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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:13,709 --> 00:00:15,015 Driver: FRONT GATE, THIS IS MOTHER GOOSE, 2 00:00:15,102 --> 00:00:16,277 WE'RE TEN SECONDS OUT. 3 00:00:17,539 --> 00:00:19,019 Soldier: FRONT GATE, ROGER. 4 00:00:33,294 --> 00:00:35,513 [laughter] 5 00:00:38,125 --> 00:00:41,867 [laughter continues] 6 00:00:42,825 --> 00:00:44,783 [crickets chirping] 7 00:00:47,612 --> 00:00:50,093 Soldier: POST NUMBER TWO, FRONT GATE, COME IN. 8 00:00:50,180 --> 00:00:51,529 POST NUMBER TWO, ROGER. 9 00:00:51,616 --> 00:00:52,878 MOTHER GOOSE IS HOME. 10 00:00:52,965 --> 00:00:54,576 Woman [whispering]: DAVID... DAVID. 11 00:00:58,493 --> 00:01:00,321 TIENNA. WH-WHAT ARE YOU DOING HERE? 12 00:01:00,408 --> 00:01:01,844 I HAD TO SEE YOU. 13 00:01:01,931 --> 00:01:03,715 I'M ON DUTY. 14 00:01:03,802 --> 00:01:05,500 I'LL MEET YOU AT MASS IN THE MORNING. 15 00:01:05,587 --> 00:01:06,849 [rustling] 16 00:01:08,372 --> 00:01:10,679 DAVID, PLEASE, I NEED TO TALK TO YOU. 17 00:01:10,766 --> 00:01:11,897 MY MOTHER, SHE'S SO... 18 00:01:11,984 --> 00:01:12,898 SHH! WAIT. 19 00:01:12,985 --> 00:01:13,899 DAVID. 20 00:01:13,986 --> 00:01:15,466 GO HOME. 21 00:01:22,865 --> 00:01:24,301 ON THE WALL, FREEZE! 22 00:01:29,132 --> 00:01:31,352 PUT YOUR HANDS ON YOUR HEAD! 23 00:01:33,005 --> 00:01:34,572 DON'T SHOOT, MAN, IT'S DOUGLAS! 24 00:01:34,659 --> 00:01:36,008 HE WAS COMING OVER THE WALL. 25 00:01:36,096 --> 00:01:38,141 I CHALLENGED HIM AND HE STARTED SHOOTING AT ME. 26 00:01:38,228 --> 00:01:39,751 WHAT HAPPENED TO HIS WEAPON? 27 00:01:39,838 --> 00:01:42,711 -PARR, WHERE'S HIS WEAPON? -I DON'T KNOW. 28 00:01:42,798 --> 00:01:44,495 Soldier 1 [on radio]: PROCEED WITH EMERGENCY PROCEDURES. 29 00:01:44,582 --> 00:01:46,018 THAT'LL DO, OVER. 30 00:01:46,106 --> 00:01:47,759 Soldier 2: POST TWO, REPORT, OVER. 31 00:01:49,239 --> 00:01:51,633 Douglas: AH, JEEZ, PARR, HE'S JUST A KID. 32 00:01:53,069 --> 00:01:54,853 Soldier [on radio]: TANGO FOUR-TEN, POST TWO. 33 00:01:54,940 --> 00:01:56,986 OH, GOD. 34 00:02:01,512 --> 00:02:04,036 [intro theme playing] 35 00:03:15,107 --> 00:03:16,979 [engine dies down] 36 00:03:21,157 --> 00:03:22,680 LIEUTENANT RABB, LIEUTENANT AUSTIN 37 00:03:22,767 --> 00:03:24,639 WELCOME TO LIMA. I'M GUNNERY SERGEANT GRANGER, 38 00:03:24,726 --> 00:03:28,599 WITH THE EMBASSY DETACHMENT. FOLLOW ME, PLEASE. 39 00:03:28,686 --> 00:03:31,036 DO YOU HAVE SOMETHING AGAINST SALUTING, GUNNERY SERGEANT? 40 00:03:31,123 --> 00:03:33,822 NO, MA'AM, BUT EVERYONE WITHIN A THOUSAND YARDS 41 00:03:33,909 --> 00:03:35,215 WOULD KNOW YOU'RE AN OFFICER 42 00:03:35,302 --> 00:03:36,607 AND THAT WOULD MAKE YOU A PRIME TARGET 43 00:03:36,694 --> 00:03:38,218 FOR A SNIPER, LIEUTENANT. 44 00:03:38,305 --> 00:03:39,741 WE'RE LAWYERS, GUNNERY SERGEANT. 45 00:03:39,828 --> 00:03:41,264 YES, MA'AM... 46 00:03:41,351 --> 00:03:43,397 BUT THEY SHOOT LAWYERS IN THIS COUNTRY, TOO. 47 00:03:45,834 --> 00:03:47,531 I GUESS YOUR MEN DON'T KNOW 48 00:03:47,618 --> 00:03:49,838 ABOUT THE SNIPERS, HEY, GUNNY? 49 00:03:52,101 --> 00:03:53,624 MOVE OUT! 50 00:04:03,547 --> 00:04:05,984 [shouting in Spanish] 51 00:04:07,812 --> 00:04:10,380 -ROCK-PROOF, ANYWAY. -AND BULLET-PROOF, SIR. 52 00:04:10,467 --> 00:04:12,948 SIDE PANELS ARE ARMOR-PLATED WITH KEVLAR. 53 00:04:13,035 --> 00:04:15,690 DID YOU ARRANGE THIS WELCOMING COMMITTEE GUNNERY SERGEANT? 54 00:04:15,777 --> 00:04:17,431 NO, MA'AM. IT'S BEEN A LITTLE HAIRY 55 00:04:17,518 --> 00:04:19,563 SINCE WE ZAPPED THAT TERRORIST. 56 00:04:19,650 --> 00:04:21,609 I THOUGHT HE WAS A PERUVIAN BOY. 57 00:04:22,653 --> 00:04:24,089 ONE AND THE SAME, MA'AM. 58 00:04:25,787 --> 00:04:27,528 [shouting continues] 59 00:04:32,707 --> 00:04:36,798 THE SENDERO LUMINOSO HAS BEEN QUIET FOR SEVERAL MONTHS. 60 00:04:36,885 --> 00:04:38,365 BUT MY GOVERNMENT FEARS 61 00:04:38,452 --> 00:04:41,106 THEY WILL USE THIS UNFORTUNATE INCIDENT 62 00:04:41,193 --> 00:04:43,239 TO CREATE MORE PUBLIC SUPPORT. 63 00:04:43,326 --> 00:04:45,328 YOU HAVE MY PERSONAL GUARANTEE 64 00:04:45,415 --> 00:04:48,636 OF A FULL AND FAIR INVESTIGATION, SENOR VARGAS. 65 00:04:48,723 --> 00:04:50,942 AND IF I FIND OUR MARINE WAS IN THE WRONG 66 00:04:51,029 --> 00:04:53,249 I PROMISE HE'LL BE PROSECUTED. 67 00:04:53,336 --> 00:04:55,730 WE APPRECIATE YOUR COOPERATION, AMBASSADOR. 68 00:04:55,817 --> 00:04:57,558 [door opening] 69 00:04:59,864 --> 00:05:01,779 GOOD MORNING, AMBASSADOR BARTLETT. 70 00:05:01,866 --> 00:05:03,694 LIEUTENANT RABB, LIEUTENANT JG AUSTIN 71 00:05:03,781 --> 00:05:05,087 FROM THE JUDGE ADVOCATE GENERAL'S OFFICE, MA'AM. 72 00:05:05,174 --> 00:05:06,306 THANK YOU, GUNNY. 73 00:05:06,393 --> 00:05:08,830 [shouting continues outside] 74 00:05:08,917 --> 00:05:11,572 LIEUTENANTS, THIS IS SALGADO VARGAS 75 00:05:11,659 --> 00:05:14,052 FROM THE PERUVIAN FOREIGN MINISTRY. 76 00:05:14,139 --> 00:05:16,098 -WELCOME TO PERU. -THANK YOU, SIR. 77 00:05:16,185 --> 00:05:17,708 I'M SORRY WE MEET 78 00:05:17,795 --> 00:05:19,928 UNDER THESE SOMBER CIRCUMSTANCES, LIEUTENANT. 79 00:05:20,015 --> 00:05:22,931 SUCH A TRAGIC ACCIDENT IS DIFFICULT FOR EVERYONE INVOLVED. 80 00:05:23,018 --> 00:05:25,063 YOU BELIEVE THE SHOOTING WAS AN ACCIDENT, SIR? 81 00:05:25,150 --> 00:05:27,109 I WOULD LIKE TO BELIEVE, LIEUTENANT 82 00:05:27,196 --> 00:05:29,111 THAT US MARINES DO NOT SHOOT 83 00:05:29,198 --> 00:05:31,200 UNARMED CHILDREN WHO ARE CURIOUS. 84 00:05:31,287 --> 00:05:33,202 SO WOULD I. 85 00:05:33,289 --> 00:05:35,378 IF THERE'S ANYTHING I CAN DO TO HELP YOUR INVESTIGATION 86 00:05:35,465 --> 00:05:38,163 PLEASE FEEL FREE TO CONTACT MY OFFICE. 87 00:05:38,250 --> 00:05:39,556 -AMBASSADOR. -YES. 88 00:05:43,778 --> 00:05:46,041 WOULD EITHER OF YOU LIKE A DRINK? 89 00:05:46,128 --> 00:05:47,608 Both: NO, THANK YOU, MA'AM. 90 00:05:47,695 --> 00:05:48,870 THE PERUVIANS ARE NERVOUS. 91 00:05:48,957 --> 00:05:50,088 WASHINGTON IS NERVOUS. 92 00:05:50,175 --> 00:05:52,047 AND I'MNERVOUS. 93 00:05:52,134 --> 00:05:55,224 MY JOB IS DIFFICULT ENOUGH WITHOUTMY MARINES 94 00:05:55,311 --> 00:05:58,662 SHOOTING PERUVIAN TEENAGERS OFF THE EMBASSY WALL. 95 00:05:58,749 --> 00:06:00,403 HAS THE VICTIM BEEN IDENTIFIED YET, MA'AM? 96 00:06:00,490 --> 00:06:02,144 -NO. -GUNNY GRANGER SAID 97 00:06:02,231 --> 00:06:03,667 HE WAS A TERRORIST. 