All language subtitles for NigthMan.S01.16. NIGHTWOMAN

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish Download
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu

Original subtitles

[THEME MUSIC PLAYING]

JOEY: Let'’s go.

[SIGHS]

[RADIO PLAYING]

Excuse me, Joey don'’t like people fooling with the radio

while he is conducting business.

Joey isn'’t here.

Ay! Ay!

[DIALING]

JOEY: Five Thirty Seven.

[PHONE RINGING]

Dann here.

He'’s making a stop at one of his banks.

Gee, let me guess. A cash drop.

A sum of ten million do anything for ya?

Which bank? We need an account number to move on.

It'’s not going into an account.

It'’s going into a safe deposit box.

I'’ll have details by morning.

Don'’t take any chances, Lorrie. You hear me?

It'’s almost over.

We can get the box number from the bank if we have to.

Sure, right after Joey gets a phone call

from someone inside the bank he'’s paid off.

You just get in there and get out.

That'’s an order.

If you'’re right about the records,

we got all that we need to put him away for good.

Good work, Ace.

[SIGHS]

[KNOCKS]

Hey, Lorrie.

What do you want, baby? I'’m just taking a shower.

I wanna be on time for a change.

Be ready in ten minutes or I'’m jumping in the shower.

I hear ya.

[DOOR SHUTS]

I knew you could strip in, like, good time,

but look how fast you got dressed.

What you got?

My safe deposit box key?

I should feel insulted.

That they'’d assign such a rookie to a made guy.

I guess your sensual body had something to do with it.

The bait was irresistible.

I, I was just doing my job.

It isn'’t personal with me.

Come on.

How about one last kiss for the road?

[SCREAMING]

[WOMAN INDISTINCTLY ON RADIO]

Well, she'’s alive.

The water broke her fall.

Some life, if she ever walks again.

It'’s not your fault, Charlie.

Then why do I feel like I'’m the one

who shoved her off that balcony.

WOMAN OVER PA: Nurse King, Nurse Danny King,

call second floor nurses station, please.

NEWS PRESENTER: Police officer, Lorrie Swift, was remembered today

by her fellow officers at Bay City Royal Park.

It was a beautiful funeral, if you had to have one.

Glad you weren'’t invited.

Why is Joey Gilardi walking around a free man?

You know he owns a penthouse in the building he shoved her out off.

You don'’t think this doesn'’t gut me?

Gilardi'’s goons, they alibied him up.

They put him in a dress ball that night.

As usual.

Joey Gilardi batting a thousand.

Police: zero.

CHARLIE: Game'’s not over.

I don'’t quit till he'’s eaten prison food.

Don'’t worry, we'll be out dancing in no time.

Yeah.

Yeah.

You'’re gonna be in the protection program

so I won'’t be able to reach you but...

Guess I got used to seeing you everyday.

Kind of like breathing.

See you, Dann.

See you, Ace.

CHARLIE: Jarvis.

[DOOR SHUTS]

We gonna have to be separated for a while, Dad.

Even with the funeral,

please don'’t think it'’ll be safe for me to stay in the city.

I'’ll have to go wherever you'’ll go if I'm gonna get you on your feet again.

You'’re not paying attention to the doctors, Dad.

They don'’t know what your father does for a living.

Oh, what does that mean, huh?

Gonna have them turn me into one of your super weapons?

Government won'’t have anything to do with it.

Somebody has to rid the world of the Joey Gilardis.

Give me a moment. I'’ll be right back.

[SIGHS AND CLAPS]

I really appreciate this, Johnny.

I know you think you'’re doing me a big favor

by going on this boat with me but...

You'’re gonna love it.Yeah.

I know, Dad. I know.

Hey, now, there is an attractive girl.

Yep.

FRANK: No, really. It'’s gonna be a lot of fun.

JOHNNY: I, I know.

You gotta sail out on that bay

and blow your saxophone to your heart'’s content.

I believe I was assigned box 656, please.

[GROANS]

Yeah.

What'’s the matter, son?

The woman in the wheelchair,

she just robbed the bank.

Okay, how do you possibly know?

I just know.

Johnny...

JOHNNY: Excuse me, excuse me.

