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1
00:00:02,436 --> 00:00:04,414
[Man] COMING THIS FALL TO
BLACK ENTERTAINMENT TELEVISION:
2
00:00:04,438 --> 00:00:06,371
IT'S MARY TYLER MO.
3
00:00:06,440 --> 00:00:08,751
MUR, WHAT GOES BETTER
WITH A FISH "SAMICH"?
4
00:00:08,775 --> 00:00:11,410
GRAPE KOOL-AID OR RED?
5
00:00:11,478 --> 00:00:13,411
THANKS, MUR.
6
00:00:16,784 --> 00:00:20,052
MARY, GET IN HERE. OH!
7
00:00:20,121 --> 00:00:22,688
COMING, MR. GRANT.
8
00:00:23,957 --> 00:00:26,057
YES, MR. GRANT?
9
00:00:26,126 --> 00:00:28,159
MARY, I'M AFRAID I'VE GOT...
10
00:00:28,228 --> 00:00:30,273
SOME BAD NEWS FOR YOU. OH.
11
00:00:30,297 --> 00:00:32,797
OH, WELL, MR. GRANT,
YOU'RE STILL NOT, UH,
12
00:00:32,866 --> 00:00:36,768
YOU KNOW, SERIOUS ABOUT
THE "CHOCOLATE FANTASY" THING?
13
00:00:36,836 --> 00:00:39,282
OH, YES, I AM, BUT THAT'S
NOT WHAT I CALLED YOU IN FOR.
14
00:00:39,306 --> 00:00:42,407
I'M AFRAID I HAVE TO, UH,
GIVE YOU YOUR PINK SLIP.
15
00:00:42,476 --> 00:00:44,443
MR. GRANT, YOU...
16
00:00:44,511 --> 00:00:48,380
YOU... BLUE-EYED DEVIL, YOU.
17
00:00:51,018 --> 00:00:52,951
TED, GET IN HERE.
18
00:00:53,020 --> 00:00:55,687
WHAT IS IT, LOU?
19
00:00:55,756 --> 00:00:57,689
TED, I'M AFRAID I'VE GOT
SOME BAD NEWS FOR YOU.
20
00:00:57,758 --> 00:01:00,659
DON'T TELL ME YOU'RE SERIOUS ABOUT
THAT "CHOCOLATE FANTASY" THING.
21
00:01:00,728 --> 00:01:02,706
YES, I AM, TED, BUT THAT'S NOT
WHAT I WANTED TO TALK TO YOU ABOUT.
22
00:01:02,730 --> 00:01:05,174
LOU, BEFORE YOU SAY ANYTHING,
BIG GUY, I JUST WANT YOU TO KNOW...
23
00:01:05,198 --> 00:01:07,176
IT'S A PLEASURE
WORKING HERE FOR YOU,
24
00:01:07,200 --> 00:01:09,178
AND YOU'RE EVERYTHING A
GUY COULD HOPE FOR IN A BOSS...
25
00:01:09,202 --> 00:01:11,135
AND A FRIEND.
26
00:01:11,204 --> 00:01:14,139
THAT'S GREAT, TED.
THAT'S NICE. YOU'RE FIRED.
27
00:01:14,208 --> 00:01:16,441
YOU HONKY BASTARD!
WHAT WAS THAT, TED?
28
00:01:16,510 --> 00:01:18,844
I'M SORRY, LOU. I
DIDN'T MEAN IT, LOU.
29
00:01:18,912 --> 00:01:20,957
IT JUST SLIPPED OUT. [Sobbing]
30
00:01:20,981 --> 00:01:24,616
[Man] MARY TYLER
MO... COMING THIS FALL.
31
00:01:25,953 --> 00:01:28,053
- [Laughing]
- ♪ IN LIVING COLOR ♪
32
00:01:28,121 --> 00:01:31,823
♪ YOU CAN DO WHAT YOU WANNA DO ♪
33
00:01:31,892 --> 00:01:33,825
♪ IN LIVING COLOR ♪
34
00:01:35,395 --> 00:01:40,065
♪ IN LIVING COLOR ♪
♪ YOU CAN DO WHAT YOU WANNA DO ♪
35
00:01:40,133 --> 00:01:42,301
♪ IN LIVING COLOR ♪
36
00:01:43,370 --> 00:01:45,303
♪ IN LIVING COLOR ♪
37
00:01:45,372 --> 00:01:47,350
♪ YOU CAN WALK ON THE
MOON FLOAT LIKE A BALLOON ♪
38
00:01:47,374 --> 00:01:49,419
♪ YOU SEE, IT'S NEVER TOO
LATE AND IT'S NEVER TOO SOON ♪
39
00:01:49,443 --> 00:01:51,354
- ♪ TAKE IT FROM MEIT'S A'IGHT TO BE ♪
- HI-YAH!
40
00:01:51,378 --> 00:01:52,811
♪ IN LIVING COLOR ♪
41
00:01:52,879 --> 00:01:55,481
♪ AND HOW WOULD YA... HOW
WOULD YA... HOW WOULD YA F... ♪
42
00:01:55,549 --> 00:01:57,527
♪ HOW WOULD YOU FEEL KNOWING
PREJUDICE WAS OBSOLETE ♪
43
00:01:57,551 --> 00:01:59,718
♪ AND ALL MANKIND
DANCED TO THE EXACT BEAT ♪
44
00:01:59,786 --> 00:02:03,255
[Echoing] ♪ AND AT NIGHT IT WAS
SAFE TO WALK DOWN THE STREET ♪
45
00:02:03,323 --> 00:02:06,791
♪ YOU CAN DO WHAT YOU WANNA DO ♪
46
00:02:06,860 --> 00:02:08,927
♪ IN LIVING COLOR ♪
47
00:02:09,997 --> 00:02:11,496
♪ IN LIVING COLOR ♪
48
00:02:11,564 --> 00:02:15,100
♪ YOU CAN DO WHAT YOU WAN...
WAN... ♪ ♪ IN LIVING COLOR ♪
49
00:02:15,168 --> 00:02:19,437
♪ YOU CAN DO WHAT YOU WAN...
WAN... WAN... ♪ ♪ IN LIVING COLOR ♪
50
00:02:19,506 --> 00:02:24,209
♪ YOU CAN DO WHAT YOU WAN...
WAN... ♪ ♪ IN LIVING COLOR ♪
51
00:02:24,278 --> 00:02:28,213
♪ YOU CAN DO WHAT YOU WAN...
WAN... WAN... ♪ ♪ IN LIVING COLOR ♪
52
00:02:28,281 --> 00:02:30,215
[Turntable Scratching]
♪ IN LIVING COLOR ♪♪
53
00:02:30,284 --> 00:02:32,717
[Laughing]
54
00:02:36,790 --> 00:02:40,225
HI. I'M LOOMIS SIMMONS,
55
00:02:40,293 --> 00:02:44,229
AND I'M HERE TO TELL YOU, YOU
CAN NEVER BE TOO CAREFUL...
