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WEBVTT
01:30.174 --> 01:31.243
MAN: It's a choir.
05:53.795 --> 05:56.163
HART: "A land of leaning ice"
05:56.163 --> 05:59.000
"Hugged by plaster-grey
arches of sky"
06:01.002 --> 06:03.672
"Flings itself silently
Into eternity"
06:06.209 --> 06:07.942
"Has no one come
here to win you"
06:14.451 --> 06:18.122
"Or left you with
the faintest blush
Upon your glittering breasts?"
06:20.089 --> 06:22.660
"Have you no memories,
O Darkly Bright?"
06:32.803 --> 06:36.074
"Cold-hushed, there is only
the shifting moments"
06:38.043 --> 06:38.879
"That journey..."
06:48.956 --> 06:50.358
"That journey toward no Spring"
06:51.324 --> 06:53.262
"No birth, no death,"
06:54.228 --> 06:56.398
"No time nor sun"
06:56.398 --> 06:57.466
"In answer."
07:07.476 --> 07:08.980
Harold!
07:12.983 --> 07:14.017
Harold!
09:24.395 --> 09:25.629
HART: You know he is seeing
other women in Cleveland.
09:28.134 --> 09:31.202
MOTHER: Your father
is nothing to me.
09:31.202 --> 09:36.409
He is a tiny man
with nothing but his
chocolate and his numbers.
09:36.409 --> 09:39.111
HART: Then why don't we
bleed him for all he's worth?
09:39.111 --> 09:40.648
If he is so heartless,
then why shouldn't we be?
09:42.582 --> 09:44.317
Dance with me, Harold.
09:51.159 --> 09:52.260
I don't want to go
back to Cleveland.
09:54.129 --> 09:55.398
I want to stay here
in New York.
09:57.500 --> 09:59.168
Dance with me, Harold.
10:03.573 --> 10:07.210
I don't want you to call me
Harold anymore. Call me Hart.
10:08.445 --> 10:09.379
"Hart"?
Yeah.
10:11.615 --> 10:13.985
That is my new name.
10:13.985 --> 10:15.019
MOTHER: Okay, Hart.
11:00.604 --> 11:01.971
HART: "And so it was
I entered the broken world"
11:05.008 --> 11:07.710
"To trace the visionary
company of love..."
14:16.657 --> 14:17.789
HART: Here it is.
14:19.692 --> 14:21.761
Diffututa mentula.
14:23.462 --> 14:24.596
"Fucked flat."
14:26.633 --> 14:28.802
That's how I feel.
My fuckin' father.
14:31.337 --> 14:32.573
Why does he make
you work here?
14:34.876 --> 14:39.547
Punishment. He doesn't want
a goddamned poet for a son.
14:39.547 --> 14:40.716
He wants a calculator.
14:43.486 --> 14:45.288
Then why don't you kill him?
14:51.328 --> 14:54.663
I'm going to go to New York,
go to Columbia University,
14:55.932 --> 14:57.335
Learn French.
15:00.272 --> 15:02.240
Well, I know French.
15:07.477 --> 15:08.346
I love you.
15:10.582 --> 15:11.484
I know.
15:14.519 --> 15:15.921
HART: Sometimes
I love you so much I cry.
15:18.890 --> 15:19.759
Why?
15:22.562 --> 15:23.962
Because you have
the eyes of Pierrot.
15:27.400 --> 15:28.336
Who's that?
15:30.671 --> 15:33.576
Oh, just this
guy from Italy.
17:22.796 --> 17:23.663
Yes!
17:29.537 --> 17:32.173
Isadora Duncan
was incredible.
17:33.643 --> 17:34.710
Magnificent.
17:36.480 --> 17:40.450
But the crowd, what a bunch
of conservative bores.
17:41.817 --> 17:47.824
So after, she comes back,
breast exposed.
17:47.824 --> 17:51.696
She tells 'em all to go home
and read the Calamus section
from Whitman.
17:51.696 --> 17:55.967
I'm sure most
don't even know Whitman.
It was... It was incredible,
17:55.967 --> 17:58.002
Breast hanging out,
nipple exposed,
17:59.805 --> 18:03.875
Telling them that
the truth isn't beautiful,
18:03.875 --> 18:05.977
That in fact,
it's quite indecent.
18:10.182 --> 18:14.755
But the important thing,
is how do we
get that into poetry?
18:14.755 --> 18:19.528
All of it. Jazz,
Woolworth's, typewriters,
18:19.528 --> 18:21.729
Buildings,
freeways, everything.
18:23.565 --> 18:28.770
It's... It's popping up from
bridges and... And tunnels,
18:28.770 --> 18:32.541
You know, from... From
here to... To San Francisco.
18:32.541 --> 18:34.210
How do we... How do we
get that into poetry?
18:36.179 --> 18:37.548
Eliot did it.
18:39.848 --> 18:41.617
Yeah, yeah, yeah,
yeah, yeah, yeah. Yeah.
18:43.587 --> 18:45.855
But Rabbi Crane,
18:45.855 --> 18:51.630
Rabbi Crane will do it with
a positive affirmation.
18:51.630 --> 18:55.267
It's not enough to join
a bunch of Apeneck Sweeneys
saying life is shit.
18:58.269 --> 19:02.508
We all know life is a dance
of death, but you can still
make something out of it.
19:03.876 --> 19:05.211
You can do something with it.
19:06.112 --> 19:07.814
Munsey, Munsey, Munsey.
19:10.217 --> 19:11.049
There's something...
19:13.553 --> 19:15.721
There's something
beneath this...
19:15.721 --> 19:18.093
This hell of our modernized,
mechanized world.
19:18.925 --> 19:19.894
There's something true,
19:21.028 --> 19:22.897
Some essential
19:25.067 --> 19:29.204
Antique beauty
that we can get at,
19:29.204 --> 19:34.144
We can get at using the very
Elizabethans that Eliot, that
master of death, utilized.
19:37.012 --> 19:41.117
We can use Shakespeare,
Johnson, Marlowe, Webster,
19:41.117 --> 19:45.723
We can use them for a
resurrection, for an
affirmation.
19:48.626 --> 19:53.097
Hart, forgive me for saying
this, but you want to speak
for America.
19:53.097 --> 19:54.834
Yeah.
Does it matter
that you're queer?
19:58.838 --> 20:01.273
Whitman was queer.
