All language subtitles for In Living Color S05E10 Wile E Coyote on Trial.DVDRip.NonHI.cc.en.20FOX

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,803 --> 00:00:05,782 THIS IS DEBBIE WOODRUFF COMING TO YOU LIVE FROM THE CORNER OF ANDERSON AND WILDER, 2 00:00:05,806 --> 00:00:08,184 WHERE JUST MOMENTS AGO A FIRE HAS ERUPTED, 3 00:00:08,208 --> 00:00:11,410 LEAVING THREE DEAD AND POSSIBLY TWO OTHERS WOUNDED. 4 00:00:11,478 --> 00:00:15,247 I HAVE WITH ME OFFICER DOUGLAS DANFORTH OF PRECINCT 26. 5 00:00:15,316 --> 00:00:18,116 OFFICER DANFORTH? UH, YES, DEBBIE. 6 00:00:18,185 --> 00:00:22,520 OFFICER, EARLY REPORTS HAVE INDICATED THAT THESE DEATHS ARE ORGANIZED CRIME-RELATED. 7 00:00:22,589 --> 00:00:25,390 CAN YOU CONFIRM THIS? IT WOULD CERTAINLY SEEM SO, DEBBIE. 8 00:00:25,459 --> 00:00:29,328 THE VICTIMS WERE ALL KNOWN TO BE AFFILIATED WITH THE PERIGI CRIME FAMILY. 9 00:00:29,396 --> 00:00:32,230 AS YOU KNOW, THE FAMILY HAS BEEN TORN BY A BLOODY POWER STRUGGLE... 10 00:00:32,299 --> 00:00:36,368 SINCE LAST MONTH'S DEATH OF THE REPUTED GODFATHER ROBERTO PERIGI. 11 00:00:36,437 --> 00:00:40,405 SO DO YOU HAVE POSITIVE IDENTIFICATIONS ON THESE VICTIMS? 12 00:00:40,474 --> 00:00:42,807 WE WON'T BE POSITIVE UNTIL WE CAN CHECK FOR DENTAL RECORDS. 13 00:00:42,876 --> 00:00:44,854 BUT THESE MEN WERE WELL KNOWN AROUND THE NEIGHBORHOOD... 14 00:00:44,878 --> 00:00:47,879 AS WELL AS THE FAMILY IN QUESTION. 15 00:00:47,948 --> 00:00:50,793 BUT JUST TONIGHT, I'VE BEEN SPEAKING WITH SOME LOCAL RESIDENTS, 16 00:00:50,817 --> 00:00:54,019 AND THEY SEEM VERY RELUCTANT TO SAY ANYTHING ABOUT THESE MEN. 17 00:00:54,088 --> 00:00:56,132 IS THAT FOR FEAR OF REPRISALS? 18 00:00:56,156 --> 00:00:58,276 I'M GONNA HAVE TO SAY PARTIALLY. DESPITE ITS TROUBLES, 19 00:00:58,325 --> 00:01:00,525 THE PERIGI FAMILY REMAINS A FORCE IN THIS COMMUNITY. 20 00:01:00,594 --> 00:01:03,828 CERTAINLY, NOBODY WANTS TO GO ON RECORD IDENTIFYING THESE MEN AS CRIMINALS. 21 00:01:03,897 --> 00:01:06,398 BUT YOU ALSO HAVE TO REALIZE THAT THE COMMUNITY... 22 00:01:06,467 --> 00:01:10,602 THESE MEN ARE COMMANDED. THEY GOT RESPECT FROM THE COMMUNITY. 23 00:01:10,670 --> 00:01:13,638 BUT THAT MONEY... DOES THAT COME AT A PRICE? 24 00:01:13,707 --> 00:01:16,908 UH, THEY'RE FAMILY MEN, AND ABSOLUTELY, IT DOES COME AT A PRICE. 25 00:01:16,977 --> 00:01:19,444 WE'RE TALKIN' BUSINESS LOANS AT UP TO 50% INTEREST. 26 00:01:19,513 --> 00:01:21,746 AND, BELIEVE ME, IF YOU DIDN'T PAY ON TIME, 27 00:01:21,815 --> 00:01:24,749 YOU WON'T BE, UH, VERY LUCKY. 28 00:01:24,818 --> 00:01:26,818 I SEE. UH, DO YOU HAVE ANY LEADS... 29 00:01:26,887 --> 00:01:29,254 ON WHO MIGHT WANT THESE MEN DEAD? 30 00:01:29,323 --> 00:01:32,223 RIGHT NOW, OUR BEST GUESS IS IT WAS AN INSIDE JOB, 31 00:01:32,292 --> 00:01:34,860 PERHAPS LINKED TO THE REPORTS THAT AN INTERNAL BATTLE... 32 00:01:38,599 --> 00:01:40,966 SO WAIT A SECOND. DO YOU SEE THESE DEATHS... 33 00:01:41,034 --> 00:01:44,536 AS THE END OF A BLOODY POWER STRUGGLE, OR JUST THE BEGINNING? 34 00:01:44,605 --> 00:01:48,674 UH, RIVAL ORGANIZATIONS MAY SEE THIS, UH, AS THEIR CHANCE... 35 00:01:48,742 --> 00:01:52,310 TO RID THEMSELVES OF THE PERIGI FAMILY ONCE AND FOR ALL. 36 00:01:52,379 --> 00:01:56,815 SO WHAT YOU'RE SAYING IS, THE COMMUNITY CAN REST EASY TONIGHT? 37 00:01:56,884 --> 00:01:58,984 UH, I WISH I KNEW, DEBBIE. IN THE MEANTIME, 38 00:01:59,052 --> 00:02:02,220 RESIDENTS OF THE COMMUNITY WILL SURELY FEEL INCREASED POLICE PRESENCE. 39 00:02:02,289 --> 00:02:04,267 WE'RE ON TOP OF THE MATTER, AND I'D LIKE TO STRESS... 40 00:02:04,291 --> 00:02:06,892 THAT NOBODY IN THIS COMMUNITY HAS ANYTHING TO FEAR. 41 00:02:06,961 --> 00:02:09,238 THANK YOU VERY MUCH, OFFICER DANFORTH. 42 00:02:09,262 --> 00:02:12,063 AGAIN, THREE ARE DEAD, TWO ARE WOUNDED, 43 00:02:12,132 --> 00:02:14,377 AND THE CULPRITS ARE STILL AT LARGE. 