56
00:02:44,297 --> 00:02:46,531
NOT WITH ALL THESE HERE
UNWANTED PREGNANCIES,
57
00:02:46,600 --> 00:02:48,667
DISEASES AND ALL
THESE OTHER HOODOOS...
58
00:02:48,736 --> 00:02:52,971
WANTING TO COME BETWEEN YOU AND
YOUR MAIN SQUEEZE, MR. JOHNSON-RONSON.
59
00:02:53,040 --> 00:02:54,973
KNOW WHAT I'M SAYING?
60
00:02:55,042 --> 00:02:57,453
THAT'S WHY I'M HERE TO PROTECT
YOU WITH THE LOOMIS SIMMONS...
61
00:02:57,477 --> 00:03:00,411
CUSTOM BUILT CONDOM.
62
00:03:00,480 --> 00:03:03,481
TODAY MODERN "WOMENS"
WILL PITCH A FUSS...
63
00:03:03,550 --> 00:03:05,483
AND LEAVE YOU OUT IN THE COLD...
64
00:03:05,552 --> 00:03:08,386
'LESS YOU PUT A RAINCOAT
ON YOUR LITTLE MAN.
65
00:03:08,455 --> 00:03:11,189
GOD BLESS THEIR
TINY LITTLE SOULS.
66
00:03:11,258 --> 00:03:16,695
THAT'S WHERE MY LOOMIS SIMMONS
CUSTOM BUILT CONDOM COME IN.
67
00:03:16,764 --> 00:03:19,364
THE LOOMIS CONDOM
WAS SPECIALLY DESIGNED...
68
00:03:19,433 --> 00:03:22,200
TO FIT SNUGLY ON TO ME,
69
00:03:22,269 --> 00:03:25,037
AND IT KEEPS YOU
SAFE FROM HARM'S WAY...
70
00:03:25,105 --> 00:03:27,873
'CAUSE I'M THE ONE
WHO WEAR IT. [Chuckles]
71
00:03:27,941 --> 00:03:31,542
JUST GIVE ME $100 AND
I'LL TAKE ALL THE RISK.
72
00:03:31,611 --> 00:03:34,680
NOW, YOU MUST BE "AXING,"
73
00:03:34,748 --> 00:03:37,382
"WHERE DO I COME IN, LOOMIS?"
74
00:03:37,451 --> 00:03:40,451
YOU PAY FOR THE HOTEL
ROOM AND WAIT IN THE LOBBY.
75
00:03:40,520 --> 00:03:43,654
IT'S THAT SIMPLE. HERE'S
HOW THE SYSTEM WORKS.
76
00:03:43,723 --> 00:03:45,690
YOU TAKE THE GIRL
OUT FOR DRINKS;
77
00:03:45,759 --> 00:03:47,692
YOU TAKE THE GIRL OUT TO DINNER;
78
00:03:47,761 --> 00:03:49,694
YOU TAKE THE GIRL OUT DANCING;
79
00:03:49,763 --> 00:03:52,297
AND ONCE YOU'RE SURE
SHE'S READY TO GET NASTY,
80
00:03:52,365 --> 00:03:54,365
THEN YOU CALL LOOMIS.
81
00:03:54,434 --> 00:03:56,534
LOOMIS COMES OVER TO YOUR HOUSE.
82
00:03:56,604 --> 00:04:00,572
LOOMIS WEARS THE
CUSTOM-BUILT LOOMIS CONDOM.
83
00:04:00,641 --> 00:04:04,142
LOOMIS HAVE FREAKY
CIRCUS SEX WITH YOUR WOMAN.
84
00:04:06,413 --> 00:04:08,479
THEN LOOMIS LEAVE.
85
00:04:08,548 --> 00:04:10,481
IT'S THAT SIMPLE.
86
00:04:10,550 --> 00:04:13,184
HELL, YOU CAN
EVEN SIP A SCOTCH...
87
00:04:13,253 --> 00:04:16,588
AND CHEER ME ON, IF
THAT'S YOUR FREAKY THING.
88
00:04:18,057 --> 00:04:19,991
BUT DON'T TAKE MY WORD FOR IT.
89
00:04:20,059 --> 00:04:23,661
LET'S TALK TO SOME OF MY
SATISFIED "CUSTOMEARS."
90
00:04:23,730 --> 00:04:26,231
I DON'T LIKE WEARING A CONDOM...
91
00:04:26,299 --> 00:04:29,367
BECAUSE I CAN'T FEEL THE
INTENSITY OF THE MOMENT.
92
00:04:29,436 --> 00:04:33,705
NOW, WITH THE LOOMIS
SIMMONS CUSTOM BUILT CONDOM,
93
00:04:33,774 --> 00:04:35,941
I STILL DON'T FEEL NOTHIN',
94
00:04:36,009 --> 00:04:40,512
BUT I DON'T GET ALL
HOT AND SWEATY EITHER.
95
00:04:45,618 --> 00:04:47,853
AFTER I GOT THESE SORES,
96
00:04:47,921 --> 00:04:51,222
I NEVER THOUGHT I'D
TRUST A CONDOM AGAIN.
97
00:04:51,291 --> 00:04:54,359
THEN I HEARD ABOUT LOOMIS
SIMMONS' REVOLUTIONARY TECHNOLOGY.
98
00:04:54,427 --> 00:04:57,896
NOW I CAN PLEASE THE
LADIES AND PLAY IT SAFE.
99
00:04:57,965 --> 00:05:00,065
[Groans]
100
00:05:02,669 --> 00:05:04,602
[Panting]
101
00:05:04,671 --> 00:05:07,305
GO!
102
00:05:07,374 --> 00:05:10,175
I ENJOYED EVERY MINUTE.
103
00:05:10,243 --> 00:05:12,510
CAN I HAVE SOME
OF THAT, MAN? UH...
104
00:05:12,579 --> 00:05:14,746
JUST... JUST KEEP IT, MAN.
105
00:05:21,755 --> 00:05:23,855
THAT'S EXCITING, ISN'T IT?
106
00:05:23,924 --> 00:05:25,957
NOW, A LOT OF PEOPLE SAY TO ME,
107
00:05:26,025 --> 00:05:28,993
"LOOMIS, WHY WOULD I WANT
A COMPLETE STRANGER...
108
00:05:29,062 --> 00:05:32,864
TO SHARE SUCH AN INTIMATE
MOMENT WITH MY WOMAN FRIEND?"
109
00:05:32,932 --> 00:05:35,032
AND I SAY, "SHUT UP.
110
00:05:35,101 --> 00:05:37,869
"I'M TRYING TO HAVE FREAKY
CIRCUS SEX WITH THEM.
111
00:05:37,938 --> 00:05:40,898
I AIN'T STICKING AROUND TO
CUDDLE. THAT'S YOUR JOB."