20:01.273 --> 20:02.575
That's why he could
love all of America.
20:02.575 --> 20:05.109
The roustabouts, the slaves,
20:06.913 --> 20:09.215
The... The... The soldiers
he nursed in the Civil War.
20:12.786 --> 20:14.320
So you will expose yourself?
20:18.093 --> 20:21.929
That's funny, considering
my truck driver left me.
20:26.233 --> 20:29.772
No, people can know everything
about us when we're dead,
20:32.039 --> 20:33.041
But for now,
it's better
to keep quiet,
20:34.878 --> 20:35.912
For Father's sake.
20:37.114 --> 20:39.316
Right.
20:39.316 --> 20:42.153
You wouldn't want to lose that
tremendous job for the sake
of some queer affirmation.
20:53.097 --> 20:54.965
That job is killing me.
20:59.271 --> 21:02.642
You know, I might be
the last Romantic alive,
21:06.113 --> 21:06.913
But if I don't...
21:09.349 --> 21:11.818
If I don't get out of there,
I'm not gonna be able
to write anymore.
21:43.188 --> 21:44.121
MAN: Fuck!
21:49.227 --> 21:50.262
HART: You okay?
21:53.465 --> 21:54.867
Does it hurt?
22:04.310 --> 22:05.846
Stop the bleeding.
23:16.025 --> 23:17.325
FATHER: Harold, come here.
23:19.362 --> 23:20.428
HART: I'm eating.
23:22.130 --> 23:23.431
You're living with your
mother, go eat with her.
23:24.969 --> 23:27.904
Why don't you eat
with her, you pig?
23:27.904 --> 23:30.439
I will not be spoken to like
that in front of these people.
23:30.439 --> 23:33.878
HART: What, in front of
the workers? Your slaves?
Is that what you mean?
23:33.878 --> 23:37.883
You will apologize to me
and to everyone here.
Oh, yeah? Yeah?
23:37.883 --> 23:41.819
That's what I am, right?
One of your slaves? Huh?
23:44.355 --> 23:46.357
Why don't you go to hell?
Take your money and
shove it up your ass!
24:05.212 --> 24:08.217
HART: Hey. Munsey, wait.
You all right?
24:15.490 --> 24:16.326
You all right?
24:17.928 --> 24:18.559
MUNSON: Ugh.
24:20.963 --> 24:22.365
You okay? You okay?
You all right?
Yeah.
24:22.365 --> 24:24.334
I'm all right.
You okay?
Yeah, come on.
24:43.056 --> 24:45.257
HART: Shh! Stop!
24:47.593 --> 24:50.529
Shh! Go, go, go, go! Go.
24:54.232 --> 24:55.834
Come on. Hurry. Go!
24:59.673 --> 25:01.141
No more drinking
in this house!
25:02.910 --> 25:06.013
Fuck you! Fuck all of you!
26:43.589 --> 26:47.559
I'm astounded by your picture.
Apples and Gable?
26:47.559 --> 26:53.233
Yeah. I'd... I'd love to
write a... I'd be honored to
write a... An essay about it,
26:53.233 --> 26:55.068
In a comprehensive essay
about your work.
26:55.068 --> 26:58.173
Okay, Hart, fine, fine.
26:58.173 --> 27:03.044
Really? Great. Uh, would you
uh... Would you like to go to
the the cinema with me?
27:04.712 --> 27:06.781
Right now?
Yeah.
27:06.781 --> 27:08.517
I'm sorry, Hart.
There is so much work to do.
27:09.851 --> 27:12.521
Okay. Well...
I'll see you soon then.
Yes.
27:13.654 --> 27:15.090
Okay. See ya.
28:32.944 --> 28:34.380
Tough.
28:36.316 --> 28:38.048
Don't hide from Naugahyde.
28:41.886 --> 28:43.455
Naugahyde.
28:47.760 --> 28:49.663
Just messing around.
28:57.372 --> 28:59.173
Naugahyde,
Naugahyde, Naugahyde.
29:02.544 --> 29:05.681
Naugahyde. Tough.
29:09.984 --> 29:13.189
Tough. Tough. Tough.
29:15.492 --> 29:16.960
Naugahyde.
29:16.960 --> 29:18.961
Naugahyde.
29:21.266 --> 29:22.598
Naugahyde.
29:28.240 --> 29:28.905
Naugahyde.
29:32.711 --> 29:33.612
Naugahyde.
29:35.882 --> 29:37.717
Naugahyde.
29:40.288 --> 29:41.821
Naugahyde.
29:43.655 --> 29:44.724
Naugahyde.
29:48.328 --> 29:49.462
"What is that?"
29:51.266 --> 29:53.268
Naugahyde.
30:01.443 --> 30:03.244
I've got some
Naugahyde for you.
30:09.852 --> 30:11.854
I've got some
Naugahyde for you.
30:15.626 --> 30:17.361
I've got some
Naugahyde for you.
30:22.398 --> 30:24.336
I don't go anywhere
without my Naugahyde.
30:27.306 --> 30:30.343
I don't go anywhere
without my Naugahyde.
30:41.422 --> 30:42.655
HART: My Grandmother's
Love Letters.
30:44.424 --> 30:46.926
"There's..."
30:46.926 --> 30:49.630
"There are no stars tonight
But those of memory"
30:51.932 --> 30:54.001
"Yet how much room
for memory there is"
30:54.001 --> 30:55.403
"In the loose girdle
of soft rain."
30:58.441 --> 31:00.776
"There is even room enough
For the letters of
my mother's mother"
31:01.877 --> 31:02.678
"Elizabeth"
31:04.547 --> 31:07.916
"That have been
pressed so long
Into a corner of the roof"
31:07.916 --> 31:11.453
"That they are brown and soft
And liable to melt as snow"
31:14.393 --> 31:17.494
"Over the greatness
of such space
Steps must be gentle"
31:19.096 --> 31:21.964
"It is all hung by
an invisible white hair"
31:23.568 --> 31:25.871
"It trembles as birch
limbs webbing the air"
31:28.441 --> 31:29.709
"And I ask myself"
31:31.977 --> 31:35.714
"'Are your fingers
long enough to play
Old keys that are but echoes"
31:38.519 --> 31:40.954
"'Is the silence strong enough
To carry back the music
to its source"
31:42.890 --> 31:44.991
"'And back to you again
As though to her?'"
