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- Ozero Film Company presents.

- Hello. - Hello.

Bring the animal, please. - Would you like to come inside?

- No, here is fine. - Okay.

- Fimochka.

Fimochka, I love you.

- Over here, on the floor. Hold him tight.

- Okay, one second. Just a moment.

- The sedative first.

- Fimochka, I'm so sorry.

- It's done. - Mash, sorry I'm late.

- I only have a large dog bag. Do you have a smaller one?

- No. - Are you taking it in the bag?

- Yes.

- Is this okay? - Mhm, go ahead.

They'll bring you the ashes in a few days.

Do you need a video of the cremation? - No, no, please, don't. Please.

- No need to record anything. - Goodbye.

- Oh, this is horrible, it's a nightmare, it's just... it's awful, just awful.

- This is a weird party.

- Have a good one.

Seriously, can't people get the entrance number right?

Two more deliveries. Natalya Pavlovna.

A cowboy always yields.

- Okay, I'll hang this here for now.

- What is this? - Hang on, hang on, wait.

I'll get to that, but let me start somewhere else.

Okay, look... I just feel like you and I... we're, like, projecting so much of our...

you know... our adult lives back onto that.

Well, we've got all these constant, like, slogans...

"Freedom for the veggies!", the whole prison thing,

that whole storyline... you know.

- The prison? What about it? - Come on! It's, like,

everyone gets thrown in jail, everyone's locked up by that Prince Lemon guy.

- Well, it's a turf war. That's normal.

- I'm not arguing that, but I swear to you, if we cut this entire prison sequence...

we would lose absolutely nothing.

- So what do we use instead of the prison? Wait, what?

- Hold on. The idea's not going anywhere. What's the alternative?

Let's talk about it. Just don't get hung up on the prison thing.

Seriously, we can... we can totally do without it.

Without the judges, without all of that... It's all just so... you know...

- But it's relevant, no?

- Ugh, "relevant."

- This apartment is right in your budget.

- Nah, this whole setup is a total vibe kill. - Get real.

What about the parts that *are* a vibe, huh?

Your mom was just cooking. *That's* a vibe.

- Son, the syrniki are ready.

- Okay, coming, Mom.

So, Kolya, we've cut the meeting and the finale according on your notes.

Right now, the runtime is at 1 hour and 5 minutes,

but this version doesn't have music yet, and honestly, I'm not a huge fan of it.

I'm still pushing for my version,

I just think it'll be better for the film if the ending is lighter

and more open-ended.

So, yeah... Sorry to be so blunt, but I think you know what I mean.

But watch this version anyway.

And I also...

...basically, for my version, I'll need another week and a half for the edit.

And so, I'm going to need an editor, Kolya. That's all. Bye.

Danyushka, we need to do something about that bunion on your foot.

You need a splint.

And watch those veins on your legs, or they'll end up like your father's.

- Mom, why would you even say that? They won't get like Dad's.

- Alright, fine. Just wear compression socks, then.

- Okay, Mom.

- Danil, hello. I'll take a look, of course,

but there's absolutely no way we can extend the editor's contract again.

The cut was supposed to be finished two weeks ago,

and we both have commitments here.

You showed me your version.

Now I'll watch the one with my notes and decide if it needs more work,

or if I end up liking it better as is.

And if so, that's the one we're going with.

As you remember, we have to send the screener

for the big screen on Monday.

- Kol', I remember our commitments, but I think you should also understand

that cutting a full feature film in four weeks is unrealistic.

Kol', I remember our commitments, but I... but I think that you...

- You've got wine on your lips.

- Really? - Mhm.

- Why didn't you tell me? - I didn't see it.

- This is a disaster.

- Try doing this.

- Here.

What do I do?

Oh my god. I made it worse.

- Did you?

- Worse? You think this is funny? - It's a nice color.

It's a fine color, what's the big deal? - Hello.

- Hello. Tatyana, right? - Yes.

- I'm Olya, nice to meet you. Come on in. - Okay.

Here are your lines. You can rehearse for a bit.

The chair is over there, facing the camera.

The director's having a smoke, he'll be right in.

- Yeah, got it, got it.

- She's just gonna go over her lines for a bit.

I told her we're having a smoke and we'll be back.

- Yeah, yeah.

- Hello. - Hello.

- Tatyana, is it? - Yes.

- I feel like we've met somewhere before.

- Maybe.

- And how old are you, if you don't mind me asking?

- I'm 32. - Oh, wow! Well, cool, cool. Great.

Okay, let's do this then: tell me about the character.

What do you think of her? I'm curious to hear your take.

- About... about the character? - Yes.

- Yeah, well, listen, about the character...

Maybe you'll get what I think of her from the scene itself.

It's just hard for me to put into words.

- Okay, let's do the scene, yeah, let's do the scene.

I'll feed you the first line. - Mhm.

- And then you just act as if they're all right here.

- Standing right here, yeah? - Yes, right in front of you in this room. Okay?

- Yes, yes. - Good.

