Original subtitles

Subtitles generated by - LustyCinema.li We are sins

Give my dead, give my dead to you

I said yes

But I couldn't see it right

I was in a hurry

See if the alarm goes off

Jose, get out

Salamão, you too

Why didn't you go on the tour?

I'm a woman leading a men's department

And not for that I will lose control

About what's below me

You are here

Because of your husband

I fired my brother-in-law to hire you,

but you proved to be infinitely superior to the idiot

with whom my sister married, so it was easy to obey the orders of the General.

Thank you very much.

But you moved, late reports, lack of old ego,

two reports contested in Brasília and now sleeping at work.

Do you have any explanation for such behavior?

Dr. Sully, I've been working at night.

Worked on what?

To release the film of Ignacio in the censorship.

If you don't do that, the film stops.

Worked on what, Mr. Vicente?

The cycle of lectures in Brasília.

The one that you determined that I participated by order of the general.

Do you remember?

I'm doing a semiotic analysis about a film.

What film?

The imprisoned virgin.

Orestes prohibited this communist propaganda.

The producer came in with a resource.

I suggested that the film be dubbed.

The same film, new lines and a new meaning.

But why waste time with this mess?

To prove the general's thesis.

Cinema is a crucial point of communist penetration.

The government needs to learn to use it

as a weapon against the communists.

Dr. Soli, I've worked on it myself.

So that if the general doesn't like the idea,

The lady is free of any involvement.

And if he likes it?

Your department will have a brilliant lecture in Brasília.

That's why, Mrs. Soeli, my performance dropped.

I'm a smart woman, Vicente.

You made a mistake.

But I see the potential of what you're trying to do.

From now on, we will officially do what you need.

I thought about anticipating my vacations in 15 days.

It won't be necessary. You're at the department's service.

I need the film to be released

when it has been modified by the Brazilian federal censor.

Your dispatch had rewritten two thirds of the film.

Was it necessary?

I don't agree with that.

Why not?

Why not, man?

It completely changed the meaning of the story.

But it frees the exhibition.

Manolo, my film is a hatred, it's freedom.

that wasn't released by censorship.

That this guy turned into right-wing propaganda.

But that can lead to illiteracy, Inácio.

Let me talk to him. There has to be another way.

There can't be.

It was his condition to do the job. He doesn't want to see you.

Of course.

He doesn't have the courage to look at my orders

after destroying my movie.

This is crazy.

I'll tell you what's crazy.

You have to sell your house because of a movie.

Manolo, you're making me boast.

It's all I've ever had in my life.

My father was arrested by the military.

He died in a prison.

Shut up!

That will fail.

Your children will go to public school

and you'll have to work at a bank.

There won't be a negative you need to make your movie.

I don't have much time.

And you don't either.

What's this?

Where's Dario?

He must be on his way.

Want a beer?

Who are these people?

I'm interviewing the gentlemen here

to see if you're interested in taking part in our business.

Hey, look at your brother again.

Who's this guy?

Are we going to dance, Dario?

I think you should have a conversation with your sister.

In particular.

This is the only place left for us in life.

We need people for robbery.

For the love of God, Dario.

You can't fill this bandit's house.

He can't stay here anymore.

Walter is a dangerous guy and we're in debt to him.

We're not. You're in debt to him.

You're not with me in this, Vera.

I'm making this movie, aren't I?

It looks like you're more interested in making this movie than stealing the money.

I'm going to Rio to film.

In three months we'll put our hands on the police's money.

We'll pay this guy and you'll be free.

If it happens like this...

I'm doing everything for it to happen.

If you don't do it, you can be sure that I'll find out.

I want to found a community based on free love.

Let's get married and go to church.

Let's get married and go to church.

Oh, my God. Inácio is going to have a heart attack.

I think you could do it with a little more intensity.

Okay, I'll do it.

No, you don't have to. It's great. End of the talk.

You're free, Helena. Thank you.

So, when is it going to be?

For how long?

About three days after the World Cup arrives in Sessura.

I think it's good to run, Vicente.

We're going to Rio early tomorrow.

We need to talk.

Isabel got drunk

at Aunt Lurdinha's wedding

and touched a boy's ass.

She did that?

The boy was black.

I think the husband

is responsible for his wife's behavior.

I don't know what's going on,

But I came to warn you that this behavior ends here today.

You are absolutely right, General.

Put your life in order.

You are in the middle of a vital work for Brazil.

I am?

I am being sent to the SNI here in São Paulo.

And the thing goes further.

You go with me.

To the top of the mountain, Brasilia.

General, I don't think I'm at the level of responsibility...

We can only trust the family.

I need smart people close to me.

Can I count on my son-in-law?

So let's get out of this mess.

Did you put your hand in a boy's ass?

It's not up to you what I do. I stop doing it.