31:49.498 --> 31:51.066
"Yet I would lead my
grandmother by the hand"
31:53.469 --> 31:54.970
"Through much of what
she would not understand"
31:56.837 --> 31:58.105
"And so I stumble."
32:00.107 --> 32:01.978
"And the rain
continues on the roof"
32:03.378 --> 32:08.018
"With such a sound
of gently pitying laughter."
32:28.673 --> 32:31.041
The Marriage
of Faustus and Helen.
32:34.681 --> 32:37.951
"The mind has shown
itself at times"
32:37.951 --> 32:40.622
"Too much the baked
and labeled dough"
32:40.622 --> 32:42.190
"Divided by
accepted multitudes."
32:44.057 --> 32:47.160
"Across the stacked
partitions of the day"
32:47.160 --> 32:49.932
"Across the memoranda,
baseball scores"
32:51.164 --> 32:53.867
"The stenographic smiles
and stock quotations"
32:55.203 --> 32:58.141
"Smutty wings
flash out equivocations"
33:00.644 --> 33:02.112
"The mind is brushed
by sparrow wings"
33:03.445 --> 33:07.818
"Numbers,
rebuffed by asphalt, crowd"
33:07.818 --> 33:10.886
"The margins of the day,
accent the curbs"
33:12.957 --> 33:16.828
"Convoying divers dawns
on every corner"
33:16.828 --> 33:19.096
"To druggist,
barber and tobacconist"
33:21.700 --> 33:24.503
"Until the graduate
opacities of evening"
33:24.503 --> 33:27.574
"Take them away
as suddenly to somewhere"
33:27.574 --> 33:31.645
"Virginal perhaps,
less fragmentary, cool"
33:34.614 --> 33:37.183
"There is the world
dimensional"
33:37.183 --> 33:41.256
"For those untwisted
by the love of things
irreconcilable..."
33:43.157 --> 33:45.760
"And yet, suppose some evening"
33:47.628 --> 33:50.266
"I forgot
The fare and transfer,"
33:50.266 --> 33:52.000
"Yet got by that way
Without recall"
33:53.269 --> 33:55.704
"Lost yet poised in traffic"
33:57.807 --> 34:00.809
"Then I might find
your eyes across an aisle"
34:03.113 --> 34:05.082
"Still flickering with
those prefigurations"
34:06.282 --> 34:08.853
"Prodigal, yet uncontested now"
34:10.252 --> 34:14.093
"Half-riant before
the jerky window frame"
34:17.896 --> 34:20.098
"There is some way,
I think, to touch
Those hands of yours"
34:21.932 --> 34:24.137
"That count the nights"
34:24.137 --> 34:26.639
"Stippled with pink
and green advertisements."
34:28.108 --> 34:30.777
"And now,
before its arteries turn dark"
34:32.978 --> 34:35.215
"I would have you meet
this bartered blood"
34:39.722 --> 34:46.193
"Imminent in his dream,
none better knows
The white wafer cheek of love,"
34:46.193 --> 34:49.931
"Or offers words
Lightly as moonlight
on the eaves meets snow."
34:53.603 --> 34:56.072
"Reflective conversion
of all things
At your deep blush,"
34:57.907 --> 35:00.143
"When ecstasies thread
The limbs and belly,"
35:01.945 --> 35:06.115
"When rainbows spread
Impinging on
the throat and sides..."
35:06.115 --> 35:09.253
"Inevitable,
the body of the world"
35:09.253 --> 35:13.724
"Weeps in inventive dust
for the hiatus
That winks above it,"
35:15.094 --> 35:17.027
"Bluet in your breasts."
35:19.864 --> 35:21.833
"The earth may glide
diaphanous to death"
35:24.204 --> 35:28.239
"But if I lift my arms
it is to bend
To you who turned away once,"
35:29.108 --> 35:31.411
Helen,
35:31.411 --> 35:34.648
"Knowing
The press of troubled hands,
too alternate"
35:34.648 --> 35:37.117
"With steel and soil to hold
you endlessly"
35:39.320 --> 35:42.956
"I meet you, therefore,
in that eventual flame"
35:42.956 --> 35:46.795
"You found in final chains,"
35:46.795 --> 35:49.864
"No captive then
Beyond their million brittle,
bloodshot eyes"
35:51.233 --> 35:54.838
"White, through
white cities passed"
35:54.838 --> 35:59.275
"On to assume
That world which comes
to each of us alone."
36:03.213 --> 36:07.083
"Accept a lone eye
riveted to your plane"
36:09.286 --> 36:13.125
"Bent axle of devotion
along companion ways"
36:13.125 --> 36:16.028
"That beat, continuous,
to hourless days"
36:17.163 --> 36:18.931
"One inconspicuous,"
36:19.965 --> 36:21.967
"Glowing orb of praise."
36:24.704 --> 36:25.438
Two.
36:27.173 --> 36:30.443
"Brazen hypnotics glitter here"
36:30.443 --> 36:35.483
"Glee shifts
from foot to foot,
Magnetic to their tremulo."
36:35.483 --> 36:40.222
"This crashing opera bouffe
Blest excursion!"
36:40.222 --> 36:42.324
"This ricochet
From roof to roof."
36:44.260 --> 36:48.030
"Know, Olympians,
we are breathless"
36:48.030 --> 36:51.735
"While nigger cupids
scour the stars!"
36:51.735 --> 36:54.737
"A thousand light
shrugs balance us"
36:54.737 --> 36:56.940
"Through snarling
hails of melody."
36:59.476 --> 37:02.780
"White shadows slip
across the floor"
37:02.780 --> 37:04.949
"Splayed like cards
from a loose hand"
37:06.451 --> 37:09.820
"Rhythmic ellipses
leap into canters"
37:09.820 --> 37:12.958
"Until somewhere
a rooster banters."
37:15.027 --> 37:20.099
"Greet naively, yet intrepidly
New soothings, new amazements"
37:20.099 --> 37:22.869
"That cornets
introduce at every turn"
37:24.871 --> 37:26.172
"And you may fall
downstairs with me"
37:27.474 --> 37:30.043
"With perfect grace
and equanimity"
37:31.346 --> 37:35.081
"Or, plaintively
scud past shores"
37:35.081 --> 37:36.983
"Where, by strange
harmonic laws"
37:38.320 --> 37:40.523
"All relatives,
serene and cool"
37:42.190 --> 37:44.927
"Sit rocked
in patent armchairs."
