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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,560 --> 00:00:06,400 - And you're sure this is going to help my whanau? 2 00:00:06,400 --> 00:00:08,400 - AUNTIE HUIA: I'm sure. 3 00:00:08,520 --> 00:00:11,039 - Are you three ghosts? - Oh! - Whoa, whoa, whoa. 4 00:00:11,039 --> 00:00:14,040 - You're definitely not part of that new international agency 5 00:00:14,040 --> 00:00:16,079 that's trying to buy Matua Jacobsen's Quarry 6 00:00:16,079 --> 00:00:19,840 and the adjoining iwi land for a subdivision? 7 00:00:19,840 --> 00:00:21,400 - That's a lot of speculation. 8 00:00:21,400 --> 00:00:26,040 - Once she smells a story, she will do everything in her power to find out the truth. 9 00:00:26,041 --> 00:00:28,400 Probably what makes her a good journalist. 10 00:00:31,920 --> 00:00:34,000 - That's lovely Koro Joe. 11 00:00:34,000 --> 00:00:35,600 - I was just chatting with him. I didn't catch his name. 12 00:00:35,600 --> 00:00:39,159 - Oh, couldn't have been him, boy. He's long gone. 13 00:00:39,159 --> 00:00:40,720 - What do you mean? 14 00:00:40,720 --> 00:00:42,720 - Kua mate. Ta-ra! 15 00:00:44,840 --> 00:00:46,840 (OMINOUS MUSIC) 16 00:00:50,479 --> 00:00:52,479 (UPBEAT MUSIC) 17 00:00:57,400 --> 00:01:00,480 - Wanna take your blanket on the pahi? 18 00:01:04,080 --> 00:01:06,080 Don't want your pillow? 19 00:01:18,200 --> 00:01:24,280 Here we are, getting our kura ready to take off to their camping haerenga. 20 00:01:25,080 --> 00:01:27,959 On the spot ― what's the whakatauki for the week? 21 00:01:27,959 --> 00:01:31,959 - Chur, yup. Uh, morena e te iwi. How are we? How are we? 22 00:01:31,959 --> 00:01:37,560 Ooh, shit. Whakatauki for the week, you reckon? Would have to be, uh... 23 00:01:37,560 --> 00:01:39,760 'Walk with mana or get the pana.' 24 00:01:39,760 --> 00:01:41,120 - Oh! 25 00:01:41,120 --> 00:01:43,520 Lethal. Deadly, Uncle Bull. 26 00:01:43,640 --> 00:01:46,319 'Walk with mana or get the pana.' 27 00:01:49,400 --> 00:01:52,080 Far! Hey, what else should I say? 28 00:01:52,080 --> 00:01:53,000 Oh! 29 00:01:53,000 --> 00:01:55,000 Chur, whanau Wharekoa! 30 00:01:58,000 --> 00:02:03,040 - Yeah, I don't know about the kids going on this early kura trip, like... 31 00:02:03,040 --> 00:02:06,360 shouldn't they get settled in first, before...? - Oh, kia tau. 32 00:02:06,360 --> 00:02:09,840 Honey, if we want them to fly, we can't hover over them. 33 00:02:09,840 --> 00:02:11,840 - KIDS: Chur, Nate! 34 00:02:12,800 --> 00:02:14,760 - Mum, look, my new best friends. 35 00:02:14,760 --> 00:02:18,639 - Hey, I told you ― the boys hang out with the boys. 36 00:02:18,639 --> 00:02:20,360 Morena e te whanau. - Morena. 37 00:02:20,360 --> 00:02:22,840 - Morena, Amiria. - Oh, right. 38 00:02:23,080 --> 00:02:24,600 Da boys ― 39 00:02:24,600 --> 00:02:26,320 da boys... 40 00:02:26,320 --> 00:02:28,160 hang out with... 41 00:02:28,160 --> 00:02:30,160 da boys. - Taihoa. 