Original subtitles

Listen up, boys and girls.

This is Clara Campoamor, do you know who she was?

- No. - Well you're going to know now.

Clara Campoamor was a politician from Madrid

who fought for women's rights.

She was essential to women gaining the right to vote in Spain.

- Women couldn't vote? - No.

- For a long time they couldn't. - Why?

Because men have always been more comfortable

making the decisions while women stayed home to cook.

My mom cooks at home because my dad burns everything.

Thanks to women like her,

your mom can vote and do more things than just cook.

And while we're on the subject, she should tell your dad

to buy a cookbook.

Clara Campoamor was a modern woman

who thought that life was for both men and women

in the house as well as at work and in politics.

Except for one thing that only woman can do.

- Give birth. - Exactly.

- Any questions? - No.

Very good, now you can fill out the wroksheet.

You can work in pairs.

I'm sorry, forgive the interruption, I couldn't help but listen to you.

It's fine. I see that you also admire Clara Campoamor.

Yes, her and all the women

the fought for their freedom and their rights.

Irene Larra. Julia, Julia Lozano.

- Nice to meet you. - Miss.

- What year are those pictures from? - 1930.

If they're that old, why are you in them?

Sincronized and edited by Chitorafa.

Chapter 18 Separated by Time

Truthfully she looks exactly like you.

Could she be... I don't know, your great-grandmother or some relative?

Thank you.

I have to get the students back to school.

- Would you like me to go with you? - No, don't be silly. I'm fine, truely.

Julia, look.

Take it, my card.

We don't know each other at all

but if something happens to you again and you need help...

Are you a psycologist?

No, but I'm a good listener.

I know that you have to live your nightmares alone

but sometimes it's good to share them.

Thank you.

Come in.

You have a visitor, it's Enriqueta.

Enriqueta?

What does she want?

I don't know, to speak with you.

But I don't understand it.

She disappears suddenly, and now she's back...

Didn't you tell me that she went to San Feliú to take care of her mother?

- Yes. - Well I hope she doesn't want money,

because the way your father's buisness is going that's the last thing we need.

Enriqueta.

What are you doing here?

Is something wrong?

Miss Amelia.

I need to speak with you a moment.

Alone.

"What's up, kids?

This morning I got up, pissed... a lot, in fact,

and I asked myself: 'Hey, with all the crap you do every day,

how come you've never done an 'unboxing'?

If you don't know what an 'unboxing' is,

get lost, because you're too old to be watching this.

No, no, that's a joke. Let's see.

I'll tell you: An "unboxing" is, basically,

opening a box of stuff that you just bought

and showing the Internet.

Since I haven't bought anything, I swiped my grandma's shopping.

Now I know some of you are going to say

that this isn't called "unboxing", it's called a "haul".

Well I'm calling it whatever the hell I want.

Let's start.

Check it, a can of clams, see?

It says: '60-80 pieces.

Weight drained, 64 grams. Natural.'

Now the cat's blocking me. Of course, he smells the clams...

- Justice Cat, how many...? - How cute.

Damn, Angustias, you scared the shit out of me.

"I've gotta go. See you next time. Bye from Nexus 6".

Is that him?

- He looks a little like you. - No, it's not him.

I was only doing some research, gathering some information.

- Well he looks just like you. - Let me make myself clear...

Yes, boss?

Yes, I'll be right there.

Let me through, please.

What the hell is this Nexus 6 thing?

It's Julia, I'm convinced.

Mmhm, in another decade and apparently without knowledge

- of time travel. - Yes, exactly.

Well, at least that's what she says.

That girl has no idea what's going on, I'm sure.

- The "Hatless Women" - Do you know about them?

I wouldn't be a very good subsecretary if I didn't.

The women of the Generation of '27.

The very same, completely forgotten by history,

because they were exiled after the War and because they were women.

Margarita Manso, Maruja Mayo...

Rosa Chafel, María Zambrano, María Teresa León...

They were called that because as a symbol of their rebellion

they walked around Puerta del Sol without hats on,

as was the custom in the upper classes.

Intolerance is not only in my time.

