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These are the user uploaded subtitles that are being translated: 0 00:00:01,000 --> 00:00:04,000 Downloaded From www.AllSubs.org 1 00:00:00,105 --> 00:00:05,000 Shared by http://DJJ.HOME.SAPO.PT/ 1 00:00:20,133 --> 00:00:23,934 HEY, ONE SLIPPERY NAVEL, ONE SEX ON THE BEACH, 2 00:00:24,033 --> 00:00:27,400 OH, MY PERSONAL FAVOURITE - PINK PANTY PULLDOWN. 3 00:00:27,501 --> 00:00:29,200 SOUNDS TASTY. 4 00:00:29,300 --> 00:00:31,567 YOU KNOW, I WAS THINKING, LEX, MAYBE YOU AND I COULD GO FOR ONE WHEN THIS IS OVER. 5 00:00:31,667 --> 00:00:33,400 WELL, IT'S A DATE. 6 00:00:33,501 --> 00:00:34,868 WHAT'S HAPPENING DOWN HERE? 7 00:00:34,968 --> 00:00:36,100 OKAY. 8 00:00:36,200 --> 00:00:39,767 YOU GOT TWO GUARDS BETWEEN YOU AND THE PAINTING. 9 00:00:39,868 --> 00:00:43,467 YEAH, NOT TO MENTION FOUR SURVEILLANCE CAMERAS AND A MOTION SENSOR SYSTEM. 10 00:00:43,567 --> 00:00:45,200 JUST LIKE WE EXPECTED. 11 00:00:45,300 --> 00:00:47,200 THE GAMES BEGIN. 12 00:01:02,133 --> 00:01:03,501 [WHISPERING] 'KAY, GUYS. 13 00:01:03,601 --> 00:01:05,601 MAKING MY WAY OVER. 14 00:01:05,701 --> 00:01:07,868 LET'S MOVE. 15 00:01:07,968 --> 00:01:09,567 WHAT DO YOU THINK YOU'RE DOING? 16 00:01:09,667 --> 00:01:10,367 UM, EXCUSE ME? 17 00:01:10,467 --> 00:01:11,434 YOU TOUCHED ME. 18 00:01:11,534 --> 00:01:13,033 DID YOU SEE THAT? HE TOUCHED ME. 19 00:01:13,133 --> 00:01:14,434 HEY, I... I DIDN'T. 20 00:01:14,534 --> 00:01:17,501 YOU PIG! KEEP YOUR HANDS OFF! 21 00:01:17,601 --> 00:01:19,901 COULD SOMEBODY HELP ME? THIS GUY'S A PERVERT! 22 00:01:20,000 --> 00:01:20,968 I DIDN'T TOUCH HER, I SWEAR! 23 00:01:21,067 --> 00:01:23,367 YEAH, THAT'S WHAT THEY ALL SAY. 24 00:01:27,267 --> 00:01:28,033 I DIDN'T... 25 00:01:28,133 --> 00:01:28,968 I DIDN'T TOUCH HER. 26 00:01:29,067 --> 00:01:30,767 YEAH, SURE. 27 00:01:35,000 --> 00:01:35,834 I'M IN. 28 00:01:35,934 --> 00:01:36,901 OKAY. 29 00:01:37,000 --> 00:01:38,167 TAKE YOUR NEXT RIGHT. 30 00:01:38,267 --> 00:01:39,467 THE DOOR SHOULD BE RIGHT IN FRONT OF YOU. 31 00:01:39,567 --> 00:01:41,667 YEAH, LOOK OUT FOR A GUARD WHO'S HEADING YOUR WAY. 32 00:01:50,300 --> 00:01:52,100 WHOA, LEX - SOMETHING'S WRONG. YOU GOT COMPANY. 33 00:01:52,200 --> 00:01:53,968 HURRY, JESS, GIVE ME THE CODE. 34 00:01:55,334 --> 00:01:58,534 447982. 35 00:02:02,767 --> 00:02:03,934 I'M IN. 36 00:02:11,434 --> 00:02:13,667 BAD IDEA. 37 00:02:13,767 --> 00:02:15,801 THAT'S MINE. 38 00:02:24,801 --> 00:02:28,067 LEXA, TALK TO ME. YOU OKAY? 39 00:02:31,133 --> 00:02:33,000 NOTHING I CAN'T HANDLE. 40 00:03:03,567 --> 00:03:10,834 [ALARM] 41 00:03:10,934 --> 00:03:13,667 COPPERS ON THE WAY, LEXA. GET OUT OF THERE. 42 00:03:47,501 --> 00:03:49,534 THIS WAS FUN. 43 00:03:49,634 --> 00:03:53,167 BUT YOU CROSS ME AGAIN AND YOU WON'T WALK AWAY. 44 00:04:05,334 --> 00:04:09,934 SCIENTIST ADAM KANE WAS A PIONEER OF GENETIC RESEARCH, 45 00:04:10,033 --> 00:04:13,968 MANIPULATING DNA TO SAVE HUMAN LIVES. 46 00:04:14,067 --> 00:04:17,234 BUT IN MANY, THEIR GENES UNEXPECTEDLY MUTATED 47 00:04:17,334 --> 00:04:20,901 AND THEY DEVELOPED SUPERHUMAN ABILITIES. 48 00:04:50,000 --> 00:04:52,467 TOGETHER, FOUR OF THE MOST POWERFUL FIGHT 49 00:04:52,567 --> 00:04:56,467 TO PROTECT A WORLD THAT DOESN'T EVEN KNOW THEY EXIST. 50 00:04:59,133 --> 00:05:01,567 THEY ARE... 51 00:05:05,367 --> 00:05:08,501 HE THREW OUT SOME KIND OF DARK MATTER, LIKE ANTl-ENERGY. 52 00:05:08,601 --> 00:05:11,334 HIS PRESENCE WAS UNEXPECTED, EVEN BY US. 53 00:05:11,434 --> 00:05:12,701 YEAH. 54 00:05:12,801 --> 00:05:14,200 WELL, BECAUSE OF HIM, I COULDN'T GET TO THE PAINTING. 55 00:05:14,300 --> 00:05:16,000 THEN YOU TRY AGAIN. 56 00:05:16,100 --> 00:05:19,934 THAT PAINTING CONCEALS A SECRET THAT MUST REMAIN HIDDEN TO THE OUTSIDE WORLD. 57 00:05:20,033 --> 00:05:23,734 EXCUSE ME, BUT AFTER THE FIRST TRY THEIR SECURITY'S GOING TO BE ALL OVER IT. 58 00:05:23,834 --> 00:05:25,667 YOUR PRESENCE WAS NOT OBSERVED. 59 00:05:25,767 --> 00:05:27,434 WE WIPED THE SECURITY SURVEILLANCE, 60 00:05:27,534 --> 00:05:30,467 SO THE GALLERY BELIEVES YOUR INTRUSION WAS SIMPLY A FALSE ALARM. 61 00:05:30,567 --> 00:05:32,601 YEAH, BUT STILL, WITHOUT A PARTY AS A DISTRACTION... 62 00:05:32,701 --> 00:05:35,033 YOU'LL FIND A WAY. 63 00:05:38,167 --> 00:05:39,434 THAT'S NOT BAD. 64 00:05:39,534 --> 00:05:42,100 IT'S GOT DEFINITE ECHOES OF THE BYZANTINE EMPIRE. 65 00:05:42,200 --> 00:05:45,501 IT'S NOT THE ARTWORK WE'RE AFTER, IT'S WHAT'S CODED WITHIN THE CANVAS. 66 00:05:45,601 --> 00:05:47,801 AND THAT WOULD BE? 67 00:05:47,901 --> 00:05:49,601 THE KEY TO AN UNDISCOVERED TECHNOLOGY, 68 00:05:49,701 --> 00:05:52,434 THAT COULD THREATEN THE WORLD'S SECURITY. 69 00:05:52,534 --> 00:05:54,200 SEE, WHEN THE SCIENTIST WHO OWNED THE PAINTING DIED, 70 00:05:54,300 --> 00:05:57,501 HIS FAMILY LIQUIDATED THE ESTATE. 71 00:05:57,601 --> 00:06:01,234 AND WE GOTTA GET TO THIS PAINTING BEFORE OUR PARTY CRASHER GETS TO IT FIRST. 72 00:06:01,334 --> 00:06:03,701 SO WHAT HAVE WE FOUND OUT ABOUT OUR RIVAL THIEF? 73 00:06:03,801 --> 00:06:05,734 NOTHING SO FAR. 74 00:06:05,834 --> 00:06:10,300 I MEAN, WHATEVER HIS POWER IS, HE SEEMS TO BE ABLE TO COUNTERACT ENERGY. 75 00:06:12,534 --> 00:06:14,701 GUY LOOKS PRETTY SMOOTH. 76 00:06:16,367 --> 00:06:18,133 VERY SMOOTH. 