42 00:02:30,160 --> 00:02:34,280 Kiss your mum goodbye, man. Don't be sad to her. - Oh, yep. 43 00:02:34,280 --> 00:02:36,280 Bye, Mum. 44 00:02:36,960 --> 00:02:38,960 - Uh, what about me? 45 00:02:39,639 --> 00:02:41,440 (CHUCKLES) 46 00:02:41,440 --> 00:02:44,040 Here's some baking for da boys. 47 00:02:44,080 --> 00:02:46,080 - You the man, Dad. 48 00:02:51,840 --> 00:02:57,919 - Goodbye, parents. Stay out of trouble. See you when I get back. (LAUGHS) 49 00:02:57,919 --> 00:02:59,280 - Morena. - Morena. 50 00:02:59,280 --> 00:02:59,440 - Hi, girl. - Hey. 51 00:02:59,440 --> 00:03:03,639 - Come on, let's get you signed off with whaea. Otherwise we'll get dumb seats. 52 00:03:03,639 --> 00:03:06,720 Girl! Don't be sad ― hug your parents. 53 00:03:07,040 --> 00:03:09,040 - Yeah, don't be sad. 54 00:03:09,400 --> 00:03:10,520 (LAUGHTER) 55 00:03:10,520 --> 00:03:12,760 Bye, darling. Have fun. - Bye, Mum. 56 00:03:12,760 --> 00:03:14,280 - Mm. 57 00:03:14,280 --> 00:03:16,280 - Bye, bub. - Bye, Dad. 58 00:03:17,639 --> 00:03:19,639 Let's go. 59 00:03:27,400 --> 00:03:28,800 - Chea, Bull. (CHUCKLES) 60 00:03:28,800 --> 00:03:32,000 - Chee, whanau. How are we? how are we? - Good, my brother. 61 00:03:32,000 --> 00:03:34,200 - Chea, my cuz. - Ata marie. 62 00:03:35,960 --> 00:03:38,400 What you up to, Bull? - Oh, driving the pahi. 63 00:03:38,400 --> 00:03:40,920 Yeah, yeah, yeah, driving the pahi for the kahi. 64 00:03:40,920 --> 00:03:42,880 You not coming on this tipi haere, Matty boy? 65 00:03:42,880 --> 00:03:46,760 - E kao, not this one. I've got a ruma to sort out, 66 00:03:46,800 --> 00:03:50,840 make sense of the curriculum I'll be teaching ― how the kids get credited and graded. 67 00:03:50,840 --> 00:03:53,240 I want to do my own research, though. Have a deep dive into... 68 00:03:53,240 --> 00:03:55,560 - Oh, sounds mean. Sounds wicked. Sounds cool. 69 00:03:55,560 --> 00:03:58,000 Yeah, nah, sounds like a pretty cool subject all right, my bro. 70 00:03:58,000 --> 00:04:02,960 - It's pretty exciting, brother. I'm looking forward to it. 71 00:04:02,960 --> 00:04:04,960 - Ae. 72 00:04:08,760 --> 00:04:13,120 - Hey, Kiri, girl, cuz ― you didn't happen to get a chance to look into that resourcing conse 73 00:04:13,121 --> 00:04:16,040 that those Floodgate & Co pricks have been shopping around here, did you? 74 00:04:16,040 --> 00:04:17,040 - He aha? 75 00:04:17,040 --> 00:04:21,000 - The resourcing consent plan that those Floodgate & Co pricks have been shopping around here 76 00:04:21,001 --> 00:04:23,800 And by the sounds of it, they got someone high up there working for them. 77 00:04:23,800 --> 00:04:25,680 And some international companies might be in the mix, 78 00:04:25,680 --> 00:04:29,880 cos it sounds like there's a lot of money involved. 