Original subtitles

[ RAIN POUNDING ]

[ THUNDER CRASHING ]

[ WOMAN SCREAMING ]

[ DOOR CREAKS ]

>> MAMA? [ THUNDER CRASHING ]

[ DOOR CREAKS ] PAPA? MAMA?

[ THUNDER CRASHES ] [ OMINOUS MUSIC PLAYING ]

[ THUNDER CRASHES ]

[ GASPS ] PAPA! >> THEY'RE ALL DEAD, ALL DEAD, BUT THEY WON'T STOP TALKING TO

>> THEY'RE ALL DEAD, ALL DEAD, BUT THEY WON'T STOP TALKING TO ME, WON'T LEAVE US ALONE.

BUT THEY WON'T STOP TALKING TO ME, WON'T LEAVE US ALONE. HAVE TO FREE YOU BEFORE THEY

ME, WON'T LEAVE US ALONE. HAVE TO FREE YOU BEFORE THEY GET US.

HAVE TO FREE YOU BEFORE THEY GET US. >> PAPA, NO!

GET US. >> PAPA, NO! [ SUSPENSEFUL MUSIC PLAYING ]

>> [ BREATHING HEAVILY ] >> KEEP COMING FOR ME. DID THE RIGHT THING.

>> KEEP COMING FOR ME. DID THE RIGHT THING. WE CAN BE FREE.

DID THE RIGHT THING. WE CAN BE FREE. THEY WON'T GET US THIS WAY.

WE CAN BE FREE. THEY WON'T GET US THIS WAY. [ THUNDER CRASHING ]

>> PAPA! [ THUNDER CRASHES ]

[ BELL CHIMING ] [ BIRDS CHIRPING ]

[ INDISTINCT CONVERSATIONS ] >> BONJOUR. BONJOUR.

>> BONJOUR. BONJOUR. NO. EVEN LOWER.

BONJOUR. NO. EVEN LOWER. [ Deep voice ] BONJOUR.

NO. EVEN LOWER. [ Deep voice ] BONJOUR. OH, Là, L.

[ Deep voice ] BONJOUR. OH, Là, L. AH, MADEMOISELLE.

OH, Là, L. AH, MADEMOISELLE. ENCHANTé!

AH, MADEMOISELLE. ENCHANTé! [ CHUCKLES ]

[ SIGHS ] [ French accent ] DR. CHARCOT. DR. PARKER.

[ SPEAKING FRENCH ]

[ BREATHES DEEPLY ] [ BELL CHIMING, BIRDS CHIRPING ]

[ INDISTINCT CONVERSATIONS ]

[ CONVERSING IN FRENCH ]

>> [ Austrian accent ] YOU ARE AMERICAN, OF COURSE? >> DR. LESLEY PARKER,

AMERICAN, OF COURSE? >> DR. LESLEY PARKER, LE SAN FRANCISCO.

>> DR. LESLEY PARKER, LE SAN FRANCISCO. >> SIGMUND FREUD,

LE SAN FRANCISCO. >> SIGMUND FREUD, MONSIEUR LE DR. PARKER.

>> SIGMUND FREUD, MONSIEUR LE DR. PARKER. [ DOOR CLOSES ]

MONSIEUR LE DR. PARKER. [ DOOR CLOSES ] [ FOOTSTEPS APPROACHING ]

>> [ SPEAKING FRENCH ]

I AM HE WHO HAS LIVED LONG AND SHALL LIVE ETERNALLY. IN ME ARE INTERTWINED AN UNHOLY

SHALL LIVE ETERNALLY. IN ME ARE INTERTWINED AN UNHOLY VICTORY OF DEATH OVER LIFE AND A

IN ME ARE INTERTWINED AN UNHOLY VICTORY OF DEATH OVER LIFE AND A TRANSCENDENCE OF RATIONAL

VICTORY OF DEATH OVER LIFE AND A TRANSCENDENCE OF RATIONAL BELIEF, FOR I AM THE ETERNAL AND

TRANSCENDENCE OF RATIONAL BELIEF, FOR I AM THE ETERNAL AND YOU ARE THE BLOOD THAT MAKES ME

BELIEF, FOR I AM THE ETERNAL AND YOU ARE THE BLOOD THAT MAKES ME IMMORTAL.

YOU ARE THE BLOOD THAT MAKES ME IMMORTAL. [ GROWLING ]

IMMORTAL. [ GROWLING ] [ LAUGHS ]

[ GROWLING ] [ LAUGHS ] MERCI, MERCI, MERCI!

[ LAUGHS ] MERCI, MERCI, MERCI! [ CHUCKLES ]

MERCI, MERCI, MERCI! [ CHUCKLES ] [ CLEARS THROAT ]

[ SMOOCHES ]

[ BOTH LAUGH ]

>> I SPECIALIZE IN PHOBIAS AND HOPE TO USE HIS THEORIES OF HYPNOSIS AS A WAY TO BREAK DOWN

HOPE TO USE HIS THEORIES OF HYPNOSIS AS A WAY TO BREAK DOWN THE WALLS THAT PREVENT OTHERS

HYPNOSIS AS A WAY TO BREAK DOWN THE WALLS THAT PREVENT OTHERS FROM OVERCOMING THEIR NEUROSES.

THE WALLS THAT PREVENT OTHERS FROM OVERCOMING THEIR NEUROSES. WHAT?

FROM OVERCOMING THEIR NEUROSES. WHAT? >> SO, YOU TRAVELED THIS GREAT

WHAT? >> SO, YOU TRAVELED THIS GREAT DISTANCE, DISGUISING YOURSELF AS

>> SO, YOU TRAVELED THIS GREAT DISTANCE, DISGUISING YOURSELF AS A MAN, TO SIMPLY LEARN FROM

DISTANCE, DISGUISING YOURSELF AS A MAN, TO SIMPLY LEARN FROM CHARCOT?

A MAN, TO SIMPLY LEARN FROM CHARCOT? >> WHAT MORE COULD THERE BE?

CHARCOT? >> WHAT MORE COULD THERE BE? >> SOMETHING MORE PERSONAL.

>> WHAT MORE COULD THERE BE? >> SOMETHING MORE PERSONAL. >> NO. I'M HERE TO LEARN.

>> SOMETHING MORE PERSONAL. >> NO. I'M HERE TO LEARN. I'LL BE OPENING MY OWN PRACTICE

>> NO. I'M HERE TO LEARN. I'LL BE OPENING MY OWN PRACTICE WHEN I RETURN TO AMERICA.

I'LL BE OPENING MY OWN PRACTICE WHEN I RETURN TO AMERICA. >> I CAN BE BOTH A COLLEAGUE

WHEN I RETURN TO AMERICA. >> I CAN BE BOTH A COLLEAGUE AND FRIEND.

>> I CAN BE BOTH A COLLEAGUE AND FRIEND. >> [ SIGHS ]

AND FRIEND. >> [ SIGHS ] MY PARENTS DIED WHEN I WAS

>> [ SIGHS ] MY PARENTS DIED WHEN I WAS A CHILD.

MY PARENTS DIED WHEN I WAS A CHILD. MY FATHER WAS NEVER THE SAME

A CHILD. MY FATHER WAS NEVER THE SAME AFTER WAR.

MY FATHER WAS NEVER THE SAME AFTER WAR. HE MURDERED MY MOTHER, ATTACKED

AFTER WAR. HE MURDERED MY MOTHER, ATTACKED ME WITH A KNIFE.

HE MURDERED MY MOTHER, ATTACKED ME WITH A KNIFE. HE TRIPPED ON THE STAIRS COMING

ME WITH A KNIFE. HE TRIPPED ON THE STAIRS COMING AFTER ME AND FELL ON HIS BLADE.

HE TRIPPED ON THE STAIRS COMING AFTER ME AND FELL ON HIS BLADE. I SAT IN THE DARK AS HE BLED TO

AFTER ME AND FELL ON HIS BLADE. I SAT IN THE DARK AS HE BLED TO DEATH.

I SAT IN THE DARK AS HE BLED TO DEATH. I DON'T EVEN THINK HE SAW ME.

DEATH. I DON'T EVEN THINK HE SAW ME. HE WAS IN THE CLUTCHES OF HIS

I DON'T EVEN THINK HE SAW ME. HE WAS IN THE CLUTCHES OF HIS DEMENTIA ALL THE WAY TO HIS

HE WAS IN THE CLUTCHES OF HIS DEMENTIA ALL THE WAY TO HIS GRAVE.

DEMENTIA ALL THE WAY TO HIS GRAVE. >> AND NOW?

GRAVE. >> AND NOW? >> NYCTOPHOBIA.

>> AND NOW? >> NYCTOPHOBIA. EVER SINCE THAT NIGHT, DARKNESS

>> NYCTOPHOBIA. EVER SINCE THAT NIGHT, DARKNESS HAS BECOME MY CRUEL FRIEND,

EVER SINCE THAT NIGHT, DARKNESS HAS BECOME MY CRUEL FRIEND, SENDING ME INTO MY OWN

HAS BECOME MY CRUEL FRIEND, SENDING ME INTO MY OWN HYSTERICAL STATE.

SENDING ME INTO MY OWN HYSTERICAL STATE. >> [ CLEARS THROAT ]

HYSTERICAL STATE. >> [ CLEARS THROAT ] IF I MAY BE SO BOLD, I WOULD

>> [ CLEARS THROAT ] IF I MAY BE SO BOLD, I WOULD ALSO VENTURE TO SURMISE THAT

IF I MAY BE SO BOLD, I WOULD ALSO VENTURE TO SURMISE THAT YOUR FATHER'S VIOLENCE HAS LEFT

ALSO VENTURE TO SURMISE THAT YOUR FATHER'S VIOLENCE HAS LEFT YOU WITH A DISTRUST OF LOVE?

>> SO, WHAT'S YOUR DIAGNOSIS OF CHARCOT'S NEW CLIENT? OBVIOUSLY YOU'RE NOT TAKEN IN

CHARCOT'S NEW CLIENT? OBVIOUSLY YOU'RE NOT TAKEN IN BY THE VAMPIRE ACT.

OBVIOUSLY YOU'RE NOT TAKEN IN BY THE VAMPIRE ACT. >> I AM NOT CERTAIN, BUT I

BY THE VAMPIRE ACT. >> I AM NOT CERTAIN, BUT I SUSPECT A KIND OF HYSTERIA,

>> I AM NOT CERTAIN, BUT I SUSPECT A KIND OF HYSTERIA, SOMETHING THAT MAKES HIM A

SUSPECT A KIND OF HYSTERIA, SOMETHING THAT MAKES HIM A VAMPIRE.

SOMETHING THAT MAKES HIM A VAMPIRE. >> MAKES HIM A VAMPIRE?

VAMPIRE. >> MAKES HIM A VAMPIRE? >> NOT IN THE LITERAL SENSE, BUT

>> MAKES HIM A VAMPIRE? >> NOT IN THE LITERAL SENSE, BUT DON'T YOU THINK THERE MAY BE

>> NOT IN THE LITERAL SENSE, BUT DON'T YOU THINK THERE MAY BE UN MORCEAU OF TRUTH SOMEWHERE

DON'T YOU THINK THERE MAY BE UN MORCEAU OF TRUTH SOMEWHERE IN THE STORIES?

UN MORCEAU OF TRUTH SOMEWHERE IN THE STORIES? >> CERTAINLY NOT.

IN THE STORIES? >> CERTAINLY NOT. I AM SURE THERE ARE PERFECTLY

>> CERTAINLY NOT. I AM SURE THERE ARE PERFECTLY RATIONAL EXPLANATIONS.

I AM SURE THERE ARE PERFECTLY RATIONAL EXPLANATIONS. >> AH, LEGENDS BEGIN AS

RATIONAL EXPLANATIONS. >> AH, LEGENDS BEGIN AS SOMEONE'S, FANTASY ARISING FROM

>> AH, LEGENDS BEGIN AS SOMEONE'S, FANTASY ARISING FROM DEEP IN THE MIND, WHERE EVEN THE

SOMEONE'S, FANTASY ARISING FROM DEEP IN THE MIND, WHERE EVEN THE NEUROTIC PERSON DOES NOT REALIZE

DEEP IN THE MIND, WHERE EVEN THE NEUROTIC PERSON DOES NOT REALIZE IT.

NEUROTIC PERSON DOES NOT REALIZE IT. >> SO, THAT'S WHY YOU CAME TO

IT. >> SO, THAT'S WHY YOU CAME TO STUDY WITH CHARCOT -- TO STUDY

>> SO, THAT'S WHY YOU CAME TO STUDY WITH CHARCOT -- TO STUDY NEUROTICS AND THEIR FANTASIES.

STUDY WITH CHARCOT -- TO STUDY NEUROTICS AND THEIR FANTASIES. >> CHARCOT IS ONE OF THE VERY

NEUROTICS AND THEIR FANTASIES. >> CHARCOT IS ONE OF THE VERY FEW MEDICAL MEN WHO TAKES

>> CHARCOT IS ONE OF THE VERY FEW MEDICAL MEN WHO TAKES HYPNOSIS SERIOUSLY.

FEW MEDICAL MEN WHO TAKES HYPNOSIS SERIOUSLY. WE MAY NOT KNOW HOW A STORY

HYPNOSIS SERIOUSLY. WE MAY NOT KNOW HOW A STORY BECOMES A LEGEND, BUT WE DO KNOW

WE MAY NOT KNOW HOW A STORY BECOMES A LEGEND, BUT WE DO KNOW THAT THE HUMAN MIND CREATES THE

BECOMES A LEGEND, BUT WE DO KNOW THAT THE HUMAN MIND CREATES THE STORY.

[ CRICKETS CHIRPING ] >> [ SINGING INDISTINCTLY ]

[ OMINOUS MUSIC PLAYING ]

[ WHIMPERING ]

[ SUSPENSEFUL MUSIC PLAYING ]

[ BREATHING HEAVILY ] AAH!

[ INDISTINCT CONVERSATIONS ]

>> YOU'RE VERY QUIET TONIGHT. >> [ CHUCKLES ] >> WHAT IS WRONG?

>> [ CHUCKLES ] >> WHAT IS WRONG? >> [ SIGHS ]

>> WHAT IS WRONG? >> [ SIGHS ] CHARCOT'S LECTURE TODAY.

>> [ SIGHS ] CHARCOT'S LECTURE TODAY. DO YOU THINK HE'S RIGHT ABOUT

CHARCOT'S LECTURE TODAY. DO YOU THINK HE'S RIGHT ABOUT HYPNOSIS?

DO YOU THINK HE'S RIGHT ABOUT HYPNOSIS? >> THAT ONLY NEURASTHENICS CAN

HYPNOSIS? >> THAT ONLY NEURASTHENICS CAN BE HYPNOTIZED?

>> THAT ONLY NEURASTHENICS CAN BE HYPNOTIZED? >> IF THAT'S TRUE, THEN IT

BE HYPNOTIZED? >> IF THAT'S TRUE, THEN IT CHANGES EVERYTHING FOR ME.

>> IF THAT'S TRUE, THEN IT CHANGES EVERYTHING FOR ME. MY HOPE IS TO USE HYPNOSIS ON

CHANGES EVERYTHING FOR ME. MY HOPE IS TO USE HYPNOSIS ON ANYONE WITH A PHOBIA, NOT JUST

MY HOPE IS TO USE HYPNOSIS ON ANYONE WITH A PHOBIA, NOT JUST THOSE WITH NERVOUS DISEASES.

ANYONE WITH A PHOBIA, NOT JUST THOSE WITH NERVOUS DISEASES. DO YOU BELIEVE HE'S RIGHT?

THOSE WITH NERVOUS DISEASES. DO YOU BELIEVE HE'S RIGHT? >> WELL [CLEARS THROAT] HE HAS A

DO YOU BELIEVE HE'S RIGHT? >> WELL [CLEARS THROAT] HE HAS A GREAT DEAL MORE EXPERIENCE THAN

>> WELL [CLEARS THROAT] HE HAS A GREAT DEAL MORE EXPERIENCE THAN I, CERTAINLY.

GREAT DEAL MORE EXPERIENCE THAN I, CERTAINLY. BUT, NO, I DON'T AGREE.

I, CERTAINLY. BUT, NO, I DON'T AGREE. I THINK THAT TIME WILL SHOW THAT

BUT, NO, I DON'T AGREE. I THINK THAT TIME WILL SHOW THAT MANY PEOPLE CAN BE HYPNOTIZED,

I THINK THAT TIME WILL SHOW THAT MANY PEOPLE CAN BE HYPNOTIZED, EVEN YOU.

MANY PEOPLE CAN BE HYPNOTIZED, EVEN YOU. [ BOTH CHUCKLE ]

VAL? >> SIGMUND? >> [ EXHALES SHARPLY ]

>> SIGMUND? >> [ EXHALES SHARPLY ] VAL.

AH [CLEARS THROAT] LESLEY...

VAL...

UH, VAL SPEAKS ENGLISH VERY WELL. I MET HIM IN ENGLAND, WHERE HIS

WELL. I MET HIM IN ENGLAND, WHERE HIS ENGLISH HELPED ME VERY MUCH, EH?

I MET HIM IN ENGLAND, WHERE HIS ENGLISH HELPED ME VERY MUCH, EH? [ CHUCKLES ]

ENGLISH HELPED ME VERY MUCH, EH? [ CHUCKLES ] YOU MUST DINE WITH ME AND MY

[ CHUCKLES ] YOU MUST DINE WITH ME AND MY FELLOW STUDENT, MONSIEUR PARKER,

YOU MUST DINE WITH ME AND MY FELLOW STUDENT, MONSIEUR PARKER, N'EST-CE PAS, HMM?

FELLOW STUDENT, MONSIEUR PARKER, N'EST-CE PAS, HMM? [ EXHALES SHARPLY ]

N'EST-CE PAS, HMM? [ EXHALES SHARPLY ] >> [ CLEARS THROAT ]

[ EXHALES SHARPLY ] >> [ CLEARS THROAT ] >> SO, SIGMUND, WHAT BRINGS YOU

>> [ CLEARS THROAT ] >> SO, SIGMUND, WHAT BRINGS YOU TO PARIS?

>> SO, SIGMUND, WHAT BRINGS YOU TO PARIS? >> UH, DR. PARKER AND I ARE

TO PARIS? >> UH, DR. PARKER AND I ARE STUDYING WITH DR. CHARCOT AT THE

>> UH, DR. PARKER AND I ARE STUDYING WITH DR. CHARCOT AT THE SALPêTRIèRE.

STUDYING WITH DR. CHARCOT AT THE SALPêTRIèRE. >> DR. CHARCOT?

SALPêTRIèRE. >> DR. CHARCOT? >> WE ARE SEEKING TO USE

>> DR. CHARCOT? >> WE ARE SEEKING TO USE HYPNOSIS AS A METHOD FOR CURING

>> WE ARE SEEKING TO USE HYPNOSIS AS A METHOD FOR CURING HYSTERIA.

HYPNOSIS AS A METHOD FOR CURING HYSTERIA. ARE YOU OKAY?

HYSTERIA. ARE YOU OKAY? >> UH...CHARCOT IS QUITE FAMOUS.

ARE YOU OKAY? >> UH...CHARCOT IS QUITE FAMOUS. >> AH, SO YOU HAVE HEARD OF HIM?

>> UH...CHARCOT IS QUITE FAMOUS. >> AH, SO YOU HAVE HEARD OF HIM? >> INDIRECTLY.

>> AH, SO YOU HAVE HEARD OF HIM? >> INDIRECTLY. >> OH, GENTLEMEN, FORGIVE ME,

>> INDIRECTLY. >> OH, GENTLEMEN, FORGIVE ME, BUT I'VE LET THE TIME GET AWAY

>> OH, GENTLEMEN, FORGIVE ME, BUT I'VE LET THE TIME GET AWAY FROM ME, AND I MUST ATTEND TO

BUT I'VE LET THE TIME GET AWAY FROM ME, AND I MUST ATTEND TO SOME WORK.

FROM ME, AND I MUST ATTEND TO SOME WORK. >> IT'S QUITE DARK OUTSIDE.

