Original subtitles

Come back!

Here, mark the rhythm!

Come on, let's go!

Come on, let's go!

Look, a fountain.

Stop, come here, come here.

I don't want to go there.

I want to go with you. Follow me, huh?

Come on, come on.

We'll come with you, huh?

It's better that we don't have to be here, right?

I don't want to be here, huh? I don't want to be here, huh? I don't want to be

here, huh?

Can we get out of here?

No, no.

Please. Come on, Guiau, Guiu, tell him.

Let's go, come on. Please.

No, no.

Come on, let's go quickly, it's hot. Come on, quickly, let's go.

What is this, isn't it hard?

It's hard, come on.

No,

no, no, no, no, no.

Can you hold it, Phil?

Yes, I can.

Oh, my God!

Oh, my

God!

Let's go, let's go, let's

go

What is he doing?

What is he doing? What is he doing? You have to see him.

Hi.

Are you cold?

A little bit. You?

I'm fine.

You have to go to the sofa.

I'm fine.

Can you help me?

Here.

Now you have to see Lara.

They say that when the plants were growing, the earth's water started to

burn.

Where we touched the tablecloth.

But it must be true.

And when the clouds are in the storm... From here, I don't know... And when the

clouds are in the storm, the... The cloud is gone.

And when the clouds are in the storm, the cloud is gone. And the bright light

of the day passes by.

But... But what does this do?

He, you have to see him, for a moment, and then you run away, and then you run

away from him.

Someone terrible and alive that changes everything.

Someone terrible and alive that changes everything.

Someone terrible and alive.

Someone terrible and alive that changes everything.

What do you do with people?

I can't understand a man like that.

Do you know that with all of us, on empty days, we feel old and nothing?

And do you know what human suffering is like?

I used to drink a lot of water.

I was so different.

Who were you when you came back?

I was like you.

I don't remember the dates.

I couldn't do anything.

That's what happens when you're free.

It always happens the same.

When you're not free, it's the TNC.

Everything turns around you.

I know you'd rather be with your friends.

It's you who made me come here.

I don't know, I think maybe it's the last summer we spend together.

You mean you?

Are you going to sleep?

Yes, I'm going to have fun. Good night.

Good night.

What are you doing?

Are you going to read?

Are you crazy or what?

What problem do you have?

Fuck, you should wait a bit.

What are you doing? What are you doing later?

But if I want to read now... What are you doing later?

I invited you to eat and all.

What are you doing?

You don't have to ask me anything later.

Damn! You already did it, didn't you?

Now I'll kill him.

Don't kill him!

Don't kill him! Don't kill him! Hey!

What do you want?

No, what are you doing?

Of course, how do you want me to bring him?

Well, take it with your hand or we'll kill him if we don't.

No, not with my hand, it will sting.

I can start it.

No, it's the book of the mother.

Well, I haven't taken it.

Don't push me, it's going to fall.

It's going to fall.

Come on, let's see.

Come on, let's see.

Come on, let's see.

Come on, throw it. No.

Yes? No.

Yes? No.

Come on.

Chuches.

Chuches. No, chuches.

You won't say anything to your parents, to anyone, and you won't go back to

sleep with us.

No, no, no.

Three.

Go away.

Go away.

You call that chuches?

Yes. It's a shit. Can I put it up?

No, no, please. You can put it up. Give me more if you want me to go out.

Fuck! Fuck! Fuck! Fuck!

Fuck!

Fuck!

Fuck! Fuck!

Fuck! Fuck! Fuck!

Fuck! Fuck!

Fuck!

Oh, God.

Wait, I don't want to talk about it anymore.

Come on, let's go.

You're growing up, man.

What's wrong?

Does it hurt here? Yes.

Both or this one?

No, the one on the left.

This one?

The fucking bones.

Come on, look.

You'll see.

This will happen to you.

You're thinking about something else.

This happened to me too.

You can't scream, we're here in the middle of the camping, there's a lot of

people.

Come on, do this. Dad, I'm five years old, don't do this to me. Okay, well.