79 00:04:29,880 --> 00:04:32,000 And everything seems to be moving pretty fast. 80 00:04:32,000 --> 00:04:35,200 We're lucky we got our whanau land in a trust thanks to John Boy, 81 00:04:35,200 --> 00:04:37,320 but some other whanau around here... 82 00:04:37,320 --> 00:04:42,440 Chur. I don't think they'll be that lucky if all this goes through, that's for sure 83 00:04:42,441 --> 00:04:44,440 - (LAUGHS) Wait... 84 00:04:46,200 --> 00:04:48,600 where did you hear all of this from, the internet? 85 00:04:48,600 --> 00:04:51,279 - Kao. We all know we can't trust the internet any more. 86 00:04:51,279 --> 00:04:54,520 - OK, so where'd you get the big ideas from, then? - Well, Meremereana. 87 00:04:54,520 --> 00:04:56,560 - Oh, Meremereana. - Yeah. Meremereana. 88 00:04:56,560 --> 00:05:00,600 She's an award-winning journalist ― so less ideas and more 'facts'. 89 00:05:00,600 --> 00:05:02,240 Have you met her? - Briefly. 90 00:05:02,240 --> 00:05:06,560 - Did you bite her head off? - What? Kao! I didn't bite her head off. 91 00:05:06,560 --> 00:05:09,320 - Are you sure? Cos sometimes, you like to bite people's heads off, cuz. 92 00:05:09,320 --> 00:05:12,400 - I do not bite people's heads off, OK? 93 00:05:12,400 --> 00:05:14,400 (CURIOUS MUSIC) 94 00:05:14,920 --> 00:05:17,200 I can be nice. - Well, good, cos you two need to link up 95 00:05:17,200 --> 00:05:19,400 and suss whatever dodgy deals be happening up in here. 96 00:05:19,400 --> 00:05:22,240 - Oh my God. Bull, I am not Captain Planet. 97 00:05:22,240 --> 00:05:27,040 - No, but you are Maori ― and whanau. Me tu hei kaitiaki, ne? 98 00:05:28,279 --> 00:05:30,279 - Wow. 99 00:05:33,160 --> 00:05:35,560 When did you become this guy? 100 00:05:36,839 --> 00:05:39,640 - I dunno. Guess it just happened. 101 00:05:42,360 --> 00:05:44,360 Help us out, eh? Please. 102 00:05:48,040 --> 00:05:50,720 - Yeah, OK. I'll see what I can do. 103 00:05:53,200 --> 00:05:56,800 - Ah! Look after yourself, bae. I'll drop the kids off when we get back, ne? 104 00:05:56,800 --> 00:05:58,800 (BOTH LAUGH) 105 00:06:00,800 --> 00:06:02,800 I love you, cuz. - Mm. 106 00:06:03,640 --> 00:06:05,640 - Ow! Say it back, bae. 107 00:06:05,640 --> 00:06:07,560 - (GRUMBLES) 108 00:06:07,560 --> 00:06:09,560 I love you. 109 00:06:09,560 --> 00:06:11,560 (PENSIVE MUSIC) 110 00:06:12,400 --> 00:06:15,800 - Love you more, cuz. (ENGINE TURNS OVER) 111 00:06:28,480 --> 00:06:30,680 Captions by Jason Conran. 112 00:06:30,680 --> 00:06:34,680 Captions were made with the support of NZ On Air. 113 00:06:34,680 --> 00:06:37,760 www.able.co.nz Copyright Able 2025 114 00:06:40,000 --> 00:06:45,000 - Don't you dare imply that I can't grasp the nuances and risks involved. 115 00:06:45,000 --> 00:06:47,720 I have the most to lose out of all of you. 116 00:06:47,720 --> 00:06:52,720 Yeah, I'm well aware of the repercussions and the implications if we don't act swiftly. 117 00:06:52,720 --> 00:06:55,279 But do you understand how much of a risk it is 118 00:06:55,279 --> 00:06:57,720 if anyone finds out that I'm involved? 