77 00:06:18,234 --> 00:06:21,100 LOOKS LIKE YOU'RE HAVING A HARD TIME FIGHTING HIM OFF, LEXA. 78 00:06:22,934 --> 00:06:24,567 I'LL GET HIM NEXT TIME. 79 00:06:24,667 --> 00:06:26,601 WHAT NEXT TIME? 80 00:06:26,701 --> 00:06:28,968 LOOK, HE'S GOING TO MAKE A MOVE FOR THE PAINTING AGAIN. 81 00:06:29,067 --> 00:06:32,200 I PLAN ON BEATING HIM TO IT. 82 00:06:32,300 --> 00:06:35,767 I'LL HAVE BRENNAN RUN OUR ROMEO THROUGH THE MUTANT DATABASE. 83 00:06:35,868 --> 00:06:39,300 I'M GOING TO START MONITORING THE SECURITY SYSTEM AT THE GALLERY. 84 00:06:39,400 --> 00:06:41,801 OKAY? LET'S GO. 85 00:06:51,133 --> 00:06:52,767 HOLD ON. 86 00:06:54,033 --> 00:06:56,267 HELLO, SHALIMAR. 87 00:06:56,367 --> 00:06:57,634 WHO ARE YOU? 88 00:06:57,734 --> 00:06:59,334 A FRIEND. 89 00:06:59,434 --> 00:07:00,868 FRIENDS SHOW THEMSELVES. 90 00:07:00,968 --> 00:07:02,834 IN TIME. 91 00:07:06,200 --> 00:07:07,467 WHAT DO YOU WANT? 92 00:07:07,567 --> 00:07:12,234 THERE'S MORE TO THE PAINTING THAN YOU'VE BEEN TOLD. 93 00:07:12,334 --> 00:07:13,834 SO, WHY DON'T YOU TELL ME ABOUT IT? 94 00:07:13,934 --> 00:07:18,067 THE SCIENTIST WHO OWNED IT WAS NAMED ILLICH SEFCHEK. 95 00:07:18,167 --> 00:07:20,000 FIND OUT WHO HE WAS. 96 00:07:20,100 --> 00:07:26,901 HE REPRESENTS THE KEY TO UNDERSTANDING WHAT'S REALLY GOING ON. 97 00:07:27,000 --> 00:07:28,801 NICE TRY. 98 00:07:28,901 --> 00:07:32,934 BUT IT WILL TAKE SANCTUARY'S SYSTEM AT LEAST THIRTY MORE SECONDS 99 00:07:33,033 --> 00:07:36,234 TO TRIANGULATE MY SIGNAL. 100 00:07:36,334 --> 00:07:37,701 GOODBYE, SHALIMAR. 101 00:07:37,801 --> 00:07:39,767 WAIT! 102 00:07:39,868 --> 00:07:41,701 WHY ARE YOU DOING THIS? 103 00:07:41,801 --> 00:07:45,801 380735. 104 00:07:45,901 --> 00:07:48,467 REMEMBER THAT. 105 00:07:56,767 --> 00:07:58,534 BRENNAN, WE'RE IN. 106 00:08:05,701 --> 00:08:07,701 OKAY, I'VE HACKED INTO THE GALLERY'S SECURITY SYSTEM. 107 00:08:07,801 --> 00:08:09,033 OH, JUST IN CASE YOU WERE WONDERING, 108 00:08:09,133 --> 00:08:11,434 I HAVE AN UPDATE ON YOUR, UH, MYSTERY MUTANT. 109 00:08:11,534 --> 00:08:15,300 TURNS OUT HE'S AN INTERNATIONAL THIEF SPECIALIZING IN HIGH-END ART. 110 00:08:15,400 --> 00:08:16,567 TAKE A LOOK, GUYS. 111 00:08:16,667 --> 00:08:17,934 I'M THROWING HIM AT YOU. 112 00:08:18,033 --> 00:08:19,567 HIS NAME'S RANDALL BLAKE. 113 00:08:19,667 --> 00:08:23,200 YEAH, AND ACCORDING TO HIS DOSSIER, HE'S, UH, QUITE THE LADY-KILLER. 114 00:08:23,300 --> 00:08:25,834 HE'S MADE A CAREER OUT OF STEALING PAINTINGS... AND HEARTS. 115 00:08:25,934 --> 00:08:28,267 WELL, THAT'S GOOD TO KNOW, ISN'T IT, LEX? 116 00:08:30,667 --> 00:08:31,601 OH, NO! 117 00:08:31,701 --> 00:08:32,968 BLAKE'S ALREADY HERE. 118 00:08:33,067 --> 00:08:33,934 WHERE? 119 00:08:34,033 --> 00:08:35,400 RIGHT THERE. 120 00:08:35,501 --> 00:08:37,067 I'VE GOT TO GET IN THERE BEFORE HE DOES. 121 00:08:37,167 --> 00:08:38,601 WELL, HOW? 122 00:08:46,200 --> 00:08:48,567 GUYS, GIVE ME BLAKE'S LOCATION. 123 00:08:48,667 --> 00:08:50,734 HE'S HEADING UP THE BACK STAIRCASE, RIGHT TOWARDS YOU. 124 00:08:50,834 --> 00:08:53,868 YOU BETTER HURRY, LEX, IT'S GOING TO BE TIGHT. 125 00:09:12,601 --> 00:09:15,033 I THINK IT'S TIME FOR YOUR BREAK. 126 00:09:22,634 --> 00:09:24,434 JESS, WHAT'S GOING ON? THE CODE'S NOT WORKING. 127 00:09:24,534 --> 00:09:26,033 UH, THEY MUST HAVE CHANGED IT. 128 00:09:26,133 --> 00:09:27,667 FEED ME THE NEW ONE. 129 00:09:27,767 --> 00:09:29,601 LOOK, IT COULD TAKE ME HOURS TO BREAK INTO SECURITY DATABASE AGAIN. 130 00:09:29,701 --> 00:09:32,567 WELL, I CAN'T STAY INVISIBLE FOREVER. 131 00:09:32,667 --> 00:09:35,501 TRY 380735. 132 00:09:35,601 --> 00:09:37,200 WHERE'D YOU GET THAT? 133 00:09:37,300 --> 00:09:39,467 JUST DO IT. 134 00:09:42,501 --> 00:09:44,834 THAT'S IT. I'M IN. 135 00:09:44,934 --> 00:09:47,534 COME ON, YOU'VE ONLY GOT A FEW SECONDS. 136 00:10:03,167 --> 00:10:05,968 I BELIEVE THAT BELONGS TO ME. 137 00:10:06,067 --> 00:10:07,868 POSSESSION IS NINE-TENTHS OF THE LAW. 138 00:10:07,968 --> 00:10:10,300 YOU'RE NOT OUT OF HERE YET. 139 00:10:13,601 --> 00:10:16,200 BESIDES, THERE ARE THREE PAINTINGS TO THE SET, 140 00:10:16,300 --> 00:10:17,934 AND I ALREADY HAVE ONE OF THEM. 141 00:10:18,067 --> 00:10:21,334 SO IT WON'T DO MUCH GOOD WITHOUT THIS, THEN, WILL IT? 142 00:10:21,434 --> 00:10:24,334 I WARNED YOU NOT TO GET IN MY WAY. 143 00:10:24,434 --> 00:10:28,000 YOU KNOW, IF YOU DIDN'T WANT ME AROUND, YOU COULDA JUST SAID SO. 144 00:10:52,501 --> 00:10:55,033 GIVE UP NOW. 145 00:10:55,133 --> 00:10:58,067 YOU CAN'T HOLD OUT AS LONG AS I CAN. 146 00:11:05,934 --> 00:11:08,734 BECAUSE I'M NOT A GOOD GIRL. 147 00:11:08,834 --> 00:11:11,234 EVEN BETTER. 148 00:11:15,033 --> 00:11:17,033 YOU JUST HAD TO DO IT ALONE, DIDN'T YOU? 149 00:11:17,133 --> 00:11:18,767 DID YOU GET THE PAINTING? 150 00:11:18,868 --> 00:11:21,167 YEAH. ONE OF THEM. 151 00:11:24,501 --> 00:11:27,200 WHY WEREN'T WE TOLD THERE WERE THREE PAINTINGS TO BEGIN WITH? 152 00:11:27,300 --> 00:11:28,801 WELL, MAYBE THE GUY'S BLUFFING. 153 00:11:28,901 --> 00:11:30,734 AT THIS POINT I WOULDN'T PUT ANYTHING PAST HIM. 154 00:11:30,834 --> 00:11:35,234 YEAH, THAT'S WHAT I SAID, BUT LEXA SEEMS TO FEEL THIS GUY'S ON THE LEVEL. 155 00:11:35,334 --> 00:11:37,968 WELL, WE'LL FIND OUT SOON ENOUGH. 156 00:11:38,067 --> 00:11:42,567 I'M RUNNING AN INFRARED IMAGE OF THE PICTURE, SEE WHAT WE GET. 157 00:11:47,234 --> 00:11:49,033 OH, THERE IT IS. 158 00:11:49,133 --> 00:11:50,234 WHAT DO YOU THINK? 