU GOT THE WRONG GIRL. 691 00:34:33,027 --> 00:34:35,116 -HEH. -NO. 692 00:34:35,160 --> 00:34:38,293 NO. YOU'RE DEAD. I--I SHOT YOU. 693 00:34:38,337 --> 00:34:42,341 OH, AGAIN, YOU GOT THE WRONG GIRL. 694 00:34:42,384 --> 00:34:48,347 YOU LIKE TAKING THINGS FROM CHILDREN, DON'T YOU? 695 00:34:48,390 --> 00:34:54,135 WELL, WE'RE ALL GROWN UP NOW 696 00:34:54,179 --> 00:34:56,442 AND HERE FOR A LITTLE PAYBACK. 697 00:34:56,485 --> 00:34:58,357 CROSS: ♪ I'M COMING OUT OF MY CAGE ♪ 698 00:35:02,622 --> 00:35:05,625 JACOB: MOORE, IT'S ME. LOOK. 699 00:35:05,668 --> 00:35:08,106 I MAY QUESTION YOUR DECISION-MAKING 700 00:35:08,149 --> 00:35:09,716 WHEN IT COMES TO BATWOMAN, 701 00:35:09,759 --> 00:35:12,719 BUT I'VE NEVER QUESTIONED YOUR INTEGRITY, 702 00:35:12,762 --> 00:35:16,462 AND AT THE MOMENT, I NEED IT MORE THAN EVER. 703 00:35:16,505 --> 00:35:19,421 I THINK THE CROWS HAVE A MAJOR PROBLEM. 704 00:35:19,465 --> 00:35:22,163 I'LL EXPLAIN WHEN YOU CALL ME BACK. 705 00:35:29,214 --> 00:35:31,868 [PING] 706 00:35:33,261 --> 00:35:35,307 [DOOR OPENS] 707 00:35:37,874 --> 00:35:41,182 NOT SURE HOW CHARGING $5.00 FOR A COFFEE 708 00:35:41,226 --> 00:35:42,836 IS NOT A CRIMINAL OFFENSE. 709 00:35:42,879 --> 00:35:45,795 HA HA HA! HA HA HA! 710 00:35:45,839 --> 00:35:49,364 I THINK YOU'RE GONNA NEED SOMETHING STRONGER. 711 00:35:52,237 --> 00:35:54,543 I LIED TO YOU THE OTHER DAY. 712 00:35:54,587 --> 00:35:57,198 THAT'S WHAT I DO NOW. 713 00:35:57,242 --> 00:35:59,853 I LIE. I LIE SO MUCH, 714 00:35:59,896 --> 00:36:02,986 I DON'T EVEN REALIZE I'M DOING IT ANYMORE. 715 00:36:03,030 --> 00:36:09,079 OH, SOPHIE... WHAT LIE? 716 00:36:09,123 --> 00:36:13,171 [SIGHS] 717 00:36:13,214 --> 00:36:16,609 I DIDN'T BREAK UP WITH TYLER 718 00:36:16,652 --> 00:36:21,135 BECAUSE I FELL OUT OF LOVE WITH HIM. 719 00:36:21,179 --> 00:36:23,006 I BROKE UP WITH TYLER 720 00:36:23,050 --> 00:36:26,445 BECAUSE I WAS NEVER IN LOVE WITH HIM. 721 00:36:26,488 --> 00:36:29,665 SWEETHEART, I NEED YOU TO START MAKING SENSE. 722 00:36:29,709 --> 00:36:31,754 WHEN I WAS AT POINT ROCK... 723 00:36:31,798 --> 00:36:33,365 MM-HMM? 724 00:36:33,408 --> 00:36:36,629 I MET SOMEONE, 725 00:36:36,672 --> 00:36:39,632 AND FOR THE FIRST TIME, 726 00:36:39,675 --> 00:36:43,549 I WAS HAPPY, REALLY, REALLY HAPPY... 727 00:36:43,592 --> 00:36:45,203 OH... 728 00:36:45,246 --> 00:36:47,248 AND I WANT TO FIND THAT AGAIN. 729 00:36:47,292 --> 00:36:51,034 OK. OK. THEN GO FIND HIM, HONEY. 730 00:36:51,078 --> 00:36:53,036 GO FIND HIM. 731 00:36:53,080 --> 00:36:55,735 IT WASN'T A HIM, MOM. 732 00:36:57,824 --> 00:37:00,696 IT WAS A HER. 733 00:37:00,740 --> 00:37:04,352 FOR YEARS, I KEPT IT A SECRET. 