I need to calm down.

Like this, come on.

Come on.

Very good, you can see it.

Can you see it?

And it's 9,550 years old.

9,550 years old.

And it's a red sheep.

It's still alive.

Look, it's fried.

What do you do with the sheep?

If you don't do anything to them, you don't do anything to them.

He's the most biologist of all, here.

Do you want to make a toast for the sheep?

If they're sheep, they're sheep.

Let's go to the map.

The sheep are the ones who do it now.

Come on, we're here.

Here.

Come on, thanks.

You're welcome.

We have to get here. It's about 50-60 km today.

And where are we going to sleep?

In a camping.

If we get there. Which one?

You haven't taken salt, have you?

We haven't taken salt as usual.

We won't find a place.

Tell me, is that enough?

It's been a year.

Miel, to the right.

Miel, to the right.

To the right, Miel.

It wasn't 200 meters?

No, I was wrong.

It was 200 meters.

Fuck.

Hey, stop crying.

Toni, do you want me to carry it?

No, it's fine.

No, dad.

No, I can't, I can't.

I can't, dad.

Come on, I'll carry this and we'll change it.

No.

You take a lot of time, come on.

Come on, you can do it.

Come on. Albert, stop.

No.

Come on, let's go this way, to the right.

You know the maps, don't you? Yes.

Over there is the campsite.

I remember it was this way.

That's the way, that's the way.

Yes, yes. It's very clear.

No, Mónica, we won't go that way, we won't go that way, please.

But it was there.

Look, you can see it perfectly.

Look, here you have these marks.

Yes, there is a beautiful path here.

Do you see where the sun is?

Where the sun is is the path.

Mónica, please, there is no path here, please. Can you see clearly the path?

We're not going here, it's getting dark.

That's why it's getting dark, let's go to the other side, it's not complicated.

Hey, hey, stop arguing, let's go there and that's it.

Míral, how do you want to go there?

Look, come here, you know me very well.

Wait a moment, please.

Look, go and get the bikes, please.

Go and get the bikes, please.

Go and get the bikes, please.

Go and get the bikes, please. Go and get the bikes, please.

Go and get the bikes, please.

Vigila aqui, vigila. Ya no picas aqui. Vigila, vigila.

Mira, que todo arrasco.

Come on, I'm always the same.

You know what intimacy is, dad?

Come on, get up.

If you can.

Fuck.

How about Gerard?

Which Gerard?

Gerard, from Colla, the son of Pere and Marta.

Ah.

No, I saw him at the major party.

He had done the stretch, right? He is much older, right?

He is more... Yes.

I saw that you danced together.

With Gerard?

Yes, right?

Do you want a kiss?

No. Really?

Are you sure?

I thought it was you.

No. No?

But you like Gerard, right?

Yes.

And... do you think he likes you too?

But he kissed you.

Didn't he?

Yes or no?

He did kiss you.

I'm sure he likes you.

But he was drunk.

And what happened? When Gerard was drunk, he kissed everyone.

He also kissed Júlia.

I had a crush when I was your age.

I don't know how to say it, I never said it.

And... She told me that she had fallen in love with me.

And she thought I was over her.

Because I was so shy.

You just made it up. No.

No, really.

Sure. Sure, sure.

You think so?

It's much better to say it.

And if you know it, and if you don't, you're screwed.

Because I'm sure you'll like another girl.

Dad, I don't like boys.

I like Gerard.

Okay, but Gerard is a boy.

Your boys will never understand that.

Sorry, sorry.

I mean...

Maybe now you like Gerard, but you might like someone else, right?

I guess.

Come on, I'm right here.

I don't know if she's been good.

What the fuck?

Yuck. Yuck.

Does it?

Yuck.

Why are you doing this to me?

I don't know.

Aren't you happy that you wanted to marry the Pope?

Yes.

Yes, we're going to be happy.

But you're going to leave us.

Unfortunately.

No.

From now on, I don't want to leave you.

I think Gerard had one.

