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1
00:00:05,260 --> 00:00:08,253
(SUSPENSEFUL MUSIC PLAYS)
2
00:00:14,720 --> 00:00:16,594
(SCREAMING)
3
00:00:17,340 --> 00:00:20,239
From now on, we have to assume
that whatever Claude sees
4
00:00:20,240 --> 00:00:21,760
and hears, it sees and hears.
5
00:00:23,430 --> 00:00:25,819
You asked me where my people
are buried around here.
6
00:00:25,820 --> 00:00:27,063
The old Bear Cave.
7
00:00:27,070 --> 00:00:30,274
It's been sealed since 1947.
8
00:00:30,275 --> 00:00:31,430
(MEN SHOUTING)
9
00:00:32,390 --> 00:00:35,237
HOLLY GIBNEY: He's in
there. We found him.
10
00:00:35,238 --> 00:00:37,059
RALPH ANDERSON: We're gonna
be back in a couple of hours.
11
00:00:37,060 --> 00:00:40,479
It's not right. Not telling them
that that thing's out there.
12
00:00:40,480 --> 00:00:43,049
What if it doesn't cotton
to being contained?
13
00:00:43,050 --> 00:00:45,289
Then we kill it before it can kill us.
14
00:00:45,290 --> 00:00:46,624
What if it can't be killed?
15
00:00:48,760 --> 00:00:50,711
CLAUDE BOLTON: Do you
know what you just did?
16
00:00:50,712 --> 00:00:51,899
I know what I just did.
17
00:00:51,900 --> 00:00:53,630
I gave you the heads up of your life.
18
00:00:53,631 --> 00:00:55,924
CLAUDE: He's in my head, Seale.
19
00:00:55,925 --> 00:00:57,079
So, you just told that thing
20
00:00:57,080 --> 00:00:59,304
that all of those people
are coming for it.
21
00:00:59,305 --> 00:01:00,839
(MUSIC INTENSIFIES)
22
00:01:00,840 --> 00:01:02,473
(GUNSHOT)
23
00:01:02,480 --> 00:01:04,589
(EAR-SPLITTING RINGING)
24
00:01:04,590 --> 00:01:06,030
(MUSIC CONCLUDES)
25
00:01:30,627 --> 00:01:32,587
- (GUNSHOTS)
- (JACK GROANS)
26
00:01:35,510 --> 00:01:36,882
There you go!
27
00:01:36,883 --> 00:01:39,218
(SHOTS CONTINUE)
28
00:01:41,560 --> 00:01:43,419
(BULLETS RICOCHET)
29
00:01:43,420 --> 00:01:45,259
- (YELPS)
- (GUNSHOT)
30
00:01:45,260 --> 00:01:46,839
- Jesus Christ!
- YUNIS SABLO: Fuck!
31
00:01:46,840 --> 00:01:48,645
(DISTORTED SNARLING)
32
00:01:50,760 --> 00:01:52,065
(SCREECHES)
33
00:01:56,150 --> 00:01:57,899
- (JACK GROANS)
- We gotta get outta here.
34
00:01:57,900 --> 00:01:59,119
- SABLO: And go where?
- I don't know.
35
00:01:59,120 --> 00:02:00,823
Just to get the fuck outta here.
36
00:02:03,910 --> 00:02:05,370
ANDY KATCAVAGE: Who's the shooter?
37
00:02:10,390 --> 00:02:11,849
(GUNSHOT)
38
00:02:11,850 --> 00:02:12,869
(YELLS) Jack!
39
00:02:12,870 --> 00:02:15,545
We can talk about this!
40
00:02:15,546 --> 00:02:17,089
Motherf... !
41
00:02:17,090 --> 00:02:18,882
ANDY: No, no, no. Come on, come on!
42
00:02:18,883 --> 00:02:21,280
(GUNSHOTS CONTINUE)
43
00:02:24,930 --> 00:02:27,749
(JACK GROANS)
44
00:02:27,750 --> 00:02:29,959
- Ah! Goddammit!
- Take this! Take this!
45
00:02:29,960 --> 00:02:33,530
(GROANS) Motherfucker!
46
00:02:36,280 --> 00:02:38,940
(HUMMING)
47
00:02:40,740 --> 00:02:42,360
SABLO: Is that fucking Howie?
48
00:02:46,660 --> 00:02:48,120
Uh-oh!
49
00:02:48,121 --> 00:02:50,739
JACK HOSKINS: Oh, yeah, get in there.
50
00:02:50,740 --> 00:02:52,969
- Jesus Christ!
- SABLO: Keep going! Keep going!
51
00:02:52,970 --> 00:02:54,292
- Is that Pelley?
- Go! Go! Just go!
52
00:02:54,293 --> 00:02:56,409
- RALPH ANDERSON: Go!
- Get the fuck out!
53
00:02:56,410 --> 00:02:57,796
- Move!
- Jesus Christ!
54
00:02:57,797 --> 00:03:00,007
- (GUNSHOTS)
- HOWARD SALOMON: Oh, my God!
55
00:03:01,467 --> 00:03:03,219
(GUNSHOTS CONTINUE)
56
00:03:05,970 --> 00:03:07,807
Hey, Seale, what the
hell you doin', man?
57
00:03:08,850 --> 00:03:10,476
(JACK GROANS)
58
00:03:13,396 --> 00:03:14,969
Motherfucker!
59
00:03:14,970 --> 00:03:17,399
(SNAKE TAIL RATTLES)
60
00:03:17,400 --> 00:03:19,152
Oh, no! Get off!
61
00:03:23,197 --> 00:03:25,179
- Go! Go, go!
- ANDY: Go now! Go now!
62
00:03:25,180 --> 00:03:27,240
CLAUDE BOLTON: Seale!
Seale, whatcha doin', man?
63
00:03:27,243 --> 00:03:28,494
RALPH: Get back here!
64
00:03:31,050 --> 00:03:32,079
(YELLS)
65
00:03:32,080 --> 00:03:33,916
CLAUDE: Hey, Seale, get back here!
66
00:03:33,917 --> 00:03:36,294
- JACK: I got you.
- (GRUNTS)
67
00:03:38,421 --> 00:03:39,900
(INAUDIBLE)
68
00:03:42,049 --> 00:03:46,139
(LAUGHING MANIACALLY)
69
00:03:46,140 --> 00:03:47,430
Yeah!
70
00:03:58,720 --> 00:03:59,733
Shit!