37:47.030 --> 37:51.367
"O, I have known
metallic paradises"
37:51.367 --> 37:54.202
"Where cuckoos
clucked to finches"
37:54.202 --> 37:56.773
"Above the deft
catastrophes of drums"
37:58.409 --> 38:01.980
"While titters hailed
the groans of death"
38:01.980 --> 38:05.583
"Beneath gyrating
awnings I have seen"
38:05.583 --> 38:08.420
"The incunabula
of the divine grotesque."
38:10.956 --> 38:13.423
"This music
has a reassuring way."
38:16.028 --> 38:18.898
"The siren of the springs
of guilty song"
38:18.898 --> 38:22.068
"Let us take her
on the incandescent wax"
38:22.068 --> 38:26.039
"Striated with nuances,
nervosities"
38:26.039 --> 38:29.509
"That we are heir to
she is still so young"
38:31.512 --> 38:33.280
"We cannot frown upon her
as she smiles"
38:34.916 --> 38:37.485
"Dipping here
in this cultivated storm"
38:39.554 --> 38:42.992
"Among slim skaters of the
gardened skies."
38:45.494 --> 38:46.362
Three.
38:51.634 --> 38:54.972
"Capped arbiter of beauty
in this street"
38:54.972 --> 38:57.943
"That narrows darkly
into motor dawn"
38:57.943 --> 39:02.547
"You, here beside me,
delicate ambassador"
39:02.547 --> 39:05.318
"Of intricate slain
numbers that arise"
39:05.318 --> 39:08.519
"In whispers, naked of steel"
39:08.519 --> 39:10.123
"Religious gunman!"
39:11.489 --> 39:15.228
"Who faithfully, yourself,
will fall too soon"
39:18.030 --> 39:20.266
"And in other ways than
as the wind settles"
39:20.266 --> 39:23.603
"On the sixteen thrifty
bridges of the city"
39:23.603 --> 39:26.639
"Let us unbind our throats
of fear and pity."
39:28.342 --> 39:32.181
"We even,
Who drove speediest
destruction"
39:32.181 --> 39:35.516
"In corymbulous
formations of mechanics,"
39:35.516 --> 39:39.320
"Who hurried the hill breezes,
spouting malice"
39:39.320 --> 39:42.257
"Plangent over meadows,
and looked down"
39:42.257 --> 39:46.262
"On rifts of torn
and empty houses"
39:46.262 --> 39:49.934
"Like old women
with teeth unjubilant"
39:49.934 --> 39:52.971
"That waited faintly,
briefly and in vain"
39:54.972 --> 40:00.244
"We know, eternal gunman,
our flesh remembers"
40:00.244 --> 40:03.914
"The tensile boughs,
the nimble blue plateaus,"
40:03.914 --> 40:07.519
"The mounted,
yielding cities of the air!"
40:09.989 --> 40:14.427
"That saddled sky that shook
down vertical
Repeated play of fire"
40:16.262 --> 40:20.967
"No hypogeum
Of wave or rock was good
against that hour"
40:23.336 --> 40:26.541
"We did not ask for that,
but have survived"
40:26.541 --> 40:29.443
"And will persist
to speak again before"
40:29.443 --> 40:32.213
"All stubble streets
that have not curved"
40:32.213 --> 40:37.119
"To memory, or known
the ominous lifted arm"
40:37.119 --> 40:41.490
"That lowers down
the arc of Helen's brow"
40:41.490 --> 40:44.427
"To saturate
with blessing
and dismay."
40:46.295 --> 40:48.965
"A goose, tobacco and cologne"
40:50.735 --> 40:53.737
"Three winged and gold-shod
prophecies of heaven,"
40:55.472 --> 40:58.443
"The lavish heart shall always
have to leaven"
40:58.443 --> 41:01.679
"And spread with bells
and voices, and atone"
41:01.679 --> 41:03.981
The abating shadows
of our conscript dust
41:06.353 --> 41:10.123
"Anchises' navel,
dripping of the sea"
41:10.123 --> 41:13.393
"The hands Erasmus dipped
in the gleaming tides"
41:15.128 --> 41:17.998
"Gathered the voltage
of blown blood and vine"
41:19.333 --> 41:22.003
"Delve upward for the new
and scattered wine"
41:23.371 --> 41:27.041
"O brother-thief of time,
that we recall"
41:28.708 --> 41:31.713
"Laugh out the meager
penance of their days"
41:31.713 --> 41:35.585
"Who dare not share with us
the breath released"
41:35.585 --> 41:39.222
"The substance drilled
and spent beyond repair"
41:41.092 --> 41:44.393
"For golden,
or the shadow of gold hair"
41:47.164 --> 41:51.402
"Distinctly praise the years,
whose volatile"
41:51.402 --> 41:56.608
"Blamed bleeding hands
extend and thresh"
41:56.608 --> 41:59.344
"The imagination spans
beyond despair"
42:01.079 --> 42:02.514
"Outpacing bargain,"
42:03.648 --> 42:06.152
"Vocable and prayer."
43:33.581 --> 43:36.353
HART: "Dear Mr. Kahn",
43:36.353 --> 43:38.922
"My first collected poems,
White Buildings, are
to be published next spring"
43:38.922 --> 43:41.858
"With a forward
by Eugene O'Neill."
43:41.858 --> 43:44.295
"Although my poems have
appeared from time to time
in various magazines,"
43:44.295 --> 43:46.530
"Such as The Dial and
The Little Review,"
43:46.530 --> 43:48.867
"I'm not yet well enough
known to reap
any substantial benefits"
43:48.867 --> 43:50.735
"From what I've written."
43:50.735 --> 43:53.204
"I'm 26 years of age,
and for the last seven years,"
43:53.204 --> 43:54.940
"Have been entirely
dependent on my efforts"
43:54.940 --> 43:58.277
"As an advertising
copywriter for my living."
43:58.277 --> 44:01.512
"What real writing I've
done has had
to be accomplished"
44:01.512 --> 44:03.715
"After office hours
and sometimes at the risk
of losing my position."
44:07.454 --> 44:10.557
"Last June, as a result of ill
health and nervous exhaustion,"
44:10.557 --> 44:13.561
"I had to resign my position
at Sweets catalogue,"
44:13.561 --> 44:16.630
"Regardless of my dependence
on my salary there,"
44:16.630 --> 44:19.934
"And live in the country until
my health recovered."