112
00:05:40,940 --> 00:05:43,542
LET'S BE HONEST.
113
00:05:43,610 --> 00:05:45,877
THERE'S ONLY SO
MUCH LOOMIS CAN DO.
114
00:05:45,946 --> 00:05:48,546
BUT IF YOU THROW
IN AN EXTRA $40,
115
00:05:48,615 --> 00:05:52,384
I'LL EVEN SMOKE A CIGARETTE WHILE
I'M PUTTING MY THICK AND THINS BACK ON,
116
00:05:52,452 --> 00:05:54,486
FOR ABSOLUTELY FREE.
117
00:05:54,554 --> 00:05:57,222
SO ORDER YOUR LOOMIS
SIMMONS CUSTOM BUILT CONDOM...
118
00:05:57,291 --> 00:06:00,191
AND LEAVE THE DRIVING TO ME.
119
00:06:04,564 --> 00:06:07,932
[Together] WE WANT FOOD. WE WANT
FOOD. SETTLE DOWN. SETTLE DOWN.
120
00:06:08,001 --> 00:06:09,979
WE WANT FOOD. WE
WANT... SETTLE DOWN.
121
00:06:10,003 --> 00:06:11,936
SETTLE DOWN, EVERYONE.
122
00:06:12,005 --> 00:06:15,806
I KNOW YOU HAVE YOUR HEARTS SET ON A
TURKEY DINNER WITH ALL THE TRIMMINGS,
123
00:06:15,875 --> 00:06:19,177
BUT WE ALL DECIDED TO GET
THE MOST FOOD FOR OUR MONEY,
124
00:06:19,246 --> 00:06:22,480
AND THAT IS TWO
CANS OF SPAM. [Groans]
125
00:06:22,549 --> 00:06:26,851
AH, BUT WE SPENT THE EXTRA MONEY
WE SAVED ON A SPECIAL TREAT FOR YOU.
126
00:06:26,920 --> 00:06:29,020
WE'RE GONNA HAVE
SOME IRISH FOLK MUSIC.
127
00:06:29,088 --> 00:06:31,248
SO LET'S GIVE A BIG
HOMELESS SHELTER WELCOME...
128
00:06:31,291 --> 00:06:34,292
TO SHAMUS O'SHANTY O'SHAME.
129
00:06:34,361 --> 00:06:36,294
♪♪ [Acoustic Guitar]
130
00:06:40,600 --> 00:06:42,534
[Belches]
131
00:06:42,602 --> 00:06:45,748
OH, THANK YOU VERY MUCH. THERE'S
NOTHING LIKE SINGING ON A FULL STOMACH.
132
00:06:45,772 --> 00:06:49,707
AND MAY YOUR
HOLIDAY TODAY BE FULL...
133
00:06:49,776 --> 00:06:52,910
OF PINK HEARTS, YELLOW MOONS,
BLUE STARS AND GREEN CLOVERS.
134
00:06:52,979 --> 00:06:54,912
HOO-HOO!
135
00:06:54,981 --> 00:06:58,550
I'M GONNA START OFF TODAY WITH A
SONG ABOUT A MAN NAMED FLUTHER...
136
00:06:58,618 --> 00:07:00,718
THE PATRON SAINT OF THE POOR...
137
00:07:00,787 --> 00:07:03,321
AND SEVERE GROIN INJURIES.
138
00:07:03,390 --> 00:07:05,357
AND IT GOES LIKE THIS.
139
00:07:05,425 --> 00:07:08,359
♪ OLD FLUTHER TOOK IN THE POOR ♪
140
00:07:08,428 --> 00:07:11,930
♪ HE FED AND CLOTHED
EVERY BUM AT HIS DOOR ♪
141
00:07:11,999 --> 00:07:15,533
♪ HE KEPT 'EM SAFE
AND HE KEPT 'EM WARM ♪
142
00:07:15,602 --> 00:07:19,004
♪ UNTIL HE CONTRACTED
SYPHILIS FROM A DUBLIN WHORE ♪
143
00:07:19,072 --> 00:07:21,506
♪ AND THE SYPHILIS
SPREAD INTO HIS BRAIN ♪
144
00:07:21,575 --> 00:07:24,575
♪ AND OLD FLUTHER
BECAME SLOWLY INSANE ♪
145
00:07:24,644 --> 00:07:26,845
♪ AND ONE DAY ON A COLD NIGHT ♪
146
00:07:26,913 --> 00:07:29,526
♪ HE LEFT ON THE GAS AND
EVERYONE DIED IN THEIR SLEEP ♪♪
147
00:07:29,550 --> 00:07:31,482
AND THAT'S IT.
148
00:07:31,551 --> 00:07:34,152
[Weeping]
149
00:07:34,221 --> 00:07:36,532
YOU'VE GOT TO BE A LITTLE BIT MORE
SENSITIVE. WELL, THEN, HOW ABOUT...
150
00:07:36,556 --> 00:07:38,601
HOW ABOUT A SONG
ABOUT LEPRECHAUNS, HUH?
151
00:07:38,625 --> 00:07:41,404
A POT OF GOLD, SONG OF HOPE,
SOMETHING LIKE THAT. IT GOES LIKE THIS.
152
00:07:41,428 --> 00:07:44,395
♪ SHAWN, SHAWN THE LEPRECHAUN ♪
153
00:07:44,464 --> 00:07:47,298
♪ HE LOOKED FOR HIS
GOLD BUT IT WAS GONE ♪
154
00:07:47,367 --> 00:07:50,768
♪ HE LOOKED HIGH
AND HE LOOKED LOW ♪
155
00:07:50,837 --> 00:07:52,871
♪ HE LOOKED OUT ON
THE FREEWAY AND OH, NO ♪
156
00:07:52,940 --> 00:07:56,007
♪ HE GOT HIT BY A BUS
AND KNOCKED RIGHT OUT ♪
157
00:07:56,075 --> 00:07:57,976
♪ OF HIS CUTE LITTLE
BUCKED SHOES ♪
158
00:07:58,045 --> 00:08:00,311
♪ AND HE WAS PARALYZED
FROM THE NECK DOWN ♪
159
00:08:00,380 --> 00:08:02,480
♪ AND MOVED TO A
HOME FOR VEGETABLES ♪
160
00:08:02,549 --> 00:08:04,482
♪ ON THE OUTSKIRTS OF TOWN ♪
161
00:08:04,551 --> 00:08:07,585
♪ AND ONE NIGHT A CRAZY-ASSED
JANITOR MOLESTED HIM IN HIS SLEEP ♪
162
00:08:07,654 --> 00:08:09,587
♪ AND HE DIED ♪♪
THAT'S IT.
163
00:08:09,656 --> 00:08:12,623
- I NEED A DRINK.
- ONE DAY AT A TIME, BILLY.