44 00:02:14,401 --> 00:02:17,681 FROM THE CORNER OF ANDERSON AND WILDER, THIS IS DEBBIE WOODRUFF. 45 00:02:17,705 --> 00:02:21,573 BACK TO YOU IN THE STUDIO. AND ONE MORE THING I MIGHT SAY. 46 00:02:21,642 --> 00:02:23,602 IF YOU CAN TUNE IN THIS EVENING... 47 00:02:23,644 --> 00:02:27,779 AND MAKE SURE IF YOU HAVE ANY NEWS OR ANY SPECULATION ON WHO THESE MEN MIGHT BE, 48 00:02:27,848 --> 00:02:30,994 PLEASE CALL OUR STUDIO AND LET US KNOW AS SOON AS POSSIBLE. 49 00:02:31,018 --> 00:02:33,752 THANK YOU VERY MUCH. BACK TO YOU, BOB. 50 00:02:36,456 --> 00:02:39,892 ♪ IN LIVING COLOR ♪ 51 00:02:39,960 --> 00:02:43,895 ♪ YOU CAN DO WHAT YOU WANNA DO ♪ 52 00:02:43,963 --> 00:02:47,165 ♪ IN LIVING COLOR ♪ 53 00:02:47,233 --> 00:02:51,903 ♪ IN LIVING COLOR ♪ ♪ YOU CAN DO WHAT YOU WANNA DO ♪ 54 00:02:51,971 --> 00:02:54,139 ♪ IN LIVING COLOR ♪ 55 00:02:55,208 --> 00:02:57,142 ♪ IN LIVING COLOR ♪ 56 00:02:57,211 --> 00:02:59,189 ♪ YOU CAN WALK ON THE MOON FLOAT LIKE A BALLOON ♪ 57 00:02:59,213 --> 00:03:01,257 ♪ YOU SEE, IT'S NEVER TOO LATE AND IT'S NEVER TOO SOON ♪ 58 00:03:01,281 --> 00:03:03,193 - ♪ TAKE IT FROM ME IT'S A'IGHT TO BE ♪ - HI-YAH! 59 00:03:03,217 --> 00:03:04,649 ♪ IN LIVING COLOR ♪ 60 00:03:04,718 --> 00:03:07,319 ♪ AND HOW WOULD YA... HOW WOULD YA... HOW WOULD YA F... ♪ 61 00:03:07,387 --> 00:03:09,365 ♪ HOW WOULD YOU FEEL KNOWING PREJUDICE WAS OBSOLETE ♪ 62 00:03:09,389 --> 00:03:11,557 ♪ AND ALL MANKIND DANCED TO THE EXACT BEAT ♪ 63 00:03:11,625 --> 00:03:15,093 ♪ AND AT NIGHT IT WAS SAFE TO WALK DOWN THE STREET ♪ 64 00:03:15,161 --> 00:03:18,629 ♪ YOU CAN DO WHAT YOU WANNA DO ♪ 65 00:03:18,698 --> 00:03:20,765 ♪ IN LIVING COLOR ♪ 66 00:03:21,835 --> 00:03:23,334 ♪ IN LIVING COLOR ♪ 67 00:03:23,403 --> 00:03:26,938 ♪ YOU CAN DO WHAT YOU WAN... WAN... ♪ ♪ IN LIVING COLOR ♪ 68 00:03:27,006 --> 00:03:31,276 ♪ YOU CAN DO WHAT YOU WAN... WAN... WAN... ♪ ♪ IN LIVING COLOR ♪ 69 00:03:31,344 --> 00:03:36,047 ♪ YOU CAN DO WHAT YOU WAN... WAN... ♪ ♪ IN LIVING COLOR ♪ 70 00:03:36,116 --> 00:03:40,052 ♪ YOU CAN DO WHAT YOU WAN... WAN... WAN... ♪ ♪ IN LIVING COLOR ♪ 71 00:03:40,120 --> 00:03:42,053 ♪ IN LIVING COLOR ♪♪ 72 00:03:48,595 --> 00:03:51,441 THIS HEARING IS CALLED TO ORDER. WE HAVE CALLED TOGETHER THIS COMMITTEE... 73 00:03:51,465 --> 00:03:54,967 TO INVESTIGATE VIOLENCE ON TELEVISION AND ITS EFFECTS ON YOUNG PEOPLE. 74 00:03:55,035 --> 00:03:56,968 MISS RENO, YOU MAY BEGIN. 75 00:03:57,036 --> 00:03:59,915 WELL, I FEEL IT IS ONLY FITTING TO BEGIN WITH THE WORST OFFENDER. 76 00:03:59,939 --> 00:04:03,274 THAT'S WHY I HAVE SUBPOENAED MR. WILE E. COYOTE. 77 00:04:07,247 --> 00:04:11,415 YEAH. EXCUSE ME, BUT MY NAME IS NO LONGER WILE E. COYOTE, 78 00:04:11,484 --> 00:04:16,855 BUT WILL E. COYOTE, BECAUSE WILE E. IS A MUTT'S NAME, AND I AM NOT A DOG. 79 00:04:16,923 --> 00:04:19,491 I THINK THIS TRIAL IS A JOKE, AND I HAVE BEEN RAILROADED. 80 00:04:19,559 --> 00:04:24,229 MR. COYOTE, DO YOU KNOW WHY YOU'RE HERE? 81 00:04:24,297 --> 00:04:27,243 SOMETHIN' ABOUT, YOU KNOW, I DIDN'T PAY MY CHILD SUPPORT OR SOMETHIN' LIKE THAT. 82 00:04:27,267 --> 00:04:29,879 BUT, HEY, MAN, IT'S HARD FOR COYOTES. YOU KNOW WHAT I'M SAYIN', MAN? 83 00:04:29,903 --> 00:04:33,838 - WITH THIS WHOLE JURASSIC PARK... - THEY DIDN'T ASK ME TO DO A PART. 84 00:04:33,907 --> 00:04:36,340 THIS HAS NOTHING TO DO WITH CHILD SUPPORT. 85 00:04:36,410 --> 00:04:39,577 YOU ARE ACCUSED OF PORTRAYING IRRESPONSIBLE VIOLENCE ON TELEVISION. 86 00:04:39,646 --> 00:04:42,525 MAN, YOU KNOW WHAT? WHY YOU COMIN' DOWN ON A WORKIN' DOG LIKE ME? 87 00:04:42,549 --> 00:04:45,829 YOU KNOW WHAT I'M SAYIN'? I MEAN, YOU KNOW, I JUST DON'T UNDERSTAND YOU. 88 00:04:45,886 --> 00:04:47,281 I GO TO THE MALL. I HAVE TO DEAL WITH ALL THESE 89 00:04:47,305 --> 00:04:48,664 LITTLE KIDS AND ALL THIS OTHER KIND OF STUFF. 