71
00:03:59,734 --> 00:04:00,942
(DRUNKENLY SINGING)
72
00:04:00,943 --> 00:04:03,278
Fucker! (PANTING)
73
00:04:03,279 --> 00:04:04,690
(GUNSHOT)
74
00:04:05,690 --> 00:04:08,242
- (GUNSHOT)
- I see you!
75
00:04:09,760 --> 00:04:11,509
- (SABLO YELLS, GROANS)
- RALPH: Oh, shit!
76
00:04:11,510 --> 00:04:12,699
Fucker!
77
00:04:12,700 --> 00:04:14,039
Get up! Get up!
78
00:04:14,040 --> 00:04:16,918
Up, up... Get up, up, up, up.
We don't have... Go! Go!
79
00:04:16,919 --> 00:04:18,586
Oh, shit.
80
00:04:21,320 --> 00:04:22,590
HOWARD: Fuck!
81
00:04:23,200 --> 00:04:25,343
Let's get the fuck outta here!
82
00:04:27,250 --> 00:04:28,262
(GRUNTS)
83
00:04:28,270 --> 00:04:29,763
Oh, shit!
84
00:04:29,764 --> 00:04:30,844
- Seale!
- RALPH: Claude!
85
00:04:30,845 --> 00:04:32,750
Don't go out! Damn it! Don't!
86
00:04:34,100 --> 00:04:35,852
CLAUDE: Seale!
87
00:04:35,853 --> 00:04:37,059
Fuck!
88
00:04:37,060 --> 00:04:39,219
(DRUNKENLY GROANS)
89
00:04:39,220 --> 00:04:40,816
Motherfucker!
90
00:04:40,817 --> 00:04:42,650
CLAUDE: Oh, God, man.
91
00:04:44,510 --> 00:04:47,759
They got him good, man. Oh, shit!
92
00:04:47,760 --> 00:04:48,779
Fuck!
93
00:04:48,780 --> 00:04:50,799
Oh! Oh, shit!
94
00:04:50,800 --> 00:04:51,828
Oh, man.
95
00:04:53,162 --> 00:04:56,329
Fucking hurts to be shot,
man. Fucking hurts.
96
00:04:56,330 --> 00:04:59,459
RALPH: Yeah. With the slugs he's using,
97
00:04:59,460 --> 00:05:01,319
you're lucky you didn't
get your arm taken off.
98
00:05:01,320 --> 00:05:03,299
- SABLO: Hurts to get shot.
- RALPH: You know what...
99
00:05:03,300 --> 00:05:06,279
ANDY: If we could just
get some fucking bars!
100
00:05:06,280 --> 00:05:08,840
Don't even think about it.
101
00:05:08,850 --> 00:05:11,379
Hey, when the GIs were getting chewed up
102
00:05:11,380 --> 00:05:13,722
on the beaches on D-Day,
you know what they're told?
103
00:05:13,723 --> 00:05:15,799
Um... Uh... Ad... Advance or die.
104
00:05:15,800 --> 00:05:18,311
- Or something like that.
- That's fucking right.
105
00:05:18,312 --> 00:05:19,589
(GUNSHOT)
106
00:05:19,590 --> 00:05:20,719
RALPH: Can you fire lefty?
107
00:05:20,720 --> 00:05:22,169
SABLO: Yeah, that's about all I can do.
108
00:05:22,170 --> 00:05:24,193
- Take this! Take this!
- No! No! No, no, no!
109
00:05:24,930 --> 00:05:26,070
HOLLY GIBNEY: Andy!
110
00:05:26,840 --> 00:05:28,389
What the hell is he doing?
111
00:05:28,390 --> 00:05:31,440
RALPH: I don't fucking kn...
I think he's going to get reception.
112
00:05:32,550 --> 00:05:36,549
Ah, Jesus, man. Why couldn't
you stay where you are?
113
00:05:36,550 --> 00:05:37,582
Son of a...
114
00:05:40,850 --> 00:05:41,869
(GUNSHOT)
115
00:05:41,870 --> 00:05:43,749
- Jesus!
- (GUNSHOT)
116
00:05:43,750 --> 00:05:45,256
Fuck!
117
00:05:47,967 --> 00:05:49,718
- HOWARD: Go, Andy! Go!
- (ENGINE STARTS)
118
00:05:49,719 --> 00:05:55,039
- One... two... boom!
- (ANDY GRUNTS)
119
00:05:55,040 --> 00:05:56,892
- Fuck!
- SABLO: Just go!
120
00:05:56,893 --> 00:05:58,311
Shit!
121
00:06:00,563 --> 00:06:01,580
RALPH: Go!
122
00:06:03,350 --> 00:06:04,775
Go! Go, Andy!
123
00:06:08,154 --> 00:06:09,614
HOWARD: Go, go, go!
124
00:06:11,198 --> 00:06:13,980
(PANTING)
125
00:06:28,890 --> 00:06:30,230
(GUNSHOT)
126
00:06:31,093 --> 00:06:32,190
- (GUNSHOT)
- (GRUNTS)
127
00:06:49,445 --> 00:06:50,988
What happened?
128
00:07:02,870 --> 00:07:04,409
Andy! No!
129
00:07:04,410 --> 00:07:06,170
No, no!
130
00:07:07,890 --> 00:07:11,129
HOWARD: No! No, no, no!
Holly, no! No, go back!
131
00:07:11,130 --> 00:07:13,579
- I'll get him. I'll get him. Go!
- No!
132
00:07:13,580 --> 00:07:14,940
Go back!
133
00:07:47,010 --> 00:07:48,869
(SCREAMING) Yeah!
134
00:07:48,870 --> 00:07:51,279
Mother nature!
135
00:07:51,280 --> 00:07:52,999
(LAUGHING MANIACALLY)
136
00:07:53,000 --> 00:07:54,427
Ah!
137
00:08:11,120 --> 00:08:12,980
RALPH: (ECHOING SHOUT) Holly!
138
00:08:14,600 --> 00:08:16,060
Holly!
139
00:08:25,082 --> 00:08:29,086
Holly! Holly, get back here!
140
00:08:32,006 --> 00:08:34,509
- Fuck!
- What the fuck is she doing?
141
00:08:34,510 --> 00:08:36,360
RALPH: Holly, get back here!
142
00:08:37,300 --> 00:08:38,539
Holly!
143
00:08:38,540 --> 00:08:41,200
Get back here!
144
00:08:54,140 --> 00:08:59,280
(YELLING, ECHOING) Damn you to hell!