44:19.934 --> 44:22.336
"But as I find myself
now completely without funds,"
44:22.336 --> 44:23.972
"My circumstances seem
to be rather acute."
44:25.807 --> 44:27.309
"One of my friends
has suggested"
44:27.309 --> 44:28.811
"That you might be
sufficiently interested
in the creation"
44:31.414 --> 44:34.217
"Of an indigenous American
poetry to possibly
assist me at this time."
44:39.490 --> 44:41.592
"Besides the poems collected
I White Buildings,"
44:41.592 --> 44:43.728
"I have partially
written a long poem,"
44:43.728 --> 44:47.266
"The conception of which
has been in my mind
for some years."
44:47.266 --> 44:50.702
"I've had to work at it very
intermittently between night
and morning,"
44:50.702 --> 44:56.342
"And while shorter efforts can
be more successfully completed
under crippling circumstances,"
44:56.342 --> 45:00.280
"A larger conception such
as this poem, The Bridge,"
45:00.280 --> 45:03.916
"Aiming as it does
to enunciate a new
cultural synthesis"
45:03.916 --> 45:07.588
"Of values in terms of our
America, requires a more
steady application"
45:07.588 --> 45:11.490
"And less interruption than my
circumstances have yet granted
me to give it."
45:13.460 --> 45:16.396
"With $1,000,
I could live in
retirement and cheaply"
45:16.396 --> 45:21.034
"In the country for at
least a year's time and
complete this poem."
45:21.034 --> 45:25.974
"My references, Waldo Frank,
Allen Tate, Gorham Munson,"
45:25.974 --> 45:30.813
"Eugene O'Neill, James Light,
Marion Moore, Jane Heap,
and Paul Rosenfield."
45:44.795 --> 45:47.567
HART: "My dear mother",
45:47.567 --> 45:50.835
"For almost six weeks now,
I've not heard
from you or Grandma."
45:50.835 --> 45:52.771
"I've put off writing you
under these conditions,"
45:52.771 --> 45:55.074
"There was enough reason
to do so simply on the basis
of your own indifference,"
45:56.476 --> 45:57.543
"Or possibly disgust with me."
45:59.110 --> 46:02.382
"I don't know where
you may be at this time,
but in case you may,"
46:02.382 --> 46:04.318
"For any reason,
wish to write me,"
46:04.318 --> 46:06.820
"I'm writing to say that
I shall probably,
for the next year,"
46:06.820 --> 46:07.922
"Be at the following address."
46:09.724 --> 46:11.092
"Mrs. Addy Turner in
Patterson, New York."
46:14.061 --> 46:18.766
"I'm unusually well provided
for, and shall leave for the
country next Saturday."
46:18.766 --> 46:21.505
"Yesterday afternoon,
I had the pleasure of being
rewarded in some measure"
46:21.505 --> 46:24.139
"For some of the work
I've been doing."
46:24.139 --> 46:29.413
"After an interview
with Otto Kahn at his home
at 1100 Fifth Avenue,"
46:29.413 --> 46:31.949
"I was given the sum
of $2,000 to spend
on my living expenses"
46:33.451 --> 46:36.420
"During the next year,"
46:36.420 --> 46:38.755
"Which time is to be
opened and writing"
46:38.755 --> 46:41.492
"In the most creative
message I have to give,"
46:41.492 --> 46:44.028
"Regardless of whether
it is profitable in
dollars or cents or not."
46:46.096 --> 46:50.768
"I'm very tired now.
With all the strain and effort
of the last two months,"
46:50.768 --> 46:53.170
"I shall probably pick up
as never before"
46:53.170 --> 46:55.206
"When I get into
the quiet of the country"
46:55.206 --> 46:59.913
"And have the first real
opportunity in my life to use
my talents unhampered by fear"
46:59.913 --> 47:01.614
"And worry for the morrow."
47:21.536 --> 47:22.773
Rich!
RICH: What?
47:23.706 --> 47:26.175
Get in here! Get in here!
47:27.742 --> 47:30.081
Hey!
54:49.938 --> 54:52.574
HART: "Dear Waldo",
54:52.574 --> 54:57.545
"For many days now,
I have gone about quite
dumb with something"
54:57.545 --> 55:00.682
"For which 'happiness'
must be too mild a term."
55:03.487 --> 55:06.956
"At any rate,
my aptitude for communication,
such as it ever is,"
55:08.157 --> 55:11.260
"Has been limited to one
person alone"
55:11.260 --> 55:13.030
"And perhaps
for the first time in my life,"
55:14.563 --> 55:17.268
"And I can only think
it is for the last,"
55:17.268 --> 55:21.106
"So far is my imagination"
55:21.106 --> 55:24.675
"From the conception of
anything more profound
and lovely than this love."
55:27.313 --> 55:30.182
"I have wanted to write you
more than once,"
55:30.182 --> 55:32.251
"But it will take many
letters to let you know
what I mean,"
55:33.452 --> 55:36.322
"For myself at least,"
55:36.322 --> 55:42.362
"When I say that I have
seen the Word made Flesh."
55:42.362 --> 55:47.701
"I mean nothing less, and
I know now that there is such
a thing as indestructibility."
55:47.701 --> 55:51.271
"In the deepest sense,
where flesh became
transformed"
55:51.271 --> 55:55.177
"Through intensity of response
to counterresponse,"
55:55.177 --> 55:59.447
"Where sex was beaten out,
where a purity of joy was
reached that included tears."
57:42.429 --> 57:45.432
HART: " How many dawns,
chill from his rippling rest"
57:47.269 --> 57:49.471
"The seagull's wings shall dip
and pivot him"
57:51.539 --> 57:55.244
"Shedding white rings
of tumult,
building high"
57:55.244 --> 57:57.480
"Over the chained
bay waters
Liberty"
57:59.648 --> 58:03.487
"Then, with inviolate curve,
forsake our eyes"
58:03.487 --> 58:04.853
"As apparitional as
sails that cross"
58:07.458 --> 58:10.695
"Some page of figures
to be filed away"
58:15.565 --> 58:17.869
"Till elevators
drop us from our day..."