No, it's not.

- What's your plan? - Find out who is in the photo.

Very good. Then we'll know once and for all

if it was her or just some ancestor.

- Very well, then... I'll get on it. - Mmhm.

I'll get someone to watch the teacher.

Better safe than sorry.

- Especially with Irene, right? - I can see that she's very excited about this mission

and it wouldn't be the first time she's mixed personal with professional.

Correct, but after all, who doesn't do that in this Ministry?

Let he who is without sin...

cast the first stone, right?

Right.

- You followed me to the Ministry? - Yes, but don't worry,

- I haven't said a word to anyone. - What do you mean "don't worry"?

You've traveled in time.

Yes.

And I've made a grave mistake.

I borrowed your little book of doors.

And I've discovered something terrible.

When I'm older I will be a bad person.

Very bad.

Bad how?

Who left this open?

Who was it?

Julita.

Was it you?

Of course it was.

You've always been the least obedient.

Come here right now!

Sweetheart?

Where are you?

Julita?

Come out... so I can see you, pretty.

I'm not mad.

I promise.

Oh!

There you are.

Come here, sweetheart.

Come here with me.

Eh.

How many times have I told you that we don't open the windows?

How many?

What were you thinking?

Huh?

Do you want to escape from me?

Do you want to escape from me, brat?

I've treated you like a queen, little girl.

I've given you food.

I've given you a place to sleep. Isn't that so? Huh?

And this is how you pay me, making me angry?

Stop crying.

Enough.

♪Poor old woman♪

♪so delicate♪

Do you like this song?

Huh? Do you?

You know you shouldn't open the windows because you could catch a cold.

Huh?

It's very cold outside.

And we don't want you to get sick, right?

- No. - No, right?

Know what? I'm going to give you a glass of milk.

Flee. The police are coming.

Police. Open up.

Police. Open up.

What are you doing? Let's go.

Jovellanos Alley

Enriqueta.

Listen to me.

Who are you?

You're in trouble.

But that can change, right?

I... I can help you.

But you have to stop doing what...

what you do.

You have to trust me.

I know you.

- I know what you're going through. - What do you know?

I know they're looking for you.

And they're going to find you.

They'll put you in jail.

And you'll never get out.

But we can change that.

You just have to let the girl go...

and come with me.

Ah!

You'll be a kidnapper?

And I'll do worse things, too.

The whole world will talk about me.

And I'll go down in history as a cold blooded murderer.

I will be...

The Raval Vampire.

More Children Disappear in Barcelona

The Raval Vampire Arrested

Enriqueta Martí identified as the Vampire

Judge orders search of Vampire's family home

Enriqueta Martí bought and sold stolen children

Trafficking of Infant Organs

We've been urgently called in for this young woman?

That young woman is named Enriqueta Martí

and she is one of the most heinous criminals in our history.

And I promise you that in spite of her last name

she has no relation to my family.

- That girl? Impossible. - Difficult to believe, but yes.

Well believe it. You are face to face with the famous Raval Vampire.

According to history,

this woman sold, stole, and even murdered children

between the end of the 19th and beginning of the 20th century.

In addition to prostitution, pandering, even witchcraft.

Damn, quite a résumé.

- And what is she doing here? - Amelia can explain that better.

She was my servant.

I fired her because I caught her stealing.

Later she must have followed me without me knowing.

She followed you to the Ministry?

She discovered the time doors and also her destiny...

to become a killer.

She decided to stop it by warning herself in 1912

before the police could detain her.

Like when Marty McFly warns Doc in "Back to the Future."

- What? - We'll watch it later.

Agents, please, stay on topic.

Yes.

Well, the 1912 Ministry has confirmed

that when the Police went to detain her at her house,

exactly like history said, the Vampire had fled.

Are there any clues to help find her?

No, we don't know where she is.

To keep them from arresting her,

young Enriqueta brought her older self to the Ministry

and she escaped through a door, we don't know which one.

So now we have a kidnapper and a child killer

traveling through time with a 4 year old girl.

One moment. She is here.

If we end her now, we can stop all her future crimes.