145
00:09:10,460 --> 00:09:13,170
(PANTING)
146
00:09:13,180 --> 00:09:15,590
Oh, he definitely will.
147
00:09:15,591 --> 00:09:16,749
(SNARLS)
148
00:09:16,750 --> 00:09:18,380
(WINCES) Ow!
149
00:09:19,390 --> 00:09:20,530
Fuck!
150
00:09:22,680 --> 00:09:23,723
Fuck you!
151
00:09:23,724 --> 00:09:24,849
(SNARLS)
152
00:09:24,850 --> 00:09:26,550
(JACK CRIES)
153
00:09:26,560 --> 00:09:28,179
No more.
154
00:09:28,180 --> 00:09:29,810
(ROARS)
155
00:09:30,680 --> 00:09:32,479
(SNARLING, GROWLING)
156
00:09:32,480 --> 00:09:35,189
(SNAKE'S TAIL RATTLES)
157
00:09:35,190 --> 00:09:38,864
(PANTING)
158
00:09:43,550 --> 00:09:44,576
(CHUCKLES)
159
00:09:44,577 --> 00:09:46,538
Come at me, motherfucker.
160
00:09:46,539 --> 00:09:47,831
- (SNAKE SNAPS)
- (SCREAMS)
161
00:09:47,832 --> 00:09:49,440
- (ROARS)
- (JACK'S SCREAMS ECHO)
162
00:09:51,920 --> 00:09:54,490
(JACK GROANS)
163
00:09:59,360 --> 00:10:01,340
RALPH: Holly!
164
00:10:01,345 --> 00:10:03,848
- (GUNSHOT)
- Fuck.
165
00:10:10,240 --> 00:10:11,730
Come on, come on.
166
00:10:13,780 --> 00:10:15,969
- Jack's done.
- (GUNSHOT)
167
00:10:15,970 --> 00:10:17,299
Tell Sablo to save his ammunition,
168
00:10:17,300 --> 00:10:19,319
and tell him to stop shooting. It's...
169
00:10:19,320 --> 00:10:21,110
It's splitting my head in two.
170
00:10:22,158 --> 00:10:23,325
It's time.
171
00:10:53,939 --> 00:10:55,150
(ROARS)
172
00:10:56,980 --> 00:10:58,400
(SNARLS)
173
00:11:06,280 --> 00:11:10,049
(GROWLS SOFTLY)
174
00:11:10,050 --> 00:11:13,300
(OMINOUS MUSIC PLAYS)
175
00:11:16,700 --> 00:11:21,700
- Synced & corrected by MementMori -
-- www.addic7ed.com --
176
00:11:43,470 --> 00:11:45,509
You're gonna be all right
out here by yourself?
177
00:11:45,510 --> 00:11:47,030
I'll be fine. You be careful.
178
00:11:48,744 --> 00:11:52,248
(MUSIC INTENSIFIES)
179
00:12:01,320 --> 00:12:05,230
(WHEEZING, GASPING)
180
00:12:14,560 --> 00:12:16,129
Ralph!
181
00:12:16,130 --> 00:12:19,275
(WHEEZING CONTINUES)
182
00:12:22,050 --> 00:12:23,821
SABLO: Put it down, Jack.
183
00:12:26,782 --> 00:12:28,889
Jack, just put it down, man.
184
00:12:28,890 --> 00:12:32,121
(JACK CONTINUES WHEEZING)
185
00:12:34,400 --> 00:12:35,457
JACK: It's in there.
186
00:12:38,240 --> 00:12:39,570
Kill it.
187
00:12:44,174 --> 00:12:45,634
No!
188
00:13:57,010 --> 00:13:58,499
(GATE CREAKS)
189
00:14:03,760 --> 00:14:05,250
- RALPH: Watch out.
- (HOLLY GASPS)
190
00:14:20,312 --> 00:14:21,860
- (WOOD CRACKS)
- (RALPH GRUNTS)
191
00:14:23,580 --> 00:14:24,849
HOLLY: You okay?
192
00:14:24,850 --> 00:14:28,560
Yeah... Yeah, yes.
193
00:14:29,590 --> 00:14:31,150
Uh, better be careful.
194
00:14:39,130 --> 00:14:41,530
(RALPH BREATHES DEEPLY)
195
00:14:50,560 --> 00:14:52,260
HOLLY: Look.
196
00:14:52,270 --> 00:14:55,129
He can be killed.
197
00:14:55,130 --> 00:14:59,099
- RALPH: How's that?
- HOLLY: He's scared of falling.
198
00:14:59,100 --> 00:15:00,889
Like us.
199
00:15:00,890 --> 00:15:02,146
(LEVER SQUEAKS)
200
00:15:14,740 --> 00:15:16,320
HOLLY: He's feeding.
201
00:15:18,203 --> 00:15:19,955
RALPH: Breadcrumbs from hell.
202
00:15:39,900 --> 00:15:41,070
(RALPH GRUNTS)
203
00:16:00,800 --> 00:16:02,414
(WATER SPLASHES)
204
00:16:28,010 --> 00:16:30,984
(ROCKS SHATTER, FALL)
205
00:16:41,280 --> 00:16:42,680
HOLLY: Stop.
206
00:16:57,640 --> 00:16:58,860
(HOLLY GRUNTS)
207
00:17:04,720 --> 00:17:06,770
HOLLY: He was in a frenzy.
208
00:17:12,260 --> 00:17:14,320
- RALPH: Holly.
- Hmm?
209
00:17:17,030 --> 00:17:18,030
RALPH: Look.
210
00:17:20,500 --> 00:17:22,660
This is where it happened.
211
00:17:28,625 --> 00:17:30,759
HOLLY: They're all in there.
212
00:17:30,760 --> 00:17:33,129
Must have been going crazy
trying to get to them.
213
00:17:33,130 --> 00:17:36,842
(OMINOUS MUSIC PLAYS)
214
00:17:41,580 --> 00:17:43,620
- (WHISPERS) Holly.
- Hmm?
215
00:17:49,840 --> 00:17:51,120
RALPH: See it?
216
00:17:52,640 --> 00:17:53,780
The light?
217
00:18:45,680 --> 00:18:48,049
EL CUCO: (AS CLAUDE BOLTON)
Watch your step coming in.
218
00:18:48,050 --> 00:18:50,560
It's very slippery.
219
00:18:50,570 --> 00:18:54,380
Stay close to the walls in case
you need to grab onto something.