98 00:06:04,233 --> 00:06:06,061 GRANGER WOULD LIKE TO BELIEVE HE'S A MEMBER 99 00:06:06,148 --> 00:06:07,715 OF THE SENDERO LUMINOSO. 100 00:06:07,802 --> 00:06:10,587 MAKES HIS CORPORAL A HERO INSTEAD OF A SCREW-UP. 101 00:06:10,674 --> 00:06:12,372 I THOUGHT THE SHINING PATH COLLAPSED 102 00:06:12,459 --> 00:06:14,112 AFTER PROFESSOR GUZMAN WAS ARRESTED. 103 00:06:14,199 --> 00:06:17,159 THAT'S WHAT THE PERUVIANS WOULD LIKE THE WORLD TO THINK. 104 00:06:17,246 --> 00:06:19,117 THEY'RE STILL TRYING TO ASSASSINATE 105 00:06:19,204 --> 00:06:20,945 AND BOMB THEIR WAY INTO POWER 106 00:06:21,032 --> 00:06:24,558 AND THEY WILL USE THIS SHOOTING TO RALLY THE PEOPLE BEHIND THEM. 107 00:06:24,645 --> 00:06:28,431 WHICH MEANS WE MAY HAVE TO MAKE AN EXAMPLE OF CORPORAL PARR. 108 00:06:28,518 --> 00:06:29,867 ASSUMING HE'S GUILTY. 109 00:06:29,954 --> 00:06:31,216 WHAT'S YOUR OPINION, MA'AM? 110 00:06:31,303 --> 00:06:32,522 I DON'T HAVE ONE, LIEUTENANT. 111 00:06:32,609 --> 00:06:33,741 THAT'S WHY YOU'RE HERE. 112 00:06:33,828 --> 00:06:35,569 YOU'RE GOING TO TELL ME WHAT HAPPENED 113 00:06:35,656 --> 00:06:38,789 AND THEN YOU'RE GOING TO TELL ME HOW TO FIX IT. 114 00:06:38,876 --> 00:06:40,748 -ANY MORE QUESTIONS? -YES, MA'AM. 115 00:06:40,835 --> 00:06:42,837 WHERE CAN WE FIND CORPORAL PARR? 116 00:06:42,924 --> 00:06:44,534 I WAS PATROLLING NEAR THE REAR GATE 117 00:06:44,621 --> 00:06:46,667 WHEN I HEARD A NOISE. I WENT TO INVESTIGATE 118 00:06:46,754 --> 00:06:48,669 AND I SAW AN INTRUDER ON THE WALL. 119 00:06:48,756 --> 00:06:49,887 Rabb: IN THE DARK? 120 00:06:49,974 --> 00:06:51,411 I WAS USING A STARLIGHT SCOPE. 121 00:06:51,498 --> 00:06:53,325 I YELLED FOR HIM TO FREEZE. 122 00:06:53,413 --> 00:06:57,025 HE STARTED SHOOTING, AND I RETURNED FIRE. 123 00:06:57,112 --> 00:06:58,243 DO YOU KNOW HOW MANY ROUNDS 124 00:06:58,330 --> 00:06:59,419 YOU FIRED, CORPORAL? 125 00:06:59,506 --> 00:07:01,769 NOT EXACTLY, MA'AM. 126 00:07:01,856 --> 00:07:04,902 WELL, ACCORDING TO GUNNERY SERGEANT GRANGER'S REPORT 127 00:07:05,381 --> 00:07:07,339 YOU EMPTIED HALF YOUR MAGAZINE. 128 00:07:07,427 --> 00:07:09,820 HOW MANY ROUNDS WOULD THAT BE, CORPORAL? 129 00:07:09,907 --> 00:07:11,256 FIFTEEN. 130 00:07:11,343 --> 00:07:13,258 DID YOU RECOVER THE INTRUDER'S WEAPON? 131 00:07:13,345 --> 00:07:14,521 -NO, SIR. -HOW CAN YOU BE CERTAIN 132 00:07:14,608 --> 00:07:15,957 HE HAD ONE? 133 00:07:16,044 --> 00:07:17,393 I TOLD YOU, HE WAS SHOOTING AT ME. 134 00:07:17,480 --> 00:07:18,960 DID ANYONE ELSE HEAR HIM SHOOTING? 135 00:07:19,047 --> 00:07:20,440 -NO, SIR. -DOESN'T THAT SEEM 136 00:07:20,527 --> 00:07:21,919 A LITTLE STRANGE TO YOU, CORPORAL? 137 00:07:22,006 --> 00:07:23,834 HE WAS USING A SILENCER. I SAW THE FLASH. 138 00:07:23,921 --> 00:07:25,880 MAYBE HE WAS LIGHTING A CIGARETTE 139 00:07:25,967 --> 00:07:27,011 OR TAKING YOUR PICTURE. 140 00:07:27,098 --> 00:07:28,578 NO, IT WAS A MUZZLE FLASH. 141 00:07:28,665 --> 00:07:30,145 HAVE YOU EVER SEEN A MUZZLE FLASH 142 00:07:30,232 --> 00:07:31,842 THROUGH A STARLIGHT SCOPE BEFORE, CORPORAL? 143 00:07:31,929 --> 00:07:34,628 -NO, MA'AM. -THEN MAYBE YOU WERE MISTAKEN. 144 00:07:34,715 --> 00:07:36,630 SOMEONE'S ON THE WALL, HE DOESN'T STAND DOWN 145 00:07:36,717 --> 00:07:37,979 WHEN YOU CHALLENGE HIM. 146 00:07:38,066 --> 00:07:39,676 YOU SEE A FLARE OF LIGHT, YOU PANIC, 147 00:07:39,763 --> 00:07:41,591 -AND YOU SHOOT. -NO, IT WASN'T JUST A FLARE 148 00:07:41,678 --> 00:07:43,854 IT WAS A MUZZLE FLASH, I WAS RETURNING FIRE. 149 00:07:43,941 --> 00:07:45,987 THEN WHY DIDN'T HE HAVE A WEAPON? 150 00:07:46,074 --> 00:07:47,989 WHY DIDN'T YOU FIND ANY SHELL CASINGS? 151 00:07:48,076 --> 00:07:49,686 WE'RE STILL LOOKING. 152 00:07:49,773 --> 00:07:51,079 LIEUTENANT? 153 00:07:51,993 --> 00:07:53,647 CAN I HAVE A WORD WITH YOU OUTSIDE? 154 00:08:00,480 --> 00:08:01,742 SIR. 155 00:08:01,829 --> 00:08:03,961 WHAT'S GOING TO HAPPEN TO ME? 156 00:08:04,048 --> 00:08:06,790 THAT WILL BE DETERMINED AFTER THE INVESTIGATION. 157 00:08:08,139 --> 00:08:10,098 I DIDN'T KNOW HE WAS JUST A BOY. 158 00:08:10,185 --> 00:08:12,579 IF HE WAS SHOOTING AT YOU, IT DOESN'T MATTER. 159 00:08:26,941 --> 00:08:29,160 YOU'RE ACTING LIKE A PROSECUTOR, LIEUTENANT 160 00:08:29,247 --> 00:08:30,553 NOT AN INVESTIGATOR. 161 00:08:30,640 --> 00:08:32,381 I RESPECTFULLY DISAGREE, SIR. 162 00:08:33,034 --> 00:08:34,775 WE HAVE A VOLATILE SITUATION HERE. 163 00:08:34,862 --> 00:08:36,603 AND THE SOONER WE WRAP THINGS UP THE BETTER. 164 00:08:36,690 --> 00:08:38,387 THERE'S NO EVIDENCE THAT BOY HAD A GUN 165 00:08:38,474 --> 00:08:39,867 AND CORPORAL PARR DAMN NEAR EMPTIED 166 00:08:39,954 --> 00:08:41,259 HIS MAGAZINE AT HIM. 167 00:08:41,346 --> 00:08:43,261 CORPORAL PARR DOESN'T STRIKE ME AS A HOTHEAD. 168 00:08:43,348 --> 00:08:45,220 BUT GUNNERY SERGEANT GRANGER DOES. 169 00:08:45,307 --> 00:08:46,656 HE'S PROBABLY GOT THESE KIDS SO FIRED UP 170 00:08:46,743 --> 00:08:48,702 THEY'LL SHOOT FIRST, AND ASK QUESTIONS LATER. 171 00:08:48,789 --> 00:08:50,225 WELL, WE DON'T. I DON'T CARE 172 00:08:50,312 --> 00:08:51,574 WHAT THE SHINING PATH WANTS 173 00:08:51,661 --> 00:08:52,793 WHAT THE PERUVIANS WANT 174 00:08:52,880 --> 00:08:54,577 OR WHAT THE AMBASSADOR WANTS. 175 00:08:54,664 --> 00:08:56,536 WE WILL NOT SACRIFICE CORPORAL PARR 176 00:08:56,623 --> 00:08:57,885 FOR THE SAKE OF EXPEDIENCY. 177 00:08:57,972 --> 00:08:59,669 THAT'S NOT MY INTENTION, SIR. 178 00:08:59,756 --> 00:09:01,628 I'M JUST TRYING TO GET AT THE TRUTH. 179 00:09:01,715 --> 00:09:04,413 WELL, TRY IT WITH A LITTLE MORE OBJECTIVITY. 180 00:09:05,022 --> 00:09:06,197 GOOD AFTERNOON, LIEUTENANTS. 181 00:09:06,284 --> 00:09:07,677 YOUR PRESENCE IS REQUESTED 182 00:09:07,764 --> 00:09:09,636 IN THE AMBASSADOR'S OFFICE IMMEDIATELY. 183 00:09:14,292 --> 00:09:17,992 THISWAS DELIVERED TO THE FRONT GATE TEN MINUTES AGO. 184 00:09:19,167 --> 00:09:21,299 THE SHINING PATH WANTS CORPORAL PARR 185 00:09:21,386 --> 00:09:23,127 DELIVERED TO THE PERUVIAN AUTHORITIES 186 00:09:23,214 --> 00:09:24,607 TO STAND TRIAL FOR MURDER. 