164
00:08:12,692 --> 00:08:14,693
NO, MAN, I CAN'T TAKE
ONE SONG AT A TIME.
165
00:08:14,761 --> 00:08:16,806
BYE, BILLY. SEE
YA LATER. [Giggles]
166
00:08:16,830 --> 00:08:18,875
HE WAS OUR BIGGEST
SUCCESS. WELL...
167
00:08:18,899 --> 00:08:20,865
FIVE YEARS OF SOBRIETY
OUT THE WINDOW.
168
00:08:20,934 --> 00:08:24,836
MR. O'SHAME, I IMPLORE YOU, SING
SOMETHING TO LIFT THESE MEN'S SPIRITS.
169
00:08:24,904 --> 00:08:26,883
OKAY, I'VE GOT JUST THE SONG.
170
00:08:26,907 --> 00:08:28,885
YOU, SIR... WHAT'S
YOUR NAME? JERRY.
171
00:08:28,909 --> 00:08:31,509
JERRY! HOW ARE YOU, JERRY?
JERRY, COME ON UP HERE, SON.
172
00:08:31,577 --> 00:08:36,047
JERRY, DO YOU FEEL LIKE THERE'S DAYS
WHERE YOU JUST WANT TO END IT ALL?
173
00:08:36,116 --> 00:08:37,493
YEAH. YES, YOU DO.
174
00:08:37,517 --> 00:08:39,784
OH, BUT WE'VE WORKED
VERY HARD WITH JERRY,
175
00:08:39,853 --> 00:08:42,287
AND HE NOW REALIZES THAT
THERE IS A LOT TO LIVE FOR.
176
00:08:42,355 --> 00:08:46,023
I'M GONNA DEDICATE THIS NEXT SONG
TO YOU. IT'S CALLED "KEEP LOOKIN' UP."
177
00:08:47,594 --> 00:08:50,194
♪ JUST WHEN YOU THINK
THAT YOUR LIFE'S A CURSE ♪
178
00:08:50,263 --> 00:08:53,865
♪ JUST REMEMBER, JER THINGS
COULD ALWAYS BE WORSE ♪
179
00:08:53,934 --> 00:08:57,368
♪ SO YOU LIVE IN A DUMPSTER AND
YOU HAVE CRISCO IN YOUR HAIR ♪
180
00:08:57,436 --> 00:09:01,472
♪ WHEN IT COMES TO LICE,
JER YOU'RE A MILLIONAIRE ♪
181
00:09:01,541 --> 00:09:04,141
♪ AND PEOPLE SHOULD LOVE
YOU BUT THEY PROBABLY DON'T ♪
182
00:09:04,210 --> 00:09:07,411
♪ AND YOUR LUCK MY CHANGE, JER
BUT LET'S FACE IT IT PROBABLY WON'T ♪
183
00:09:07,480 --> 00:09:09,681
♪ AND YOU'LL END UP
HERE IN A MISSION ♪
184
00:09:09,749 --> 00:09:12,350
♪ WITH A BUNCH OF INDIGENT
FREAKS AND YOU'LL CONTRACT T.B. ♪
185
00:09:12,418 --> 00:09:15,186
♪ AND YOU'LL DIE ♪♪
THERE YOU GO. [Laughs]
186
00:09:15,255 --> 00:09:18,889
ARE YOU CRAZY? ALL YOU'RE DOING IS
SINGING SONGS THAT DEPRESS THEM.
187
00:09:18,958 --> 00:09:22,493
ALL RIGHT, GENTLEMEN,
THERE HE IS. GRAB HIM. COME ON.
188
00:09:22,562 --> 00:09:25,596
OH! OH! OKAY, SHAMUS, IT'S
TIME TO GO BACK TO THE HOME.
189
00:09:25,665 --> 00:09:27,777
- WHAT'S GOING ON HERE?
- LAST NIGHT THIS TURKEY...
190
00:09:27,801 --> 00:09:29,779
HITCHED A RIDE ON
THE PROZAC TRUCK.
191
00:09:29,803 --> 00:09:31,781
YEAH, WE DIDN'T MISS HIM
UNTIL BED CHECK THIS MORNING.
192
00:09:31,805 --> 00:09:33,616
I'M NO ORDINARY
TURKEY. I'M A BUTTERBALL.
193
00:09:33,640 --> 00:09:35,618
I'M THE KING OF THE BUTTERBALLS.
GOBBLE, GOBBLE, GOBBLE...
194
00:09:35,642 --> 00:09:38,810
[Indistinct] GOBBLE,
GOBBLE, GOBBLE!
195
00:09:38,878 --> 00:09:42,246
OOH! OH, MY BREASTS ARE
DELICIOUS AND TENDER. OOH!
196
00:09:50,457 --> 00:09:53,024
INTERRACIAL COUPLES...
197
00:09:53,093 --> 00:09:56,194
DIFFICULT ENOUGH FOR CHILDREN, BUT
WHAT IF ONE PARENT WAS A MAJOR STAR...
198
00:09:56,263 --> 00:09:58,864
AND TREATED YOU LIKE YOU
WERE A MAJOR EMBARRASSMENT?
199
00:09:58,933 --> 00:10:01,032
WHITE HOLLYWOOD,
BLACK CHILDREN...
200
00:10:01,101 --> 00:10:03,968
THAT'S OUR FOCUS
ON TODAY'S GERALDO.
201
00:10:05,038 --> 00:10:07,038
[Cheers, Applause]
202
00:10:21,788 --> 00:10:26,558
WE ARE JOINED BY THE SEED CORN OF
SOME OF AMERICA'S GREATEST STARS.
203
00:10:26,626 --> 00:10:29,827
OUR FIRST GUEST HAS JUST
WRITTEN THIS PAINFUL MEMOIR...
204
00:10:29,896 --> 00:10:31,897
BEAM ME UP, DADDY...
205
00:10:31,966 --> 00:10:34,233
WHICH CHRONICLES
HOW HE WAS SHUNNED...
206
00:10:34,301 --> 00:10:36,501
BY HIS NATURAL FATHER,
WILLIAM SHATNER.
207
00:10:36,570 --> 00:10:39,804
PLEASE WELCOME T.J. SHATNER.
208
00:10:39,873 --> 00:10:42,840
[Cheers, Applause]
209
00:10:46,813 --> 00:10:48,746
[Imitating William Shatner]
THANK YOU, GERALDO.
210
00:10:48,815 --> 00:10:51,083
IT IS INDEED A PLEASURE...
211
00:10:51,151 --> 00:10:53,451
TO BE ON BOARD.
212
00:10:53,520 --> 00:10:56,688
MY NEXT GUEST IS A WALKING
EXAMPLE OF WHAT HAPPENS...
213
00:10:56,757 --> 00:11:01,459
WHEN A GREAT DIRECTOR REDIRECTS
HIS CREATIVE JUICES, IF YOU WILL.