58:19.905 --> 58:24.443
"I think of cinemas,
panoramic sleights"
58:24.443 --> 58:27.313
"With multitudes bent toward
some flashing scene"
58:27.313 --> 58:30.951
"Never disclosed,
but hastened to again"
58:30.951 --> 58:33.619
"Foretold to other eyes
on the same screen"
58:34.920 --> 58:36.155
"And Thee,"
58:37.557 --> 58:41.262
"Across the harbor,
silverpaced"
58:41.262 --> 58:44.597
"As though the sun
took step of thee, yet left"
58:44.597 --> 58:48.237
"Some motion ever
unspent in thy stride"
58:48.237 --> 58:50.373
"Implicitly thy freedom
staying thee!"
59:27.413 --> 59:32.387
"Out of some
subway scuttle,
cell or loft"
59:32.387 --> 59:35.789
"A bedlamite speeds
to thy parapets"
59:35.789 --> 59:40.661
"Tilting there momentarily,
shrill shirt ballooning"
59:40.661 --> 59:43.264
"A jest falls from the
speechless caravan"
59:45.534 --> 59:49.271
"Down Wall, from girder
into street noon leaks"
59:50.340 --> 59:53.474
"A rip-tooth
of the sky's acetylene"
59:55.478 --> 59:58.547
"All afternoon
the cloud flown
derricks turn..."
59:59.849 --> 01:00:04.487
"Thy cables breathe the
North Atlantic still"
01:00:04.487 --> 01:00:09.726
"And obscure as that
heaven of the Jews,
Thy guerdon..."
01:00:09.726 --> 01:00:13.498
"Accolade thou dost bestow
Of anonymity
time cannot raise"
01:00:15.335 --> 01:00:19.606
"Vibrant reprieve and pardon
thou dost show"
01:00:19.606 --> 01:00:23.608
"O harp and altar,
of the fury fused,"
01:00:23.608 --> 01:00:27.012
"How could mere toil
align thy choiring strings!"
01:00:31.018 --> 01:00:34.054
"Terrific threshold of the
prophet's pledge"
01:00:34.054 --> 01:00:37.525
"Prayer of pariah,
and the lover's cry"
01:00:37.525 --> 01:00:42.063
"Again the traffic lights
that skim thy swift"
01:00:42.063 --> 01:00:45.869
"Unfractioned idiom,
immaculate sigh of stars,"
01:00:47.603 --> 01:00:50.806
"Beading thy path
condense eternity"
01:00:52.976 --> 01:00:55.711
"And we have seen night lifted
in thine arms."
01:01:21.909 --> 01:01:23.342
There's nothing like
this in the world.
01:01:29.115 --> 01:01:30.083
Shh.
01:03:10.695 --> 01:03:13.766
HART: " Under thy shadow
by the piers I waited"
01:03:13.766 --> 01:03:17.771
"Only in darkness
is thy shadow clear"
01:03:17.771 --> 01:03:19.974
"The City's
fiery parcels all undone"
01:03:21.643 --> 01:03:24.579
"Already snow submerges
an iron year"
01:03:26.112 --> 01:03:29.182
"O Sleepless as
the river under thee"
01:03:29.182 --> 01:03:33.186
"Vaulting the sea,
the prairies' dreaming sod"
01:03:33.186 --> 01:03:36.726
"Unto us lowliest
sometime sweep, descend"
01:03:45.835 --> 01:03:49.806
"And of the curveship
lend a myth to God."
01:04:48.038 --> 01:04:52.041
Wellwood Toothpaste!
Don't suffer from tooth decay!
01:04:52.041 --> 01:04:55.780
Wellwood Toothpaste!
Don't suffer from tooth decay!
01:04:56.782 --> 01:04:59.217
Don't suffer from tooth decay!
01:04:59.217 --> 01:05:00.786
Don't suffer from tooth decay!
01:05:02.221 --> 01:05:05.590
It's all right!
Everything's okay!
01:05:07.693 --> 01:05:08.827
You're not gonna suffer!
01:05:11.097 --> 01:05:13.132
You won't suffer
from decay with Wellwood!
01:05:15.768 --> 01:05:16.903
Everything's all right!
01:05:19.139 --> 01:05:20.875
You got Wellwood Toothpaste!
01:05:22.210 --> 01:05:24.278
And then, it's over!
01:06:14.266 --> 01:06:15.235
"Under the shadow
by the... By the pier..."
01:07:04.456 --> 01:07:07.927
Allen? Allen, hey. It's Hart.
01:07:09.527 --> 01:07:10.297
How are you?
01:07:14.034 --> 01:07:16.137
Yeah, I know,
I know it's late.
It's, uh, um,
01:07:17.237 --> 01:07:21.442
I'm, uh, I'm in the cabin.
01:07:21.442 --> 01:07:24.780
Um, did... Did you get my...
Did you get, um,
the package I sent you?
01:07:30.286 --> 01:07:33.155
Yeah, well, yeah, well,
you could've told me.
01:07:36.226 --> 01:07:39.896
I know, it's just,
uh, it's just nice
to hear, you know?
01:07:39.896 --> 01:07:41.231
It would've
been nice to hear...
01:07:45.001 --> 01:07:48.239
Well, what'd you think?
Uh-huh.
01:07:50.507 --> 01:07:51.476
Mmm-hmm.
01:07:54.012 --> 01:07:58.483
Look, look, look, I,
uh, I have more. Here, let me,
uh, let me read it to you.
01:07:58.483 --> 01:08:02.556
No, uh, uh, just let me read
you what I got.
01:08:04.458 --> 01:08:05.791
Um, um, um...
01:08:07.559 --> 01:08:09.896
"Under thy shadow
by the piers I waited"
01:08:11.231 --> 01:08:13.233
"Only in darkness
is thy shadow clear"
01:08:15.103 --> 01:08:17.172
"The City's fiery
parcels all undone"
01:08:18.840 --> 01:08:21.809
"Already snow submerges
an iron year"
01:08:23.478 --> 01:08:24.813
"O Sleepless..."
01:08:27.184 --> 01:08:30.921
No, it's, uh, um, "To...
To Brooklyn Bridge."
01:08:33.154 --> 01:08:35.359
Mmm-hmm.
Well, that's the end of it.
01:08:36.060 --> 01:08:38.429
Mmm-hmm.
01:08:38.429 --> 01:08:43.001
Yeah, uh, it's like a,
you know, a prologue, I think.
01:08:43.001 --> 01:08:44.336
You know, to the whole thing.
01:08:46.872 --> 01:08:48.139
Mmm-hmm.