SOME WORK. >> IT'S QUITE DARK OUTSIDE. WILL YOU BE OKAY ON YOUR OWN?

>> IT'S QUITE DARK OUTSIDE. WILL YOU BE OKAY ON YOUR OWN? >> THE STREET LAMPS WILL GUIDE

WILL YOU BE OKAY ON YOUR OWN? >> THE STREET LAMPS WILL GUIDE ME HOME.

>> THE STREET LAMPS WILL GUIDE ME HOME. >> AH.

ME HOME. >> AH. THEN, IF YOU DON'T MIND, I WILL

>> AH. THEN, IF YOU DON'T MIND, I WILL STAY AND CHAT WITH VAL AWHILE

THEN, IF YOU DON'T MIND, I WILL STAY AND CHAT WITH VAL AWHILE LONGER.

STAY AND CHAT WITH VAL AWHILE LONGER. >> OF COURSE.

LONGER. >> OF COURSE. VAL, IT WAS A PLEASURE TO MEET

>> OF COURSE. VAL, IT WAS A PLEASURE TO MEET YOU.

VAL, IT WAS A PLEASURE TO MEET YOU. I'LL BE CALLING UPON YOU IN THE

YOU. I'LL BE CALLING UPON YOU IN THE NEXT COUPLE OF DAYS FOR THAT

I'LL BE CALLING UPON YOU IN THE NEXT COUPLE OF DAYS FOR THAT FENCING MATCH.

NEXT COUPLE OF DAYS FOR THAT FENCING MATCH. >> I WILL LOOK FORWARD TO IT.

FENCING MATCH. >> I WILL LOOK FORWARD TO IT. >> GENTLEMEN.

>> I WILL LOOK FORWARD TO IT. >> GENTLEMEN. >> YOUR FRIEND IS VERY CHARMING.

>> GENTLEMEN. >> YOUR FRIEND IS VERY CHARMING. I FIND MYSELF STRANGELY

>> YOUR FRIEND IS VERY CHARMING. I FIND MYSELF STRANGELY ATTRACTED TO HIM.

I FIND MYSELF STRANGELY ATTRACTED TO HIM. I CAN'T REMEMBER WHEN I'VE BEEN

ATTRACTED TO HIM. I CAN'T REMEMBER WHEN I'VE BEEN SO...

I CAN'T REMEMBER WHEN I'VE BEEN SO... >> I SHOULDN'T WORRY.

SO... >> I SHOULDN'T WORRY. ALMOST EVERYONE WHO KNOWS LESLEY

>> I SHOULDN'T WORRY. ALMOST EVERYONE WHO KNOWS LESLEY FEELS THE SAME.

ALMOST EVERYONE WHO KNOWS LESLEY FEELS THE SAME. PERHAPS IT'S JUST THE AIR IN

FEELS THE SAME. PERHAPS IT'S JUST THE AIR IN PARIS.

PERHAPS IT'S JUST THE AIR IN PARIS. >> STILL, I...

PARIS. >> STILL, I... >> WOULD YOU LIKE TO COME AND

>> STILL, I... >> WOULD YOU LIKE TO COME AND TALK TO ME ABOUT IT?

>> WOULD YOU LIKE TO COME AND TALK TO ME ABOUT IT? PROBABLY CURABLE.

TALK TO ME ABOUT IT? PROBABLY CURABLE. >> TALK ABOUT WHAT?

PROBABLY CURABLE. >> TALK ABOUT WHAT? [ CHUCKLES NERVOUSLY ]

>> TALK ABOUT WHAT? [ CHUCKLES NERVOUSLY ] >> [ LAUGHS ]

[ CHUCKLES NERVOUSLY ] >> [ LAUGHS ] >> [ BREATHING HEAVILY ]

>> [ LAUGHS ] >> [ BREATHING HEAVILY ] >> WHAT IS GOING ON?

>> [ BREATHING HEAVILY ] >> WHAT IS GOING ON? >> IS HE STILL THERE?

>> WHAT IS GOING ON? >> IS HE STILL THERE? >> HE'S LEAVING.

>> IS HE STILL THERE? >> HE'S LEAVING. >> I DON'T KNOW WHAT TO DO,

>> HE'S LEAVING. >> I DON'T KNOW WHAT TO DO, SIGMUND.

>> I DON'T KNOW WHAT TO DO, SIGMUND. >> [ LAUGHS ]

SIGMUND. >> [ LAUGHS ] YOU'RE ACTING AS IF YOU'RE THE

>> [ LAUGHS ] YOU'RE ACTING AS IF YOU'RE THE MURDERER STALKING PARIS.

YOU'RE ACTING AS IF YOU'RE THE MURDERER STALKING PARIS. [ LAUGHS ]

MURDERER STALKING PARIS. [ LAUGHS ] >> I MIGHT BE.

[ LAUGHS ] >> I MIGHT BE. [ BELLS CHIMING ]

>> [ CLEARS THROAT ]

>> [ CLEARS THROAT ] DR. PARKER, LET ME BEGIN BY SAYING THAT DR. CHARCOT AND I

DR. PARKER, LET ME BEGIN BY SAYING THAT DR. CHARCOT AND I HAVE DISCUSSED YOUR PLANS FOR

SAYING THAT DR. CHARCOT AND I HAVE DISCUSSED YOUR PLANS FOR TREATING PHOBIAS WITH HYPNOSIS,

HAVE DISCUSSED YOUR PLANS FOR TREATING PHOBIAS WITH HYPNOSIS, AND WE AGREE THAT SUCH A COURSE

TREATING PHOBIAS WITH HYPNOSIS, AND WE AGREE THAT SUCH A COURSE OF TREATMENT WOULD BE IDEAL FOR

AND WE AGREE THAT SUCH A COURSE OF TREATMENT WOULD BE IDEAL FOR DR. CHARCOT'S PATIENT.

OF TREATMENT WOULD BE IDEAL FOR DR. CHARCOT'S PATIENT. >> I DON'T UNDERSTAND.

DR. CHARCOT'S PATIENT. >> I DON'T UNDERSTAND. >> YOU WILL IN JUST A MOMENT.

>> I DON'T UNDERSTAND. >> YOU WILL IN JUST A MOMENT. BUT FIRST I MUST ASK YOU FOR

>> YOU WILL IN JUST A MOMENT. BUT FIRST I MUST ASK YOU FOR COMPLETE DISCRETION AND SECRECY

BUT FIRST I MUST ASK YOU FOR COMPLETE DISCRETION AND SECRECY IN THIS MATTER.

COMPLETE DISCRETION AND SECRECY IN THIS MATTER. DO YOU AGREE?

IN THIS MATTER. DO YOU AGREE? C'EST BIEN.

DO YOU AGREE? C'EST BIEN. UH, THE PATIENT I HAVE BEEN

C'EST BIEN. UH, THE PATIENT I HAVE BEEN DISCUSSING IN CLASS IS

UH, THE PATIENT I HAVE BEEN DISCUSSING IN CLASS IS VALENTIN DE DRAKUL.

DISCUSSING IN CLASS IS VALENTIN DE DRAKUL. HIS PARENTS CAME TO ME, UH --

VALENTIN DE DRAKUL. HIS PARENTS CAME TO ME, UH -- >> I ONLY FOUND OUT LAST NIGHT,

HIS PARENTS CAME TO ME, UH -- >> I ONLY FOUND OUT LAST NIGHT, AFTER YOU LEFT.

>> I ONLY FOUND OUT LAST NIGHT, AFTER YOU LEFT. VAL IMPLORED ME TO HELP HIM.

AFTER YOU LEFT. VAL IMPLORED ME TO HELP HIM. >> MAY I CONTINUE?

VAL IMPLORED ME TO HELP HIM. >> MAY I CONTINUE? AS I TOLD DR. FREUD, I HAVE RUN

>> MAY I CONTINUE? AS I TOLD DR. FREUD, I HAVE RUN MY COURSE WITH WHAT I MIGHT DO

AS I TOLD DR. FREUD, I HAVE RUN MY COURSE WITH WHAT I MIGHT DO FOR VALENTIN.

MY COURSE WITH WHAT I MIGHT DO FOR VALENTIN. I WORK IN NEUROLOGY, OUI, BUT

FOR VALENTIN. I WORK IN NEUROLOGY, OUI, BUT WHATEVER HAS TAKEN HOLD OF

I WORK IN NEUROLOGY, OUI, BUT WHATEVER HAS TAKEN HOLD OF VALENTIN'S MIND -- IT IS NOT

WHATEVER HAS TAKEN HOLD OF VALENTIN'S MIND -- IT IS NOT MEDICAL.

VALENTIN'S MIND -- IT IS NOT MEDICAL. UH, WHEN DR. FREUD, UH, CAME TO

MEDICAL. UH, WHEN DR. FREUD, UH, CAME TO ME LATE LAST NIGHT, WE BOTH

UH, WHEN DR. FREUD, UH, CAME TO ME LATE LAST NIGHT, WE BOTH IMMEDIATELY THOUGHT OF YOU.

ME LATE LAST NIGHT, WE BOTH IMMEDIATELY THOUGHT OF YOU. YOU ARE INTIMATELY FAMILIAR WITH

IMMEDIATELY THOUGHT OF YOU. YOU ARE INTIMATELY FAMILIAR WITH PHOBIAS, AND YOU HAVE EXCELLED

YOU ARE INTIMATELY FAMILIAR WITH PHOBIAS, AND YOU HAVE EXCELLED IN HYPNOSIS BETTER THAN ANY OF

PHOBIAS, AND YOU HAVE EXCELLED IN HYPNOSIS BETTER THAN ANY OF MY STUDENTS.

IN HYPNOSIS BETTER THAN ANY OF MY STUDENTS. YOU -- YOU ARE THE BEST PERSON

MY STUDENTS. YOU -- YOU ARE THE BEST PERSON TO WORK WITH VALENTIN.

YOU -- YOU ARE THE BEST PERSON TO WORK WITH VALENTIN. >> BUT I --

TO WORK WITH VALENTIN. >> BUT I -- >> I KNOW THIS BECAUSE I TAUGHT

>> BUT I -- >> I KNOW THIS BECAUSE I TAUGHT YOU.

>> I KNOW THIS BECAUSE I TAUGHT YOU. >> MY STUDIES HERE ARE NEARLY

YOU. >> MY STUDIES HERE ARE NEARLY DONE.

>> MY STUDIES HERE ARE NEARLY DONE. I'LL BE OPENING MY OWN PRACTICE

DONE. I'LL BE OPENING MY OWN PRACTICE WHEN I RETURN TO AMERICA.

I'LL BE OPENING MY OWN PRACTICE WHEN I RETURN TO AMERICA. >> WE ONLY NEED YOU TO, UH,

WHEN I RETURN TO AMERICA. >> WE ONLY NEED YOU TO, UH, AGREE TO HANDLE THIS CASE, AND,

>> WE ONLY NEED YOU TO, UH, AGREE TO HANDLE THIS CASE, AND, UH, THE DETAILS -- THEY CAN BE

AGREE TO HANDLE THIS CASE, AND, UH, THE DETAILS -- THEY CAN BE WORKED OUT.

UH, THE DETAILS -- THEY CAN BE WORKED OUT. >> THINK ABOUT IT, DOCTOR.

WORKED OUT. >> THINK ABOUT IT, DOCTOR. WE'VE NEVER SEEN A CASE LIKE

>> THINK ABOUT IT, DOCTOR. WE'VE NEVER SEEN A CASE LIKE THIS BEFORE.

WE'VE NEVER SEEN A CASE LIKE THIS BEFORE. IF YOU CAN HELP VAL, YOU COULD

THIS BEFORE. IF YOU CAN HELP VAL, YOU COULD MAKE MEDICAL HISTORY.

>> VERY WELL.

>> DR. PARKER, WE WILL FOREVER BE GRATEFUL THAT YOU HAVE AGREED TO TREAT OUR SON.

BE GRATEFUL THAT YOU HAVE AGREED TO TREAT OUR SON. WE ARE MOST WILLING FOR VAL TO

TO TREAT OUR SON. WE ARE MOST WILLING FOR VAL TO LEAVE WITH YOU.

WE ARE MOST WILLING FOR VAL TO LEAVE WITH YOU. YOU WILL BE PAID VERY WELL,

LEAVE WITH YOU. YOU WILL BE PAID VERY WELL, OF COURSE.

YOU WILL BE PAID VERY WELL, OF COURSE. >> OH, THANK YOU, BUT I DON'T DO

OF COURSE. >> OH, THANK YOU, BUT I DON'T DO THIS FOR THE FINANCIAL ASPECTS

>> OH, THANK YOU, BUT I DON'T DO THIS FOR THE FINANCIAL ASPECTS ALONE.

THIS FOR THE FINANCIAL ASPECTS ALONE. >> NO, NO, NO, OF -- OF COURSE

ALONE. >> NO, NO, NO, OF -- OF COURSE NOT.

>> NO, NO, NO, OF -- OF COURSE NOT. >> PLEASE UNDERSTAND THE URGENCY

NOT. >> PLEASE UNDERSTAND THE URGENCY HERE.

>> PLEASE UNDERSTAND THE URGENCY HERE. I'M AFRAID THAT -- AFRAID...

HERE. I'M AFRAID THAT -- AFRAID... >> WE ARE AFRAID THAT HE

I'M AFRAID THAT -- AFRAID... >> WE ARE AFRAID THAT HE BELIEVES THIS CURSE...THAT IN

>> WE ARE AFRAID THAT HE BELIEVES THIS CURSE...THAT IN HIS MIND, HE'S BECOME A VAMPIRE.

BELIEVES THIS CURSE...THAT IN HIS MIND, HE'S BECOME A VAMPIRE. >> HE SAYS HE HAS PERIODS WHERE

HIS MIND, HE'S BECOME A VAMPIRE. >> HE SAYS HE HAS PERIODS WHERE HE CAN'T REMEMBER ANYTHING.

>> HE SAYS HE HAS PERIODS WHERE HE CAN'T REMEMBER ANYTHING. TIME PASSES, AND THERE IS NO

HE CAN'T REMEMBER ANYTHING. TIME PASSES, AND THERE IS NO RECOLLECTION OF WHAT HAS

TIME PASSES, AND THERE IS NO RECOLLECTION OF WHAT HAS TRANSPIRED.

RECOLLECTION OF WHAT HAS TRANSPIRED. >> AH, MY WIFE AND I MUST RETURN

TRANSPIRED. >> AH, MY WIFE AND I MUST RETURN HOME IN A FORTNIGHT.

>> AH, MY WIFE AND I MUST RETURN HOME IN A FORTNIGHT. THIS WILL EASE OUR MINDS, TO

HOME IN A FORTNIGHT. THIS WILL EASE OUR MINDS, TO KNOW HE IS IN SUCH GOOD HANDS.

THIS WILL EASE OUR MINDS, TO KNOW HE IS IN SUCH GOOD HANDS. >> SHOULD WE CONSIDER HIM TO BE

KNOW HE IS IN SUCH GOOD HANDS. >> SHOULD WE CONSIDER HIM TO BE DANGEROUS?

>> SHOULD WE CONSIDER HIM TO BE DANGEROUS? >> WE SIMPLY DO NOT KNOW.

DANGEROUS? >> WE SIMPLY DO NOT KNOW. [ BIRDS CHIRPING ]

>> WE SIMPLY DO NOT KNOW. [ BIRDS CHIRPING ] >> I APPRECIATE YOU BEING

[ BIRDS CHIRPING ] >> I APPRECIATE YOU BEING WILLING TO TAKE ME ON AS A

>> I APPRECIATE YOU BEING WILLING TO TAKE ME ON AS A PATIENT.

WILLING TO TAKE ME ON AS A PATIENT. >> I REALIZE THIS IS A DIFFICULT

PATIENT. >> I REALIZE THIS IS A DIFFICULT SITUATION FOR YOU TO BE IN, AND

>> I REALIZE THIS IS A DIFFICULT SITUATION FOR YOU TO BE IN, AND THAT'S WHY I'D LIKE TO HELP YOU

SITUATION FOR YOU TO BE IN, AND THAT'S WHY I'D LIKE TO HELP YOU TO GET TO THE ROOT OF YOUR

THAT'S WHY I'D LIKE TO HELP YOU TO GET TO THE ROOT OF YOUR PROBLEMS.

TO GET TO THE ROOT OF YOUR PROBLEMS. >> I'M SURE WE'LL HAVE PLENTY OF

PROBLEMS. >> I'M SURE WE'LL HAVE PLENTY OF TIME TO GET TO KNOW EACH OTHER.

>> I'M SURE WE'LL HAVE PLENTY OF TIME TO GET TO KNOW EACH OTHER. AND WHEN WE'RE DONE, YOU WILL

TIME TO GET TO KNOW EACH OTHER. AND WHEN WE'RE DONE, YOU WILL KNOW ME INSIDE AND OUT.

AND WHEN WE'RE DONE, YOU WILL KNOW ME INSIDE AND OUT. >> WHAT DO YOU MEAN?

KNOW ME INSIDE AND OUT. >> WHAT DO YOU MEAN? >> SMOOTH AS GLASS.

>> WHAT DO YOU MEAN? >> SMOOTH AS GLASS. >> HE TOLD YOU!

>> SMOOTH AS GLASS. >> HE TOLD YOU! >> NO, UH -- WELL, NOT DIRECTLY.

>> HE TOLD YOU! >> NO, UH -- WELL, NOT DIRECTLY. AFTER MUCH PRESSING SIGMUND

>> NO, UH -- WELL, NOT DIRECTLY. AFTER MUCH PRESSING SIGMUND CONFIRMED, BUT I PROMISE YOU,

AFTER MUCH PRESSING SIGMUND CONFIRMED, BUT I PROMISE YOU, YOU LOOK VERY HANDSOME AS A MAN.

CONFIRMED, BUT I PROMISE YOU, YOU LOOK VERY HANDSOME AS A MAN. >> I WAS THE ONLY WOMAN IN

YOU LOOK VERY HANDSOME AS A MAN. >> I WAS THE ONLY WOMAN IN MEDICAL SCHOOL, AND I WAS

>> I WAS THE ONLY WOMAN IN MEDICAL SCHOOL, AND I WAS TREATED LIKE A FREAK.

MEDICAL SCHOOL, AND I WAS TREATED LIKE A FREAK. NO ONE TREATS ME LIKE A FREAK

TREATED LIKE A FREAK. NO ONE TREATS ME LIKE A FREAK NOW.

NO ONE TREATS ME LIKE A FREAK NOW. >> NOR WILL THEY.

NOW. >> NOR WILL THEY. I PROMISE I WILL KEEP YOUR

>> NOR WILL THEY. I PROMISE I WILL KEEP YOUR SECRET.

I PROMISE I WILL KEEP YOUR SECRET. >> [ INHALES SHARPLY ]

SECRET. >> [ INHALES SHARPLY ] YOU SAID THAT YOU HAVE COUSINS

>> [ INHALES SHARPLY ] YOU SAID THAT YOU HAVE COUSINS HERE IN PARIS, CORRECT?

YOU SAID THAT YOU HAVE COUSINS HERE IN PARIS, CORRECT? >> I'D LIKE US TO MEET THEM --

HERE IN PARIS, CORRECT? >> I'D LIKE US TO MEET THEM -- TONIGHT, IF POSSIBLE.

>> I'D LIKE US TO MEET THEM -- TONIGHT, IF POSSIBLE. THE MORE I CAN FIND OUT ABOUT

TONIGHT, IF POSSIBLE. THE MORE I CAN FIND OUT ABOUT YOUR FAMILY HISTORY BEFORE WE

THE MORE I CAN FIND OUT ABOUT YOUR FAMILY HISTORY BEFORE WE LEAVE, THE BETTER I'LL BE ABLE

YOUR FAMILY HISTORY BEFORE WE LEAVE, THE BETTER I'LL BE ABLE TO HELP YOU.

>> WE PURCHASED THEATER A LITTLE OVER ONE YEAR AGO. SINCE THEN, WE HAVE BECOME QUITE

OVER ONE YEAR AGO. SINCE THEN, WE HAVE BECOME QUITE A HIT HERE IN PARIS.