- A question, a question about the narrator's text. There's just... in there...

- Ah, the text. Well, the author's narration is voice-over, yes.

But if you want, you can... you know, just as a side note... right here...

say it into the camera, yeah.

And so some of the text will remain poetic,

some of it will be, like, a musical. - Uh-huh.

- And that part where Yelisey talks to the wind, that's going to be a rap.

- Oh, a rap. Mhm. Got it. Okay.

No, just to clarify: they all came into my room early, early in the morning.

All seven of them, while I was sleeping, they just came in, right?

- Well, yeah, yeah, of course. So? Should we just record it?

- Yeah, let's do it. - Let's do it, yeah.

- Guys. Can we roll?

- Mhm. What do you mean?

Why would you bring me someone else's ashes, Mom?

And how am I supposed to check?

Mom, then what was I supposed to do?

Was I supposed to cremate him myself?

- "But you're a loving sister to us all. So why do you shake your head that way?

Do you refuse our plea, or are the suitors not for thee?"

- "Oh you, my noble knights, my brothers dear," the princess tells them in reply.

"If I speak false, may God forbid I leave this place alive.

What can I do? For I'm a bride-to-be.

To me you all are equal, all so bold, and all so clever,

I love you all with all my heart, but to another I am promised evermore.

Dearest of all to me is Prince Yelisey."

- Cut! No, well, no, it's good, yeah, good. Uh-huh.

- I'm sorry. - No, no, it's fine. Thank you.

- It's just, there was no one there. - It's fine, yeah.

But the one thing I can tell you for sure,

is that this character, she's such a cheerful, bright person.

You see? She's like... like a Pioneer, if you will.

She trusts everyone, believes in all that is good.

There's none of that in her... you know, those gloomy, weak heroines.

What's wrong with your face today?

- Nothing's wrong.

- Ah, so you just always have that pouty look on your face, is that it?

- Well, I don't know.

Thank you, goodbye. - Mhm.

- Are you okay? - Yeah.

- There's no magic to it if he's with a radish, you know?

Look, we have two irreconcilable clans, right?

Montagues, Capulets. The orchard, the vegetable patch.

And this bow-legged onion dude, our guy from the patch,

he falls in love with a cherry.

Who's hanging high up on a tree, a red cherry, you know? A ripe cherry.

And he's just looking up at her, you get me? Like.

- Rain, a cherry! - Rain, yeah.

He looks at her, and we can do it like Romeo and Juliet.

They unite these two clans, the vegetable ones and the fruit ones.

- She's a ripe cherry. - A ripe cherry. With red lips.

Imagine, we tell the producers, and they'll be like,

"Here's the money," deposited right away,

I mean, we'll be heading straight to the accounting department.

It'll be awesome. No, I mean, jokes aside, I actually like this.

- But it's rated 6+.

- So what? It's not like we're gonna do *anything*. What's the difference?

We'll play it out with the cherry the same way we were going to with the radish.

She just has red lips. - Red lips.

- We'll get a pretty one for the part.

Our clumsy little guy needs someone to balance out his...

- The cherry is bald too. - ...onion beauty.

- A cherry. Red and bald.

- Yeah, we'll just stick that soccer ball helmet-cam on her.

- Okay, so if we're cutting that whole prison storyline,

then we need to expand the love story.

- We definitely have to expand the love story, for sure. It has to evolve.

Right now it's all just "friendship-friendship,"

you know, kind of... preschool-level. We can make it a bit more serious.

A 6+ rating doesn't mean all we can do is sit around picking our noses.

So, as for the tomato, as for the tomato,

I think the tomato is in between, you see?

He's not in the ground, and he's not...

- Rusya, wait, my battery's dead.

- Mishka, I gotta run. It's time, look, you hear me?

I gotta run, you hear? I'm telling you, I have to go, it's my eyes, my eyes.

- Your eyes? - The doctor, I...

- Ah, sick leave. - Yeah, I told you, my doctor's appointment.

Okay, look, it's cool, we figured some stuff out today.

The main thing is, we'll call each other and just talk it over.

- It's tomorrow. - Tomorrow? We can do tomorrow.

Ah, no, tomorrow, damn... I'll probably be a wreck tomorrow, Mish.

Look, we'll... we'll just call. I'll... I'll call you today. Yeah.

It's a good idea, a really solid one. I've got my second wind.

Talk soon.

- Marinochka, easy does it. - You always forget to say: "And you..."

- Well, I'll say it. Bet you I'll say it. - Thank you.

- You're welcome. - Okay, and I play, for sure? Excellent.

- Yep. And you're getting crushed. Six.

- Oh no. Oh no.

- Gimme, gimme, gimme. - Can't yet.

- Gimme, gimme, gimme. - Do you remember?

- No, just give it!

- It's all bluffs over there. - Oh, trouble.

- There's no trouble. - 10.

- Turn it off. - You're just... ugh!

- One sec, okay... - I'm totally blinded!

- Tuzenbach. - He just burst in. Well.

- I'm done. - Sergey.