You robbed that bank.

For good cause.

We'’ll let the police decide that.

I am the police.

Sorry, I'’m not buying that.

I am sorry, too.

[GROANS]

Oh, my God. Lorrie!

That was a full charge.

LORRIE: Two years I'’ve been waiting to get even with Joey Gilardi.

Nobody gets in my way.

DR. SWIFT: We gotta take him to the hospital.

The van is stuck and his car only holds two.

DR. SWIFT: I'’ll stay with him.

Good.

WOMAN OVER PA: Dr. Larson, Dr. Chris Larson,

call the operator please.

What'’s the matter with him, Doc?

Is he in a coma or what?

[SIGHS]

Why don'’t we talk outside?

Your son is unconscious, Mr. Dominus.

I don'’t know why.

What do you mean? There'’s no sign of injury on him?

Maybe he was hit over the head.

It has the appearance of some form of electrocution,

but I can'’t find a mark on him.

Doc, who brought him in?

Somebody called an ambulance out at the State beach.

They found him beside a van.

So...

What'’s next?

Well, keep him under observation.

We hope for the best.

[INDISTINCT RADIO CHATTER]

That car can'’t be that hard to find.

The damn thing'’s purple. There'’s only a couple dozen on the road.

It sticks out like a Batmobile. So, keep looking.

Hey, Frank.Hi, Charlie.

Is that about trying to find Johnny'’s car?

Yeah. Nothing yet.

Oh.So, what'’s the word?

Well, he'’s unconscious because of something that'’s, I don'’t know...

Due to electrocution only, not exactly, I don'’t know what that means.

You know, I know his condition is related to that bank robbery

he took off after.

Yeah, I can ID that van and that girl, too.

I already have.Yeah.

Bank camera'’s got all the pictures up, the world will ever need.

Don'’t you find that kind of odd?

What, Frank?

What? What, I mean,

with all the hi-tech toys this woman seems to have.

What, why wouldn'’t she make some effort to conceal her identity

before those cameras?

'’Cause she wanted to be seen.

What are you talking about?

The girl in the bank robbery, her name is Lorrie Swift.

She'’s an ex-cop.

Charlie,

if you know who it is,

why isn'’t her picture plastered all over the news?

We got our reasons, Frank.

Are they more important than my son'’s life?

Charlie, Johnny is lying in a hospital unconscious

because of something this woman did to him

and I wanna know what she did.

Trust me, Frank. And follow my lead.

This is gotta be off the record.

[SCOFFS]

You wanna keep Grand Theft Auto

and bank robbery off the record?

I just said I did, didn'’t I?

Yeah, but...Look!

Getting Johnny help is my number one priority.

I'’m all over it.

JOEY: Boss,

I'’m telling you I killed her.

Well, apparently, she'’s come back to life.

Because she just cleaned us out.

This is nuts.

I don'’t even know how she knew about the safe deposit box.

MR. CORLEONE: She got the box from you.

All right, I'’ll just have to kill her again.

MR. CORLEONE: Yeah, after you get our money and our records back.

Now, I remind you, we'’ve got a certain group of Colombians

who are expecting a big cash payment

at the end of this week.

All right. I'’ll get the cash and the records

and I'’ll kill her again.

Charlie.

Long time no see, Nolan.

Wish it were under different circumstances.

What'’s going on?

Well, last time I looked armed robbery was a felony.

And you made it happen.

I think the proper response is, "I don'’t know what you're talking about."

Oh, no?

How about you quit your job at Space Core

and turn Lorrie into some kind of a walking lightning bolt.

She has a reason to live now.

Yeah? What'’s that?

To stop a bullet from Joey Gilardi?

He sees those shots are heard in the bank

and night falls real early, Nolan.

She accomplished more in one day than you did in two years.

Yeah?

Well, here'’s what she accomplished,

the law'’s on the mob side now and I can'’t help it.

Where'’s your help in up till now, Charlie?

Where is she?

I don'’t know.

Well, you better get inspired real fast

or else you'’re gonna be taking the fall as accessory to grand larceny.

Prove it.

Who else could have engineered the arsenal she walked into that bank with?

Nobody got hurt.