SINCE THEN, WE HAVE BECOME QUITE A HIT HERE IN PARIS. WE ARE STARTING REHEARSALS FOR

A HIT HERE IN PARIS. WE ARE STARTING REHEARSALS FOR OUR THIRD PRODUCTION.

WE ARE STARTING REHEARSALS FOR OUR THIRD PRODUCTION. >> ABSOLUTELY BEAUTIFUL.

OUR THIRD PRODUCTION. >> ABSOLUTELY BEAUTIFUL. >> SHE IS, YES.

>> ABSOLUTELY BEAUTIFUL. >> SHE IS, YES. [ LAUGHS ]

>> SHE IS, YES. [ LAUGHS ] ACTORS LIVE DOWNSTAIRS, AS DO

[ LAUGHS ] ACTORS LIVE DOWNSTAIRS, AS DO WE NOW, BEHIND THE THEATER,

ACTORS LIVE DOWNSTAIRS, AS DO WE NOW, BEHIND THE THEATER, WHILE OUR HOME IS BEING

WE NOW, BEHIND THE THEATER, WHILE OUR HOME IS BEING FINISHED -- NOT QUITE YET, BUT

WHILE OUR HOME IS BEING FINISHED -- NOT QUITE YET, BUT WE ARE COMFORTABLE.

FINISHED -- NOT QUITE YET, BUT WE ARE COMFORTABLE. >> WHO IS THAT?

WE ARE COMFORTABLE. >> WHO IS THAT? >> AH.

>> WHO IS THAT? >> AH. UNCLE OF THE FIRST GREAT BARON,

>> AH. UNCLE OF THE FIRST GREAT BARON, HE WAS, WHICH WOULD MAKE HIM OUR

UNCLE OF THE FIRST GREAT BARON, HE WAS, WHICH WOULD MAKE HIM OUR GREAT UNCLE, I SUPPOSE.

HE WAS, WHICH WOULD MAKE HIM OUR GREAT UNCLE, I SUPPOSE. >> IS HE THE ONE WITH THE 15

GREAT UNCLE, I SUPPOSE. >> IS HE THE ONE WITH THE 15 CHILDREN?

>> IS HE THE ONE WITH THE 15 CHILDREN? >> YES. THE WOMANIZER.

CHILDREN? >> YES. THE WOMANIZER. >> AND WHO ARE THEY?

>> YES. THE WOMANIZER. >> AND WHO ARE THEY? I-I DON'T RECOGNIZE THEM.

>> AND WHO ARE THEY? I-I DON'T RECOGNIZE THEM. >> THAT IS VLAD TEPES AND HIS

I-I DON'T RECOGNIZE THEM. >> THAT IS VLAD TEPES AND HIS FIRST WIFE.

>> THAT IS VLAD TEPES AND HIS FIRST WIFE. HE IS THE ONE THAT ALL THE

FIRST WIFE. HE IS THE ONE THAT ALL THE LEGENDS ARE ABOUT.

HE IS THE ONE THAT ALL THE LEGENDS ARE ABOUT. STORIES SAY SHE FLUNG HERSELF

LEGENDS ARE ABOUT. STORIES SAY SHE FLUNG HERSELF FROM THE FORTRESS WALLS WHEN

STORIES SAY SHE FLUNG HERSELF FROM THE FORTRESS WALLS WHEN THEY WERE SURROUNDED BY THE

FROM THE FORTRESS WALLS WHEN THEY WERE SURROUNDED BY THE TURKS.

THEY WERE SURROUNDED BY THE TURKS. >> AND WHEN THEY FOUND HER, SHE

TURKS. >> AND WHEN THEY FOUND HER, SHE LOOKED AS IF SHE HAD NO BLOOD

>> AND WHEN THEY FOUND HER, SHE LOOKED AS IF SHE HAD NO BLOOD LEFT IN HER WHOLE BODY --

LOOKED AS IF SHE HAD NO BLOOD LEFT IN HER WHOLE BODY -- WHITE AS ALABASTER.

LEFT IN HER WHOLE BODY -- WHITE AS ALABASTER. >> SO, I ASSUME YOU KNOW ABOUT

WHITE AS ALABASTER. >> SO, I ASSUME YOU KNOW ABOUT THE STRANGE HAPPENINGS AT MY

>> SO, I ASSUME YOU KNOW ABOUT THE STRANGE HAPPENINGS AT MY FATHER'S ESTATE?

THE STRANGE HAPPENINGS AT MY FATHER'S ESTATE? >> THE KILLINGS.

FATHER'S ESTATE? >> THE KILLINGS. >> THEY'RE JUST LIKE YOU SAY --

>> THE KILLINGS. >> THEY'RE JUST LIKE YOU SAY -- WHITE AS SNOW.

>> THEY'RE JUST LIKE YOU SAY -- WHITE AS SNOW. THE MURDERS ARE THE MAIN REASON

WHITE AS SNOW. THE MURDERS ARE THE MAIN REASON WE CAME TO PARIS.

THE MURDERS ARE THE MAIN REASON WE CAME TO PARIS. >> AND NOW YOU ARE MOVING ON

WE CAME TO PARIS. >> AND NOW YOU ARE MOVING ON TO SAN FRANCISCO?

>> AND NOW YOU ARE MOVING ON TO SAN FRANCISCO? >> HOW DID YOU KNOW?

TO SAN FRANCISCO? >> HOW DID YOU KNOW? >> BECAUSE WE ARE GOING, TOO.

>> MY DEAR COUSIN, DO YOU REALLY BELIEVE YOU MIGHT HAVE THE CURSE?

BELIEVE YOU MIGHT HAVE THE CURSE? >> I DON'T KNOW WHAT I BELIEVE.

CURSE? >> I DON'T KNOW WHAT I BELIEVE. FIRST THE MURDERS ON THE ESTATE

>> I DON'T KNOW WHAT I BELIEVE. FIRST THE MURDERS ON THE ESTATE AND NOW THE MURDERS IN PARIS.

FIRST THE MURDERS ON THE ESTATE AND NOW THE MURDERS IN PARIS. >> AH, IT IS AN AWFUL MESS, YES,

AND NOW THE MURDERS IN PARIS. >> AH, IT IS AN AWFUL MESS, YES, BUT A CURSE?

>> AH, IT IS AN AWFUL MESS, YES, BUT A CURSE? I THINK WE'RE ALL ADULT ENOUGH

BUT A CURSE? I THINK WE'RE ALL ADULT ENOUGH TO RECOGNIZE THAT AS A TALE TO

I THINK WE'RE ALL ADULT ENOUGH TO RECOGNIZE THAT AS A TALE TO FRIGHTEN LITTLE CHILDREN.

TO RECOGNIZE THAT AS A TALE TO FRIGHTEN LITTLE CHILDREN. [ CHUCKLES ]

FRIGHTEN LITTLE CHILDREN. [ CHUCKLES ] >> [ CLEARS THROAT ]

[ CHUCKLES ] >> [ CLEARS THROAT ] WHAT VAL BELIEVES -- [ SIGHS ]

>> [ CLEARS THROAT ] WHAT VAL BELIEVES -- [ SIGHS ] IT'S LIKELY A FORM OF HYSTERIA,

WHAT VAL BELIEVES -- [ SIGHS ] IT'S LIKELY A FORM OF HYSTERIA, AND THAT'S WHY I'M GOING TO HELP

IT'S LIKELY A FORM OF HYSTERIA, AND THAT'S WHY I'M GOING TO HELP VAL GET TO THE ROOT OF HIS

AND THAT'S WHY I'M GOING TO HELP VAL GET TO THE ROOT OF HIS TROUBLES.

VAL GET TO THE ROOT OF HIS TROUBLES. >> SINCE WE'RE ACCOMPANYING YOU,

TROUBLES. >> SINCE WE'RE ACCOMPANYING YOU, I HAVE A REQUEST.

>> SINCE WE'RE ACCOMPANYING YOU, I HAVE A REQUEST. [ SIGHS ]

I HAVE A REQUEST. [ SIGHS ] IT SEEMS HYSTERIA RUNS IN OUR

[ SIGHS ] IT SEEMS HYSTERIA RUNS IN OUR BLOOD.

IT SEEMS HYSTERIA RUNS IN OUR BLOOD. I, TOO, HAVE A CONDITION...

BLOOD. I, TOO, HAVE A CONDITION... A TERRIBLE FEAR OF CONFINED

I, TOO, HAVE A CONDITION... A TERRIBLE FEAR OF CONFINED PLACES.

A TERRIBLE FEAR OF CONFINED PLACES. >> CLAUSTROPHOBIA.

PLACES. >> CLAUSTROPHOBIA. >> YES. EXACTLY.

>> CLAUSTROPHOBIA. >> YES. EXACTLY. >> PERHAPS YOU WOULD ALLOW

>> YES. EXACTLY. >> PERHAPS YOU WOULD ALLOW MARCIA TO BE PART OF YOUR GROUP?

>> PERHAPS YOU WOULD ALLOW MARCIA TO BE PART OF YOUR GROUP? >> I THINK IT WOULD BE A

MARCIA TO BE PART OF YOUR GROUP? >> I THINK IT WOULD BE A WONDERFUL IDEA, AND ESPECIALLY

>> I THINK IT WOULD BE A WONDERFUL IDEA, AND ESPECIALLY GOOD FOR VAL, IF HE'S AGREEABLE.

WONDERFUL IDEA, AND ESPECIALLY GOOD FOR VAL, IF HE'S AGREEABLE. >> OF COURSE.

GOOD FOR VAL, IF HE'S AGREEABLE. >> OF COURSE. I'D DO ANYTHING FOR GUY AND

>> OF COURSE. I'D DO ANYTHING FOR GUY AND MARCIA.

I'D DO ANYTHING FOR GUY AND MARCIA. >> SINCE YOU ARE COMING, I THINK

MARCIA. >> SINCE YOU ARE COMING, I THINK THERE IS SOMETHING YOU SHOULD

>> SINCE YOU ARE COMING, I THINK THERE IS SOMETHING YOU SHOULD ALSO KNOW.

THERE IS SOMETHING YOU SHOULD ALSO KNOW. >> UH, THIS IS GOING TO BE VERY

ALSO KNOW. >> UH, THIS IS GOING TO BE VERY INTERESTING.

>> UH, THIS IS GOING TO BE VERY INTERESTING. >> BRAVO.

[ HOOVES CLOPPING ] [ BIRDS CHIRPING ] [ INDISTINCT CONVERSATIONS ]

>> FRAULEIN. >> MY APOLOGIES FOR BEING LATE. >> QUITE ALL RIGHT.

>> MY APOLOGIES FOR BEING LATE. >> QUITE ALL RIGHT. YOU'RE SURE WE HAVE TIME?

>> QUITE ALL RIGHT. YOU'RE SURE WE HAVE TIME? >> THE SHIP DOESN'T DEPART FOR

YOU'RE SURE WE HAVE TIME? >> THE SHIP DOESN'T DEPART FOR SEVERAL HOURS.

>> THE SHIP DOESN'T DEPART FOR SEVERAL HOURS. >> THEN WE'LL CALL THIS OUR LAST

SEVERAL HOURS. >> THEN WE'LL CALL THIS OUR LAST MEAL.

>> THEN WE'LL CALL THIS OUR LAST MEAL. >> [ CHUCKLES ]

MEAL. >> [ CHUCKLES ] OH, I JUST RECEIVED A LETTER

>> [ CHUCKLES ] OH, I JUST RECEIVED A LETTER FROM A POTENTIAL PATIENT IN

OH, I JUST RECEIVED A LETTER FROM A POTENTIAL PATIENT IN SAN FRANCISCO.

FROM A POTENTIAL PATIENT IN SAN FRANCISCO. SHE'S A RECLUSE, UNABLE TO LEAVE

SAN FRANCISCO. SHE'S A RECLUSE, UNABLE TO LEAVE HER HOME.

SHE'S A RECLUSE, UNABLE TO LEAVE HER HOME. SHE'S OFFERED ME FULL USE OF HER

HER HOME. SHE'S OFFERED ME FULL USE OF HER MANSION TO SEE PATIENTS.

SHE'S OFFERED ME FULL USE OF HER MANSION TO SEE PATIENTS. >> DAS IST WUNDERBAR.

MANSION TO SEE PATIENTS. >> DAS IST WUNDERBAR. WHAT A WONDERFUL OPPORTUNITY.

>> DAS IST WUNDERBAR. WHAT A WONDERFUL OPPORTUNITY. >> I'M GOING TO START GROUP

WHAT A WONDERFUL OPPORTUNITY. >> I'M GOING TO START GROUP THERAPY SESSIONS.

>> I'M GOING TO START GROUP THERAPY SESSIONS. I REALLY BELIEVE GROUP THERAPY

THERAPY SESSIONS. I REALLY BELIEVE GROUP THERAPY COULD BE MOST HELPFUL.

I REALLY BELIEVE GROUP THERAPY COULD BE MOST HELPFUL. >> IT WILL BE QUITE THE

COULD BE MOST HELPFUL. >> IT WILL BE QUITE THE EXPERIMENT.

>> IT WILL BE QUITE THE EXPERIMENT. DO YOU THINK YOU'LL FALL IN

EXPERIMENT. DO YOU THINK YOU'LL FALL IN LOVE WITH HIM?

DO YOU THINK YOU'LL FALL IN LOVE WITH HIM? >> [ SIGHS ]

LOVE WITH HIM? >> [ SIGHS ] HE'S MY PATIENT.

>> [ SIGHS ] HE'S MY PATIENT. THAT'S ALL.

HE'S MY PATIENT. THAT'S ALL. >> I SEE YOUR FONDNESS FOR HIM

THAT'S ALL. >> I SEE YOUR FONDNESS FOR HIM GROWING.

>> I SEE YOUR FONDNESS FOR HIM GROWING. THAT ALONE MAY SAVE HIM FROM THE

GROWING. THAT ALONE MAY SAVE HIM FROM THE FATE THE DRAKULS FEAR.

THAT ALONE MAY SAVE HIM FROM THE FATE THE DRAKULS FEAR. >> YOU REALLY ARE A ROMANTIC

FATE THE DRAKULS FEAR. >> YOU REALLY ARE A ROMANTIC AT HEART, AREN'T YOU?

>> YOU REALLY ARE A ROMANTIC AT HEART, AREN'T YOU? >> MM.

AT HEART, AREN'T YOU? >> MM. [ BIRDS CHIRPING ]

[ DOORBELL RINGS ]

>> GOOD DAY, DR. PARKER. MRS. LEE IS EXPECTING YOU.

>> YOARE DR. PARKER? >> YOU WERE EXPECTING SOMEONE ELSE.

>> YOU WERE EXPECTING SOMEONE ELSE. >> YES, I WAS.

ELSE. >> YES, I WAS. >> THEN HOPEFULLY I WON'T

>> YES, I WAS. >> THEN HOPEFULLY I WON'T DISAPPOINT YOU.

>> THEN HOPEFULLY I WON'T DISAPPOINT YOU. >> PLEASE.

DISAPPOINT YOU. >> PLEASE. THAT SEAT OVER THERE IS QUITE

>> PLEASE. THAT SEAT OVER THERE IS QUITE COMFORTABLE.

THAT SEAT OVER THERE IS QUITE COMFORTABLE. >> THANK YOU.

COMFORTABLE. >> THANK YOU. >> YOU ARE NOT A SOUTHERNER,

>> THANK YOU. >> YOU ARE NOT A SOUTHERNER, I NOTICE.

>> YOU ARE NOT A SOUTHERNER, I NOTICE. I'M FROM GEORGIA, AND I CAN SPOT

I NOTICE. I'M FROM GEORGIA, AND I CAN SPOT A YANKEE SOON AS SHE OPENS HER

I'M FROM GEORGIA, AND I CAN SPOT A YANKEE SOON AS SHE OPENS HER MOUTH.

A YANKEE SOON AS SHE OPENS HER MOUTH. >> I WAS BORN HERE, IN

MOUTH. >> I WAS BORN HERE, IN CALIFORNIA.

>> I WAS BORN HERE, IN CALIFORNIA. >> WELL, YOU CAN'T HELP THAT.

CALIFORNIA. >> WELL, YOU CAN'T HELP THAT. ELIZABETH, WOULD YOU BRING US

>> WELL, YOU CAN'T HELP THAT. ELIZABETH, WOULD YOU BRING US SOME TEA?

ELIZABETH, WOULD YOU BRING US SOME TEA? >> YES, AUNTIE.

SOME TEA? >> YES, AUNTIE. >> PLEASE FORGIVE ELIZABETH.

>> YES, AUNTIE. >> PLEASE FORGIVE ELIZABETH. SHE IS NOT ONLY MY HOUSEKEEPER,

>> PLEASE FORGIVE ELIZABETH. SHE IS NOT ONLY MY HOUSEKEEPER, BUT ALSO MY WARD.

SHE IS NOT ONLY MY HOUSEKEEPER, BUT ALSO MY WARD. SHE IS NOT PLEASED WITH OUR

BUT ALSO MY WARD. SHE IS NOT PLEASED WITH OUR ARRANGEMENT, WHICH ALLOWS HER TO

SHE IS NOT PLEASED WITH OUR ARRANGEMENT, WHICH ALLOWS HER TO CONTINUE LIVING HER.

ARRANGEMENT, WHICH ALLOWS HER TO CONTINUE LIVING HER. >> WELL, THAT'S QUITE

CONTINUE LIVING HER. >> WELL, THAT'S QUITE UNDERSTANDABLE, BUT SHE SEEMS

>> WELL, THAT'S QUITE UNDERSTANDABLE, BUT SHE SEEMS CHARMING ENOUGH.

UNDERSTANDABLE, BUT SHE SEEMS CHARMING ENOUGH. >> I SUPPOSE, YES, YOU WOULD

CHARMING ENOUGH. >> I SUPPOSE, YES, YOU WOULD THINK SO.

>> I SUPPOSE, YES, YOU WOULD THINK SO. >> BUT OF COURSE WHAT I'M HERE

THINK SO. >> BUT OF COURSE WHAT I'M HERE FOR IS TO HELP YOU.

>> BUT OF COURSE WHAT I'M HERE FOR IS TO HELP YOU. >> THEN LET ME CONFESS SOMETHING

FOR IS TO HELP YOU. >> THEN LET ME CONFESS SOMETHING THAT IS NOT AT ALL TYPICAL OF US

>> THEN LET ME CONFESS SOMETHING THAT IS NOT AT ALL TYPICAL OF US SOUTHERNERS, AND I MUST ADMIT I

THAT IS NOT AT ALL TYPICAL OF US SOUTHERNERS, AND I MUST ADMIT I AM ASHAMED OF IT.

SOUTHERNERS, AND I MUST ADMIT I AM ASHAMED OF IT. THE FACT IS I HAVE BECOME

AM ASHAMED OF IT. THE FACT IS I HAVE BECOME AFRAID, AFRAID TO GO OUTSIDE

THE FACT IS I HAVE BECOME AFRAID, AFRAID TO GO OUTSIDE THIS HOUSE, AFRAID OF PEOPLE.

AFRAID, AFRAID TO GO OUTSIDE THIS HOUSE, AFRAID OF PEOPLE. THIS FEAR, I BELIEVE, IS

THIS HOUSE, AFRAID OF PEOPLE. THIS FEAR, I BELIEVE, IS REFERRED TO AS AGORAPHOBIA.

THIS FEAR, I BELIEVE, IS REFERRED TO AS AGORAPHOBIA. NOW YOU UNDERSTAND WHY IT IS

REFERRED TO AS AGORAPHOBIA. NOW YOU UNDERSTAND WHY IT IS PARAMOUNT THAT OUR GROUP

NOW YOU UNDERSTAND WHY IT IS PARAMOUNT THAT OUR GROUP SESSIONS MUST TAKE PLACE HERE

PARAMOUNT THAT OUR GROUP SESSIONS MUST TAKE PLACE HERE IN MY HOME.

SESSIONS MUST TAKE PLACE HERE IN MY HOME. I HOPE THAT WILL BE SATISFACTORY

IN MY HOME. I HOPE THAT WILL BE SATISFACTORY TO YOU.