159 00:11:50,334 --> 00:11:51,567 OH, WELL, IT'S A CODE. 160 00:11:51,667 --> 00:11:53,667 UH, LOOKS LIKE IT'S SOME KIND OF FORMULA. 161 00:11:53,767 --> 00:11:55,033 BUT... 162 00:11:55,133 --> 00:11:57,467 NO, THE CODE'S INCOMPLETE. 163 00:11:57,567 --> 00:12:00,767 I'D GUESS THAT EACH PAINTING REPRESENTS ANOTHER LAYER TO THE FORMULA. 164 00:12:00,868 --> 00:12:02,968 SEPARATELY THEY'RE WORTHLESS. WE NEED ALL THREE. 165 00:12:03,067 --> 00:12:04,767 WELL, BLAKE SAYS HE HAS ONE OF THE PAINTINGS. 166 00:12:04,868 --> 00:12:06,801 AND HE KNOWS WHERE THE THIRD ONE IS. 167 00:12:06,901 --> 00:12:10,067 WELL, ACCORDING TO MY MATH, THAT MEANS WE'RE RIGHT BACK TO SQUARE ONE, DOESN'T IT? 168 00:12:10,167 --> 00:12:11,501 NO, NOT NECESSARILY. 169 00:12:11,601 --> 00:12:14,033 HIS BUYER'S GOING TO NEED ALL THREE, AS MUCH AS WE DO. 170 00:12:14,133 --> 00:12:15,868 IT'S ANYBODY'S GAME RIGHT NOW. 171 00:12:15,968 --> 00:12:18,868 HE NEEDS US AS MUCH AS WE NEED HIM. 172 00:12:18,968 --> 00:12:21,067 WAIT A MINUTE. 173 00:12:21,167 --> 00:12:24,667 HE THINKS I'M A RIVAL THIEF, RIGHT? 174 00:12:24,767 --> 00:12:26,100 WHAT IF I CONVINCE HIM TO PARTNER UP 175 00:12:26,200 --> 00:12:28,067 AND SPLIT THE PROFITS OF THE THREE PAINTINGS. 176 00:12:28,167 --> 00:12:31,868 OH, HO HO, WE ARE NOT JUST GOING TO JUMP INTO BED WITH THIS GUY. 177 00:12:31,968 --> 00:12:33,901 SPEAK FOR YOURSELF. 178 00:12:34,000 --> 00:12:36,100 HMM. 179 00:12:39,167 --> 00:12:41,667 WHAT? ARE WE ALL TAKING CRAZY PILLS HERE? 180 00:12:51,100 --> 00:12:53,300 WELL, LOOKS LIKE BLAKE'S GOT A PLACE HERE IN TOWN. 181 00:12:53,400 --> 00:12:55,868 WHAT, IS HE LISTED IN THE YELLOW PAGES? 182 00:12:55,968 --> 00:12:57,234 NO. 183 00:12:57,334 --> 00:12:59,634 HE OWNS A BAR DOWNTOWN UNDER ONE OF HIS ALIASES. 184 00:12:59,734 --> 00:13:02,734 THE BRASSERIE DU BOHEME. 185 00:13:02,834 --> 00:13:06,868 I GUESS HIS LOVE OF ART GOES DEEPER THAN CAT BURGLARY. 186 00:13:08,167 --> 00:13:11,534 LEXA, WHY ARE YOU SO EAGER TO FACE THIS GUY AGAIN? 187 00:13:11,634 --> 00:13:13,601 I MEAN, HE TRIED TO KILL YOU, YOU REMEMBER THAT? 188 00:13:13,701 --> 00:13:17,634 LISTEN, IF HE WANTED ME DEAD, HE WOULD'VE TRIED A LOT HARDER. 189 00:13:29,434 --> 00:13:33,033 WHATCHA WORKIN' ON? 190 00:13:33,133 --> 00:13:35,767 ILLICH SEFCHEK. 191 00:13:35,868 --> 00:13:37,167 WHO DAT? 192 00:13:37,267 --> 00:13:38,767 NOT SURE. 193 00:13:38,868 --> 00:13:41,634 HUH. 194 00:13:41,734 --> 00:13:44,467 WELL, FIRST YOU PULL THE CODE FOR GETTING INTO THE GALLERY OUT OF THIN AIR 195 00:13:44,567 --> 00:13:49,067 AND NOW YOU'RE, WELL, LOOKING UP RUSSIAN SCIENTISTS. 196 00:13:49,167 --> 00:13:51,133 WELL, CAN I BUY A CLUE? 197 00:13:53,267 --> 00:13:55,434 OKAY. 198 00:13:55,534 --> 00:13:57,300 I DIDN'T KNOW WHETHER TO BELIEVE IT OR NOT, 199 00:13:57,400 --> 00:14:01,367 BUT I GOT A CALL FROM SOMEONE ON OUR INTERNAL LINE. 200 00:14:01,467 --> 00:14:04,033 DIDN'T GIVE ME A NAME, JUST GAVE ME THE CODE. 201 00:14:04,133 --> 00:14:05,934 JUST LIKE THAT? 202 00:14:06,033 --> 00:14:09,601 WELL, HE SAID THERE WAS MORE TO THE STORY OF THE PAINTINGS THAN WE WERE BEING TOLD. 203 00:14:09,701 --> 00:14:12,467 SAID I SHOULD LOOK UP THIS GUY, SEFCHEK. 204 00:14:12,567 --> 00:14:13,968 YOU TRIED TRACING THE CALL? 205 00:14:14,067 --> 00:14:15,234 'COURSE. 206 00:14:15,334 --> 00:14:16,701 WELL, HE MUST HAVE KNOWN BEFOREHAND 207 00:14:16,801 --> 00:14:19,701 BECAUSE HE KEPT BOUNCING THE SIGNAL ALL ACROSS THE COUNTRY. 208 00:14:19,801 --> 00:14:22,434 WELL, SOUNDS LIKE THIS GUY'S KINDA GOT YOU FREAKED OUT. 209 00:14:22,534 --> 00:14:23,567 WELL, I... 210 00:14:23,667 --> 00:14:25,767 I DON'T KNOW WHAT TO THINK. 211 00:14:25,868 --> 00:14:27,167 I MEAN, HE SAID HE WAS A FRIEND. 212 00:14:27,267 --> 00:14:29,133 HE SPOKE LIKE HE KNEW ME. 213 00:14:29,234 --> 00:14:30,667 DON'T WORRY. 214 00:14:30,767 --> 00:14:34,167 NEXT TIME THIS GUY CALLS WE'LL BE THE ONES MESSING WITH HIS HEAD. 215 00:14:50,934 --> 00:14:52,701 THAT COULD BE YOU. 216 00:14:54,467 --> 00:14:56,067 WHAT? YOU WERE EXPECTING ME? 217 00:14:56,167 --> 00:14:57,868 I KNEW YOU COULDN'T STAY AWAY. 218 00:14:57,968 --> 00:14:59,467 OH. 219 00:14:59,567 --> 00:15:00,667 SO, YOU LIKE IT? 220 00:15:00,767 --> 00:15:01,701 YEAH. 221 00:15:01,801 --> 00:15:04,300 WHO'S THE ARTIST? 222 00:15:04,400 --> 00:15:06,968 ME. 223 00:15:09,434 --> 00:15:12,267 IT'S AN EARLY PIECE, BUT IT LACKS IN COURAGE. 224 00:15:12,367 --> 00:15:16,834 IT'S FUNNY, I NEVER TOOK YOU TO BE THE MODEST TYPE. 225 00:15:18,234 --> 00:15:19,400 ONLY WHEN IT COMES TO... 226 00:15:19,501 --> 00:15:22,033 MY ART. 227 00:15:22,133 --> 00:15:24,934 LET'S JUST KEEP THIS BUSINESS. 228 00:15:25,033 --> 00:15:26,834 I'M LISTENING. 229 00:15:26,934 --> 00:15:28,534 YOU HAVE ONE PAINTING. 230 00:15:28,634 --> 00:15:30,868 I HAVE ONE. 231 00:15:30,968 --> 00:15:33,467 THIRD ONE'S STILL UP FOR GRABS. 232 00:15:33,567 --> 00:15:36,267 AND YOUR POINT IS? 233 00:15:37,834 --> 00:15:41,801 DOESN'T TAKE A ROCKET SCIENTIST TO REALIZE THE REAL DEAL HERE, 234 00:15:41,901 --> 00:15:44,567 IS BY DELIVERING UP THE COMPLETE SET. 235 00:15:44,667 --> 00:15:48,133 YEAH, WELL, MY BUYER IS WILLING TO PAY NORTH OF... 236 00:15:48,234 --> 00:15:51,267 FIVE MILLION. 