187 00:09:24,694 --> 00:09:26,261 -WE CAN'T DO THAT. -IF WE DON'T 188 00:09:26,348 --> 00:09:27,523 THEY'RE THREATENING RETALIATION. 189 00:09:27,610 --> 00:09:29,264 WHAT SORT OF RETALIATION? 190 00:09:29,351 --> 00:09:30,265 UH, A BOMB... 191 00:09:30,352 --> 00:09:31,832 AN ASSASSINATION... 192 00:09:31,919 --> 00:09:33,485 POISON DRINK? 193 00:09:35,836 --> 00:09:37,925 [indistinct shouting in Spanish] 194 00:10:05,343 --> 00:10:07,868 BOMB! BOMB! BOMB! 195 00:10:09,652 --> 00:10:11,654 [screaming] 196 00:10:37,245 --> 00:10:39,377 Soldier 1: THERE YOU GO, BUDDY, THAT'S GOOD. 197 00:10:39,464 --> 00:10:41,205 Soldier 2: THE PERIMETER'S CLEAR, SIR. 198 00:10:45,688 --> 00:10:47,429 IF SECURITY GETS ANY TIGHTER 199 00:10:47,516 --> 00:10:49,170 THEY'LL BE STRIP-SEARCHING US. 200 00:10:49,257 --> 00:10:50,911 I WOULDN'T GET MY HOPES UP, SIR. 201 00:10:56,612 --> 00:10:58,048 Bartlett: OH. OH, YOU'VE GOT 202 00:10:58,135 --> 00:11:00,181 TO GET ME OUT OF HERE, MACK. 203 00:11:00,268 --> 00:11:03,750 I DON'T CARE. CALL IN FAVORS, THREATEN PEOPLE. 204 00:11:03,837 --> 00:11:06,187 SLEEP WITH THE FIRST LADY IF YOU HAVE TO. 205 00:11:06,274 --> 00:11:08,537 -BUT I WANT OUT OF HERE. -[indistinct talking on phone] 206 00:11:08,624 --> 00:11:11,235 IF I'M GOING TO GET MY ASS BLOWN OFF 207 00:11:11,322 --> 00:11:13,368 I MIGHT AS WELL BE IN PARIS! 208 00:11:15,109 --> 00:11:16,414 SIT DOWN. 209 00:11:18,721 --> 00:11:20,592 THE SHOOTING VICTIM HAS BEEN IDENTIFIED. 210 00:11:20,680 --> 00:11:23,160 HIS NAME IS RAMONE ESCAMILLA. 211 00:11:23,247 --> 00:11:26,337 HE IS A 15-YEAR-OLD HIGH SCHOOL STUDENT. 212 00:11:26,424 --> 00:11:28,339 HAVE YOU SPOKEN WITH HIS FAMILY YET, MA'AM? 213 00:11:28,426 --> 00:11:31,168 NO, LIEUTENANT RABB, I'M RESERVING THAT HONOR FOR YOU. 214 00:11:31,255 --> 00:11:32,996 Austin: MA'AM THE PERUVIAN GATE GUARD INJURED 215 00:11:33,083 --> 00:11:34,041 LAST NIGHT, HOW IS HE? 216 00:11:34,128 --> 00:11:35,564 HE'LL LIVE. 217 00:11:35,651 --> 00:11:37,174 WHICH MAY BE MORE 218 00:11:37,261 --> 00:11:39,176 THAN I CAN SAY FOR THE REST OF US. 219 00:11:39,263 --> 00:11:40,569 I'M SUPPOSED TO DEDICATE 220 00:11:40,656 --> 00:11:42,919 AN AMERICAN-FUNDED HOSPITAL TOMORROW. 221 00:11:43,006 --> 00:11:45,487 I MIGHT AS WELL PAINT A BULL'S-EYE ON MY FOREHEAD! 222 00:11:49,360 --> 00:11:51,972 DEFUSE THIS BY TOMORROW, LIEUTENANTS 223 00:11:52,059 --> 00:11:53,843 OR YOU'LL BE SEATED IN FRONT OF ME 224 00:11:53,930 --> 00:11:55,105 AT THE DEDICATION. 225 00:11:59,153 --> 00:12:01,721 SHE JUST THREATENED TO USE US AS HUMAN SHIELDS. 226 00:12:01,808 --> 00:12:03,635 THE AMBASSADOR BRINGS NEW MEANING 227 00:12:03,723 --> 00:12:06,247 TO THE TERM "POLITICAL SURVIVAL." 228 00:12:06,334 --> 00:12:08,249 I'M GOING TO PAY AN OFFICIAL VISIT TO THE FAMILY. 229 00:12:08,336 --> 00:12:10,817 YOU GO OVER THE SCENE OF THE SHOOTING WITH CORPORAL PARR. 230 00:12:10,904 --> 00:12:13,558 ARE YOU LEAVING ME BEHIND TO HOLD THE PONIES? 231 00:12:13,645 --> 00:12:15,386 NO, LIEUTENANT, BUT IF WE'RE GOING TO DEFUSE 232 00:12:15,473 --> 00:12:17,911 THIS SITUATION BY TOMORROW WE'RE GONNA HAVE TO SPLIT UP. 233 00:12:17,998 --> 00:12:19,956 WOULD YOU BE SAYING THIS IF I WERE A MAN? 234 00:12:20,043 --> 00:12:21,828 YES. BUT YOU WERE A MAN 235 00:12:21,915 --> 00:12:23,220 YOU WOULD HAVE SOME EXPLAINING TO DO 236 00:12:23,307 --> 00:12:25,309 ABOUT THE WAY YOU FILL OUT THAT UNIFORM. 237 00:12:27,050 --> 00:12:29,226 [grunting] 238 00:12:31,751 --> 00:12:34,231 [indistinct commands] 239 00:12:36,668 --> 00:12:37,974 PARR! 240 00:12:42,326 --> 00:12:44,285 WHAT THE HELL DO YOU CALL THAT? 241 00:12:44,372 --> 00:12:45,895 YOU'RE SUPPOSED TO BE SLITTING HIS THROAT 242 00:12:45,982 --> 00:12:48,028 NOT DANCING WITH HIM. HOLD THIS. 243 00:12:48,115 --> 00:12:50,421 COME ON, COME AT ME. 244 00:12:51,858 --> 00:12:53,598 SUCK IT UP, MARINE! 245 00:12:53,685 --> 00:12:54,817 THIS ISN'T A CHOW LINE. 246 00:12:54,904 --> 00:12:56,776 WELL, COME ON, PARR. 247 00:12:56,863 --> 00:12:58,734 -KILL ME! -[grunting] 248 00:13:01,041 --> 00:13:02,782 YOU CAN'T HESITATE, PARR. 249 00:13:02,869 --> 00:13:04,348 YOU CAN NEVER HESITATE. 250 00:13:04,435 --> 00:13:05,741 IT WILL GET YOU KILLED. 251 00:13:07,787 --> 00:13:09,832 GUNNERY SERGEANT GRANGER! 252 00:13:14,010 --> 00:13:16,186 [soldiers muttering] 253 00:13:21,322 --> 00:13:22,802 WHAT WAS THAT ABOUT, GUNNY? 254 00:13:22,889 --> 00:13:25,152 WE CALL IT UNARMED COMBAT TRAINING, LIEUTENANT. 255 00:13:25,239 --> 00:13:26,806 LOOKED MORE LIKE INTIMIDATION. 256 00:13:26,893 --> 00:13:28,416 WELL, MA'AM, THE ENEMY CAN BE 257 00:13:28,503 --> 00:13:29,765 PRETTY DAMNED INTIMIDATING. 258 00:13:29,852 --> 00:13:31,201 CORPORAL PARR IS SUPPOSED TO BE 259 00:13:31,288 --> 00:13:32,420 RESTRICTED TO HIS QUARTERS 260 00:13:32,507 --> 00:13:34,248 UNTIL OUR INVESTIGATION IS COMPLETE. 261 00:13:34,335 --> 00:13:35,684 TRAINING DOESN'T STOP, LIEUTENANT. 262 00:13:35,771 --> 00:13:37,338 IF THE SHINING PATH STARTS OVER THE WALL 263 00:13:37,425 --> 00:13:39,427 -WE HAVE TO BE ABLE TO TAKE 'EM. -YOU'VE GOT CORPORAL PARR 264 00:13:39,514 --> 00:13:41,516 AND THE REST OF THESE MARINES SO WIRED THEY'RE TRIGGER-HAPPY. 265 00:13:41,603 --> 00:13:44,214 THEY'RE NOT TRIGGER-HAPPY, LIEUTENANT, BUT THEY ARE READY. 266 00:13:44,301 --> 00:13:46,042 TO KILL TEENAGE BOYS? 267 00:13:46,129 --> 00:13:47,870 THAT'S HOW THE SHINING PATH OPERATE, LIEUTENANT. 268 00:13:47,957 --> 00:13:49,611 THEY RECRUIT THEM FROM RURAL TOWNS 269 00:13:49,698 --> 00:13:51,308 AND BRAINWASH THEM INTO FANATICS. 270 00:13:51,395 --> 00:13:53,528 THESE KIDS CARRY AUTOMATIC WEAPONS, LIEUTENANT 271 00:13:53,615 --> 00:13:56,400 AND MOST HAVE KILLED BEFORE THEY'VE SLEPT WITH A WOMAN. 272 00:13:56,487 --> 00:13:58,489 THAT BOY DIDN'T HAVE A WEAPON, GUNNERY SERGEANT. 273 00:13:58,576 --> 00:14:00,274 YES, HE DID, LIEUTENANT. 274 00:14:00,361 --> 00:14:02,058 WE JUST HAVEN'T FOUND IT YET. 275 00:14:02,145 --> 00:14:03,494 I'M TAKING CORPORAL PARR WITH ME 276 00:14:03,581 --> 00:14:05,105 TO TOUR THE SCENE OF THE SHOOTING 277 00:14:05,192 --> 00:14:06,410 AND WHEN I'M DONE 278 00:14:06,497 --> 00:14:08,195 I WILL RETURN HIM TO HIS QUARTERS 279 00:14:08,282 --> 00:14:09,718 WHERE HE WILL AWAIT FURTHER ORDERS 280 00:14:09,805 --> 00:14:11,459 FROM ME OR LIEUTENANT RABB. 281 00:14:11,546 --> 00:14:13,156 DO YOU UNDERSTAND, GUNNERY SERGEANT? 