90 00:04:48,688 --> 00:04:51,690 I AIN'T EVEN GOT NO GENITALS. YOU KNOW HOW HARD IS IT ON ME? 91 00:04:54,728 --> 00:04:59,363 MR. COYOTE, DO YOU HAVE ANY LEGAL REPRESENTATION? 92 00:04:59,432 --> 00:05:02,467 - WELL, I CERTAINLY HAVE. - IS COUNSEL PRESENT? 93 00:05:02,536 --> 00:05:04,569 HE SURE IS. 94 00:05:10,109 --> 00:05:13,578 - STATE YOUR NAME FOR THE RECORD. - MY NAME IS ELMER J. FUDD. 95 00:05:13,647 --> 00:05:17,582 I'M A WARRIOR AND A BIG GAME HUNTER. YEAH, HE GOT SKILLS. 96 00:05:17,651 --> 00:05:20,263 HE'S STILL TRYIN' TO GET THAT HOOKED ON PHONICS CLASS GOIN' ON. 97 00:05:20,287 --> 00:05:22,743 I WOULD LIKE TO SUBMIT THAT MY "QUIENT" HAS 98 00:05:22,767 --> 00:05:25,190 NEVER EVER SET A BAD EXAMPLE FOR CHILDREN. 99 00:05:25,259 --> 00:05:27,192 MY QUIENT "WOVES" CHILDREN. 100 00:05:27,261 --> 00:05:29,439 THAT'S WHAT I'M SAYIN'. YOU KNOW, 'CAUSE LIKE, UH, 101 00:05:29,463 --> 00:05:31,774 I USED TO HAVE MY OWN LITTLE THEME PARK, YOU KNOW, 102 00:05:31,798 --> 00:05:34,232 WITH, LIKE, A LITTLE FERRIS WHEEL AND EVERYTHING. 103 00:05:34,301 --> 00:05:36,579 THEN SOMEBODY INVESTIGATED SOMETHIN' ABOUT, YOU KNOW, 104 00:05:36,603 --> 00:05:38,581 I HAD MOLESTED A CHILD OR SOMETHIN' LIKE THAT. 105 00:05:38,605 --> 00:05:41,038 BUT, YOU KNOW... HE ONLY SNIFFED HIM. 106 00:05:41,107 --> 00:05:43,319 THAT'S EXACTLY RIGHT. YOU KNOW, WE JUST SLEPT TOGETHER. 107 00:05:43,343 --> 00:05:45,321 NOTHIN' EVER HAPPENED. YOU KNOW WHAT I'M SAYIN'? 108 00:05:45,345 --> 00:05:46,197 NOTHIN' EVER HAPPENED. WE WERE JUST 109 00:05:46,221 --> 00:05:47,323 SLEEPIN' TOGETHER. YOU KNOW WHAT I'M SAYIN'? 110 00:05:47,347 --> 00:05:50,126 MR. COYOTE... MR... MR. COYOTE! 111 00:05:50,150 --> 00:05:53,685 HE HAD SOME HONEY ON HIM. 112 00:05:53,753 --> 00:05:56,587 MR. COYOTE, YOU'VE INFLUENCED MILLIONS OF KIDS. 113 00:05:56,656 --> 00:05:59,991 HOW DO YOU ACCOUNT FOR THE 14-YEAR-OLD BOY WHO HELD UP THIS SIGN... 114 00:06:00,059 --> 00:06:02,527 RIGHT BEFORE JUMPING OFF THE EDGE OF THE GRAND CANYON? 115 00:06:02,595 --> 00:06:05,497 YOU'RE GONNA BLAME THAT ON ME, HUH? 116 00:06:05,566 --> 00:06:07,810 YOU'RE GONNA BLAME THAT ON... LET ME TELL... LET ME TELL YOU SOMETHIN', MAN. 117 00:06:07,834 --> 00:06:09,149 THAT'S SOME OLD-SCHOOL STUFF. WE DON'T EVEN 118 00:06:09,173 --> 00:06:10,480 DO THAT NO MORE. YOU KNOW WHAT I'M SAYIN'? 119 00:06:10,504 --> 00:06:12,582 LOOK, I'M JUST A K-9 TRYIN' TO GET PAID. 120 00:06:12,606 --> 00:06:14,539 SHH! 121 00:06:14,608 --> 00:06:18,577 BE VERY, VERY QUIET. YOU MIGHT "INQUIMINATE" YOURSELF. 122 00:06:21,248 --> 00:06:23,271 SENATOR, CHILDREN EVERYWHERE ARE EVEN 123 00:06:23,295 --> 00:06:25,784 SWALLOWING ACCORDIONS BECAUSE OF THIS COYOTE. 124 00:06:25,852 --> 00:06:27,831 AW, THAT'S A LIE. 125 00:06:27,855 --> 00:06:32,290 I AIN'T NEVER SWALLOWED AN ACCORDION IN MY ENTIRE LIFE. 126 00:06:32,359 --> 00:06:34,692 ♪♪ 127 00:06:34,761 --> 00:06:37,028 Y'ALL JUST SINGLIN' ME OUT 'CAUSE I'M A BROTHER. 128 00:06:37,097 --> 00:06:39,976 - ARE YOU INSINUATING RACIAL BIAS HERE? - THAT'S WHAT I'M SAYIN'. 129 00:06:40,000 --> 00:06:42,612 'CAUSE AIN'T NO OTHER 'TOONS OUT THERE BUT DAFFY DUCK, HECKLE AND JECKLE. 130 00:06:42,636 --> 00:06:45,815 HEY, WHERE'S THAT HONKY CASPER THE FRIENDLY GHOST? YOU KNOW WHAT I'M SAYIN'? 131 00:06:45,839 --> 00:06:49,006 - WHERE'S BLUEBERRY HOUND AND HIS BLUE ASS? - YOU'RE OUT OF ORDER! 132 00:06:49,075 --> 00:06:51,476 I'M OUT OF ORDER? YOU'RE OUT OF ORDER! 133 00:06:51,545 --> 00:06:55,614 SHE'S OUT OF ORDER! THE WHOLE DAMN "TWIAL" IS OUT OF ORDER! 134 00:06:58,885 --> 00:07:01,219 THAT'S ABOUT ENOUGH, COUNSELOR FUDD. 135 00:07:01,288 --> 00:07:03,499 NOW, DO YOU HAVE ANYTHING TO SAY ON YOUR CLIENT'S BEHALF? 136 00:07:03,523 --> 00:07:07,759 SENATORS, I SUBMIT TO YOU, MY QUIENT IS GUILTY OF NO "WONGDOING," 137 00:07:07,828 --> 00:07:11,329 BUT IN "ACTUWOWITY," IT IS THE FAULT OF THE ACME COMPANY... 