119 00:06:57,720 --> 00:07:00,480 Everything we've worked towards will be gone in an instant. 120 00:07:00,480 --> 00:07:02,480 (THUMP!) Oi! 121 00:07:04,880 --> 00:07:09,360 So let me be perfectly clear ― as I said, everything will halt 122 00:07:09,360 --> 00:07:14,320 until I find out what this journalist knows and who else is involved. 123 00:07:14,320 --> 00:07:16,320 (THUMP!) What the shit? 124 00:07:19,400 --> 00:07:21,480 Oi, what's your problem? 125 00:07:23,400 --> 00:07:25,400 (SCOFFS) 126 00:07:27,360 --> 00:07:29,360 (CHEEKY MUSIC) 127 00:07:29,480 --> 00:07:31,480 How the hell did you... 128 00:07:32,480 --> 00:07:34,480 Not today, punk. 129 00:07:36,080 --> 00:07:38,080 Oi! 130 00:07:53,600 --> 00:07:55,040 (MUSIC STOPS) 131 00:07:55,040 --> 00:07:57,240 You wait, you little shit! 132 00:08:00,160 --> 00:08:02,160 (CHEEKY MUSIC RESUMES) 133 00:08:10,280 --> 00:08:12,280 (PANTS) 134 00:08:21,160 --> 00:08:23,160 Gotcha! 135 00:08:23,160 --> 00:08:25,040 (MUSIC STOPS) 136 00:08:25,040 --> 00:08:27,040 - Kiri? 137 00:08:27,520 --> 00:08:29,480 Kia ora. 138 00:08:29,480 --> 00:08:31,480 - Hi. 139 00:08:38,913 --> 00:08:40,913 - I, um... 140 00:08:40,993 --> 00:08:42,993 I was chasing someone. 141 00:08:43,553 --> 00:08:45,353 Yeah. 142 00:08:45,353 --> 00:08:50,033 Um― This guy, he hits my car, gives me the fingers, runs off, and then I chase him. 143 00:08:50,033 --> 00:08:51,833 But I swear 144 00:08:51,833 --> 00:08:53,633 he came in here. 145 00:08:53,633 --> 00:08:56,833 - Wow, cool. How very vigilante of you. 146 00:09:00,353 --> 00:09:02,353 - Oh... 147 00:09:05,393 --> 00:09:09,473 - Mahana. Yeah, it's our community shared space. 148 00:09:09,553 --> 00:09:13,753 You look a little dehydrated. Can I make you an inu? 149 00:09:22,153 --> 00:09:24,153 (TENTATIVE MUSIC) 150 00:09:30,993 --> 00:09:34,273 - # If it's on, you'll wanna rock to this. 151 00:09:34,673 --> 00:09:36,993 # We'll make you move your hips. 152 00:09:36,993 --> 00:09:40,633 # Put it down or step back. It's on. 153 00:09:40,633 --> 00:09:43,833 # If it's on, you'll wanna rock to this. 154 00:09:44,393 --> 00:09:46,673 # We'll make you move your hips. 155 00:09:46,673 --> 00:09:49,953 # Put it down or step back. It's on. # (WHOOSHING) 156 00:09:49,953 --> 00:09:51,353 - Oh. 157 00:09:51,353 --> 00:09:53,633 - Jeez, Matua, are you deaf? 158 00:09:54,233 --> 00:09:55,593 I've been calling out to you for ages. 159 00:09:55,593 --> 00:09:59,273 - Mo taku he. Probably because I had these in. 160 00:09:59,273 --> 00:10:03,473 - Well, anei ― here's your roll. It's got everything you need to know about the kura. 161 00:10:03,473 --> 00:10:06,233 So, welcome to your first day of mahi ― 162 00:10:06,233 --> 00:10:10,231 and, officially, to our kura. - Nga mihi, Whaea. 163 00:10:10,791 --> 00:10:13,631 Whaea, did you just come in by yourself? 