282 00:14:13,243 --> 00:14:14,375 YES, MA'AM. 283 00:14:14,462 --> 00:14:15,637 DISMISSED! 284 00:14:15,724 --> 00:14:17,204 CORPORAL PARR? 285 00:14:17,291 --> 00:14:18,901 WITH ME. 286 00:14:29,651 --> 00:14:31,392 ARE YOU MY INTERPRETER, CORPORAL? 287 00:14:31,479 --> 00:14:33,002 CORPORAL CORTEZ, SIR. 288 00:14:33,089 --> 00:14:34,743 INTERPRETER, DRIVER, ANYTHING ELSE YOU NEED, SIR. 289 00:14:34,830 --> 00:14:36,353 WHAT I NEED IS A SMOOTHER RIDE 290 00:14:36,440 --> 00:14:37,702 THAN WE HAD FROM THE AIRPORT. 291 00:14:37,789 --> 00:14:39,052 CAN'T GUARANTEE THAT, SIR. 292 00:14:39,139 --> 00:14:40,227 THEY'RE NOT GONNA BE GLAD TO SEE YOU. 293 00:14:40,314 --> 00:14:41,532 I'M A LAWYER, CORTEZ, 294 00:14:41,619 --> 00:14:42,969 NO ONE'S EVER GLAD TO SEE ME. 295 00:14:45,493 --> 00:14:47,408 I WAS ABOUT HERE WHEN HE STARTED FIRING. 296 00:14:47,495 --> 00:14:49,453 BUT I CAN'T BE SURE BECAUSE IT WAS DARK 297 00:14:49,540 --> 00:14:50,672 AND I WAS RUNNING. 298 00:14:50,759 --> 00:14:52,108 AND NO SLUGS WERE RECOVERED? 299 00:14:52,195 --> 00:14:53,544 -NO, MA'AM. -WAS THE AREA GONE OVER 300 00:14:53,631 --> 00:14:56,896 -WITH A METAL DETECTOR? -YES, MA'AM. 301 00:14:56,983 --> 00:14:59,246 AND PFC DOUGLAS WAS THE FIRST 302 00:14:59,333 --> 00:15:01,074 -TO ARRIVE ON THE SCENE? -YES, MA'AM. 303 00:15:01,161 --> 00:15:02,640 HOW LONG BEFORE HE GOT HERE? 304 00:15:02,727 --> 00:15:04,642 A FEW SECONDS. 305 00:15:04,729 --> 00:15:06,906 WHERE WERE YOU WHEN YOU HEARD THE NOISE? 306 00:15:06,993 --> 00:15:08,037 BY THE REAR GATE. 307 00:15:18,569 --> 00:15:20,267 IS SOMETHING WRONG, LIEUTENANT? 308 00:15:20,354 --> 00:15:22,008 NO. 309 00:15:22,095 --> 00:15:23,792 IT'S JUST THAT THIS SEEMS A STRANGE PLACE 310 00:15:23,879 --> 00:15:25,402 TO SNEAK ONTO THE GROUNDS 311 00:15:25,489 --> 00:15:27,665 WHEN THERE ARE OTHER AREAS EASIER TO ACCESS. 312 00:15:27,752 --> 00:15:30,016 MAYBE HE THOUGHT THIS AREA WASN'T GUARDED. 313 00:15:31,539 --> 00:15:33,280 WHY WOULD HE THINK THAT? 314 00:15:33,367 --> 00:15:35,543 IT'S JUST A GUESS, MA'AM. 315 00:15:37,588 --> 00:15:39,199 WHAT ROOMS ARE THOSE? 316 00:15:40,504 --> 00:15:41,941 AMBASSADOR'S LIVING QUARTERS. 317 00:15:49,252 --> 00:15:51,515 [Peruvian music playing] 318 00:16:18,760 --> 00:16:19,804 SENORA ESCAMILLA. 319 00:16:19,891 --> 00:16:22,764 [speaking Spanish] 320 00:16:33,470 --> 00:16:35,516 MRS. ESCAMILLA? 321 00:16:35,603 --> 00:16:37,257 MY NAME IS TIENNA. 322 00:16:37,344 --> 00:16:40,738 RAMONE WAS MY BROTHER. 323 00:16:40,825 --> 00:16:44,220 [Senora Escamilla speaking Spanish] 324 00:16:50,922 --> 00:16:53,012 SHE SAYS RAMONE WAS HER ONLY SON. 325 00:16:53,099 --> 00:16:55,318 HE WAS A GOOD BOY, NEVER GOT IN TROUBLE. 326 00:16:55,405 --> 00:16:57,190 DOES SHE HAVE ANY IDEA WHY HE MIGHT HAVE 327 00:16:57,277 --> 00:16:59,322 BEEN SNEAKING INTO THE EMBASSY THAT NIGHT? 328 00:16:59,409 --> 00:17:01,194 SENORA... 329 00:17:01,281 --> 00:17:03,805 [speaking Spanish] 330 00:17:03,892 --> 00:17:05,981 -BUENO... -NO, SHE DOESN'T KNOW. 331 00:17:06,068 --> 00:17:08,636 MY BROTHER, HE WAS A VERY CURIOUS BOY. 332 00:17:08,723 --> 00:17:10,594 PLEASE, I'D LIKE YOUR MOTHER TO ANSWER. 333 00:17:12,683 --> 00:17:16,600 [speaking Spanish] 334 00:17:17,471 --> 00:17:19,038 SHE SAID IT WAS GOD'S WILL, SIR. 335 00:17:19,125 --> 00:17:21,518 [speaking Spanish] 336 00:17:21,605 --> 00:17:22,998 SHE DOESN'T AGREE. 337 00:17:23,520 --> 00:17:25,653 WAS YOUR SON INVOLVED WITH THE SHINING PATH? 338 00:17:25,740 --> 00:17:28,917 -NO! -[speaking Spanish] 339 00:17:29,004 --> 00:17:31,180 NO. 340 00:17:32,312 --> 00:17:35,880 -[speaking Spanish] -Cortez: HE WAS A GOOD BOY, SIR. 341 00:17:35,967 --> 00:17:37,926 [continues speaking Spanish] 342 00:17:40,668 --> 00:17:42,278 Cortez: SHE WANTS YOU TO LOOK AT THE PICTURE, SIR. 343 00:17:46,674 --> 00:17:48,806 HE TOOK CARE OF HER WHEN HER HUSBAND DIED, SIR. 344 00:17:53,463 --> 00:17:54,812 Cortez: SHE SAID HE WAS TOO BUSY 345 00:17:54,899 --> 00:17:56,336 PLAYING SOCCER AND GOING TO CHURCH. 346 00:17:56,423 --> 00:17:58,207 TO BE INVOLVED WITH THE SHINING PATH, SIR. 347 00:17:59,948 --> 00:18:01,080 NO. 348 00:18:04,692 --> 00:18:05,867 SHE WANTS TO KNOW THE NAME OF THE MARINE 349 00:18:05,954 --> 00:18:07,216 THAT KILLED HER SON, SIR. 350 00:18:08,043 --> 00:18:09,871 TELL HER I'M SORRY, BUT I CAN'T REVEAL THAT. 351 00:18:09,958 --> 00:18:13,135 [speaking Spanish] 352 00:18:13,222 --> 00:18:14,919 PARR? 353 00:18:15,006 --> 00:18:17,008 [speaking Spanish] PARR? 354 00:18:17,096 --> 00:18:19,663 D-DID SHE SAY PARR? 355 00:18:19,750 --> 00:18:21,012 Cortez: YES, SHE DID, SIR. 356 00:18:21,100 --> 00:18:22,405 HOW DO YOU KNOW CORPORAL PARR? 357 00:18:22,492 --> 00:18:24,538 NO, ENOUGH! I WANT YOU OUT OF MY HOUSE. 358 00:18:24,625 --> 00:18:26,409 -GET OUT OF MY HOUSE! -[arguing in Spanish] 359 00:18:26,496 --> 00:18:27,802 GO! GO! 360 00:18:27,889 --> 00:18:29,412 CORPORAL, TELL ME WHAT SHE'S SAYING. 361 00:18:29,499 --> 00:18:31,414 UH, I THINK I BETTER TELL YOU IN THE CAR, SIR. 362 00:18:31,501 --> 00:18:33,286 -GET OUT! GET OUT! -[yelling in Spanish] 363 00:18:44,297 --> 00:18:46,212 Austin: IS THAT WHERE HE FELL? 364 00:18:47,691 --> 00:18:49,650 YOU OKAY, CORPORAL? 365 00:18:49,737 --> 00:18:52,740 HE LOOKED SO SMALL LAYING THERE. 366 00:18:52,827 --> 00:18:54,176 HE WAS THE KIND OF KID THAT WOULD CLIMB A WALL 367 00:18:54,263 --> 00:18:56,439 JUST TO SEE WHAT WAS ON THE OTHER SIDE OF IT. 368 00:18:56,526 --> 00:18:57,527 WHAT? 369 00:18:57,614 --> 00:18:59,050 MY BROTHER JASON. 370 00:18:59,138 --> 00:19:01,444 HE REMINDED ME OF MY BROTHER. 371 00:19:01,531 --> 00:19:04,055 YOU HAVING SECOND THOUGHTS ABOUT WHAT HAPPENED, CORPORAL? 372 00:19:04,143 --> 00:19:06,841 I'M HAVING SECOND THOUGHTS ABOUT HAVING KILLED SOMEONE. 373 00:19:06,928 --> 00:19:08,582 WELL, IF YOU FIRED IN SELF-DEFENSE 374 00:19:08,669 --> 00:19:10,627 YOU DID WHAT YOU WERE SUPPOSED TO DO. 375 00:19:10,714 --> 00:19:13,891 I KNOW, BUT I DON'T KNOW IF I COULD EVER DO IT AGAIN. 376 00:19:13,978 --> 00:19:16,459 YOU'RE NOT GONNA TELL GUNNY ABOUT ANY OF THIS? 377 00:19:16,546 --> 00:19:18,244 HE DOESN'T TOLERATE ANY KIND OF WEAKNESS. 