220
00:18:56,590 --> 00:18:59,880
You haven't come all this way
just to turn back now, have you?
221
00:19:23,400 --> 00:19:26,140
Well, howdy there, Sheriff.
222
00:19:27,090 --> 00:19:29,860
And you must be the lovely Miss Holly.
223
00:19:31,920 --> 00:19:34,019
Claude doesn't know your last name,
224
00:19:34,020 --> 00:19:36,878
but he thinks about you all the time.
225
00:19:38,800 --> 00:19:40,040
It's Gibney.
226
00:19:44,660 --> 00:19:46,220
Holly Gibney.
227
00:19:48,300 --> 00:19:49,679
EL CUCO: It's you I have to thank
228
00:19:49,680 --> 00:19:52,650
for this situation I find
myself in, ain't it?
229
00:19:55,780 --> 00:19:58,219
I wanna know what made
it so easy for you
230
00:19:58,220 --> 00:19:59,817
to believe in me,
231
00:19:59,818 --> 00:20:02,129
and how on earth did she manage
232
00:20:02,130 --> 00:20:05,150
to convince a cowpoke like you, Sheriff.
233
00:20:08,320 --> 00:20:09,860
What are you?
234
00:20:10,580 --> 00:20:11,621
(EL CUCO SCOFFS)
235
00:20:13,890 --> 00:20:17,959
- What is your name?
- EL CUCO: Oh... you know.
236
00:20:17,960 --> 00:20:19,754
Where did you come from?
237
00:20:19,755 --> 00:20:22,199
- I don't remember.
- What is your nature?
238
00:20:22,200 --> 00:20:25,050
We're not very good answering
each other's questions, are we?
239
00:20:25,051 --> 00:20:27,428
- Are there more of you?
- Why?
240
00:20:27,429 --> 00:20:29,639
Have you seen someone like me before?
241
00:20:30,300 --> 00:20:31,860
Are there others?
242
00:20:32,860 --> 00:20:35,849
'Cause there have been times when I...
243
00:20:35,850 --> 00:20:39,900
- sense there could be more...
- Shut up.
244
00:20:42,880 --> 00:20:45,150
You really gon' pull
that trigger, Sheriff?
245
00:20:48,200 --> 00:20:51,280
(BED CREAKS)
246
00:20:58,090 --> 00:21:00,086
Well, you go ahead and do it...
247
00:21:01,010 --> 00:21:03,660
if you don't mind dying.
248
00:21:05,890 --> 00:21:09,303
(YELLING) Will the real Claude
Bolton please stand up?
249
00:21:09,304 --> 00:21:13,182
- (ECHOING)
- (CAVE TREMORS, CRACKLES)
250
00:21:13,183 --> 00:21:14,768
(ROCKS SHATTERING, FALLING)
251
00:21:28,820 --> 00:21:31,279
- EL CUCO: You see?
- (RALPH GASPS) Step back!
252
00:21:31,280 --> 00:21:33,019
(ECHOING)
253
00:21:33,020 --> 00:21:34,360
Stop yelling.
254
00:21:34,371 --> 00:21:36,299
(DEBRIS SCATTERING)
255
00:21:36,300 --> 00:21:40,259
EL CUCO: They're here,
you know. The dead.
256
00:21:40,260 --> 00:21:43,669
The rescuers that couldn't
even rescue themselves.
257
00:21:43,670 --> 00:21:47,092
But... you couldn't get
to them, could you?
258
00:21:48,430 --> 00:21:53,129
Well, it don't matter.
I still feel their presence.
259
00:21:53,130 --> 00:21:57,310
Especially the four Boltons.
They give off such a glow.
260
00:21:58,700 --> 00:22:00,320
Glow?
261
00:22:02,050 --> 00:22:06,019
They're the blood that I'm becoming.
262
00:22:06,020 --> 00:22:07,650
It feels like...
263
00:22:09,360 --> 00:22:11,560
like I'm being entered.
264
00:22:11,570 --> 00:22:15,369
And what enters me, fills me.
265
00:22:15,370 --> 00:22:18,640
You have no idea what it feels like
266
00:22:18,650 --> 00:22:22,079
to have all of that
emotion inside of me.
267
00:22:22,080 --> 00:22:26,499
- Why children?
- (WHISPERS) Stop asking him questions!
268
00:22:26,500 --> 00:22:29,629
I eat to survive, just like you.
269
00:22:29,630 --> 00:22:32,880
- Shut up.
- Why children?
270
00:22:36,260 --> 00:22:38,049
'Cause they taste the sweetest.
271
00:22:38,050 --> 00:22:40,340
- Motherfucker!
- HOLLY: Stop!
272
00:22:41,354 --> 00:22:42,939
He's poison.
273
00:22:50,920 --> 00:22:52,610
EL CUCO: I can't let you leave.
274
00:22:54,000 --> 00:22:55,580
You know that, right?
275
00:22:58,120 --> 00:22:59,164
HOLLY: No.
276
00:23:01,620 --> 00:23:03,620
We're the ones who can't let you leave.
277
00:23:03,627 --> 00:23:05,129
(SCOFFS)
278
00:23:05,130 --> 00:23:06,679
RALPH: Jack left one of us out there.
279
00:23:06,680 --> 00:23:08,673
He knows we're in here and
he knows what you are.
280
00:23:08,674 --> 00:23:10,175
He'll send more.
281
00:23:11,220 --> 00:23:12,344
I see.
282
00:23:14,830 --> 00:23:16,110
But I need to eat.
283
00:23:17,557 --> 00:23:19,309
(GUN COCKS)
284
00:23:25,620 --> 00:23:27,079
Claude.
285
00:23:27,080 --> 00:23:28,652
Put the gun down.
286
00:23:30,620 --> 00:23:32,030
HOLLY: Don't shoot.
287
00:23:34,720 --> 00:23:35,919
Don't shoot. If you shoot,
288
00:23:35,920 --> 00:23:39,239
the whole chamber will
fall on our heads.
289
00:23:39,240 --> 00:23:41,199
RALPH: Hey, Claude.
290
00:23:41,200 --> 00:23:44,150
Just take your finger
off the trigger, okay?
291
00:23:49,420 --> 00:23:51,090
HOLLY: Claude, just...
292
00:23:52,590 --> 00:23:53,900
Just look at us.
293
00:23:55,860 --> 00:23:57,280
Just look at us.
294
00:23:58,140 --> 00:23:59,510
That's it.