237 00:15:51,367 --> 00:15:53,067 I WANT IN. 238 00:15:53,167 --> 00:15:56,434 [SNIFFS] AND JUST... 239 00:15:56,534 --> 00:15:58,200 WHY WOULD I DO THAT? 240 00:15:58,300 --> 00:16:01,567 BECAUSE YOU'LL NEVER GET YOUR HANDS ON THE COMPLETE SET WITHOUT ME. 241 00:16:05,767 --> 00:16:08,200 LET'S DO IT. 242 00:16:08,300 --> 00:16:09,601 GOOD. 243 00:16:09,701 --> 00:16:12,868 OH - BUT FIRST - I WANT TO SEE YOUR PAINTING. 244 00:16:12,968 --> 00:16:16,400 JUST TO VERIFY IT. 245 00:16:16,501 --> 00:16:18,033 OKAY. 246 00:16:18,133 --> 00:16:22,434 YOU SHOW ME YOURS, I'LL SHOW YOU MINE. 247 00:16:25,734 --> 00:16:27,033 [ALARM] 248 00:16:27,133 --> 00:16:28,100 BRENNAN! 249 00:16:28,200 --> 00:16:29,234 COME HERE. 250 00:16:29,334 --> 00:16:30,801 IT'S HIM. 251 00:16:30,901 --> 00:16:32,167 HELLO, SHALIMAR. 252 00:16:32,267 --> 00:16:36,167 WHAT DID YOU FIND OUT ABOUT THE LEAD I GAVE YOU? 253 00:16:36,267 --> 00:16:39,701 HE'S THE CHEMICAL ENGINEER SPECIALISING IN ENVIRONMENTAL RESEARCH. 254 00:16:39,801 --> 00:16:40,801 EXACTLY. 255 00:16:40,901 --> 00:16:42,734 AND THE PAINTING? 256 00:16:42,834 --> 00:16:45,167 WHAT DID YOU GET FROM THE SCANS? 257 00:16:45,267 --> 00:16:46,934 WELL, WE'RE NOT SURE YET. 258 00:16:47,033 --> 00:16:50,234 THE PAINTINGS ARE THE KEY TO THE WHOLE PUZZLE. 259 00:16:50,334 --> 00:16:53,567 IT'S IMPERATIVE WE FIND OUT WHAT THEY'RE HIDING. 260 00:16:53,667 --> 00:16:55,534 LOOK, WHY DON'T YOU JUST TELL ME WHAT THIS IS ALL ABOUT? 261 00:16:55,634 --> 00:16:57,567 WHY DON'T YOU ASK BRENNAN? 262 00:16:57,667 --> 00:17:00,667 I'M SURE HE'S FULL OF BRIGHT IDEAS. 263 00:17:00,767 --> 00:17:03,667 WHAT THE HELL? 264 00:17:03,767 --> 00:17:06,100 HE'S IN OUR SYSTEM. 265 00:17:09,834 --> 00:17:10,968 WHAT'D HE GET? 266 00:17:11,067 --> 00:17:12,934 HE'S TRYING TO ACCESS THE SCAN OF THE PAINTING. 267 00:17:13,033 --> 00:17:15,100 I HAVE NO IDEA HOW MUCH OF THE FILE HE WAS ABLE TO DOWNLOAD. 268 00:17:15,200 --> 00:17:17,200 HOW THE HELL DID HE GET INTO OUR SYSTEM IN THE FIRST PLACE? 269 00:17:17,300 --> 00:17:19,767 HOW DOES HE KNOW SO MUCH ABOUT US? 270 00:17:21,868 --> 00:17:23,868 DAMMIT. 271 00:17:25,701 --> 00:17:28,334 TELL ME THAT WE ARE NOT JUST GOING TO HAND THIS PAINTING OVER TO HIM. 272 00:17:28,434 --> 00:17:31,133 [SIGHS] IT'LL NEVER LEAVE MY SIGHT, OKAY? 273 00:17:31,234 --> 00:17:33,868 AND ONCE I GET IN THERE, I CAN GET A LOOK AT HIS PAINTING. 274 00:17:33,968 --> 00:17:36,100 THAT WAY, I CAN GET INFORMATION FROM BOTH. 275 00:17:36,200 --> 00:17:37,634 YEAH, BUT ONCE HE GETS HIS HANDS ON OUR PAINTING, 276 00:17:37,734 --> 00:17:39,467 HE'S NOT GOING TO NEED YOU ANYMORE. 277 00:17:39,567 --> 00:17:41,634 I TOLD YOU I CAN HANDLE THIS. 278 00:17:41,734 --> 00:17:43,901 I HEARD YOU. 279 00:17:44,000 --> 00:17:46,367 LOOK, I'M COMING ALONG THIS TIME. 280 00:17:46,467 --> 00:17:48,534 NO ARGUMENTS. 281 00:17:53,100 --> 00:17:56,234 [PLAYBACK] THE PAINTINGS ARE THE KEY TO THE WHOLE PUZZLE. 282 00:17:57,133 --> 00:17:59,567 NOW REMOVE THE VOCAL PATTERN. 283 00:17:59,667 --> 00:18:01,534 SEE WHAT ELSE WE CAN HEAR. 284 00:18:01,634 --> 00:18:04,300 [BACKGROUND NOISE] 285 00:18:04,400 --> 00:18:05,767 WHAT IS THAT? 286 00:18:05,868 --> 00:18:08,701 SOUNDS LIKE THE CALL CAME FROM A RESTAURANT. 287 00:18:08,801 --> 00:18:10,634 YOU NARROW IT DOWN A LITTLE FURTHER? 288 00:18:10,734 --> 00:18:12,701 TRYING. 289 00:18:12,801 --> 00:18:14,901 [VOICE] CHINA KITCHEN, PLEASE HOLD. 290 00:18:15,000 --> 00:18:16,634 NICE. 291 00:18:16,734 --> 00:18:19,734 SOUNDS LIKE OUR SECRET ADMIRER HAS A PENCHANT FOR CHINESE FOOD. 292 00:18:19,834 --> 00:18:22,767 YOU IN THE MOOD FOR TAKEOUT? 293 00:18:31,300 --> 00:18:33,367 NOT THE KIND OF PARTY I HAD IN MIND. 294 00:18:33,467 --> 00:18:34,634 THIS IS JESSE. 295 00:18:34,734 --> 00:18:36,400 HE'S MY BACKUP. 296 00:18:40,334 --> 00:18:41,801 COME WITH ME. 297 00:18:41,901 --> 00:18:43,567 I HAVE A DIGITAL SCANNER IN THE BACK. 298 00:18:43,667 --> 00:18:46,100 WE COULD VERIFY MY PAINTING FIRST. 299 00:18:46,200 --> 00:18:48,634 IF YOU LIKE. 300 00:18:52,434 --> 00:18:53,968 HERE WE GO. 301 00:18:58,234 --> 00:19:00,667 BE MY GUEST. 302 00:19:12,367 --> 00:19:14,467 NOW YOUR TURN. 303 00:19:49,133 --> 00:19:50,367 SO IT'S TRUE. 304 00:19:50,467 --> 00:19:53,367 WHAT WE HAVE REPRESENTS TWO-THIRDS OF THE PUZZLE. 305 00:19:57,367 --> 00:19:59,567 SO WHEN DO WE MOVE ON THE LAST PAINTING? 306 00:19:59,667 --> 00:20:02,167 "WE" DON'T MOVE ON ANYTHING. 307 00:20:02,267 --> 00:20:04,667 I'M WORKING HERE WITH LEXA... ALONE. 308 00:20:04,767 --> 00:20:06,968 DON'T NEED ANY MORE BAGGAGE. 309 00:20:07,067 --> 00:20:08,033 LISTEN, BUDDY... 310 00:20:08,133 --> 00:20:09,200 HEY, JESSE... 311 00:20:09,300 --> 00:20:10,434 JESS? 312 00:20:10,534 --> 00:20:11,767 JUST TAKE THE PAINTING. 313 00:20:11,868 --> 00:20:15,100 I'LL CONTACT YOU WHEN WE'RE READY TO MOVE, OKAY? 314 00:20:16,400 --> 00:20:17,901 YEAH. 315 00:20:19,334 --> 00:20:22,634 UH, DON'T WORRY, JESS. 316 00:20:22,734 --> 00:20:25,300 I'LL BE GENTLE WITH HER. 317 00:20:30,734 --> 00:20:32,467 OH, WHAT DID YOU THINK, SHAL, 318 00:20:32,567 --> 00:20:34,667 THAT HE WAS JUST GOING TO SIT AROUND AND WAIT UNTIL HE GOT THE ITCH TO CALL AGAIN? 319 00:20:34,767 --> 00:20:36,267 I DON'T KNOW. 320 00:20:36,367 --> 00:20:38,634 I GUESS I WAS HOPING I'D AT LEAST FIND SOME CLUE TO HIS IDENTITY. 321 00:20:38,734 --> 00:20:46,901 [PAYPHONE RINGS] 322 00:20:51,567 --> 00:20:52,601 HELLO? 