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00:00:09,010 --> 00:00:12,013
David Attenborough:
IMAGINE CREATURES SO BEAUTIFUL
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00:00:12,013 --> 00:00:13,981
THAT PEOPLE THOUGHT
THEY HAD COME DOWN
3
00:00:13,981 --> 00:00:17,018
DIRECTLY FROM HEAVEN...
SO STRIKING
4
00:00:17,018 --> 00:00:19,153
THAT THE FIRST EUROPEANS
TO SEE THEM
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00:00:19,153 --> 00:00:23,090
THOUGHT THEY COULD ONLY HAVE
ESCAPED FROM THE GARDEN OF EDEN.
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00:00:23,090 --> 00:00:27,094
IN FACT, THAT EDEN WAS
NEW GUINEA --
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00:00:27,094 --> 00:00:30,231
ONE OF THE LAST
INHABITED ISLANDS
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00:00:30,231 --> 00:00:32,233
TO BE EXPLORED BY EUROPEANS.
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00:00:32,233 --> 00:00:36,137
AND IT REMAINS
VIRTUALLY THE ONLY PLACE
10
00:00:36,137 --> 00:00:39,173
WHERE YOU CAN SEE THESE
WONDERFUL CREATURES.
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00:00:39,173 --> 00:00:40,107
THEY WERE BIRDS,
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00:00:40,107 --> 00:00:44,078
BUT UNLIKE BIRDS THAT ANYONE
HAD EVER SEEN BEFORE.
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00:00:45,012 --> 00:00:48,983
THEY BROUGHT THE IMAGE OF BEAUTY
ALMOST TO THE EDGE OF ABSURDITY.
14
00:00:50,051 --> 00:00:54,021
AND THEIR DISPLAYS WERE EVEN
MORE EXTRAORDINARY AND BIZARRE
15
00:00:54,288 --> 00:00:58,059
THAN THEIR APPEARANCE,
SOME OF THE MOST COMPLEX
16
00:00:58,059 --> 00:01:01,095
TO BE FOUND
IN THE ANIMAL KINGDOM.
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00:01:01,095 --> 00:01:03,230
THEY MAY NOT HAVE COME
FROM THE GARDEN OF EDEN,
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00:01:03,230 --> 00:01:05,066
BUT THEY CERTAINLY DESERVE
THE NAME
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00:01:05,066 --> 00:01:07,301
THAT THE FIRST EUROPEAN
SCIENTISTS GAVE THEM --
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00:01:07,301 --> 00:01:09,236
THE BIRDS-OF-PARADISE.
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00:01:09,236 --> 00:01:13,207
YET MUCH OF WHAT THEY DO
IS STILL UNKNOWN.
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00:01:15,142 --> 00:01:17,078
MORE THAN 150 YEARS AFTER
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00:01:17,078 --> 00:01:19,280
THE FIRST SCIENTIFIC
OBSERVATIONS OF THESE CREATURES,
24
00:01:19,280 --> 00:01:22,216
IN SPITE OF INNUMERABLE
EXPEDITIONS
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00:01:22,216 --> 00:01:26,253
AND COUNTLESS HOURS
OF SCIENTIFIC OBSERVATION,
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00:01:26,253 --> 00:01:28,289
WE ARE STILL ONLY
CATCHING GLIMPSES,
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00:01:28,289 --> 00:01:30,091
TANTALIZING GLIMPSES,
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00:01:30,091 --> 00:01:32,159
OF THESE HEAVENLY CREATURES.
29
00:01:32,159 --> 00:01:36,130
A NEW GENERATION OF SCIENTISTS
AND FILM CREWS
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00:01:37,064 --> 00:01:38,332
ARE ATTEMPTING
TO PUT THAT RIGHT.
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00:01:38,332 --> 00:01:42,303
BUT THESE REMARKABLE BIRDS DON'T
GIVE UP THEIR SECRETS EASILY.
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00:02:44,365 --> 00:02:46,233
Attenborough:
ANOTHER EXPEDITION
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00:02:46,233 --> 00:02:50,204
IS SETTING OFF TO LOOK
FOR BIRDS-OF-PARADISE.
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00:02:51,172 --> 00:02:55,142
BUT THIS ONE IS DIFFERENT.
THIS ONE IS BEING MOUNTED
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00:02:57,244 --> 00:03:01,248
BY THE NEW GUINEA PEOPLE
THEMSELVES.
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00:03:01,248 --> 00:03:03,184
A NEW GENERATION OF LOCAL
CONSERVATIONISTS
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00:03:03,184 --> 00:03:07,154
ARE CONCERNED THAT PARADISE BIRD
NUMBERS MAY BE FALLING.
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00:03:07,154 --> 00:03:10,224
[ RECORDED BIRD CALLS PLAYING ]
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00:03:10,224 --> 00:03:12,326
[ CALLING ]
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00:03:12,326 --> 00:03:15,329
THIS TEAM IS LED
BY MIRIAM SUPUMA.
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00:03:15,329 --> 00:03:19,300
WITH HER IS BIRD EXPERT
PAUL IGAG.
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00:03:19,300 --> 00:03:23,304
Supuma: AH, I'VE GOT
MY KNICKERS WET!
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00:03:23,304 --> 00:03:25,406
[LAUGHS]
44
00:03:25,406 --> 00:03:29,276
Attenborough: MIRIAM'S
LOVE OF NATURE BEGAN
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00:03:29,276 --> 00:03:32,179
IN A SMALL VILLAGE SCHOOL
IN THE MOUNTAINS.
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00:03:32,179 --> 00:03:33,380
TO FOLLOW THAT PASSION,
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00:03:33,380 --> 00:03:37,284
SHE LEARNED ENGLISH,
GOT HERSELF TO UNIVERSITY,
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00:03:37,284 --> 00:03:39,286
AND FINISHED HER ECOLOGY
FIELD WORK
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00:03:39,286 --> 00:03:43,257
IN AUSTRALIA.
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00:03:46,327 --> 00:03:48,295
OVER THE NEXT THREE MONTHS,
SHE AIMS
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00:03:48,295 --> 00:03:52,266
TO SEE AND DOCUMENT
10 BIRDS-OF-PARADISE SPECIES.
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00:03:53,434 --> 00:03:56,237
SHE HAS AGREED TO LET
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00:03:56,237 --> 00:04:00,207
OUR CAMERA CREW GO WITH HER.
54
00:04:06,447 --> 00:04:10,351
THEY ARE STARTING WITH
THE SMALLEST OF THE FAMILY --
55
00:04:10,351 --> 00:04:14,321
THE KING BIRD.
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00:04:17,458 --> 00:04:21,428
MIRIAM SEARCHES FOR SIGNS. YOU HAVE TO
KNOW WHAT TO LOOK FOR -- AND SHE DOES.
57
00:04:24,365 --> 00:04:28,335
Supuma: YOU CAN SEE PECK MARKS
ON THIS FRUIT HERE.
58
00:04:30,271 --> 00:04:32,306
[ BIRD CALLING ]
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00:04:32,306 --> 00:04:35,342
Attenborough: THAT'S HIS CALL.
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00:04:35,342 --> 00:04:37,511
BUT SHE JUST CAN'T SEE HIM.
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00:04:37,511 --> 00:04:39,313
Supuma: IT TENDS
TO LIKE THIS AREA.
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00:04:39,313 --> 00:04:43,250
ONE OF THE REASONS IS BECAUSE OF
THE LIGHT COMING THROUGH.
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00:04:43,250 --> 00:04:45,486
THEY'RE SHOW-OFF BIRDS, SO THEY
LIKE TO SHOW THEIR PLUMAGE,
64
00:04:45,486 --> 00:04:49,523
AND THE LIGHT COMPLEMENTS
THEIR BRIGHT PLUMAGE.
65
00:04:49,523 --> 00:04:53,494
Attenborough:
THE SIGNS ARE GOOD.
66
00:04:53,494 --> 00:04:55,429
THEY DECIDE TO BUILD A HIDE.
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00:04:55,429 --> 00:04:59,400
IT MUST BE BIG ENOUGH TO SEAT
HER AND THE CAMERA CREW.
68
00:05:00,401 --> 00:05:04,338
BUT THERE'S A PROBLEM.
69
00:05:04,338 --> 00:05:05,472
A DEAD BANANA TREE
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00:05:05,472 --> 00:05:08,409
BLOCKS THE CAM ERA'S VIEW.
71
00:05:08,409 --> 00:05:12,379
MIRIAM HAS IT
GENTLY PRUNED BACK.
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00:05:12,546 --> 00:05:16,517
[ BIRDS CALLING ]
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00:05:17,351 --> 00:05:21,355
SHE'S CONFIDENT
THE BIRDS WILL RETURN.
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00:05:21,355 --> 00:05:25,326
THIS IS THE MATING SEASON,
WHEN THEY BECOME LESS SHY.
75
00:05:28,462 --> 00:05:31,532
SHE DISCOVERED THIS
WHEN SHE WAS STILL A STUDENT.
76
00:05:31,532 --> 00:05:34,401
WORKING IN THE FOREST,
EARLY ONE MORNING,
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00:05:34,401 --> 00:05:38,372
SHE SPOTTED A BIRD-OF-PARADISE
HIGH IN THE TREE TOPS
78
00:05:39,440 --> 00:05:43,410
AND BELOW IT, ANOTHER, PREENING
ITS PLUMES IN THE MORNING SUN.
79
00:05:44,478 --> 00:05:48,415
[ CALLING ]
80
00:05:48,415 --> 00:05:50,484
AND THEN THEY DISPLAYED.
81
00:05:50,484 --> 00:05:54,455
THE SIGHT CHANGED HER LIFE.