Alonso, son, let's see,

what part of the phrase, "History can not be changed"

- did you not understand? - - Yes.

Remember this face, it's the person you have to find,

- the Vampire of Raval. - It doesn't look like the same woman.

Unfortunately it is.

We've alerted all the Ministries.

They are searching the hallways

where the time doors are inch by inch.

This is a high-alert situation.

I think that we should search her house

to see if we can find anything. Perhaps she's gone back there.

Mmhm. Very well.

Go.

- What should we do with her? - Interrogate her.

Thoroughly.

The hatless women photographer Curro Santos

Teresa Méndez.

I've got you.

We are going to your time and to your city.

Is it not possible that we could run into another... you?

- No, I don't think so. - Man, Barcelona is enormous.

That would be some coincidence, right?

One soldiers from the Tercios in Flanders recognised me

20 years after last seeing me. You can never be too cautious.

- When was that? - When we went

to convince Cervantes to write "El Quijote".

- I see you weren't bored. - And we ran into that

conceited Lope again.

Well, you sure kept that quiet.

We can talk about it another time. We have work to do.

You'll have to fill me in on all that you did.

Can we just go through already?

Please.

It smells like evil in here.

And stale air. It's been months since anyone opened it up.

Take this.

Put on gloves this is a crime scene.

♪Poor old woman♪

♪with her fan♪

♪with her fan♪

Come here.

Brains October 1908 Fat July 1901

Blood 1910 2 Hearts 28-1-1906

From the little I've had time to read,

it seems that the Vampire sold the blood of children to...

wealthy people, sick with tuberculosis.

They thought that it would cure them.

There's a little of everything here, huh?

But how is it possible that the young woman we have seen

- becomes such a monster? - Human beings,

always finding ways to become worse.

This is the paint.

- But that is not done with a brush, right? - It's spray paint, like for grafiti.

It seems she learned quickly in her time travels.

- How could I have been so stupid? - Don't beat yourself up.

We all make mistakes.

Look at me, World Champion

of continually tripping over the same stone.

Oh?

- An article about us? - Yes.

There's a reporter already writing one.

It's like she's one of us.

Josefina Carabias.

- Do you know her? - Yes, she's a great journalist

and an amazing woman.

My story won't be as good as hers,

but the more we write about you, the Hatless Women,

the more likely it is that the whole world will know your value.

A woman's value is little appreciated in these times.

I'm sure that will change.

- Will you agree to be interviewed? - Of course.

Then I'm inviting you for coffee since it's getting cold out.

Not again.

- Is something wrong? - No.

I think that instead of a coffee I'll have some chamomile tea.

Very good.

Now I have both of their DNA.

I'll send it to the lab immediately.

There's something I don't understand.

You say that she isn't among the known "Hatless Women".

Have they been so forgotten that there are some we didn't even know existed?

The picture at the exposition, for example, I hadn't seen before.

Could it be that Teresa and her double are the same person?

No, no way. Neither of them are lying.

They would have to be amazing actresses.

And they are identical, they even have the same dizzy spells.

Very well, we'll wait for the DNA report from the lab.

So we'll hold off on that case and meanwhile,

we'll concentrate our efforts on finding the Vampire.

Understood.

Excuse me.

Mmhm.

- It's... Julia Lozano, the teacher. - Answer it.

Thank you.

Yes, Julia, what's going on?

"I need to speak with you. I can't take it anymore."

She needs to see me.

Tell me which door the Vampire fled through.

- Again? - You brought her to the Ministry.

- Do you think that's a small thing? - I've already told you all that I know.

Well tell me again.

Did you know that I almost died while my mother was bringing me into this world?

No, I didn't know.

I wish I had died.

I wouldn't have suffered so much.

I wish I had died, like the son that I'll bring into this world.

Well, I see that you've learned all about your future.

- And I'm going to tell you about it. - Me?

Why?

So that it pains you.

My son will die from hunger.

Because I'll be so poor and so starved...

that my breasts won't make milk.

When they write about me they'll say that it will be what drives me insane.

Do you have children?

- Yes. - Take good care of them.