- That's it? - He's one of Maxim Vinogradovich's.

(The card game continues noisily)

- For the "Murder of the Sultan" scene, please get ready.

I repeat, get ready for the "Murder of the Sultan" scene.

- Go kill the Sultan, then we'll continue. - Yeah, okay. We'll pick this up later, okay?

- Oh, we'll continue it alright. - You guys are real vultures, you know that?

- We're not vultures, we're crows. - This conversation isn't over.

- Okay, and the cheeks? All set. Oops.

- Please, please. - You're most welcome.

- Getting ready for the "Murder of the Sultan" scene. Ilya, Vanya, where are you?

- I am now immobilizing your eye.

You will feel some pressure, this is necessary for stabilization.

Your vision will blur due to the pressure.

The laser is now creating a corneal flap.

You may hear soft clicking sounds; this is the laser operating.

The flap has now been created, the pressure is decreasing,

and the light is gradually returning.

The laser is now reshaping the cornea to correct your vision.

Poor Cipollino.

He suddenly felt like he couldn't see very well.

That was because a big, huge tear had welled up in his eye.

"Get back, you silly thing!" Chipollino shouted at it,

gritting his teeth so he wouldn't start bawling.

Blood flow to the cornea is temporarily suspended;

this is a normal part of the procedure.

You will now experience total darkness.

- Guys, San' isn't picking up.

- Friends, buddies, hello! What's the plan for today?

What time are we meeting? I called San'ka, he's not picking up.

I'd like to get a sense of how we're rolling today.

- Right, well, what's the point... Why answer me? Just stay silent.

- Well, Sasha never answers me,

so for me, this is nothing new.

If anyone finds out for real what time we're meeting, text me.

Kisses to all.

- My little squirrels, we are still on.

Our crew is meeting at 9 PM.

Time to give a proper send-off, so to speak, to everything that's flying away.

It's on. Adios. See ya.

Gosha. Gosha.

I asked you to stick around so you could wake me up.

- Uh-huh. - So I'd have time to pack my stuff.

- Uh-huh. - So... why didn't you wake me up?

- San'. - What?

- Sorry. I was just on the phone with... - With who?

- With Natakha, she's in a different time zone, we talked till morning.

- Who were you on the phone with?

- With Natasha, I said. - Natasha.

- Yeah. I went to bed after that. - Right, okay. Okay. Natasha.

- I just passed out. - It's cool, it's cool, I get it. It's fine.

Hello? - Dimochka. Hey, you called?

- Yeah. How are you?

- I'm good. Why'd you call?

- No reason, just... missed you, damn.

- Oh, right, right. But everything's good, that's the main thing?

- Everything's great, listen. The pic came through from Paris.

- Got it, got it. - How are you doing?

- Why are you smiling? - What?

- So why are you grinning?

- Hey, Sash. - Oh, hey, Nik.

What, is she just gonna sit there and not say hi?

She's right there? Nika, why are you sitting there and not saying hi?

- Well, I'm not saying hi. - You're not saying hi? Hello.

- Hey. - So, what's up?

- Nothing much, I'm good. How are you? - Same old, just working.

- What's your job?

- You know, this and that. I'm working. What about you?

I see. Congrats, that's awesome.

So I guess while Mityai snoozes, he loses.

- He's now... - Got it.

- Dim. You gonna talk some more?

Alright then. Bye. - We'll talk later. Bye.

- Bye-bye.

- How's it going? Another round of drops? - Yeah.

- Here you go. I'll be back in 10 minutes, okay?

How are you feeling?

Did you bring the drops? - Yes.

- We don't need these.

Okay, carefully, lift your glasses up. Careful.

- I don't think that went in. - This eye?

- Yep. Yep. - Got it that time?

Alright. I'll be back in another 10 minutes or so, okay?

- Yeah. - The drops are here.

- Uh-huh. Miss!

- Yes? - Could you bring some smelling salts?

- Some what? - Ammonia.

- Are you feeling faint? - You should probably get them.

It's just... I recognize this feeling. - I'll be right back.

Are you okay? Did you hit your head? - No, no, no.

- Careful now. - See? He fainted. I told you so.

- So, he... Wait. Kolya.

- Peek-a-boo. Sasha.

- Ah, salaam. - Are you nuts?

- Such delicate skin. - Aren't you...? Oh, no, it's you.

- No, I did my part. - You did, yeah, but he didn't.

- Why are you always on my case? - Did he stay the night at your place?

- Huh? - Where'd you sleep?

- Vlad, he's kind of... - You hear that, Skype?

- Why am I so damn good-looking? Why? Can you explain it to me?

- Why did I wake up? - What makes you think that? That I was at...

- Oh! Well, well. Look who it is. - Hey, handsome.

- Well, what do you expect? - You made it.

- I mean, what? How could I not? How could I not show up, are you kidding?

- You! You! - When else would I get to see this guy?

- You won't be seeing anything if you catch an infection. Then it's game over.

No, he's not supposed to be around crowds today.