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00:05:57,324 --> 00:05:58,492
Supuma: ON THAT DAY, I NOTICED
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00:05:58,492 --> 00:06:00,527
THERE WERE ABOUT SIX OR SEVEN
BIRDS-OF-PARADISE,
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00:06:00,527 --> 00:06:03,530
SINGING AND DANCING,
AND IT JUST CONTINUED
85
00:06:03,530 --> 00:06:05,299
FOR FIVE OR TEN MINUTES.
86
00:06:05,299 --> 00:06:06,500
I STOPPED WHAT I WAS DOING --
87
00:06:06,500 --> 00:06:08,402
I WAS MEASURING TREES
AT THE TIME --
88
00:06:08,402 --> 00:06:11,372
AND I WAS LOOKING AT IT,
JUST STARING AT IT IN AWE.
89
00:06:11,372 --> 00:06:15,342
[ CALLING CONTINUES]
90
00:06:16,610 --> 00:06:19,446
Attenborough: NATURALISTS
FALL IN LOVE WITH NATURE,
91
00:06:19,446 --> 00:06:23,517
AND THEN COME BACK FOR MORE.
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00:06:23,517 --> 00:06:27,488
SEVEN YEARS ON, AND EXPERIENCE
HAS TAUGHT MIRIAM
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00:06:28,555 --> 00:06:31,392
THAT THE BEST WAY TO OBSERVE
THE MALE KING BIRD
94
00:06:31,392 --> 00:06:35,362
IS TO FIND HIS DISPLAY PERCH
AND THEN WAIT FOR HIM TO ARRIVE.
95
00:06:40,401 --> 00:06:44,371
TEACHES YOU A LOT OF PATIENCE,
DOESN'T IT?
96
00:06:45,406 --> 00:06:48,609
Attenborough:
AND PATIENCE CAN OFTEN PAY OFF.
97
00:06:48,609 --> 00:06:51,478
OH, THERE IT IS...
WOW!
98
00:06:51,478 --> 00:06:54,448
THE KING BIRD.
99
00:06:54,448 --> 00:06:57,584
IT'S FACING THAT WAY,
WITH ITS BACK TOWARDS US.
100
00:06:57,584 --> 00:07:01,555
YOU CAN SEE THE RED BACK.
101
00:07:02,356 --> 00:07:04,491
IT'S GONE UP INTO THE CANOPY.
102
00:07:04,491 --> 00:07:06,627
Attenborough: HE'S A DEEP
CHILI-PEPPER RED,
103
00:07:06,627 --> 00:07:09,396
WITH A SNOW-WHITE BREAST.
104
00:07:09,396 --> 00:07:11,398
TWO LONG QUILLS
SPROUT FROM HIS TAIL,
105
00:07:11,398 --> 00:07:14,635
EACH TIPPED BY A GREEN DISK
LIKE A COIN.
106
00:07:14,635 --> 00:07:18,605
THAT WAS A RARE MOMENT.
107
00:07:19,673 --> 00:07:23,410
OH, THERE, THERE IT IS AGAIN.
WOW!
108
00:07:23,410 --> 00:07:24,478
Attenborough: SHE'S THRILLED.
109
00:07:24,478 --> 00:07:27,448
WITH OTHER MALES CALLING
IN THE FOREST NEARBY,
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00:07:27,448 --> 00:07:31,418
MIRIAM IS SURE THAT SHE'S FOUND
A GOOD POPULATION HERE.
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00:07:32,586 --> 00:07:34,588
[ CALLING ]
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00:07:34,588 --> 00:07:38,659
THE MALE KING BIRD WILL CALL
TO THE FEMALES IN THE AREA.
113
00:07:38,659 --> 00:07:42,629
[ CALLING CONTINUES]
114
00:07:42,629 --> 00:07:46,600
IF NONE COME, HE WILL PERFORM
WITHOUT THEM.
115
00:07:52,439 --> 00:07:53,407
AFTER PUFFING HIMSELF UP,
116
00:07:53,407 --> 00:07:56,477
HE FLICKS HIS QUILLS ABOVE
HIS HEAD AND WAGGLES THEM,
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00:07:56,477 --> 00:08:00,447
MAKING THE LITTLE DISKS
DANCE IN THE AIR ABOVE HIM.
118
00:08:07,621 --> 00:08:11,625
HE'S STILL HOPING
FOR AN AUDIENCE.
119
00:08:11,625 --> 00:08:15,596
UNDETERRED, HE ENDS
WITH A FLOURISH.
120
00:08:16,430 --> 00:08:20,400
HE SWINGS UPSIDE DOWN
AND LOCKS HIS LEGS.
121
00:08:20,567 --> 00:08:24,538
AND THEN HE TURNS HIMSELF
INTO A PENDULUM.
122
00:08:32,579 --> 00:08:35,716
THE KING BIRD IS A SOLOIST.
123
00:08:35,716 --> 00:08:39,486
THE MALES OF MANY OTHER SPECIES
124
00:08:39,486 --> 00:08:43,457
DISPLAY IN GROUPS.
125
00:08:46,693 --> 00:08:50,664
TH ESE ARE
THE GREATER BIRDS-OF-PARADISE.
126
00:08:52,633 --> 00:08:56,637
MALES ASSEMBLE EVERY DAY
IN ONE SPECIAL TREE,
127
00:08:56,637 --> 00:08:59,506
WAITING FOR A FEMALE TO ARRIVE.
128
00:08:59,506 --> 00:09:01,608
WHEN ONE DOES,
129
00:09:01,608 --> 00:09:05,579
THEY ALL SNAP INTO ACTION.
130
00:09:11,752 --> 00:09:15,722
AND SHE SELECTS
THE ONE SHE PREFERS.
131
00:09:15,722 --> 00:09:19,693
SHE'S REWARDED
WITH A ONE-ON-ONE --
132
00:09:21,562 --> 00:09:25,532
STARTING WITH PECKS ON THE HEAD.
133
00:09:26,533 --> 00:09:30,504
AND EVENTUALLY SHE ACCEPTS HIM.
134
00:09:30,804 --> 00:09:34,675
WHILE ALL THE MALES MAY APPEAR
EQUALLY GORGEOUS TO OUR EYES,
135
00:09:34,675 --> 00:09:38,679
FEMALES APPARENTLY DETECT
DIFFERENCES.
136
00:09:38,679 --> 00:09:42,649
WHAT'S MORE, THEY NEARLY ALL
MATE WITH THE SAME MALE.
137
00:09:43,750 --> 00:09:45,719
BY SELECTING THE FINEST PLUMES
IN THIS WAY,
138
00:09:45,719 --> 00:09:47,721
THE FEMALES HAVE INCREASED
THE MALES' BEAUTY
139
00:09:47,721 --> 00:09:49,723
GENERATION AFTER GENERATION,
140
00:09:49,723 --> 00:09:53,694
AND SO BROUGHT THESE MAGNIFICENT
DANCES INTO EXISTENCE.
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00:09:59,766 --> 00:10:02,669
THE SPECTACULAR BEAUTY
OF THEIR BIRDS
142
00:10:02,669 --> 00:10:04,771
FASCINATES THE PEOPLE
OF NEW GUINEA,
143
00:10:04,771 --> 00:10:08,742
AS I DISCOVERED BACK IN 1957.
144
00:10:12,579 --> 00:10:15,682
I KNEW THAT THE BIRD-OF-PARADISE
PLUMES WERE IMPORTANT,
145
00:10:15,682 --> 00:10:19,553
AND I QUICKLY DISCOVERED
JUST HOW IMPORTANT.
146
00:10:19,553 --> 00:10:21,788
THE PLUMES ARE
THE EQUIVALENT OF MONEY
147
00:10:21,788 --> 00:10:24,825
AND AN ESSENTIAL PAYMENT
IN THE BARGAINING
148
00:10:24,825 --> 00:10:26,693
THAT GOES ON BETWEEN FAMILIES
149
00:10:26,693 --> 00:10:30,631
WHEN FIXING A WEDDING
SETTLEMENT...
150
00:10:30,631 --> 00:10:32,799
[ MEN SINGING
IN NATIVE LANGUAGE ]
151
00:10:32,799 --> 00:10:36,803
Attenborough:
AND WHEN MEN WANT TO DANCE.
152
00:10:36,803 --> 00:10:40,774
AND WHAT I SAW 50 YEARS AGO
153
00:10:41,708 --> 00:10:43,677
IS STILL GOING ON TODAY.
154
00:10:43,677 --> 00:10:46,647
[ MEN SINGING]
155
00:10:46,647 --> 00:10:50,717
Attenborough: GOROKA TOWN,
IN THE HEART OF THE MOUNTAINS.
156
00:10:50,717 --> 00:10:54,688
IT'S FESTIVAL TIME, AND FEATHERS
ARE STILL ESSENTIAL HEADWEAR.
157
00:11:01,728 --> 00:11:05,699
GO WITH THE PHOTOGRAPH,
IF YOU CAN. OR THE --
158
00:11:05,832 --> 00:11:07,834
Attenborough:
IT'S A KEY MOMENT IN THE YEAR
159
00:11:07,834 --> 00:11:09,736
FOR MIRIAM'S RESEARCH.
160
00:11:09,736 --> 00:11:10,737
LOOK AT THESE
AND THEN LOOK
161
00:11:10,737 --> 00:11:11,805
AT WHAT'S
ON THE HEADDRESSES.
162
00:11:11,805 --> 00:11:13,607
IF YOU SEE SOMETHING
LIKE THIS...
163
00:11:13,607 --> 00:11:15,709
Attenborough: THE FEATHERS OF
MANY DIFFERENT SPECIES OF BIRD
164
00:11:15,709 --> 00:11:18,745
ARE USED IN THE HEADDRESSES,
AND THE TEAM WANT TO FIND OUT
165
00:11:18,745 --> 00:11:22,716
HOW MANY COME FROM
BIRDS-OF-PARADISE.