295
00:24:00,760 --> 00:24:02,850
Now... Now put the gun down.
296
00:24:07,780 --> 00:24:09,280
(DEEPLY INHALES)
297
00:24:19,510 --> 00:24:23,038
(GUNSHOT ECHOES)
298
00:24:23,039 --> 00:24:25,417
(ROCKS CRACKLES)
299
00:24:27,752 --> 00:24:29,587
HOLLY: Oh, my God.
300
00:24:30,520 --> 00:24:31,990
It's collapsing.
301
00:24:33,720 --> 00:24:36,739
RALPH: Move! Now! Now! Holly!
302
00:24:36,740 --> 00:24:37,762
HOLLY: Claude!
303
00:24:37,770 --> 00:24:39,723
RALPH: Holly!
304
00:24:42,340 --> 00:24:44,610
Cover your head! Tuck your head!
305
00:24:45,430 --> 00:24:48,180
(ROCKS CRASHING)
306
00:24:49,050 --> 00:24:51,610
(CAVE RUMBLING)
307
00:25:00,040 --> 00:25:03,860
(SPLASHING)
308
00:25:16,260 --> 00:25:17,690
CLAUDE: Hey.
309
00:25:19,554 --> 00:25:21,139
Over here.
310
00:25:24,760 --> 00:25:25,977
(RALPH SIGHS)
311
00:25:28,897 --> 00:25:31,389
(CLAUDE GROANS) Sh...
312
00:25:31,390 --> 00:25:34,820
- I can't move.
- RALPH: Hold on... Oh, shit.
313
00:25:34,830 --> 00:25:37,490
Okay. Um...
314
00:25:39,100 --> 00:25:40,280
Ready?
315
00:25:40,283 --> 00:25:43,740
- Three, two, one. Yeah.
- (HOLLY GRUNTS) Okay.
316
00:25:44,829 --> 00:25:47,355
- You got it?
- (PANTING)
317
00:25:47,356 --> 00:25:48,969
Oh, man.
318
00:25:48,970 --> 00:25:51,040
- You okay?
- Yeah, I'll live.
319
00:25:51,050 --> 00:25:54,100
(BREATHING HEAVILY)
320
00:25:54,110 --> 00:25:56,570
- Told you not to shoot.
- (HOLLY CHUCKLES)
321
00:26:03,420 --> 00:26:07,559
Okay. We'll be back in a
moment, okay? Hold tight.
322
00:26:07,560 --> 00:26:09,379
All right.
323
00:26:09,380 --> 00:26:11,190
Ah, fuck.
324
00:26:30,680 --> 00:26:31,960
RALPH: Hmm.
325
00:26:34,020 --> 00:26:35,960
HOLLY: Do you have some kind of knife?
326
00:26:43,020 --> 00:26:44,320
Good.
327
00:26:52,060 --> 00:26:53,139
(HOLLY GRUNTS)
328
00:26:53,140 --> 00:26:55,929
Yeah, Holly. Leave it.
Leave it. Leave it.
329
00:26:55,930 --> 00:26:58,179
If we were ever to claim that this thing
330
00:26:58,180 --> 00:27:00,869
killed Frankie Peterson,
they'll write us off as loons.
331
00:27:00,870 --> 00:27:02,282
Terry's name will never be cleared.
332
00:27:04,868 --> 00:27:06,440
Who's Terry?
333
00:27:12,800 --> 00:27:14,320
(GROANS)
334
00:27:18,100 --> 00:27:19,490
Did I kill him?
335
00:27:20,700 --> 00:27:23,319
HOLLY: Yeah. Yeah.
336
00:27:23,320 --> 00:27:25,299
RALPH: Okay, buddy.
337
00:27:25,300 --> 00:27:27,269
- We do this on three, yeah?
- HOLLY: Mm-hmm.
338
00:27:27,270 --> 00:27:30,759
- Okay. Three, two, one.
- HOLLY: Two, one.
339
00:27:30,760 --> 00:27:32,100
(CLAUDE GROANS)
340
00:27:34,680 --> 00:27:36,800
- HOLLY: Ooh-ooh-ooh.
- CLAUDE: Ah, shit.
341
00:27:39,652 --> 00:27:41,695
- RALPH: Watch your head.
- HOLLY: All right.
342
00:27:41,696 --> 00:27:43,940
- Yep.
- (CLAUDE GROANS)
343
00:27:45,620 --> 00:27:46,990
Ah, man.
344
00:27:55,120 --> 00:27:57,670
(SINISTER MUSIC PLAYS)
345
00:28:10,700 --> 00:28:12,190
HOLLY: What's wrong?
346
00:28:13,811 --> 00:28:17,732
- Nothing, I'll catch up.
- HOLLY: Okay.
347
00:28:26,900 --> 00:28:27,951
(RALPH GRUNTS)
348
00:28:30,780 --> 00:28:32,190
(SIGHS)
349
00:28:32,840 --> 00:28:35,070
Now look at you playing possum.
350
00:28:36,876 --> 00:28:38,190
How I know?
351
00:28:40,060 --> 00:28:42,339
What's left of your heart.
352
00:28:42,340 --> 00:28:46,019
Whatever it's called,
it's still pumpin'.
353
00:28:46,020 --> 00:28:48,080
Otherwise, you got nothin' comin' out.
354
00:28:49,960 --> 00:28:51,280
Sawdust.
355
00:28:54,480 --> 00:28:56,889
I didn't know whether or
not you could be killed.
356
00:28:56,890 --> 00:29:00,360
I thought you could be
like anyone else, but...
357
00:29:01,480 --> 00:29:03,760
I'm not so sure anymore.
358
00:29:05,050 --> 00:29:08,429
I know that, uh,
this knife's certainly...
359
00:29:08,430 --> 00:29:12,969
isn't doing the trick.
Here's how I see it.
360
00:29:12,970 --> 00:29:15,329
You're weak. You're getting weaker.
361
00:29:15,330 --> 00:29:17,260
You can't run.
362
00:29:17,270 --> 00:29:18,940
You can't hide.
363
00:29:19,980 --> 00:29:21,660
You can't hunt,
364
00:29:21,670 --> 00:29:25,549
which means you can't
feed and fill yourself.
365
00:29:25,550 --> 00:29:26,859
There's nothing stopping me
366
00:29:26,860 --> 00:29:28,799
from just walking outta here right now,
367
00:29:28,800 --> 00:29:31,679
come back with a bus load of
tourists and just watch them
368
00:29:31,680 --> 00:29:33,557
fucking push each other out of the way,
369
00:29:33,558 --> 00:29:35,799
desperate, trying to get the best angle
370
00:29:35,800 --> 00:29:37,645
of what's left of your fucking face.