You're my wife. Of course you give me satisfaction.

And you as my husband too.

What's that?

It's a script I'm reading for work.

Hidden in the back of your closet?

You have no right to touch my things.

And you have no right to write about me.

Vicentia, I'm going to ask you for the last time.

Who is Dora?

Isabel, I don't know any Dora.

I didn't write this script.

And this script is not about your life.

There's something very scary going on here.

Because one of us is completely crazy.

I love you so much that I hope it's me.

Why do you lie to me?

Yes, you do. You know that.

I'm traveling tomorrow.

I'll be away for two weeks.

In your father's service.

When I come back...

Can you take this suitcase down for me?

What does that mean?

I'm leaving São Paulo too.

I'm going to a clinic to do some kind of treatment.

I'll take care of myself, Vicente.

And you should do the same.

Do you need to go to a clinic for that?

I need to be a mother.

Did you release the tape?

I sent it to Brazil.

And is everything all right around here?

There's nothing right on the eve of the beginning of a movie.

But that's no reason for you not to have fun.

Have fun?

Location movie.

What's up? I'm a photographer, I'm not a carrier.

What's a location movie?

Everyone travels, leaves the house, stays away from the family.

Anyway, do you know how it is?

Listen, everyone eats someone in the movie location.

You, director, will be fine.

So relax.

I'll leave you with your mouth in the boot.

What's up, guys?

Take care of our director here.

I'm going to see with Carioca if everything is fine.

Hi, Helena.

It's good that you're here.

I'm so nervous.

At least I'm not the only one who's nervous.

You can sit with me on the bus.

I wanted to ask you some questions about a scene.

I... I'm here.

I'm sorry, Lena. I'm not feeling well.

It must be anxiety.

A feeling that everything can go wrong.

Tragedy! Tragedy!

What happened, Rosalvo? Unbuckle it!

My apartment in Rio.

What is it? The movie's rent?

Destroyed, destroyed!

What do you mean, destroyed, Rosalvo?

It caught fire! My apartment in the river caught fire!

But an apartment that doesn't catch fire like that, is it more or less?

I lent it to a friend.

And he had a party, all with lights on.

And boom! It caught fire!

It's okay, it's okay, Rosalvo.

It wasn't your fault. It happens.

It's okay.

Now, Manolo, what do we do?

We thank God.

What do you mean?

Guys, the movie is suspended.

It's going to be suspended?

I'm going to have to suspend the movie.

I'm going to talk to Lassim, convince him to film here in São Paulo.

To spend money the right way.

How long does it take to move everything to São Paulo?

I don't know, one or two months.

Two months?

Yes, it's time to come make the budget, find a place,

we have to start all over again.

Manolo, I asked for a 15-day leave from my job.

If you can't wait, I'll find another director.

We can't stop. We have to make this movie.

Where, Genia? Where do you want to shoot the movie?

I think I have a place.

This way.

Can you explain to me what's going on?

You didn't say anything to him, Manolo.

I thought it was better to present the problem together with the solution.

What problem? What solution?

The Rosalvo apartment in Rio de Janeiro.

It caught fire.

Why are you telling me this now?

In front of the director of the film and the actress.

What place is this?

It's the house of a cousin of mine who traveled abroad.

He lent it to me.

Manolo, why is this crazy man telling his family's story to me?

Because this is the solution to not hate the movie.

We thought about filming in São Paulo.

Here I can guarantee the budget you want.

You're absurd!

I sold to distributors a Carioca comedy!

It has to be in Rio!

But there it is.

It will be in Rio de Janeiro.

I'm not seeing the sugar bread.

But you will see.

He's crazy. I think so too.

But bring the station.

Speak, Vicente.

Editing, Marcin.

If we buy the river's exterior plans

and put together what we're going to film here,

that's it, editing.

What about Christ the Redeemer?

And Copacabana Beach?

The actors will be in front of a scenery

projected in the background.

It looks like the guy from Hitchcock.

He always does that.

This doesn't even look like a millionaire's house.

I thought it was a beautiful house.

And Rosalva committed to lending his furniture.

This is a man's talk, Dora.

Barsen, I'm thinking of using a special lens.

This place is going to be huge.

And the best of all, boss, this house is free.

Barsen, there's no way.

Or film here, or there's no film.

This is going to be shit.

If it's shit, I don't pay anyone.

Now you're going to have to deliver what you promised.

My cousin has a lot of movies of his stuff.

It worked. Everything worked out. Didn't it?

Thank you.

I'm on my side.

Let's go, Dora. Now.

Orgastic power is the ability to get rid of inhibitions

and surrender to the flow of biological energy.

The child lives in a family environment,

castrator, authoritarian and repressive.

In puberty, it is not allowed for the young to have a sexual life.