164 00:10:13,631 --> 00:10:17,391 - Yeah, course I did. Oh ― are your eyes not working along with your ears? 165 00:10:17,391 --> 00:10:19,871 - (CHUCKLES) No, it's just... 166 00:10:22,231 --> 00:10:26,751 This might sound weird, but I feel like someone's been watching me. 167 00:10:26,751 --> 00:10:33,751 - Been watching you? - Yeah, like someone's been breathing down my neck all morning 168 00:10:34,031 --> 00:10:37,591 I probably just need a kai, right? Just my body catching up with me and... 169 00:10:37,591 --> 00:10:39,591 - (SIGHS) 170 00:10:44,231 --> 00:10:46,231 (SNIFFS) 171 00:10:49,951 --> 00:10:51,951 (PENSIVE MUSIC) 172 00:11:09,671 --> 00:11:11,671 (EXHALES) 173 00:11:17,791 --> 00:11:19,791 WHISPERS: Kehuaaa. 174 00:11:19,791 --> 00:11:22,071 (PENSIVE MUSIC CONTINUES) 175 00:11:27,991 --> 00:11:30,271 - This place is impressive. 176 00:11:31,791 --> 00:11:36,271 Must have had a lot of help. - Yeah. Yeah, I did. Thanks. 177 00:11:43,431 --> 00:11:47,591 - I'm sorry, but, you know, I have to ask ― are you sure no one else came in here before m 178 00:11:47,593 --> 00:11:49,591 - Um... 179 00:11:50,311 --> 00:11:52,311 kao. 180 00:11:52,311 --> 00:11:54,271 No, just, um... 181 00:11:54,271 --> 00:11:56,351 just you stumbling on in. 182 00:11:58,231 --> 00:12:00,431 - Yeah, must have lost him. 183 00:12:10,471 --> 00:12:12,471 So, 184 00:12:12,471 --> 00:12:13,591 is this off the record? 185 00:12:14,951 --> 00:12:17,231 - I'm not sure what you mean. 186 00:12:17,671 --> 00:12:20,271 - WHISPERS: Tell her the truth. 187 00:12:20,271 --> 00:12:25,471 - When people get too close to the hive, the bees send out their workers to attack. 188 00:12:25,471 --> 00:12:27,471 (ETHEREAL MUSIC) 189 00:12:30,471 --> 00:12:37,471 - Well, from the scale of what I've discovered, I can't quite pinpoint who does what, 190 00:12:37,471 --> 00:12:38,911 but I know they wouldn't send just anyone to do intel. 191 00:12:38,911 --> 00:12:43,191 So that would either make you the hive, or the honey ― 192 00:12:43,551 --> 00:12:45,551 or the bee. 193 00:12:46,511 --> 00:12:48,711 - Go on. Tell her the truth. 194 00:12:56,231 --> 00:12:59,031 - Right. OK, so it all makes sense. 195 00:12:59,991 --> 00:13:01,991 - What makes sense? 196 00:13:01,991 --> 00:13:07,471 - Kiri Wharekoa, how long have you been working for Floodgate & Co? 197 00:13:15,751 --> 00:13:17,751 - Kehua. 198 00:13:25,231 --> 00:13:27,311 (QUIRKY DRUMMING MUSIC) 199 00:13:46,911 --> 00:13:48,911 (EXHALES FIERCELY) 200 00:13:50,711 --> 00:13:52,711 (EXCLAIMS) 201 00:13:53,111 --> 00:13:55,111 (EXCLAIMS) 202 00:13:55,791 --> 00:13:57,791 (EXCLAIMS) 203 00:13:58,071 --> 00:14:00,071 (PUFFS SHARPLY) 204 00:14:03,071 --> 00:14:05,071 (EXHALES FIERCELY) 205 00:14:06,711 --> 00:14:08,711 (PUFFS) 206 00:14:08,711 --> 00:14:11,111 (DRUMMING MUSIC CONTINUES) 207 00:14:18,591 --> 00:14:20,591 - Whaea? - (EXHALES) 208 00:14:21,991 --> 00:14:23,991 Far out! 209 00:14:24,631 --> 00:14:28,631 - Are you OK? - That was close. Nearly took me out. 210 00:14:29,071 --> 00:14:31,031 Whew! What's the time? 211 00:14:31,031 --> 00:14:33,111 Oh shit, I'm running late! 212 00:14:33,111 --> 00:14:35,831 But, uh, Matua ― don't worry about that kehua. 