When I get out of here I'll pray that they won't suffer as will.

Look, Mister,

you can iterrogate me for 100 days and nights

and I won't tell you anything more because I don't know anything more.

But if, when you find her, you need me for anything,

I swear that I will help you.

- I'll do whatever you ask. - Why should I believe you?

So far you've only helped yourself

escape the police.

At the end of the day, you are the Vampire.

Not yet.

Do you hear me?

I'm not that monster yet.

I just wanted to convince Enriqueta to stop,

that she could still save herself.

I thought that if I forced her to remember who she was

before she became such a monster, than maybe...

maybe I won't become it, either.

Hello?

Hello.

It was a house of horrors, but we didn't find any clues to the Vampire.

The interrogation didn't turn up anything either.

Enriqueta swears that she doesn't know which door the Vampire fled through.

Thank you.

Agents, time is running out and we have nothing.

Ernesto, request any information from the other Ministries.

I've already done it, I asked for reports.

We'll find out if there have been any crimes

similar to the Vampire's in other time periods.

That would be terrible.

And all my fault.

People aren't measured by how many times they fall

they're measured by how many times they are able to get up again.

I would forgive you any mistake, except giving up on yourself.

We need you.

The few hours I sleep I keep having the same nightmare.

I almost prefer insomnia.

Could it be a memory that you have hidden in there?

Yes, that's what scares me the most.

There are many things about my past that I don't know.

My parents adopted me when I was very small

and I know nothing about my biological family.

Have you ever gone to a psycologist?

Yes, I've gone, but it hasn't... it hasn't helped at all.

What about a hypnosis session?

- Does that work? - I don't know,

but you won't lose anything by trying.

- Julián - Yes.

- May I ask you something? - Yeah, man, of course.

Does "Nexus 6" mean anything to you?

Yes, they're the replicants in "Blade Runner"

- Haven't you ever seen it? - No. Replicants?

Robots that seem so human you can't tell them apart from people.

- Ah. - Can I buy you a drink?

No, no. I have something important to do.

See you.

"Yes?

Yes? Who is this?"

This is the tenth time you've called me from this number and not said anything.

I don't know if there's anyone there, but I'm telling you I don't plan on changing the ADSL

"So stop calling once and fucking for all"

Why will you not...

- "Won't. Won't you". - "Won't, won't, won't".

For the love of Christ, I will never become accustomed...

I will not and I won't, Alonso.

What do you want to tell me, that I should eat something to keep up my strength

- for the next mission?

I wish there wasn't mission.

I might be the reason that the Vampire exists.

- What do you mean? - Enriqueta went crazy

because she lost her son. She didn't have anything to feed him.

And she became a monster.

Would it have come to that if I hadn't fired her?

- If she had a salary? - It was her destiny.

I swear to God that those who are bad are born that way.

I don't agree with that.

There are bad things in life that change people.

No one changes that much. Making excuses is what criminals and liars do.

Then, why did she come to tell me what she had done?

If Enriqueta steals or kills a child in the time that she escaped to,

she won't be the only guilty one. I'll be as guilty as she it.

Take the first step

and imagine you are immersing yourself in the memory.

Take the second step, Julia.

Every step

is taking you deeper into your subconscience.

Keep going.

Keep climbing the staircase.

When you get to the last step tell me what you see.

It's an old house.

There's music playing in the background.

♪Poor old woman.♪

♪How delicate.♪

No.

No, please.

I won't leave the window open again, I swear.

Don't take me.

I beg you, ma'am.

Relax, Julia. Who is taking you?

I don't know, it's a woman, I can't see her face.

No...

Don't take me.

I don't want to leave her alone.

- Who don't you want to leave alone? - The other little girl.

What are you doing? Come on!

No.

It's me.

We're going through a door.

The door is marked with a red X.

- Where is she taking you? - I don't know.

It's a very strange place, it's...

It's an old hallway.

And it's full of doors.

My God.

What do you see in the hallway?

The woman is arguing with a younger woman.

I am able to escape, but she pushes her.

She's following me.

I'm running down another hallway.