138 00:07:11,398 --> 00:07:13,376 WHERE HE GETS HIS "SUPPWIES." 139 00:07:13,400 --> 00:07:15,778 YEAH, YOU TELL 'EM, ELMER. TAKE, FOR EXAMPLE, THIS BIRD SEED. 140 00:07:15,802 --> 00:07:17,903 NOW, LOOK. MR. BOBO WOULD HAVE IT... 141 00:07:17,971 --> 00:07:21,305 WHERE, UH, IF A ROADRUNNER WOULD EAT THIS BIRD SEED, HE'D BE FINE. 142 00:07:21,374 --> 00:07:23,307 BUT IF I'M CHASIN' A ROADRUNNER ALL DAY, 143 00:07:23,376 --> 00:07:25,788 AND THEN I EAT A LITTLE BIRD SEED, LOOK AT THIS. 144 00:07:25,812 --> 00:07:28,613 LOOK WHAT HAPPENS TO ME. 145 00:07:30,951 --> 00:07:35,754 MR. COYOTE, SENATORS, THESE ARE EARTHQUAKE PILLS. 146 00:07:35,822 --> 00:07:39,191 THAT'S EXACTLY MY POINT. IT'S "MISWABELED." 147 00:07:39,259 --> 00:07:41,926 AND TAKE A "WOOK" AT THIS "UMBWELLA." 148 00:07:41,995 --> 00:07:45,630 IT'S VERY, VERY "FWIMSY." 149 00:07:45,699 --> 00:07:49,000 YEAH. NOW, THIS IS SUPPOSED TO PROTECT MY HAIR FROM FALLIN' OBJECTS. 150 00:07:49,068 --> 00:07:52,904 MR. COYOTE, YOU CAN PUT THAT AWAY. NOTHING'S GONNA FALL ON YOUR HEAD HERE. 151 00:07:52,972 --> 00:07:55,517 WELL, YOU NEVER KNOW WHEN SOMETHIN' MIGHT FALL ON YOUR HEAD, BECAUSE... 152 00:07:55,541 --> 00:07:57,742 WHOOP! THERE IT IS! 153 00:07:59,880 --> 00:08:02,347 SEE, ALL I GET IS CHUCKLES. THAT'S ALL I GET IS CHUCKLES. 154 00:08:02,415 --> 00:08:05,561 YOU KNOW, I'M TIRED OF THIS, MAN. THEY'RE JUST CHUCKLIN' AND LAUGHIN' AT ME, MAN. 155 00:08:05,585 --> 00:08:07,897 I JUST WANT SOME RESPECT. I DON'T WANT NO MONEY, NO CHANGE, YOU KNOW. 156 00:08:07,921 --> 00:08:11,622 I JUST WANT A TAIL FOR MY A... YOU'RE OUT OF ORDER! 157 00:08:11,691 --> 00:08:13,891 GENTLEMEN, I FIND IT HARD TO BELIEVE... 158 00:08:13,960 --> 00:08:16,994 THAT THESE LOVELY ACME PRODUCTS ARE AT FAULT. 159 00:08:17,063 --> 00:08:19,764 I MEAN, IF WHAT YOU SAY IS TRUE, I CAN SIMPLY COME HERE... 160 00:08:19,832 --> 00:08:24,101 AND PRESS DOWN ON THIS HARMLESS DETONATOR WITH NO BATTERY AND NO DYNAMITE AND... 161 00:08:24,170 --> 00:08:26,170 NO! NO! 162 00:08:28,875 --> 00:08:30,975 I TOLD YOU. 163 00:08:39,786 --> 00:08:42,186 ♪♪ 164 00:08:47,394 --> 00:08:50,428 YOU ARE STRONG. YOU ARE BEAUTIFUL. YOU ARE PERFECT. 165 00:08:50,496 --> 00:08:53,898 WELCOME ONCE AGAIN TO THE SHOW BY, FOR AND ABOUT WOMEN... 166 00:08:53,967 --> 00:08:55,900 GO ON, GIRL! 167 00:08:55,969 --> 00:08:58,529 ALL RIGHT. I'M YOUR HOST, SHAWANDA HARVEY. 168 00:08:58,571 --> 00:09:01,239 MANY OF YOU HAVE READ MY BOOK EVE STANDS ALONE, 169 00:09:01,308 --> 00:09:03,419 IN WHICH I CELEBRATE THE INDEPENDENCE OF WOMEN. 170 00:09:03,443 --> 00:09:08,813 I GO ONE STEP FURTHER WITH MY NEW BOOK, ADAM, TAKE BACK YOUR DAMN RIB. 171 00:09:08,881 --> 00:09:13,318 ALL RIGHT. OUR TOPIC FOR TODAY'S SHOW IS THE ALWAYS CONTROVERSIAL MADONNA. 172 00:09:13,386 --> 00:09:15,540 IS SHE HELPIN' TO EMPOWER WOMEN, OR IS SHE 173 00:09:15,564 --> 00:09:18,156 ALLOWING HERSELF TO BE EXPLOITED IN A MAN'S WORLD? 174 00:09:18,224 --> 00:09:22,293 PLEASE WELCOME MY GUESTS. TO MY RIGHT IS SANDRA BERNHARD. 175 00:09:22,362 --> 00:09:24,340 ALL RIGHT. SANDRA, 176 00:09:24,364 --> 00:09:26,743 YOU ARE STRONG, YOU ARE BEAUTIFUL, YOU ARE PERFECT. 177 00:09:26,767 --> 00:09:31,469 OH, DON'T I KNOW IT, SISTER? I AM FABULOUS. 178 00:09:31,538 --> 00:09:34,739 AND TO MY LEFT IS ROSIE O'DONNELL. 179 00:09:34,807 --> 00:09:39,844 ROSIE. YOU ARE STRONG, YOU ARE STRONG, YOU ARE STRONG. 180 00:09:39,913 --> 00:09:42,424 THANKS, SHAWANDA. YOU TOO, BABE. ALL RIGHT. 181 00:09:42,448 --> 00:09:45,883 WELL, UH... NOW, SISTERS, YOU BOTH KNOW MADONNA. 182 00:09:45,953 --> 00:09:48,753 MADONNA AND I USED TO BE GOOD "FRIENDS." 183 00:09:48,822 --> 00:09:51,856 BUT THEN SHE DUMPED ME AND DECIDED TO GO SLUMMING. 184 00:09:51,925 --> 00:09:54,024 WELL, UH, ROSIE, 185 00:09:54,093 --> 00:09:56,360 YOU AND MADONNA WERE IN THE MOVIE A LEAGUE OF THEIR OWN. 186 00:09:56,429 --> 00:09:58,597 NOW, THAT WAS A CELEBRATION OF THE EQUALITY OF WOMEN. 