371
00:29:37,650 --> 00:29:41,110
- (GRUNTS)
- (EL CUCO GROWLS)
372
00:29:50,550 --> 00:29:54,909
And then comes the ever
curious scientific community.
373
00:29:54,910 --> 00:29:58,219
They're gonna be real interested in you.
374
00:29:58,220 --> 00:30:01,319
Poking, probing, injecting, extracting.
375
00:30:01,320 --> 00:30:04,419
They'll cut little pieces of you off,
376
00:30:04,420 --> 00:30:06,759
take it back to the lab.
377
00:30:06,760 --> 00:30:10,099
Just keep fucking carving
you and carving you
378
00:30:10,100 --> 00:30:13,799
- and carving you until...
- (EL CUCO GROWLS SOFTLY)
379
00:30:13,800 --> 00:30:16,260
Yeah, you wouldn't want that, would ya?
380
00:30:17,070 --> 00:30:18,919
(RALPH GRUNTS)
381
00:30:18,920 --> 00:30:21,439
(SUSPENSEFUL MUSIC PLAYS)
382
00:30:23,200 --> 00:30:29,999
And it would serve our
purposes much better...
383
00:30:30,000 --> 00:30:34,780
if no one ever knew
that you ever existed.
384
00:30:36,600 --> 00:30:39,779
So...
385
00:30:39,780 --> 00:30:41,580
you gotta go.
386
00:30:43,660 --> 00:30:45,190
(EL CUCO SNARLS)
387
00:30:47,520 --> 00:30:50,999
(SKIN AND BONES CRACKLE)
388
00:30:51,000 --> 00:30:53,429
(BLOOD SQUELCHES)
389
00:31:06,484 --> 00:31:08,236
(MUSIC INTENSIFIES)
390
00:31:18,579 --> 00:31:19,872
(MUSIC STOPS)
391
00:31:52,440 --> 00:31:57,200
(OMINOUS MUSIC PLAYS)
392
00:33:28,740 --> 00:33:30,030
(SIGHS)
393
00:33:33,280 --> 00:33:34,740
He, uh...
394
00:33:36,580 --> 00:33:38,500
He came here to be with me.
395
00:33:41,100 --> 00:33:43,150
That was the only reason.
396
00:33:50,440 --> 00:33:53,179
Holly, the locals could
appear at any stage.
397
00:33:53,180 --> 00:33:55,570
We need to talk pretty fast.
398
00:33:56,612 --> 00:33:58,360
Get our story straight.
399
00:34:12,670 --> 00:34:14,589
(CAR ENGINE STARTS)
400
00:35:11,390 --> 00:35:15,500
(SIRENS WAIL IN DISTANCE)
401
00:35:21,430 --> 00:35:26,960
(SIRENS GROW LOUDER)
402
00:35:36,712 --> 00:35:43,780
(PHONE RINGS)
403
00:35:49,040 --> 00:35:51,030
Lieutenant Sablo from GBI.
404
00:35:59,220 --> 00:36:02,759
- Hayes.
- SABLO: Hayes, it's Sablo.
405
00:36:02,760 --> 00:36:05,129
We're down here in Cecil, Tennessee.
406
00:36:05,130 --> 00:36:06,909
There was a shootout in the parking lot.
407
00:36:06,910 --> 00:36:10,259
The gift shop, Alec Pelley's dead.
408
00:36:10,260 --> 00:36:11,940
Howie Salomon is dead.
409
00:36:11,950 --> 00:36:13,900
Jack Hoskins is dead.
410
00:36:15,420 --> 00:36:16,690
They're dead?
411
00:36:18,090 --> 00:36:19,940
SABLO: The shooter was a cop.
412
00:36:19,950 --> 00:36:21,632
One of your own.
413
00:36:23,000 --> 00:36:24,439
But he didn't act alone.
414
00:36:24,440 --> 00:36:27,819
In fact, he was compelled
to kill by someone else.
415
00:36:27,820 --> 00:36:30,250
Like... he had an accomplice?
416
00:36:30,260 --> 00:36:32,300
SABLO: No, I'm saying
Hoskins was the accomplice.
417
00:36:32,309 --> 00:36:34,934
The alpha who I believe
killed Frankie Peterson
418
00:36:34,935 --> 00:36:36,200
is still out there.
419
00:36:36,210 --> 00:36:38,059
He attempted to grab another boy
420
00:36:38,060 --> 00:36:40,149
down here two nights ago.
421
00:36:40,150 --> 00:36:41,389
He got away,
422
00:36:41,390 --> 00:36:45,069
but we got him on video, so
I'm gonna send you the link.
423
00:36:45,070 --> 00:36:46,399
Wait, wait, wait. Hold on, just, uh...
424
00:36:46,400 --> 00:36:48,700
SABLO: It's nobody's fault, okay?
425
00:36:48,701 --> 00:36:51,519
But I believe certain decisions
coming out of your office
426
00:36:51,520 --> 00:36:53,664
need to be revisited.
Wouldn't you agree?
427
00:36:56,970 --> 00:36:59,559
RALPH: So, Seale Bolton
receives a phone call
428
00:36:59,560 --> 00:37:02,679
from an unknown individual
who says he works with me.
429
00:37:02,680 --> 00:37:06,759
This individual claims to have
knowledge of the whereabouts
430
00:37:06,760 --> 00:37:10,222
of a more likely suspect in
the Frankie Peterson murder.
431
00:37:12,350 --> 00:37:13,969
SABLO: You wanna tell me
what happened, Claude?
432
00:37:13,970 --> 00:37:16,179
- CLAUDE: I already told you.
- Well, I'd like to hear it again.
433
00:37:16,180 --> 00:37:19,879
(CLAUDE SIGHS)
Detective Sablo and Anderson,
434
00:37:19,880 --> 00:37:23,119
they came to interview me
when the Cherokee County DA
435
00:37:23,120 --> 00:37:26,020
was considering reopening
the Frank Peterson homicide.
436
00:37:26,030 --> 00:37:27,339
SABLO: Why you?
437
00:37:27,340 --> 00:37:30,459
Because I identified the man they
arrested for it, Terry Maitland,
438
00:37:30,460 --> 00:37:32,660
when he walked into the Peach
Crease, covered in blood.
