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Subtitles generated by - LustyCinema.li Do you want to know?
Approaches today of the two and a half million.
The giant of concrete armed that day by day becomes bigger.
But it happens...
Can I know why you didn't show up at the court?
We lost everything, didn't we?
We lost.
Today, at the court, I discovered the true profession of my father.
Wasn't he a businessman?
He was a smuggler.
A bandit?
An dishonest businessman.
I used my mother's money to give strikes,
real estate plays, fraudulent competition.
Did your mother know about this?
She participated in everything.
They worked together.
They lived like kings, like in a fairy tale.
It ended in a post in Acapulco.
Son of an oculist used to be an oculist.
Engineers tend to have sons of engineers.
Our parents were vigorous.
Is he traveling?
I'm a widow.
Can I have a champagne, please?
I insist.
I think it's time.
What are you doing?
I really didn't see it.
It's silly to end a marriage for 30,000.
That's absurd.
That's the amount of money you have in your bank account.
Your daughters are beautiful.
What happened?
Nothing, Manolo.
Why are you crying?
I'm happy. Are you happy?
Do you have to cry over that?
I like it here.
I didn't like my life before.
You're the priestess, aren't you?
I don't want to talk about that pig.
I just want to forget this life.
Dora, you didn't leave anyone behind, did you?
I miss no one in my life.
Oh, Mania.
If you weren't such a good beggar,
you could have turned sad.
You could have won the Oscar.
What's up?
That's the guy. I'm saying you could win the Oscar.
You risked your life too much that night.
Stop whining.
You were a master, maninha.
The incredible Marie.
The lost French woman in São Paulo.
Actually, I think the real actor was you.
Even I thought that weapon was real.
Who said it wasn't?
We agreed there wouldn't be a gun, Dario.
Maninha, pay attention.
The economic activity we've been dedicated to,
with a lot of success, by the way,
it has certain risks.
I need to protect you.
You need to protect yourself.
I'm getting good at this.
Ready for the highest flights, Maninha.
Discover a table in Campinas.
I need someone to help me get out of there quickly.
Do you know someone who drives well?
I haven't driven a car in years, Dario.
Come on, you're the best driver I've ever met.
My mom was the best driver.
They killed each other, didn't they?
Cuadada, if someone from your past,
if you need help,
I want...
Anyway, I can beat your stepfather if you ask me.
It's all right.
I'll help you.
I'm your stepfather, if you stop me.
It's all right, Manolo.
Everything is under control.
I'm not your little brother, Vera.
I grew up. I'm your man.
Stay away from me, Dario.
You too.
I hate you.
You'll never see me again in your life.
Vera, enough. Let's go.
I told you to stop.
He's messing with us. Where's the rest of the money?
If there's someone messing with us, it's your sister.
Vera is not doing anything.
She's not doing anything, and that's what's bothering her.
She has to do that fucking movie.
It's easy for her, my friend. She's on her man's side.
It's time for you to visit your sister.
Got it? Now let's go.
Let's get out of here. Let's go, let's go!
What do you want?
What do I want?
Go fuck yourself!
What's up? Aren't you coming?
Where are these people going?
Watching the movie in the cabin.
What movie?
The butter movie.
What butter movie?
There's a scene in the last tango in Paris
where he puts butter on her and eats her raviola.
But this movie was banned in Brasília.
And Dr. Sueli got a copy
to show us the dangers of erotic cinema.
Such a big friction.
Bertolucci, right?
Your tests are great.
You're fertile and perfectly healthy.
Physically, there's nothing wrong with you.
Except your age.
In fact, the risk is increasing.
The sooner this is resolved, the better.
What about Vicente and his exams?
Your husband's sperm was normal.
Maybe the reason is not physical.
How is the wedding going?
My wedding is great, doctor.
Alternative treatments are emerging.
A clinic in Bucânia has been getting good results with a new type of therapy.
Neurosis as a result of sexual repression.
Do you know her?
In theory.
But I don't think she's suitable for a family woman.
Vicente, we're late.
Late for what?
For Maria Antônia's wedding, the daughter of Aunt Louzinha.
Oh my God, I completely forgot.
Louzinho, I need to talk about a movie they're shooting right now.
I really can't go, honey.
But look, you go and...
It doesn't matter, we've already started.
I need to talk to you.
About this absurd idea of me directing this movie.
I can't accept it.
Vicente, do us a favor.
Stop being a coward and pay attention to the next candidate.
Did you memorize the text?
I did.
Then say it.
I don't believe you're doing this with my sister.
It's great, it's perfect.
It was terrible, man.
Sulturona's sister's role is sensitive.
What's sensitive, Mr. V?
I don't believe you're doing this to my sister.
Very good.
Manu, it was the same.