213 00:14:35,831 --> 00:14:39,351 I sussed it. He won't be coming round here no more. 214 00:14:39,351 --> 00:14:41,831 Anyway, uh, I'll catch you up. 215 00:14:42,951 --> 00:14:44,951 Oh shitere ― my nail. 216 00:14:46,391 --> 00:14:48,391 - Catch you up. 217 00:15:09,285 --> 00:15:11,285 - Whoa, hold on. 218 00:15:12,405 --> 00:15:13,925 How long have you been watching me? 219 00:15:13,925 --> 00:15:15,925 - (CHUCKLES) 220 00:15:25,645 --> 00:15:31,645 - Well, I didn't actually recruit her. She volunteered her services... 221 00:15:31,805 --> 00:15:34,005 after she sniffed the air. 222 00:15:34,005 --> 00:15:36,205 (TENTATIVE STRING MUSIC) 223 00:15:40,925 --> 00:15:42,925 Koro Joe? 224 00:15:59,885 --> 00:16:01,885 Ae... 225 00:16:04,165 --> 00:16:06,645 (TENTATIVE MUSIC CONTINUES) 226 00:16:22,645 --> 00:16:24,645 - (LAUGHS) 227 00:16:41,045 --> 00:16:42,765 (DOOR CLOSES) 228 00:16:42,765 --> 00:16:44,765 Hey! - (YELPS) - Matiu! 229 00:16:45,325 --> 00:16:47,325 Ma... 230 00:16:47,365 --> 00:16:49,365 Matiu. 231 00:16:50,925 --> 00:16:52,925 Ehh... 232 00:16:54,165 --> 00:16:57,365 - Why does my mahi spark such interest? 233 00:16:57,445 --> 00:17:02,085 - Well, because your appearance in town is way too timely to be a coincidence. 234 00:17:02,085 --> 00:17:05,285 And my sources tell me Floodgate & Co are doing everything they can 235 00:17:05,285 --> 00:17:09,605 to try and get people to sign over large amounts of land. 236 00:17:09,605 --> 00:17:11,685 - Do you need validation? 237 00:17:11,925 --> 00:17:14,765 Do you need to catch the bad guys to feel good about yourself? 238 00:17:14,765 --> 00:17:18,365 - (SCOFFS) That's a bit dramatic, isn't it? 239 00:17:18,965 --> 00:17:22,405 I'm just trying to expose people that exploit communities 240 00:17:22,405 --> 00:17:24,925 who don't have the resources to fight back. 241 00:17:24,925 --> 00:17:28,365 It's just the right thing to do ― maybe to you that sounds like validation. 242 00:17:28,365 --> 00:17:31,165 - You don't even know what the fight is. 243 00:17:31,165 --> 00:17:36,205 You're so busy counting the trees, you've lost sight of the forest. - He aha? 244 00:17:36,205 --> 00:17:38,205 - This is home. 245 00:17:38,965 --> 00:17:43,365 I have spent my whole life preparing to fight for this place. 246 00:17:43,365 --> 00:17:45,965 - And now you're selling us out. 247 00:17:48,125 --> 00:17:49,965 - Oh, you're not as good as you think you are, sis. 248 00:17:49,965 --> 00:17:52,405 If only you would open your eyes, you would see. 249 00:17:52,405 --> 00:17:57,005 - OK. Thanks for that ― sis ― but my karu are wide open, OK? 250 00:17:57,205 --> 00:18:00,645 And from where I'm sitting, you are the source of all of these problems. 251 00:18:00,645 --> 00:18:02,645 - I am not the problem. 