187 00:09:58,665 --> 00:10:01,199 YOU BET YOUR PERFECT LITTLE BOOBIES, HONEY. 188 00:10:01,268 --> 00:10:03,768 I THINK IT'S OBVIOUS MADONNA IS A PERFECT EXAMPLE... 189 00:10:03,836 --> 00:10:05,836 OF A WOMAN WHO HAS DONE IT HER WAY. 190 00:10:05,905 --> 00:10:08,072 BELIEVE ME, BABY, THE SLUT HAS DONE IT EVERY WAY. 191 00:10:08,141 --> 00:10:10,742 OKAY? I MEAN, SHE'S DONE IT WITH MEN, 192 00:10:10,810 --> 00:10:12,977 WITHOUT MEN, WITH WOMEN, WITHOUT WOMEN, 193 00:10:13,046 --> 00:10:15,024 WITH MEN WHO USED TO BE WOMEN, WITH GERMAN SHEPHERDS... 194 00:10:15,048 --> 00:10:17,026 OKAY, OKAY. 195 00:10:17,050 --> 00:10:18,965 THE POINT IS, SHE USED MEN WHEN IT SUITED 196 00:10:18,989 --> 00:10:21,118 HER AND TRASHED 'EM ANYTIME SHE FELT LIKE IT. 197 00:10:21,187 --> 00:10:23,154 WELL, TRASH IS THE OPERATIVE WORD HERE, OKAY? 198 00:10:23,223 --> 00:10:26,057 SHE IS TRASH THAT WILL NOT BURN, SISTER, OKAY? 199 00:10:26,125 --> 00:10:28,059 YOU'LL FIND OUT. WHEN SHE IS THROUGH WITH YOU, 200 00:10:28,127 --> 00:10:32,430 SHE'LL DUMP YOU LIKE A CHEVY CHASE TALK SHOW. 201 00:10:32,499 --> 00:10:34,910 LOOKS LIKE SOMEBODY TOOK A LITTLE BITTER PILL THIS MORNING. 202 00:10:34,934 --> 00:10:37,202 OH, TAKE THIS, ROTUNDA O'DONNELL. 203 00:10:37,270 --> 00:10:40,805 NO, NO, NO, NO, NO. PLEASE, SISTERS, SISTERS, SISTERS. 204 00:10:40,874 --> 00:10:43,108 LET'S TRY TO KEEP THIS FROM GETTING PERSONAL. 205 00:10:43,176 --> 00:10:46,311 NOW, IN THE SPIRIT OF SISTERHOOD, LET'S HEAR A "GO ON, GIRL." 206 00:10:46,380 --> 00:10:48,480 GO ON, GIRL. GO ON, GIRL. 207 00:10:48,548 --> 00:10:52,650 ALL RIGHT. WE'RE TALKIN' ABOUT MADONNA AS A ROLE MODEL FOR OTHER WOMEN. 208 00:10:52,719 --> 00:10:55,286 NOW, IT WOULD APPEAR TO ME AT TIMES THAT... 209 00:10:55,355 --> 00:10:58,789 SHE SEEMS TO ALLOW HERSELF TO BE SEXUALLY EXPLOITED BY MEN. 210 00:10:58,858 --> 00:11:00,836 I THINK YOU GOT THAT BACKWARDS. OH, GOD. 211 00:11:00,860 --> 00:11:04,028 SHE'S DONE IT BACKWARDS, SHE'S DONE IT FORWARDS, SHE'S DONE IT SIDEWAYS... 212 00:11:04,097 --> 00:11:07,732 YOU ARE STILL PISSED BECAUSE SHE DUMPED YOU FOR WARREN BEATTY, OKAY? 213 00:11:07,801 --> 00:11:11,135 PLEASE. I AM TWICE THE MAN WARREN BEATTY WILL EVER BE. 214 00:11:11,204 --> 00:11:13,704 MAYBE HE'S GOT SOMETHING YOU DON'T. 215 00:11:13,773 --> 00:11:17,374 THAT MAY BE, BIG GIRL. BUT IF I DON'T HAVE IT, I CAN RENT IT, SISTER. 216 00:11:17,443 --> 00:11:20,344 WELL, WELL, WELL. NOW, THERE SEEMS TO BE NO WAY... 217 00:11:20,413 --> 00:11:22,391 TO KEEP THIS DISCUSSION FROM GETTING PERSONAL. 218 00:11:22,415 --> 00:11:25,917 THE MESSAGE WOULD SEEM TO BE THAT IT IS GREAT FOR A WOMAN TO BE INDEPENDENT, 219 00:11:25,985 --> 00:11:28,920 BUT THERE'S A FINE LINE BETWEEN PUTTING MEN IN THEIR PLACE AND BEING A... 220 00:11:28,988 --> 00:11:32,624 WELL, YOU KNOW. I'M SHAWANDA HARVEY. GOOD-BYE, AND... 221 00:11:32,692 --> 00:11:34,470 GO ON, GIRL! GO ON, GIRL! 222 00:11:34,494 --> 00:11:36,795 ♪♪ 223 00:11:44,104 --> 00:11:48,572 HI, KIDS. I'M CANDY CANE, AND WELCOME TO THE SHOW. 224 00:11:48,641 --> 00:11:52,509 "RUB-A-DUB-DUB, THREE MEN IN A TUB, SPLASHING AND WASHING AWAY. 225 00:11:52,578 --> 00:11:55,046 "THE BUTCHER, THE BAKER, THE CANDLESTICK MAKER. 226 00:11:55,114 --> 00:11:57,915 WHY ARE ALL THE GOOD-LOOKING MEN GAY?" 227 00:11:59,585 --> 00:12:04,555 THAT'S A GEM. NOW, LET'S SEE IF OUR SPECIAL FRIEND HAS CALLED YET. 228 00:12:04,623 --> 00:12:07,959 YOU KNOW, I MET HIM AT SNOOKIE'S BAR, AND HE PROMISED. 229 00:12:08,027 --> 00:12:10,361 LET'S ASK MR. PHONE MACHINE. 230 00:12:10,429 --> 00:12:12,964 GIRL, NOW, YOU KNOW AIN'T NOBODY CALLED YOU. 231 00:12:15,068 --> 00:12:19,370 WELL, I GUESS THE WORD FOR TODAY IS "LIAR." 232 00:12:19,439 --> 00:12:22,340 L-I-A-R. LIAR. 233 00:12:22,408 --> 00:12:25,242 AND GUESS WHAT, KIDS? NOW IT'S TIME TO SAY HI... 234 00:12:25,311 --> 00:12:28,579 TO OUR OLD FRIEND, MR. CLOCK. 