What do you do?
Supermarket cash.
You learn.
Actors are expensive, slow.
It's a job. It's a pain in the ass.
If I need it, I call someone who doesn't have to be nice,
who does everything in one day, very cheap.
Will it be more than one day?
My daughter, it'll be two weeks of you naked.
So I can't?
I can't fool my husband for two weeks.
So you can put on your clothes. Thanks.
I didn't tell you that you have to tell the candidates
that it's two weeks of direct filming
without anyone going home?
I told them. She did it by herself.
Call the next candidate.
Carioca, I'll be there.
Enantes will bring a camera there at midnight.
We're going to do a test with Dora and the best of today.
What test?
Camera test. You two kiss with your tongue.
But they don't kiss, they're sisters.
There's no such thing in the script.
Now there is. Lesbian kiss calls the public.
Lesbian kiss of sister, even more public.
Who said that?
Lácen said it.
I'm not going to kiss any woman in any test.
Go, yes, ma'am.
Or go away, go back to the countryside,
turn the box into a supermarket.
Hi. Is this the test?
Did you freeze the cowboy, Tessudo?
You put it all over my body, huh?
It was nothing.
You were going to put me to sleep and steal me?
Is that it, piranha?
Now I'm going to eat you
and then I'm going to fill you up with...
Chegura Bandidão!
...the theater and the Dionysus!
And this is Helena,
My daughter-in-law is a real monster!
My sister is the real monster of this house!
Congratulations, you are really very good.
Thank you.
Can you wait outside, please?
Of course.
I loved the student's devastation.
What are you doing here?
Can I ask you the same thing? Vera.
Let's go outside.
I want to be an actress.
Forget it, Linda.
This is not going to happen.
Can you or not?
Can I know why?
Can I know why?
It's complicated.
It's not complicated.
It's simple.
You came here to hit me.
Who are you going to steal?
This stupid producer?
Otherwise your blow will be discovered.
There's no blow.
My name is Dora and I became a movie actress.
I want the same thing.
Get me a role in this movie or everyone will know your name and your true profession.
But if you don't get me the role, I'll scream.
Got it, Vera?
You took too long to tell the news.
I left.
Who is Viranha?
Who hit you?
Who hits me every day.
That woman.
She called you Vera.
Her name is Helena.
We met when you disappeared.
Are you leaving the group?
There's no way to support me in São Paulo, Vera.
I'm just here because I can live in the guru's house.
I'm his wife.
But this will change.
What do you mean?
He chose his new favorite.
In a few days, you'll be sleeping together.
I don't feel anything for him. I won't steal your husband.
It's not your fault, Vera.
He'll seduce you, protect you, introduce you to the intellectuals.
And in the end, he'll offer you a prominent role in next year's play.
In the meantime, he'll destroy me.
You're with the movies for nothing.
I like theater.
But I won't be washing the bathroom to serve Dionysius.
Dionysius is the name of his dick.
If the problem is the money, I think I can help.
It's no use offering money, Vera.
There's no way to pay you.
But I can't give you the fish.
I can at least teach you how to fish.
What do you mean?
I'm going to become a whore.
I would never propose that.
Do you want to rob that guy?
Convince her to give us money voluntarily.
Make a move.
I'd rather face it as a well-paid exercise of the invisible theater.
How do you know he has money?
It's like analyzing a character.
Whiskey 12 years old,
Italian shoes, alliance,
and a newspaper from Belo Horizonte.
Did you see that he doesn't take the man's pocket?
The man is married,
he's not from the city,
and he carries cash in his pocket.
And what are we going to do with him?
We're going to invent two characters,
two cousins running away from home,
and we're going to put him to sleep.
You're crazy.
You're handing us over to an actress.
I told you I didn't talk about you.
I was alone.
Do you want money?
She wants a role in the movie.
Then get her a role.
But she's a terrible actress.
If she denounces you,
I'll die.
Have you already chosen your sister?
I think this actress is the best option.
There's no abundance.
There's nothing.
I think Helena is perfect.
Beautiful. What do you think, Vicente?
She's really beautiful.
But I don't think she's a good actress.
I felt a strong chemistry.
I want to do the kiss test with her.
Carioca, call Wolf. The camera is ready now.
Because alcohol affects the fertility of women.
The non-appearance of your beloved son-in-law too.
Don't be vulgar.
And drop this story.
Let me drink in peace, daddy.
You shouldn't have filled your face while your husband is working hard at the farm.
I know very well how hard my husband is working.
My husband goes out with prostitutes from the trash can.
The guilt is yours. You must be cold like your mother.
A man has needs.
He's a scientist.
And science thinks women don't have needs.
Not the family women.
You're absolutely right.
Look, Dora, this scene...