01:08:51.976 --> 01:08:54.078
No, I know, uh, I know
it's late, I just, you know,
I just wanted to...
01:08:55.948 --> 01:08:56.581
All right.
01:08:58.350 --> 01:09:01.253
All right, I'll call you
tomorrow. Okay, all right.
01:10:05.693 --> 01:10:07.661
Waldo.
01:10:07.661 --> 01:10:08.561
Hey.
01:10:10.131 --> 01:10:10.966
It's Hart.
01:10:19.975 --> 01:10:20.641
Harold,
01:10:22.612 --> 01:10:24.680
There's no doubt
you can write.
01:10:24.680 --> 01:10:27.484
You've shown me that.
But what good does it do you
01:10:27.484 --> 01:10:28.452
If you can't
make your own way?
01:10:36.328 --> 01:10:37.194
I can't do anything else.
01:10:43.399 --> 01:10:47.006
I can see that, Harold.
But I'm not sure what
I'm supposed to do about it.
01:10:47.006 --> 01:10:49.574
I can't make
you work with me.
01:10:49.574 --> 01:10:53.613
Not if you make me a stock boy
and put me at the bottom
of the ladder.
01:10:53.613 --> 01:10:57.150
Harold, I can't give you any
position. You can't hold
down a regular job.
01:10:58.518 --> 01:11:00.119
You have proven that.
01:11:03.190 --> 01:11:05.993
How am I supposed to write or
find time to write
01:11:05.993 --> 01:11:08.595
If I spend my...
My soul's life
trying to sell toothpaste?
01:11:12.368 --> 01:11:15.103
Listen. Every man makes his
way in the world,
01:11:15.103 --> 01:11:16.505
And a man who can't
isn't worth a damn.
01:11:20.641 --> 01:11:22.679
Listen, Harold.
Your grandmother's
about to pass.
01:11:25.413 --> 01:11:27.783
I know you've spent that
inheritance a thousand times
already in your mind
01:11:30.054 --> 01:11:32.488
But I urge you to be prudent
with that money.
01:13:39.963 --> 01:13:42.966
HART: What are you reading?
01:13:42.966 --> 01:13:45.372
MAN: I just saw this one and
I thought it was nice.
01:21:12.101 --> 01:21:13.738
Monsieur?
01:21:21.345 --> 01:21:23.850
I don't have any money.
01:21:30.056 --> 01:21:32.024
I left my...
I left my wallet
at the hotel
01:21:35.328 --> 01:21:37.430
I can come back.
01:21:42.837 --> 01:21:44.806
I'll come back and pay
for the wine. Okay?
01:21:46.006 --> 01:21:47.976
MAN: Ma'am, we can,
we'll pay for it.
01:21:57.420 --> 01:21:59.087
I'll go and get
the money, okay?
01:22:00.792 --> 01:22:02.192
I'll go to the hotel and...
01:22:07.764 --> 01:22:10.202
Get off of me!
WOMAN: Richard!
What are you doing, Richard?
01:22:10.202 --> 01:22:11.202
HART: Get off me!
WOMAN: What are you doing?
01:22:12.770 --> 01:22:13.470
MAN: Guys, guys...
HART: Fucking...
01:22:13.470 --> 01:22:15.140
WOMAN: Richard!
01:22:15.140 --> 01:22:17.976
WOMAN: No!
Fuck! Get the fuck off me!
01:22:21.314 --> 01:22:22.916
MAN: Guys, guys...
HART: Get off me!
01:22:22.916 --> 01:22:23.515
WOMAN: Richard!
HART: Get the fuck off me!
01:22:26.886 --> 01:22:28.154
MAN: Guys, guys...
HART: Get off me!
01:22:28.154 --> 01:22:31.125
WOMAN: Richard! Step away. No!
01:24:06.863 --> 01:24:08.899
It's all over.
01:24:10.235 --> 01:24:11.536
What do you mean?
01:24:12.904 --> 01:24:14.439
Hart, stop.
01:24:29.923 --> 01:24:31.559
Hart, please! Stop!
01:24:37.498 --> 01:24:39.001
What is it, Hart?
01:24:43.605 --> 01:24:44.940
Hart!
01:25:01.257 --> 01:25:03.694
No! Son of a bitch!
01:25:06.930 --> 01:25:09.034
Don't you ever
fucking do that again!
01:25:13.706 --> 01:25:15.207
What?
01:25:15.207 --> 01:25:16.342
I can't do
it anymore.
01:26:32.060 --> 01:26:34.029
HART: "Dear Lotte and Ricardo,
I'm sailing to Mexico."
01:26:36.297 --> 01:26:37.199
"Damn the gendarmes."
01:26:40.302 --> 01:26:42.605
"Dear Lotte and Ricardo,
I'm sailing to Mexico
next Saturday."
01:26:43.539 --> 01:26:45.708
"Damn the gendarmes."
01:26:45.708 --> 01:26:47.610
"The change from going back
to France was made"
01:26:47.610 --> 01:26:50.148
"Without any trouble
by the Guggenheim people."
01:26:50.148 --> 01:26:52.216
"I'm happy at the change."
01:26:52.216 --> 01:26:54.185
"Truly, for me,
a pretty locality,"
01:26:56.087 --> 01:27:00.091
"And everything and pregnant."
01:27:00.091 --> 01:27:04.095
"First a week in Mexico City
with my old and wonderful
friend Katherine Anne Porter,"
01:27:04.095 --> 01:27:05.730
"And possibly
Peggy Cowley,
Malcolm's ex,"
01:27:07.064 --> 01:27:08.768
"And then on
to some country location."
01:34:44.876 --> 01:34:46.010
Hey!
01:34:56.956 --> 01:34:58.323
HART: The Broken Tower.
01:35:00.993 --> 01:35:03.930
"The bell-rope that
gathers God at dawn"
01:35:03.930 --> 01:35:09.404
"Dispatches me as though
I dropped down the knell
Of a spent day"
01:35:09.404 --> 01:35:13.007
"To wander the
cathedral lawn
From pit to crucifix,"
01:35:14.309 --> 01:35:16.377
"Feet chill
on steps from hell."
01:35:17.244 --> 01:35:17.980
KATHERINE: Hart.
01:35:20.082 --> 01:35:20.917
Hart.
Mmm?
01:35:22.185 --> 01:35:23.251
Wake up.
01:35:27.756 --> 01:35:28.725
Hart.