214
00:11:01,528 --> 00:11:04,529
PLEASE WELCOME TONISHA
ALLEN, DAUGHTER OF WOODY ALLEN.
215
00:11:04,597 --> 00:11:07,031
- TONISHA, HELLO.
- [Cheers, Applause]
216
00:11:11,238 --> 00:11:15,039
[Imitating Woody Allen] IT'S, UH, YOU
KNOW, A REAL PLEASURE TO BE HERE,
217
00:11:15,108 --> 00:11:17,041
UH-UH, GERALDO.
218
00:11:17,110 --> 00:11:19,877
I-I BELIEVE IT WAS,
UH, UH, MY FATHER...
219
00:11:19,946 --> 00:11:22,880
OR WAS IT MARTIN LUTHER KING?
220
00:11:22,949 --> 00:11:25,383
WHO SAID, "I HAVE A DREAM."
221
00:11:25,452 --> 00:11:29,053
A-A-AND IN THE DREAM
I'M-I'M BUTT NAKED,
222
00:11:29,122 --> 00:11:31,389
DOING THE NASTY WITH MY RABBI.
223
00:11:31,458 --> 00:11:33,825
OH, UH, AND-AND
THE WORST PART...
224
00:11:33,893 --> 00:11:39,197
IS-IS HE KEEPS ASKING ME
TO TALK DIRTY IN HEBREW.
225
00:11:39,265 --> 00:11:43,268
NOW LET'S MEET OUR LAST GUEST.
226
00:11:43,336 --> 00:11:45,570
I'M SURE YOU'VE ALL HEARD
ABOUT THE RECENT BIOGRAPHY...
227
00:11:45,639 --> 00:11:49,074
THAT PAINTS A SHOCKINGLY
PROMISCUOUS PORTRAIT...
228
00:11:49,142 --> 00:11:52,243
OF COMEDY LEGEND BOB HOPE.
229
00:11:52,312 --> 00:11:56,581
TODAY I BRING YOU THE PROGENY
OF ONE SUCH ILLICIT UNION...
230
00:11:56,649 --> 00:12:00,818
THE SON BOB HOPE FATHERED
WITH THE LATE MOMS MABLEY,
231
00:12:00,888 --> 00:12:02,820
DARIUS HOPE.
232
00:12:02,889 --> 00:12:04,823
LET'S HEAR IT. YEAH. HEY.
233
00:12:04,891 --> 00:12:08,260
[Cheers, Applause]
234
00:12:09,829 --> 00:12:11,808
[Imitating Bob Hope] HEY,
HOW IS EVERYBODY DOING?
235
00:12:11,832 --> 00:12:13,832
THIS IS WILD. I WANNA TELL YOU.
236
00:12:15,902 --> 00:12:18,181
NOW IF I'M CORRECT IN
ASSUMING THIS, YOU ARE ABOUT,
237
00:12:18,205 --> 00:12:20,205
UH, 26 YEARS OLD.
238
00:12:20,273 --> 00:12:22,540
YEAH. HEY, THAT'S WILD.
239
00:12:22,609 --> 00:12:24,976
DARIUS, HAVE YOU EVER
MET YOUR FAMOUS FATHER?
240
00:12:25,045 --> 00:12:26,978
HEY, I SURE DID, GERALDO,
241
00:12:27,046 --> 00:12:30,382
AND I WANNA TELL YOU,
HE EVEN OFFERED ME A JOB.
242
00:12:30,450 --> 00:12:33,384
WAS IS A PERSONAL ASSISTANT
JOB OR A JOKE WRITER POSITION?
243
00:12:33,453 --> 00:12:36,220
HEY, NO. ACTUALLY, HE GAVE
ME A LAMP AND A JOCKEY'S OUTFIT,
244
00:12:36,289 --> 00:12:39,224
AND TOLD ME TO
STAND ON HIS LAWN.
245
00:12:39,292 --> 00:12:40,758
NOT WILD AT ALL.
246
00:12:40,827 --> 00:12:43,661
NOW, TONISHA, HOW
DID YOUR FATHER...
247
00:12:43,730 --> 00:12:45,663
GET TO KNOW YOUR MOTHER?
248
00:12:45,733 --> 00:12:47,665
[Stammering] VERY, VERY WELL,
249
00:12:47,735 --> 00:12:49,901
UH, UH, UH, GERALDO.
250
00:12:49,970 --> 00:12:53,071
IN FACT, IN A WORD, BIBLICALLY.
251
00:12:53,140 --> 00:12:56,908
UH, MY MOTHER WAS THE ONLY
BLACK WOMAN EVER TO APPEAR...
252
00:12:56,977 --> 00:12:58,977
IN A WOODY ALLEN FILM.
253
00:12:59,046 --> 00:13:01,390
OF COURSE, SHE ENDED UP
ON THE CUTTING ROOM FLOOR...
254
00:13:01,414 --> 00:13:04,282
WITH-WITH WOODY ON TOP OF HER.
255
00:13:05,352 --> 00:13:07,519
WELL, WASN'T THAT SWEET?
256
00:13:07,587 --> 00:13:09,654
THAT'S ALL THE TIME
WE HAVE FOR TODAY.
257
00:13:09,722 --> 00:13:12,190
PLEASE TUNE IN TOMORROW,
WHEN OUR FOCUS WILL BE...
258
00:13:12,259 --> 00:13:17,529
ANOREXIC TRANSSEXUALS AND THE
LESBIAN DWARFS WHO STALK THEM.
259
00:13:17,597 --> 00:13:19,830
ON THE NEXT GERALDO. GOOD NIGHT.
260
00:13:19,899 --> 00:13:21,899
[Cheers, Applause]
261
00:13:27,641 --> 00:13:29,707
ALL RIGHT, Y'ALL, COME
ON, KEEP MOVING, BABY.
262
00:13:29,776 --> 00:13:32,243
ALL RIGHT, THIS IS THE
"A" LIST, BABY, THE "A" LIST.
263
00:13:32,312 --> 00:13:35,680
YOU ON THE "B" LIST, YOU GOTTA
RENT THE VIDEO. CHECK IT OUT.
264
00:13:35,749 --> 00:13:37,927
YEAH. YOU KNOW WHAT I'M
SAYING? UH-UH-UH, YEAH, YEAH, YEAH.
265
00:13:37,951 --> 00:13:39,884
JIFFY POP. DON'T
FORGET YOUR POPCORN.
266
00:13:39,953 --> 00:13:41,931
♪ POP, POP, POP, POP JIFFY,
JIFFY, JIFFY POP, POP, POP, POP ♪
267
00:13:41,955 --> 00:13:45,089
♪ GONNA GET A POP-TARTS ♪
KELLOGG POP-TARTS.
268
00:13:46,960 --> 00:13:51,029
SHUT UP, MAN. POP, POP.