235 00:12:28,648 --> 00:12:30,848 HEY, YOU KNOW, JUST CLOCKIN' IT. 236 00:12:33,586 --> 00:12:36,487 HI, MR. CLOCK. WHAT'S UP? 237 00:12:36,556 --> 00:12:38,756 WHAT TIME IS IT? WHAT TIME IS IT? 238 00:12:38,825 --> 00:12:41,592 IT'S TIME FOR YOU TO HAVE SOME KIDS. 239 00:12:41,661 --> 00:12:43,895 YOU SEE, CHILDREN, HE'S A BIOLOGICAL CLOCK. 240 00:12:43,963 --> 00:12:46,542 THAT'S WHY HE SAYS ALL THOSE MEAN THINGS. YEAH, CANDY. 241 00:12:46,566 --> 00:12:50,835 AND YOU NEED TO HURRY UP, 'CAUSE YOU AIN'T GOT ENOUGH EGGS TO MAKE A TWO-EGG OMELET. 242 00:12:50,904 --> 00:12:53,104 SHUT UP, YOU LIAR. 243 00:12:53,172 --> 00:12:57,641 L-I-A-R. LIAR. NOW, TELL 'EM A LITTLE POEM BEFORE I BUY A SWATCH. 244 00:12:57,711 --> 00:13:01,278 NO PROBLEM. HICKORY DICKORY DOCK. THE MOUSE RAN UP THE CLOCK. 245 00:13:01,347 --> 00:13:04,716 THE CLOCK STRUCK EIGHT. YOU SAID YOUR PERIOD WAS LATE. 246 00:13:04,784 --> 00:13:08,452 THE NEXT DAY, HE MOVED TO THE NEXT STATE. HEY! 247 00:13:11,824 --> 00:13:16,160 AND ALL THE MICROSURGERY IN THE WORLD COULDN'T PUT HIM BACK TOGETHER AGAIN. 248 00:13:17,897 --> 00:13:21,532 WELL, KIDS, NOW IT'S THAT TIME TO BRING A PREHISTORIC CREATURE. 249 00:13:21,601 --> 00:13:24,034 OUR OLD FRIEND, JURASSIC BENNY. 250 00:13:24,104 --> 00:13:28,106 HI, CANDY CANE! HI, BENNY. DO YOU KNOW WHAT TIME IT IS? 251 00:13:28,174 --> 00:13:31,008 TIME FOR YOUR FLAT A... TO HAVE SOME KIDS. 252 00:13:33,212 --> 00:13:37,314 OH, LISTEN, BIG BEN. IF YOU DIDN'T SHOOT BLANKS, I WOULDN'T HAVE THIS PROBLEM. 253 00:13:37,383 --> 00:13:39,918 COME ON, EVERYBODY. LET'S DO THE BENNY DANCE! 254 00:13:39,986 --> 00:13:43,154 OKAY! 255 00:13:43,222 --> 00:13:46,424 FASTER. FASTER. FASTER! FASTER! 256 00:13:46,493 --> 00:13:48,526 FASTER! FASTER! FASTER! 257 00:13:48,595 --> 00:13:50,795 WAIT A SECOND, CANDY. 258 00:13:52,532 --> 00:13:55,444 WHAT? DON'T YOU KNOW WHAT TIME IT IS? 259 00:13:55,468 --> 00:13:57,701 IT'S TWO MINUTES TILL MENOPAUSE. 260 00:13:57,770 --> 00:14:00,304 YOU SHOULD KNOW ABOUT TWO MINUTES, MR. CLOCK. 261 00:14:01,841 --> 00:14:04,408 YOU KNOW SOMETHING, BENNY? 262 00:14:04,477 --> 00:14:06,510 I LOVE YOU. 263 00:14:06,579 --> 00:14:10,581 YEAH? I LOVE YOU. 264 00:14:10,650 --> 00:14:12,983 YEAH, WELL, I LOVE YOU TOO, CANDY, 265 00:14:13,052 --> 00:14:15,319 BUT I'M NOT IN LOVE WITH YOU. 266 00:14:17,457 --> 00:14:20,458 BUT YOU SAID YOU WERE GONNA LEAVE YOUR WIFE AND MARRY ME. 267 00:14:20,527 --> 00:14:23,827 OH, NO, I NEVER SAID THAT. YOU'RE A LIAR. 268 00:14:25,765 --> 00:14:31,001 WELL, YOU SING A DIFFERENT TUNE AFTER A SIX PACK AND A QUART OF PERSONAL LUBRICANT. 269 00:14:31,070 --> 00:14:33,282 YOU TWO-FACED, DOUBLE-CROSSING, SON OF A... WAIT A MINUTE. 270 00:14:33,306 --> 00:14:35,284 DOUBLE-CROSSIN' WHAT? WHAT YOU TALKIN' ABOUT? 271 00:14:35,308 --> 00:14:37,286 YOU KNOW I GOT A RESTRAINING ORDER AGAINST YOU. 272 00:14:37,310 --> 00:14:39,421 NOW, STOP TALKIN' ALL THIS TRASH, STOP CALLIN' MY HOUSE. 273 00:14:39,445 --> 00:14:41,624 AND I KNOW YOU WAS THE ONE THAT BOILED MY LITTLE GIRL'S RABBIT! 274 00:14:41,648 --> 00:14:44,360 AND YOU MESS WITH MY JAG ONE MORE TIME, I'M GONNA PUT MY PREHISTORIC FOOT... 275 00:14:44,384 --> 00:14:47,785 SO FAR UP YOUR BEHIND, YOU'RE GONNA BE COUGHIN' UP SHOELACES. 276 00:14:50,123 --> 00:14:53,290 YOU GET OUT OF HERE, AND YOU TAKE ALL YOUR CRAP WITH YOU, 277 00:14:53,359 --> 00:14:55,760 MR. I'LL MEET YOU AT THE ECONO LODGE! 278 00:14:55,829 --> 00:14:59,931 YOU CAN TAKE YOUR LUNCH BOX AND YOUR ALBUM! 279 00:15:00,000 --> 00:15:03,835 I DON'T NEED YOU! WHY DON'T YOU JUST HOLD HER, MAN? 280 00:15:03,903 --> 00:15:06,037 I AIN'T HOLDIN' THAT HO. 281 00:15:11,243 --> 00:15:15,379 LIARS! YOU'RE JUST BOTH LIARS AND USERS AND INSENSITIVE PIGS... 282 00:15:15,448 --> 00:15:18,716 AND HORNY, WORTHLESS BUNCH OF LOWLIFES! 