378 00:19:18,331 --> 00:19:20,724 WHAT YOU'RE FEELING ISN'T WEAKNESS, CORPORAL. 379 00:19:20,811 --> 00:19:22,465 IT'S WHAT MAKES US HUMAN. 380 00:19:22,552 --> 00:19:24,467 IF YOU LOSE THAT, THERE'S NOTHING LEFT. 381 00:19:24,554 --> 00:19:26,513 MA'AM, I'D LIKE A CHANCE TO APOLOGIZE 382 00:19:26,600 --> 00:19:28,819 TO EXPRESS MY REGRETS TO THAT BOY'S MOTHER. 383 00:19:28,906 --> 00:19:30,386 THAT'S NOT NECESSARY, CORPORAL, 384 00:19:30,473 --> 00:19:31,648 BUT IF IT MAKES YOU FEEL BETTER 385 00:19:31,735 --> 00:19:33,041 TO PUT SOMETHING IN WRITING 386 00:19:33,128 --> 00:19:34,825 I'LL SEE THAT HIS FAMILY GETS IT. 387 00:19:34,912 --> 00:19:36,914 I'D RATHER DO IT IN PERSON, MA'AM. 388 00:19:37,001 --> 00:19:39,743 I DON'T THINK THAT'S SUCH A GOOD IDEA, CORPORAL. 389 00:19:39,830 --> 00:19:41,049 I'D FEEL BETTER IF I COULD TELL HER 390 00:19:41,136 --> 00:19:43,269 FACE TO FACE HOW TRULY SORRY I AM. 391 00:19:43,878 --> 00:19:45,575 IT'S AN HONORABLE DESIRE, CORPORAL, 392 00:19:45,662 --> 00:19:48,361 BUT LIKE I SAID, I DON'T THINK IT'S SUCH A GOOD IDEA. 393 00:19:48,448 --> 00:19:49,884 WHY DON'T YOU GIVE ME A LIFT? 394 00:19:49,971 --> 00:19:51,886 -MA'AM? -COME ON. 395 00:20:12,167 --> 00:20:14,778 -YOU OKAY, LIEUTENANT? -YEAH, FINE. 396 00:20:14,865 --> 00:20:16,302 MA'AM, I DON'T THINK IT'S WISE FOR YOU TO REMAIN 397 00:20:16,389 --> 00:20:17,651 OUTSIDE THE EMBASSY WITHOUT ME. 398 00:20:17,738 --> 00:20:19,261 I APPRECIATE YOUR CONCERN, COROPORAL. 399 00:20:19,348 --> 00:20:20,828 NOW WHY DON'T YOU GO GET A METAL DETECTOR 400 00:20:20,915 --> 00:20:23,091 AND START RESWEEPING THE AREA. 401 00:20:23,178 --> 00:20:24,701 I-- I BETTER STAY HERE WITH YOU. 402 00:20:24,788 --> 00:20:26,355 THAT'S AN ORDER, CORPORAL. 403 00:20:30,054 --> 00:20:31,578 YES, MA'AM. 404 00:20:56,255 --> 00:20:59,040 Rabb: SO, CORPORAL, WHAT WAS TIENNA'S MOTHER SO UPSET ABOUT? 405 00:20:59,127 --> 00:21:01,390 Cortez: SIR, EVIDENTLY HER DAUGHTER'S PREGNANT 406 00:21:01,477 --> 00:21:03,131 AND SHE'S BLAMING CORPORAL PARR. 407 00:21:10,834 --> 00:21:12,749 I FOUND A SHELL CASING OUTSIDE THE WALL. 408 00:21:12,836 --> 00:21:15,186 7.65 MILLIMETER CZECH MARKINGS. 409 00:21:15,274 --> 00:21:17,711 PROBABLY FROM A SKORPION MACHINE PISTOL. 410 00:21:17,798 --> 00:21:19,452 SILENCED, IT WOULD MAKE A DAMN GOOD 411 00:21:19,539 --> 00:21:21,671 ASSASSINATION WEAPON AND HE WAS COMING OVER THE WALL 412 00:21:21,758 --> 00:21:23,282 RIGHT NEXT TO THE AMBASSADOR'S LIVING QUARTERS. 413 00:21:23,369 --> 00:21:24,761 HE WASN'T AFTER THE AMBASSADOR, MEG, 414 00:21:24,848 --> 00:21:27,721 -HE WAS AFTER CORPORAL PARR. -CORPORAL PARR? 415 00:21:27,808 --> 00:21:30,245 RAMONE HAS A SISTER, A PREGNANT SISTER. 416 00:21:30,332 --> 00:21:32,029 CORPORAL PARR WAS HER BOYFRIEND. 417 00:21:32,116 --> 00:21:34,118 OH, GOD. 418 00:21:34,205 --> 00:21:35,511 THE ONLY ONE WHO'S GOING TO BE RELIEVED 419 00:21:35,598 --> 00:21:37,296 ABOUT THIS IS THE AMBASSADOR. 420 00:21:38,384 --> 00:21:39,646 A CZECH SKORPION? 421 00:21:39,733 --> 00:21:41,212 THAT WOULD HAVE BEEN MY GUESS WHEN I THOUGHT 422 00:21:41,300 --> 00:21:42,910 THAT HE WAS AFTER THE AMBASSADOR. 423 00:21:42,997 --> 00:21:44,128 THAT'S THE TYPE OF WEAPON 424 00:21:44,215 --> 00:21:45,695 THE SHINING PATH WOULD USE 425 00:21:45,782 --> 00:21:47,175 BUT IT COULD HAVE BEEN FIRED FROM ANY PISTOL 426 00:21:47,262 --> 00:21:49,699 THAT SHOOTS A 7.65 MILLIMETER ROUND. 427 00:21:50,657 --> 00:21:52,267 I'M GOING TO INFORM THE AMBASSADOR. 428 00:21:52,354 --> 00:21:54,574 YOU GET CORPORAL PARR AND BRING HIM TO HER OFFICE. 429 00:21:56,271 --> 00:21:57,968 YOU BETTER GET GUNNY, TOO. 430 00:22:00,884 --> 00:22:02,321 [sighs] 431 00:22:03,713 --> 00:22:06,020 [shouting and commotion] 432 00:22:08,327 --> 00:22:10,024 -WHAT'S GOING ON, MARINE? -ATTENTION ON DECK! 433 00:22:10,111 --> 00:22:12,331 -WE'RE ON ALERT, MA'AM. -WHERE'S CORPORAL PARR? 434 00:22:12,418 --> 00:22:13,636 HE'S GONE, MA'AM. 435 00:22:13,723 --> 00:22:15,290 I TOLD GUNNERY SERGEANT GRANGER 436 00:22:15,377 --> 00:22:16,857 HE WAS RESTRICTED TO QUARTERS. 437 00:22:16,944 --> 00:22:18,772 Granger: HE WAS LIEUTENANT. 438 00:22:18,859 --> 00:22:21,252 UNTIL THE SHINING PATH KIDNAPPED HIM. 439 00:22:22,863 --> 00:22:23,951 [sighs] 440 00:22:29,478 --> 00:22:31,219 THE SHINING PATH THREATENED A RETALIATION, MA'AM. 441 00:22:31,306 --> 00:22:32,612 THEY'VE JUST MADE GOOD ON IT. 442 00:22:32,699 --> 00:22:34,440 THE MINUTE YOUR MEN LEAVE THE EMBASSY 443 00:22:34,527 --> 00:22:35,876 THEY BECOME AN INVADING FORCE. 444 00:22:35,963 --> 00:22:37,486 THEY KIDNAPPED ONE OF MY MEN, LIEUTENANT. 445 00:22:37,573 --> 00:22:39,053 I AM NOT SUING TO GET HIM BACK. 446 00:22:39,140 --> 00:22:41,403 AND I WILL NOT LET YOU START A WAR. 447 00:22:42,143 --> 00:22:43,536 WITH ALL DUE RESPECT, LIEUTENANT 448 00:22:43,623 --> 00:22:45,276 STAY OUT OF MY TURF 449 00:22:45,364 --> 00:22:46,974 AND I WILL STAY OUT OF YOURS. 450 00:22:47,061 --> 00:22:48,802 THIS ISMY TURF, GUNNERY SERGEANT. 451 00:22:48,889 --> 00:22:50,717 HAVE YOUR MEN STAND DOWN NOW! 452 00:22:50,804 --> 00:22:52,066 -LIEUTENANT-- -NOW, GUNNERY SERGEANT, 453 00:22:52,153 --> 00:22:54,155 THAT'S AN ORDER. 454 00:22:56,200 --> 00:22:57,637 YES, MA'AM. 455 00:23:03,207 --> 00:23:04,557 I JUST GOT THE WORD. 456 00:23:04,644 --> 00:23:06,210 THE AMBASSADOR'S THROWING A FIT. 457 00:23:06,297 --> 00:23:08,561 SO'S GUNNY GRANGER. HE THINKS THE SHINING PATH 458 00:23:08,648 --> 00:23:10,258 KIDNAPPED CORPORAL PARR AND WANTS TO TAKE 459 00:23:10,345 --> 00:23:11,302 HIS MEN OUT TO FIND HIM. 460 00:23:11,390 --> 00:23:13,261 -GUNNY! -SIR! 461 00:23:13,348 --> 00:23:15,524 I'VE ALREADY ORDERED HIM TO STAND DOWN, SIR. 462 00:23:15,611 --> 00:23:17,308 GET OUT OF THAT COMBAT GEAR. 463 00:23:17,396 --> 00:23:19,267 I'LL NEED YOU, CORPORAL CORTEZ 464 00:23:19,354 --> 00:23:21,051 AND TWO OTHER MARINES TO ACCOMPANY US. 465 00:23:21,138 --> 00:23:22,749 AYE-AYE, SIR. FALL OUT! 466 00:23:22,836 --> 00:23:24,838 CORTEZ, MASON, DOUGLAS, WITH ME. 467 00:23:26,405 --> 00:23:27,710 YOU DON'T THINK PARR WAS KIDNAPPED? 468 00:23:27,797 --> 00:23:29,451 THERE'S NO EVIDENCE TO SUPPORT IT. 469 00:23:29,538 --> 00:23:31,192 HE ASKED ME THREE TIMES IF HE COULD VISIT 470 00:23:31,279 --> 00:23:33,063 RAMONE'S MOTHER TO APOLOGIZE. 