I HOPE THAT WILL BE SATISFACTORY TO YOU. >> YOU HAVE ELECTRIC BULBS!

TO YOU. >> YOU HAVE ELECTRIC BULBS! >> MY HUSBAND'S WEALTH HAS

>> YOU HAVE ELECTRIC BULBS! >> MY HUSBAND'S WEALTH HAS ALLOWED ME MANY COMFORTS NOT

>> MY HUSBAND'S WEALTH HAS ALLOWED ME MANY COMFORTS NOT AFFORDED BY OTHERS.

ALLOWED ME MANY COMFORTS NOT AFFORDED BY OTHERS. >> THIS SUITS MY NEEDS

AFFORDED BY OTHERS. >> THIS SUITS MY NEEDS PERFECTLY.

>> THIS SUITS MY NEEDS PERFECTLY. I VERY MUCH APPRECIATE IT.

PERFECTLY. I VERY MUCH APPRECIATE IT. YOUR HUSBAND?

I VERY MUCH APPRECIATE IT. YOUR HUSBAND? >> LONG DEAD.

YOUR HUSBAND? >> LONG DEAD. WE LEFT GEORGIA AFTER THE END OF

>> LONG DEAD. WE LEFT GEORGIA AFTER THE END OF THE UNFORTUNATE WAR BETWEEN THE

WE LEFT GEORGIA AFTER THE END OF THE UNFORTUNATE WAR BETWEEN THE STATES.

THE UNFORTUNATE WAR BETWEEN THE STATES. SADLY, HE DIED SOME TIME AGO.

STATES. SADLY, HE DIED SOME TIME AGO. >> AND HOW LONG HAVE YOU BEEN

SADLY, HE DIED SOME TIME AGO. >> AND HOW LONG HAVE YOU BEEN AFRAID TO LEAVE YOUR HOME?

>> AND HOW LONG HAVE YOU BEEN AFRAID TO LEAVE YOUR HOME? >> THE LAST 15 YEARS, SINCE

AFRAID TO LEAVE YOUR HOME? >> THE LAST 15 YEARS, SINCE THAT DAY --

>> THE LAST 15 YEARS, SINCE THAT DAY -- >> I SHOULD WARN YOU -- THE TEA

THAT DAY -- >> I SHOULD WARN YOU -- THE TEA IS PARTICULARLY STRONG...

>> I SHOULD WARN YOU -- THE TEA IS PARTICULARLY STRONG... JUST LIKE MRS. LEE LIKES IT.

IS PARTICULARLY STRONG... JUST LIKE MRS. LEE LIKES IT. >> THANK YOU, ELIZABETH.

JUST LIKE MRS. LEE LIKES IT. >> THANK YOU, ELIZABETH. >> DID YOU TELL THE DOCTOR ABOUT

>> THANK YOU, ELIZABETH. >> DID YOU TELL THE DOCTOR ABOUT YOUR COFFIN?

>> DID YOU TELL THE DOCTOR ABOUT YOUR COFFIN? >> NO.

YOUR COFFIN? >> NO. >> [ EXHALES SHARPLY ]

>> NO. >> [ EXHALES SHARPLY ] VERY WELL.

>> [ EXHALES SHARPLY ] VERY WELL. >> SHE KEEPS A COFFIN IN HER

VERY WELL. >> SHE KEEPS A COFFIN IN HER ROOM JUST LIKE THE ONE MR. LEE

>> SHE KEEPS A COFFIN IN HER ROOM JUST LIKE THE ONE MR. LEE WAS BURIED IN.

ROOM JUST LIKE THE ONE MR. LEE WAS BURIED IN. THERE'S A GLASS PLATE AND A LID

WAS BURIED IN. THERE'S A GLASS PLATE AND A LID RIGHT OVER THE LITTLE PILLOW SO

THERE'S A GLASS PLATE AND A LID RIGHT OVER THE LITTLE PILLOW SO SHE CAN SEE OUT WHILE SHE'S

RIGHT OVER THE LITTLE PILLOW SO SHE CAN SEE OUT WHILE SHE'S SLEEPING.

SHE CAN SEE OUT WHILE SHE'S SLEEPING. >> THAT'S ENOUGH, ELIZABETH.

SLEEPING. >> THAT'S ENOUGH, ELIZABETH. LEAVE DR. PARKER AND ME ALONE

>> THAT'S ENOUGH, ELIZABETH. LEAVE DR. PARKER AND ME ALONE NOW.

>> YOU SLEEP IN A COFFIN? >> REMINDS ME OF MY HUSBAND. IT COMFORTS ME.

>> REMINDS ME OF MY HUSBAND. IT COMFORTS ME. I FEEL CLOSER TO HIM BECAUSE,

IT COMFORTS ME. I FEEL CLOSER TO HIM BECAUSE, AFTER ALL, HE IS SLEEPING IN ONE

I FEEL CLOSER TO HIM BECAUSE, AFTER ALL, HE IS SLEEPING IN ONE JUST LIKE IT.

AFTER ALL, HE IS SLEEPING IN ONE JUST LIKE IT. >> AND YOUR HUSBAND'S DEATH --

JUST LIKE IT. >> AND YOUR HUSBAND'S DEATH -- THIS IS THE FIRST TIME YOU

>> AND YOUR HUSBAND'S DEATH -- THIS IS THE FIRST TIME YOU BECAME AFRAID TO GO OUT?

THIS IS THE FIRST TIME YOU BECAME AFRAID TO GO OUT? >> AND YOU NEVER EXPERIENCED

BECAME AFRAID TO GO OUT? >> AND YOU NEVER EXPERIENCED THIS TYPE OF FEAR BEFORE?

>> AND YOU NEVER EXPERIENCED THIS TYPE OF FEAR BEFORE? >> I'VE ALWAYS BEEN A PERSON

THIS TYPE OF FEAR BEFORE? >> I'VE ALWAYS BEEN A PERSON THAT STAYED TO HERSELF, BUT

>> I'VE ALWAYS BEEN A PERSON THAT STAYED TO HERSELF, BUT NOTHING LIKE THIS.

THAT STAYED TO HERSELF, BUT NOTHING LIKE THIS. >> MANY OF THE FEARS WE

NOTHING LIKE THIS. >> MANY OF THE FEARS WE EXPERIENCE AS ADULTS, EVEN

>> MANY OF THE FEARS WE EXPERIENCE AS ADULTS, EVEN DURING TRAUMAS, ARE ACTUALLY

EXPERIENCE AS ADULTS, EVEN DURING TRAUMAS, ARE ACTUALLY ROOTED MUCH FURTHER BACK -- TO

DURING TRAUMAS, ARE ACTUALLY ROOTED MUCH FURTHER BACK -- TO OUR CHILDHOOD, TO BE EXACT.

ROOTED MUCH FURTHER BACK -- TO OUR CHILDHOOD, TO BE EXACT. WHAT IS YOUR EARLIEST CHILDHOOD

OUR CHILDHOOD, TO BE EXACT. WHAT IS YOUR EARLIEST CHILDHOOD MEMORY?

WHAT IS YOUR EARLIEST CHILDHOOD MEMORY? >> I DON'T KNOW.

MEMORY? >> I DON'T KNOW. >> THIS IS SOMETHING HYPNOSIS

>> I DON'T KNOW. >> THIS IS SOMETHING HYPNOSIS WILL HELP YOU WITH.

>> THIS IS SOMETHING HYPNOSIS WILL HELP YOU WITH. >> I SHALL PUT MY FAITH IN YOU.

WILL HELP YOU WITH. >> I SHALL PUT MY FAITH IN YOU. >> [ CHUCKLES ]

>> I SHALL PUT MY FAITH IN YOU. >> [ CHUCKLES ] [ METAL CLINKING ]

>> UGH! >> [ CHUCKLES ] SO, HOW ARE GUY AND MARCIA

>> [ CHUCKLES ] SO, HOW ARE GUY AND MARCIA SETTLING IN?

SO, HOW ARE GUY AND MARCIA SETTLING IN? >> THEY LOVE SAN FRANCISCO.

SETTLING IN? >> THEY LOVE SAN FRANCISCO. GUY WANTS TO SEE EVERYTHING, BUT

>> THEY LOVE SAN FRANCISCO. GUY WANTS TO SEE EVERYTHING, BUT I MUST ADMIT THAT, UH, MARCIA IS

GUY WANTS TO SEE EVERYTHING, BUT I MUST ADMIT THAT, UH, MARCIA IS READY TO START SESSIONS.

I MUST ADMIT THAT, UH, MARCIA IS READY TO START SESSIONS. >> AND YOU?

READY TO START SESSIONS. >> AND YOU? HOW ARE YOU DOING?

>> AND YOU? HOW ARE YOU DOING? >> I CAN'T SAY MY SUITE IS NICE

HOW ARE YOU DOING? >> I CAN'T SAY MY SUITE IS NICE AS YOUR ACCOMMODATIONS, BUT...

>> I CAN'T SAY MY SUITE IS NICE AS YOUR ACCOMMODATIONS, BUT... >> ANY BLACKOUTS?

AS YOUR ACCOMMODATIONS, BUT... >> ANY BLACKOUTS? >> YOU SAW THE NEWSPAPER THIS

>> ANY BLACKOUTS? >> YOU SAW THE NEWSPAPER THIS MORNING.

>> YOU SAW THE NEWSPAPER THIS MORNING. >> A DEATH SIMILAR TO THOSE IN

MORNING. >> A DEATH SIMILAR TO THOSE IN PARIS.

>> A DEATH SIMILAR TO THOSE IN PARIS. >> I'VE HAD TWO EPISODES SINCE

PARIS. >> I'VE HAD TWO EPISODES SINCE WE'VE BEEN HERE.

>> I'VE HAD TWO EPISODES SINCE WE'VE BEEN HERE. ONE WAS YESTERDAY.

WE'VE BEEN HERE. ONE WAS YESTERDAY. I DON'T WANT TO BELIEVE I COULD

ONE WAS YESTERDAY. I DON'T WANT TO BELIEVE I COULD BE DOING THESE THINGS.

I DON'T WANT TO BELIEVE I COULD BE DOING THESE THINGS. >> OKAY, TELL ME THIS -- IF YOU

BE DOING THESE THINGS. >> OKAY, TELL ME THIS -- IF YOU WERE A VAMPIRE, HOW COULD YOU BE

>> OKAY, TELL ME THIS -- IF YOU WERE A VAMPIRE, HOW COULD YOU BE STANDING OUT HERE IN THE SUN?

WERE A VAMPIRE, HOW COULD YOU BE STANDING OUT HERE IN THE SUN? >> THAT'S A MYTH. IT'S NOT REAL.

STANDING OUT HERE IN THE SUN? >> THAT'S A MYTH. IT'S NOT REAL. >> AND VAMPIRES -- THEY ARE

>> THAT'S A MYTH. IT'S NOT REAL. >> AND VAMPIRES -- THEY ARE REAL?

>> AND VAMPIRES -- THEY ARE REAL? YOU'VE SEEN THEM?

REAL? YOU'VE SEEN THEM? >> OF COURSE I HAVEN'T SEEN ONE.

YOU'VE SEEN THEM? >> OF COURSE I HAVEN'T SEEN ONE. >> VAL, YOU MUST LISTEN TO ME.

>> OF COURSE I HAVEN'T SEEN ONE. >> VAL, YOU MUST LISTEN TO ME. IF YOU WERE A VAMPIRE, I

>> VAL, YOU MUST LISTEN TO ME. IF YOU WERE A VAMPIRE, I WOULDN'T BE STANDING HERE,

IF YOU WERE A VAMPIRE, I WOULDN'T BE STANDING HERE, ALLOWING YOU TO THRUST A SWORD

WOULDN'T BE STANDING HERE, ALLOWING YOU TO THRUST A SWORD AT ME.

ALLOWING YOU TO THRUST A SWORD AT ME. >> I'VE NEVER FENCED WITH WOMAN

AT ME. >> I'VE NEVER FENCED WITH WOMAN BEFORE.

>> I'VE NEVER FENCED WITH WOMAN BEFORE. >> WELL, THEN YOU'VE NEVER BEEN

BEFORE. >> WELL, THEN YOU'VE NEVER BEEN BEATEN BY ONE, EITHER.

>> WELL, THEN YOU'VE NEVER BEEN BEATEN BY ONE, EITHER. >> DR. PARKER, AUNTIE THOUGHT

BEATEN BY ONE, EITHER. >> DR. PARKER, AUNTIE THOUGHT YOU MIGHT LIKE SOME

>> DR. PARKER, AUNTIE THOUGHT YOU MIGHT LIKE SOME REFRESHMENTS.

YOU MIGHT LIKE SOME REFRESHMENTS. >> ELIZABETH.

REFRESHMENTS. >> ELIZABETH. [ METAL CLINKING ]

>> ELIZABETH. [ METAL CLINKING ] THANK YOU, ELIZABETH.

[ METAL CLINKING ] THANK YOU, ELIZABETH. [ EXHALES SHARPLY ]

THANK YOU, ELIZABETH. [ EXHALES SHARPLY ] PERHAPS YOU COULD TELL ME OF

[ EXHALES SHARPLY ] PERHAPS YOU COULD TELL ME OF THIS CURSE NOW?

>> IT, UH... IT ALL STARTED WITH VLAD TEPES, THE DISTANT GRANDFATHER IN THE

IT ALL STARTED WITH VLAD TEPES, THE DISTANT GRANDFATHER IN THE PAINTING AT GUY'S HOME.

THE DISTANT GRANDFATHER IN THE PAINTING AT GUY'S HOME. WHERE I COME FROM, HE WAS BOTH

PAINTING AT GUY'S HOME. WHERE I COME FROM, HE WAS BOTH HERO AND A VILLAIN...

WHERE I COME FROM, HE WAS BOTH HERO AND A VILLAIN... SAID TO KILL WITHOUT MERCY...

HERO AND A VILLAIN... SAID TO KILL WITHOUT MERCY... [ METAL CLANGS ]

SAID TO KILL WITHOUT MERCY... [ METAL CLANGS ] ...DRINKING THE BLOOD OF HIS

[ METAL CLANGS ] ...DRINKING THE BLOOD OF HIS VICTIMS AND LEAVING THEIR BODIES

...DRINKING THE BLOOD OF HIS VICTIMS AND LEAVING THEIR BODIES TO ROT IN THE SUN.

VICTIMS AND LEAVING THEIR BODIES TO ROT IN THE SUN. WHEN VLAD FINALLY DIED AT THE

TO ROT IN THE SUN. WHEN VLAD FINALLY DIED AT THE HANDS OF ASSASSIN, HE WAS BURIED

WHEN VLAD FINALLY DIED AT THE HANDS OF ASSASSIN, HE WAS BURIED OUTSIDE THE MONASTERY AT SNAGOV.

HANDS OF ASSASSIN, HE WAS BURIED OUTSIDE THE MONASTERY AT SNAGOV. [ OMINOUS MUSIC PLAYING ]

OUTSIDE THE MONASTERY AT SNAGOV. [ OMINOUS MUSIC PLAYING ] HIS SON AND SERVANTS SWORE THEY

[ OMINOUS MUSIC PLAYING ] HIS SON AND SERVANTS SWORE THEY SAW HIS BODY PLACED INTO THE

HIS SON AND SERVANTS SWORE THEY SAW HIS BODY PLACED INTO THE COFFIN.

SAW HIS BODY PLACED INTO THE COFFIN. BUT OTHERS WERE CONVINCED THEY

COFFIN. BUT OTHERS WERE CONVINCED THEY SAW HIM SKULKING ABOUT IN THE

BUT OTHERS WERE CONVINCED THEY SAW HIM SKULKING ABOUT IN THE NIGHT AIR.

SAW HIM SKULKING ABOUT IN THE NIGHT AIR. AS THE STORY GREW, PANIC SET IN.

NIGHT AIR. AS THE STORY GREW, PANIC SET IN. HIS OWN SON WENT TO THE CEMETERY

AS THE STORY GREW, PANIC SET IN. HIS OWN SON WENT TO THE CEMETERY TO SEE FOR HIMSELF.

HIS OWN SON WENT TO THE CEMETERY TO SEE FOR HIMSELF. AND AS THE STORY GREW WORSE,

TO SEE FOR HIMSELF. AND AS THE STORY GREW WORSE, THAT HE HAUNTED THE COUNTRYSIDE,

AND AS THE STORY GREW WORSE, THAT HE HAUNTED THE COUNTRYSIDE, KILLING, DRINKING THE BLOOD OF

THAT HE HAUNTED THE COUNTRYSIDE, KILLING, DRINKING THE BLOOD OF THE INNOCENT TO REMAIN ALIVE.

KILLING, DRINKING THE BLOOD OF THE INNOCENT TO REMAIN ALIVE. FOR CENTURIES, MY FAMILY HAS

THE INNOCENT TO REMAIN ALIVE. FOR CENTURIES, MY FAMILY HAS BELIEVED THAT THAT CURSE WAS

FOR CENTURIES, MY FAMILY HAS BELIEVED THAT THAT CURSE WAS PLACED UPON OUR BLOODLINE FOR

BELIEVED THAT THAT CURSE WAS PLACED UPON OUR BLOODLINE FOR VLAD'S SINS.

PLACED UPON OUR BLOODLINE FOR VLAD'S SINS. >> YOU WERE TOLD THESE STORIES

VLAD'S SINS. >> YOU WERE TOLD THESE STORIES AS A BOY?

>> YOU WERE TOLD THESE STORIES AS A BOY? [ SIGHS ]

AS A BOY? [ SIGHS ] I BELIEVE THAT CHILDHOOD TRAUMAS

[ SIGHS ] I BELIEVE THAT CHILDHOOD TRAUMAS DETERMINE MUCH OF ADULT

I BELIEVE THAT CHILDHOOD TRAUMAS DETERMINE MUCH OF ADULT BEHAVIOR.

DETERMINE MUCH OF ADULT BEHAVIOR. WHILE MOST PEOPLE ALWAYS CARRY

BEHAVIOR. WHILE MOST PEOPLE ALWAYS CARRY THESE FEARS WITH THEM, THEY'RE

WHILE MOST PEOPLE ALWAYS CARRY THESE FEARS WITH THEM, THEY'RE NOT OVERTLY AFFECTED BY THEM.

THESE FEARS WITH THEM, THEY'RE NOT OVERTLY AFFECTED BY THEM. BUT THEN OTHERS, LIKE YOURSELF,

NOT OVERTLY AFFECTED BY THEM. BUT THEN OTHERS, LIKE YOURSELF, HAVE THEM INGRAINED WITHIN THE

BUT THEN OTHERS, LIKE YOURSELF, HAVE THEM INGRAINED WITHIN THE DEEPEST PART OF THEIR PSYCHE.

HAVE THEM INGRAINED WITHIN THE DEEPEST PART OF THEIR PSYCHE. >> THE OTHERS WILL KNOW, WON'T

DEEPEST PART OF THEIR PSYCHE. >> THE OTHERS WILL KNOW, WON'T THEY?

>> THE OTHERS WILL KNOW, WON'T THEY? >> YES.

THEY? >> YES. ISOLATION AND LONELINESS ARE THE

>> YES. ISOLATION AND LONELINESS ARE THE WORST MALADIES OF THE HUMAN

ISOLATION AND LONELINESS ARE THE WORST MALADIES OF THE HUMAN EXPERIENCE.

WORST MALADIES OF THE HUMAN EXPERIENCE. TOGETHER, YOU WILL SEE THAT YOU

EXPERIENCE. TOGETHER, YOU WILL SEE THAT YOU ARE NOT ALONE IN YOUR FEARS.

TOGETHER, YOU WILL SEE THAT YOU ARE NOT ALONE IN YOUR FEARS. >> I HOPE YOU CAN HELP ME MORE

ARE NOT ALONE IN YOUR FEARS. >> I HOPE YOU CAN HELP ME MORE THAN CHARCOT DID.