01:35:30.960 --> 01:35:33.297
You can't get arrested again.
They'll take away your
fellowship.
01:35:41.807 --> 01:35:43.408
I can't write anymore.
01:35:46.845 --> 01:35:48.078
I'm washed up.
01:35:49.817 --> 01:35:52.819
Hart. Come on.
We'll put you to bed.
01:36:09.771 --> 01:36:12.306
HART: "Have you not heard,
have you not
seen that corps..."
01:36:17.913 --> 01:36:23.886
"Have you not heard,
Have you not seen that corps
Of shadows in the tower,"
01:36:23.886 --> 01:36:29.091
"Whose shoulders sway
Antiphonal carillons
launched before"
01:36:29.091 --> 01:36:32.197
"The stars are caught
and hived in the sun's ray?"
01:36:48.747 --> 01:36:52.252
"The bells, I say, the bells
break down their tower"
01:36:53.487 --> 01:36:57.023
"And swing I know not where."
01:36:57.023 --> 01:37:01.261
"Their tongues engrave
Membrane through marrow,"
01:37:01.261 --> 01:37:04.498
"My longscattered score
Of broken intervals..."
01:37:05.935 --> 01:37:09.171
"And I, their sexton slave!"
01:37:11.139 --> 01:37:14.811
"Oval encyclicals
in canyons heaping"
01:37:14.811 --> 01:37:16.746
"The impasse high with choir."
01:37:17.913 --> 01:37:20.349
"Banked voices slain!"
01:37:20.349 --> 01:37:24.788
"Pagodas, campaniles
with reveilles"
01:37:24.788 --> 01:37:28.426
"Out leaping
O terraced echoes
prostrate on the plain!"
01:37:30.527 --> 01:37:34.432
"And so it was I entered
the broken world"
01:37:34.432 --> 01:37:39.270
"To trace the visionary
company of love, its voice"
01:37:39.270 --> 01:37:43.376
"An instant in the wind
I know not whither hurled"
01:37:46.145 --> 01:37:51.184
"An instant in the wind
I know not whither hurled"
01:37:51.184 --> 01:37:54.055
"And not for long to hold
each desperate choice."
01:37:55.389 --> 01:37:58.493
"My word I poured."
01:37:58.493 --> 01:38:02.831
"But was it cognate, scored
Of that tribunal monarch
of the air"
01:38:02.831 --> 01:38:04.431
"Whose thigh embronzes..."
01:38:06.167 --> 01:38:10.572
"Whose thigh embronzes earth,
strikes crystal Word"
01:38:10.572 --> 01:38:14.176
"In wounds pledged once
to hope cleft to despair?"
01:38:16.145 --> 01:38:21.185
"The steep encroachments
of my blood left me
No answer"
01:38:21.185 --> 01:38:26.256
"Could blood hold such
a lofty tower
As flings the question true?"
01:38:26.256 --> 01:38:29.225
"Or is it she
Whose sweet mortality
stirs latent power?"
01:38:31.563 --> 01:38:34.599
"And through whose
pulse I hear,
counting the strokes"
01:38:34.599 --> 01:38:38.069
"My veins recall
and add, rev..."
01:38:40.873 --> 01:38:42.240
"And through whose pulse..."
01:38:48.480 --> 01:38:53.153
"The steep encroachments
of my blood left me
No answer"
01:38:53.153 --> 01:38:56.155
"Could blood hold such
a lofty tower
As flings the question true?"
01:38:59.360 --> 01:39:02.396
"Or is it she
Whose sweet mortality
stirs latent power?"
01:39:05.067 --> 01:39:07.869
"And through whose
pulse I hear,
counting the strokes"
01:39:07.869 --> 01:39:12.106
"My veins recall and add,
revived and sure"
01:39:12.106 --> 01:39:15.246
"The angelus of wars
my chest evokes"
01:39:17.479 --> 01:39:21.484
"What I hold healed,
original now, and pure..."
01:39:21.484 --> 01:39:25.355
"And builds, within,
a tower that is not stone"
01:39:25.355 --> 01:39:28.693
"Not stone can jacket heaven"
01:39:28.693 --> 01:39:33.131
"But slip
Of pebbles, visible wings
of silence sown"
01:39:33.131 --> 01:39:37.069
"In azure circles,
widening as they dip"
01:39:37.069 --> 01:39:40.238
"The matrix of the heart,
lift down the eye"
01:39:40.238 --> 01:39:42.676
"That shrines the quiet lake
and swells a tower..."
01:39:44.342 --> 01:39:48.082
"The commodious,
tall decorum of that sky"
01:39:48.082 --> 01:39:52.020
"Unseals her earth,
and lifts love in its shower."
01:43:54.457 --> 01:43:55.523
HART: I'm done.
01:43:56.391 --> 01:43:59.296
Hart, have you slept?
01:44:03.266 --> 01:44:04.567
Not for a long time.
01:44:06.304 --> 01:44:08.204
Hart, please go to bed.
01:45:47.547 --> 01:45:50.652
HART: "Above the fresh
ruffles of the surf"
01:45:50.652 --> 01:45:53.054
"Bright striped urchins flay
each other with sand"
01:45:54.957 --> 01:45:58.761
"They have contrived
a conquest for shell shucks"
01:45:58.761 --> 01:46:02.966
"And their fingers crumble
fragments of baked weed
Gaily digging and scattering"
01:46:05.135 --> 01:46:07.538
"And in answer
to their treble interjections"
01:46:07.538 --> 01:46:10.675
"The sun beats lightning
on the waves"
01:46:10.675 --> 01:46:12.443
"The waves fold thunder
on the sand"
01:46:13.778 --> 01:46:17.114
"And could they hear me
I would tell them"
01:46:17.114 --> 01:46:21.019
"O brilliant kids,
frisk with your dog"
01:46:21.019 --> 01:46:26.091
"Fondle your shells
and sticks, bleached
By time and the elements"
01:46:26.091 --> 01:46:30.431
"But there is a line
You must not cross
nor ever trust beyond it"
01:46:30.431 --> 01:46:32.533
"Spry cordage
of your bodies to caresses"
01:46:32.533 --> 01:46:35.636
"Too lichen-faithful
from too wide a breast."
01:46:37.503 --> 01:46:40.006
"The bottom of the sea
is cruel."
01:46:46.914 --> 01:46:48.083
HART: Okay. Thank you.41199
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