Fuck, mom.

I'm sorry.

I'm sorry, I don't remember.

Who is Gerard?

What's wrong with me?

What's wrong with you?

Listen, don't you want to kiss this guy?

You don't understand.

Why?

Because it's a fight.

It's stupid that he's not here.

Everyone has their own taste.

Yes, I know.

Think about it.

We'll have to do something nice.

Mama?

Virat!

Virat! Virat!

Watch out!

Stop it!

Stop it!

Stop it!

This is my job.

Can't you sleep?

It's cold.

A little bit, yes.

I like it.

Don't look at me like that.

Like what?

Do you remember your first love?

Yes.

They went on the same trip.

25 years ago.

I had never heard such a thing.

He was from here.

We went for a swim.

We had a good time.

One day he came to pick me up in a boat and we escaped.

And what happened?

I came back the next day.

And you didn't see him again?

No.

He disappeared.

He walked directly to the student's residence over there.

They walked this way and came out of their residence.

There are several modules that have been placed all facing Ulm, which is right

here.

These spectacular views of organic vegetation, but on the other hand, this

was rational.

It was totally straight line.

Max Bill was also a mathematician.

I always thought that there was this idea of structures, of creation. When

was that?

It was in the year 55 that it was inaugurated. In the year 55? Yes, they

started building it in the year 53.

And really, it's reinforced cement, and this had never been seen before.

People should think, what is this?

But really, they are modules, structures, like repeatable, that what

they did, the repetition, they made variations.

I mean, they were absolutely straight lines, but they all have line changes,

you see?

It's not straight there anymore. So it changes.

It's not oval, it's straight, but it changes, it goes, it goes.

modulating, rotating, and all this goes to this residence that they are building

here. This building is the student building, look, there is someone over

there. Hi.

How are you?

Well, imagine that... I should be in Germany.

Eh? I should be in Germany.

Because if not, they won't find out.

But now, imagine that if we close our eyes, close your eyes for a moment, come

on, do this, this exercise.

Come on, come on. Imagine that we are students.

Come on, please, come on. Come on, come on, because we are not here.

Yes, yes, yes. So we can move forward, we can move forward, come on, close your

eyes. Because if you listen to this air, also, imagine the delay.

where there are leaves that fall, and you are studying, you arrive here, and

you come to study at the School of Art and Design, the most important one in

southern Germany, and really what they do is give you a three-storied banquet,

and then with this banquet you go to the classrooms, because there were no chairs

then, they didn't give you chairs here, they gave you your banquet, and then you

could go wherever you wanted, it was so free, then you went to your workshop.

There were art workshops, iron workshops, they made sculptures, because

they mixed art and science.

There were also artistic sciences.

The idea of ​​art and science was in my head.

Because they made designs.

There were also photography workshops here. Cidac!

Oh, I really want to go there. And they also did... Yes, they really mixed the

idea of ​​physics and mathematics with the artistic idea.

This was the idea, the design.

And that's why they made this kind of building.

What I was really doing was thinking about this totally rational idea,

totally straight lines, but in the end what it does is leave you with a calm

mind and you can start thinking.

Look, look, imagine that we come out here. Come, come here. What will you

see? Imagine that we come out here. You are students.

And now you say, I'm going to study, I'm going to my classroom, which is the

visual communication classroom.

And well, well, communication here. And then, when you were here, you were in

this classroom and that's it.

You were on this side of the...

Hello? Hey?

Hey, it's not... it's not greasy.

Come on, please Mónica.

I'm explaining here... Hey, come on, if you don't want to listen, no, if you

don't want to... Listen.

Come on, quick visit.

What visit?

Mónica, it's the first coffee visit with an architectural thing... It's super

interesting, but we want to go to the river.

If you don't want to, I'll go to my room and try... Please, please, please, we

want to go to the river, please, please, we want to go to the river, we want to

go to the river, we want to go to the river, we want to go to the river, we

want to go to the river, we want to go to the river, we want to go to the

river, we want to go to the river, we want to go

to

the

river, Yes?