269
00:13:51,097 --> 00:13:53,665
WHOO. THERE'S GOLD
IN THEM THERE HILLS.
270
00:13:53,733 --> 00:13:55,667
EXCUSE ME, GUYS.
271
00:13:55,736 --> 00:13:58,402
EXCUSE ME, GUYS, BUT WHAT
IS IT THAT A GIRL HAS TO DO...
272
00:13:58,471 --> 00:14:01,272
TO GET INTO THIS
PLACE TONIGHT? [Babbling]
273
00:14:01,341 --> 00:14:03,507
WELL, FIRST GET YOU A
PACKAGE OF CONDOMS,
274
00:14:03,576 --> 00:14:07,178
AND YOU KNOW THAT
MOVIE, DEBBIE DOES DETROIT?
275
00:14:07,247 --> 00:14:09,513
WELL, JUST FORGET ALL
ABOUT THE DETROIT PART.
276
00:14:09,582 --> 00:14:12,250
YEAH, DROP THE DETROIT
AND JUST DO THE DOING.
277
00:14:12,318 --> 00:14:14,519
DREAM ON.
278
00:14:14,587 --> 00:14:18,189
YOU AIN'T ALL THAT SNOOPY.
M-M-M-MILK... IT DOES A BODY GOOD.
279
00:14:20,226 --> 00:14:22,205
WHOA, WHOA, WHOA.
AIN'T THAT... HEY, WAIT. HEY.
280
00:14:22,229 --> 00:14:24,189
HEY, HEY, HEY, HEY. HEY,
DOG, WHAT'S GOIN' ON?
281
00:14:24,231 --> 00:14:26,864
HEY, FREE WILLY.
282
00:14:26,933 --> 00:14:28,866
UH, EXCUSE ME.
283
00:14:28,935 --> 00:14:32,248
I-I I'M ON THE LIST. I AM
THE DIRECTOR OF THE FILM.
284
00:14:32,272 --> 00:14:34,917
- YOU'RE THE DIRECTOR
OF THE FILM?
- YES, THE DIRECTOR.
285
00:14:34,941 --> 00:14:38,187
WHAT MIGHT YOUR NAME BE,
SIR? MY NAME IS ALAN SMITHY.
286
00:14:38,211 --> 00:14:41,046
[Babbling] ALAN SMITHY... YOU'RE
THE DIRECTOR OF THE FILM.
287
00:14:41,114 --> 00:14:43,092
WITH A "Y." WITH A "Y"?
288
00:14:43,116 --> 00:14:45,428
YES. JUST LIKE, UH, SPIKE
LEE AND JOHN SINGLETON, HUH?
289
00:14:45,452 --> 00:14:47,385
YEAH, YEAH. JUST
LIKE MATTY RICH...
290
00:14:47,454 --> 00:14:52,723
A-A-AND M-M-MARIO VAN PEABO
BRYSON. YES. THAT'S RIGHT.
291
00:14:52,792 --> 00:14:56,032
NO, THAT'S WRONG, "ALFRED
HITCHBUTT." NOW LOOK.
292
00:14:56,062 --> 00:14:58,029
I KNOW YOU'RE A
CELEBRITY STALKER, MAN,
293
00:14:58,097 --> 00:15:00,076
'CAUSE YOU LOOK
LIKE YOU'RE OBSESSED.
294
00:15:00,100 --> 00:15:02,445
YOU LOOK LIKE YOU'RE INSANE. SOMETHING
IS WRONG. UH-HUH, INSANE. THAT'S RIGHT.
295
00:15:02,469 --> 00:15:04,446
EXCUSE ME. I... HEY, HEY,
MAN. I TOLD YOU, MAN.
296
00:15:04,470 --> 00:15:06,950
YOU NEED TO GO SEEK YOU
SOME PROFESSIONAL HELP, PSYCHO.
297
00:15:06,974 --> 00:15:09,908
PSYCHO, LIKE THE
MOVIE, HUH? [Screeching]
298
00:15:12,912 --> 00:15:15,558
HEY, HEY, HEY, HEY, HEY,
HEY, HEY. HEY, HEY, HEY.
299
00:15:15,582 --> 00:15:17,582
HEY, HEY. HEY.
300
00:15:25,859 --> 00:15:27,792
YES? COULD I HELP YOU?
301
00:15:27,861 --> 00:15:30,494
ANYWAY, LeVAR BURTON,
HOW CAN I HELP YOU?
302
00:15:30,563 --> 00:15:34,832
LENNY AND SQUIGGY, THIS IS
MY PREMIERE. DID THEY TELL YOU?
303
00:15:34,901 --> 00:15:36,880
OH, OH, AND WHO MIGHT YOU
BE? AND WHO MIGHT YOU BE?
304
00:15:36,904 --> 00:15:39,337
JOHNNY GILL. [Together]
OH, HE'S JOHNNY GILL.
305
00:15:40,974 --> 00:15:42,952
HE ACT LIKE... ACT
LIKE HE JOHNNY GILL.
306
00:15:42,976 --> 00:15:44,954
I AM THE REAL JOHNNY GILL.
LIKE HE... LIKE YOU... LIKE YOU...
307
00:15:44,978 --> 00:15:47,956
YOU KNOW MICHAEL BIVINS.
YOU DON'T KNOW MICHAEL BIVINS.
308
00:15:47,980 --> 00:15:50,660
OH, YOU JOHNNY GILL, SO YOU THE
ONE WHO SING "MY, MY, MY," HUH?
309
00:15:50,684 --> 00:15:52,729
ABSOLUTELY. THAT'S RIGHT.
YOU SING "MY, MY, MY"?
310
00:15:52,753 --> 00:15:54,731
[Babbling] HEY, MAN,
I'LL TELL YOU WHAT.
311
00:15:54,755 --> 00:15:57,455
YOU GOT THAT CD OUT, RIGHT,
CALLED A LONG WAY FROM HOME, RIGHT?
312
00:15:57,524 --> 00:15:59,491
[Babbling] YEAH, THAT'S ME.
313
00:16:01,227 --> 00:16:03,372
SEE, THAT'S WRONG. THE ONLY
THING YOU'RE A LONG WAY FROM...
314
00:16:03,396 --> 00:16:06,397
IS BEING JOHNNY GILL, 'CAUSE JOHNNY
GILL IS GOOD LOOKING, HE'S SMART...
315
00:16:06,466 --> 00:16:09,812
AND HE GOT A "S" CURL, AND
YOU AIN'T EVEN CLOSE. YEAH, AND...
316
00:16:09,836 --> 00:16:12,404
OHHH...
317
00:16:12,472 --> 00:16:14,405
WAIT A MINUTE.
318
00:16:14,474 --> 00:16:17,008
AND... AND ON TOP OF THAT,
319
00:16:17,077 --> 00:16:20,945
HE-HE KNOW MICHAEL
BIVINS AND STACY LATTISAW.