>> I HOPE YOU CAN HELP ME MORE THAN CHARCOT DID. >> OH, I'VE BEEN MEANING TO TELL

THAN CHARCOT DID. >> OH, I'VE BEEN MEANING TO TELL YOU -- I'VE JUST RECEIVED A

>> OH, I'VE BEEN MEANING TO TELL YOU -- I'VE JUST RECEIVED A LETTER FROM A MR. CASEY.

YOU -- I'VE JUST RECEIVED A LETTER FROM A MR. CASEY. HE IS AN ASSOCIATE OF

LETTER FROM A MR. CASEY. HE IS AN ASSOCIATE OF DR. CHARCOT.

HE IS AN ASSOCIATE OF DR. CHARCOT. HE WANTS TO OBSERVE MY USE OF

DR. CHARCOT. HE WANTS TO OBSERVE MY USE OF CHARCOT'S METHODS.

HE WANTS TO OBSERVE MY USE OF CHARCOT'S METHODS. >> AND HOW DOES CASEY KNOW

CHARCOT'S METHODS. >> AND HOW DOES CASEY KNOW CHARCOT?

>> AND HOW DOES CASEY KNOW CHARCOT? >> HE MET HIM THROUGH A

CHARCOT? >> HE MET HIM THROUGH A MADAME BLAVATSKY AT A SéANCE

>> HE MET HIM THROUGH A MADAME BLAVATSKY AT A SéANCE IN NEW YORK.

MADAME BLAVATSKY AT A SéANCE IN NEW YORK. >> AND DO YOU KNOW THIS MAN?

IN NEW YORK. >> AND DO YOU KNOW THIS MAN? >> NO, BUT MY CORRESPONDENCES

>> AND DO YOU KNOW THIS MAN? >> NO, BUT MY CORRESPONDENCES ASSURE ME THAT HE DOES INDEED

>> NO, BUT MY CORRESPONDENCES ASSURE ME THAT HE DOES INDEED KNOW CHARCOT.

ASSURE ME THAT HE DOES INDEED KNOW CHARCOT. [ TEAPOT CLINKS ]

KNOW CHARCOT. [ TEAPOT CLINKS ] [ DOORBELL RINGS ]

[ TEAPOT CLINKS ] [ DOORBELL RINGS ] >> GOOD EVENING, MR. CASEY.

[ DOORBELL RINGS ] >> GOOD EVENING, MR. CASEY. DR. PARKER AND HER GUESTS ARE

>> GOOD EVENING, MR. CASEY. DR. PARKER AND HER GUESTS ARE ALREADY IN THE PARLOR.

DR. PARKER AND HER GUESTS ARE ALREADY IN THE PARLOR. >> MUCH APPRECIATED.

>> MR. I.M. CASEY. >> MR. CASEY, PLEASURE TO MEET YOU.

>> MR. CASEY, PLEASURE TO MEET YOU. >> WELL, IT'S A GREAT HONOR TO

YOU. >> WELL, IT'S A GREAT HONOR TO MEET YOU, AS WELL, UM, MADAME.

>> WELL, IT'S A GREAT HONOR TO MEET YOU, AS WELL, UM, MADAME. FORGIVE ME.

MEET YOU, AS WELL, UM, MADAME. FORGIVE ME. DR. CHARCOT --

FORGIVE ME. DR. CHARCOT -- >> LIKE MATTERS OF THE MIND, WE

DR. CHARCOT -- >> LIKE MATTERS OF THE MIND, WE MAY SEE ONE THING BUT ARE

>> LIKE MATTERS OF THE MIND, WE MAY SEE ONE THING BUT ARE LOOKING AT ANOTHER.

MAY SEE ONE THING BUT ARE LOOKING AT ANOTHER. THE TRICK IS UNMASKING THE

LOOKING AT ANOTHER. THE TRICK IS UNMASKING THE TRUTH.

THE TRICK IS UNMASKING THE TRUTH. >> [ LAUGHS ]

TRUTH. >> [ LAUGHS ] OH, WELL, THIS WILL BE MUCH MORE

>> [ LAUGHS ] OH, WELL, THIS WILL BE MUCH MORE THAN I ORIGINALLY ANTICIPATED

OH, WELL, THIS WILL BE MUCH MORE THAN I ORIGINALLY ANTICIPATED [CHUCKLES] WITH DELIGHT, OF

THAN I ORIGINALLY ANTICIPATED [CHUCKLES] WITH DELIGHT, OF COURSE.

[CHUCKLES] WITH DELIGHT, OF COURSE. >> GOOD EVENING, ALL.

COURSE. >> GOOD EVENING, ALL. FIRST, BRIEF INTRODUCTIONS.

>> GOOD EVENING, ALL. FIRST, BRIEF INTRODUCTIONS. VAL DRAKUL, ALONG WITH MARCIA

FIRST, BRIEF INTRODUCTIONS. VAL DRAKUL, ALONG WITH MARCIA AND GUY KRUSEK...

VAL DRAKUL, ALONG WITH MARCIA AND GUY KRUSEK... MISS ROBERTA WILLIAMS...

AND GUY KRUSEK... MISS ROBERTA WILLIAMS... MR. ALBERT SIMMONS.

MISS ROBERTA WILLIAMS... MR. ALBERT SIMMONS. AND OUR HOSTESS IS

MR. ALBERT SIMMONS. AND OUR HOSTESS IS MRS. ANNABEL TOLLIVER LEE, WHO

AND OUR HOSTESS IS MRS. ANNABEL TOLLIVER LEE, WHO IS GRACIOUSLY ALLOWING US TO USE

MRS. ANNABEL TOLLIVER LEE, WHO IS GRACIOUSLY ALLOWING US TO USE HER HOME FOR OUR MEETINGS.

IS GRACIOUSLY ALLOWING US TO USE HER HOME FOR OUR MEETINGS. AND WE ARE ALSO PRIVILEGED TO

HER HOME FOR OUR MEETINGS. AND WE ARE ALSO PRIVILEGED TO HAVE MR. I.M. CASEY JOINING US.

AND WE ARE ALSO PRIVILEGED TO HAVE MR. I.M. CASEY JOINING US. MR. CASEY IS AN ASSOCIATE OF

HAVE MR. I.M. CASEY JOINING US. MR. CASEY IS AN ASSOCIATE OF DR. CHARCOT, AND HE KNOWS A

MR. CASEY IS AN ASSOCIATE OF DR. CHARCOT, AND HE KNOWS A GREAT DEAL ABOUT THE NEW

DR. CHARCOT, AND HE KNOWS A GREAT DEAL ABOUT THE NEW TECHNIQUES OF HYPNOSIS.

GREAT DEAL ABOUT THE NEW TECHNIQUES OF HYPNOSIS. I WILL MEET WITH EACH OF YOU

TECHNIQUES OF HYPNOSIS. I WILL MEET WITH EACH OF YOU INDIVIDUALLY DURING THE WEEK,

I WILL MEET WITH EACH OF YOU INDIVIDUALLY DURING THE WEEK, BUT THESE GROUP SESSIONS ARE

INDIVIDUALLY DURING THE WEEK, BUT THESE GROUP SESSIONS ARE MOST IMPORTANT IN MY PROCESS.

BUT THESE GROUP SESSIONS ARE MOST IMPORTANT IN MY PROCESS. TRUST IS VITAL IN FACING OUR

MOST IMPORTANT IN MY PROCESS. TRUST IS VITAL IN FACING OUR FEARS, AND WE SHALL LEARN TO

TRUST IS VITAL IN FACING OUR FEARS, AND WE SHALL LEARN TO RELY UPON EACH OTHER FOR THAT

FEARS, AND WE SHALL LEARN TO RELY UPON EACH OTHER FOR THAT SUPPORT.

RELY UPON EACH OTHER FOR THAT SUPPORT. SO, BEFORE WE BEGIN, I WOULD

SUPPORT. SO, BEFORE WE BEGIN, I WOULD LIKE EACH OF YOU TO SHARE WHY

SO, BEFORE WE BEGIN, I WOULD LIKE EACH OF YOU TO SHARE WHY YOU ARE HERE.

LIKE EACH OF YOU TO SHARE WHY YOU ARE HERE. MRS. LEE, WOULD YOU LIKE TO

YOU ARE HERE. MRS. LEE, WOULD YOU LIKE TO START?

MRS. LEE, WOULD YOU LIKE TO START? >> THE FACT IS, I'M AFRAID TO GO

START? >> THE FACT IS, I'M AFRAID TO GO OUTSIDE THIS HOUSE.

>> THE FACT IS, I'M AFRAID TO GO OUTSIDE THIS HOUSE. I HAVE BEEN UNABLE TO GO OUTSIDE

OUTSIDE THIS HOUSE. I HAVE BEEN UNABLE TO GO OUTSIDE THESE WALLS FOR NEARLY 15 YEARS.

I HAVE BEEN UNABLE TO GO OUTSIDE THESE WALLS FOR NEARLY 15 YEARS. I HAD TAKEN MY BUGGY OUT TO A

THESE WALLS FOR NEARLY 15 YEARS. I HAD TAKEN MY BUGGY OUT TO A GOLD-MINING CAMP THAT WAS BEING

I HAD TAKEN MY BUGGY OUT TO A GOLD-MINING CAMP THAT WAS BEING MANAGED BY MY HUSBAND.

GOLD-MINING CAMP THAT WAS BEING MANAGED BY MY HUSBAND. AS I APPROACHED THE OFFICE, I

MANAGED BY MY HUSBAND. AS I APPROACHED THE OFFICE, I HEARD AN ARGUMENT COMING FROM

AS I APPROACHED THE OFFICE, I HEARD AN ARGUMENT COMING FROM WITHIN.

HEARD AN ARGUMENT COMING FROM WITHIN. I OPENED THE DOOR JUST AS THREE

WITHIN. I OPENED THE DOOR JUST AS THREE MEN GUNNED MY HUSBAND DOWN.

I OPENED THE DOOR JUST AS THREE MEN GUNNED MY HUSBAND DOWN. THE MURDERERS CHASED ME, BUT I

MEN GUNNED MY HUSBAND DOWN. THE MURDERERS CHASED ME, BUT I MANAGED TO ESCAPE THEM,

THE MURDERERS CHASED ME, BUT I MANAGED TO ESCAPE THEM, EVENTUALLY GETTING BACK HERE

MANAGED TO ESCAPE THEM, EVENTUALLY GETTING BACK HERE TO OUR HOME.

EVENTUALLY GETTING BACK HERE TO OUR HOME. FROM THAT DAY ON, I'VE NEVER

TO OUR HOME. FROM THAT DAY ON, I'VE NEVER BEEN ABLE TO LEAVE THIS HOUSE...

FROM THAT DAY ON, I'VE NEVER BEEN ABLE TO LEAVE THIS HOUSE... NOT EVEN TO BURY MY HUSBAND.

BEEN ABLE TO LEAVE THIS HOUSE... NOT EVEN TO BURY MY HUSBAND. >> THANK YOU, MRS. LEE.

NOT EVEN TO BURY MY HUSBAND. >> THANK YOU, MRS. LEE. >> I, UH, UM --

>> THANK YOU, MRS. LEE. >> I, UH, UM -- MY FEAR, UM -- [ SIGHS ]

>> I, UH, UM -- MY FEAR, UM -- [ SIGHS ] I HAVE THIS HORROR OF KNIVES,

MY FEAR, UM -- [ SIGHS ] I HAVE THIS HORROR OF KNIVES, OF ANYTHING SHARP.

I HAVE THIS HORROR OF KNIVES, OF ANYTHING SHARP. CAN YOU IMAGINE THAT -- NOTHING

OF ANYTHING SHARP. CAN YOU IMAGINE THAT -- NOTHING SHARP?

CAN YOU IMAGINE THAT -- NOTHING SHARP? I-I CAN'T EVEN USE A KNIFE TO

SHARP? I-I CAN'T EVEN USE A KNIFE TO CUT MY OWN FOOD.

I-I CAN'T EVEN USE A KNIFE TO CUT MY OWN FOOD. I CAN'T GO TO A RESTAURANT.

CUT MY OWN FOOD. I CAN'T GO TO A RESTAURANT. I-I CAN'T GO TO DINNER PARTIES.

I CAN'T GO TO A RESTAURANT. I-I CAN'T GO TO DINNER PARTIES. I...

I-I CAN'T GO TO DINNER PARTIES. I... I HAVE TO TEAR AT MY FOOD WITH

I... I HAVE TO TEAR AT MY FOOD WITH MY MOUTH, LIKE AN ANIMAL.

I HAVE TO TEAR AT MY FOOD WITH MY MOUTH, LIKE AN ANIMAL. [ SIGHS ]

MY MOUTH, LIKE AN ANIMAL. [ SIGHS ] THAT'S THE FIRST TIME I'VE --

[ SIGHS ] THAT'S THE FIRST TIME I'VE -- BEEN KEEPING THAT A SECRET ALL

THAT'S THE FIRST TIME I'VE -- BEEN KEEPING THAT A SECRET ALL THESE YEARS.

BEEN KEEPING THAT A SECRET ALL THESE YEARS. >> WHEN DID THIS FIRST OCCUR?

THESE YEARS. >> WHEN DID THIS FIRST OCCUR? >> WHEN I WAS 8 YEARS OLD.

>> WHEN DID THIS FIRST OCCUR? >> WHEN I WAS 8 YEARS OLD. I DON'T KNOW WHERE IT CAME FROM.

>> WHEN I WAS 8 YEARS OLD. I DON'T KNOW WHERE IT CAME FROM. NO MEMORY OF ANYTHING THAT WOULD

I DON'T KNOW WHERE IT CAME FROM. NO MEMORY OF ANYTHING THAT WOULD HAVE STARTED THIS.

NO MEMORY OF ANYTHING THAT WOULD HAVE STARTED THIS. MY FATHER USE TO BEAT ME,

HAVE STARTED THIS. MY FATHER USE TO BEAT ME, BELIEVING THAT WOULD GET ME

MY FATHER USE TO BEAT ME, BELIEVING THAT WOULD GET ME OVER MY FEARS, BUT ALL IT DID

BELIEVING THAT WOULD GET ME OVER MY FEARS, BUT ALL IT DID WAS MAKE ME FEEL MORE AFRAID.

OVER MY FEARS, BUT ALL IT DID WAS MAKE ME FEEL MORE AFRAID. >> WE'RE ALL HERE TO HELP YOU,

WAS MAKE ME FEEL MORE AFRAID. >> WE'RE ALL HERE TO HELP YOU, ALBERT.

>> WE'RE ALL HERE TO HELP YOU, ALBERT. NO ONE IS GOING TO JUDGE YOU.

ALBERT. NO ONE IS GOING TO JUDGE YOU. WE'RE ALL IN THIS TOGETHER.

NO ONE IS GOING TO JUDGE YOU. WE'RE ALL IN THIS TOGETHER. >> I DO KNOW THE SOURCE OF MY

WE'RE ALL IN THIS TOGETHER. >> I DO KNOW THE SOURCE OF MY PHOBIA.

>> I DO KNOW THE SOURCE OF MY PHOBIA. WHEN I WAS A GIRL AND MY BROTHER

PHOBIA. WHEN I WAS A GIRL AND MY BROTHER WAS AWAY AT SCHOOL, MY MOTHER

WHEN I WAS A GIRL AND MY BROTHER WAS AWAY AT SCHOOL, MY MOTHER WOULD ENTERTAIN, UH, VISITORS.

WAS AWAY AT SCHOOL, MY MOTHER WOULD ENTERTAIN, UH, VISITORS. [ CLOCK TICKING ]

WOULD ENTERTAIN, UH, VISITORS. [ CLOCK TICKING ] SHE WOULD MAKE ME SIT ALONE

[ CLOCK TICKING ] SHE WOULD MAKE ME SIT ALONE IN MY ROOM.

SHE WOULD MAKE ME SIT ALONE IN MY ROOM. AND WHEN I WOULD CRY FOR HER,

IN MY ROOM. AND WHEN I WOULD CRY FOR HER, SHE WOULD COME IN AND BEAT ME

AND WHEN I WOULD CRY FOR HER, SHE WOULD COME IN AND BEAT ME SAVAGELY AND THEN LOCK ME IN THE

SHE WOULD COME IN AND BEAT ME SAVAGELY AND THEN LOCK ME IN THE CLOSET FOR HOURS, SOMETIMES

SAVAGELY AND THEN LOCK ME IN THE CLOSET FOR HOURS, SOMETIMES DAYS.

CLOSET FOR HOURS, SOMETIMES DAYS. AND NOW I'M TERRIFIED OF --

DAYS. AND NOW I'M TERRIFIED OF -- OF...

AND NOW I'M TERRIFIED OF -- OF... >> Shh.

OF... >> Shh. ENCLOSED SPACES.

>> Shh. ENCLOSED SPACES. >> [ WHIMPERS ]

ENCLOSED SPACES. >> [ WHIMPERS ] >> SHE CAN BARELY RIDE IN A

>> [ WHIMPERS ] >> SHE CAN BARELY RIDE IN A CARRIAGE.

>> SHE CAN BARELY RIDE IN A CARRIAGE. >> AND YOU ARE...?

CARRIAGE. >> AND YOU ARE...? >> HER BROTHER.

>> AND YOU ARE...? >> HER BROTHER. WITH DR. PARKER'S PERMISSION, I

>> HER BROTHER. WITH DR. PARKER'S PERMISSION, I AM HERE TO SUPPORT MY SISTER

WITH DR. PARKER'S PERMISSION, I AM HERE TO SUPPORT MY SISTER THROUGH THIS.

AM HERE TO SUPPORT MY SISTER THROUGH THIS. >> DR. PARKER, YOU KNOW THE

THROUGH THIS. >> DR. PARKER, YOU KNOW THE DIFFICULTY I HAVE EVEN TALKING

>> DR. PARKER, YOU KNOW THE DIFFICULTY I HAVE EVEN TALKING OF WHAT HAPPENED TO ME.

DIFFICULTY I HAVE EVEN TALKING OF WHAT HAPPENED TO ME. >> I DO, BUT DOING SO WILL TAKE

OF WHAT HAPPENED TO ME. >> I DO, BUT DOING SO WILL TAKE THE POWER AWAY FROM YOUR FEAR.

>> I DO, BUT DOING SO WILL TAKE THE POWER AWAY FROM YOUR FEAR. >> I'M AFRAID OF HEIGHTS...

THE POWER AWAY FROM YOUR FEAR. >> I'M AFRAID OF HEIGHTS... AFRAID OF FALLING AGAIN.

>> I'M AFRAID OF HEIGHTS... AFRAID OF FALLING AGAIN. WHEN I WAS LITTLE, I FELL DOWN

AFRAID OF FALLING AGAIN. WHEN I WAS LITTLE, I FELL DOWN AN OLD WELL ON THE BACK OF OUR

WHEN I WAS LITTLE, I FELL DOWN AN OLD WELL ON THE BACK OF OUR PROPERTY.

AN OLD WELL ON THE BACK OF OUR PROPERTY. THE FALL KNOCKED ME OUT, AND

PROPERTY. THE FALL KNOCKED ME OUT, AND WHEN I CAME TO, IT WAS

THE FALL KNOCKED ME OUT, AND WHEN I CAME TO, IT WAS NIGHTTIME.

WHEN I CAME TO, IT WAS NIGHTTIME. I CRIED FOR HELP, BUT NO ONE

NIGHTTIME. I CRIED FOR HELP, BUT NO ONE CAME.

I CRIED FOR HELP, BUT NO ONE CAME. >> HOW LONG WERE YOU DOWN THERE?

CAME. >> HOW LONG WERE YOU DOWN THERE? >> FIVE DAYS.

>> HOW LONG WERE YOU DOWN THERE? >> FIVE DAYS. I HAD BROKEN MY ARM AND GOTTEN

>> FIVE DAYS. I HAD BROKEN MY ARM AND GOTTEN AN INFECTION.

I HAD BROKEN MY ARM AND GOTTEN AN INFECTION. BY THE TIME MY FATHER FOUND ME,

AN INFECTION. BY THE TIME MY FATHER FOUND ME, I WAS NEARLY DEAD.

BY THE TIME MY FATHER FOUND ME, I WAS NEARLY DEAD. >> YOU'RE LUCKY TO BE ALIVE.