283 00:15:18,785 --> 00:15:21,152 WELL, KIDS, I GUESS IT'S JUST US. 284 00:15:21,221 --> 00:15:23,388 BUT YOU'RE NOT EVEN MY REAL KIDS. 285 00:15:23,456 --> 00:15:27,024 I'LL NEVER HAVE KIDS. I'M DESTINED TO PICK CAT HAIR OUT OF MY LEAN CUISINE. 286 00:15:27,093 --> 00:15:30,061 JOIN US TOMORROW, BOYS AND GIRLS, 287 00:15:30,129 --> 00:15:33,664 FOR ANOTHER ADVENTURE IN CANDYLAND WITH CANDY CANE. 288 00:15:36,903 --> 00:15:39,204 ♪♪ 289 00:15:56,823 --> 00:16:00,425 ALICE, YOU ARE NEVER GONNA BELIEVE WHAT HAPPENED TO ME AT WORK TODAY. 290 00:16:00,493 --> 00:16:04,094 LET ME GUESS, RALPH. YOU STEPPED ON THE BACK OF A BUS AND IT POPPED A WHEELIE. 291 00:16:04,163 --> 00:16:07,532 OH, HONEY. HA-HA. YOU'RE A REGULAR RIOT. 292 00:16:07,600 --> 00:16:10,234 NO. LOOK AT THIS. TAKE A LOOK. 293 00:16:11,671 --> 00:16:13,804 EARL JOHNSON'S RETIRING? 294 00:16:13,873 --> 00:16:15,873 SO? SO? 295 00:16:15,941 --> 00:16:19,710 EARL JOHNSON'S A DISPATCHER. THAT MEANS THEY GOTTA GIVE ME HIS JOB. 296 00:16:19,779 --> 00:16:21,913 AN EXTRA EIGHT BUCKS A WEEK, ALICE. 297 00:16:21,982 --> 00:16:25,349 ON AN EXTRA EIGHT BUCKS A WEEK, WE ARE GONNA BE LIVIN' LARGE! 298 00:16:25,418 --> 00:16:28,419 YOU'VE BEEN LIVIN' LARGE SINCE BIRTH, RALPH. 299 00:16:28,487 --> 00:16:30,821 OH, THAT'S FUNNY, ALICE. YOU'RE REAL FUNNY. 300 00:16:30,890 --> 00:16:32,890 YOU'RE A REGULAR M.C. WISENHEIMER. 301 00:16:32,959 --> 00:16:36,894 NOW, LISTEN, MY BOSS IS COMIN' OVER HERE TONIGHT. SO, UH, WHAT'S FOR DINNER? 302 00:16:36,963 --> 00:16:40,464 - TV DINNERS. - TV DINNERS? TV DINNERS? 303 00:16:40,533 --> 00:16:43,053 YOU CAN'T SERVE THE HEAD OF A BUS COMPANY TV DINNERS! 304 00:16:43,102 --> 00:16:46,036 YOU'RE RIGHT, RALPH. I WON'T. 305 00:16:46,106 --> 00:16:50,241 ALICE, YOU BETTER CHECK YOURSELF BEFORE YOU WRECK YOURSELF! 306 00:16:51,578 --> 00:16:55,379 NICE WEAVE, ALICE. NOW, STEP. STEP! 307 00:17:02,488 --> 00:17:06,757 RALPHIE, MY BOY, YOU NEED TO FIND YOURSELF ANOTHER FREAK. 308 00:17:06,826 --> 00:17:08,804 BABY GOT BACK. WHAT CAN I TELL YOU? 309 00:17:08,828 --> 00:17:11,695 THE WITCH IS WHACK. SHE'S WHACK. 310 00:17:11,764 --> 00:17:14,064 NOW, UH... SO, WHAT UP, POOR SLICE? 311 00:17:14,134 --> 00:17:17,435 NORTON, YOU GOTTA HELP ME. MY BOSS IS COMIN' OVER HERE TONIGHT, 312 00:17:17,504 --> 00:17:20,771 AND HE'S BLACK, AND I DON'T KNOW THE FIRST THING ABOUT BEING HIP. 313 00:17:20,841 --> 00:17:23,519 I'M GONNA HOOK YA UP. THE FIRST THING YOU NEED TO KNOW IS, UH, 314 00:17:23,543 --> 00:17:27,045 THE HANDSHAKE, OR "DAP," AS THE BROTHERS CALL IT. 315 00:17:27,113 --> 00:17:29,647 HANDSHAKE. ALL RIGHT. HERE IT COMES. 316 00:17:29,715 --> 00:17:31,715 UH-HUH. 317 00:17:37,090 --> 00:17:40,591 WOULD YOU COME ON! I'M COMIN' AT YOU. ALL RIGHT, HERE WE GO. 318 00:17:40,659 --> 00:17:43,627 FAKE, DOWN, HUP, ONE. PULL IT AND STAB IT. 319 00:17:43,696 --> 00:17:45,730 OH, YEAH. 320 00:17:45,799 --> 00:17:47,865 GEEZ. THAT'S, UH... 321 00:17:47,934 --> 00:17:50,046 THAT'S A LOT OF WORK TO DO, NORTON, JUST TO SHAKE HANDS. 322 00:17:50,070 --> 00:17:52,214 I THINK I LOST ABOUT FOUR POUNDS THERE. 323 00:17:52,238 --> 00:17:54,706 LOOK AT IT THIS WAY, RALPH. GREET 10 PEOPLE A DAY, 324 00:17:54,774 --> 00:17:57,275 YOU'LL BE ABLE TO SEE YOUR TOES BY CHRISTMAS. 325 00:17:57,344 --> 00:17:59,744 I TELL YA. NOW, I ASSUME THAT HE'S YOUR BOSS... 326 00:17:59,813 --> 00:18:03,748 AND HE PROBABLY WENT TO ONE OF THEM, UH, BLACK COLLEGES. 327 00:18:03,817 --> 00:18:07,251 PROBABLY ONE OF THEM FRATERNITY BRATS. YEAH. 328 00:18:07,320 --> 00:18:10,321 SO I'M GONNA SHOW YOU SOME OF THEIR STEP MOVES. 329 00:18:10,390 --> 00:18:12,690 NOW, WATCH CLOSELY, RALPH. ALL RIGHT. WHOA! 330 00:18:12,759 --> 00:18:14,692 WATCH MY REMOTE, RALPH. OKAY. 331 00:18:14,761 --> 00:18:17,206 I'LL BUST A CAP IN YOUR A... BOOM! 332 00:18:17,230 --> 00:18:19,530 ♪♪ 333 00:18:21,634 --> 00:18:23,834 ME PHI ME! ME PHI ME! 334 00:18:23,903 --> 00:18:26,070 YOU PHI YOU! YOU PHI YOU! 335 00:18:28,774 --> 00:18:31,175 WOULD YOU GET OFF THE FURNITURE! 