- Who told you that? - It's just logic.

- My vision is already, like, you know?

- I'm going to give him an infection? - I don't just see. I can see with a zoom.

- No, no, you're clean, it's all good. - I'm infectious, I passed it to him.

- Hey. So, what are you guys talking about?

- Well, I'm not gonna go too hard today, right?

- We're not going hard today. - He can't go hard, he can't.

- No, this is on you. - I'm against it.

- I'm, I'm, I'm responsible for him. Let her have just a sip.

So? To the best of the best, I guess, right?

- Guess so, yeah. - Yep. As the man from Chelyabinsk said,

"By my own will and the grace of God, I became both great and wise."

- Exactly. - He's talking about my uncle on my mom's side.

- Of course. - Uh-huh.

- You can't drink alone. - It's not even half a glass.

- It's a balm. No, really, it's a balm. - No, that's enough, enough.

- The man went through an ordeal, an operation.

- C'mon, this isn't about me today. - He won't, Mash, he won't, he won't.

- Guys, I just fainted. - It's not gonna end with this now.

It's gonna end with one sip.

- Actually, it was really quick, but then I passed out.

- Excuse me, you're looking at us. What's your name?

- Dasha. - Dasha?

That's it. That's all. The whole question. I was just asking.

- I'm not drinking today. Just one sip.

- Master, Master, another order's coming in. - Why are you doing this to yourself?

- Master Oleg Igorevich. What are you, where are you?

- We're at the home base. This guy showed up, he's catching an infection.

- What infection, Igorevich? Oleg Igorevich, look what's happening.

- This guy showed up in sunglasses in the middle of winter.

- I can see everything now. - And who's this? Huh? Huh? And who's this?

- Master, where are you? We're at the base.

- And they're all sitting there, dead serious,

it's like a painting, like a real-life funeral,

like, everyone's in dark sunglasses like me,

and I was the only one who came, by the way.

They took on the "event" exercise.

The students are doing the event exercise.

Kitty cat. - Such a pointless assignment.

Completely meaningless. - What?

- What do you mean, meaningless?

- I mean, what is there to do? - What do you mean by that?

- You mean you can do it like, easily?

- I can do it easily. Then you can do it too.

- That's not exactly accepting the event. - Master Oleg Igorevich. There's, there's...

- Show him. - There's a former student here, look at him.

- He worked in Hollywood, he's about to share his wisdom.

- Yeah, he took one look at how you teach and said this assignment is for morons.

- Basically, it's all for idiots. Just quit it.

- He's ready, he's ready to come and do it, and show how it's done.

- Easily. - He's completely

discrediting your assignment.

I think we need to go out there and put this to the test on the floor.

Let's do it. Can we come, Master?

Gosha will demonstrate the "assignment for morons."

- Easy, easy. - When I showed up,

everyone was sitting there, for real. - We need the light...

- He's texting.

- Guys, we're moving out. - We're going?

- Yeah, yeah, yeah, let's go, let's go. - Already?

- Yeah, right now. - Yeah, right now. Let's go. Let's go, let's go.

- Gosha's going to demonstrate. - He'll show the theory,

show the "moron" version, yeah.

- What do you mean? - Strelnikov can wait for now.

- Damn, I haven't finished my drink. - I'll finish it, I'll finish it, I'll finish it.

- Oh, come on. We can stand outside, have a smoke.

- Smoke, yeah, we'll have a smoke. - Infections, that's it.

- Why are you picking on me? - What, I gotta work now?

- Mashka. Why so sad? - Sash, let me tell you later, okay?

- Aleksandr. - Well, hello there!

- Good evening. - Well, hello there!

- I'm sorry, but it's... it's you, right? - That's me, yeah, yeah. That's me.

- I absolutely adore you, I really, really love you,

you're my absolute favorite actor. - Thank you, I appreciate that.

- Let's go. - San', let's go. San'!

Can I get a picture with you?

Come on, you'll be late, Igorevich is waiting.

- No, I'm sorry, I don't take pictures.

- Oh, please, I'll look at this photo forever.

- I understand, but it's just a principle of mine. That's all, that's all.

- Please? - Sorry. I'm sorry.

- Damn, that's so not fair.

- Wait, I needed to hit the restroom. - Who cares?

- Just forget it. - Later, later.

- You've started to look like him as you've gotten older.

- Like Meyerhold, I guess. - Why?

- I'm sick.

- Are you kidding me? - With tuberculosis.

- An', An'. - Don't come near me.

- Wait. - I have tuberculosis, don't come near me.

- An'.

- Vasya, Oleg. - Hello.

- Well, get in here already. - I told him, just like I said.

- He told me, he told me. - I told him.

- What tuberculosis? Dash, that's it, what? Go away, that's it, disappear.

- She has tuberculosis.

- After you, master. - Me?

- Yes. - What's going on?

- Gosha thinks our assignment is for morons,

so here's a harder one for you: you bring the event yourself,

you accept it yourself, you take it away yourself. Go.