166
00:11:23,650 --> 00:11:25,819
THESE SCENES ARE NOT
VERY DIFFERENT
167
00:11:25,819 --> 00:11:26,820
FROM THOSE I FILMED MYSELF
168
00:11:26,820 --> 00:11:28,689
HALF A CENTURY EARLIER.
169
00:11:28,689 --> 00:11:30,724
Attenborough on film:
THERE WERE 500 OF THESE MEN,
170
00:11:30,724 --> 00:11:34,728
STAMPING UP AND DOWN
MONOTONOUSLY AND UNCEASINGLY.
171
00:11:34,728 --> 00:11:37,698
AND AS I WATCHED THEM,
I REALIZED THAT
172
00:11:37,698 --> 00:11:38,799
HERE WAS THE REASON
WHY NO ONE
173
00:11:38,799 --> 00:11:40,634
HAD BROUGHT US
BIRDS-OF-PARADISE.
174
00:11:40,634 --> 00:11:44,604
MIRIAM WANTS TO SEE
MY FOOTAGE FROM 1957
175
00:11:44,838 --> 00:11:46,707
SO THAT SHE CAN COMPARE
THE NUMBERS
176
00:11:46,707 --> 00:11:49,743
AND SPECIES USED BY THE DANCERS
THEN AND NOW.
177
00:11:49,743 --> 00:11:53,714
EACH MAN WAS WEARING
THE FEATHERS OF 30 OR 40 BIRDS.
178
00:11:54,781 --> 00:11:56,883
AT THIS ONE DANCE,
WE WERE SEEING
179
00:11:56,883 --> 00:12:00,887
THE PLUMES OF OVER 20,000
SLAUGHTERED BIRDS-OF-PARADISE.
180
00:12:00,887 --> 00:12:04,858
THE DESIRE TO POSSESS
THE BEAUTY OF THE BIRDS
181
00:12:06,693 --> 00:12:07,928
IS AN ANCIENT OBSESSION,
182
00:12:07,928 --> 00:12:11,898
STILL ALIVE
IN THESE TRIBAL LANDS.
183
00:12:17,671 --> 00:12:20,774
THE ISLAND OF NEW GUINEA
IS HUGE.
184
00:12:20,774 --> 00:12:23,643
A THOUSAND MILES LONG,
185
00:12:23,643 --> 00:12:25,846
LYING BETWEEN AUSTRALIA
AND THE EQUATOR,
186
00:12:25,846 --> 00:12:27,848
IT WAS PUSHED UP
FROM THE BOTTOM OF THE SEA
187
00:12:27,848 --> 00:12:31,785
WAY BACK IN GEOLOGICAL TIME.
188
00:12:31,785 --> 00:12:34,654
A FEW LAND MAMMALS
189
00:12:34,654 --> 00:12:36,857
FROM AUSTRALIA
MANAGED TO GET HERE --
190
00:12:36,857 --> 00:12:38,859
INCLUDING SOME MARSUPIALS,
191
00:12:38,859 --> 00:12:42,829
SUCH AS THE STRANGE
TREE KANGAROO.
192
00:12:46,700 --> 00:12:50,670
BUT THERE ARE NO INDIGENOUS
CARNIVOROUS MAMMALS HERE.
193
00:12:52,939 --> 00:12:55,842
WITH FRUIT GROWING
ALL THE YEAR ROUND,
194
00:12:55,842 --> 00:12:59,813
THIS IS INDEED
A PARADISE FOR BIRDS.
195
00:13:06,920 --> 00:13:09,923
THEN, SOME 30,000 YEARS AGO,
196
00:13:09,923 --> 00:13:13,894
THE GREATEST THREAT TO THEIR
EXISTENCE WALKED IN ON TWO LEGS.
197
00:13:15,929 --> 00:13:19,900
BUT TODAY, THERE ARE PEOPLE HERE
WHOSE ONLY AIM
198
00:13:21,835 --> 00:13:23,937
IS TO PROTECT THE BIRDS.
199
00:13:23,937 --> 00:13:27,908
PAUL IGAG WAS BROUGHT UP
ON THE COAST, A FISHERMAN'S SON.
200
00:13:30,977 --> 00:13:34,948
PAUL GAVE UP THE FISHING LIFE
TO STUDY BIOLOGY.
201
00:13:35,782 --> 00:13:37,951
HE MARRIED A HIGHLAND GIRL
AND STAYED UP HERE
202
00:13:37,951 --> 00:13:41,855
TO PURSUE HIS LOVE
OF FOREST BIRDS.
203
00:13:41,855 --> 00:13:45,792
[ BIRDS CALLING ]
204
00:13:45,792 --> 00:13:49,763
THE CALL OF THE RAGGIANA
BIRD-OF-PARADISE.
205
00:13:49,996 --> 00:13:53,967
You can see a male up there
with full adult plumage.
206
00:13:55,969 --> 00:13:59,940
Attenborough-.
HE'S TRYING TO ATTRACT FEMALES.
207
00:14:05,979 --> 00:14:09,883
PAUL HAS SEEN MANY OF THE
FOREST'S RAREST BIRD SPECIES.
208
00:14:09,883 --> 00:14:12,919
HE BUILDS PLATFORMS
IN THE CANOPY,
209
00:14:12,919 --> 00:14:14,821
WHERE HE CAN SIT QUIETLY
210
00:14:14,821 --> 00:14:16,857
AN D WAIT.
211
00:14:16,857 --> 00:14:20,827
[ CALLING CONTINUES]
212
00:14:20,827 --> 00:14:21,995
SOME BIRDS ARE QUITE BOLD
213
00:14:21,995 --> 00:14:25,866
AND SEEM UNDISTURBED
BY HIS PRESENCE.
214
00:14:25,866 --> 00:14:28,869
OTHERS ARE MUCH MORE WARY,
215
00:14:28,869 --> 00:14:32,839
LIKE THE MAGNIFICENT
RIFLE-BIRD OF PARADISE.
216
00:14:37,911 --> 00:14:41,882
PAUL HAS BEEN WATCHING THE BIRDS
INTENSIVELY FOR OVER 15 YEARS.
217
00:14:44,885 --> 00:14:48,855
[ CALLING ]
218
00:14:48,855 --> 00:14:52,826
HIS TRACKING SKILLS ARE CRUCIAL
TO THE PROJECT.
219
00:15:04,070 --> 00:15:07,874
TOGETHER, PAUL AND MIRIAM
START TO IDENTIFY
220
00:15:07,874 --> 00:15:11,845
THE BIRD POPULATIONS
THAT MAY NEED PROTECTION.
221
00:15:17,951 --> 00:15:21,955
PAUL IS TAKING MIRIAM
TO A REMOTE VILLAGE
222
00:15:21,955 --> 00:15:25,926
SOUTHEAST OF GOROKA.
223
00:15:30,997 --> 00:15:34,034
AS I DID ON MY OWN JOURNEY
TO THE INTERIOR,
224
00:15:34,034 --> 00:15:36,870
THEY HAVE TO CROSS
HIGH MOUNTAIN RANGES,
225
00:15:36,870 --> 00:15:40,840
BLANKETED BY FOREST.
226
00:15:41,074 --> 00:15:43,877
BETWEEN THESE WALLS OF ROCK
227
00:15:43,877 --> 00:15:47,847
LIE IMMENSE VALLEYS,
LIKE THE WAHGI.
228
00:15:50,884 --> 00:15:51,151
HUNDREDS OF TRIBES
229
00:15:51,151 --> 00:15:54,020
HAVE LIVED ON THE ISLAND
FOR THOUSANDS OF YEARS,
230
00:15:54,020 --> 00:15:57,991
SEPARATED BY THESE BARRIERS
OF WATER AND ROCK.
231
00:16:04,864 --> 00:16:07,033
800 LANGUAGES HAVE EVOLVED,
232
00:16:07,033 --> 00:16:09,069
SOME AS DIFFERENT
FROM ONE ANOTHER
233
00:16:09,069 --> 00:16:13,039
AS ENGLISH IS TO CHINESE.
234
00:16:14,140 --> 00:16:18,111
THE LANGUAGE OF HAIA VILLAGE
IS SPOKEN ONLY HERE.
235
00:16:19,112 --> 00:16:21,147
EVEN TODAY, THE ONLY CONTACT
236
00:16:21,147 --> 00:16:23,149
BETWEEN THESE PEOPLE
AND THE OUTSIDE WORLD
237
00:16:23,149 --> 00:16:27,120
IS THE PLANE THAT TAKES AWAY
THEIR COFFEE BEANS.
238
00:16:28,021 --> 00:16:31,925
IT'S A WARM WELCOME BACK
FOR PAUL.
239
00:16:31,925 --> 00:16:34,127
HE'S BEEN COMING HERE
FOR THE LAST FEW YEARS
240
00:16:34,127 --> 00:16:37,964
TO HELP MAP TRIBAL BOUNDARIES.
241
00:16:37,964 --> 00:16:41,901
[ SPEAKING NATIVE LANGUAGE ]
242
00:16:45,038 --> 00:16:49,009
Attenborough: THIS FOREST
BELONGS TO THE HAIA PEOPLE.
243
00:16:49,142 --> 00:16:50,977
THEY HAVE ALWAYS BEEN HUNTERS --
244
00:16:50,977 --> 00:16:54,948
BUT NOW THEY ARE HELPING
TO RECORD THE RICH WILDLIFE.
245
00:16:59,119 --> 00:17:03,089
ONE DAY, ALL THIS MAY BECOME
A PROTECTED RESERVE.
246
00:17:03,990 --> 00:17:06,960
FOR NOW, IT'S HUNDREDS
OF SQUARE MILES
247
00:17:06,960 --> 00:17:10,096
OF UNTOUCHED MOUNTAIN FOREST.