471 00:23:33,150 --> 00:23:35,239 YEAH, WELL, SHE'S NOT A WOMAN IN THE MOOD FOR APOLOGIES. 472 00:23:35,326 --> 00:23:36,589 BUT IT'S NOT THE MOTHER HE WANTS TO SEE. 473 00:23:36,676 --> 00:23:37,807 IT'S RAMONE'S SISTER. 474 00:23:38,721 --> 00:23:39,722 DO WE REALLY NEED TO TAKE 475 00:23:39,809 --> 00:23:41,158 GUNNERY SERGEANT GRANGER WITH US? 476 00:23:41,245 --> 00:23:42,290 HE'S DANGEROUS, SIR. 477 00:23:42,377 --> 00:23:43,987 IT'S A DANGEROUS TOWN, MEG. 478 00:23:44,074 --> 00:23:45,336 LET'S GO. 479 00:23:57,305 --> 00:24:00,264 [soft praying] 480 00:24:13,147 --> 00:24:15,105 I CAME AS SOON AS I GOT YOUR NOTE. 481 00:24:16,846 --> 00:24:18,935 HOW COULD YOU KILL MY BROTHER? 482 00:24:23,723 --> 00:24:25,638 I DIDN'T KNOW IT WAS HIM. 483 00:24:26,682 --> 00:24:28,945 WOULD IT HAVE MADE ANY DIFFERENCE? 484 00:24:30,904 --> 00:24:32,906 HE WAS TRYING TO KILL ME. 485 00:24:35,082 --> 00:24:39,434 HE THOUGHT HE WAS DEFENDING MY HONOR. 486 00:24:39,521 --> 00:24:41,480 Parr: BUT HE KNEW ABOUT US. 487 00:24:43,438 --> 00:24:45,745 I'M PREGNANT. 488 00:24:50,053 --> 00:24:53,143 -[Tienna crying] -[shushing] 489 00:25:15,383 --> 00:25:16,950 I'LL MARRY YOU. 490 00:25:19,692 --> 00:25:22,259 HOW CAN I MARRY THE MAN WHO KILLED MY BROTHER? 491 00:25:41,844 --> 00:25:43,846 Granger: THE SOONER WE GET OUT OF HERE THE BETTER, SIR. 492 00:25:43,933 --> 00:25:45,152 TELL YOUR MEN TO STAY COOL, GUNNY. 493 00:25:45,239 --> 00:25:46,414 KEEP YOUR WEAPONS OUT OF SIGHT 494 00:25:46,501 --> 00:25:47,981 AND DON'T FIRE UNLESS FIRED UPON. 495 00:26:01,951 --> 00:26:03,692 [knocking on door] 496 00:26:09,263 --> 00:26:10,699 NO! 497 00:26:11,744 --> 00:26:14,529 LIEUTENANT, DON'T EVER GRAB MY GUN. 498 00:26:14,616 --> 00:26:15,922 YOU WOULD HAVE SHOT THAT CHILD. 499 00:26:16,009 --> 00:26:18,359 ONLY IF HIS WEAPON HAD BEEN REAL. 500 00:26:23,799 --> 00:26:25,409 LOS AMERICANOS! 501 00:26:25,496 --> 00:26:26,541 HE HAD A GUN. 502 00:26:26,628 --> 00:26:28,543 [shouting] 503 00:26:40,990 --> 00:26:45,647 [Senora Escamilla speaking Spanish] 504 00:26:45,734 --> 00:26:47,301 THEY'RE GOING TO KILL HER DAUGHTER. 505 00:26:47,388 --> 00:26:50,304 [both speaking Spanish] 506 00:26:56,702 --> 00:26:58,617 THEY'RE IN A CHURCH IN SANTA ROSA. 507 00:26:58,704 --> 00:27:00,793 [shouting in Spanish] 508 00:27:09,062 --> 00:27:10,541 WHAT? 509 00:27:10,629 --> 00:27:12,761 HE'S A MEMBER OF SENDERO LUMINOSO. 510 00:27:12,848 --> 00:27:14,197 YOU MUST GO BEFORE HE SEES YOU. 511 00:27:14,284 --> 00:27:15,677 NOT WITHOUT YOU. 512 00:27:21,204 --> 00:27:22,641 [Tienna gasps] 513 00:27:24,468 --> 00:27:26,688 [speaking Spanish] 514 00:27:26,775 --> 00:27:27,994 NO! 515 00:27:28,081 --> 00:27:29,212 [panicking in Spanish] 516 00:27:35,218 --> 00:27:36,655 [speaking Spanish] 517 00:27:36,742 --> 00:27:39,396 NO. [ speaking Spanish] 518 00:27:39,483 --> 00:27:41,311 DROP IT! 519 00:27:41,398 --> 00:27:43,052 [Tienna speaking Spanish] 520 00:27:44,488 --> 00:27:45,838 TELL HIM TO... 521 00:27:45,925 --> 00:27:47,796 [speaking Spanish] 522 00:27:47,883 --> 00:27:51,321 [speaking Spanish] 523 00:27:51,408 --> 00:27:52,583 I CAN TAKE HIM. 524 00:27:52,671 --> 00:27:53,715 NO. 525 00:28:00,287 --> 00:28:01,854 [grunts] 526 00:28:07,033 --> 00:28:09,383 IT'S OKAY. IT'S OKAY. THEY CAN'T HURT YOU NOW. 527 00:28:09,470 --> 00:28:12,734 THEY'LL BE WAITING WHEN I GO HOME. 528 00:28:12,821 --> 00:28:14,649 WHY ARE THE SHINING PATH AFTER YOU? 529 00:28:14,736 --> 00:28:17,870 THEY WANT TO KILL ME BECAUSE I'M CARRYING DAVID'S BABY. 530 00:28:17,957 --> 00:28:20,873 THEY HATE THE AMERICANS AND NOW THEY HATE ME. 531 00:28:20,960 --> 00:28:22,309 WE WON'T LET THEM HURT YOU. 532 00:28:22,396 --> 00:28:24,354 THEY'RE EVERYWHERE, DAVID. 533 00:28:24,441 --> 00:28:26,966 EVERYWHERE. 534 00:28:27,053 --> 00:28:28,968 NOT IN OUR EMBASSY. 535 00:28:30,404 --> 00:28:33,102 I'M SURE THE AMBASSADOR WILL OFFER HER SANCTUARY. 536 00:28:48,683 --> 00:28:50,816 -WITH ME, PARR. -WHAT ABOUT TIENNA? 537 00:28:50,903 --> 00:28:53,035 WE'LL TAKE CARE OF HER, CORPORAL PARR. 538 00:28:53,122 --> 00:28:54,689 Granger: SNAP TO IT, PARR. 539 00:28:57,910 --> 00:28:59,650 I'LL JOIN YOU IN A MINUTE, HARM. 540 00:28:59,738 --> 00:29:01,130 HE'S NOT GOING TO SHOOT HIM, MEG. 541 00:29:01,217 --> 00:29:02,653 I'M NOT SO SURE. 542 00:29:06,135 --> 00:29:09,051 -I'M SORRY. -SORRY IS SOMETHING YOU SAY 543 00:29:09,138 --> 00:29:11,837 WHEN YOU BUMP INTO A LITTLE OLD LADY IN THE LIQUOR STORE. 544 00:29:11,924 --> 00:29:14,927 YOU WERE AWOL, CORPORAL. A.W.O.L.! 545 00:29:15,014 --> 00:29:16,015 I'M SORRY I LET YOU DOWN, GUNNY. 546 00:29:16,102 --> 00:29:17,712 TO HELL WITH ME. 547 00:29:17,799 --> 00:29:19,279 YOU LET DOWN YOUR FELLOW MARINES. 548 00:29:19,366 --> 00:29:20,410 YOU LET DOWN THIS EMBASSY. 549 00:29:20,497 --> 00:29:21,934 YOU LET DOWN THE CORPS. 550 00:29:22,021 --> 00:29:23,936 Austin: GUNNERY SERGEANT GRANGER. 551 00:29:24,893 --> 00:29:27,504 INTO SQUAD BAY, PARR. I'M NOT THROUGH WITH YOU. 552 00:29:31,247 --> 00:29:33,380 -HE'S YOUNG, GUNNY. -THEY'RE ALL YOUNG, MA'AM. 553 00:29:33,467 --> 00:29:35,425 THERE WERE EXTENUATING CIRCUMSTANCES. 554 00:29:35,512 --> 00:29:38,124 HE'S A MARINE, LIEUTENANT. HE'S GOT A DUTY TO PERFORM. 555 00:29:38,211 --> 00:29:40,604 WHICH IS HARD ENOUGHT WITHOUT YOU MAKING HIS LIFE MISERABLE. 556 00:29:40,691 --> 00:29:42,476 YOU BABY HIM 557 00:29:42,563 --> 00:29:44,913 HE'LL START SECOND-GUESSING HIS TRAINING AND HIS INSTINCTS 558 00:29:45,000 --> 00:29:46,393 AND THATGETS PEOPLE KILLED. 559 00:29:46,480 --> 00:29:48,177 IN TEXAS WE HAD A DOG THAT'D TAKE ON 560 00:29:48,264 --> 00:29:49,875 ANYTHING TO PROTECT OUR CATTLE. 561 00:29:49,962 --> 00:29:51,267 EVENTUALLY WE HAD TO SHOOT HIM 562 00:29:51,354 --> 00:29:52,965 BECAUSE HE GOT SO DAMN VICIOUS 563 00:29:53,052 --> 00:29:54,444 HE DIDN'T CARE WHAT HE KILLED. 564 00:29:54,531 --> 00:29:56,925 PERMISSION TO SPEAK FRANKLY, LIEUTENANT. 565 00:29:57,012 --> 00:29:59,145 PUT IT ON THE TABLE, GUNNY. 566 00:29:59,232 --> 00:30:01,060 I KNOW YOU DON'T LIKE ME, 567 00:30:01,147 --> 00:30:03,323 OR THE WAY I OPERATE, BUT IT'S MY JOB 568 00:30:03,410 --> 00:30:04,933 TO KEEP THIS EMBASSY SECURE 569 00:30:05,020 --> 00:30:06,413 AND MY BOYS ALIVE. 