- Bring it to myself? - Bring it to yourself,

take it away yourself. You have tuberculosis.

- As always, everything's a performance.

- Greetings everyone, folks, I'll do it right now.

- Uh-huh. Right off the bat. Gosh, we're waiting.

- No need to wait, I'm already here.

So, my friends...

What I wanted to discuss with you all today...

In the year 1996...

Hold on. Hold on.

- Okay, sound effect. Dropped it, dropped it. Dropped it. Dropped it.

- Bravo. - Bravo.

- Sash, your turn. - Did you guys get the part about the poop?

- That was brilliant, yes, that was really something else.

There was even, you know, some kind of... Yes. Get up here.

- What? - Come on, Sash, who else but you?

Just show us what's meant by it. - What's meant by it?

- What does it mean to bring an event, what does it mean to accept an event?

Mash, help him out. Let's go.

- I have to do Gosha's bit? - Gosha's bit, yeah, come on, get up here.

- You can't top that performance. - Or do you want to take a break?

- No? Let's do it then. - After the break?

- Did you two plan this? - No, no, no, no break.

- No breaks. - Let's do it now.

A short break, come on. - No, no, we're doing it.

- And to die for you. - Uh-huh.

What took you so long, Sash?

- I was taking a shit.

But that's not all I wanted to tell you. I have some news.

My visa was approved. I'm leaving.

- Cool. Congratulations.

- Thanks. - When are you leaving?

- In the morning.

- For what?

- To study.

- So... when will I see you?

Seriously, when are we going to see each other next?

Well, what is this? I guess this is goodbye then.

- Mash, are you serious right now? Masha.

- Did you see that? - Thank you. So, break time?

- Master, did you see how I brought the event?

- Yes. And that right there, that's how you bring an event, well done.

- Did you see what happened to her? You get it?

- I get it. - What happened to your partner?

- This ain't that.

- Oh, well done, Romka. - You remembered that well.

- Yeah, yeah, yeah, yeah. - Bro, that's going too far.

- It was an accident.

- What's wrong, Mash? - I'm just a bit worn out today.

- Got it. We'll go to my place. I have some wine left over from my birthday.

I still need to pack my things, and have someone wake me up in the morning.

I slept through all my alarms today.

- Perfect, let's go. - We'll finish our smokes first.

- Uh-huh. - Got one for me?

It's gotten warmer, huh?

- I'm not really dressed for the weather.

- Remember that time we were walking, we went, I think,

all the way to the Sadovoye Ring, then we went to Patriarshiye Ponds.

And then we went somewhere else after that.

- We made it to the zoo. - Right.

Then for some reason we ended up at Begovaya.

- I took the metro from Belorusskaya.

- You took the metro from Belorusskaya, and what about me?

- From Begovaya. - From Begovaya. Who was I with there?

- Maria, good afternoon. I was supposed to deliver your cat's ashes, but...

- Masha. What's wrong? What is it, Mashka? - Did you get hurt?

- The river where Polina swam.

- The right bank was gently sloping, as it should be. But the left bank was steep.

And in it, swifts dug burrows for their nests.

You could put your arm in up to the elbow and still not reach the nest.

As unreachable as the moon, turning golden in the river in the evenings, when

from gardens as dark as a whirlpool, a love song would drift.

And the river flows on, minding its own business. I am swimming. I...

I am swimming in this river as it runs past,

and it loves me, coolly and tenderly.

Mikheev thinks that I'm the most important thing in the world,

and so to me, he is an unworthy and limited person.

He doesn't even want to join the army until he marries me.

But I feel a little sorry for him.

But not to the point of tears, although my face is wet, but that's from the river.

So, now I've hidden from him, and,

and I've hidden my clothes so he won't find them.

No, I'm just wondering where he's looking for me now.

Where is he running around now?

- I'm right here. Where else would I be?

You've hidden yourself well, of course, and you've hidden your clothes well.

But you can't hide from me.

And so I stand here, holding your clothes and waiting for you,

to talk to you about love.

Because before, I wanted to go and serve my time.

But now I can't leave you. Let them shoot me.

- So what am I supposed to do with him?

I pity him to the point of tears; he doesn't deserve to be shot.

On the other hand, such a rage comes over me,

that I feel like shooting him myself right now.

I can't bear it. I am getting out of the river.

May you drop dead, you bastard. Here. Choke on it.

- Polina. Try to understand me.

- I can't understand you, I'm telling you,

I'm crying and trembling from tears and from rage.

- Don't tremble and don't cry.

- I am pressing myself against him now, so I don't tremble.

- And the river murmurs on its way, without raising its eyes to us.

Without raising its eyes to us. - I am hugging him.

- And I am hugging her. I speak to her in a whisper.

- And I cry to him in a whisper. Oh, this Mikheev.

- Oh, this Polina.

And oh, this river.

- What is it, Mashka? Mashka. - Did you get hurt?

- Easy, easy.

- This is some kind of nonsense. - No, wait, wait.

- You don't get it, you don't get it. - Here, try this one.