248
00:17:10,096 --> 00:17:13,933
FOR THE VILLAGERS,
A WILDLIFE RESERVE
249
00:17:13,933 --> 00:17:16,970
COULD BRING WORK AND EDUCATION.
250
00:17:16,970 --> 00:17:20,940
THERE'S A LOT AT STAKE.
251
00:17:24,010 --> 00:17:27,981
THE LOCALS' HUNTING KNOWLEDGE IS
INVALUABLE FOR THE PROJECT.
252
00:17:29,949 --> 00:17:31,051
PAUL AND MIRIAM NEED TO FIND
253
00:17:31,051 --> 00:17:32,952
NATURAL PATHS
AND TREES IN FRUIT
254
00:17:32,952 --> 00:17:36,923
IF THEY ARE TO LOCATE
ALL THE THREATENED SPECIES.
255
00:17:44,164 --> 00:17:48,134
THE THREE-FOOT -LONG
TAIL FEATHERS
256
00:17:48,134 --> 00:17:50,103
OF THE MALE BLACK SICKLEBILL
257
00:17:50,103 --> 00:17:54,074
ARE THE REASON WHY HIS KIND IS
ALMOST EXTINCT LOCALLY.
258
00:17:55,208 --> 00:17:59,179
HIS PLUMES
FETCH THE HIGHEST PRICES.
259
00:18:00,980 --> 00:18:04,951
BUT HUNTING HERE
HAS NOW BEEN BANNED.
260
00:18:07,954 --> 00:18:10,990
THIS TRIP IS TO FIND TWO SPECIAL
BIRDS-OF-PARADISE
261
00:18:10,990 --> 00:18:14,227
THAT ARE STILL
UNPROTECTED BY LAW.
262
00:18:14,227 --> 00:18:16,096
ONE OF THEM
CAN SOMETIMES BE SEEN
263
00:18:16,096 --> 00:18:19,065
IN THE VERY EARLY MORNINGS,
BUSY ON THE FLOOR
264
00:18:19,065 --> 00:18:23,136
OF THE DARKEST PARTS
OF THE FOREST.
265
00:18:23,136 --> 00:18:25,972
MIRIAM IS LOOKING FOR
266
00:18:25,972 --> 00:18:27,240
THE PAROTIA BIRD-OF-PARADISE --
267
00:18:27,240 --> 00:18:31,211
A BIRD WITH
A VERY SPECIAL DANCE.
268
00:18:35,081 --> 00:18:37,183
THE MALE PAROTIA
IS MOST PARTICULAR
269
00:18:37,183 --> 00:18:40,019
ABOUT WHERE HE DANCES.
270
00:18:40,019 --> 00:18:43,990
AND THIS COULD BE THE PLACE.
271
00:18:46,226 --> 00:18:50,230
PAUL IS LOOKING FOR THE
MAGNIFICENT BIRD-OF-PARADISE,
272
00:18:50,230 --> 00:18:53,099
A BIRD WHICH ALSO DISPLAYS
CLOSE TO THE GROUND,
273
00:18:53,099 --> 00:18:57,070
AND IS THEREFORE
VERY VULNERABLE TO HUNTERS.
274
00:18:57,070 --> 00:18:59,272
Igag:
"WELL, THAT'S IT," I SAID.
275
00:18:59,272 --> 00:19:02,075
THAT'S THE DISPLAY COURT,
AND THAT'S IT.
276
00:19:02,075 --> 00:19:05,044
WE WILL NOT GET HIM THERE. WE DIDN'T
WANT TO SPEND A LONG TIME IN THAT AREA,
277
00:19:05,044 --> 00:19:07,213
BECAUSE WE WANT TO COME BACK
AND SEE THE BIRD,
278
00:19:07,213 --> 00:19:09,048
SO OUR PRESENCE THERE
279
00:19:09,048 --> 00:19:12,252
MIGHT, YOU KNOW,
SPOIL EVERYTHING.
280
00:19:12,252 --> 00:19:15,188
[THUNDER, POURING RAIN 1
281
00:19:15,188 --> 00:19:17,190
Attenborough:
SIX INCHES OF RAIN CAN FALL
282
00:19:17,190 --> 00:19:21,161
IN A SINGLE DAY
ON CRATER MOUNTAIN.
283
00:19:21,294 --> 00:19:24,130
AND DURING THE DOWNPOURS,
THE BIRDS-OF-PARADISE
284
00:19:24,130 --> 00:19:28,101
SHELTER BENEATH THE LEAVES.
285
00:19:29,202 --> 00:19:32,305
[THUNDER]
286
00:19:32,305 --> 00:19:34,240
Supuma: I W AS SITTING
IN THE HIDE, THINKING
287
00:19:34,240 --> 00:19:38,077
WE MIGHT NOT GET TO SEE ANYTHING
BECAUSE IT DID RAIN.
288
00:19:38,077 --> 00:19:40,280
Bloody mosquitoes.
289
00:19:40,280 --> 00:19:44,250
AND THEN I HEARD
A MALE PAROTIA.
290
00:19:45,318 --> 00:19:49,289
THERE WERE OTHER MALES CALLING,
AS WELL.
291
00:19:59,132 --> 00:20:01,100
Attenborough:
BLACK AS THE BLACKEST NIGHT,
292
00:20:01,100 --> 00:20:04,270
HE SEEMS TO ABSORB
ALL THE LIGHT AROUND HIM.
293
00:20:04,270 --> 00:20:08,241
HE IS LAWES'S PAROTIA.
294
00:20:10,210 --> 00:20:14,147
ON HIS HEAD, SIX STRANGE
WIRE-LIKE PLUMES --
295
00:20:14,147 --> 00:20:18,117
EACH TIPPED WITH A BLACK
PENNANT.
296
00:20:26,092 --> 00:20:30,063
ON HIS CHEST, A SHIELD OF
IRIDESCENT GREEN AND GOLD.
297
00:20:47,413 --> 00:20:50,283
THIS IS HIS COURT,
298
00:20:50,283 --> 00:20:52,151
A STAGE HE HAS CAREFULLY CLEARED
299
00:20:52,151 --> 00:20:55,188
SO THAT HE CAN DANCE UNIMPEDED.
300
00:20:55,188 --> 00:20:59,158
CLEANING AWAY LAST NIGHT'S LEAF
FALL IS ESSENTIAL HOUSEKEEPING.
301
00:21:03,363 --> 00:21:05,331
A FEMALE ARRIVES.
302
00:21:05,331 --> 00:21:09,269
SHE IS COMPARATIVELY DRAB,
WITH NONE OF HIS FLASHY GLAMOUR.
303
00:21:09,269 --> 00:21:12,405
SHE'S TOURING ALL THE COURTS
IN THE NEIGHBORHOOD
304
00:21:12,405 --> 00:21:14,274
TO CHOOSE A MATE.
305
00:21:14,274 --> 00:21:18,244
HE SETS ABOUT IMPRESSING HER.
306
00:21:24,183 --> 00:21:28,154
BUT ONE OF HIS RIVALS
HAS CALLED BY, UNINVITED.
307
00:21:34,294 --> 00:21:38,264
AND HE IS FOLLOWED BY OTHERS.
308
00:21:41,401 --> 00:21:43,403
MORE FEMALES ARRIVE
309
00:21:43,403 --> 00:21:47,373
AND TAKE UP SEATS
FOR THE PERFORMANCE.
310
00:21:52,412 --> 00:21:56,382
[ SQUAWKING 1
311
00:21:58,217 --> 00:22:02,188
TENSIONS RISE,
BUT NOBODY DANCES.
312
00:22:14,434 --> 00:22:15,401
[ SQUAWKING 1
313
00:22:15,401 --> 00:22:19,372
SUDDENLY, ONE OF THE INTRUDERS
MATES WITH A FEMALE.
314
00:22:25,378 --> 00:22:27,280
ANOTHER MALE DOES THE SAME.
315
00:22:27,280 --> 00:22:31,250
THE COURT HAS BECOME
A FREE-FOR-ALL.
316
00:22:32,218 --> 00:22:36,189
IT'S NOT WHAT MIRIAM EXPECTED.
317
00:22:36,322 --> 00:22:38,458
They just went
straight into mating
318
00:22:38,458 --> 00:22:41,294
without even any dance at all.
319
00:22:41,294 --> 00:22:42,428
It's almost like skipping dinner
320
00:22:42,428 --> 00:22:46,399
and getting straight
into dessert.
321
00:22:48,201 --> 00:22:51,270
IT WOULD BE NICE TO SEE THEM
ACTUALLY DANCING.
322
00:22:51,270 --> 00:22:52,205
SITTING IN THE HIDE
323
00:22:52,205 --> 00:22:53,506
FOR THREE OR FOUR HOURS
ISN'T FUN
324
00:22:53,506 --> 00:22:55,241
WITH ALL THE MOSQUITOES,
325
00:22:55,241 --> 00:22:58,344
AND YOU'D LIKE TO GO AWAY
FEELING THAT YOU'VE SEEN
326
00:22:58,344 --> 00:22:59,379
THE WHOLE PERFORMANCE.
327
00:22:59,379 --> 00:23:03,349
Attenborough: IT IS POSSIBLE
THAT THE BIRDS
328
00:23:03,349 --> 00:23:06,452
HAVE BEEN DISTURBED
BY THE PRESENCE OF HUMANS
329
00:23:06,452 --> 00:23:10,423
IN THE FOREST AROUND.
330
00:23:19,432 --> 00:23:22,368
IT WILL BE SEVERAL DAYS
BEFORE THEY VENTURE BACK
331
00:23:22,368 --> 00:23:26,339
TO TRY ANOTHER FILMING SESSION.