323 00:20:52,701 --> 00:20:54,868 YOU'VE MANAGED TO GET CLOSE. 324 00:20:54,968 --> 00:20:56,300 WHERE ARE YOU? 325 00:20:56,400 --> 00:20:57,734 HE MUST BE WATCHING US. 326 00:20:57,834 --> 00:21:00,400 ARE YOU ANY CLOSER TO RECOVERING THE OTHER TWO PAINTINGS? 327 00:21:00,501 --> 00:21:01,834 WE'RE WORKING ON IT. 328 00:21:01,934 --> 00:21:06,634 THE INFORMATION CAN'T GET INTO THE WRONG HANDS. 329 00:21:18,634 --> 00:21:22,000 WHAT WOULD AN ENVIRONMENTAL SCIENTIST HAVE THAT'D BE A RISK TO NATIONAL SECURITY? 330 00:21:22,100 --> 00:21:23,734 ARE YOU READY FOR THE ANSWER? 331 00:21:23,834 --> 00:21:27,467 YEAH, WHY DON'T YOU TELL ME WHAT THE HELL IS GOING ON? 332 00:21:27,567 --> 00:21:29,267 CALL IS COMING FROM THAT WINDOW. 333 00:21:50,100 --> 00:21:52,200 [PARROT] GOOD WORK, SHALIMAR. 334 00:22:00,033 --> 00:22:01,701 GOOD WORK, SHALIMAR. 335 00:22:01,801 --> 00:22:04,767 WELL, UNLESS YOU AND YOUR FINE FEATHERED FRIEND HERE GO WAY BACK, 336 00:22:04,868 --> 00:22:07,367 OUR INFORMANT KNEW WE WERE GOING TO BE HERE. 337 00:22:07,467 --> 00:22:09,834 YEAH, I KNOW, BUT HOW? 338 00:22:09,934 --> 00:22:13,067 THE ONLY WAY I FOUND HIM WAS THROUGH MY FERAL HEARING. 339 00:22:13,167 --> 00:22:14,701 HE ANTICIPATED IT? 340 00:22:14,801 --> 00:22:16,501 HE DEFINITELY KNOWS OUR MOVES. 341 00:22:16,601 --> 00:22:19,334 THAT'S HOW HE'S ABLE TO STAY THREE STEPS AHEAD OF US. 342 00:22:22,767 --> 00:22:26,501 I SAY WE GO CHECK OUT THESE LITTLE DOOR PRIZES THAT THEY LEFT FOR US. 343 00:22:26,601 --> 00:22:29,968 AWK! AWK! 344 00:22:34,534 --> 00:22:39,234 A BAR OWNER, A CAT BURGLAR, AND AN ARTIST. 345 00:22:39,334 --> 00:22:42,934 TELL ME, WHO'S THE REAL RANDELL BLAKE? 346 00:22:43,033 --> 00:22:44,901 ALL THREE. 347 00:22:45,000 --> 00:22:48,267 BAR KEEPS ME LEGIT, THE BURGLARY KEEPS THE DOORS OPEN, 348 00:22:48,367 --> 00:22:51,334 AND PAINTING... 349 00:22:51,434 --> 00:22:53,667 AH, THE PAINTING FEEDS MY SOUL. 350 00:22:53,767 --> 00:22:55,834 AND THAT'S IMPORTANT TO YOU? 351 00:22:55,934 --> 00:22:58,067 THE REST OF IT IS JUST SURVIVING. 352 00:22:58,167 --> 00:22:59,734 ART IS LIFE. 353 00:22:59,834 --> 00:23:04,634 OH, I DIDN'T REALISE I'D BE GETTING A FREE LESSON IN PHILOSOPHY. 354 00:23:04,734 --> 00:23:06,501 ARE YOU ALWAYS THIS COCKY? 355 00:23:06,601 --> 00:23:07,634 NO. 356 00:23:07,734 --> 00:23:09,734 I'M WORSE ON THE JOB. 357 00:23:09,834 --> 00:23:13,300 YEAH, WELL, I HOPE YOU'RE AS GOOD AS YOU THINK YOU ARE. 358 00:23:13,400 --> 00:23:16,367 THE LAST PAINTING OF THE TRILOGY IS THE HARDEST OF ALL. 359 00:23:16,467 --> 00:23:17,434 OKAY. 360 00:23:17,534 --> 00:23:19,033 WHAT ARE WE LOOKING AT HERE? 361 00:23:19,133 --> 00:23:21,567 BANK, STATE OF THE ART SECURITY, WHAT? 362 00:23:21,667 --> 00:23:23,200 WORSE. 363 00:23:23,300 --> 00:23:25,934 IT'S PART OF SOMEONE'S PRIVATE COLLECTION. 364 00:23:26,033 --> 00:23:28,367 HAVE YOU EVER HEARD OF SLAVA CHEYKYNOV? 365 00:23:28,467 --> 00:23:29,767 SHOULD I? 366 00:23:29,868 --> 00:23:31,968 SLAVA'S A MAJOR PLAYER IN THE RUSSIAN MOB. 367 00:23:32,067 --> 00:23:33,534 PAINTING'S STORED IN HIS MANSION. 368 00:23:33,634 --> 00:23:34,734 'KAY. 369 00:23:34,834 --> 00:23:36,801 HOW HARD'S IT GOING TO BE TO BREAK IN? 370 00:23:36,901 --> 00:23:40,100 HE'S GOT A SMALL ARMY PROTECTING HIM AND HIS TOYS. 371 00:23:40,200 --> 00:23:43,000 A COCKROACH COULDN'T GET IN. 372 00:23:45,033 --> 00:23:47,300 IS THIS MAKING A DENT WITH YOU AT ALL? 373 00:23:47,400 --> 00:23:51,734 I MEAN, THIS JOB IS ABOUT AS DEADLY... AS IT GETS. 374 00:23:51,834 --> 00:23:54,434 YOU SAY IT LIKE IT'S A BAD THING. 375 00:24:00,767 --> 00:24:02,868 DOES THIS MAKE ANY SENSE TO YOU? 376 00:24:02,968 --> 00:24:04,467 WELL, IN A MINUTE. 377 00:24:04,567 --> 00:24:06,467 AS SOON AS THE COMPUTER FINISHES TRANSLATING THIS INTO ENGLISH. 378 00:24:06,567 --> 00:24:10,033 [SIGHS] WELL, WHAT IS IT? 379 00:24:10,133 --> 00:24:14,167 WELL, IT LOOKS LIKE A PROPOSAL BY THE SCIENTIST WHO OWNED THOSE PAINTINGS. 380 00:24:15,667 --> 00:24:18,834 HE THOUGHT HE COULD CREATE AN ALTERNATIVE TO FOSSIL FUEL. 381 00:24:18,934 --> 00:24:22,167 COST-EFFICIENT METHOD OF PROCESSING WATER INTO HYDROGEN POWER. 382 00:24:22,267 --> 00:24:24,167 [LAUGHS] WOW. 383 00:24:24,267 --> 00:24:26,801 CLEAN, SAFE, CHEAP FUEL FOR THE WHOLE WORLD. 384 00:24:26,901 --> 00:24:31,667 AM I STUPID, OR IS THIS THE BREAKTHROUGH WE'VE BEEN LOOKING FOR, FOR THE LAST FIFTY YEARS? 385 00:24:31,767 --> 00:24:34,701 DON'T ANSWER THAT. 386 00:24:34,801 --> 00:24:37,534 SO THIS IS WHAT IT'S ALL ABOUT, HUH? 387 00:24:37,634 --> 00:24:38,968 THINK HE ACTUALLY MADE IT WORK? 388 00:24:39,067 --> 00:24:40,434 WHO KNOWS. 389 00:24:40,534 --> 00:24:42,567 BUT I BET HE HID THAT FORMULA IN THOSE THREE PAINTINGS. 390 00:24:42,667 --> 00:24:45,067 JESS, YOU GETTING THIS? - OH, YEAH. 391 00:24:45,167 --> 00:24:47,200 NO WONDER SOMEBODY'S TRYING TO SUPPRESS IT. 392 00:24:47,300 --> 00:24:49,534 YOU KNOW, I'D BET THE HELIX THAT WHOEVER'S PAYING BLAKE 393 00:24:49,634 --> 00:24:52,267 HAS GOT TENTACLES CONNECTED TO THE OIL INDUSTRY IN SOME WAY. 394 00:24:52,367 --> 00:24:56,133 YEAH, WELL, THIS INFORMATION IS WAY TOO VALUABLE FOR US TO LET IT SLIP THROUGH OUR FINGERS. 395 00:24:56,234 --> 00:24:58,434 THE ONLY PROBLEM IS, WE ONLY HAVE ONE-THIRD OF THE EQUATION. 396 00:24:58,534 --> 00:25:00,467 I'M GOING TO TAKE ANOTHER LOOK AT WHAT WE GOT. 397 00:25:00,567 --> 00:25:04,467 SEE IF MAYBE I MISSED SOMETHING THAT COULD LEAD US TO THE LAST PAINTING. 