320
00:16:21,014 --> 00:16:22,981
YOU KNOW WHAT?
321
00:16:23,049 --> 00:16:25,316
I THINK I DO KNOW YOU.
322
00:16:25,385 --> 00:16:27,618
I THINK I'VE SEEN YOU ON
THE WALL AT THE POST OFFICE.
323
00:16:27,687 --> 00:16:29,732
HEY, HEY, HEY,
HEY. LITTLE MAN...
324
00:16:29,756 --> 00:16:31,689
HI. I'M BURT REYNOLDS.
325
00:16:31,758 --> 00:16:35,493
ALL RIGHT, BURT, GO ON
THROUGH. A-A-A-A-AND...
326
00:16:35,561 --> 00:16:39,531
AND SAY HI TO LONI FOR
ME... IF-IF YOU CAN AFFORD IT.
327
00:16:39,599 --> 00:16:43,768
YO. NOW, COME ON NOW. IF THAT'S BURT
REYNOLDS, THEN I'M JAMES EARL JONES.
328
00:16:43,837 --> 00:16:45,937
[Stammering] YOU LOOK
LIKE DARTH VADER.
329
00:16:47,507 --> 00:16:49,707
MAN, GET OUT OF MY
WAY. HEY, HEY, HEY, HEY.
330
00:16:49,775 --> 00:16:52,788
HEY, I DONE TOLD YOU. DON'T
BE GETTING UP ON ME. [Babbling]
331
00:16:52,812 --> 00:16:55,124
WAIT A MINUTE. WHAT YOU
WANNA DO? YOU WANNA PUT 'EM UP?
332
00:16:55,148 --> 00:16:58,383
YEAH. THE ONLY MOVIE YOU
GONNA SEE IS... I DON'T JUST SING.
333
00:16:58,451 --> 00:17:01,185
I DON'T JUST SING. OH,
YOU DON'T JUST SING?
334
00:17:01,254 --> 00:17:03,187
COME ON. IT'S ON. IT'S ON.
335
00:17:03,256 --> 00:17:05,223
YOU SEE, YOU IN THE
LINE OF A... WHOOPIN'.
336
00:17:05,292 --> 00:17:07,725
JOHNNY! JOHNNY GILL. HELLO.
337
00:17:07,794 --> 00:17:09,727
HI. HOW ARE YOU?
FINE, THANK YOU.
338
00:17:09,796 --> 00:17:12,863
ALL THE STARS ARE OUT TONIGHT. ARE
YOU EXCITED ABOUT YOUR PREMIERE?
339
00:17:12,932 --> 00:17:15,867
DEFINITELY. THE ONLY THING IS, I'M
JUST TRYING TO GET INTO THE THEATER.
340
00:17:15,936 --> 00:17:18,448
WHY? IS THERE A PROBLEM? NO,
NO, NO, NO, NO. AIN'T NO PROBLEM.
341
00:17:18,472 --> 00:17:20,405
THESE TWO CLOWNS...
NO, NO, NO. THERE...
342
00:17:20,473 --> 00:17:22,840
THERE GO YOUR
PROBLEM, RIGHT THERE.
343
00:17:22,909 --> 00:17:25,843
LOOK AT HIM. THERE HE IS, YEAH.
344
00:17:25,912 --> 00:17:28,679
THAT... THAT'S CYPRESS
HILL, RIGHT THERE.
345
00:17:28,748 --> 00:17:31,115
HE LOOKS... HE LOOKS
EMPTY-HEADED ENOUGH.
346
00:17:31,184 --> 00:17:33,229
I'M SURE HE'S NOT REALLY A
PROBLEM TO EITHER OF YOU.
347
00:17:33,253 --> 00:17:35,297
I FIND THAT HARD TO BELIEVE.
YOU-YOU-YOU... YOU DON'T...
348
00:17:35,321 --> 00:17:37,255
YOU DON'T KNOW HIM.
I BEEN HOME WITH HIM.
349
00:17:37,323 --> 00:17:40,859
BOY GOT SO MANY... HOUSE SO DUSTY,
THE ROACHES RIDE AROUND IN DUNE BUGGIES.
350
00:17:42,596 --> 00:17:44,962
[Woman] ALL RIGHT, WE'LL BE
SURE AND STAY FAR AWAY FROM HIM.
351
00:17:45,031 --> 00:17:47,376
LET'S GO INSIDE, WHERE THE
STAR-STUDDED CROWD AWAITS,
352
00:17:47,400 --> 00:17:50,201
AN ENTERTAINMENT
TONIGHT EXCLUSIVE.
353
00:17:50,270 --> 00:17:53,304
JOHN... JOHNNY... [Stuttering]
354
00:17:53,373 --> 00:17:55,373
COME HERE.
355
00:17:55,441 --> 00:17:57,441
WHY DON'T YOU DO
SOMETHING WITH YOURSELF,
356
00:17:57,510 --> 00:18:00,644
LIKE... MAYBE WIPE THE
DIRT FROM YOUR NECK?
357
00:18:03,082 --> 00:18:06,484
YOU... YOU KNOW THAT'S ENTERTAINMENT
TONIGHT IN THERE. THAT'S RIGHT.
358
00:18:09,856 --> 00:18:13,658
MAN, YOU AIN'T GOT
TO BE PUSHING ME, MAN.
359
00:18:13,727 --> 00:18:15,827
UH... UH...
360
00:18:15,896 --> 00:18:17,996
I JUST SEEN CUBA
GOODING, JR., IN THERE.
361
00:18:18,065 --> 00:18:20,176
IS THAT RIGHT? WAS
HE OVERACTING?
362
00:18:20,200 --> 00:18:22,400
NO, BUT HE WAS WITH THEM
WHITE BOYS FROM THE MOVIE.
363
00:18:22,469 --> 00:18:25,503
IS THAT RIGHT? YEAH,
EXACTLY. I LOVES JOHNNY GILL.
364
00:18:25,571 --> 00:18:27,504
♪ MY, MY, MY ♪
365
00:18:34,480 --> 00:18:36,458
ALL RIGHT, ALL RIGHT,
ALL RIGHT. I'M TWIST.
366
00:18:36,482 --> 00:18:38,415
TONIGHT WE HAVE EPIC
RECORDING ARTIST PATRA,
367
00:18:38,484 --> 00:18:42,253
FEATURING LYN COLLINS
SINGING "THINK" IN THE HOUSE.