This is a camera test, Vicente.
I'm totally against this scene in the movie.
Turn on the camera, Vicente.
Your test was shit.
If you want this paper, kiss me for real.
The paper is yours.
Did you get what you wanted?
I'll love working with you.
Vicente. Open your eyes, Vicente.
Open your eyes.
Look at me.
Close your eyes and think about who you want.
I have nothing to do with my sister.
What do you mean?
You're not lying to me, you shit.
I have a... a woman, Helena.
I know Vera is a liar.
Everything is under control.
Vera got a copy for her in the movie.
She'll keep an eye on it.
Your sister will keep an eye on her, you will keep an eye on both of them,
and I'll keep an eye on everyone.
Until I see the money, you're mine.
Your father-in-law called.
He asked about you.
About me, doctor?
He wants you to take part in a seminar in Brasília,
called Cinema and Subversion.
In Brasília? When?
Next month.
You will represent mine, department.
Don't disappoint me.
No, Your Majesty, please.
Excuse me, but...
Are you an actress?
I don't answer men's questions, I don't know them.
Of course.
My name is Gilberto Paulo.
I'm a journalist in the magazine Cruzeiro.
Look, the area of Baixo Meritrice is two streets away.
You misunderstood me.
Yes, we're in the Empire.
You're a beautiful woman and I don't know you.
I thought you could be an actress.
You could be an actress for a news report.
I see.
You want to make a news report with someone nobody knows.
I want to make a news report about mouth cinema.
From the point of view of someone who is getting in touch with this world for the first time.
Cruzeiro is looking for unusual angles to show environments that many people would like to know.
I can introduce you to the producer.
The producer will want me to make the story with the star of the movie.
Are you the star of the movie?
It's a story just about me.
You won't talk to anyone else.
No. Just between us.
Excellent girl.
Cheap, huh?
Now all that's missing is the counter.
What about Flint?
Flint doesn't work at Magnifica anymore.
I heard about your fight.
It was good to get that out of the way.
The bitch is drinking too much.
But I want him dead.
It won't work, Alácia. It will work, yes.
It has an audience.
Look at this frog.
There's one more thing, boss.
We can't film in Rio de Janeiro.
The money won't work.
The film will be made in Rio de Janeiro.
It will cost 20% less.
Or there's no film.
And you go back to the border.
A truck driver.
What a fright.
Honey, I just stopped by to let you know that...
That you need to do another serum?
It's a job for your father.
A seminar in Brasília.
Vicente, you're having an affair.
I followed you.
I saw you talking to a sloth from the trash can.
This is crazy.
You have no right to follow me around.
And you don't need to lie to me.
What is divorce?
I don't have a case either.
I went to Boca do Lixo, yes.
At the service of the Brazilian federal censorship.
But I don't have time for that now.
I have another commitment.
To work!
Are you going to fuck another piranha at the service of censorship?
Or are you going to be the same as that day?
With the rope on your neck, Manolo.
You need to help me.
Do you know Larsen?
He's going to be pissed off without lending our dispatcher to another producer.
Larsen doesn't need to know.
You introduce me to your contact and I talk to him directly.
I can't.
Manolo, I'm giving you a negative battery.
You'll need more than that.
I'll give you the negatives.
I'll pay the lab.
All the revelation of your movie is on my account.
How about that?
I'll see if I can present it to you.
Thanks, Manolo.
Valenz, close my account here.
What the hell is this meeting? They didn't tell me anything.
It's a desk job, Manolo. A reading.
Reading? What are they reading?
The script?
For what?
It's like a rehearsal, Manolo.
We'll go deeper into the characters,
discuss the issue of each one of them.
I've never seen this in my life.
It's something you do in the theater.
Nobody asked you anything.
It turns out this is cinema.
I don't want any reading here.
Listen, Manolo.
Manolo, weren't you the one who said we need to film it fast?
So, if the actors know how to speak,
if the guy knows more or less everything he has to do,
we can film it fast.
There are a lot of foreign directors doing this.
Kit Kok, Truffaut.
It was Dora's suggestion. I thought it was a great idea.
Okay, but I'm not going to pay anyone to read it here.
I'm warning you.
Sit down, Flincho.
What do you want with this guy in the office?
It's with satisfaction that I announce the return of Flint to this production.
Damn, Manu.
I'm back.
You came back as an actor.
Vicente continues to be our director.
A decision of mine.
A gesture of forgiveness, generosity and professionalism.
Stay still.
This director is a cat.
This is work.
To be honest, have you ever thought about giving it to him?
Directors usually like you.
Not now, Helena, please.
Well, everyone, open page 45.
Do you have your notebook?
No, I have it here.
Well, you're the boss' wife.
You won't mind if you eat, Vicente, right?