The consequence of this are adults trapped in unhappy marriages

to which they were not sexually prepared.

I just came here to have a child.

The mind controls the body and the blind, freely.

I believe that you are not getting pregnant for psychological reasons.

You came to the right place to get help.

But it's a journey that requires dedication and dedication.

I'm willing to give myself body and soul.

Boss, it's still around here.

Go home and rest. Tomorrow you'll be a clown.

I have to sleep here, Carioca.

It was a condition my cousin gave me to rent a house.

You're the one who knows.

I told you, your cousin is brave.

Renting a house for us to go to the movies?

This lamp was not the color I asked for.

Be careful, dear.

That lamp costs more than you earn in a year.

Besides, it looks like the house of a millionaire.

You can't leave everything naked and without grease.

This place will never be the house of a millionaire.

Wolf, I'm thinking of using a fish eye.

What do you think?

Since when do you understand glasses?

I saw in Kubrick's movie, Mechanical Orange.

Did you see Orange Mechanics?

No. I mean, I read about it in an American magazine.

You're a fool and you don't know.

Do you have a fish eye?

I'll think about it in your case.

And you will think about how we're going to make a whole movie in this place.

Because I don't know.

What a fucking kiss was that?

I was happy. You weren't?

I was.

The genius movie is coming out. How wonderful.

It was a thank you kiss.

He solved your fucking movie.

This morning you kissed me in the face of everyone

and I didn't complain.

You didn't like it?

I could have sworn you liked it.

I thought it was disgusting.

It didn't seem like it.

It's because I'm a good actress.

If you're a good actress, you'll understand me.

If you were my wife, I'd kiss you that way.

So I kissed you.

And if one day I eat you, Dora,

it'll be because you asked me to.

Won't you come?

Your beer is over and so is my cigarette.

My cigarette too. I'm going to the Emperor and I'll be right back.

It won't take long.

You can't come here.

We agreed on this.

You told me the movie was going to stop.

Because I was working so it wouldn't stop.

And it worked.

Filming in São Paulo will be easier to manage.

How do you know we're going to film in São Paulo?

Who told you the movie was going to stop?

It's shit.

Let's not go to Rio.

If this stuff doesn't come out,

Your brother is going to be your only dead body on the day of his death.

We can't receive phone calls here.

Isabel, my trip was canceled.

And what do you want?

I want to know if you're okay.

You didn't call for that.

You're afraid of the consequences of what you're about to do.

Isabel, I'm working on your father's project.

Vicente, listen to what I'm going to say.

Don't be afraid. I won't be either.

I need to hang up.

It won't work.

Vicente, Wolf wants to know if you're ready to work with the actors, is that it?

Me? I am.

Me too. So let's go.

Just a second.

Wolf is right, this won't work.

You coward, go there, say what you want from the actors and say, sound guide, camera, action.

Like in the cemetery.

Well guys, this is the scene where the accountant meets the millionaire's children.

We read the script, you see, Vicente?

What do you want us to do?

What do you mean?

Who goes in first? Who sits down?

Who gets up? Who looks at who?

What does it say?

The repressions and anguishes suffered by the individual

reflect on the psychological plane and on the body.

This process is known as encouragement.

The goal of Raichana's therapy is to dissolve this shell

and release the repressed sexual energy.

Raich affirms that we must give up the shell

and develop our orgasmic power to the maximum.

You must have incredible orgasmic power.

I'm married.

Well, now I'd like you to get rid of it

and introduce themselves.

My name is Rosana.

My name is Flora.

My name is Cairo.

My name is...

My name is Dionísio.

My name is Barbara.

My name is Márcia.

My name is Premo.

My name is Denise.

My name is Carlos.

My name is Isabel.

8 to 6.

João Guia.

Come on, Carioca.

Scene 54, plan 4, take 8.

I want you.

Oh my God.

What could have gone wrong now?

I don't think this will work. I think I prefer it the other way.

What other way, Vicente?

She's perverse, and he doesn't feel it.

Listen, you already have the two of them.

Decide on the script, okay?

Okay, lunch!

I'm sure it's going to be better.

Your fifteen minutes of lunch are almost over.

So, Mr. Producer,

how do you intend to shoot this movie in two weeks with this beast?

I can choose another actor for your role.

What I'm suggesting is that you hire a director.

Because you don't have any.

You don't have to retouch your makeup.

You think you're Hollywood?

I don't know what to do with Flint.

You don't know what to do with the movie you invented.

The counter is a little boy or a bandit in history.

In cinema, there's no such thing as not knowing.

You have to choose.

It's obvious that the patient in this story is the teller.

The guy gets full of shit on a fucking child.

No, he didn't.

I mean, she's almost 18 years old.

It doesn't matter.

The thing is what she represents.

She represents a child, and he's a patient.

Manolo, this was all a mistake.