332
00:23:28,508 --> 00:23:32,478
PAUL HAS BEEN SEARCHING FOR
THE MAGNIFICENT BIRD-OF-PARADISE
333
00:23:33,246 --> 00:23:36,349
FOR A FEW DAYS NOW,
LISTENING FOR THEIR CALLS
334
00:23:36,349 --> 00:23:39,519
AND QUIETLY
ASSESSING THEIR NUMBERS.
335
00:23:39,519 --> 00:23:42,288
HE RECENTLY SAW ONE
FAR FROM HERE
336
00:23:42,288 --> 00:23:46,259
IN THE TOWN MARKET.
337
00:23:48,561 --> 00:23:51,497
ALL BIRDS-OF-PARADISE
HAVE A STREET VALUE.
338
00:23:51,497 --> 00:23:53,533
IT'S NOT ILLEGAL
FOR LOCAL PEOPLE
339
00:23:53,533 --> 00:23:54,534
TO HUNT THEM OR SELL THEM.
340
00:23:54,534 --> 00:23:57,503
THEY'RE A WAY OF MAKING
SOME CASH.
341
00:23:57,503 --> 00:24:01,307
Igag: THIS IS A MAGNIFICENT
BIRD-OF-PARADISE.
342
00:24:01,307 --> 00:24:03,443
Attenborough: THE HUNTERS HAVE
MOUNTED THE BIRD'S SKIN,
343
00:24:03,443 --> 00:24:05,344
COMPLETE WITH FEATHERS,
ON A STICK,
344
00:24:05,344 --> 00:24:09,315
READY TO BE STUCK
INTO A HEADDRESS.
345
00:24:15,388 --> 00:24:19,325
ANOTHER BIRD WANDERS BY,
A PHEASANT PIGEON,
346
00:24:19,325 --> 00:24:23,296
FEEDING ON THE FOREST FLOOR.
347
00:24:31,471 --> 00:24:35,441
BUT THIS IS
A FEMALE MAGNIFICENT,
348
00:24:36,375 --> 00:24:39,445
AND HERE'S ANOTHER.
349
00:24:39,445 --> 00:24:41,314
There's the female.
350
00:24:41,314 --> 00:24:42,448
THINGS LOOK PROMISING.
351
00:24:42,448 --> 00:24:46,452
THEY CAN ONLY HAVE COME
FOR ONE REASON.
352
00:24:46,452 --> 00:24:50,456
A FLICKER OF GOLD,
AND THERE HE IS --
353
00:24:50,456 --> 00:24:54,427
THE MAGNIFICENT
BIRD-OF-PARADISE.
354
00:24:59,499 --> 00:25:02,502
THE MALE MAGNIFICENT
IS CLEARING AWAY LEAVES
355
00:25:02,502 --> 00:25:04,570
THAT HAVE FALLEN ON HIS COURT.
356
00:25:04,570 --> 00:25:08,541
DOVES AND PIGEONS ARE HELPING
BY PICKING UP A FEW SEEDS.
357
00:25:18,484 --> 00:25:21,554
HE'S STRIPPING AWAY MOSS
AND LEAVES,
358
00:25:21,554 --> 00:25:25,391
LETTING SHAFTS OF SUNLIGHT
INTO HIS DISPLAY COURT.
359
00:25:25,391 --> 00:25:28,394
HE WANTS TO LOOK HIS BEST.
360
00:25:28,394 --> 00:25:32,365
Igag: IT'S REALLY INTERESTING
TO SEE
361
00:25:32,365 --> 00:25:34,433
THE MAGNIFICENT
BIRD-OF-PARADISE.
362
00:25:34,433 --> 00:25:36,502
THE FEATHER ITSELF IS
QUITE BRIGHT,
363
00:25:36,502 --> 00:25:38,504
AND YOU CAN SEE IT OUT THERE.
364
00:25:38,504 --> 00:25:39,539
IT'S LIKE A FLAME.
365
00:25:39,539 --> 00:25:43,509
Attenborough: THE STAGE SEEMS
SET, BUT THERE'S A DISTRACTION.
366
00:25:45,511 --> 00:25:49,382
ANOTHER MALE.
367
00:25:49,382 --> 00:25:53,352
THERE'S A STANDOFF
BETWEEN THE TWO MALES.
368
00:25:53,519 --> 00:25:57,490
THEN THE FEMALES TAKE ACTION.
369
00:25:57,623 --> 00:26:00,426
[ SQUAWKING 1
370
00:26:00,426 --> 00:26:02,595
SURPRISINGLY, THEY CHARGE
THE INTRUDER...
371
00:26:02,595 --> 00:26:06,632
[ SQUAWKING 1
372
00:26:06,632 --> 00:26:10,603
AND DRIVE HIM OUT.
373
00:26:17,510 --> 00:26:20,513
WITH HIS STAGE NOW TO HIMSELF,
374
00:26:20,513 --> 00:26:24,417
THE COURT MAKER CAN GIVE
THE MOST INTERESTED FEMALE
375
00:26:24,417 --> 00:26:28,387
ALL HIS ATTENTION.
376
00:26:34,594 --> 00:26:38,564
HE BEGINS TO TRANSFORM HIMSELF
FOR HER.
377
00:26:39,465 --> 00:26:43,436
PUFFING AND PULSING
HIS BREAST FEATHERS
378
00:26:43,636 --> 00:26:45,571
CREATES A SPECIAL EFFECT --
379
00:26:45,571 --> 00:26:49,542
AN EMERALD-GREEN,
HEART-SHAPED BREAST SHIELD
380
00:26:50,576 --> 00:26:53,546
TO DAZZLE HER WITH.
381
00:26:53,546 --> 00:26:56,482
NEXT TO HIS EYES,
382
00:26:56,482 --> 00:27:00,453
TWO TINY IRIDESCENT SPOTS
FLASH AT HER.
383
00:27:01,721 --> 00:27:05,691
YOU MIGHT THINK THAT
THIS LITTLE JEWEL OF A BIRD
384
00:27:06,626 --> 00:27:07,593
WAS ONE OF A KIND.
385
00:27:07,593 --> 00:27:11,664
BUT HE HAS A COUSIN
ON AN OFFSHORE ISLAND
386
00:27:11,664 --> 00:27:15,635
THAT IN ISOLATION HAS CHANGED
INTO A DIFFERENT SPECIES --
387
00:27:16,569 --> 00:27:18,571
WILSON'S BIRD-OF-PARADISE.
388
00:27:18,571 --> 00:27:22,575
BOTH HAVE THOSE SICKLE-SHAPED
TAIL QUILLS.
389
00:27:22,575 --> 00:27:26,545
BUT HIS COUSIN HAS A BALD HEAD,
AND HIS SCALP IS BLUE.
390
00:27:27,713 --> 00:27:31,684
AND WHEREAS THE MAGNIFICENT'S
BACK IS A GOLDEN YELLOW,
391
00:27:33,552 --> 00:27:37,523
HIS COUSIN'S BACK
HAS TURNED RED.
392
00:27:44,563 --> 00:27:47,767
DIFFERENT POPULATIONS,
ISOLATED IN DIFFERENT AREAS,
393
00:27:47,767 --> 00:27:49,635
ARE STILL EVOLVING
DIFFERENT PLUMES
394
00:27:49,635 --> 00:27:53,606
TO MATCH THE TASTES
OF THE LOCAL FEMALES.
395
00:28:02,615 --> 00:28:05,785
Igag: WE WERE THINKING,
WHEN IS MATING TAKING PLACE,
396
00:28:05,785 --> 00:28:07,620
WHEN IS MATING
TAKING PLACE?
397
00:28:07,620 --> 00:28:09,755
IT'S SORT OF AN ACTMTY
THAT PROBABLY
398
00:28:09,755 --> 00:28:13,626
GOES ON FOR A WHILE,
UNTIL ONLY THE BIRDS KNOW
399
00:28:13,626 --> 00:28:16,595
WHEN IS THE RIGHT TIME.
400
00:28:16,595 --> 00:28:19,532
Attenborough: IT'S PAUL'S
FIRST SIGHTING
401
00:28:19,532 --> 00:28:21,634
OF A MAGNIFICENT
BIRD-OF-PARADISE --
402
00:28:21,634 --> 00:28:25,604
AFTER 15 YEARS
WORKING IN THE FOREST.
403
00:28:28,708 --> 00:28:30,676
SEVERAL DAYS LATER,
404
00:28:30,676 --> 00:28:33,646
MIRIAM RETURNS TO THE COURT
OF THE PAROTIA.
405
00:28:33,646 --> 00:28:37,616
THE MALE IS BACK
ON HIS DANCING GROUND.
406
00:28:39,585 --> 00:28:43,556
BUT THE CAMERA
CAN'T GET A PROPER VIEW.
407
00:28:43,556 --> 00:28:45,524
A LOG HAS DROPPED.
408
00:28:45,524 --> 00:28:48,794
IT'S TOO LATE
TO BUILD ANOTHER HIDE.
409
00:28:48,794 --> 00:28:51,664
INSTEAD, THE CREW
HAS TO MAKE ADJUSTMENTS.
410
00:28:51,664 --> 00:28:55,634
THE LOG IS PROPPED UP.
411
00:28:56,802 --> 00:29:00,806
THERE IS A RISK, OF COURSE,
THAT THE COURT OWNER
412
00:29:00,806 --> 00:29:04,777
WILL NOTICE THE CHANGE
AND NEVER COME BACK.
413
00:29:07,580 --> 00:29:10,816
BUT H E DOES.
414
00:29:10,816 --> 00:29:14,787
IT'S A VERY PROMISING START.