734 00:37:04,396 --> 00:37:07,225 I THOUGHT I COULD HAVE BOTH-- 735 00:37:07,268 --> 00:37:10,358 THE VERSION OF ME THAT MY SCHOOL 736 00:37:10,402 --> 00:37:14,057 AND MY FAMILY COULD BE PROUD OF 737 00:37:14,101 --> 00:37:17,887 AND THE VERSION OF ME WHO KNEW WHO SHE WAS. 738 00:37:17,931 --> 00:37:19,498 OHH... 739 00:37:19,541 --> 00:37:23,066 WOMAN: ♪ I TRY NOT TO HOLD MY BREATH ♪ 740 00:37:23,110 --> 00:37:28,550 SO THE GOOD LORD DIDN'T MAKE IT HARD ENOUGH ON YOU, 741 00:37:28,594 --> 00:37:31,249 NOT ENOUGH TO BE A WOMAN OF COLOR, 742 00:37:31,292 --> 00:37:33,816 NOT ENOUGH TO COME FROM NOTHING, 743 00:37:33,860 --> 00:37:35,862 NOT ENOUGH TO HAVE TO PROVE YOUR DAMN WORTH 744 00:37:35,905 --> 00:37:37,907 TO THE WORLD EVERY TIME YOU WANT 745 00:37:37,951 --> 00:37:39,866 TO BE PART OF IT, HUH? 746 00:37:39,909 --> 00:37:42,477 YOU GOT TO ADD THIS ON TOP OF IT? 747 00:37:42,521 --> 00:37:45,088 I DIDN'T ASK FOR THIS, 748 00:37:45,132 --> 00:37:47,917 JUST LIKE I DIDN'T ASK FOR ANY OF THOSE THINGS, 749 00:37:47,961 --> 00:37:50,616 BUT EACH OF THEM MAKE ME WHO I AM. 750 00:37:50,659 --> 00:37:54,097 AND WHY AM I ONLY HEARING ABOUT IT NOW? 751 00:37:54,141 --> 00:37:55,925 BECAUSE I DIDN'T WANT YOU TO LOOK AT ME 752 00:37:55,969 --> 00:37:57,666 THE WAY YOU'RE LOOKING AT ME NOW. 753 00:37:57,710 --> 00:38:02,758 OH, SOPHIE, I AM SO SORRY ABOUT THAT, SWEETHEART. 754 00:38:05,108 --> 00:38:09,287 WHAT'D YOU EXPECT DISAPPOINTMENT TO LOOK LIKE? 755 00:38:09,330 --> 00:38:11,158 [DOOR OPENS] 756 00:38:11,201 --> 00:38:13,029 [DOOR CLOSES] 757 00:38:13,073 --> 00:38:18,818 WOMAN: ♪ WHY DID I BEND WHEN I NEEDED... ♪ 758 00:38:20,472 --> 00:38:22,387 YOU LOOK LIKE YOU HAD A LONG NIGHT. 759 00:38:22,430 --> 00:38:24,780 MORE LIKE A REALLY LONG DAY. 760 00:38:24,824 --> 00:38:27,653 IF YOU WANT TO TALK ABOUT IT, 761 00:38:27,696 --> 00:38:30,046 YOU WANT TO TALK ABOUT ANYTHING, 762 00:38:30,090 --> 00:38:32,484 YOU KNOW I'M HERE, RIGHT? 763 00:38:32,527 --> 00:38:34,442 I...LOST A PIECE OF REAL ESTATE 764 00:38:34,486 --> 00:38:36,226 I HAD MY HEART SET ON, 765 00:38:36,270 --> 00:38:37,967 BUT WASN'T THE RIGHT MOVE. 766 00:38:38,011 --> 00:38:40,361 TIMING WAS OFF. 767 00:38:40,405 --> 00:38:43,321 OH. HUH. 768 00:38:45,192 --> 00:38:46,498 DO YOU REMEMBER THE DAY 769 00:38:46,541 --> 00:38:48,238 THAT YOU CAME BACK TO GOTHAM? 770 00:38:48,282 --> 00:38:49,762 I THREW YOU THAT WELCOME-HOME PARTY, 771 00:38:49,805 --> 00:38:51,503 AND THEN 6 HOURS LATER, I WAS STITCHING UP 772 00:38:51,546 --> 00:38:53,200 YOUR SHOULDER, TELLING YOU THAT 773 00:38:53,243 --> 00:38:55,202 I OWNED AN ILLEGAL CLINIC. 