I WAS NEARLY DEAD. >> YOU'RE LUCKY TO BE ALIVE. >> EVEN TALKING ABOUT HEIGHTS

>> YOU'RE LUCKY TO BE ALIVE. >> EVEN TALKING ABOUT HEIGHTS MAKES MY HEART FEEL LIKE IT'S

>> EVEN TALKING ABOUT HEIGHTS MAKES MY HEART FEEL LIKE IT'S GOING TO BURST THROUGH MY CHEST.

MAKES MY HEART FEEL LIKE IT'S GOING TO BURST THROUGH MY CHEST. >> YOU SHOW TREMENDOUS COURAGE

GOING TO BURST THROUGH MY CHEST. >> YOU SHOW TREMENDOUS COURAGE JUST BEING HERE, ROBERTA.

>> YOU SHOW TREMENDOUS COURAGE JUST BEING HERE, ROBERTA. YOU SHOULD BE PROUD OF YOURSELF.

JUST BEING HERE, ROBERTA. YOU SHOULD BE PROUD OF YOURSELF. NOW, BEFORE WE BEGIN --

YOU SHOULD BE PROUD OF YOURSELF. NOW, BEFORE WE BEGIN -- >> WHAT ABOUT MR. DRAKUL?

NOW, BEFORE WE BEGIN -- >> WHAT ABOUT MR. DRAKUL? >> I, UH...

>> WHAT ABOUT MR. DRAKUL? >> I, UH... I BELIEVE I'M AFFLICTED WITH

>> I, UH... I BELIEVE I'M AFFLICTED WITH FAMILY CURSE.

I BELIEVE I'M AFFLICTED WITH FAMILY CURSE. >> WHAT'S THAT SUPPOSED TO MEAN?

FAMILY CURSE. >> WHAT'S THAT SUPPOSED TO MEAN? >> VAL SUFFERS FROM A MOST

>> WHAT'S THAT SUPPOSED TO MEAN? >> VAL SUFFERS FROM A MOST UNUSUAL CONDITION.

>> VAL SUFFERS FROM A MOST UNUSUAL CONDITION. HE BELIEVES HE IS BECOMING A

UNUSUAL CONDITION. HE BELIEVES HE IS BECOMING A VAMPIRE.

HE BELIEVES HE IS BECOMING A VAMPIRE. >> [ GASPS ] OH, MY!

VAMPIRE. >> [ GASPS ] OH, MY! >> ROBERTA, PLEASE, WE'RE ALL

>> [ GASPS ] OH, MY! >> ROBERTA, PLEASE, WE'RE ALL IN THIS TOGETHER.

>> ROBERTA, PLEASE, WE'RE ALL IN THIS TOGETHER. WHAT VAL HAS IS AN AFFLICTION OF

IN THIS TOGETHER. WHAT VAL HAS IS AN AFFLICTION OF THE MIND, JUST LIKE YOURSELF.

WHAT VAL HAS IS AN AFFLICTION OF THE MIND, JUST LIKE YOURSELF. >> NO, IT'S -- IT'S ALL RIGHT.

THE MIND, JUST LIKE YOURSELF. >> NO, IT'S -- IT'S ALL RIGHT. I-I UNDERSTAND YOUR CONCERNS.

>> NO, IT'S -- IT'S ALL RIGHT. I-I UNDERSTAND YOUR CONCERNS. I'D...BE FRIGHTENED AS WELL.

I-I UNDERSTAND YOUR CONCERNS. I'D...BE FRIGHTENED AS WELL. >> SEEMS IF HE'S GONNA BE

I'D...BE FRIGHTENED AS WELL. >> SEEMS IF HE'S GONNA BE SUPPORTIVE OF THEM, THEY SHOULD

>> SEEMS IF HE'S GONNA BE SUPPORTIVE OF THEM, THEY SHOULD ALL BE SUPPORTIVE OF HIM.

SUPPORTIVE OF THEM, THEY SHOULD ALL BE SUPPORTIVE OF HIM. >> WELL PUT, MR. CASEY.

ALL BE SUPPORTIVE OF HIM. >> WELL PUT, MR. CASEY. >> MY APOLOGIES.

>> WELL PUT, MR. CASEY. >> MY APOLOGIES. I'VE JUST NEVER HEARD OF SUCH

>> MY APOLOGIES. I'VE JUST NEVER HEARD OF SUCH A THING.

I'VE JUST NEVER HEARD OF SUCH A THING. >> NOR I.

>> IT WAS A GREAT PLEASURE TO MEET YOU, DR. PARKER. I LOOK FORWARD TO THE NEXT STEPS

MEET YOU, DR. PARKER. I LOOK FORWARD TO THE NEXT STEPS IN YOUR PROCESS.

I LOOK FORWARD TO THE NEXT STEPS IN YOUR PROCESS. >> THANK YOU, MR. CASEY.

IN YOUR PROCESS. >> THANK YOU, MR. CASEY. I LOOK FORWARD TO HEARING YOUR

>> THANK YOU, MR. CASEY. I LOOK FORWARD TO HEARING YOUR INSIGHTS.

I LOOK FORWARD TO HEARING YOUR INSIGHTS. >> MAY I CALL ON YOU TOMORROW

INSIGHTS. >> MAY I CALL ON YOU TOMORROW EVENING?

>> MAY I CALL ON YOU TOMORROW EVENING? I HAVE SOME SENSITIVE

EVENING? I HAVE SOME SENSITIVE INFORMATION FROM DR. CHARCOT

I HAVE SOME SENSITIVE INFORMATION FROM DR. CHARCOT FOR YOU.

INFORMATION FROM DR. CHARCOT FOR YOU. >> CERTAINLY.

FOR YOU. >> CERTAINLY. PERHAPS YOU CAN CALL FOR DINNER?

>> CERTAINLY. PERHAPS YOU CAN CALL FOR DINNER? >> VERY WELL. GOOD NIGHT.

>> SO? >> YOU WERE MAGNIFICENT TONIGHT. YOU GAVE ME A NEW HOPE THAT

>> YOU WERE MAGNIFICENT TONIGHT. YOU GAVE ME A NEW HOPE THAT YOU'LL SAVE ME.

YOU GAVE ME A NEW HOPE THAT YOU'LL SAVE ME. >> NOT HERE.

YOU'LL SAVE ME. >> NOT HERE. NOT NOW.

>> OH, ELIZABETH. [ CHUCKLES ] HOW LOVEY TO SEE YOU.

[ CHUCKLES ] HOW LOVEY TO SEE YOU. >> YOUR MEETING -- IT WENT WELL?

HOW LOVEY TO SEE YOU. >> YOUR MEETING -- IT WENT WELL? >> INDEED.

>> YOUR MEETING -- IT WENT WELL? >> INDEED. >> AND YOU BELIEVE YOU CAN HELP

>> INDEED. >> AND YOU BELIEVE YOU CAN HELP MY AUNTIE?

>> AND YOU BELIEVE YOU CAN HELP MY AUNTIE? >> WITH SOME PATIENCE AND WORK,

MY AUNTIE? >> WITH SOME PATIENCE AND WORK, YES, I CAN HELP HER.

>> WITH SOME PATIENCE AND WORK, YES, I CAN HELP HER. >> HOW DO YOU KNOW IF A PERSON

YES, I CAN HELP HER. >> HOW DO YOU KNOW IF A PERSON IS REALLY AFFLICTED AS THEY SAY?

>> HOW DO YOU KNOW IF A PERSON IS REALLY AFFLICTED AS THEY SAY? >> PEOPLE WHO WOULD FAKE PHOBIAS

IS REALLY AFFLICTED AS THEY SAY? >> PEOPLE WHO WOULD FAKE PHOBIAS SUCH AS THESE WOULD DO SO MORE

>> PEOPLE WHO WOULD FAKE PHOBIAS SUCH AS THESE WOULD DO SO MORE PUBLICLY, WHERE THEY COULD GET

SUCH AS THESE WOULD DO SO MORE PUBLICLY, WHERE THEY COULD GET MORE ATTENTION.

PUBLICLY, WHERE THEY COULD GET MORE ATTENTION. THERE'S REALLY NO ATTENTION TO

MORE ATTENTION. THERE'S REALLY NO ATTENTION TO BE GAINED HERE.

THERE'S REALLY NO ATTENTION TO BE GAINED HERE. >> IF YOU SAY SO.

BE GAINED HERE. >> IF YOU SAY SO. AUNTIE SAID YOU PRETENDED TO BE

>> IF YOU SAY SO. AUNTIE SAID YOU PRETENDED TO BE A MAN IN PARIS.

AUNTIE SAID YOU PRETENDED TO BE A MAN IN PARIS. HOWEVER DID YOU MANAGE IT?

A MAN IN PARIS. HOWEVER DID YOU MANAGE IT? YOUR HANDS ARE SO SOFT...

HOWEVER DID YOU MANAGE IT? YOUR HANDS ARE SO SOFT... AS IS YOUR FACE.

YOUR HANDS ARE SO SOFT... AS IS YOUR FACE. [ DOOR OPENS ]

AS IS YOUR FACE. [ DOOR OPENS ] >> VAL, WHAT ARE YOU DOING HERE?

[ DOOR OPENS ] >> VAL, WHAT ARE YOU DOING HERE? >> UM, GUY AND MARCIA WISH TO

>> VAL, WHAT ARE YOU DOING HERE? >> UM, GUY AND MARCIA WISH TO GET LATE BITE TO EAT, SO I

>> UM, GUY AND MARCIA WISH TO GET LATE BITE TO EAT, SO I THOUGHT MAYBE YOU LIKE TO COME.

GET LATE BITE TO EAT, SO I THOUGHT MAYBE YOU LIKE TO COME. >> THAT WOULD BE LOVELY.

>> WHAT YOU DO IN THE CITY IS YOUR BUSINESS, BUT I WILL NOT TOLERATE THAT BEHAVIOR IN MY

YOUR BUSINESS, BUT I WILL NOT TOLERATE THAT BEHAVIOR IN MY HOME.

TOLERATE THAT BEHAVIOR IN MY HOME. I DON'T WANT YOU TALKING WITH

HOME. I DON'T WANT YOU TALKING WITH DR. PARKER.

I DON'T WANT YOU TALKING WITH DR. PARKER. >> AFRAID I'LL TELL HER YOUR

DR. PARKER. >> AFRAID I'LL TELL HER YOUR LITTLE SECRET?

>> AFRAID I'LL TELL HER YOUR LITTLE SECRET? >> YOU WOULDN'T DARE.

LITTLE SECRET? >> YOU WOULDN'T DARE. >> I WOULD.

>> YOU WOULDN'T DARE. >> I WOULD. BUT I WON'T.

>> I WOULD. BUT I WON'T. I'M QUITE SURE THE CHARMING

BUT I WON'T. I'M QUITE SURE THE CHARMING DOCTOR WOULDN'T BELIEVE FOR A

I'M QUITE SURE THE CHARMING DOCTOR WOULDN'T BELIEVE FOR A MOMENT THAT THE GREAT MRS. LEE

DOCTOR WOULDN'T BELIEVE FOR A MOMENT THAT THE GREAT MRS. LEE IS THE ONE WHO PUT FIVE BULLETS

MOMENT THAT THE GREAT MRS. LEE IS THE ONE WHO PUT FIVE BULLETS INTO MR. LEE.

IS THE ONE WHO PUT FIVE BULLETS INTO MR. LEE. >> AND TOOK YOU AND THAT HUSSY

INTO MR. LEE. >> AND TOOK YOU AND THAT HUSSY INTO MY HOUSE.

>> AND TOOK YOU AND THAT HUSSY INTO MY HOUSE. >> UNTIL THE DAY SHE DIED, MY

INTO MY HOUSE. >> UNTIL THE DAY SHE DIED, MY MOTHER NEVER KNEW WHAT YOU DID.

>> UNTIL THE DAY SHE DIED, MY MOTHER NEVER KNEW WHAT YOU DID. IT WASN'T HER FAULT YOUR HUSBAND

MOTHER NEVER KNEW WHAT YOU DID. IT WASN'T HER FAULT YOUR HUSBAND TOOK ADVANTAGE OF HER.

IT WASN'T HER FAULT YOUR HUSBAND TOOK ADVANTAGE OF HER. >> HE DESERVED THE DEATH HE GOT

TOOK ADVANTAGE OF HER. >> HE DESERVED THE DEATH HE GOT FOR HIS...INDISCRETION.

>> HE DESERVED THE DEATH HE GOT FOR HIS...INDISCRETION. >> IS THAT WHAT I AM --

FOR HIS...INDISCRETION. >> IS THAT WHAT I AM -- AN INDISCRETION?

>> IS THAT WHAT I AM -- AN INDISCRETION? >> I'VE KEPT YOU WELL, SO DON'T

AN INDISCRETION? >> I'VE KEPT YOU WELL, SO DON'T YOU COMPLAIN ABOUT THE NAMES I

>> I'VE KEPT YOU WELL, SO DON'T YOU COMPLAIN ABOUT THE NAMES I CALL YOU.

YOU COMPLAIN ABOUT THE NAMES I CALL YOU. >> I WOULD WATCH WHAT YOU SAY,

CALL YOU. >> I WOULD WATCH WHAT YOU SAY, OLD WOMAN.

>> I WOULD WATCH WHAT YOU SAY, OLD WOMAN. YOU MAY HAVE INVENTED A

OLD WOMAN. YOU MAY HAVE INVENTED A MARVELOUS STORY OF A POOR

YOU MAY HAVE INVENTED A MARVELOUS STORY OF A POOR RECLUSE, BUT I CAN ALSO UNMASK

MARVELOUS STORY OF A POOR RECLUSE, BUT I CAN ALSO UNMASK YOU.

RECLUSE, BUT I CAN ALSO UNMASK YOU. YOU WOULD BE THE SHAME OF

YOU. YOU WOULD BE THE SHAME OF SAN FRANCISCO.

YOU WOULD BE THE SHAME OF SAN FRANCISCO. [ CLOCK TICKING ]

>> THAT WAS AN EXQUISITE MEAL, ELIZABETH, ABSOLUTELY EXQUISITE. >> GLAD YOU LIKED IT, SIR.

ELIZABETH, ABSOLUTELY EXQUISITE. >> GLAD YOU LIKED IT, SIR. I WILL CERTAINLY LET THE COOK

>> GLAD YOU LIKED IT, SIR. I WILL CERTAINLY LET THE COOK KNOW.

I WILL CERTAINLY LET THE COOK KNOW. >> MUCH APPRECIATED.

>> [ SIGHS ] I'VE BEEN QUITE ANXIOUS ALL DAY TO HEAR YOUR NEWS.

I'VE BEEN QUITE ANXIOUS ALL DAY TO HEAR YOUR NEWS. >> I'M AFRAID IT'S NOT THE BEST

TO HEAR YOUR NEWS. >> I'M AFRAID IT'S NOT THE BEST OF NEWS, MADAME.

>> I'M AFRAID IT'S NOT THE BEST OF NEWS, MADAME. >> WHAT HAPPENED?

OF NEWS, MADAME. >> WHAT HAPPENED? ARE CHARCOT AND SIGMUND ALL

>> WHAT HAPPENED? ARE CHARCOT AND SIGMUND ALL RIGHT?

ARE CHARCOT AND SIGMUND ALL RIGHT? >> LET ME BACKTRACK, IF I MAY,

RIGHT? >> LET ME BACKTRACK, IF I MAY, JUST A LITTLE.

>> LET ME BACKTRACK, IF I MAY, JUST A LITTLE. UM, I FEAR THERE'S BEEN SOME

JUST A LITTLE. UM, I FEAR THERE'S BEEN SOME DECEPTION.

UM, I FEAR THERE'S BEEN SOME DECEPTION. >> MY NAME IS CASEY, AND I AM AN

DECEPTION. >> MY NAME IS CASEY, AND I AM AN ASSOCIATE OF DR. CHARCOT, BUT,

>> MY NAME IS CASEY, AND I AM AN ASSOCIATE OF DR. CHARCOT, BUT, WELL...

ASSOCIATE OF DR. CHARCOT, BUT, WELL... >> THE POLICE?!

WELL... >> THE POLICE?! >> MADAME, PLEASE.

>> THE POLICE?! >> MADAME, PLEASE. >> YOU'RE A DETECTIVE?!

>> MADAME, PLEASE. >> YOU'RE A DETECTIVE?! >> PLEASE KEEP YOUR VOICE DOWN.

>> YOU'RE A DETECTIVE?! >> PLEASE KEEP YOUR VOICE DOWN. NO ONE MUST KNOW WHO I TRULY AM.

>> PLEASE KEEP YOUR VOICE DOWN. NO ONE MUST KNOW WHO I TRULY AM. >> WHY NOT?

NO ONE MUST KNOW WHO I TRULY AM. >> WHY NOT? >> BECAUSE VAL'S PARENTS ARE

>> WHY NOT? >> BECAUSE VAL'S PARENTS ARE DEAD.

>> BECAUSE VAL'S PARENTS ARE DEAD. THEY WERE MURDERED.

DEAD. THEY WERE MURDERED. >> WHEN?

THEY WERE MURDERED. >> WHEN? >> WELL, THE POLICE AREN'T

>> WHEN? >> WELL, THE POLICE AREN'T CERTAIN.

>> WELL, THE POLICE AREN'T CERTAIN. THEY THINK IT HAPPENED EITHER

CERTAIN. THEY THINK IT HAPPENED EITHER THE NIGHT BEFORE THE TWO OF YOU

THEY THINK IT HAPPENED EITHER THE NIGHT BEFORE THE TWO OF YOU BOTH LEFT OR THE NIGHT AFTER.

THE NIGHT BEFORE THE TWO OF YOU BOTH LEFT OR THE NIGHT AFTER. >> [ SIGHS ]

BOTH LEFT OR THE NIGHT AFTER. >> [ SIGHS ] >> THE, UH, PARISIAN POLICE

>> [ SIGHS ] >> THE, UH, PARISIAN POLICE FOUND THE BODIES OF THE BARON

>> THE, UH, PARISIAN POLICE FOUND THE BODIES OF THE BARON AND THE BARONESS IN THE SEINE.

FOUND THE BODIES OF THE BARON AND THE BARONESS IN THE SEINE. THEIR THROATS HAD BEEN SAVAGED,

AND THE BARONESS IN THE SEINE. THEIR THROATS HAD BEEN SAVAGED, APPARENTLY VICTIMS OF THE SAME

THEIR THROATS HAD BEEN SAVAGED, APPARENTLY VICTIMS OF THE SAME MURDERS THAT HAVE PLAGUED THE

APPARENTLY VICTIMS OF THE SAME MURDERS THAT HAVE PLAGUED THE CITY.

MURDERS THAT HAVE PLAGUED THE CITY. >> VAL WILL BE DEVASTATED.

BUT WHY WOULD YOU TRAVEL THIS FAR TO TELL ME? >> WELL, UNDER THE

FAR TO TELL ME? >> WELL, UNDER THE CIRCUMSTANCES, YOU KNOW,

>> WELL, UNDER THE CIRCUMSTANCES, YOU KNOW, DR. CHARCOT FELT IT WOULD BE

CIRCUMSTANCES, YOU KNOW, DR. CHARCOT FELT IT WOULD BE BEST.

DR. CHARCOT FELT IT WOULD BE BEST. >> THERE'S MORE.

BEST. >> THERE'S MORE. >> SIX YEARS AGO, THERE WERE A

>> THERE'S MORE. >> SIX YEARS AGO, THERE WERE A SERIES OF MURDERS IN LONDON,

>> SIX YEARS AGO, THERE WERE A SERIES OF MURDERS IN LONDON, IDENTICAL TO THE ONES IN PARIS.

SERIES OF MURDERS IN LONDON, IDENTICAL TO THE ONES IN PARIS. AND NOW IT SEEMS THERE WERE TWO

IDENTICAL TO THE ONES IN PARIS. AND NOW IT SEEMS THERE WERE TWO SIMILAR MURDERS HERE IN

AND NOW IT SEEMS THERE WERE TWO SIMILAR MURDERS HERE IN SAN FRANCISCO.