398 00:25:04,567 --> 00:25:07,968 YOU KNOW WHAT I WANT TO KNOW IS, IS WHY DID THE DOMINION LIE TO US IN THE FIRST PLACE, RIGHT? 399 00:25:08,067 --> 00:25:09,868 THEY... THEY SAID THIS... 400 00:25:09,968 --> 00:25:12,267 THIS TECHNOLOGY COULD JEOPARDISE WORLD SECURITY. 401 00:25:12,367 --> 00:25:15,033 WELL, EVERYTHING ALWAYS BOILS DOWN TO MONEY. 402 00:25:15,133 --> 00:25:18,667 HUH, I DON'T KNOW WHO TO BELIEVE ANYMORE. 403 00:25:18,767 --> 00:25:20,868 BUT I DO PLAN ON ASKING SOME QUESTIONS. 404 00:25:20,968 --> 00:25:22,634 HEY, NOT SO FAST. 405 00:25:22,734 --> 00:25:25,400 LEXA'S THE ONLY ONE WITH AN ALL-ACCESS PASS TO THE DOMINION. 406 00:25:25,501 --> 00:25:27,434 WELL, MAYBE WE ADD OUR NAME TO THE LIST. 407 00:25:27,534 --> 00:25:28,734 NO, IT'S NOT THAT EASY. 408 00:25:28,834 --> 00:25:30,434 WE NEED ACCESS CODES. 409 00:25:30,534 --> 00:25:33,934 I MEAN, CALLING THE DOMINION ISN'T LIKE PICKING UP THE PHONE AND DIALING 911. 410 00:25:34,033 --> 00:25:37,434 WELL, IF WE CAN'T CALL THEM, MAYBE WE SHOULD GET THEM TO CALL US. 411 00:25:42,467 --> 00:25:44,567 I THOUGHT YOU SAID THIS PLACE WAS LIKE GETTING INTO FORT KNOX. 412 00:25:44,667 --> 00:25:46,501 IT IS. 413 00:25:46,601 --> 00:25:50,567 FORTUNATELY, WHAT WE'RE HERE FOR IS A LOT EASIER TO MOVE THAN TWO TON OF GOLD BULLION. 414 00:25:50,667 --> 00:25:52,868 HOW MANY MEN DOES SLAVA KEEP ON STAFF? 415 00:25:52,968 --> 00:25:54,133 NOT SURE. 416 00:25:54,234 --> 00:25:56,167 NO ONE'S EVER MADE IT OUT ALIVE. 417 00:25:56,267 --> 00:25:57,734 GOOD. 418 00:25:57,834 --> 00:26:00,634 I'M LOOKING FORWARD TO BEING THE FIRST. 419 00:26:05,968 --> 00:26:07,801 YOU REALLY ARE FEARLESS. 420 00:26:07,901 --> 00:26:10,400 IT'S THE ONLY WAY TO PLAY IT. 421 00:26:13,133 --> 00:26:19,167 WHAT I WOULD GIVE TO CAPTURE THAT PASSION ON CANVAS. 422 00:26:19,267 --> 00:26:22,434 I'M SURE YOU WOULD. 423 00:26:28,133 --> 00:26:31,367 LEXA, WE NEED TO TALK - NOW. 424 00:26:33,200 --> 00:26:36,033 A LITTLE MORE WINE, MAYBE? 425 00:26:38,267 --> 00:26:42,033 YEAH. 426 00:26:45,567 --> 00:26:47,501 THIS BETTER BE GOOD, JESS. I'M WORKING HERE. 427 00:26:47,601 --> 00:26:48,601 YEAH. 428 00:26:48,701 --> 00:26:50,267 YOUR BOYFRIEND PULLED A FAST ONE ON US. 429 00:26:50,367 --> 00:26:51,634 WHAT ARE YOU TALKING ABOUT? 430 00:26:51,734 --> 00:26:52,767 WELL, HE SWITCHED THE PAINTINGS. 431 00:26:52,868 --> 00:26:55,033 I'M LOOKING AT A COUNTERFEIT. 432 00:26:55,133 --> 00:26:57,467 THAT'S NOT POSSIBLE. - OH, IT IS. 433 00:26:57,567 --> 00:26:59,234 I JUST RE-SCANNED IT. 434 00:26:59,334 --> 00:27:01,234 NOW YOU TRY AND TELL ME IF HE DOESN'T HAVE YOUR HEAD ALL TURNED AROUND. 435 00:27:01,334 --> 00:27:02,400 YOU'RE WRONG. 436 00:27:02,501 --> 00:27:04,367 ALL RIGHT, WELL, THEN YOU EXPLAIN IT, 437 00:27:04,467 --> 00:27:05,667 BECAUSE THE LEXA I KNOW WOULDN'T DROP HER GUARD FOR A MINUTE 438 00:27:05,767 --> 00:27:07,267 FOR SOME LOW-LIFE, SMOOTH-TALKING... 439 00:27:07,367 --> 00:27:08,467 LET IT GO, JESS. 440 00:27:08,567 --> 00:27:09,534 I'LL GET IT BACK. 441 00:27:09,634 --> 00:27:12,400 HOW? 442 00:27:12,501 --> 00:27:13,901 I GOT IT COVERED. 443 00:27:20,834 --> 00:27:23,133 [SIGHS] SURE YOU KNOW WHAT YOU'RE DOING DOWN THERE, BABE? 444 00:27:23,234 --> 00:27:24,734 I MEAN, WE CAN CALL JESSE. 445 00:27:24,834 --> 00:27:26,834 OH, JESSE, JESSE, JESSE. 446 00:27:26,934 --> 00:27:29,968 MAN, I MEAN, HE'S NOT THE ONLY ONE WITH A BRAIN AROUND HERE. 447 00:27:30,067 --> 00:27:33,367 I'M JUST SAYING YOU DON'T EXACTLY HAVE A DEGREE IN ELECTRONICS. 448 00:27:33,467 --> 00:27:36,734 OOH, HEY, LOOK AT THAT. 449 00:27:36,834 --> 00:27:38,667 THAT'S MY DIPLOMA, OKAY? 450 00:27:38,767 --> 00:27:41,434 LOOK, ALL I'M TRYING TO DO IS TRIGGER AN ALARM IN THE ENCRYPTION DEVICE. 451 00:27:41,534 --> 00:27:44,300 THAT'LL GIVE THEM A REASON TO RESPOND. 452 00:27:46,200 --> 00:27:47,501 [ALARM] 453 00:27:47,601 --> 00:27:49,234 NICE WORK. 454 00:27:51,801 --> 00:27:54,801 WHAT EXACTLY DO YOU THINK YOU'RE DOING? 455 00:27:54,901 --> 00:27:56,067 WE NEED TO TALK. 456 00:27:56,167 --> 00:27:57,300 WE WANT SOME ANSWERS. 457 00:27:57,400 --> 00:27:58,901 THAT'S NOT HOW IT WORKS. 458 00:27:59,000 --> 00:28:00,667 OH, IT IS NOW, CHIEF. 459 00:28:00,767 --> 00:28:05,000 UNLESS YOU WANT WHATEVER IT IS WE FIND PUBLISHED IN THE DAILY TIMES. 460 00:28:05,100 --> 00:28:06,934 WHAT IS IT THAT YOU REQUIRE? 461 00:28:07,033 --> 00:28:08,534 A FACE TO FACE. 462 00:28:08,634 --> 00:28:11,067 WE'VE GOT QUESTIONS. YOU'VE GOT ANSWERS. 463 00:28:11,167 --> 00:28:12,434 TWO HOURS. 464 00:28:12,534 --> 00:28:15,067 THE ALLEY BETWEEN DIVISION AND THIRD. 465 00:28:16,567 --> 00:28:18,434 WELL, THAT WASN'T SO DIFFICULT. 466 00:28:18,534 --> 00:28:21,033 THAT'S WHAT WORRIES ME. 467 00:28:43,934 --> 00:28:45,767 THAT HURTS. 468 00:28:45,868 --> 00:28:47,667 SORRY. 469 00:28:50,200 --> 00:28:53,334 WHAT'S THE MATTER? DON'T YOU TRUST ME? 470 00:29:01,801 --> 00:29:04,767 THERE, ALL BETTER. 471 00:29:07,901 --> 00:29:13,234 SO, UM, WHILE WE'RE ON THE SUBJECT OF TRUST... 472 00:29:13,334 --> 00:29:18,133 WHEN WERE YOU GOING TO TELL ME YOU STOLE MY PAINTING? 473 00:29:18,234 --> 00:29:20,667 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 474 00:29:22,100 --> 00:29:23,734 LET'S TRY THIS ONCE AGAIN. 475 00:29:23,834 --> 00:29:26,934 OR ARE YOU LOOKING FOR SOME FREE LASER SURGERY? 