That was no love potion she used on Johnny Domino.

He still hasn'’t regained consciousness.

She overreacted.

I'’m sorry.

I really am.

It was unavoidable.

Unavoidable? That'’s a good one.

Consider it similar to that undercover sting you sent her on.

Casualties happen.

What did she use on him?

A phaser short circuits brain waves,

blocks out consciousness.

Let'’s go. You'’re coming with me.

What'’s going on?

They'’re taking Johnny to McClellan Air Force Base

to get a hyperbaric chamber there.

It will stabilize your son, Mr. Dominus.

Oh, who are you?

He'’s Dr. Swift. He'’s a specialist.

He knows more about this kind of case

than anybody on the planet.

Oh, that'’s great, Doc.

Maybe you can tell me what happened to my son here.

He was exposed to a forced field

which has the effect of scrambling brain waves.

In this case,

it blocks your son'’s capacity to maintain consciousness.

How is it you know so much about all this?

It doesn'’t matter, Frank.

The main thing is he'’s here to help Johnny.

That'’s the lead story here.

Come one, let'’s go.No, wait, wait!

Charlie, what is it that'’s going on here?

I mean, where are you taking the good doctor?

As a matter of fact, why are you here at all, Charlie?

I don'’t have the time, Frank.

Oh, Charlie, I think you better take the time.

Now, what the hell is going on here?

You know, Frank, sometimes you'’re like a bad cold.

You just don'’t go away, do you?

Okay. Come on, I'’ll explain on the way.

She'’s in there.

Should'’ve known.

Charlie,

this is not the same girl that you knew.

She'’s hell bent on revenge.

She doesn'’t much care what happens to her.

Anyone who makes the mistake of trying to stop her...

I better go in first.

Go ahead.

What? Is he running the show?

Charlie, he could be going in there to warn her

and set up the whole damn thing.

The word "shut up" mean anything to you anymore, Frank.

I don'’t think you're thinking straight, Charlie.

Now, look, you never told me that you had anything to do with that girl.

Since when do I gotta tell you about every girl, Frank.

She was an officer under your command.

Take off the choir robe.

We didn'’t, even if we wanted to.

We had it good for each other, though.

She made coming to work like a paid holiday.

And I nearly got her killed.

You'’re not thinking straight, Charlie.

[LAUGHS] Gee...

She used to come here on weekends.

Can you read that?

That'’s Johnny's car.

Now, I'’m going in there right now and get this over with.

No, you'’re not, Frank. You'’re gonna let me handle this my own way.

Hell, I am.

This was not about what you did to her,

or your guilt or whatever the hell or shit feeling.

This is about Johnny and what she did to him.

Now, I'’m going in there.

I'’m too in the driving here, Frank.

This is gonna be handled right. That means by me.

DR. SWIFT: Charlie.

Charlie, she'’ll see you now.

Okay. Why don'’t you, uh, [CLEARS THROAT]

go ahead, take a few minutes alone, huh?

Remember, Charlie, she'’s not the same woman.

Without that suit, that artificially sends message to her muscles and brain,

she'’s practically immobile.

One step away from full paralysis.

CHARLIE: On those tapes,

she looked all...She wants to be a woman, Charlie.

Not a machine.

I don'’t know what'’s gonna happen

with her reason to live.

I don'’t know what will happen next.

CHARLIE: We'’ll give her a new reason.

How you'’ve been, Lorrie?

Long time.

Hello, Dann.

Guess I look a little different than the last time you saw me.

Yeah, well, last time I saw you,

was on a video tape, in a bank.

You looked great even in that lighting.

Great but busy.

Unfinished business, Charlie.

Lorrie, look,

Too bad I didn'’t take your advice.

Quit the force to marry you.

Things might have worked out differently.

You'’re alive.

That'’s also important.

We miss you on the force, Ace.

We could use a good cop like you.

I'’ve been dreading this day. Dann, please.

Don'’t make it any harder on me.

Look, I know what you doing.

You'’re setting yourself up as a target for Joey Gilardi.

That'’s crazy.

You know the next knock on the door could be him.

I want them to come looking for me.

I want them to come right through that door.