570 00:30:08,371 --> 00:30:10,156 THIS IS NOT A COURTROOM 571 00:30:10,243 --> 00:30:11,766 IT'S A BATTLE ZONE. 572 00:30:12,767 --> 00:30:15,161 I DON'T GET TO APPEAL WHEN I LOSE. 573 00:30:37,226 --> 00:30:40,664 TIENNA, WHO WERE THOSE MEN AT THE CHURCH? 574 00:30:40,751 --> 00:30:42,753 I DON'T KNOW. 575 00:30:43,493 --> 00:30:45,147 THEY KNEW YOU WERE PREGNANT. 576 00:30:46,757 --> 00:30:49,238 SENDERO LUMINOSO KNOW EVERYTHING. 577 00:30:49,325 --> 00:30:52,154 HOW DO YOU KNOW THEY WERE SENDERO LUMINOSO? 578 00:30:54,722 --> 00:30:56,680 THEY WERE FRIENDS OF RAMONE'S. 579 00:31:00,293 --> 00:31:03,296 YOUR BROTHER WAS WITH THE SENDERO LUMINOSO? 580 00:31:03,383 --> 00:31:06,081 HE WAS ONLY A BOY WHO WANTED TO BE A MAN. 581 00:31:08,562 --> 00:31:12,087 DID THE SENDERO LUMINOSO SEND HIM OVER THE WALL? 582 00:31:12,174 --> 00:31:14,046 HE WAS DEFENDING MY HONOR. 583 00:31:14,133 --> 00:31:15,743 HE KNEW YOU AND CORPORAL PARR 584 00:31:15,830 --> 00:31:17,136 HE KNEW WOULD MEET, DIDN'T HE? 585 00:31:17,223 --> 00:31:18,877 SI. 586 00:31:18,964 --> 00:31:20,791 THEN WHY DIDN'T HE COME AFTER PARR IN THE TOWN? 587 00:31:23,925 --> 00:31:25,492 I DON'T KNOW. 588 00:31:25,579 --> 00:31:27,842 COULD IT BE BECAUSE HE WASN'T AFTER CORPORAL PARR 589 00:31:27,929 --> 00:31:29,888 HE WAS AFTER THE AMBASSADOR? 590 00:31:36,546 --> 00:31:38,897 LET ME GET THIS STRAIGHT, LIEUTENANTS. 591 00:31:38,984 --> 00:31:41,812 CORPORAL PARR KILLS A BOY 592 00:31:41,900 --> 00:31:44,903 AND NOW HE WANTS US TO GIVE THE BOY'S SISTER, 593 00:31:44,990 --> 00:31:49,081 WHO IS CORPORAL PARR'S GIRLFRIEND, SANCTUARY. 594 00:31:49,168 --> 00:31:50,734 SHE'S HAVING HIS BABY, MA'AM. 595 00:31:50,821 --> 00:31:52,736 CORPORAL PARR WANTS TO MARRY HER. 596 00:31:52,823 --> 00:31:57,350 I ASKED YOU TO SOLVE A SHOOTING AND YOUR SOLUTION IS A WEDDING. 597 00:31:57,437 --> 00:32:00,614 WHAT'S NEXT, LIEUTENANT? YOU'LL RECOMMEND A CATERER. 598 00:32:00,701 --> 00:32:03,051 MA'AM, THERE MAY BE MORE TO THIS SHOOTING. 599 00:32:03,138 --> 00:32:05,836 THE BOY WHO WAS KILLED WAS WITH THE SHINING PATH. 600 00:32:05,924 --> 00:32:07,751 HE MAY HAVE COME HERE TO KILL YOU. 601 00:32:07,838 --> 00:32:10,580 Austin: HE WAS COMING OVER THE WALL NEAR YOUR LIVING QUARTERS. 602 00:32:10,667 --> 00:32:12,452 FROM THE SHELL CASING IT'S POSSIBLE HE WAS CARRYING 603 00:32:12,539 --> 00:32:14,889 A SKORPION MACHINE PISTOL WITH A SILENCER. 604 00:32:14,976 --> 00:32:17,370 THAT'S AN ASSASSINATION WEAPON, MA'AM. 605 00:32:17,457 --> 00:32:19,894 Rabb: I STRONGLY SUGGEST YOU CALL OFF THE HOSPITAL DEDICATION, MA'AM. 606 00:32:19,981 --> 00:32:24,464 AT LEAST UNTIL THE PERUVIANS CAN TRACK THE OTHERS DOWN. 607 00:32:24,551 --> 00:32:26,248 IF YOU THINK THAT'S BEST. 608 00:32:26,335 --> 00:32:28,947 [phone rings] 609 00:32:32,037 --> 00:32:34,953 I'M IN THE MIDDLE OF SOMETHING. WHO...? 610 00:32:35,040 --> 00:32:36,519 HELLO? 611 00:32:38,565 --> 00:32:39,958 YES, SIR. 612 00:32:41,568 --> 00:32:43,700 IT'S GOOD TO HEAR FROM YOU, TOO, SIR. 613 00:32:43,787 --> 00:32:46,965 I-- I'M NOT EASILY INTIMIDATED, SIR. 614 00:32:48,183 --> 00:32:49,750 THANK YOU, SIR. 615 00:32:49,837 --> 00:32:51,012 THANK YOU. 616 00:32:55,669 --> 00:32:58,106 THAT WAS THE PRESIDENT. 617 00:32:58,977 --> 00:33:02,110 I HOPE YOU BROUGHT YOUR DRESS WHITES, LIEUTENANTS. 618 00:33:02,197 --> 00:33:04,983 YOU'RE GOING TO NEED THEM FOR THE DEDICATION TOMORROW. 619 00:33:07,986 --> 00:33:10,249 [sighs] 620 00:33:11,163 --> 00:33:13,469 [ crockery smashing] 621 00:33:22,261 --> 00:33:24,654 [indistinct talking] 622 00:33:45,153 --> 00:33:47,112 Granger: WE SEND A MOTORCADE OUT AS A DECOY. 623 00:33:47,199 --> 00:33:48,417 IN TEN MINUTES LATER WE'LL SLIP THROUGH 624 00:33:48,504 --> 00:33:50,071 THE REAR GATE AND FOLLOW THIS ROUTE. 625 00:33:50,158 --> 00:33:52,421 MY GOVERNMENT WILL PROVIDE AN ARMED ESCORT. 626 00:33:52,508 --> 00:33:53,944 MEANING NO OFFENSE, MR. VARGAS, 627 00:33:54,032 --> 00:33:55,424 BUT WHAT IF THE SHINING PATH 628 00:33:55,511 --> 00:33:57,426 HAVE PEOPLE WITHIN YOUR GOVERNMENT? 629 00:33:57,513 --> 00:33:58,906 I'M NOT OFFENDED, LIEUTENANT. 630 00:33:58,993 --> 00:34:00,995 WHAT YOU SAY IS UNFORTUNATELY TRUE. 631 00:34:01,909 --> 00:34:03,954 THAT IS WHY NO ONE OUTSIDE OF THIS ROOM 632 00:34:04,042 --> 00:34:05,347 IS TO KNOW YOUR APPRAOCH ROUTE. 633 00:34:05,434 --> 00:34:06,783 CORPORAL CORTEZ AND I WILL RIDE 634 00:34:06,870 --> 00:34:08,220 WITH THE PERUVIANS AS OBSERVERS. 635 00:34:08,307 --> 00:34:09,221 I WILL GIVE THEM THE ROUTE 636 00:34:09,308 --> 00:34:10,483 AFTER WE LEAVE THE EMBASSY. 637 00:34:10,570 --> 00:34:12,528 IS THIS VEST THICK ENOUGH, GUNNY? 638 00:34:12,615 --> 00:34:14,748 THAT'S A TOP OF THE LINE ALL SPECTRE GUARDIAN VEST, MA'AM, 639 00:34:14,835 --> 00:34:17,185 IT'LL STOP A NINE-MILLIMETER SLUG AT POINT-BLANK RANGE. 640 00:34:17,272 --> 00:34:19,231 WHAT IF SOMEONE AIMS AT MY HEAD? 641 00:34:20,667 --> 00:34:22,060 DUCK, MA'AM. 642 00:34:33,462 --> 00:34:35,595 YOU'RE RIDING WITH ME, LIEUTENANTS. 643 00:34:36,813 --> 00:34:38,728 YES, MA'AM. 644 00:35:03,710 --> 00:35:05,059 Granger: HOME PLATE, WE'RE MOVING OUT. 645 00:35:05,146 --> 00:35:06,756 OUR E.T.A. FOR CHECKPOINT ALPHA 646 00:35:06,843 --> 00:35:08,323 IS TEN MINUTES. OVER. 647 00:35:09,890 --> 00:35:11,848 HOME PLATE. ROGER. 648 00:35:11,935 --> 00:35:14,199 TIENNA! YOU CAN'T BE IN HERE. 649 00:35:14,286 --> 00:35:15,635 THEY'VE ALL LEFT. 650 00:35:15,722 --> 00:35:17,854 I'M ON DUTY. LOOK, I'LL COME TO YOU 651 00:35:17,941 --> 00:35:19,639 AS SOON AS THIS IS OVER, I PROMISE. 652 00:35:20,335 --> 00:35:22,511 YOUR SERGEANT WILL NEVER LET US BE TOGETHER. 653 00:35:22,598 --> 00:35:25,471 NO ONE WILL KEEP US APART, NOT EVEN GUNNY, I PROMISE YOU. 654 00:35:27,603 --> 00:35:29,823 OKAY, GO, GO, GO, YOU GOT TO GET OUT OF HERE 655 00:35:29,910 --> 00:35:30,998 BEFORE SOMEONE SEES YOU. 656 00:35:31,085 --> 00:35:32,565 -GO. -TE QUIERO. 657 00:35:32,652 --> 00:35:33,740 TE QUIERO. 658 00:35:33,827 --> 00:35:35,742 -HEY! -[laughs] 659 00:35:53,847 --> 00:35:56,066 WOULD YOU LIKE TO HEAR MY DEDICATION SPEECH, 660 00:35:56,154 --> 00:35:58,330 -SENOR VARGAS? -PLEASE. 