476 00:29:28,434 --> 00:29:32,334 HEY, YOU DO IT, AND YOU'LL NEVER SEE ANY OF THOSE PAINTINGS AGAIN. 477 00:29:44,133 --> 00:29:46,367 I TAKE IT WE'RE PARTNERS? 478 00:29:46,467 --> 00:29:48,133 THAT'S RIGHT. 479 00:29:48,234 --> 00:29:51,234 SPLITTING EVERYTHING RIGHT DOWN THE MIDDLE. 480 00:29:53,267 --> 00:29:55,367 THAT'S WHAT I WANT TO HEAR. 481 00:30:19,200 --> 00:30:21,934 THIS WAS A VERY RISKY MANEUVER ON YOUR PART. 482 00:30:22,033 --> 00:30:24,667 I ASSUME MISS PIERCE HAD NO KNOWLEDGE OF YOUR ACTIONS. 483 00:30:24,767 --> 00:30:26,100 WE DON'T ANSWER TO HER. 484 00:30:26,200 --> 00:30:27,701 CLEARLY. 485 00:30:27,801 --> 00:30:30,901 IT WAS FOOLISH TO SUGGEST YOU WOULD REVEAL THE FORMULA TO THE WORLD. 486 00:30:31,000 --> 00:30:32,901 WE DON'T TAKE KINDLY TO BLACKMAIL. 487 00:30:33,000 --> 00:30:34,501 YOU LIED TO US. 488 00:30:34,601 --> 00:30:37,367 YOU SAID THIS WAS A THREAT TO NATIONAL SECURITY. 489 00:30:37,467 --> 00:30:40,567 WE ANTICIPATED YOUR RESPONSE TO THE REAL NATURE OF THE TECHNOLOGY 490 00:30:40,667 --> 00:30:42,968 AND TOLD YOU WHAT YOU NEEDED TO DO THE JOB. 491 00:30:43,067 --> 00:30:45,367 AT LEAST YOU ADMIT THAT YOU TRIED TO PLAY US. 492 00:30:45,467 --> 00:30:46,801 WE DIRECTED YOU. 493 00:30:46,901 --> 00:30:48,834 THAT'S OUR ROLE. 494 00:30:48,934 --> 00:30:52,534 DO YOU HAVE ANY IDEA WHAT WOULD HAPPEN IF YOU RELEASED THAT FORMULA? 495 00:30:52,634 --> 00:30:54,100 OH, I DON'T KNOW. 496 00:30:54,200 --> 00:30:56,567 THE WORLD WOULD HAVE AN ENDLESS SUPPLY OF POLLUTION-FREE FUEL? 497 00:30:56,667 --> 00:30:58,968 AND THE IMPACT OF THAT TECHNOLOGY WOULD CAUSE A SHIFT 498 00:30:59,067 --> 00:31:01,467 IN THE BALANCE OF WORLD POWERS OVERNIGHT. 499 00:31:01,567 --> 00:31:03,434 WHOLE ECONOMIES COLLAPSING. 500 00:31:03,534 --> 00:31:08,067 DECADES OF WAR AND MILLIONS OF LIVES LOST BEFORE ORDER WOULD BE RESTORED. 501 00:31:08,167 --> 00:31:12,000 WOULD ANY OF THAT FIT INTO THE CATEGORY OF THREAT TO NATIONAL SECURITY? 502 00:31:12,100 --> 00:31:13,868 SO YOU ARE GOING TO BURY THE FORMULA? 503 00:31:13,968 --> 00:31:16,701 WE WILL RELEASE IT WHEN THE WORLD IS READY. 504 00:31:16,801 --> 00:31:19,667 THESE KINDS OF CHANGES TAKE CAREFUL PLANNING. 505 00:31:19,767 --> 00:31:22,334 THE DOMINION HAS CONTROLLED THE EVOLUTION OF TECHNOLOGY 506 00:31:22,434 --> 00:31:23,734 FOR HUNDREDS OF YEARS. 507 00:31:23,834 --> 00:31:26,167 THIS CONVERSATION IS OVER. 508 00:31:27,734 --> 00:31:29,100 THINK AGAIN. 509 00:31:29,200 --> 00:31:31,334 I DIDN'T SIGN ON TO BE YOUR PUPPET. 510 00:31:31,434 --> 00:31:34,334 SO YOU'RE GOING TO GIVE US EVERYTHING YOU KNOW FROM NOW ON. 511 00:31:34,434 --> 00:31:37,000 YOU'RE IN NO POSITION TO MAKE DEMANDS. 512 00:31:37,100 --> 00:31:40,000 I'LL ADVISE YOU TO BACK AWAY SLOWLY. 513 00:31:40,100 --> 00:31:45,601 THERE ARE TEN WEAPONS SIGHTED ON YOU RIGHT NOW. 514 00:31:52,300 --> 00:31:54,400 FIGURE HE WAS TELLING THE TRUTH? 515 00:31:54,501 --> 00:31:56,234 DOESN'T MATTER. 516 00:31:56,334 --> 00:31:58,634 FIRST WE GOT TO FOCUS ON FINDING THOSE OTHER PAINTINGS. 517 00:31:58,734 --> 00:32:00,934 WE'LL FIGURE OUT WHAT TO DO WITH THEM LATER. 518 00:32:06,968 --> 00:32:08,734 TOOK YOU LONG ENOUGH. 519 00:32:08,834 --> 00:32:11,501 [SIGHS] DID WHAT I HAD TO DO. 520 00:32:15,300 --> 00:32:16,467 YEAH. 521 00:32:16,567 --> 00:32:17,767 I KNOW. 522 00:32:17,868 --> 00:32:20,000 SO HOW ARE WE GOING TO GET THE PAINTINGS? 523 00:32:20,100 --> 00:32:21,868 RIGHT AFTER THE JOB TONIGHT. 524 00:32:21,968 --> 00:32:24,334 I ATTACHED A TRACKER TO THE BACK OF HIS EARLOBE. 525 00:32:24,434 --> 00:32:26,267 HOW'D YOU DO THAT? 526 00:32:26,367 --> 00:32:28,267 I DON'T WANT TO KNOW. 527 00:32:28,367 --> 00:32:29,534 I'M SURE YOU DON'T. 528 00:32:29,634 --> 00:32:31,634 JUST KEEP YOUR EYE ON HIS EVERY MOVE, OKAY? 529 00:32:31,734 --> 00:32:33,601 OH, I INTEND TO. 530 00:32:33,701 --> 00:32:35,033 HERE WE GO. 531 00:32:48,534 --> 00:32:50,234 SURE MAKES GETTING AROUND EASY, HUH? 532 00:32:50,334 --> 00:32:51,534 YEAH. 533 00:32:51,634 --> 00:32:53,534 THE PAINTING IS IN THE SECOND LEVEL STUDY. 534 00:32:53,634 --> 00:32:56,567 YEAH, WE HAVE TO GET PAST THE GUARD STATION FIRST. 535 00:32:56,667 --> 00:32:58,534 EXACTLY. 536 00:32:58,634 --> 00:32:59,434 YOU READY TO MOVE? 537 00:32:59,534 --> 00:33:01,567 YEAH. 538 00:33:01,667 --> 00:33:02,634 WHAT'S THAT? 539 00:33:02,734 --> 00:33:05,000 [DOG BARKING] 540 00:33:08,834 --> 00:33:10,033 TASHA! 541 00:33:10,133 --> 00:33:11,200 WHAT ARE YOU BARKING AT? 542 00:33:11,300 --> 00:33:12,667 THERE'S NOTHING THERE. 543 00:33:12,767 --> 00:33:14,934 COME ON, THERE IS NOTHING THERE. 544 00:33:15,033 --> 00:33:17,434 COME ON. 545 00:33:17,534 --> 00:33:20,667 [DOG BARKING] 546 00:33:20,767 --> 00:33:22,634 YOU DIDN'T SAY ANYTHING ABOUT A DOG. 547 00:33:22,734 --> 00:33:24,000 THAT A PROBLEM? 548 00:33:24,100 --> 00:33:25,067 YEAH. 549 00:33:25,167 --> 00:33:28,367 I DON'T DO DOG. 550 00:33:28,467 --> 00:33:31,100 LEX, I'VE HACKED THE SECURITY SYSTEM 551 00:33:31,200 --> 00:33:32,868 YOU GOT A GUARD UP AHEAD OF YOU. 552 00:33:32,968 --> 00:33:35,334 TEN METRES AWAY. 553 00:33:35,434 --> 00:33:36,601 SECOND FLOOR SHOULD BE CLEAR. 554 00:33:36,701 --> 00:33:37,834 WELL, GUESS AGAIN. 555 00:33:37,934 --> 00:33:39,133 THERE'S A GUARD HEADING OUR WAY. 556 00:33:39,234 --> 00:33:40,334 HOW DO YOU KNOW THAT? 557 00:33:40,434 --> 00:33:42,601 GIRL'S GOTTA HAVE HER LITTLE SECRETS. 