So what? You can take on Gilardi and his gang in a wheelchair?

My father gave me a few attachments

to use in an emergency.

Yeah, one of those toys almost killed a friend of mine.

The damage is reversible.

Apparently, only fully reversible by you.

Let me show you something.

It may put your mind at ease.

[THUD]

How you doing?

Well, well, well, Joey Gilardi.

Outside, in broad daylight.

Thought the sun turned your kind to dust.

Sorry, Charlie.

Took my eye off my flank for a minute.

Get his gun.

We'’re here to see the lady of the house.

Don'’t even think about it.

Sit down.

Where'’s your daughter?

Where'’s your daughter?

Hey! Find the girl!

JOEY: Well, well, well,

aren'’t we looking fit?

[GRUNTS]

Get her.

[SCREAMING]

No, don'’t...

How about one for the road?

Who was that?I have no idea.

Run her over!

This time you don'’t walk away.

Let'’s get out of here!

What the...

What the hell was that?

This isn'’t my body anymore, Charlie.

It is a machine my father created.

We'’re leaving, Dad.

Ace, talk to me.

LORRIE: Not now.He'’s trying to help you, lady. And you'’re gonna listen.

CHARLIE: Put the damn gun down.

Charlie, get out of the way.

You stepped over the line, Lorrie. I gotta take you in.

Look what you'’ve done.

They'’re merely stunned, they'’ll come around in minutes.

Just like Johnny Domino.

I'’ll take care of him.

No, Lorrie.

Charlie was right.

You can'’t keep doing this.

You'’re too far outside the system.

If that'’s how I have to work, then so be it.

Are you coming?I can'’t.

Ugh!

CHARLIE: Blood'’s cold. This car'’s been here all day.

Now, how should we get our guy?

Raleigh says there'’s some stuff missing from the trunk, too.

Like what, Raleigh?

You know just some stuff that Johnny keeps in there.

Spray and sax.

Special belt that meant a lot to him.

I'’ll make sure I put his sax and a belt

on top of my worry list.[PHONE RINGING]

Excuse me.

Dann here.Thank you.

This is bad news.

And you say it was a woman who stole the car.

Oh, yeah. I don'’t know. According to Charlie, it'’s an ex-cop.

Well,

unless she'’s a size 46, I guess, we don'’t have much to worry about.

What'’s Johnny size's got to do with anything?

Never mind, never mind.

[TENSE MUSIC PLAYING]

What is this?

The presidential suite.

I don'’t know, Boss. My usual room wasn'’t booked

because of some computer mistake. So they gave me this upgrade

at no extra charge.

No extra charge?

This layout must go for what, ten grand a night?

Twelve.

And look at that, imported violets from South Africa.

And a case of champagne in every room.

They threw that in, too?

I get a carnation and half a papaya.

[LAUGHS]

You'’re a lucky man, Joey.

Hey, Joey, look at this. Somebody sent you a box of flowers.

What are you talking about?

MR. CORLEONE: Roses, Joey.

You also got a woman, loves you so much, she sends you roses.

Let me see that.

JOEY: Oh, what is this broad trying to pull?

MR. CORLEONE: "Thanks for making me a part of your life.

"Make do until it'’s safe to share the big one.

All my love, Lorrie."

Would this be the Lorrie you killed?

MR. CORLEONE: You know, the one who has our money and our books.

JOEY: Look, Boss,

this is just some kind of scam to make me look bad to you.

But it isn'’t gonna work.

You don'’t believe it cause you know me, right?

Where'’s the money?

MR. CORLEONE: In three days,

the Colombians will be in town expecting five mil.

JOEY: I got that all worked out.

By this time tomorrow night,

I'’m gonna have two million

from the cars that have been delivered to the dock tonight.

Add that to the three million I'’m gonna get from that lunatic broad,

and we'’ll have our five.

Just like that?Just like that.

Have I ever let you down?

Let'’s go.

What do you think?

Did you ever receive something like that from someone you killed?

Never.

You stay close to Joey.

I wanna know what'’s going on.

Yeah.

[WHISTLES]

Man, take a look at those beauties.

Take a long look.

By tomorrow these babies will be on their way to Hong Kong.

I like the red one.