252 00:18:02,645 --> 00:18:04,645 (TENSE MUSIC) 253 00:18:06,045 --> 00:18:09,445 You know, when I was a little girl, I was told... 254 00:18:09,445 --> 00:18:13,525 keep your friends close and your enemies closer. 255 00:18:13,725 --> 00:18:16,365 And that is exactly what I'm doing. 256 00:18:16,365 --> 00:18:18,885 - OK, well, who is the enemy then, hm? 257 00:18:18,885 --> 00:18:21,125 And how do I know you're not just another player in this game? 258 00:18:21,125 --> 00:18:25,605 How do I know that you're not the one pulling the strings for Floodgate & Co? 259 00:18:25,605 --> 00:18:27,085 - You don't. 260 00:18:27,085 --> 00:18:29,685 But keep your friends close... 261 00:18:30,085 --> 00:18:32,165 and your enemies closer. 262 00:18:32,165 --> 00:18:34,244 (TENSE MUSIC CONTINUES) 263 00:18:44,885 --> 00:18:46,285 (BIRDSONG) 264 00:18:46,285 --> 00:18:48,285 (CREAKING) 265 00:18:48,285 --> 00:18:50,285 (OMINOUS MUSIC) 266 00:19:15,965 --> 00:19:18,244 (OMINOUS MUSIC CONTINUES) 267 00:19:29,085 --> 00:19:31,085 Matty? 268 00:19:37,085 --> 00:19:39,005 - Yeah, interesting ― to say the least. 269 00:19:39,005 --> 00:19:43,285 It smells like smoke in here. Have you been smoking? 270 00:19:43,365 --> 00:19:45,365 - Yeah. Only one. 271 00:19:46,765 --> 00:19:49,565 Some of your relations showed up. 272 00:19:49,565 --> 00:19:51,565 Three of them. 273 00:19:57,005 --> 00:19:59,045 - Don't freak out, OK, but... 274 00:19:59,045 --> 00:20:01,045 - JOHN BOY: Hey, cuz. 275 00:20:01,685 --> 00:20:03,685 (TENSE MUSIC) 276 00:20:07,885 --> 00:20:10,365 (THUD!) - Oh, kei te pai, don't worry about it. 277 00:20:10,365 --> 00:20:13,845 She'll get used to seeing us ― she's tough. 278 00:20:14,005 --> 00:20:15,885 Jeez... 279 00:20:15,885 --> 00:20:17,405 she got big, eh? 280 00:20:17,405 --> 00:20:20,565 - Auntie, you can't say things like that. - Oh, shush. Who said? 281 00:20:20,565 --> 00:20:23,765 - Amiria. She reckons you could get cancelled. 282 00:20:23,765 --> 00:20:26,565 - Oh, what does she know? I'm dead. 283 00:20:26,565 --> 00:20:28,565 (WARM, DREAMY MUSIC) 284 00:20:30,205 --> 00:20:32,045 (OVERLAPPING CHATTER) - Mama, mama! 285 00:20:32,045 --> 00:20:35,445 - Ae, taku pepi? - Nan wants us to have a korero. Kia tere. 286 00:20:35,445 --> 00:20:37,445 - Ah. - ALL: Ooh. 287 00:20:39,405 --> 00:20:42,125 - Tipene. He's one of those mana-muncher types, you know? 288 00:20:42,125 --> 00:20:44,925 Always seems to weasel his way into a kaupapa. 289 00:20:44,925 --> 00:20:48,525 - I live this life ― a life I did not choose... 290 00:20:50,045 --> 00:20:52,045 a life I don't want. 291 00:20:53,565 --> 00:20:55,565 I just feel so stuck. 292 00:20:57,244 --> 00:20:59,244 - Have you guys seen John Boy? 293 00:20:59,244 --> 00:21:01,645 - He should be around. Why's that? 294 00:21:01,645 --> 00:21:04,525 - Nah, nah, I just... got a feeling. 295 00:21:04,525 --> 00:21:07,606 www.able.co.nz Copyright Able 2025 24650