There are people in costumes, like at a carnival.

I keep running, but I'm getting tired.

I want to hide behind a door.

She's pulling me toward another door.

Can you see the number on the door, Julia?

- I don't see anything. - We have to stop the session.

- Don't even think about it. - It's dangerous.

Julia, Julia, I need to know the number on the door.

Please, sweetheart, try hard.

The number on the door.

805.

805.

805?

805, yes.

The Vampire fled though door 805.

That door leads to...

- to 1986. - Advise the Ministry in that year.

Tell them to alert the Police. And call the team.

No, don't let the team leave until I get there.

For what reason?

I think I can tell them exactly where they should go.

Okay.

- Did I say a lot of silly things? - No, not at all, none.

I think that I can help you solve your problem.

But I need some information about your adoption.

I can ask my parents. What do you need to know?

Firstly, the date that you were adopted.

This is the song that the woman in your case was humming.

Yes.

The Vampire took Julia when she realised

that the police were going to arrest her in 1912.

Later she arrived at the Ministry and escaped through door 805,

ending up in 1986, where she sold her.

At least we know the Vampire didn't hurt the girl.

And that she had good parents; if not, she wouldn't be the woman she is today.

Good parents who payed for a black market adoption.

Well, now we know which year to go to,

1986.

- Barcelona? - No, Madrid.

Without a doubt, that monster hasn't wasted any time adapting to her new time period.

She couldn't have picked a better time if she tried.

During the '80s in Madrid there was a rash

- of newborns being kidnapped. - Taken away from their mothers?

It seems like this Enriqueta

isn't the only monster in history.

As long as there is someone buying, someone will be selling.

- Whoever that might be. - I have the information.

- Take note. - Here is the address

of the clinic, the file and photos of Docto Madrigal.

- Son of a bitch. - Well said.

This Madrigal was convicted years later

of selling newborn babies.

Taken from poor families, they became children of families with more means.

Julia was five, not a newborn.

This information came from Julia's parents.

It seems like Doctor Madrigal served as an intermediary

- between them and the Vampire. - Doctor Madrigal

must have had more demand than supply

and so decided to expand the age range of the children.

It's difficult to talk about such an ugly subject,

but there is one thing I want to make clear to you.

You must not interfere in the case of the kidnapped children

or detain Doctor Madrigal.

- Could we not punish him a bit? - No, Alonso.

You have to find the Vampire.

You two will pass yourselves off as a married couple

looking to have a child by any means.

- Just like that. - Relax, I've made an appointment

for tomorrow through the '86 Ministry.

It will be the excuse for Doctor Madrigal to see you.

Once you've achived that, he'll take to you the Vampire.

- And if we don't get him to see us? - Well, in that case,

Ï'm sure that our friend Alonso

will manage to make that son of a bitch

pay us the attention we deserve,

one way or another.

Doctor Madrigal is finishing up with some patients.

- He'll be with you in a minute. - Thank you.

Well, once again pretending to be a married couple.

Yeah.

Have you ever thought about it?

- About what? - Having children.

Yeah, we tried, but we couldn't.

And you?

- Have I ever tried? No. - No, shit.

Have you ever thought about being a mother?

Ah. Well, I'm not really someone who thinks

that women should have motherhood as their only goal.

Maite thought that too.

In fact, she hated it when the grandmas looked at her with pity

because she didn't have children, when they would say "Your biological clock is ticking."

She hated it.

She put having a career

and being independent first.

Why are you looking at me like that?

It's the first time I've seen you talk about Maite without pain.

I guess it's the best way to keep loving her.

Turthfully, we might as well have had a child.

It would be a way to still have a part of her.

Because now the biological clock that's ticking is mine.

In our line of work you can't think too much about the future.

Yeah.

- You can come in now, if you like. - Thank you.

Carlos and Elena Martín.

This is the first time you've been to the clinic, right?

- Yes, doctor. - Have a seat, please.

Fine, tell me what brings you here.

Some friends of ours reccommended that we come here after learning about our...

- problem. - More like, mine.

I can't have children.

- You're looking for a second opinion. - We've already had one.