- Let me, I know this thing, yeah, I know it.

- This one's good. - It is.

- Let's have another one. - Let's do it.

- Come on, let's go already. - Let's have one more.

- Enjoy. - Thanks.

- Want one? - No, no, thanks.

- At least eat some salad

- What, you tired? - Uh-huh. A little.

- So what was that play you guys had today?

- Don't ask. - Why?

Kolyvanova invited me to it, but I just never made it, although...

- Good thing you didn't. Can you hand me my phone, please?

- Though I wanted to, I heard... - One second.

Yeah, Irish. Yeah. Tanya says hi. She says hi back.

She says hi back. So, what's up?

Right. So when does it need to be done?

Well, let's do it in the morning, why bother now.

No, it's just that I also, you know, have to see someone off.

I'd like to hang out for at least another couple of hours.

- What are you drinking? - Just drinking, for now.

- How's it going? - Pretty bad.

- What happened? - I'm out of money.

- I'm sorry to hear that. - I have no money.

- I got it the first time. - Yeah, yeah. I'm about to sell my car.

- No. - Yeah.

- That was the last car. - Yeah, that was the last hope.

- Oh, wait, Ilyukha still has a car, you can sell that one.

- I sell my stuff on Avito.

I post it in the morning, someone buys it by the evening. That's how I live.

- That's rough. - Well, don't be so sad.

- No, it's really rough, seriously. - When I run out of the money from the car,

I'll borrow from you. - I've got nothing, Gosha.

- You don't have any either? - I'm totally broke.

But, you know, you can come crash at my place if you're really in...

- Yeah, I'll come over, I'll come over. - On the armchair-bed.

- With pleasure. - But you have a dog.

- Yeah. But I can't sell her. - Then no.

- She's too dear to my heart. Right, I'm gonna go get something stronger.

Want me to get you something? - Get some red wine.

- You got it.

- Where's Rustik? - Rustik? He's in the bedroom, lying down.

- What happened to him? - Nothing, he's just reading something.

That's the last I saw of him.

- What are you reading? - Oh, whoa, whoa, whoa. Stop.

- Oh, sorry, you have that, uh, light on. - Ow, ow, ow, ow, ow.

- Shit, I'm so sorry. - Seriously, what the hell?

- Does it hurt? - I'm fine, I'm fine.

- You sure? You need me to, what, tell you a bedtime story, put on a podcast?

- Get me, you know what, get me my eye drops, please. They're in my jacket over there,

in the pocket, on the windowsill. - Oh, yeah, one sec.

The side pocket? Regular one? Ah, here. These?

Yeah. Yeah, yeah, yeah, yeah, thanks.

- Well, seems okay.

- Gosha. Hey, did you bring wine? - No, I'll just finish my smoke and then...

- Nah, don't worry about it. I'll drink the vodka.

- I'll join you.

- Oh yeah? - Yeah. And you can join...

- Who finished the whole bottle already? Where'd it go? Who drank it all?

- Oleg Igorevich, just a shot each.

- It was all Sasha, apparently. All the vodka.

- Okay, look, Kolya, I'm against this version of the cut. That's first of all.

Second, I find it strange

that you're not honoring our agreement,

when we decided from the very beginning that we would discuss the cut together.

I am the author, this was my idea, and I shot this film,

and now you're shutting me out of the cutting process.

I think that's strange, to say the least.

And if you think no one will find out, you're wrong. It'll definitely get out.

The film world is small. We all talk to each other.

Everyone will hear about this, and no one will want to work with you.

What's so funny? - Nothing's funny at all.

- Did you send it? - Yep.

- Good man. - Hold on.

Just give me 15 seconds, I just have to...

Okay, Kolya, I am the creator of this idea.

I shot this movie, and it's an arthouse project.

I would understand if this was some commercial film,

but it's a passion project, and I find it, at the very least, bizarre

that for a commercial project... for the cut on a commercial...

on a passion project, you're not letting the creator or the director near it.

And if you think I value your, as you call it, "expert opinion,"

I don't. We live in a world where you can shoot a movie on a phone now,

and I don't need your support.

I'm not threatening you, but...

Can you just shut up for one minute? Guys, come on, seriously.

- Then why didn't you shoot it on your phone before?

- Alright, alright, alright. - You're saying, "Now you can shoot on a phone."

- Let him, let him, it's urgent, let him. - Did you send the first one?

- Hold on, no, I haven't sent the second part. Let me finish recording.

Can you just be quiet for 15 seconds?

- Let him, let him, let him. - Gar is deciding...

- ...the fate of the project. Go on.

- So, we live in a world now where you can use a phone...

- Where you can and should use a phone.

- Knock it off. - Where you can and should use a phone.

- Okay, okay, Dan', yeah, yeah. We're quiet, yeah. We swallowed the fish. Go.

- Not really.

- We live in a world now... Cut it out.

- Just let me record it. I've only got 15 seconds left.

He hasn't even read the first one yet.