SIMILAR MURDERS HERE IN SAN FRANCISCO. >> AND VAL WAS WHERE ALL OF THE

SAN FRANCISCO. >> AND VAL WAS WHERE ALL OF THE MURDERS HAVE TAKEN PLACE.

>> AND VAL WAS WHERE ALL OF THE MURDERS HAVE TAKEN PLACE. HE WAS IN LONDON SIX YEARS AGO,

MURDERS HAVE TAKEN PLACE. HE WAS IN LONDON SIX YEARS AGO, GOING TO COLLEGE.

HE WAS IN LONDON SIX YEARS AGO, GOING TO COLLEGE. >> YEAH, DR. CHARCOT SAID YOU

GOING TO COLLEGE. >> YEAH, DR. CHARCOT SAID YOU WERE VERY SMART.

>> YEAH, DR. CHARCOT SAID YOU WERE VERY SMART. >> NO. THIS IS INSANE.

WERE VERY SMART. >> NO. THIS IS INSANE. VAL IS NOT A PSYCHOPATH, AND HE

>> NO. THIS IS INSANE. VAL IS NOT A PSYCHOPATH, AND HE WOULD HAVE NO REASON TO MURDER

VAL IS NOT A PSYCHOPATH, AND HE WOULD HAVE NO REASON TO MURDER HIS PARENTS.

WOULD HAVE NO REASON TO MURDER HIS PARENTS. >> AT THE MOMENT, I HAVE NO WAY

HIS PARENTS. >> AT THE MOMENT, I HAVE NO WAY TO PROVE THAT VAL IS THE ONE

>> AT THE MOMENT, I HAVE NO WAY TO PROVE THAT VAL IS THE ONE DOING THIS.

TO PROVE THAT VAL IS THE ONE DOING THIS. >> AND YOU WANT ME TO HELP YOU

DOING THIS. >> AND YOU WANT ME TO HELP YOU PROVE THAT HE'S THE MURDERER?

>> AND YOU WANT ME TO HELP YOU PROVE THAT HE'S THE MURDERER? >> NO, MADAME, NOT AT ALL.

PROVE THAT HE'S THE MURDERER? >> NO, MADAME, NOT AT ALL. NO, I HAVE NO JURISDICTION HERE

>> NO, MADAME, NOT AT ALL. NO, I HAVE NO JURISDICTION HERE IN THE STATES.

NO, I HAVE NO JURISDICTION HERE IN THE STATES. I'M HERE AT THE BEHEST OF

IN THE STATES. I'M HERE AT THE BEHEST OF DR. CHARCOT, WHO THOUGHT YOU

I'M HERE AT THE BEHEST OF DR. CHARCOT, WHO THOUGHT YOU MIGHT BE IN DANGER IF IT PROVES

DR. CHARCOT, WHO THOUGHT YOU MIGHT BE IN DANGER IF IT PROVES TO BE THE CASE.

MIGHT BE IN DANGER IF IT PROVES TO BE THE CASE. THAT'S ALL.

TO BE THE CASE. THAT'S ALL. >> IF I MAY -- IT SEEMS VERY

THAT'S ALL. >> IF I MAY -- IT SEEMS VERY CLEAR TO ME THAT THERE'S SOME

>> IF I MAY -- IT SEEMS VERY CLEAR TO ME THAT THERE'S SOME ATTRACTION BETWEEN YOU AND VAL.

CLEAR TO ME THAT THERE'S SOME ATTRACTION BETWEEN YOU AND VAL. THIS WILL MAKE THIS VERY

ATTRACTION BETWEEN YOU AND VAL. THIS WILL MAKE THIS VERY DIFFICULT TO HEAR, BUT IF HE IS

THIS WILL MAKE THIS VERY DIFFICULT TO HEAR, BUT IF HE IS THE ONE DOING THIS, HE WILL NEED

DIFFICULT TO HEAR, BUT IF HE IS THE ONE DOING THIS, HE WILL NEED FAR MORE THAN YOU ARE ABLE TO

THE ONE DOING THIS, HE WILL NEED FAR MORE THAN YOU ARE ABLE TO PROVIDE HIM HERE.

FAR MORE THAN YOU ARE ABLE TO PROVIDE HIM HERE. HE WILL NEED TO BE AN ASYLUM.

PROVIDE HIM HERE. HE WILL NEED TO BE AN ASYLUM. MADAME, PLEASE LOOK AT ME.

HE WILL NEED TO BE AN ASYLUM. MADAME, PLEASE LOOK AT ME. I KNOW YOUR HEART MAY BE

MADAME, PLEASE LOOK AT ME. I KNOW YOUR HEART MAY BE STRUGGLING TO HEAR ME SAY THIS,

I KNOW YOUR HEART MAY BE STRUGGLING TO HEAR ME SAY THIS, BUT, UM...AS A DOCTOR --

STRUGGLING TO HEAR ME SAY THIS, BUT, UM...AS A DOCTOR -- AS A DOCTOR, YOU KNOW I'M RIGHT,

BUT, UM...AS A DOCTOR -- AS A DOCTOR, YOU KNOW I'M RIGHT, YEAH?

AS A DOCTOR, YOU KNOW I'M RIGHT, YEAH? >> UM...

YEAH? >> UM... [ BREATHES DEEPLY ]

>> UM... [ BREATHES DEEPLY ] WHAT WILL WE DO NOW?

[ BREATHES DEEPLY ] WHAT WILL WE DO NOW? >> NOTHING.

WHAT WILL WE DO NOW? >> NOTHING. CONTINUE WITH YOUR THERAPIES AS

>> NOTHING. CONTINUE WITH YOUR THERAPIES AS IF YOU KNOW NONE OF THIS.

CONTINUE WITH YOUR THERAPIES AS IF YOU KNOW NONE OF THIS. AND IF, FOR WHATEVER REASON, VAL

IF YOU KNOW NONE OF THIS. AND IF, FOR WHATEVER REASON, VAL LEAVES THE HOUSE, I OR AN

AND IF, FOR WHATEVER REASON, VAL LEAVES THE HOUSE, I OR AN ASSOCIATE OF MINE WILL BE

LEAVES THE HOUSE, I OR AN ASSOCIATE OF MINE WILL BE TRAILING HIM FROM AFAR.

ASSOCIATE OF MINE WILL BE TRAILING HIM FROM AFAR. >> AND WHAT DO WE TELL VAL ABOUT

TRAILING HIM FROM AFAR. >> AND WHAT DO WE TELL VAL ABOUT HIS PARENTS?

>> AND WHAT DO WE TELL VAL ABOUT HIS PARENTS? >> NOT A WORD.

HIS PARENTS? >> NOT A WORD. OH, IF HE'S THE KILLER, IT WOULD

>> NOT A WORD. OH, IF HE'S THE KILLER, IT WOULD ONLY FORCE HIM TO RUN, YEAH?

OH, IF HE'S THE KILLER, IT WOULD ONLY FORCE HIM TO RUN, YEAH? >> AND IF HE ISN'T?

ONLY FORCE HIM TO RUN, YEAH? >> AND IF HE ISN'T? >> IF HE ISN'T, THEN GOD

>> AND IF HE ISN'T? >> IF HE ISN'T, THEN GOD FORGIVE US.

>> I WANT YOU TO THINK BACK TO YOUR PARENTS. DID YOUR MOTHER EVER HURT YOU?

YOUR PARENTS. DID YOUR MOTHER EVER HURT YOU? >> HURT ME HOW?

DID YOUR MOTHER EVER HURT YOU? >> HURT ME HOW? >> DID SHE EVER BEAT YOU OR HURT

>> HURT ME HOW? >> DID SHE EVER BEAT YOU OR HURT YOU PHYSICALLY?

>> DID SHE EVER BEAT YOU OR HURT YOU PHYSICALLY? >> MOTHER WOULD NEVER DO THAT.

YOU PHYSICALLY? >> MOTHER WOULD NEVER DO THAT. >> THEN YOU WOULD HAVE NO REASON

>> MOTHER WOULD NEVER DO THAT. >> THEN YOU WOULD HAVE NO REASON TO HURT HER.

>> THEN YOU WOULD HAVE NO REASON TO HURT HER. IS THAT CORRECT?

TO HURT HER. IS THAT CORRECT? >> OF COURSE.

IS THAT CORRECT? >> OF COURSE. >> AND WHAT OF YOUR FATHER?

>> OF COURSE. >> AND WHAT OF YOUR FATHER? VAL? WHAT OF YOUR FATHER?

>> HE ONLY WANTED ME TO BE A GOOD MAN, TO GROW UP AND MAKE HIM PROUD.

GOOD MAN, TO GROW UP AND MAKE HIM PROUD. >> WHAT DID HE DO TO YOU?

HIM PROUD. >> WHAT DID HE DO TO YOU? >> FATHER, STOP.

>> WHAT DID HE DO TO YOU? >> FATHER, STOP. [ CRYING ]

>> FATHER, STOP. [ CRYING ] STOP. PLEASE STOP.

[ CRYING ] STOP. PLEASE STOP. >> WHAT IS HE DOING TO YOU?

STOP. PLEASE STOP. >> WHAT IS HE DOING TO YOU? >> I-IT'S A LONG PIECE OF WOOD,

>> WHAT IS HE DOING TO YOU? >> I-IT'S A LONG PIECE OF WOOD, AND HE'S THRASHING ME WITH IT.

>> I-IT'S A LONG PIECE OF WOOD, AND HE'S THRASHING ME WITH IT. PLEASE, I DIDN'T DO ANYTHING!

AND HE'S THRASHING ME WITH IT. PLEASE, I DIDN'T DO ANYTHING! I DIDN'T DO ANYTHING!

PLEASE, I DIDN'T DO ANYTHING! I DIDN'T DO ANYTHING! PLEASE, FATHER, STOP!

I DIDN'T DO ANYTHING! PLEASE, FATHER, STOP! STOP IT!

PLEASE, FATHER, STOP! STOP IT! >> WHY IS HE HITTING YOU?!

STOP IT! >> WHY IS HE HITTING YOU?! >> I CAN'T PLEASE HIM.

>> WHY IS HE HITTING YOU?! >> I CAN'T PLEASE HIM. I AM NOT STRONG ENOUGH.

>> I CAN'T PLEASE HIM. I AM NOT STRONG ENOUGH. HE SAYS I AM NOT ENOUGH OF A

I AM NOT STRONG ENOUGH. HE SAYS I AM NOT ENOUGH OF A MAN!

HE SAYS I AM NOT ENOUGH OF A MAN! "YOU MUST BE STRONG, OR YOU WILL

MAN! "YOU MUST BE STRONG, OR YOU WILL GET THE CURSE!"

"YOU MUST BE STRONG, OR YOU WILL GET THE CURSE!" IT HURTS, FATHER! IT HURTS!

GET THE CURSE!" IT HURTS, FATHER! IT HURTS! >> ON MY COMMAND, YOU WILL

IT HURTS, FATHER! IT HURTS! >> ON MY COMMAND, YOU WILL AWAKE.

>> ON MY COMMAND, YOU WILL AWAKE. >> STOP IT! STOP IT!

AWAKE. >> STOP IT! STOP IT! >> THREE, TWO, ONE.

>> STOP IT! STOP IT! >> THREE, TWO, ONE. >> STOP, OR I'LL KILL YOU!

>> THREE, TWO, ONE. >> STOP, OR I'LL KILL YOU! [ GASPS ]

>> STOP, OR I'LL KILL YOU! [ GASPS ] WHY WOULD YOU DO THAT?!

[ GASPS ] WHY WOULD YOU DO THAT?! >> VAL, DON'T YOU SEE?

WHY WOULD YOU DO THAT?! >> VAL, DON'T YOU SEE? YOUR FATHER'S USING THE CURSE AS

>> VAL, DON'T YOU SEE? YOUR FATHER'S USING THE CURSE AS A WAY OF FORCING YOU TO FEAR

YOUR FATHER'S USING THE CURSE AS A WAY OF FORCING YOU TO FEAR HIM.

A WAY OF FORCING YOU TO FEAR HIM. >> DAMN IT, LESLEY, EVERYONE

HIM. >> DAMN IT, LESLEY, EVERYONE FEARED THE CURSE!

>> DAMN IT, LESLEY, EVERYONE FEARED THE CURSE! EVERYONE IN MY FAMILY IS AFRAID

FEARED THE CURSE! EVERYONE IN MY FAMILY IS AFRAID OF IT!

EVERYONE IN MY FAMILY IS AFRAID OF IT! >> THAT'S JUST IT!

OF IT! >> THAT'S JUST IT! >> NO!

>> THAT'S JUST IT! >> NO! WHEN ARE YOU GOING TO REALIZE

>> NO! WHEN ARE YOU GOING TO REALIZE THIS ISN'T SOME CHILDHOOD

WHEN ARE YOU GOING TO REALIZE THIS ISN'T SOME CHILDHOOD TRAUMA?

THIS ISN'T SOME CHILDHOOD TRAUMA? YOU ARE CHASING YOUR PROBLEMS,

TRAUMA? YOU ARE CHASING YOUR PROBLEMS, NOT MINE!

YOU ARE CHASING YOUR PROBLEMS, NOT MINE! >> [ Voice breaking ] DON'T SAY

NOT MINE! >> [ Voice breaking ] DON'T SAY THAT.

>> [ Voice breaking ] DON'T SAY THAT. >> YOUR FATHER SCARRED YOU.

THAT. >> YOUR FATHER SCARRED YOU. I KNOW THAT.

>> YOUR FATHER SCARRED YOU. I KNOW THAT. BUT HAVEN'T YOU CONSIDERED THAT

I KNOW THAT. BUT HAVEN'T YOU CONSIDERED THAT MAYBE I'M NOT CRAZY?

BUT HAVEN'T YOU CONSIDERED THAT MAYBE I'M NOT CRAZY? MAYBE I AM HURTING PEOPLE.

MAYBE I'M NOT CRAZY? MAYBE I AM HURTING PEOPLE. WHY HAVEN'T YOU ASKED ME YET?

MAYBE I AM HURTING PEOPLE. WHY HAVEN'T YOU ASKED ME YET? WHY HAVEN'T YOU ASKED ME IF I'VE

WHY HAVEN'T YOU ASKED ME YET? WHY HAVEN'T YOU ASKED ME IF I'VE HURT ANYONE?

WHY HAVEN'T YOU ASKED ME IF I'VE HURT ANYONE? YOU CAN'T.

HURT ANYONE? YOU CAN'T. YOU CAN'T ASK ME 'CAUSE YOU'RE

YOU CAN'T. YOU CAN'T ASK ME 'CAUSE YOU'RE AFRAID OF WHAT I MIGHT SAY.

YOU CAN'T ASK ME 'CAUSE YOU'RE AFRAID OF WHAT I MIGHT SAY. YOU CAN'T HELP ME, LESLEY...

AFRAID OF WHAT I MIGHT SAY. YOU CAN'T HELP ME, LESLEY... UNLESS YOU'RE WILLING TO KNOW

YOU CAN'T HELP ME, LESLEY... UNLESS YOU'RE WILLING TO KNOW THE ENTIRE TRUTH.

[ EXHALES SHARPLY ] >> [ BREATHING HEAVILY ] [ THUNDER CRASHING ]

>> [ BREATHING HEAVILY ] [ THUNDER CRASHING ] YOU HAVE ALL BEEN DOING

[ THUNDER CRASHING ] YOU HAVE ALL BEEN DOING PHENOMENALLY WELL OVER THE PAST

YOU HAVE ALL BEEN DOING PHENOMENALLY WELL OVER THE PAST FEW WEEKS, AND TONIGHT MARCIA

PHENOMENALLY WELL OVER THE PAST FEW WEEKS, AND TONIGHT MARCIA WILL BE THE FIRST PARTICIPANT TO

FEW WEEKS, AND TONIGHT MARCIA WILL BE THE FIRST PARTICIPANT TO TAKE THE NEXT STEP.

WILL BE THE FIRST PARTICIPANT TO TAKE THE NEXT STEP. WITH MRS. LEE'S PERMISSION, SHE

TAKE THE NEXT STEP. WITH MRS. LEE'S PERMISSION, SHE SHALL CLIMB INTO HER COFFIN FOR

WITH MRS. LEE'S PERMISSION, SHE SHALL CLIMB INTO HER COFFIN FOR 10 MINUTES, PROVING SHE CAN FACE

SHALL CLIMB INTO HER COFFIN FOR 10 MINUTES, PROVING SHE CAN FACE HER PHOBIA.

10 MINUTES, PROVING SHE CAN FACE HER PHOBIA. >> OH, I DO HOPE SO.

HER PHOBIA. >> OH, I DO HOPE SO. >> FOR THIS FIRST TIME, WE WILL

>> OH, I DO HOPE SO. >> FOR THIS FIRST TIME, WE WILL DO THIS TOGETHER.

>> FOR THIS FIRST TIME, WE WILL DO THIS TOGETHER. WHEN WE HAVE SUCCESS, WE SHALL

DO THIS TOGETHER. WHEN WE HAVE SUCCESS, WE SHALL SEE WHO WILL VOLUNTEER NEXT.

WHEN WE HAVE SUCCESS, WE SHALL SEE WHO WILL VOLUNTEER NEXT. MARCIA, ARE YOU READY?

[ THUNDER CRASHES ] THANK YOU, ELIZABETH.

>> I'M NOT SURE I CAN DO THIS. >> YOU HAVE TO TRUST ME. IT'LL BE JUST LIKE WE TALKED

>> YOU HAVE TO TRUST ME. IT'LL BE JUST LIKE WE TALKED ABOUT.

IT'LL BE JUST LIKE WE TALKED ABOUT. [ THUNDER CRASHES ]

[ DOOR CREAKS ] >> DOCTOR, DOCTOR, PLEASE -- >> ALL IS FINE.

>> DOCTOR, DOCTOR, PLEASE -- >> ALL IS FINE. >> I CAN'T DO THIS. [ GASPS ]

>> ALL IS FINE. >> I CAN'T DO THIS. [ GASPS ] >> EVERYTHING IS FINE.

>> I CAN'T DO THIS. [ GASPS ] >> EVERYTHING IS FINE. >> JUST LIE BACK, JUST LIKE WE

>> EVERYTHING IS FINE. >> JUST LIE BACK, JUST LIKE WE PRACTICED.

>> JUST LIE BACK, JUST LIKE WE PRACTICED. [ WATCH TICKING ]

PRACTICED. [ WATCH TICKING ] FOCUS ON THE WATCH.

[ WATCH TICKING ] FOCUS ON THE WATCH. [ THUNDER CRASHES ]

FOCUS ON THE WATCH. [ THUNDER CRASHES ] EYES FOCUSED ON THE SPINNING OF

[ THUNDER CRASHES ] EYES FOCUSED ON THE SPINNING OF THE WATCH.

EYES FOCUSED ON THE SPINNING OF THE WATCH. YOU'RE RELAXING.

THE WATCH. YOU'RE RELAXING. YOU'RE CALM.

YOU'RE RELAXING. YOU'RE CALM. YOU'RE DRIFTING.

YOU'RE CALM. YOU'RE DRIFTING. [ WIND GUSTS ]

YOU'RE DRIFTING. [ WIND GUSTS ] [ SCREAMS ]

[ WIND GUSTS ] [ SCREAMS ] [ THUD ]

[ SCREAMS ] [ THUD ] >> [ GASPS ]

[ THUD ] >> [ GASPS ] DOCTOR?

>> [ GASPS ] DOCTOR? [ GASPING ]

DOCTOR? [ GASPING ] DR. PARKER?!

[ GASPING ] DR. PARKER?! >> [ BREATHING HEAVILY ]

DR. PARKER?! >> [ BREATHING HEAVILY ] >> [ SCREAMING ]

>> [ BREATHING HEAVILY ] >> [ SCREAMING ] LET ME OUT!

>> [ SCREAMING ] LET ME OUT! >> [ BREATHING HEAVILY ]

LET ME OUT! >> [ BREATHING HEAVILY ] HELP ME!

>> [ BREATHING HEAVILY ] HELP ME! HELP! SOMEBODY, HELP ME!