415
00:29:17,723 --> 00:29:19,792
HE REMOVES LITTLE BITS OF LITTER
416
00:29:19,792 --> 00:29:23,763
AND PREPARES TO PERFORM ONE OF
THE MOST COMPLEX DANCE ROUTINES
417
00:29:24,597 --> 00:29:28,567
IN THE WHOLE BIRD WORLD.
418
00:30:21,854 --> 00:30:25,825
BUT NOW THERE'S TROUBLE --
AN INTRUDER, ANOTHER MALE.
419
00:30:41,807 --> 00:30:45,778
[ SQUAWKING 1
420
00:31:02,728 --> 00:31:06,699
BUT THE OWNER OF THE COURT
IS NOT PUT OFF.
421
00:31:21,881 --> 00:31:25,851
AND THAT IS HOW IT'S
SUPPOSED TO BE.
422
00:32:24,843 --> 00:32:28,814
SEEING THE PAROTIA DANCE
GIVES MIRIAM AN INSIGHT
423
00:32:29,748 --> 00:32:33,018
INTO THE INTIMATE RITUALS
OF HER PEOPLE.
424
00:32:33,018 --> 00:32:35,921
Supuma: WHEN I W AS
SITTING IN THE HIDE,
425
00:32:35,921 --> 00:32:38,924
I WAS THINKING BACK TO PEOPLE
HERE IN PAPUA NEW GUINEA.
426
00:32:38,924 --> 00:32:42,928
THEY HAVE THESE GATHERINGS WHERE
THEY GO INTO A HUT AND SIT IN A ROW,
427
00:32:42,928 --> 00:32:44,997
ALTERNATING
MALE-FEMALE-MALE-FEMALE.
428
00:32:44,997 --> 00:32:48,000
THEY START SINGING AND ROCKING
THEIR HEADS BACK AND FORTH...
429
00:32:48,000 --> 00:32:50,869
IT'S LIKE PICKING OUT
SOMEONE THEY FANCY.
430
00:32:50,869 --> 00:32:54,840
AND I CAN UNDERSTAND WHY,
WHEN THEY DO
431
00:32:55,007 --> 00:32:57,910
THEIR TRADITIONAL DANCE,
THEY PUT THE FEATHERS ON.
432
00:32:57,910 --> 00:32:59,044
PROBABLY TO THEM,
433
00:32:59,044 --> 00:33:03,015
REPRESENTS SOMETHING, YOU KNOW,
THAT'S KIND OF SACRED
434
00:33:03,983 --> 00:33:05,818
THEY FIND IN THE FOREST,
435
00:33:05,818 --> 00:33:07,987
AND BECAUSE
OF THE BIRD'S BEHAVIOR --
436
00:33:07,987 --> 00:33:11,957
IT'S A VERY UNIQUE
AND SPECIAL BIRD.
437
00:33:19,031 --> 00:33:21,934
Attenborough: PAPUANS
ARE STEEPED
438
00:33:21,934 --> 00:33:24,069
IN THE MYSTERIES
OF THEIR TRIBAL PAST.
439
00:33:24,069 --> 00:33:27,840
NOBODY KNOWS IT ALL,
440
00:33:27,840 --> 00:33:29,842
ONLY THAT BIRDS AND HUMANS
441
00:33:29,842 --> 00:33:33,812
HAVE BEEN TOGETHER
FOR THOUSANDS OF YEARS.
442
00:33:36,949 --> 00:33:40,986
THE DESIRE TO POSSESS THE BEAUTY
OF THE BIRDS
443
00:33:40,986 --> 00:33:44,957
IS AN ANCIENT OBSESSION.
444
00:33:51,830 --> 00:33:54,800
EVERYWHERE, THE PARADISE BIRDS
ARE HUNTED
445
00:33:54,800 --> 00:33:57,803
AND THEIR PLUMES TREASURED
446
00:33:57,803 --> 00:34:01,774
AND STORED ON THE RAFTERS
IN HOUSES THROUGHOUT THE LAND.
447
00:34:14,887 --> 00:34:18,891
THESE PRECIOUS FEATHERS ARE KEPT
IN BAMBOO TUBES,
448
00:34:18,891 --> 00:34:22,928
READY TO ADORN THE BODIES
OF A NEW GENERATION,
449
00:34:22,928 --> 00:34:26,899
TO HELP THEM BEGIN A NEW CYCLE
OF HUMAN LIFE.
450
00:34:39,978 --> 00:34:43,949
[ DRUMS PLAYING ]
451
00:34:44,883 --> 00:34:48,854
[ PEOPLE SINGING ]
452
00:34:51,924 --> 00:34:55,094
MIRIAM AND HER TEAM
ARE COUNTING FEATHERS.
453
00:34:55,094 --> 00:34:57,996
SHE WANTS CLUES
AS TO WHICH BIRDS
454
00:34:57,996 --> 00:35:01,934
ARE SUFFERING MOST FROM HUNTING.
455
00:35:01,934 --> 00:35:03,068
[ SUPUMA SPEAKING
NATIVE LANGUAGE ]
456
00:35:03,068 --> 00:35:04,903
Attenborough: THEY QUESTION
THE DANCERS
457
00:35:04,903 --> 00:35:08,006
ABOUT WHERE AND HOW
THEY GOT THEIR FEATHERS.
458
00:35:08,006 --> 00:35:10,943
[ MAN REPLYING
IN NATIVE LANGUAGE ]
459
00:35:10,943 --> 00:35:14,913
Attenborough: SHE'S KEEN TO KNOW
ABOUT ONE SPECIES IN PARTICULAR.
460
00:35:15,881 --> 00:35:19,852
Supuma: WHAT I HAVE HERE
IS THE BLUE BIRD-OF-PARADISE.
461
00:35:20,119 --> 00:35:21,153
I'VE SEEN IT WORN
462
00:35:21,153 --> 00:35:24,056
BY SOME OF THE HIGHLANDERS
ON THEIR HEADDRESS.
463
00:35:24,056 --> 00:35:26,024
Attenborough:
IT'S A VERY VULNERABLE BIRD,
464
00:35:26,024 --> 00:35:28,026
AND ITS FEATHERS
FETCH HIGH PRICES.
465
00:35:28,026 --> 00:35:31,897
Supuma: IT'S BEEN HUNTED HEAVILY
IN THE PAST.
466
00:35:31,897 --> 00:35:33,132
I HAVEN'T SEEN IT DISPLAY
IN THE WILD,
467
00:35:33,132 --> 00:35:36,068
AND IF I WERE,
THAT WOULD BE SOMETHING.
468
00:35:36,068 --> 00:35:38,971
Attenborough:
IN THE MEANTIME,
469
00:35:38,971 --> 00:35:40,172
BELIEFS DIE HARD.
470
00:35:40,172 --> 00:35:42,908
BUT AMONG THEM,
THERE ARE SOME THAT CAN
471
00:35:42,908 --> 00:35:46,912
ACTUALLY PROTECT THE BIRDS.
472
00:35:46,912 --> 00:35:49,214
[ GHOSTLY VOICES 1
473
00:35:49,214 --> 00:35:53,185
THERE'S A FEAR OF ANGERING
THE SPIRIT WORLD.
474
00:35:55,154 --> 00:35:59,124
AND WHERE SPIRITS LIVE,
HUNTERS WILL NOT GO.
475
00:36:01,126 --> 00:36:05,097
Igag: IMAGINE A MOUNTAIN
THAT IS COVERED WITH FOREST.
476
00:36:07,166 --> 00:36:08,200
NO ONE GOES UP THERE.
477
00:36:08,200 --> 00:36:12,004
PEOPLE BELIEVE THAT
THERE IS A SPIRIT UP THERE.
478
00:36:12,004 --> 00:36:15,174
PEOPLE DON'T TOUCH
THAT MOUNTAIN,
479
00:36:15,174 --> 00:36:19,144
SO THAT FOREST REMAINS INTACT.
480
00:36:23,115 --> 00:36:27,085
FOR US WORKING IN CONSERVATION,
IT WORKS PERFECTLY.
481
00:36:28,153 --> 00:36:32,124
IT LEAVES THAT PLACE UNSPOILED.
482
00:36:33,959 --> 00:36:35,194
Attenborough:
EARLY ONE MORNING,
483
00:36:35,194 --> 00:36:39,198
PAUL AND MIRIAM BEGIN CLIMBING
UP TO PART OF THE FOREST
484
00:36:39,198 --> 00:36:40,999
WHERE HUNTERS FEAR TO TREAD,
485
00:36:40,999 --> 00:36:44,970
TO LOOK FOR TWO SPECIAL
BIRDS-OF-PARADISE.
486
00:36:46,171 --> 00:36:50,142
DIFFERENT SPECIES LIVE
AT DIFFERENT ALTITUDES,
487
00:36:50,275 --> 00:36:51,210
DEPENDING ON THE RAINFALL
488
00:36:51,210 --> 00:36:55,180
AND THE TYPE OF FRUIT TREES
GROWING AT DIFFERENT LEVELS.
489
00:36:58,250 --> 00:37:02,221
EVEN TODAY, NOT A GREAT DEAL
IS KNOWN ABOUT THESE BIRDS --
490
00:37:03,021 --> 00:37:06,124
WHERE THEY NEST;
HOW THEY RAISE THEIR YOUNG;
491
00:37:06,124 --> 00:37:09,261
WHETHER SPECIES OVERLAP,
EVEN INTERBREED.
492
00:37:09,261 --> 00:37:13,232
BIOLOGISTS ARE STILL TRYING
TO FIND THE ANSWERS.
493
00:37:17,135 --> 00:37:21,106
FIELD WORK LIKE THIS
BRINGS ITS OWN DELIGHTS.
494
00:37:23,141 --> 00:37:25,277
Supuma: I GOT MY KNICKERS WET!