368
00:18:42,322 --> 00:18:44,689
♪♪ [R & B]
369
00:18:47,194 --> 00:18:49,861
♪ YOU AND YOU TOO YOU GUYS
KNOW WHO I'M TALKING TO ♪
370
00:18:49,929 --> 00:18:53,175
♪ THOSE OF YOU WHO GO OUT AND STAY
OUT ALL NIGHT AND HALF THE NEXT DAY ♪
371
00:18:53,199 --> 00:18:55,177
♪ AND EXPECT US TO BE
HOME WHEN YOU GET THERE ♪
372
00:18:55,201 --> 00:18:57,135
♪ BUT THAT WAS BACK IN
THE DAY SWEET THING ♪
373
00:18:57,203 --> 00:19:00,137
♪ IT'S THE '90s YOU KNOW
WHAT I'M SCREAMIN' ♪
374
00:19:00,206 --> 00:19:02,184
♪ COMIN' AT YOU IS THE DANCE
HALL QUEEN PATRA TO TELL YOU ♪
375
00:19:02,208 --> 00:19:04,186
♪ THAT YOU AIN'T
DOIN' NOTHIN' FOR US ♪
376
00:19:04,210 --> 00:19:06,189
♪ THAT WE CAN'T BETTER
DO FOR OURSELVES ♪
377
00:19:06,213 --> 00:19:09,647
♪ SO FROM NOW ON WE'RE
GONNA USE WHAT WE'VE GOT ♪
378
00:19:09,716 --> 00:19:12,450
♪ TO GET WHAT WE WANT SO ♪
379
00:19:12,519 --> 00:19:14,452
WATCH THIS.
380
00:19:14,521 --> 00:19:17,488
[Together] ♪ YOU BETTER THINK ♪
381
00:19:17,557 --> 00:19:19,490
♪ THINK ♪
382
00:19:19,559 --> 00:19:22,260
♪ THERE WAS A TIME
WHEN WE HAD RESPECT ♪
383
00:19:22,328 --> 00:19:24,662
♪ THERE WAS A TIME
WHEN WE HAD RESPECT ♪
384
00:19:24,730 --> 00:19:28,332
♪ THAT'S THE THING I
NEVER WILL FORGET ♪
385
00:19:28,401 --> 00:19:30,835
♪ BUT, BABY I'VE
GOT A LIFE TO LIVE ♪
386
00:19:30,904 --> 00:19:35,106
♪ AND A WHOLE LOT OF LOVE
THAT I WANT TO GIVE YEAH ♪
387
00:19:35,175 --> 00:19:37,441
♪ YEAH ♪
388
00:19:37,510 --> 00:19:39,810
♪ BUT BEFORE I GIVE IT UP ♪
389
00:19:39,879 --> 00:19:42,146
♪ I GOTTA THINK ♪
390
00:19:42,215 --> 00:19:44,148
♪ THINK ♪
391
00:19:44,216 --> 00:19:47,018
[Indistinct]
392
00:19:47,086 --> 00:19:49,186
♪ FUTURE HOLDS FOR ME ♪
393
00:19:49,255 --> 00:19:51,655
♪ IT'S TOO FAR THERE TO SEE ♪
394
00:19:51,725 --> 00:19:53,657
♪ I DON'T NEED NO HEARTACHE ♪
395
00:19:53,727 --> 00:19:55,860
♪ I CAN'T STAND NO MISERY ♪
396
00:19:55,929 --> 00:19:58,396
♪ LET ME THINK ♪
397
00:19:58,464 --> 00:20:01,465
♪ THINK ♪
398
00:20:01,534 --> 00:20:03,468
[Indistinct]
399
00:20:10,343 --> 00:20:13,044
♪ IT TAKES TWO TO
MAKE A THING GO RIGHT ♪
400
00:20:13,113 --> 00:20:15,046
♪ YOU KNOW WHAT I MEAN ♪
401
00:20:15,115 --> 00:20:18,149
♪ IT TAKES TWO TO MAKE
IT OUT OF SIGHT ♪ WHOO!
402
00:20:18,218 --> 00:20:21,719
♪ WATCH THIS WATCH OUT ♪
403
00:20:23,289 --> 00:20:25,456
♪ HEY YEAH ♪
404
00:20:25,525 --> 00:20:28,526
♪ OH YEAH, YEAH, YEAH ♪
♪ LISTEN HERE ♪
405
00:20:28,594 --> 00:20:31,395
♪ YEAH, YEAH, YEAH, YEAH ♪
406
00:20:31,464 --> 00:20:33,898
[Indistinct]
407
00:20:33,966 --> 00:20:35,900
♪ SKIN KEEPS SOFT
WITH BABY LOTION ♪
408
00:20:35,969 --> 00:20:38,102
[Indistinct]
409
00:20:49,816 --> 00:20:51,749
♪ LIFE IS NO COMPETITION ♪
410
00:20:51,818 --> 00:20:54,052
[Indistinct]
411
00:20:54,120 --> 00:20:56,520
♪ IF IT'S NOT IN YOUR VISION ♪
412
00:20:58,491 --> 00:21:00,991
♪ DON'T MAKE NO DECISION ♪
413
00:21:01,060 --> 00:21:02,993
♪ ALL RIGHT ♪
♪ YEAH ♪
414
00:21:04,964 --> 00:21:07,484
♪ WATCH OUT ROOM FOR
RENT SO PATRA APPLY WITHIN ♪
415
00:21:07,534 --> 00:21:09,533
[Indistinct]
416
00:21:12,372 --> 00:21:15,072
♪ THE MEN START TO
SING MAYBE AND DREAMIN' ♪
417
00:21:18,778 --> 00:21:21,879
♪ SO I'M LAYING MY
CARDS ON THE TABLE ♪
418
00:21:21,948 --> 00:21:24,415
♪ LAYING MY CARDS ON THE TABLE ♪
419
00:21:24,483 --> 00:21:27,985
♪ WHEN IT COMES TO TAKING
CARE OF ME I KNOW I'M ABLE ♪
420
00:21:28,054 --> 00:21:31,022
♪ I KNOW I'M ABLE ♪
♪ YOU MAY NOT CALL IT TRUE ♪
421
00:21:32,926 --> 00:21:36,827
♪ BUT I WON'T DO NOTHIN'
THAT YOU WON'T DO ♪
422
00:21:36,896 --> 00:21:39,964
♪ SAID I WON'T DO NOTHIN' ♪
♪ SAID I WON'T DO NOTHIN' ♪
423
00:21:40,033 --> 00:21:42,567
♪ THAT YOU WON'T DO ♪
♪ THAT YOU WON'T DO ♪
424
00:21:42,636 --> 00:21:45,236
♪ SO THINK ABOUT
THE RIGHT THING ♪
425
00:21:45,305 --> 00:21:47,872
♪ COME ON NOW ♪
♪ COME ON AND THINK ♪
426
00:21:47,940 --> 00:21:49,818
♪ THINK, THINK, THINK ♪
♪ ABOUT THE GOOD THINGS ♪
427
00:21:49,842 --> 00:21:52,410
♪ COME ON NOW ♪
♪ COME ON AND THINK ♪
428
00:21:52,478 --> 00:21:56,447
♪ COME ON ♪ ♪ ABOUT
ROMANCIN' COME ON AND THINK ♪♪
33149
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