You are an expert. You can imagine what we're going through.

We want to be parents more than anything...

We know that there are many children that need a family.

- Of course. - It's a shame that there is

so much buerocratic red tape because the most important thing

- is that those children are loved. - Also,

we wouldn't mind raising a child that wasn't a baby.

I suppose that it is more difficult for those that are not so young.

Money wouldn't be a problem,

if there was someone who could facilitate such a transaction.

I think that it would be best if you left.

I am not who you think I am.

We know perfectly well who you are: a bastard that deals in children.

Get out of here right now.

Not before you help us find this woman.

Marga, call security right away.

"Right away, Doctor Madrigal."

Who are you? Where's Marga?

Get out or I'm calling the Police!

Let us see, I am going to explain it to you very clearly.

Either cooperate with us

or you are going to experience sensations that you have never felt before.

None of them good.

Very good, perfect, Amelia, thank you.

Madrigal cooperated.

- The Entrerríos Method never fails. - Yes.

Sometimes it's hard not to change history, right?

Especially when there are children involved.

Seperating a child from it's mother is the worst of all crimes.

Yes, it is.

It's a subject that I know about first hand.

I was also an abandoned child.

The first years of my life that I remember

were spend in the San Ildefonso school.

- The one from the lottery? - Mmhm.

The very same.

"26 minutes before noon

the Grand Prize numbers are drawn, 15 640.

The winning numbers will be sung by the children Salvador Roa and Joaquín Sánchez,

approach the table.

- Fifteen thousand..." - Six-hundred forty.

Salvador Roa.

Roa was the last name of my biological father.

He died shortly after I was born.

Tuberculosis.

My mother was poor, so, well...

she took me to an orphanage.

I didn't know that you were a child from San Ildefonso

- much less that you sang the Grand Prize numbers. - Twice.

Well, that was lucky.

The lottery is probability, Ernesto.

Luck is different.

Hello.

And what's your name?

You don't want to tell me your name?

What for? I never get picked.

Come here.

Tell me your name.

Salvador.

They were diplomats.

And they gave me everything:

a house, a career,

a family.

Luck is when people do things

that sometimes affect others.

A couple that noticed a boy that no one wanted.

Parents that at the exact right moment

decided to become themselves.

Is something wrong, Angustias?

The results from the DNA test that Irene requested have arrived.

- So soon? - It's preliminary data, but...

I think it's enough.

The amount of DNA shared by the Hatless Woman

and the schoolteacher

is 100%.

Then, they are the same person?

- I don't want to leave her alone. - Who?

The other girl.

No...

It's me.

They're twins.

The Vampire kidnapped two sisters.

She fled with one to 1986

and left the other one in 1912

and she was the one who was reunited with her parents.

Two sisters seperated in time.

How cruel.

Do you see her?

No.

You know what awaits you if you have lied to us, yes?

She'll come, I swear I haven't lied.

Even if you haven't lied, I'd love to leave you alone with my friend here.

I'm not a criminal. I make a lot of people happy.

Are you fucking kidding? You steal children from their parents.

Parents without means who can't educate them

and then they become delinquients.

- I'm not bad, I do good. - Should I hit this imbicile?

- Do it. - Someone's coming.

It's her, she has the boy.

Give her the gems.

Do not try anything tricky.

I will be watching you.

- Good afternoon. - Hello.

Have you brought what we agreed on?

Yes, yes.

The girl you brought me is with her adoptive parents now.

As far as I'm concerned, they can make blood pudding out of her.

How many more children do you want me to bring you?

Right now, none.

Well.

Well that's a shame,

because I already had two in mind.

What's going on?

Has the plan changed?

No, no, it's not that.

- Let's go, come on, come with me, boy. - Stop there.

I've done buisness with enough men in my life

to know when one is cheating me.

No, it's not that, no.

- Come on, come on. - Get back

or I'll cut the boy.

Get back.

Get back.

Witch, you will not escape.

Enriqueta, wait.

You don't give me orders anymore, miss.

If you don't let me go,

I'll make a small cut here and he'll bleed out like a stuck pig.