I'm leaving. Flint takes over the management.

Listen here.

I'm not going to hand over the management of this movie

to that son of a bitch.

A year and two movies I've been here,

like you.

I saw shit in front of me, I directed the first movie,

and I thought, this idiot can do it.

Anyone can do it.

When he shot Devassa,

I saw these people working, Vicente,

and I understood.

What did you understand?

A film crew is like a horse.

You ride it and it tries to knock you down.

If you don't fall,

if the horse doesn't smell your fear,

He's going to obey you.

We're telling him to go to the right, to the left.

Move him, make him stop.

Keep the animal occupied.

No time to think about going back to the pigsty.

Ok, Campada.

Lunch is over.

Today we only had half an hour, but we'll finish earlier.

Our director will pay for a beer for the production.

You've already been home.

He's not your type.

I know your type well.

You don't have much money, that's it.

If you keep doing this...

What are you going to do?

Are you going to tell the truth to your husband?

We've already been friends.

Are you going to leave me in the dark again?

What's the move?

Shut up!

Don't call me by that name anymore.

Manolo is calling seven.

Fusalvo, my hair.

Keeping the horses occupied.

Guys, here's the thing.

Our director here decided that we were going to solve this sequence in one shot.

The plan is this, Flint,

our director wants you to act like Tassi Jumeira.

Minfeta will talk to him, shy, but a teacher,

and you'll throw her on the couch and pull out her skirt.

I got it. He throws me on the couch and pulls out my skirt.

That's it. Wolf, where are you?

I'm here.

The thing is, our director wants to use a little camera in his hand.

You're going to start in the open with them.

And when they fall on the couch, you approach and cover the details.

We'll need at least one ass band and two breasts.

Listen, I'll take off my pants, right?

No, our director wants you to stay in your pants,

but take off her skirt, okay?

So let's go. Zé, Carioca, let's bring this couch a little closer.

Come on, guys, let's get this shit ready to roll.

Stay there and take it out of the way, please.

So let's go.

Sound guide.

That's it. Camera.

Scene 46, Plan 1, take you.

I want you.

It's a little dark for me in the end. I can do better.

Vicente, what did you think? Do you want to change something?

Star! So, how was the first day?

I've never made a movie, but if it's like this every day...

Are you thinking about quitting the movie?

No, of course not. I need the money.

I'm here only because of the money.

I want to make a movie.

Inácio, my dear, Manolo.

Give me good news.

The movie was released.

I'll send you

the negative cans.

And then I

I'm going to focus.

Wonderful, Inácio.

But let yourself focus after the ticket office.

So you at least die rich.

I just talked to Inácio, the movie was released.

That's good. You'll have your negatives.

I'll have my negatives?

I'm giving up, Manolo.

I'm a threat to this movie.

No one makes a movie alone, Vicente. No one.

You'll have help.

You got caught on the first day, but ended up standing up.

That's too much.

Watch the house. See if it doesn't destroy too much.

My cousin will be back in 15 days. I'll get the key with you.

He lied.

He asked to leave.

And what are you going to do?

I'm going to give the movie to Flint.

What do you want me to do, Dora?

I'll stop the movie.

What do you prefer?

You have to do something!

I can send you after him.

Send me that I'm going.

You could give it to someone.

Someone who could help in my career.

Someone like me?

No. Someone like him.

The director of the movie.

You like him, right?

I like you too.

Our director is leaving.

It won't be the same movie without him.

Go after that son of a bitch.

And leave without saying goodbye?

I don't know what to tell you.

Congratulations on today's scene.

And congratulations on your husband.

He saved the day.

He gathered the team.

But who found the scene was you.

Vicente, what did you think?

Do you want to change something?

We have an open plan.

I don't know, maybe you could wait

when they fall on the couch, with the camera closed.

You take advantage and make a close-up of Dora

by Flint's nipple.

It'll be good.

I wanted to understand what she feels.

Come. I know you want me.

I think that when the nymph is delivered,

the counter must be scared and run away.

So she stays alone and starts crying.

It'll be good.

The counter ran away from the nymph?

Is that the scene?

I work in a public distribution.

No. You're a director.

And today we did something very rare.

Today we made cinema.

Roll. Seven is yours.

Rosalvo, my hair.

Dora, you can start sitting.

If you get ready for an action, you just fall.

Flint, don't forget, okay?

Fall on her, take off your skirt.

Is everything ready?

I'm Guilherme.

I'm Sol.

Look, Carioca.

Cell 46, plan 1, take 2.

I don't want to see you ever again.

Vicente, pay attention.

You and this movie are now the same thing.

Son of a bitch.

What happened?

Can't you see?

They are completely in love.

my dead, my paths

blood, dairy

in the avocado

I broke the spear of my dead

my paths

in the avocado