Okay, Kolya, we live in a world where you can shoot a movie on a phone,

and like I said, I don't need your so-called "expert opinion" in the slightest.

I tried to communicate with you as politely and respectfully as possible,

but apparently, we're incapable of having a dialogue.

- Brilliant, Dan'. - And that's a wrap!

- Excellent! Brilliant. You nailed it.

- That was good. - Okay, sent.

- What's up, San'ka? - What?

- So, how does it feel? Feeling anything... new?

- No, no new feelings yet. Not yet.

- Not yet, huh?

- Well, I used to try to picture this place, you know, like, without me in it.

- I did. - And? How does it feel? A little sad?

- Like when I was a kid. You know, when you're a kid and you imagine that you've died.

Like that.

- Sasha, that's not a relevant comparison right now.

- I didn't say it was a relevant comparison.

- Good heavens! - For luck!

- I said it was just how I felt.

- Well, he really hit a nerve.

- Guys, I need to take a bath. I'll be quick.

- Go for it, Mashka, go.

- What do you mean, "not a relevant comparison"?

(singing) - "Here I am in the slammer again,

The sun don't shine for me, my friend, Just wastin', just wastin', just wastin'.

While out there, all the suckers roam, And party 'til the cows come home,

With the broads, with the broads, with the broads.

But then the day of freedom came, We all cried out and blessed its name,

Oh freedom, oh freedom, oh freedom.

They packed us in a cattle car, And me, like a tramp with a rusty jar,

Down the tracks, down the tracks, down the tracks.

So I walk into a general store, When a man in blue walks through the door,

A copper, a copper, a copper.

He says to me, "Well, damn my eyes, Look who's caught, to my surprise,"

You're busted, you're busted, you're busted.

- Hey, quiet, quiet, quiet down!

- Sashul! Sasha! Sasha! Sasha! Sasha, come on! Dammit. Sasha, get up!

Sasha! Sorry, sorry, sorry...

- Masha! What are you yelling for? - I'm so sorry.

- Wait, did you spend the night here? - Just, Sasha, I'm sorry. Okay, come on. It's time.

- "It's time, my friend, it's time! The heart asks for peace..." And...

"It is time, it is time! The horns are blowing;

The huntsmen in their gear are mounted, ready since the crack of dawn.

the borzois on their leashes leap, the master to the porch proceeds,

hands on his hips, he surveys it all.

His satisfied face is glowing with a pleasant sense of his own importance".

- Just stop, that's enough, please. It hurts. Jesus Christ...

- Get up, listen. Ooh. Someone didn't finish their drink.

- Morning.

- Masha. I drew up a general power of attorney for you,

so you can sell the apartment or, I don't know, go to the registry office for stuff.

- Uh-huh. Okay, got it. - So...

- Wait, how did you get a power of attorney in my name?

- They just needed your passport info.

- And where did you get my passport info?

- When I was going to the notary, I asked you to send a photo of your passport.

- And I sent it to you? - Yeah.

- And I didn't ask why? - Nope.

Congratulations. You have an apartment now.

- Guys, can we speed it up a little?

- We're speeding, we're speeding. - Oh, man, please.

- No, what are you doing?

- Man, it's actually a good thing I'm not going with you guys.

- Where's my phone? - Fury Road.

- This is the smell of paradise.

- Alright, Igorevich, you ready? - Always ready.

- Well? - Well?

- Shall we sit? - Let's sit for the road.

- Let's do it. - Have a seat.

- Dan'!

- Is it okay to sit on the floor like this? - Yeah.

- Then why are you squatting? - Yeah, you're supposed to sit on your butt.

- It's fine, what's the difference?

- Oh, he's on you. - He's on me, on me.

- Alright, we have to be quiet, think about everything.

- About everything.

- Well! - Alright, come on. Let's go.

- Let's go. - Okay, where are the keys?

- The keys were in the door.

- The keys aren't in the door.

- Tan'. - What do you mean, "no keys"?

- They're not there. - Why would you lock the door with the key?

- Guys, where are the keys? - Did you look right here?

Check under the trash, under the trash.

- Well, now we have to check all the trash bags, guys.

- No, they should've been hanging right here.

- Well, they fell.

- They're not here, they're not here. - Danchik.

- Sasha, Sasha. Come here. I think Masha threw the keys out the window.

- Dig around. - I dug, and that's that.

- Guys, Masha threw the keys out the kitchen window yesterday.

Come on, let's go look.

- Let's go look. How fun.

- Aren't you guys curious?

- Masha. - Yeah, are they there?

- Seriously? - Yeah.

- Was that the only set? - Yep.

- Well, great host, fun party games.

- We really went wild. - They're lying on the asphalt.

- What, are people there? Are they just lying there?

- They're just lying there. Okay, we can call a courier.

- How are we on time? - What do you think? We're late.

- Seriously? - San'.

- Yeah, I'm here. - Get the harness.

- What harness, Oleg Igorevich? Let's just call a courier.

- A courier's too slow. No. Easy, easy, easy...