336 00:18:31,244 --> 00:18:33,878 ALL RIGHT, THAT'S HIM. 337 00:18:33,947 --> 00:18:35,925 WHAT AM I GONNA DO? WHAT AM I GONNA SAY? IT'S OKAY, RALPH. 338 00:18:35,949 --> 00:18:38,427 DON'T WORRY ABOUT IT. I GOT YOU COVERED. ALL RIGHT, ALL RIGHT. 339 00:18:38,451 --> 00:18:41,652 AH, MR. WILLIAMS. HEY, KRAMDEN. SORRY I'M LATE. 340 00:18:41,721 --> 00:18:43,765 I HAD TO COME ALL THE WAY ACROSS TOWN FROM THE SUBURBS. 341 00:18:43,789 --> 00:18:46,123 I, UH... 342 00:18:49,729 --> 00:18:51,596 ASSALAAMU ALAIKUM! 343 00:18:51,665 --> 00:18:54,132 WHAT? UH... 344 00:18:54,200 --> 00:18:57,079 WELL, UH, YOU DID GO TO COLLEGE, RIGHT, MR. WILLIAMS? 345 00:18:57,103 --> 00:18:59,136 WHAT ARE YOU GETTIN' AT, KRAMDEN? 346 00:18:59,205 --> 00:19:02,874 WELL, UH, WE JUST WANTED TO MAKE YOU FEEL AT HOME, IF YOU KNOW WHAT I MEAN. 347 00:19:02,943 --> 00:19:05,476 ♪♪ 348 00:19:07,547 --> 00:19:09,458 ME PHI ME! ME PHI ME! 349 00:19:09,482 --> 00:19:11,549 YOU PHI YOU! YOU PHI YOU! 350 00:19:16,356 --> 00:19:19,523 - HEY! - WHAT THE HELL IS WRONG WITH YOU, MAN? 351 00:19:19,592 --> 00:19:21,659 ♪♪ KRAMDEN, I'M INSULTED, MAN! 352 00:19:21,728 --> 00:19:24,139 WHAT IS ON YOUR MIND? THE DUDE IS BUGGIN, RALPH. HE'S BUGGIN'. 353 00:19:24,163 --> 00:19:27,598 WE THOUGHT THIS WAS THE KIND OF THING THAT WENT ON AT BLACK COLLEGES. 354 00:19:27,666 --> 00:19:30,067 AS A MATTER OF FACT, I WENT TO PRINCETON. 355 00:19:32,138 --> 00:19:34,738 JUST WHAT I THOUGHT, RALPH. HE'S AN OREO. 356 00:19:37,010 --> 00:19:39,210 PRINCETON. 357 00:19:39,279 --> 00:19:42,814 I DIDN'T KNOW. I HAD NO IDEA HOW IGNORANT YOU WERE. 358 00:19:42,882 --> 00:19:45,950 I GUESS I'M NOT GONNA GET THAT DISPATCHER JOB, HUH? 359 00:19:46,019 --> 00:19:48,819 WHAT, ARE YOU CRAZY? THE REASON I CAME ALL THE WAY OVER HERE TONIGHT... 360 00:19:48,854 --> 00:19:51,233 WAS TO ASK YOU TO SPEAK AT EARL JOHNSON'S RETIREMENT DINNER. 361 00:19:51,257 --> 00:19:55,693 HOMINA, HOMINA, HOMINA. HOMINA, HOMINA, HOMINA MY BONY ASS. 362 00:19:55,762 --> 00:19:59,130 YOU BLEW THIS ONE. YOU CAN'T EVEN GET THAT TOGETHER. HEY! 363 00:19:59,198 --> 00:20:02,733 HAVE A GOOD NIGHT, YOU AND VANILLA ICE. 364 00:20:10,410 --> 00:20:13,177 YOU FORGOT YOUR HAT, BRO. 365 00:20:13,246 --> 00:20:15,591 RALPH, I KNOW THIS MAY BE A BAD TIME, 366 00:20:15,615 --> 00:20:19,150 BUT IS THERE ANY MALT LIQUOR IN THE HOUSE? 367 00:20:19,219 --> 00:20:21,151 WOULD YOU GET OUT OF HERE! OKAY! 368 00:20:21,220 --> 00:20:24,155 THE NEXT TIME I SEE YA, 369 00:20:24,224 --> 00:20:26,157 YOU CAN NEW JACK SWING ON MY YOU KNOW WHAT! 370 00:20:26,226 --> 00:20:29,259 GET OUT OF HERE BEFORE I GET MY GAUGE! 371 00:20:32,332 --> 00:20:35,333 RALPH, I JUST SAW MR. WILLIAMS STORMING OUT OF HERE. WHAT HAPPENED? 372 00:20:35,401 --> 00:20:38,402 I'LL TELL YOU WHAT HAPPENED, ALICE. I GOT A BIG MOUTH! 373 00:20:38,470 --> 00:20:40,904 AMONGST OTHER THINGS. 374 00:20:40,973 --> 00:20:43,207 LOOK, ALICE, 375 00:20:43,276 --> 00:20:45,676 THE ONLY REASON I WANTED THAT PROMOTION IN THE FIRST PLACE... 376 00:20:45,744 --> 00:20:50,348 WAS SO I COULD BUY YOU A NEW PAIR OF TIMBERLAND BOOTS AND A RAIDERS JACKET. 377 00:20:50,416 --> 00:20:53,684 OH, THAT'S SO SWEET. OH, RALPH. 378 00:20:53,753 --> 00:20:56,153 YOU KNOW I'LL ALWAYS BE YOUR HOOTY MAC. 379 00:20:56,222 --> 00:20:59,056 BABY, YOU'RE THE DOPEST. 380 00:20:59,125 --> 00:21:01,425 ♪♪ 381 00:21:05,598 --> 00:21:07,931 THERE ARE SIX MILLION WAYS TO LAUGH. CHOOSE ONE. 382 00:21:08,000 --> 00:21:10,134 GOOD NIGHT! 383 00:21:10,203 --> 00:21:15,172 ♪♪ 384 00:21:53,779 --> 00:21:57,781 ♪♪ 385 00:22:16,703 --> 00:22:18,903 ♪♪ 31723

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