Think it'’s got a CD player?MAN: Hey!

[SCREAMS]

I'’ve never seen nothing like it.

She floated right down from of the sky.

Floated down from the sky, huh?

Kinda like Tinker Bell?

I think you'’re the one who'’s high on something.

I wouldn'’t come anywhere near this place, Boss.

You should be fully loaded by now. I got two mil to collect.

Yeah. What money you talking about, Boss?

The cops took everything and everyone.

Cops? What cops?

No one'’s ever come near hitting us on that set up!

It was foolproof!

Yeah, 151 cars impounded,

and the two million dollars gone.

I want you back here as fast as you can.

I'’ll do...[KNOCK]

Yeah, Boss, if you wanna see me anytime soon,

you better call a bail bondsman.

CHARLIE: Let'’s go.

You'’re on ice.

Get him out of here.

MR. CORLEONE: I hear we got hit.

JOEY: Yeah, we got hit.

No one knew about that shipment except us.

Mr. Corleone, we'’re been set up.

I agree with that.

And it has to be inside information. Wouldn'’t you say?

I haven'’t had time to think about that.

But I think I can still put this whole thing together.

Really? How?

You just lost another two million.

Meaning we'’re down five.

We'’re only down five

if we bother to pay off the Colombians.

Are you talking about stiffing the Colombians?

It'’s my neck on the line.

[DOOR BELL DINGS]

Get that, Artie.

Mr. Gilardi?Nah, he'’s busy. What do you want?

Just delivering his new Rolls-Royce.

I'’d like to show him some new features.

Joey, guy says he'’s delivering your new Rolls-Royce.

He'’d like to show you some features.

Mr. Corleone, I swear,

I don'’t know nothing about no Rolls-Royce.

Take it back.

But it'’s paid for. With cash.

Beat it.

It'’s her. She'’s doing this to me.

Don'’t you see that?

And did she also tip the cops to the car deal last night?

Now that'’s a mystery.

Joey,

where'’s the girl?

And where'’s my money?

I can'’t guarantee that we can reverse the effects of the phaser right away.

What I brought with me is the

prototype that I built for Lorrie.

Listen, Doc, any thing'’s better than doing nothing.

Good afternoon, gentlemen.

We can take a little ride.

Any questions?

[PHONE RINGING]

Hello?

Hello, honey.

Now, here'’s the deal.

You bring my money, and the account records

to executive jet by ten o'’clock tonight,

or your father dies.

You are a dead man, Joey.

No, babe. That'’s my line.

Say hello to Daddy.

Don'’t listen to him, Lorrie.[THUMP]

[GROANS]

I'’ll be there.

But if he'’s hurt,

I won'’t hesitate taking us all out together. You hear me?

You didn'’t leave me much to live for.

How about your Daddy?

He got anything to live for?

[DOOR OPENS]

[DOOR CLOSES]

You...

Don'’t, don't try to sit up.

[GROANS]

I am sorry.

Pain does eventually go away.

Where am I?

How long have I been out?

Three days.

My father brought you.

You two robbed that bank.

Stay.

Unless you want more of the same.

You need me and I need you.

I don'’t want anything to do with you, lady.

You will. They kidnapped my father and yours.

Who?

Joey Gilardi.

The mob.

Why?

I'’ll tell you on the way.

I'’m not going any place with you.

LORRIE: Want your belt back?

How did you get that?

I stole your car.

I came across a few of your secrets.

If we'’re gonna see either one of our fathers again,

we'’re gonna have to work together.

All right, fellas, we'’re gonna have a party.

A farewell party.

[CHUCKLES]

Looks like you'’re planning on taking a little trip.

You'’re boss know that?

You and your daughter think you'’re funny

trying to corner me with that presidential suite and the Rolls.

Well, you made a big mistake.

'’Cause now you left me nothing to lose by killing you.

Meaning you are not planning to keep your word if she brings the money.

Shocking, isn'’t it?

Well?

I lost him.

He disappeared.

Damn, your soul, Rocco!

Our money is missing, our records are missing,

you'’re gonna stand here and tell me Joey is missing?

Not if you don'’t want me to, Boss.