495
00:37:25,277 --> 00:37:27,045
[LAUGHS]
496
00:37:27,045 --> 00:37:30,315
Supuma: IT'S A CHALLENGE
IN ITSELF TO WORKING --
497
00:37:30,315 --> 00:37:34,253
BEING A RESEARCHER AND WORKING
IN A REMOTE AREA.
498
00:37:34,253 --> 00:37:38,123
SOMETIMES YOU GET TO SPEND
499
00:37:38,123 --> 00:37:39,124
MONTHS AND MONTHS
OUT IN THE FIELD,
500
00:37:39,124 --> 00:37:41,293
AND YOU MISS
YOUR COMFORTS IN LIFE.
501
00:37:41,293 --> 00:37:44,263
THE TRADEOFF IS THAT YOU
502
00:37:44,263 --> 00:37:47,065
GET TO LISTEN TO BIRDS SINGING
503
00:37:47,065 --> 00:37:51,136
IN THE MORNING...
YOU WAKE UP TO THAT EVERY DAY.
504
00:37:51,136 --> 00:37:55,107
Attenborough: MIRIAM IS LOOKING
FOR THE BLUE BIRD-OF-PARADISE.
505
00:37:57,175 --> 00:38:01,146
IN UNDISTURBED FOREST, SHE HOPES
TO FIND POPULATIONS OF BIRDS
506
00:38:01,280 --> 00:38:05,250
THAT WILL BE
LESS WARY OF HUMANS.
507
00:38:11,290 --> 00:38:15,294
PAUL IS LOOKING
FOR THE SUPERB BIRD-OF-PARADISE,
508
00:38:15,294 --> 00:38:19,164
WHOSE BREAST FEATHERS
ARE SO SOUGHT AFTER.
509
00:38:19,164 --> 00:38:23,135
IT CALLS IN THE DENSE
MID-CANOPY,
510
00:38:24,269 --> 00:38:25,337
BUT IT DISPLAYS ON
511
00:38:25,337 --> 00:38:29,308
OR NEAR THE GROUND,
AND IN OPEN SPACES.
512
00:38:32,210 --> 00:38:35,280
A LARGE FALLEN TREE --
513
00:38:35,280 --> 00:38:38,350
AND THERE'S
A HOPEFUL SIGN HERE.
514
00:38:38,350 --> 00:38:40,352
ON ONE SIDE,
SOME OF THE MOSS IS MISSING.
515
00:38:40,352 --> 00:38:44,156
SMALL DANCING FEET COULD HAVE
RUBBED IT AWAY.
516
00:38:44,156 --> 00:38:48,126
THIS COULD BE A GOOD PLACE
TO WATCH FOR THE SUPERB.
517
00:38:49,127 --> 00:38:51,296
BUT THE WEATHER IS NOT GOOD.
518
00:38:51,296 --> 00:38:54,366
[ RAINING ]
519
00:38:54,366 --> 00:38:58,203
[ SPEAKING
NATIVE LANGUAGE]
520
00:38:58,203 --> 00:39:02,174
Attenborough: IN WIND AND RAIN,
BIRDS, LIKE PEOPLE,
521
00:39:05,177 --> 00:39:06,211
TAKE SHELTER.
522
00:39:06,211 --> 00:39:07,279
THERE IS NOTHING TO BE DONE
523
00:39:07,279 --> 00:39:10,115
EXCEPT WAIT FOR A BREAK
IN THE WEATHER.
524
00:39:10,115 --> 00:39:14,086
IT'S NOW GETTING LATE
IN THE BIRDS' BREEDING CYCLE.
525
00:39:15,354 --> 00:39:19,324
THEIR DISPLAYS ARE BECOMING
LESS FREQUENT AND INTENSE.
526
00:39:25,163 --> 00:39:27,132
IT'S BEEN SIX DAYS
SINCE THE TEAM
527
00:39:27,132 --> 00:39:31,136
BUILT THE HIDE
BESIDE THE FALLEN TREE.
528
00:39:31,136 --> 00:39:34,339
PAUL ARRIVES IN THE RAIN
AT 5:00 EACH MORNING
529
00:39:34,339 --> 00:39:37,242
AND LEAVES IN THE RAIN AT NOON.
530
00:39:37,242 --> 00:39:41,213
AND THE FALLEN TREE IS JUST
REMAINING A FALLEN TREE.
531
00:39:45,250 --> 00:39:49,221
IN A DAMP THICKET, MIRIAM IS
KEEPING VIGIL FOR THE BLUE BIRD.
532
00:39:55,227 --> 00:39:58,263
DAY SEVEN, AND FINALLY
533
00:39:58,263 --> 00:40:02,234
A VISITOR TO PAUL'S LOG --
BUT IT'S ONLY A GROUND DOVE.
534
00:40:04,269 --> 00:40:05,337
[ BIRD CALLS ]
535
00:40:05,337 --> 00:40:08,273
THAT'S THE CALL OF THE SUPERB.
536
00:40:08,273 --> 00:40:12,344
HE'S MAKING AN ADVERTISING CALL
FROM A HIGH POINT.
537
00:40:12,344 --> 00:40:14,379
[ CALLING CONTINUES]
538
00:40:14,379 --> 00:40:18,350
AND IT'S NOT FAR
FROM PAUL'S HIDE.
539
00:40:21,153 --> 00:40:24,189
[ BIRD CALLING ]
540
00:40:24,189 --> 00:40:24,389
Supuma: That's nearby.
541
00:40:24,389 --> 00:40:27,426
Attenborough: AFTER MANY DAYS
OF SOLID RAIN,
542
00:40:27,426 --> 00:40:30,362
THE BIRDS ARE QUICKLY
BECOMING ACTIVE AGAIN.
543
00:40:30,362 --> 00:40:33,365
MIRIAM'S BIRD, A BLUE BIRD,
544
00:40:33,365 --> 00:40:36,435
HAS COME TO THE EDGE OF
THE THICKET AND IS CALLING.
545
00:40:36,435 --> 00:40:39,337
Supuma: I wonder if that's
the same bird
546
00:40:39,337 --> 00:40:42,207
or two different birds.
547
00:40:42,207 --> 00:40:45,210
[ BIRD CALLING ]
548
00:40:45,210 --> 00:40:49,181
Attenborough: PAUL'S BIRD
IS CALLING NONSTOP.
549
00:40:50,415 --> 00:40:54,386
AND THERE HE IS.
550
00:40:55,320 --> 00:40:59,291
THERE'S THAT FABULOUS
GREEN-AND-BLUE BREAST SHIELD.
551
00:41:10,268 --> 00:41:14,239
HE'S TRYING TO ENTICE A FEMALE
DOWN FROM THE CANOPY.
552
00:41:15,207 --> 00:41:19,211
[ CALLING ]
553
00:41:19,211 --> 00:41:20,278
[ SECOND BIRD CALLS ]
554
00:41:20,278 --> 00:41:22,247
Attenborough:
BUT THAT'S NOT HER.
555
00:41:22,247 --> 00:41:26,218
THE CALL SEEMS TO IRRITATE HIM.
556
00:41:29,287 --> 00:41:33,258
AND THERE SHE IS.
557
00:41:34,426 --> 00:41:38,396
HE TRANSFORMS HIMSELF.
558
00:41:43,468 --> 00:41:47,439
A BLACK CAPE APPEARS
BEHIND HIS HEAD.
559
00:41:48,473 --> 00:41:52,444
THEN HE MOVES INTO A TRANCE-LIKE
STATE AND HE DANCES.
560
00:42:21,339 --> 00:42:25,310
SUCCESS.
561
00:42:26,344 --> 00:42:29,447
AND HERE
IS THAT PERFORMANCE AGAIN.
562
00:42:29,447 --> 00:42:33,318
ALL IS NOT WHAT IT SEEMS.
563
00:42:33,318 --> 00:42:36,321
THOSE SPOTS THAT LOOK LIKE EYES
564
00:42:36,321 --> 00:42:40,292
ARE, IN FACT, FEATHERS,
REFLECTING THE DAWN LIGHT.
565
00:42:40,425 --> 00:42:44,329
THAT CLICKING NOISE IS NOT HIS
WINGS STRIKING THE WOOD,
566
00:42:44,329 --> 00:42:46,531
BUT QUILLS FLICKING
AGAINST ONE ANOTHER --
567
00:42:46,531 --> 00:42:50,502
LIKE THE CLICKING OF FINGERS.
568
00:42:53,405 --> 00:42:57,375
BIZARRE AND BEAUTIFUL.
569
00:42:57,375 --> 00:43:01,346
NO WONDER HIS BREAST SHIELD IS
SO TREASURED BY HUMAN DANCERS.
570
00:43:09,321 --> 00:43:12,490
IT'S DAY NINE.
571
00:43:12,490 --> 00:43:13,425
MIRIAM IS STILL WAITING
572
00:43:13,425 --> 00:43:17,395
FOR THE BLUE BIRD TO APPEAR
IN THE THICKET IN FRONT OF HER.
573
00:43:18,597 --> 00:43:22,467
[ BIRD CALLING ]
574
00:43:22,467 --> 00:43:26,471
HE CALLS FROM NEARBY TREES.
575
00:43:26,471 --> 00:43:30,442
COULD THE HIDE
BE PUTTING HIM OFF?
576
00:43:34,546 --> 00:43:36,581
AT LAST, HE COMES...
577
00:43:36,581 --> 00:43:39,618
AND TAKES UP HIS POSITION
ON HIS FAVORITE BRANCH
578
00:43:39,618 --> 00:43:43,388
IN HIS OWN SPECIAL WAY.
579
00:43:43,388 --> 00:43:47,359
SU PU MA: Wow!
580
00:43:50,528 --> 00:43:54,499
It's our lucky day.
581
00:44:03,575 --> 00:44:07,545
I've never seen anything like
this -- this is crazy.