439
00:37:32,661 --> 00:37:34,412
But the more you thought about it...
440
00:37:34,413 --> 00:37:35,509
CLAUDE: Well, the more
I thought about it,
441
00:37:35,510 --> 00:37:38,832
the more I... I realized I made
a mistake. It wasn't him.
442
00:37:38,833 --> 00:37:42,086
It was just someone who looked
a little like him. That's all.
443
00:37:42,087 --> 00:37:44,422
HAYES: Witnesses from
the Peterson homicide.
444
00:37:44,423 --> 00:37:46,634
I need the transcripts
from the interviews.
445
00:37:57,650 --> 00:37:58,679
DETECTIVE: This caller,
446
00:37:58,680 --> 00:38:00,839
did he specifically tell
you where to find him?
447
00:38:00,840 --> 00:38:04,599
Yeah, the abandoned souvenir
shop on the side of that hill,
448
00:38:04,600 --> 00:38:06,403
- so we went to investigate.
- DETECTIVE: You went there?
449
00:38:06,404 --> 00:38:09,889
Yeah. My assumption is that he's
there to take out Claude Bolton,
450
00:38:09,890 --> 00:38:11,469
who he perceives as a threat.
451
00:38:11,470 --> 00:38:13,179
Him being Jack Hoskins.
452
00:38:13,180 --> 00:38:16,129
The detective from your squad
who's been in the wind
453
00:38:16,130 --> 00:38:18,665
for kidnapping, attempted murder.
454
00:38:18,666 --> 00:38:19,820
The same.
455
00:38:21,240 --> 00:38:24,480
Yeah, so, I, uh...
interpreted the phone call
456
00:38:24,490 --> 00:38:26,673
as being made to set up an ambush.
457
00:38:26,674 --> 00:38:28,339
Frankly, I thought the whole thing
458
00:38:28,340 --> 00:38:29,802
was gonna turn out to be bullshit.
459
00:38:31,470 --> 00:38:32,690
Was wrong.
460
00:38:37,500 --> 00:38:39,089
(PANTING)
461
00:38:39,090 --> 00:38:41,119
How long they gonna keep
my brother's body for?
462
00:38:41,120 --> 00:38:43,469
Hopefully not for too long.
463
00:38:43,470 --> 00:38:45,389
CLAUDE: Well, how long is not too long?
464
00:38:45,390 --> 00:38:48,560
Claude, tell me about the phone call.
465
00:38:53,400 --> 00:38:55,439
March 3rd through the 7th,
466
00:38:55,440 --> 00:38:59,359
Maitland's last visit to
see his father, um...
467
00:38:59,360 --> 00:39:04,179
On my investigation,
I encountered Mr. Katcavage,
468
00:39:04,180 --> 00:39:08,589
uh... former Dayton PD detective
who had worked dozens
469
00:39:08,590 --> 00:39:12,070
of homicides over the
years. I found him...
470
00:39:15,000 --> 00:39:17,759
I found him, uh, highly competent,
471
00:39:17,760 --> 00:39:20,169
so I recommended that my employer...
472
00:39:20,170 --> 00:39:22,259
hire him as part of the team.
473
00:39:22,260 --> 00:39:25,190
(SOMBER MUSIC PLAYS)
474
00:39:46,080 --> 00:39:49,170
โช If you stop โช
475
00:39:49,173 --> 00:39:54,428
โช To catch your breath โช
476
00:39:58,100 --> 00:40:00,659
Hey, darlin', it's me.
477
00:40:00,660 --> 00:40:02,359
So if we're gonna pull
this off, Jeannie,
478
00:40:02,360 --> 00:40:04,849
there's something I need you to do.
479
00:40:04,850 --> 00:40:07,940
โช ... At your heels โช
480
00:40:12,130 --> 00:40:20,000
โช You may find that loneliness โช
481
00:40:24,240 --> 00:40:28,009
โช Is indeed โช
482
00:40:28,010 --> 00:40:34,360
โช Your oldest friend โช
483
00:40:45,396 --> 00:40:48,049
(INDISTINCT CHATTER)
484
00:40:48,050 --> 00:40:49,820
Thank you. Thank you.
485
00:41:04,050 --> 00:41:06,129
JEANNIE ANDERSON:
Whether you accept or reject
486
00:41:06,130 --> 00:41:07,299
the reality of that thing,
487
00:41:07,300 --> 00:41:11,359
it's not important right now.
What is important...
488
00:41:11,360 --> 00:41:13,779
is that when they ask you,
489
00:41:13,780 --> 00:41:15,509
and they will definitely ask you
490
00:41:15,510 --> 00:41:18,880
about that meeting with Holly Gibney,
491
00:41:18,887 --> 00:41:21,839
please don't mention anything
about shape shifters
492
00:41:21,840 --> 00:41:28,419
or El Cuco or anything that
might sound supernatural.
493
00:41:28,420 --> 00:41:30,699
Okay?
494
00:41:30,700 --> 00:41:32,879
Otherwise...
495
00:41:32,880 --> 00:41:35,100
I can do that.
496
00:41:35,110 --> 00:41:40,000
(MUSIC INTENSIFIES)
497
00:41:40,880 --> 00:41:47,729
โช You may awake โช
498
00:41:47,730 --> 00:41:52,040
โช In the night โช
499
00:41:54,500 --> 00:42:01,930
โช And wonder who you are โช
500
00:42:07,550 --> 00:42:17,060
โช If you don't turn on the light โช
501
00:42:20,220 --> 00:42:30,320
โช You may remain a lost star โช
502
00:42:33,130 --> 00:42:41,220
โช You may remain a lost star โช
503
00:42:47,470 --> 00:42:51,610
(MUSIC CONCLUDES)
504
00:43:01,240 --> 00:43:04,980
What I've come to tell you
today, Mrs. Maitland...
505
00:43:07,260 --> 00:43:09,129
is that there have been
certain developments
506
00:43:09,130 --> 00:43:12,750
in the Frankie Peterson homicide case.
507
00:43:12,751 --> 00:43:17,965
Some new avenues of inquiry have opened.
508
00:43:24,940 --> 00:43:27,020
We're reopening the case.
509
00:43:31,480 --> 00:43:33,600
What about your slam dunk forensics?
510
00:43:35,660 --> 00:43:38,239
Well, we reexamined the perp DNA
511
00:43:38,240 --> 00:43:40,509
we got from the crime
scene and discovered that
512
00:43:40,510 --> 00:43:43,679
what we actually had was
a mixture of samples,
513
00:43:43,680 --> 00:43:44,840
perp and the victim,
514
00:43:44,850 --> 00:43:46,117
which makes it unreliable in court.