Now, you put the word out on the street

that I'’m personally putting up a $100,000 reward

for anyone who even sees that rotten, low-life,[PHONE RINGING]

double-crossing, little...

[PHONE RINGING]I'’ll get that...

I'’ll get it!

[PHONE RINGING]

Yeah. Who is this?

Lorrie Swift.

I thought you might like to know

that Joey is planning on running out on us.

Running out on us? What do you mean, us?

He'’s running out on me with the money we stole from you.

You know, you got a lot of nerve even calling me, lady.

If I ever get my hands on you,

Think about it, Mr. Corleone.

I'’m offering you a deal.

You want me?

Or you want Joey and your money?

LORRIE: Joey!

You come alone?

Yes.

Did you bring my money?It'’s here.

Give it to me.Uh!

Not until you let Frank and my father get in your car and drive away.

No, we'’re not leaving you here with this piece of trash.

Relax, Frank. This piece of trash has a gun.

I have all the protection I'’ll need.

Now, please, go.

So, we can get this over with.

All right.

She'’s right. My quarrel'’s not with these guys.

Do what she says. Get them in the car.

We can'’t leave her here with the creep.

Believe me, she can take care of herself.

MAN: Come on, let'’s go.

JOEY: Now then, sweetheart.

My money.

Funny you should mention that.

Stop stalling and give me my money!

Here'’s what you looking for.

Who in the hell are you?

JOEY: What in the hell are you?

An interested bystander.

She makes a move, take her out. I got him.

You want the money?

JOHNNY: If I were you, I'’d get on that plane, get out of here,

while you still can.

Oh, yeah?

Well, I'’m just gonna finish the job I started.

What the hell is this?

Where'’re you going on, Artie? Where'’re you going?

Should have left when you could, Joey.

MR. CORLEONE: Hey, Joey.

Imagine finding you at the private jet terminal.

MR. CORLEONE: What'’d you got in the bag?

Mr. Corleone,

it'’s the money I was just...

Bringing it to us.

Exactly, I was just bringing it to you.

Great.

Hey,

that'’s a nice plane.

That'’d go great with that Rolls.

[LAUGHS] Oh, it'’s not mine, Don.

It'’s private charter. I got some unfinished business up in Vegas.

You don'’t mind if we use it to get back to Philly?

Nah, I don'’t mind at all.

I'’ll grab something commercial. Be my guest.

No, you be my guest.

Now, you wanna be dropped off in Vegas on our way back East, huh?

We'’ll be glad to drop you, Joey.

After you.

I was just bringing you the money.

Give me the bag.

[SAXOPHONE PLAYING]

[CROWD APPLAUDING]

[CROWD CHEERING]

MAN: Hey, Johnny. Good show, man.

Hey.

Hey, Charlie.

Hey, Johnny.

Nice to see you again.

Well, world'’s getting smaller all the time.

How do you two know each other?

I gave her a lift last night.

Really?

I wanted to come here and thank you for your help.

Ah, and what help was that?

Getting a booth here.

Place is sold out.

Oh, then we got a lot to celebrate, huh?

Really?

Well, the bank was grateful,

the mob'’s money got out of their vaults.

So, they'’ve decided not to press charges.

And officially,

that leaves only you for us to deal with.

[LAUGHS] What? How can I press charges?

My headache'’s almost gone.

Beside, uh, we have a lot in common.

[CLEARS THROAT] Like what?

Oh, we'’re both Geminis.

Yeah, yeah, you know, air signs.

There'’s one for Ripley'’s, huh?

So, am I.

Really? Wow.Yeah.

Listen, hey,

my next song will be for you two.

[CHUCKLES]

Thanks.

Well, I'’ll drink to that...

and to you.

You know, I still can'’t believe the way you took out Joey Gilardi.

Mm.

Well, the world is full of Joey Gilardis, Charlie.

The people outside the law just need to get a dose of justice.

I hope you'’re not saying what I think you'’re saying.

I'’m not saying anything, Charlie,

except let'’s enjoy the music.

I mean, he dedicated it to us.

It'’s good being with you, Charlie.

Sorry.

I always knew you were hot stuff.

[THEME MUSIC PLAYING]

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.