661 00:35:58,417 --> 00:36:01,681 "IF OUR CHILDREN ARE THE FUTURE, THEN THE HEALTH..." 662 00:36:06,468 --> 00:36:08,470 [conversations in Spanish] 663 00:36:33,016 --> 00:36:34,670 Bartlett: "...WILL BE THE FACE OF HEALING..." 664 00:36:41,460 --> 00:36:43,244 HEADS UP! 665 00:36:48,597 --> 00:36:50,295 [screaming] 666 00:36:53,515 --> 00:36:54,908 BACK IT UP! BACK IT UP! 667 00:37:00,479 --> 00:37:02,307 -GET DOWN! -TAKE COVER! 668 00:37:03,482 --> 00:37:05,788 -GET TO THE AMBASSADOR! -RIGHT AWAY, SIR! 669 00:37:06,659 --> 00:37:09,314 -[indistinct shouting] -[gunfire] 670 00:37:14,188 --> 00:37:17,147 Bartlett: LIEUTENANT, GET US OUT OF HERE! 671 00:37:17,235 --> 00:37:18,758 Austin: WOAH, HOLD ON! 672 00:37:18,845 --> 00:37:20,107 GET DOWN! GET DOWN! 673 00:37:24,024 --> 00:37:27,070 -Bartlett: OH, GOD! -GET 'EM OUT! 674 00:37:27,157 --> 00:37:28,985 -Bartlett: VARGAS! -HE'S DEAD! 675 00:37:33,729 --> 00:37:35,862 Austin: GET OUT! 676 00:37:35,949 --> 00:37:38,560 [screaming] 677 00:37:45,785 --> 00:37:47,265 IN THERE! 678 00:37:57,362 --> 00:37:59,233 GIVE ME A CLIP! 679 00:38:01,714 --> 00:38:04,630 YOUR VEST STOPPED THE SLUGS. YOU'RE GONNA BE OKAY. 680 00:38:04,717 --> 00:38:05,935 [weakly] I AM? 681 00:38:06,022 --> 00:38:07,110 Rabb: NONE OF US WILL BE OKAY 682 00:38:07,197 --> 00:38:08,895 IF WE DON'T GET THE HELL OUT OF HERE! 683 00:38:12,551 --> 00:38:14,204 -[gunshots] -[grunting] 684 00:38:15,467 --> 00:38:16,511 LET'S GO! 685 00:38:17,730 --> 00:38:19,993 [moaning] 686 00:38:21,516 --> 00:38:22,865 WHERE'S GUNNY? 687 00:38:22,952 --> 00:38:24,824 HE SENT ME TO GET THE AMBASSADOR, SIR. 688 00:38:24,911 --> 00:38:26,782 -THEN GO! -WHAT ABOUT YOU, SIR? 689 00:38:26,869 --> 00:38:28,523 GET GOING! 690 00:38:29,916 --> 00:38:32,222 -GO! GO! -GO, GO, GO, GO, GO! 691 00:38:48,674 --> 00:38:50,240 [grunting] 692 00:39:15,831 --> 00:39:17,224 THE AMBASSADOR? 693 00:39:17,311 --> 00:39:18,530 SHE'S ALL RIGHT. 694 00:39:19,531 --> 00:39:21,359 [crying] 695 00:39:26,799 --> 00:39:28,496 -NO! -[Granger grunting] 696 00:39:38,767 --> 00:39:40,290 HE'S DEAD. 697 00:40:02,051 --> 00:40:03,749 Austin: IT'S TIENNA'S MOTHER. 698 00:40:04,532 --> 00:40:07,230 SHE AND HER SON WERE BOTH IN THE SHINING PATH. 699 00:40:08,710 --> 00:40:09,929 TIENNA. 700 00:40:13,672 --> 00:40:16,283 TIENNA MUST HAVE SEEN THE MAP WITH OUR ROUTE 701 00:40:16,370 --> 00:40:18,720 AND TIPPED THEM OFF. 702 00:40:18,807 --> 00:40:20,505 THIS IS LIEUTENANT AUSTIN 703 00:40:20,592 --> 00:40:23,856 CALLING THE AMERICAN EMBASSY. DOES ANYONE COPY? 704 00:40:23,943 --> 00:40:25,858 Parr: THIS IS THE EMBASSY. OVER. 705 00:40:25,945 --> 00:40:28,295 -CORPORAL PARR? -AFFIRMATIVE. OVER. 706 00:40:28,382 --> 00:40:30,819 CORPORAL PARR, OUR CONVOY WAS AMBUSHED. 707 00:40:30,906 --> 00:40:32,604 Parr: DO YOU NEED ASSISTANCE? -NEGATIVE. 708 00:40:32,691 --> 00:40:35,302 THE AMBASSADOR IS ON HER WAY BACK TO THE EMBASSY. 709 00:40:36,390 --> 00:40:37,478 BUT THERE'S NO OTHER WAY 710 00:40:37,565 --> 00:40:38,871 TO SAY THIS THAN TO SAY IT. 711 00:40:38,958 --> 00:40:41,134 TIENNA'S WITH THE SHINING PATH. 712 00:40:43,484 --> 00:40:46,052 -NEGATIVE! -YOU LISTEN TO ME, MARINE! 713 00:40:46,139 --> 00:40:48,663 SHE IS SHINING PATH AND SHE IS THERE TO KILL THE AMBASSADOR 714 00:40:48,750 --> 00:40:51,492 AND YOU HAVE TO STOP HER! PARR! 715 00:40:51,579 --> 00:40:53,668 PARR, DO YOU READ ME? 716 00:40:54,626 --> 00:40:55,540 PARR? 717 00:40:55,627 --> 00:40:56,932 DO YOU R-- 718 00:41:12,121 --> 00:41:14,297 Soldier: CAREFUL GETTING HER UP THE STAIRS. 719 00:41:17,692 --> 00:41:18,998 Bartlett: GET A DOCTOR! 720 00:41:25,265 --> 00:41:27,615 THEY SHOT ME, MACK. 721 00:41:28,311 --> 00:41:30,531 WE'RE TALKING THE PURPLE HEART HERE. 722 00:41:31,750 --> 00:41:34,056 WELL, WHAT THE HELL DOTHEY GIVE AMBASSADORS 723 00:41:34,143 --> 00:41:35,971 WHO ARE SHOT IN THE LINE OF DUTY? 724 00:41:53,902 --> 00:41:55,556 TIENNA! 725 00:41:58,864 --> 00:42:00,300 DAVID. 726 00:42:00,387 --> 00:42:01,736 I'M LOOKING FOR YOU. 727 00:42:03,129 --> 00:42:05,218 -COME DOWN HERE. -WHAT'S WRONG? 728 00:42:05,305 --> 00:42:07,220 YOU'RE SENDERO LUMINOSO. 729 00:42:07,307 --> 00:42:09,701 NO. MY BROTHER, NOT ME. 730 00:42:09,788 --> 00:42:11,877 BRING YOUR HANDS WHERE I CAN SEE THEM, TIENNA. 731 00:42:11,964 --> 00:42:13,574 DAVID, YOU'RE SCARING ME. 732 00:42:13,661 --> 00:42:15,097 BRING YOUR HAND OUT! 733 00:42:23,366 --> 00:42:24,759 I LOVE YOU. 734 00:42:24,846 --> 00:42:26,805 WE LOVE YOU. 735 00:42:26,892 --> 00:42:30,460 OH, GOD... OH, TIENNA. 736 00:42:34,377 --> 00:42:35,509 [grunting] 737 00:42:57,836 --> 00:42:59,577 OH... 738 00:43:00,578 --> 00:43:02,580 [tires squealing] 739 00:43:13,460 --> 00:43:14,983 [Austin gasps] 740 00:43:17,203 --> 00:43:18,639 I LOVED HER. 741 00:43:33,959 --> 00:43:36,091 Rabb: THEY WERE ALL IN A SHINING PATH CELL. 742 00:43:36,178 --> 00:43:37,658 THEY WEREN'T EVEN RELATED. 743 00:43:37,745 --> 00:43:39,921 BUT MOST IMPORTANT, TIENNA WASN'T PREGNANT. 744 00:43:40,008 --> 00:43:42,576 IT WAS JUST ANOTHER LIE SO SHE COULD GET THE AMBASSADOR 745 00:43:42,663 --> 00:43:44,360 IF THEY MISSED HER ON THE STREET. 746 00:43:44,447 --> 00:43:45,666 PRETTY STUPID, HUH, MA'AM? 747 00:43:45,753 --> 00:43:47,059 THINKING SOMEONE LIKE TIENNA 748 00:43:47,146 --> 00:43:48,495 WOULD FALL IN LOVE WITH ME. 749 00:43:48,582 --> 00:43:50,497 I DON'T THINK IT'S STUPID AT ALL. 750 00:43:50,584 --> 00:43:51,933 I CAN SEE A LOT OF WOMEN 751 00:43:52,020 --> 00:43:53,413 FALLING IN LOVE WITH YOU, CORPORAL PARR. 752 00:43:53,500 --> 00:43:55,110 Rabb: SHE HAD EVERYONE FOOLED, CORPORAL. 753 00:43:56,721 --> 00:43:58,374 EXCEPT HIM. 754 00:44:22,747 --> 00:44:25,184 Parr: DETAIL. TEN-HUT! 755 00:44:32,147 --> 00:44:34,454 THANK YOU, LIEUTENANTS. FOR EVERYTHING. 756 00:44:43,942 --> 00:44:47,728 DETAIL, TEN-HUT! 757 00:44:47,815 --> 00:44:50,035 SUCK IT IN, DOUGLAS. THIS IS ISN'T A CHOW LINE. 758 00:44:50,688 --> 00:44:52,298 HE'S STARTING TO SOUND LIKE GUNNY. 759 00:44:53,038 --> 00:44:55,170 HOPE HE'S AS GOOD A MARINE AS GUNNY WAS. 760 00:45:11,317 --> 00:45:13,014 SEMPER FI,GUNNY. 761 00:45:34,514 --> 00:45:37,212 [outro music playing] 54288

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