Yes?

Okay, I did that.

Thank you.

bit of it

Ah,

I see.

Look! The other time for black.

Listen, you will not complain that you are in a hostel. We have succeeded.

Yeah. Do you remember that I told you that when there is no one living in the

buildings, they die?

Who lives there?

Papa,

there live brothers or friends.

Didac, come on, let's go hunting.

We are in Germany and...

Serraire, how do you know this?

I think it's all about him and him.

I think about him all the time.

And I still have a lot to think about.

And if one day I wake up, I will know.

It's him.

That's life.

We are only in the dream.

Let's go, let's go!

Dad, this is what architects do, right? Yes.

And all spaces are the same.

You'll see, you'll see.

Now I'll explain why.

We can't go by bike here, right?

No, maybe we should leave them here, right? They'll steal our bikes.

No, no, no.

They'll steal our bikes.

I think we can go in.

I don't know,

many hours looking for a house that I wanted to see him, but how was it from

there? It was from Carlos Carpa. Yes, from Carlos Carpa.

They were lost, they didn't have a map.

And they wanted to look for an underground house. And I'll tell you how

to look for an underground house. I don't know, the great ideas of the Pope,

as always.

It was beautiful.

No, it was fun, that's for sure.

Yes. But what did we have? We had a photo that had been on the internet.

Yes. Very cool, you couldn't see anything.

Yes. And now that I couldn't find it, I thought, what?

I took a walk and I said, I think it's over there. And being a girl, boom, I

found it. Santa Monica, always, always. As always.

Santa Monica, always.

And then it was raining.

It was raining. Yes, it was that day.

It was raining.

It was raining all the time. No, it wasn't raining that much.

It was raining, I think.

It wasn't that much. No.

Or almost.

Or almost. The thing is that we stayed in the house for a year because they let

us in. Because someone let us in and...

I

want

to take a picture.

Albert.

Guiu, please.

No, dad.

Wait, wait, wait.

Guiu, wait a minute. Wait, I'll call you, maybe we can go in. No, I don't

think there's anyone.

I'll call you.

Let's take a picture.

Let's see.

Sorry. Sorry. Sorry. Sorry. Sorry.

One film in which you had this mushy jeans.

Slowly, slowly.

Where did you see my films?

You usually don't know a pig, not even in Germany.

I'm also an actress.

Really? And where did you play?

I played a lot of years.

You...

No! Wow.

Wow. Do you understand it?

Not really, not really.

Wow.

I don't know how you say this. Where are you from, actually?

Wow.

Big surprise.

Come on, Deus.

For you, I am Alexander.

Thank you.

I think it's a river, the Danube.

It could be, yes.

Or it's a part of the Danube that was born.

I think it's a river, isn't it, that comes?

Everything flows towards the Danube.

Then all these rivers...

We wrote the name of the mountain, we didn't write the name of the river.

It's because it's the best river.

My love, I'm blue, it's not because of you I'm

forgetting my name, a name I once knew My

love, I'm blue, like a truth that's not true Like a

news on the news that's not new My love,

don't you cry It's just the color of the sky That's reflecting

on you and I My love's not

a lie, but it's not going through My letters got

lost the day the mailman quit out

My love, I'm blue Like a story split in two Like the

third man on the moon And the last man in the queue My love,

I'm blue Like a T-Rex in a zoo Like a vacant hotel

room With no view My love, can't you

see It's just the color of the sea That's reflecting on you

and me My love, don't lie,

it's affecting you When the water turns red And

the fisherman's all dressed in blue

My love, I'm blue, like a forgotten strip crew In

the hull of a boat that has nowhere to sail to My

love, I'm blue, like a prison tattoo On the

arm of Venus, the middle looks at you My love,

don't be ashamed To touch the blue part of the flame To see if it

hurts once again My love, come

alive There's enough room for two No one is

coming for me No one is coming for you Cause the

fireman is blue

The fireman is blue La

la la la The

fireman is blue