- You really think this is gonna be faster? ...Although, yeah, I guess it is.

- Here, hold this. - You want this back?

- Hold on to my socks, my socks... - Yeah, how about we don't do that.

- Yes, yes, yes, yes. - What is happening?

- Someone should yell down below so no one touches the keys,

just in case someone walks by.

- All for nothing. - Exactly.

- Well, since it's come to this, we have time, right, San'?

- Plenty of time.

- Whoop! - Other way. Other way. Like that, yeah.

- No, maybe we should just forget it. - Easy, easy. We got this.

- It's fine, look. - Oh! Just tie it in a bow.

- It's fine. Okay. I'm letting go. Lie down. - Already?

- Yeah, now, now, now! Yes, yes, yes, yes!

Grandma pulls grandpa, grandpa pulls the turnip...

So, what, I just lean into it?

- Whoa, where are you going? - From this side.

- Okay, okay, okay, like that, yeah.

- Hey, shouldn't someone else be holding the rope? Hold the rope.

- Igorevich, you good? - I'm good.

- Master, wait! Master, the rope! - Leave him. Leave him be.

- Wait, wait, it's snagged.

- You sure? Is this right? - Yeah, it's solid.

- San', brace your feet. - I'm about to.

- Is that a good enough anchor for him? - Yeah, it's fine.

- He needs to brace his feet against the wall.

- I did. - He did.

- The radiator, he's braced against the radiator.

- Well, the wall's right there, it's fine. - It's fine?

- Wanna check?

- Tan', get me some water. - Pull it taut, pull it taut.

- No, no, no, the other way. My hand will slip. Don't, do the opposite.

You guys should hold me, not the rope. You'll burn your hands.

- Okay, I'm just gonna... - Why is no one filming this?

- You okay? - Yeah, I'm fine.

- It's okay, it's okay. It's okay. No, not yet.

- He's already past the second floor. - Oh, my God, I can't watch.

- Got it? - Got it!

- Yeah? - All done, guys.

- Oleg Igorevich! - The Master! The best!

- We are so proud of you! Take them.

- Come on, come on, come on.

- Mashka! Any more surprises? You didn't throw out his ticket or his passport?

- Where's Igorevich? - He's coming up now.

- He's coming.

- There's the master! - He is the best! The best of all time.

- Are we gonna make it? - Dan', can you take this?

- To the car, warm it up. - Ilya's about to floor it.

- Guard this with your life. - You got it.

- Oleg Igorevich. - Thank you.

- Don't forget to turn off the lights.

- Ilyusha, what's up, how long is the drive? - My phone died.

- Huh? - My phone died.

- What time's your flight? - It's fine, we'll make it.

- Oh, Ilyukha, Ilyukha. You know the way, right?

He drives here every day.

- It's fine, but we're cutting it close, I think.

- That's the vibe you're getting? - Hold on, I'll tell you...

- Go, go, go, go! - We're gonna make it! A cowboy's never late.

- Thanks so much. - Suitcases! You didn't forget anything?

- Don't think so. - Your head.

- Well, sweetie, see ya. - Don't forget us, don't be sad.

Alright, little bird. - Okay, don't cry.

- You took it off too soon. - He's getting all teary-eyed.

- You'll give Vasya a hug for me, right? - Oh, give it a rest.

- What? What is it? - Nothing.

- Who, who should I hug? - Vasya.

- Ah, alright. - No pasarán! Okay, see ya!

- Bye, Sashun'.

- Man, maybe we're a bit early, we should have...

- The time.

- Masha! - Don't slam it.

- Hey, take my jacket. - Why, what's up?

- It's too warm. And when I land, I'll have nowhere to put it.

- What's wrong? Did you forget something? - I left my jacket for Mashka.

- Let's go. - Okay, bye!

- Bye.

- Masha, faster, look at the time! We're late. Get in. Don't slam the door.

- Masha, check the pockets, you hear me?

Maybe he left his passport, his travel one.

- At least they lived through this play with me.

Right before our eyes, by living through it,

they come to this understanding...

that everything has a price,

that everything can be valued, one way or another.

That you have to pay for everything in life, not just literally.

Love is priceless. It has no price tag.

And if there is no love, then no price, no amount of money,

no billions, nothing... nothing can fill that emptiness.

- That's true.

- Guys, do you hear meowing?

You guys seriously don't hear that?

- Come on. - No, wait. Guys, there's someone there.

Sasha! - There is, there is.

- Stop, don't pull. It's a rat.

- Yeah, there are noises. - Yeah, I hear it.

- Oh! - Oh!

- Found it. - Vasya!

- Look at that! Would you look at that!

- Hey there! - So little!

- So cool. - See, he's not sick or anything.

- Yeah, well, that's Sasha's problem now, not ours.

- Why is he bald, though? - Leonid Efimych! We'll name him after you.

Efim. Fima! - Fimochka.

- It's a boy, you know that right? - Yeah, yeah. You found him, you take him.

- I think he's saying something. - Are you hungry?