558 00:33:56,033 --> 00:33:57,734 NOW THE HARD PART. 559 00:33:57,834 --> 00:33:59,968 THE PAINTING'S PROTECTED BY A HIGH END LASER SYSTEM. 560 00:34:00,067 --> 00:34:01,567 A STRONG BREEZE COULD TRIGGER IT. 561 00:34:01,667 --> 00:34:03,667 JUST LET ME IN. I'LL TAKE CARE OF THE REST. 562 00:34:28,234 --> 00:34:29,767 CAN YOU HANDLE IT? 563 00:34:29,868 --> 00:34:31,868 OF COURSE. JUST STAY WITH ME. 564 00:34:31,968 --> 00:34:34,634 I'D LOVE TO. 565 00:35:09,567 --> 00:35:11,601 BRENNAN, KEEP AN EYE ON LEXA. 566 00:35:11,701 --> 00:35:13,834 I DON'T TRUST THIS GUY AS FAR AS I CAN SEE HIM. 567 00:35:13,934 --> 00:35:16,400 I HEAR YOU. WE'RE ON IT. 568 00:35:41,334 --> 00:35:43,167 [ALARM] 569 00:35:43,267 --> 00:35:45,234 WHAT ARE YOU DOING? 570 00:35:45,334 --> 00:35:47,234 SORRY, ANGEL. 571 00:35:47,334 --> 00:35:50,434 I'M GONNA MISS YOU. 572 00:35:50,534 --> 00:35:52,868 TRUST ME, I'LL BE SEEING YOU AGAIN. 573 00:35:52,968 --> 00:36:02,667 [ALARM] 574 00:36:02,767 --> 00:36:05,100 GUYS, I NEED HELP HERE QUICK. 575 00:36:19,033 --> 00:36:22,400 GONE! 576 00:36:26,734 --> 00:36:29,200 WHAT THE HELL? 577 00:36:36,400 --> 00:36:38,734 GUYS, WE GOTTA GO. 578 00:37:06,033 --> 00:37:07,501 DID YOU GET IT? 579 00:37:07,601 --> 00:37:11,767 ONE DOWN, AND TWO TO GO. 580 00:37:17,734 --> 00:37:19,767 WHERE'S BLAKE? 581 00:37:19,868 --> 00:37:21,834 HE'S ON HIS WAY TO THE TRAIN STATION. 582 00:37:21,934 --> 00:37:23,934 WHAT DO YOU SAY WE MAKE SURE HE HAS SOME COMPANY? 583 00:37:24,033 --> 00:37:26,434 OH, YEAH. 584 00:37:44,033 --> 00:37:47,100 LOOKS LIKE THE FOURTH ONE FROM THE RIGHT, TOP ROW. 585 00:37:48,334 --> 00:37:50,400 FOUR? 586 00:37:52,167 --> 00:37:54,133 I'M SORRY. 587 00:37:54,234 --> 00:37:57,200 I'M NOT USUALLY THIS CLUMSY. 588 00:37:57,300 --> 00:37:59,100 NO PROBLEM. 589 00:38:17,801 --> 00:38:20,133 WOULD YOU MIND GIVING ME A HAND? 590 00:38:20,234 --> 00:38:22,267 OF COURSE. 591 00:38:29,033 --> 00:38:31,067 THANKS. 592 00:38:31,167 --> 00:38:32,801 HAVE WE MET? 593 00:38:35,067 --> 00:38:37,634 I DON'T THINK SO. 594 00:38:42,067 --> 00:38:45,734 MAYBE I'LL BUMP INTO YOU AGAIN SOME TIME. 595 00:39:04,400 --> 00:39:05,868 IT'S DONE. 596 00:39:13,300 --> 00:39:15,868 DECADES OF WAR AND MILLIONS OF DEATHS. 597 00:39:15,968 --> 00:39:18,267 FOR A SAFE, NON-POLLUTING FUEL. 598 00:39:18,367 --> 00:39:21,067 [SIGHS] WELL, WHAT DO WE DO WITH THEM? 599 00:39:21,167 --> 00:39:22,934 TOUGH DECISION. 600 00:39:23,033 --> 00:39:25,467 I KNOW WHAT LEXA'S VOTE WOULD BE, THOUGH. 601 00:39:25,567 --> 00:39:27,434 YEAH. 602 00:39:27,534 --> 00:39:29,667 I SAY WE HOLD ONTO IT. 603 00:39:29,767 --> 00:39:32,501 HMM MM MM. NOT ENOUGH INFORMATION. 604 00:39:32,601 --> 00:39:35,100 WELL, THEN, WE GET IT. - NOPE. 605 00:39:35,200 --> 00:39:37,133 WE'RE GOING TO HAVE TO GIVE IT TO THE DOMINION. 606 00:39:37,234 --> 00:39:39,367 LOOK, I TALKED TO SHALIMAR. SHE AGREES. 607 00:39:39,467 --> 00:39:41,067 RIGHT NOW, WE'RE JUST GOING TO HAVE TO TRUST THEM. 608 00:39:41,167 --> 00:39:45,701 BUT, WE WILL MAKE A COPY OF IT FOR HERE IN SANCTUARY, JUST IN CASE. 609 00:40:00,767 --> 00:40:02,968 NO HARD FEELINGS, I HOPE? 610 00:40:04,634 --> 00:40:06,968 DIDN'T EXPECT TO SEE YOU SO SOON. 611 00:40:07,067 --> 00:40:08,534 AFTER YOU TRIED TO KILL ME? 612 00:40:08,634 --> 00:40:12,100 PLEASE - I KNEW YOU COULD TAKE 'EM IN YOUR SLEEP. 613 00:40:12,200 --> 00:40:15,467 I JUST TRIED TO SLOW YOU DOWN, BUT I COULDN'T EVEN MANAGE THAT, COULD I? 614 00:40:18,567 --> 00:40:22,067 MY BUYER WASN'T TOO PLEASED WITH THE FAKE YOU GAVE ME. 615 00:40:22,167 --> 00:40:23,934 NICE WORK. 616 00:40:24,033 --> 00:40:26,267 IT'S A LUCKY THING YOU GOT OUT ALIVE. 617 00:40:26,367 --> 00:40:28,467 SO WE'RE EVEN. 618 00:40:35,467 --> 00:40:36,734 HERE. 619 00:40:36,834 --> 00:40:39,934 I HAVE A PARTING GIFT. 620 00:40:40,033 --> 00:40:44,667 IT'S HOW WE FOUND YOU. 621 00:40:44,767 --> 00:40:46,868 MAYBE I'LL KEEP IT. 622 00:40:46,968 --> 00:40:50,200 IN CASE YOU EVER WANT TO FIND ME AGAIN. 623 00:40:50,300 --> 00:40:53,601 OH, I'LL BE BACK. 624 00:40:56,133 --> 00:40:57,968 REALLY? 625 00:40:58,067 --> 00:40:59,634 YEAH. 626 00:40:59,734 --> 00:41:05,067 THERE'S A LITTLE PAINTING OVER HERE I'M JUST DYING TO ADD TO MY COLLECTION. 627 00:41:10,567 --> 00:41:12,334 WELL, WE COULD ALWAYS - 628 00:41:22,434 --> 00:41:23,634 [BEEPS] 629 00:41:23,734 --> 00:41:26,868 HELLO, SHALIMAR. 630 00:41:26,968 --> 00:41:32,968 YOU'VE CHOSEN TO TRUST THE DOMINION. 631 00:41:33,067 --> 00:41:35,200 YOU TELLING ME THAT WAS THE WRONG THING TO DO? 632 00:41:35,300 --> 00:41:40,400 AS FAR AS I KNOW AT THIS POINT, IT WAS THE RIGHT CHOICE. 633 00:41:40,501 --> 00:41:42,868 THEN WHY DIDN'T YOU TELL ME THAT TO START WITH? 634 00:41:42,968 --> 00:41:45,434 I DID NOT HAVE ALL THE ANSWERS. 635 00:41:45,534 --> 00:41:48,434 YOU NEEDED TO DISCOVER THE TRUTH ON YOUR OWN. 636 00:41:48,534 --> 00:41:50,767 WHO THE HELL ARE YOU TO TELL ME WHAT I NEED? 637 00:41:50,868 --> 00:41:52,634 PATIENCE, SHALIMAR. 638 00:41:52,734 --> 00:41:55,067 YOU'LL FIND OUT SOON ENOUGH. 639 00:41:55,167 --> 00:41:58,000 NEXT TIME WE SPEAK, IT'LL BE IN PERSON. 640 00:42:02,834 --> 00:42:05,968 FINE. 641 00:42:06,067 --> 00:42:09,067 IF THAT'S THE WAY YOU WANT IT. 642 00:42:10,067 --> 00:42:20,067 Downloaded From www.AllSubs.org 46925