774 00:38:55,245 --> 00:38:57,813 OF COURSE I REMEMBER. 775 00:38:57,857 --> 00:39:00,729 IT NEVER ONCE OCCURRED TO ME 776 00:39:00,773 --> 00:39:02,557 THAT YOU'D TELL MY MOM OR YOUR DAD 777 00:39:02,601 --> 00:39:04,777 THAT I WAS LIVING A DOUBLE LIFE 778 00:39:04,820 --> 00:39:07,432 OR THAT YOU'D TRY TO SHUT ME DOWN 779 00:39:07,475 --> 00:39:09,434 OR TELL ME I COULD GET SUED 780 00:39:09,477 --> 00:39:12,741 OR KICKED OUT OF SCHOOL OR ARRESTED. 781 00:39:17,224 --> 00:39:19,618 I KNEW I DIDN'T HAVE TO WORRY 782 00:39:19,661 --> 00:39:22,490 ABOUT YOU JUDGING ME 783 00:39:22,534 --> 00:39:26,538 BECAUSE I TRUSTED YOU... 784 00:39:28,540 --> 00:39:31,020 SO I HOPE ONE DAY THAT YOU FEEL 785 00:39:31,064 --> 00:39:33,153 THE SAME WAY ABOUT ME. 786 00:39:48,386 --> 00:39:49,952 [DOOR OPENS] 787 00:39:51,737 --> 00:39:53,695 [DOOR CLOSES] 788 00:39:58,526 --> 00:40:01,050 [STRAINING] 789 00:40:06,273 --> 00:40:08,754 WHAT DO YOU WANT? 790 00:40:10,582 --> 00:40:14,977 FOR YOU TO DROP THE ACT 791 00:40:15,021 --> 00:40:17,240 AND THE FACE. 792 00:40:17,284 --> 00:40:19,939 UH! 793 00:40:25,901 --> 00:40:28,426 MM... 794 00:40:29,427 --> 00:40:34,562 I THOUGHT I WOULD NEVER HAVE TO SEE YOU AGAIN, 795 00:40:34,606 --> 00:40:37,826 BUT I WAS WRONG. 796 00:40:37,870 --> 00:40:43,789 I SEE THIS FACE EVERY NIGHT AS I GO TO SLEEP 797 00:40:43,832 --> 00:40:46,574 AND EVERY MORNING AS I WAKE, 798 00:40:46,618 --> 00:40:49,795 AND SOMETIMES WHEN I CLOSE MY EYES 799 00:40:49,838 --> 00:40:51,884 AND SHAKE TOO LONG. 800 00:40:51,927 --> 00:40:55,365 IF YOU'RE GONNA KILL ME, DO IT. 801 00:40:55,409 --> 00:40:58,804 KILL ME. GET IT OVER WITH. 802 00:40:58,847 --> 00:41:00,936 SHH SHH. 803 00:41:00,980 --> 00:41:04,766 WE MUSTN'T SPEAK SUCH NONSENSE. 804 00:41:04,810 --> 00:41:07,160 I WOULD NEVER KILL YOU, 805 00:41:07,203 --> 00:41:10,772 AT LEAST NOT WITH THESE NIMBLE, LITTLE FINGERS. 806 00:41:10,816 --> 00:41:13,471 WHAT DO YOU WANT? 807 00:41:13,514 --> 00:41:15,690 MY BROTHER MOUSE. 808 00:41:15,734 --> 00:41:19,172 SURELY, YOU HAVE HIM, AND I WANT HIM, 809 00:41:19,215 --> 00:41:21,130 SO WHERE IS HE? 810 00:41:21,174 --> 00:41:24,003 HA HA HA! 811 00:41:24,046 --> 00:41:27,659 WHY IS THAT SO FUNNY? 812 00:41:27,702 --> 00:41:30,662 -HA HA HA! -WHAT? 813 00:41:30,705 --> 00:41:33,969 YEAH. YEAH. 814 00:41:34,013 --> 00:41:36,494 I WILL TELL YOU WHERE YOU CAN FIND 815 00:41:36,537 --> 00:41:39,540 YOUR... 816 00:41:39,584 --> 00:41:42,630 PRECIOUS MOUSE. 817 00:41:42,674 --> 00:41:45,024 [GASPING] 818 00:41:52,161 --> 00:41:54,686 [MUFFLED SHOUTING] 819 00:42:20,059 --> 00:42:21,974 MAN: GREG, MOVE YOUR HEAD. 56687

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.