Daughter of a thousand whores, how could you...

What do you want, Enriqueta?

To go home.

- Simple as that. - Perfect.

- But, what do you mean? - The child's life is more important.

You have to let him go.

Shit, we can not let her escape.

I've done what you asked of me.

Alonso, we're protecting the life of a child.

We'll have to watch her carefully, find out where she's going.

Yes? It's Amelia.

Yes, Amelia, go on.

Yes.

How?

Yeah.

Yes, all right, we'll be ready.

They haven't been able to detain her.

She threatened to kill a boy she had hostage.

- They're watching her. - You told her

- we'll be ready. For what? - There are a few options.

- She might hide herself in the '80s. - Or she might come back here

to return to her time period, her home.

Mmhm, or try to escape through another door.

- Warn security. - And the boy?

If she feels threatened she's capable of anything.

If she kills that boy she'll change history.

Surely.

I think there is a way to avoid all that.

- Well, I see that you need me now. - Yes.

You said that if we needed your help, you would give it to us.

- And you didn't believe me. - No.

Then why are you asking me now?

Because you're our last chance

and because the life of a child is in danger.

What do I get in return?

- I see that I was right. - Wait.

I'll help you.

With one condition.

I don't think that we're in a position to accept any conditions.

You won't say no after you hear me out.

They're on their way.

Is everything ready, in case Ernesto's plan fails?

- Yes, sir, everything's ready. - Mmhm.

I wish the future could be changed.

We're going to change it, even if it's only a little bit.

That won't help. I'd prefer to do it alone.

The won't do anything if I don't order it. Relax.

Let's go.

If you don't let me go, I'll kill the boy.

I'll kill him!

No you won't.

What are you doing here.

I was waiting for you.

Not one step closer or I'll drain him dry.

Do you remember Felicidad?

I still have her.

We brought her from San Feliu.

Do you remember?

When they gave her to us, we didn't know what to call her.

Mamá told us it was a strange name for a doll,

too long.

What did you do with her?

I always took care of her.

I always took care of her.

If that were true, you would put down the knife.

Let him go, I beg you.

No.

You're not going to take this one away.

I always take care of them all.

You had a son too.

Do you remember him?

Poor baby.

He died.

He was my baby.

He died of hunger.

And I didn't do anything.

But it wasn't your fault. You were alone.

And you were very poor.

No mother deserves to lose her child.

Not this boy's mother, either.

Look at me.

Who are you?

I'm a monster.

No, you're not a monster.

Who are you?

I'm Enriqueta Martí.

What are you going to do with her?

Well... take her to jail,

to February, 1912.

That's what history says.

- Did they execute her? - No, there wasn't time.

Her cell mates lynched her in prison.

There are other theories. It's also been said that she was poisoned.

♪Poor old woman.♪

♪So delicate.♪

♪In the cold damp night♪

♪half dead is she♪

It was the only condition that the young Enriqueta

asked of Ernesto: not to suffer.

Poor Enriqueta.

So young and knowing what she's going to become.

What will you do with her?

Return her to her time and watch her.

She swore to Ernesto that she would face her own destiny.

After what she did for us I don't have any reason to doubt her.

Overcoming this crisis

has been a true miracle.

And by the way - Ernesto?

He requested a day off for personal reasons.

I can't remember the last time that he asked for a day off.

Me either. If I'm truthful, I don't know if I should be worried or happy.

Yeah.

Ah, by the way,

good job.

I'm proud of you and when I say "you"

I mean "all of you".

So take two days off, you deserve it.

Do you have a moment?

- Is it about the teacher? - Yes.

She won't get over her attacks until she knows the truth.

That assumes she finds out about the secret existence of the Ministry.

Really, she already knows.

She was here as a child.

I think she could be a good agent.

Ah, then, I have no doubts.

She won't let us down, you'll see.

If she's half as good as Amelia Folch,

- I'll be satisfied. - Thank you.

Excuse me. Hey, excuse me.

Uh... You're Javier, right?

- Do I know you? - No, we don't know each other.

You see, I'm...

Well, I...

knew your mother. My name is Ernesto.