582
00:44:21,559 --> 00:44:25,530
Attenborough: IT'S A PERFORMANCE
OF SUCH EXQUISITE BEAUTY,
583
00:44:25,530 --> 00:44:28,667
IT SEEMS UNFAIR THAT NO FEMALE
IS HERE TO SEE IT.
584
00:44:28,667 --> 00:44:32,404
HE'S SERENADING
LIKE A LOVE-STRUCK ROMEO,
585
00:44:32,404 --> 00:44:36,374
BUT THE BALCONY ABOVE IS EMPTY.
586
00:44:42,414 --> 00:44:46,384
ONE CAN ONLY SYMPATHIZE.
587
00:44:52,490 --> 00:44:55,660
MALE BIRDS-OF-PARADISE HAVE
PLAYED TO EMPTY SEATS
588
00:44:55,660 --> 00:44:57,629
FOR HUNDREDS OF THOUSANDS
OF YEARS.
589
00:44:57,629 --> 00:45:00,532
IT'S BEEN THEIR SPECIAL
EVOLUTIONARY DESTINY
590
00:45:00,532 --> 00:45:03,568
TO SPEND THEIR LIVES
DISPLAYING THEIR BEAUTY.
591
00:45:03,568 --> 00:45:07,539
IT'S WHAT MAKES THEM
SO EXTRAORDINARY.
592
00:45:12,544 --> 00:45:16,514
THE NEXT MORNING,
THE MALE BLUE BIRD RETURNS.
593
00:45:51,449 --> 00:45:54,486
SUDDENLY HE STOPS.
594
00:45:54,486 --> 00:45:58,456
[ CALLING ]
595
00:45:59,657 --> 00:46:03,561
MIRIAM HAS SEEN SOMETHING
OFF CAMERA.
596
00:46:03,561 --> 00:46:06,498
THERE'S A FEMALE
IN THE TREE ABOVE.
597
00:46:06,498 --> 00:46:10,468
SUPUMA: She's here, she's here!
598
00:46:13,638 --> 00:46:17,575
Attenborough: AND NOW SHE'S
HERE, HIS PERFORMANCE CHANGES.
599
00:46:17,575 --> 00:46:21,646
HIS PULSING GIVES WAY
TO A SUBTLE LOW BUZZING
600
00:46:21,646 --> 00:46:23,648
THAT ALSO TH ROBS.
601
00:46:23,648 --> 00:46:26,651
IT'S BARELY AUDIBLE
TO HUMAN EARS,
602
00:46:26,651 --> 00:46:30,555
BUT THE MICROPHONE PICKS IT UP
LOUD AND CLEAR.
603
00:46:30,555 --> 00:46:34,526
IT'S AN UNEARTHLY SOUND THAT HE
ONLY MAKES IN HER PRESENCE.
604
00:46:37,595 --> 00:46:39,664
THERE'S NOTHING LIKE IT
TO BE HEARD
605
00:46:39,664 --> 00:46:43,635
ANYWHERE ELSE IN THE BIRD WORLD.
606
00:47:17,702 --> 00:47:19,571
Supuma: THE VIBRATING MOVEMENT
607
00:47:19,571 --> 00:47:23,541
AND THE PUFFING OF THE CHEST
TO EXPOSE THE BLACK PATCH
608
00:47:23,675 --> 00:47:26,578
WAS SOMETHING INTIMATE,
609
00:47:26,578 --> 00:47:29,614
AND IT ONLY DID THAT
WHEN THE FEMALE WAS NEXT TO HIM.
610
00:47:29,614 --> 00:47:31,716
JUST LOOKING AT IT WAS --
611
00:47:31,716 --> 00:47:33,785
GAVE YOU
A SENSE OF GUILTY PLEASURE
612
00:47:33,785 --> 00:47:37,622
JUST LOOKING AT THEM,
IT WAS SOMETHING INTIMATE
613
00:47:37,622 --> 00:47:39,591
GOING ON BETWEEN THE TWO BIRDS.
614
00:47:39,591 --> 00:47:43,561
Attenborough: MOVING CLOSER,
BUT WITHOUT TOUCHING HIM,
615
00:47:44,662 --> 00:47:46,631
THE FEMALE SEEMS TO BE STUDYING
616
00:47:46,631 --> 00:47:50,602
EVERY FEATHER
OF HIS VIBRATING BODY.
617
00:47:50,835 --> 00:47:52,837
SURELY HE'S DONE ENOUGH...
618
00:47:52,837 --> 00:47:56,641
BUT NO.
619
00:47:56,641 --> 00:47:58,810
Supuma:
AND THEN ALL OF A SUDDEN
620
00:47:58,810 --> 00:48:01,679
SHE JUST FLEW AWAY,
621
00:48:01,679 --> 00:48:04,716
AND IT WAS LIKE, "UGH! COME ON!"
622
00:48:04,716 --> 00:48:07,819
FOR THE MALE
TO GO THROUGH ALL THAT,
623
00:48:07,819 --> 00:48:09,687
IT WAS EXCRUCIATING,
624
00:48:09,687 --> 00:48:12,690
JUST TO PUT ALL THAT ENERGY
INTO IT.
625
00:48:12,690 --> 00:48:15,727
AND I THINK FOR HIM IT WAS LIKE,
"OKAY, MAYBE WE'LL TRY
626
00:48:15,727 --> 00:48:16,861
ANOTHER DAY."
627
00:48:16,861 --> 00:48:17,729
YEAH.
628
00:48:17,729 --> 00:48:21,699
Attenborough: YET HIS EFFORT
IS THE WHOLE POINT.
629
00:48:22,634 --> 00:48:25,637
MALES CAN BUT TRY THEIR BEST.
630
00:48:25,637 --> 00:48:29,607
THE REST IS UP TO THE FEMALES,
AND IT WAS EVER THUS.
631
00:48:30,909 --> 00:48:34,879
[ CALLING ]
632
00:48:36,848 --> 00:48:39,817
THE PLAINTIVE CALL
OF THE REJECTED MALE
633
00:48:39,817 --> 00:48:41,753
ECHOES ACROSS THE MOUNTAINS.
634
00:48:41,753 --> 00:48:45,723
THESE DANCES HAVE BEEN PERFORMED
HERE FOR MILLENNIA,
635
00:48:46,724 --> 00:48:50,695
BUT FOR HOW MUCH LONGER?
636
00:48:52,797 --> 00:48:56,768
MIRIAM AND HER TEAM HAVE MADE
A GOOD START ON THEIR PROJECT.
637
00:48:57,769 --> 00:49:00,672
BUT MUCH MORE WORK
NEEDS TO BE DONE.
638
00:49:00,672 --> 00:49:01,906
Supuma: WE NEED NUMBERS.
639
00:49:01,906 --> 00:49:04,909
IN ORDER TO DO THAT,
WE NEED TO DO RESEARCH,
640
00:49:04,909 --> 00:49:05,843
SO WE NEED NUMBERS
641
00:49:05,843 --> 00:49:09,814
SO THAT WE CAN SEE HOW THEY ARE
FLUCTUATING WITH TIME
642
00:49:09,814 --> 00:49:11,849
AND WITH
THE DIFFERENT FACTORS --
643
00:49:11,849 --> 00:49:12,817
HUMAN POPULATION GROWTH,
644
00:49:12,817 --> 00:49:14,919
HUNTING DISTURBANCE,
FOREST CLEARING --
645
00:49:14,919 --> 00:49:18,890
SO WE CAN UNDERSTAND THEIR
CONSERVATION STATUS BETTER.
646
00:49:23,795 --> 00:49:25,830
Attenborough: MEANWHILE,
TO PRESERVE THE FEATHERS
647
00:49:25,830 --> 00:49:26,931
THAT THE DANCERS ALREADY HAVE,
648
00:49:26,931 --> 00:49:29,901
THE TEAM ARE HANDING OUT
MOTHBALLS.
649
00:49:29,901 --> 00:49:32,971
THESE CAN BE PUT INSIDE
THE BAMBOO TUBES
650
00:49:32,971 --> 00:49:34,939
IN WHICH THE FEATHERS ARE STORED
651
00:49:34,939 --> 00:49:37,875
AND SO SAVE THEM FROM DECAY.
652
00:49:37,875 --> 00:49:41,846
THAT SHOULD REDUCE THE DEMAND
FOR FRESHLY HUNTED PLUMES.
653
00:49:45,850 --> 00:49:49,721
:n-In -
654
00:49:49,721 --> 00:49:51,756
IT COULD MEAN
THE LOSS OF SOMETHING
655
00:49:51,756 --> 00:49:55,727
THAT PEOPLE HOLD CLOSE
TO THEIR HEARTS.
656
00:50:05,770 --> 00:50:06,938
Attenborough:
PAPUA NEW GUINEANS
657
00:50:06,938 --> 00:50:10,742
ARE NOW CARING FOR THEIR BIRDS
IN A NEW WAY.
658
00:50:10,742 --> 00:50:13,911
THE BIRDS HAVE SURVIVED
THE TRIBAL CULTURE
659
00:50:13,911 --> 00:50:17,882
FOR THOUSANDS OF YEARS,
BUT THE WORLD IS CHANGING
660
00:50:18,816 --> 00:50:20,752
AND THEIR FOREST IS CHANGING.
661
00:50:20,752 --> 00:50:24,722
MIRIAM AND PAUL ARE STARTING
A NEW CONSERVATION MOVEMENT
662
00:50:25,757 --> 00:50:27,759
TO ENSURE
THAT GENERATIONS TO COME
663
00:50:27,759 --> 00:50:31,729
WILL STILL BE ABLE TO DELIGHT
IN THESE ASTONISHING
664
00:50:32,964 --> 00:50:36,934
BIRDS-OF-PARADISE.
665
00:52:15,800 --> 00:52:19,837
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