515
00:43:46,118 --> 00:43:49,454
Girls, I need you to
go upstairs, please.
516
00:43:59,500 --> 00:44:02,499
On Monday, I'm holding
a press conference
517
00:44:02,500 --> 00:44:04,800
to announce the reopening
of the investigation...
518
00:44:06,550 --> 00:44:12,219
and to officially go on record
regarding the dropping
519
00:44:12,220 --> 00:44:15,060
of charges against Terry Maitland.
520
00:44:17,900 --> 00:44:19,579
Your family has suffered enough,
521
00:44:19,580 --> 00:44:22,660
and I just want to do whatever I...
522
00:44:29,120 --> 00:44:34,620
Because of your pending lawsuits
against me and my office...
523
00:44:35,760 --> 00:44:38,439
I have to refrain from telling you
524
00:44:38,440 --> 00:44:40,672
what is in my heart.
525
00:44:42,480 --> 00:44:44,300
I completely understand.
526
00:44:53,800 --> 00:44:55,190
(SIGHS)
527
00:45:00,880 --> 00:45:02,860
MAYA MAITLAND: Was he mean to you?
528
00:45:05,380 --> 00:45:07,190
No, my love, he wasn't mean to me.
529
00:45:38,360 --> 00:45:40,299
Flying or driving?
530
00:45:40,300 --> 00:45:41,358
HOLLY: Driving.
531
00:45:44,300 --> 00:45:46,639
About ten hours, right? Chicago?
532
00:45:46,640 --> 00:45:47,839
- Yeah.
- Ten hours?
533
00:45:47,840 --> 00:45:51,785
I have a couple of stops I
have to make along the way.
534
00:45:54,010 --> 00:45:56,259
RALPH: You know, I wouldn't
mind teaming up again,
535
00:45:56,260 --> 00:45:58,509
the opportunity ever arose.
536
00:45:58,510 --> 00:46:00,259
I mean, preferably on something simple
537
00:46:00,260 --> 00:46:03,130
like a gangland triple homicide.
Something like that.
538
00:46:04,780 --> 00:46:07,089
When I was in the caves,
539
00:46:07,090 --> 00:46:10,519
El Cuco asked me, uh, why I was so open
540
00:46:10,520 --> 00:46:12,389
to believing in its existence.
541
00:46:14,890 --> 00:46:17,969
My father was ex-military
and when I was little,
542
00:46:17,970 --> 00:46:21,231
he would say, "A man knows a man."
543
00:46:22,900 --> 00:46:27,020
Well, if I had the time
to think in that cave
544
00:46:27,029 --> 00:46:29,469
and the inclination
to answer that thing,
545
00:46:29,470 --> 00:46:31,899
I would have said...
546
00:46:31,900 --> 00:46:34,780
"An outsider knows an outsider."
547
00:46:38,380 --> 00:46:40,150
(DEEPLY INHALES)
548
00:46:58,240 --> 00:47:02,100
Holly. What else is out there?
549
00:47:20,300 --> 00:47:21,530
(SIGHS)
550
00:48:19,760 --> 00:48:22,349
RALPH: I never told you, but...
551
00:48:22,350 --> 00:48:24,040
I saw Derek.
552
00:48:25,380 --> 00:48:28,070
He... spoke to me.
553
00:48:29,470 --> 00:48:31,359
- JEANNIE: What did he say?
- RALPH: Well, it...
554
00:48:31,360 --> 00:48:33,969
it wasn't Derek, so...
555
00:48:33,970 --> 00:48:36,280
Ralph... Tell me what
he said. Just humor me.
556
00:48:38,900 --> 00:48:41,830
He said that I need to let him go.
557
00:48:43,840 --> 00:48:45,300
Let him go?
558
00:48:47,720 --> 00:48:50,940
- Well, fat chance of that.
- (CHUCKLES)
559
00:49:00,040 --> 00:49:01,759
I don't know.
560
00:49:01,760 --> 00:49:05,395
I like to think the way
this whole experience...
561
00:49:06,780 --> 00:49:09,260
cracked the world open.
562
00:49:09,270 --> 00:49:12,119
Maybe the next time he appears,
563
00:49:12,120 --> 00:49:14,490
maybe it's gonna be the real Derek.
564
00:49:15,780 --> 00:49:19,260
Or maybe after a few years pass,
565
00:49:19,270 --> 00:49:21,419
many more years,
566
00:49:21,420 --> 00:49:23,780
we'll just go visit him.
567
00:49:25,760 --> 00:49:29,961
(SOMBER MUSIC PLAYS)
568
00:50:06,900 --> 00:50:11,900
- Synced & corrected by MementMori -
-- www.addic7ed.com --
569
00:51:01,720 --> 00:51:04,347
(SINISTER MUSIC PLAYS)
570
00:51:06,860 --> 00:51:08,690
(HOLLY GASPS)
571
00:51:14,510 --> 00:51:17,080
(MUSIC CONCLUDES)
572
00:51:25,620 --> 00:51:29,829
(DISTORTED MUSIC PLAYS)
573
00:51:29,830 --> 00:51:35,378
- _
- (KEYBOARD CLACKING)
574
00:51:39,030 --> 00:51:43,420
_
575
00:51:49,050 --> 00:51:51,299
FEMALE DJ: "Get Out and Get It".
That's Devon Gilfillian.
576
00:51:51,300 --> 00:51:54,079
Before that, Janis Joplin with
"Get It While You Can",
577
00:51:54,080 --> 00:51:56,469
and a song of the same
name by Robert Finley
578
00:51:56,470 --> 00:51:58,025
right before that on the show.
579
00:51:58,026 --> 00:51:59,799
Now, here's an obscure little gem
580
00:51:59,800 --> 00:52:01,799
for all your audiophiles out there.
581
00:52:01,800 --> 00:52:03,799
This is a Dixieland revival romp,
582
00:52:03,800 --> 00:52:07,549
peaking at number two on
the Billboard Hot 100, 1963,
583
00:52:07,550 --> 00:52:09,719
and it's one of my personal favorites.
584
00:52:09,720 --> 00:52:11,009
Here it is.
585
00:52:11,010 --> 00:52:14,200
("WASHINGTON SQUARE" BY THE
VILLAGE STOMPERS PLAYING)
40073
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