Ernesto.

Uh... It doesn't ring a bell, so, by name, no...

How did you know each other?

If you don't mind, can we sit a moment?

- Yeah, of course. - Good.

Javier...

Luisa...

never told you about your father?

Shit.

That's intense, you're...?

- You're my old man? - Yes.

I'm sorry you had to find out like this, but...

your mother never told me that I had a son.

And how did you find out?

Luisa wrote me a letter before she passed away.

But it arrived very late and it was incomplete.

In it she told me

that I had a son and that...

she was sorry she hadn't told me sooner.

Listen.

She never told you anything about me?

No, no, she was...

- She was very special. - Yes, I know, I know.

I thought it was strange that all the other kids in school had a dad and I didn't.

One time I asked her: "Where's mine?".

And she told me that she had decided to raise me herself.

Damn, I'm sorry.

- It's hard to grow up without a father. - It's not that bad.

No?

Well, look, Javier...

I know that you and I are complete strangers now.

I want you to know that from now on

I'm here for you, whenever you want.

Thanks.

But I've been fine up until now.

I'm 20 years old and I don't need something that I never missed in the first place.

Of course.

I'm sorry, I've got to go.

But, well, anyway, it's been... cool to meet you.

Wait.

Take it.

Here's my number.

Hold on to it, I don't know, in case sometime

you need something, anything.

Thanks.

- Javier. - Yeah?

It's a pleasure to meet you.

Are you ok? Is something wrong?

Yes, yes.

I'm just shaking.

So, she is the girl that was in my dreams.

That's her, your sister.

She managed to escape when the Vampire fled.

They found her and returned her to your parents.

- I can't? - No.

It would be too much of a shock for her.

We can't interfere with history.

Thank you anyway.

They say that twins are connected in a special way

no matter how far apart they are.

I won't have nightmares anymore,

and neither will she.

Elena.

Yes, It is me, Alonso.

No, I wanted... I wanted to ask your forgiveness for not calling sooner.

No, no, no, it was fantastic, it was great.

Yes, yes, I wanted to call you to ask if I might keep company...

- a date, date - date, yes a date

I wanted to ask if... if we could have another date.

Yes?

Perfect, yes, yes, yes.

I have been away, yes, for my job...

Alonso's found his better half.

- I'm happy. - Yeah?

I'm sure everyone can tell by your face.

- Too much has happened in so little time. - So little time?

If we have too much of anything in this Ministry, it's time.

That was a joke, but it must not have been very good, judging by what I see.

That's better.

Hey, I was thinking that... we could go out to dinner,

Or the movies, here, in my time.

I think that I need to be alone, but...

Another day, thank you.

Another day.

It is done, everything worked out just fine.

What is wrong with Amelia? Where has she gone?

- She had to leave. - Oh.

My grave.

Where is my grave?

On "Time of the Occult"

we'll uncover one of our biggest government secrets:

the Ministry of Time.

The government has activated all the alarms.

People are coming non-stop to the Ministry door to take photos.

- How did they find out about us? - Because we weren't prepared

- for an eight-year-long obsession. - How could there be people

coming and going from the past? Can you imagine?

I've given Moncloa my word, we have to find a solution.

Have you thought about how to do it?

This threat puts the existence of this Ministry in danger.

That's why I've designed a strategic plan.

I've called Lombardi and invited him to visit us.

- That well, does it work? - No, no.

We have four hours to make this Ministry

into the most boring, normal place.

So you must put it in your heads

we are Spanish government employees.

I've contacted an agent with access to a department store sale in 1996.

No one is to work any overtime.

You'll have to coordinate it so that there are always 3 of you in line

talking about how bad the union is.

Please. The only way to go back in time here

is if Angustias shows us the yogurt-maker she keeps in the kitchen.

Sonia, take out the camera and record everything.

Ernesto, we have a problem.

Threatening a governent employee is a very serious crime.

You see how they were hiding something?

Disactivate the gate

and put your guns down.

Marvelous.

I am Columbus.

Christopher Columbus.

Sincronized and edited by Chitorafa.