Can we start?
Of course not.
I'm bothering you two.
How are you?
Lucy, take off your glasses.
Lucy, think about it.
This is the big scene of the father.
Yeah, but I only have two speeches.
But listen, I'm going to film you listening.
So, let's go, guys.
Millionaire's apartment, living room.
The living room is destroyed.
The millionaire is kneeling in front of the nymph
who has a hunting knife in her hands.
You're a weakling, a worm.
I despise you!
I am your father.
Lucifer, why did you read it like that?
Like what?
Letter by letter.
That's how I learned to read.
But at the time of the speech, the speech has to come out fluid.
All the words, all the letters together.
But if you're going to talk like that, I won't be able to read, right?
So don't read. Say it.
Then there won't be reading, right?
I told you it wouldn't work.
I'm not in this scene. I'm leaving.
No, you stay.
Because I want to.
And you do what I want. That's the deal.
The director is him, right?
But I'm the director.
Vicente, can you let Flint get up?
It's important that all actors listen and see each other rehearsing.
So we can get a tone for the whole movie.
Got it?
I get it. You want us to talk like Lucifer, is that it?
Fled, shut your mouth.
Decore and say, Lucifer, okay?
Come on.
You're weak, a worm. I despise you.
I'm your father.
My mother and sister will destroy us. You need to kill us.
You are a monster.
Hey, Lucifer, what's that voice?
The voice of a monster. But the monster is her.
Don't look at me like that. She's just a girl to get to this point.
The guy who should be her father is a shit, a terrible shit.
Do me a favor.
Just say the text, without the voice.
Just say the text.
You're a monster.
A little bit more of feeling.
Feeling? What feeling?
Wasn't she the one who should be afraid of him?
Guys, five minutes break so everyone can have breakfast.
Excuse me. Excuse me.
We've got a problem.
Of course we've got a problem.
You've re-contracted Flint,
you've put an alphabetic
Lucifer is the ideal actor to make this movie.
It costs a fortune and has a smoke.
Not everything is money, Manolo.
Without money, the movie stops, Vicente,
and the chance of that happening is huge.
I need your talent to solve this.
Manolo, I don't have anything else to cut.
The script has 50 pages. There won't be any time for a movie.
Here's the thing.
We need to release Inácio's movie in the censorship.
In exchange, he'll give us the negative and the revelation.
Who's that guy?
Our movie will stop if Vicente doesn't release Inácio's movie in the censorship.
And he won't release it?
The coward says he can't.
There won't be a movie, Dora.
Dante Gaúcho looked beautiful in the picture.
My side on Vânia's cabin!
We're getting rich, partner.
Vera, you were right.
It's much better than the theater.
I need your help.
It's a fucking table.
One of them was Tira.
Did you see?
He beat me up.
He blamed me for stealing a car.
I spent six months in this hell.
I was supposed to be so stupid.
I didn't notice the pipe because I was connected to something else.
What are you talking about?
The coup d'etat of our lives.
There was a bitch who made everyone laugh.
Who's your lawyer?
Excuse me.
He told me there's a store that invests the cash 2
in a movie production company.
The deal is a washing machine.
They invest money in movies
and take profit five or six times more.
Without taxes and without cash.
Where do you want to get?
For the love of God, pay attention.
There are millions on a table repeated among friends.
Millions, Vera.
Dario, look where you are.
Exactly. That's why I called you here.
That's why I'm going inside.
In six months I'm leaving.
You need medical help.
I sold my life.
You disappeared.
If I were you, I would go back to the countryside.
The life of crimes is shit.
Don't forget.
Guys, it's a rehearsal.
As if it were a dream, as if it were the camera.
Action for rehearsal.
You're weak. A worm.
I despise you.
I'm your father, girl.
My mother and my sister will destroy us.
You need to kill them.
You're a monster.
Very good. Very good.
You can stand up, Lúcio.
Very good.
It was great, you see?
I wanted to ask you something.
Inácio's movie.
Was it Manolo who asked you to talk to me?
I asked to talk to you.
I thought you wanted me as a director.
As a dispatcher.
In life, we have to be many things.
Without the release of The Incarcerated Virgin, our movie will stop.
If my cousin releases the movie in the censorship, he loses his job.
I think I'm going to die if our movie doesn't come out.
No, Isabel, I'll be late, okay?
Okay, Vicente.
So, good job. Bye.
I was born in censorship.
If you don't do this, the movie stops.
You control the heart and the mind of the country.
Decide what it should see and hear.
Let's run away and found a community based on free love.
Let's get out of here and build a Christian family full of love.
I married my wife because I loved my 17-year-old sister-in-law.
I loved her, Father. I wanted her. I will not live with her in a sick way.
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