HELP ME! HELP! SOMEBODY, HELP ME! >> WHAT IS IT?!

HELP! SOMEBODY, HELP ME! >> WHAT IS IT?! WHAT'S HAPPENED?!

>> WHAT IS IT?! WHAT'S HAPPENED?! >> DARK!

WHAT'S HAPPENED?! >> DARK! >> [ SCREAMING ]

>> DARK! >> [ SCREAMING ] >> THERE'S NO...

>> [ SCREAMING ] >> THERE'S NO... IS SHE ALL RIGHT?

>> THERE'S NO... IS SHE ALL RIGHT? >> [ SCREAMING ]

IS SHE ALL RIGHT? >> [ SCREAMING ] >> MARCIA!

>> [ SCREAMING ] >> MARCIA! >> GUY! GUY!

>> MARCIA! >> GUY! GUY! >> WHAT'S HAPPENED?

>> GUY! GUY! >> WHAT'S HAPPENED? >> MARCIA!

>> WHAT'S HAPPENED? >> MARCIA! IT WON'T OPEN! HELP ME!

>> MARCIA! IT WON'T OPEN! HELP ME! >> AAH!

IT WON'T OPEN! HELP ME! >> AAH! >> GET THE LID!

>> AAH! >> GET THE LID! IT'S SEALED! WHAT DO WE DO?!

>> GET THE LID! IT'S SEALED! WHAT DO WE DO?! >> [ BREATHING HEAVILY ]

IT'S SEALED! WHAT DO WE DO?! >> [ BREATHING HEAVILY ] >> THERE'S A MECHANISM ON THE

>> [ BREATHING HEAVILY ] >> THERE'S A MECHANISM ON THE TO OPEN IT.

>> THERE'S A MECHANISM ON THE TO OPEN IT. MARCIA, INSIDE!

TO OPEN IT. MARCIA, INSIDE! >> YOU HAVE TO FIND THE LEVER

MARCIA, INSIDE! >> YOU HAVE TO FIND THE LEVER ON THE THE INSIDE!

>> YOU HAVE TO FIND THE LEVER ON THE THE INSIDE! IT WILL OPEN THE CASKET!

ON THE THE INSIDE! IT WILL OPEN THE CASKET! >> [ SCREAMING ]

IT WILL OPEN THE CASKET! >> [ SCREAMING ] >> MARCIA!

>> [ SCREAMING ] >> MARCIA! [ SHOUTING IN NATIVE LANGUAGE ]

>> MARCIA! [ SHOUTING IN NATIVE LANGUAGE ] UNH! UNH!

[ SHOUTING IN NATIVE LANGUAGE ] UNH! UNH! UNH!

UNH! UNH! UNH! WHY WON'T IT BREAK?!

UNH! WHY WON'T IT BREAK?! >> FIND THE CASKET KEY!

WHY WON'T IT BREAK?! >> FIND THE CASKET KEY! >> THE KEY! THE KEY!

>> FIND THE CASKET KEY! >> THE KEY! THE KEY! >> WHERE IS IT?

>> THE KEY! THE KEY! >> WHERE IS IT? >> MARCIA, THEY'RE FINDING

>> WHERE IS IT? >> MARCIA, THEY'RE FINDING THE KEY.

>> MARCIA, THEY'RE FINDING THE KEY. HOLD ON.

THE KEY. HOLD ON. >> MARCIA!

HOLD ON. >> MARCIA! >> HERE! HERE!

>> MARCIA! >> HERE! HERE! HERE!

>> HERE! HERE! HERE! >> HURRY! OPEN! OPEN!

HERE! >> HURRY! OPEN! OPEN! MARCIA! MARCIA!

>> HURRY! OPEN! OPEN! MARCIA! MARCIA! AY, MARCIA? MARCIA?

MARCIA! MARCIA! AY, MARCIA? MARCIA? MARCIA?

AY, MARCIA? MARCIA? MARCIA? MARCIA?

MARCIA? MARCIA? >> NO, NO, NO, NO, MY FRIEND.

MARCIA? >> NO, NO, NO, NO, MY FRIEND. THERE'S NO PULSE.

>> NO, NO, NO, NO, MY FRIEND. THERE'S NO PULSE. THERE'S NO PULSE.

THERE'S NO PULSE. THERE'S NO PULSE. I'M SORRY.

THERE'S NO PULSE. I'M SORRY. I'M SO BLOODY SORRY, BUT SHE'S

I'M SORRY. I'M SO BLOODY SORRY, BUT SHE'S GONE.

I'M SO BLOODY SORRY, BUT SHE'S GONE. >> WHAT?

GONE. >> WHAT? NO.

>> WHAT? NO. HOW DID THE COFFIN BECOME

NO. HOW DID THE COFFIN BECOME LOCKED?!

HOW DID THE COFFIN BECOME LOCKED?! >> IT COULDN'T HAVE BEEN LOCKED.

LOCKED?! >> IT COULDN'T HAVE BEEN LOCKED. THE CASKET SLAMMED SHUT.

>> IT COULDN'T HAVE BEEN LOCKED. THE CASKET SLAMMED SHUT. >> THEY DON'T LOCK BY

THE CASKET SLAMMED SHUT. >> THEY DON'T LOCK BY THEMSELVES!

>> THEY DON'T LOCK BY THEMSELVES! YOU DID THIS! YOU DID THIS!

THEMSELVES! YOU DID THIS! YOU DID THIS! >> TAKE HER OUT!

>> [ CRYING ] >> [ GASPS ] >> YOUR HANDS ARE LIKE ICE,

>> [ GASPS ] >> YOUR HANDS ARE LIKE ICE, YET YOU'RE SWEATING.

>> YOUR HANDS ARE LIKE ICE, YET YOU'RE SWEATING. >> IT'S MY PHOBIA.

YET YOU'RE SWEATING. >> IT'S MY PHOBIA. [ BREATHES DEEPLY ]

>> IT'S MY PHOBIA. [ BREATHES DEEPLY ] I'M AFRAID OF THE DARK.

[ BREATHES DEEPLY ] I'M AFRAID OF THE DARK. >> SO, THE DOCTOR IS ALSO A

I'M AFRAID OF THE DARK. >> SO, THE DOCTOR IS ALSO A PATIENT.

>> SO, THE DOCTOR IS ALSO A PATIENT. >> IT'S ME.

PATIENT. >> IT'S ME. YOU CAN TALK TO ME.

>> IT'S ME. YOU CAN TALK TO ME. >> WHERE WERE YOU?

YOU CAN TALK TO ME. >> WHERE WERE YOU? >> WHAT DO YOU MEAN?

>> WHERE WERE YOU? >> WHAT DO YOU MEAN? >> SOMEONE HAD TO SEAL THAT

>> WHAT DO YOU MEAN? >> SOMEONE HAD TO SEAL THAT COFFIN.

>> SOMEONE HAD TO SEAL THAT COFFIN. [ BREATHING HEAVILY ]

COFFIN. [ BREATHING HEAVILY ] YOU WERE THE FIRST ONE IN.

[ BREATHING HEAVILY ] YOU WERE THE FIRST ONE IN. YOU WERE THERE SO FAST.

YOU WERE THE FIRST ONE IN. YOU WERE THERE SO FAST. >> SO, WHAT ARE YOU SAYING?

YOU WERE THERE SO FAST. >> SO, WHAT ARE YOU SAYING? >> SHE'S WONDERING IF YOU KILLED

>> SO, WHAT ARE YOU SAYING? >> SHE'S WONDERING IF YOU KILLED MARCIA.

>> SHE'S WONDERING IF YOU KILLED MARCIA. >> MAYBE YOUR BLOODSUCKER URGES.

MARCIA. >> MAYBE YOUR BLOODSUCKER URGES. >> SHE WAS MY COUSIN.

>> MAYBE YOUR BLOODSUCKER URGES. >> SHE WAS MY COUSIN. HOW DARE YOU?

>> SHE WAS MY COUSIN. HOW DARE YOU? >> WHERE WERE YOU?

HOW DARE YOU? >> WHERE WERE YOU? >> ROAMING THE HALLS LIKE

>> WHERE WERE YOU? >> ROAMING THE HALLS LIKE EVERYONE ELSE.

>> ROAMING THE HALLS LIKE EVERYONE ELSE. WHERE WERE YOU?

EVERYONE ELSE. WHERE WERE YOU? >> I WAS RIGHT HERE.

WHERE WERE YOU? >> I WAS RIGHT HERE. >> ALONE, WITH NO ONE TO PROVE

>> I WAS RIGHT HERE. >> ALONE, WITH NO ONE TO PROVE IT.

>> ALONE, WITH NO ONE TO PROVE IT. >> WHERE IS GUY?

IT. >> WHERE IS GUY? >> HE WOULDN'T LEAVE MARCIA.

>> WHERE IS GUY? >> HE WOULDN'T LEAVE MARCIA. >> [ SIGHS ]

>> HE WOULDN'T LEAVE MARCIA. >> [ SIGHS ] WELL, I THINK IT'S TIME FOR A

>> [ SIGHS ] WELL, I THINK IT'S TIME FOR A BRANDY.

WELL, I THINK IT'S TIME FOR A BRANDY. ANYONE ELSE?

BRANDY. ANYONE ELSE? >> ELIZABETH, I MUST ASK YOU TO

ANYONE ELSE? >> ELIZABETH, I MUST ASK YOU TO BRAVE THE STORM.

>> ELIZABETH, I MUST ASK YOU TO BRAVE THE STORM. >> WHY?

BRAVE THE STORM. >> WHY? >> WE WILL NEED THE POLICE.

>> WHY? >> WE WILL NEED THE POLICE. >> BUT I'LL FREEZE TO DEATH

>> WE WILL NEED THE POLICE. >> BUT I'LL FREEZE TO DEATH IN THE RAIN.

>> BUT I'LL FREEZE TO DEATH IN THE RAIN. >> DON'T ARGUE, CHILD.

IN THE RAIN. >> DON'T ARGUE, CHILD. YOU WILL DO AS I SAY.

>> DON'T ARGUE, CHILD. YOU WILL DO AS I SAY. >> AUNTIE, PLEASE --

YOU WILL DO AS I SAY. >> AUNTIE, PLEASE -- >> [ EXHALES SHARPLY ]

>> AUNTIE, PLEASE -- >> [ EXHALES SHARPLY ] >> WITH YOUR PERMISSION, I'LL

>> [ EXHALES SHARPLY ] >> WITH YOUR PERMISSION, I'LL FETCH A HORSE FROM THE STABLE

>> WITH YOUR PERMISSION, I'LL FETCH A HORSE FROM THE STABLE AND BRING BACK THE AUTHORITIES

FETCH A HORSE FROM THE STABLE AND BRING BACK THE AUTHORITIES BACK AS QUICK AS POSSIBLE.

AND BRING BACK THE AUTHORITIES BACK AS QUICK AS POSSIBLE. [ THUNDER CRASHES ]

BACK AS QUICK AS POSSIBLE. [ THUNDER CRASHES ] >> VERY WELL.

[ THUNDER CRASHES ] >> VERY WELL. THANK YOU, MR. SIMMONS.

>> VERY WELL. THANK YOU, MR. SIMMONS. [ THUNDER CRASHES ]

THANK YOU, MR. SIMMONS. [ THUNDER CRASHES ] [ CLOCK TICKING ]

[ THUNDER CRASHES ] >> GUY, HOW ARE YOU? >> HOW DO YOU THINK I AM?!

>> GUY, HOW ARE YOU? >> HOW DO YOU THINK I AM?! >> MY SISTER IS DEAD, AND ONE OF

>> HOW DO YOU THINK I AM?! >> MY SISTER IS DEAD, AND ONE OF YOU KILLED HER.

>> MY SISTER IS DEAD, AND ONE OF YOU KILLED HER. >> WE DON'T KNOW THAT YET.

YOU KILLED HER. >> WE DON'T KNOW THAT YET. >> IT COULD HAVE BEEN AN

>> WE DON'T KNOW THAT YET. >> IT COULD HAVE BEEN AN ACCIDENT.

>> IT COULD HAVE BEEN AN ACCIDENT. >> THE MECHANISM INSIDE THE

ACCIDENT. >> THE MECHANISM INSIDE THE CASKET WAS SABOTAGED.

>> THE MECHANISM INSIDE THE CASKET WAS SABOTAGED. SOMEONE BROKE IT SO IT COULDN'T

CASKET WAS SABOTAGED. SOMEONE BROKE IT SO IT COULDN'T BE OPENED FROM THE INSIDE.

SOMEONE BROKE IT SO IT COULDN'T BE OPENED FROM THE INSIDE. WHY WOULD YOU DO THIS?

BE OPENED FROM THE INSIDE. WHY WOULD YOU DO THIS? >> NO. LESLEY WOULD NEVER.

WHY WOULD YOU DO THIS? >> NO. LESLEY WOULD NEVER. >> I FEEL TERRIBLE ABOUT WHAT

>> NO. LESLEY WOULD NEVER. >> I FEEL TERRIBLE ABOUT WHAT HAPPENED TO MARCIA, BUT TO THINK

>> I FEEL TERRIBLE ABOUT WHAT HAPPENED TO MARCIA, BUT TO THINK THAT I WOULD --

HAPPENED TO MARCIA, BUT TO THINK THAT I WOULD -- >> COMMIT MURDER?!

THAT I WOULD -- >> COMMIT MURDER?! >> I WOULD NO REASON TO DO THIS.

>> COMMIT MURDER?! >> I WOULD NO REASON TO DO THIS. >> Y'ALL ARE FORGETTING ONE

>> I WOULD NO REASON TO DO THIS. >> Y'ALL ARE FORGETTING ONE THING -- THAT CASKET IS WHERE

>> Y'ALL ARE FORGETTING ONE THING -- THAT CASKET IS WHERE I SLEEP.

THING -- THAT CASKET IS WHERE I SLEEP. [ THUNDER CRASHES ]

I SLEEP. [ THUNDER CRASHES ] THE MECHANISM MAY HAVE BEEN

[ THUNDER CRASHES ] THE MECHANISM MAY HAVE BEEN BROKEN TO TRAP ME, NOT MARCIA.

THE MECHANISM MAY HAVE BEEN BROKEN TO TRAP ME, NOT MARCIA. [ THUNDER CRASHES ]

BROKEN TO TRAP ME, NOT MARCIA. [ THUNDER CRASHES ] >> AUNTIE, YOU KNOW I WOULD

[ THUNDER CRASHES ] >> AUNTIE, YOU KNOW I WOULD NEVER DO THAT.

>> AUNTIE, YOU KNOW I WOULD NEVER DO THAT. >> ARE YOU SAYING THAT YOUR

NEVER DO THAT. >> ARE YOU SAYING THAT YOUR WARD --

>> ARE YOU SAYING THAT YOUR WARD -- >> BUT WE DIDN'T SEE HER

WARD -- >> BUT WE DIDN'T SEE HER ACTUALLY FIND THE KEY.

>> BUT WE DIDN'T SEE HER ACTUALLY FIND THE KEY. SHE TURNED AROUND, AND IT WAS

ACTUALLY FIND THE KEY. SHE TURNED AROUND, AND IT WAS IN HER HAND.

SHE TURNED AROUND, AND IT WAS IN HER HAND. >> YOU'RE ALL BECOMING

IN HER HAND. >> YOU'RE ALL BECOMING HYSTERICAL.

>> YOU'RE ALL BECOMING HYSTERICAL. THERE'S NO NEED TO POINT

HYSTERICAL. THERE'S NO NEED TO POINT FINGERS.

THERE'S NO NEED TO POINT FINGERS. >> YES, THERE IS!

FINGERS. >> YES, THERE IS! ONE OF YOU KILLED HER.

>> YES, THERE IS! ONE OF YOU KILLED HER. [ THUNDER CRASHES ]

ONE OF YOU KILLED HER. [ THUNDER CRASHES ] [ DOOR CLOSES ]

[ THUNDER CRASHES ] [ DOOR CLOSES ] >> WHERE ARE THE AUTHORITIES?

[ DOOR CLOSES ] >> WHERE ARE THE AUTHORITIES? >> THERE'S NO POLICE COMING.

>> WHERE ARE THE AUTHORITIES? >> THERE'S NO POLICE COMING. THE ROAD'S BEEN WASHED OUT.

>> THERE'S NO POLICE COMING. THE ROAD'S BEEN WASHED OUT. WE'RE STUCK HERE FOR NOW.

THE ROAD'S BEEN WASHED OUT. WE'RE STUCK HERE FOR NOW. >> WE CAN'T LEAVE?

WE'RE STUCK HERE FOR NOW. >> WE CAN'T LEAVE? >> I'M AFRAID NOT.

>> WE CAN'T LEAVE? >> I'M AFRAID NOT. ONCE THE STORM CLEARS, WE SHOULD

>> I'M AFRAID NOT. ONCE THE STORM CLEARS, WE SHOULD BE ABLE TO FIND ANOTHER WAY

ONCE THE STORM CLEARS, WE SHOULD BE ABLE TO FIND ANOTHER WAY AROUND, BUT RIGHT NOW IT'S THE

BE ABLE TO FIND ANOTHER WAY AROUND, BUT RIGHT NOW IT'S THE DEVIL OUTSIDE.

AROUND, BUT RIGHT NOW IT'S THE DEVIL OUTSIDE. >> VERY WELL.

DEVIL OUTSIDE. >> VERY WELL. IT SEEMS YOU SHALL ALL BE

>> VERY WELL. IT SEEMS YOU SHALL ALL BE STAYING FOR THE NIGHT.

IT SEEMS YOU SHALL ALL BE STAYING FOR THE NIGHT. ELIZABETH, PLEASE FIND SOME DRY

STAYING FOR THE NIGHT. ELIZABETH, PLEASE FIND SOME DRY CLOTHES FOR MR. SIMMONS AND

ELIZABETH, PLEASE FIND SOME DRY CLOTHES FOR MR. SIMMONS AND PREPARE THE GUEST ROOMS.

>> [ SIGHS ] YOU HAVE TO DO SOMETHING. >> OH, NO, NO, NO, NO.

YOU HAVE TO DO SOMETHING. >> OH, NO, NO, NO, NO. IF I DO ANYTHING, IT WOULD ONLY

>> OH, NO, NO, NO, NO. IF I DO ANYTHING, IT WOULD ONLY EXPOSE ME.

IF I DO ANYTHING, IT WOULD ONLY EXPOSE ME. IF THEY FIND OUT WHO I AM, IT

EXPOSE ME. IF THEY FIND OUT WHO I AM, IT WILL ALERT VAL.

IF THEY FIND OUT WHO I AM, IT WILL ALERT VAL. >> THERE'S BEEN A MURDER.

WILL ALERT VAL. >> THERE'S BEEN A MURDER. >> THAT'S NOT A CERTAINTY.

>> THERE'S BEEN A MURDER. >> THAT'S NOT A CERTAINTY. >> HOW CAN YOU SAY THAT?

>> THAT'S NOT A CERTAINTY. >> HOW CAN YOU SAY THAT? >> NOBODY KNEW ABOUT A COFFIN

>> HOW CAN YOU SAY THAT? >> NOBODY KNEW ABOUT A COFFIN UNTIL YOU ANNOUNCED IT.

>> NOBODY KNEW ABOUT A COFFIN UNTIL YOU ANNOUNCED IT. THERE'S NO TIME TO SABOTAGE THE

UNTIL YOU ANNOUNCED IT. THERE'S NO TIME TO SABOTAGE THE COFFIN, SET UP MURDER, NOT

THERE'S NO TIME TO SABOTAGE THE COFFIN, SET UP MURDER, NOT UNLESS YOU TOLD VAL.

COFFIN, SET UP MURDER, NOT UNLESS YOU TOLD VAL. >> VAL KNEW, AS DID MARCIA AND

UNLESS YOU TOLD VAL. >> VAL KNEW, AS DID MARCIA AND GUY, AND OF COURSE ANNABEL AND

>> VAL KNEW, AS DID MARCIA AND GUY, AND OF COURSE ANNABEL AND ELIZABETH, AS I HAD TO GET

GUY, AND OF COURSE ANNABEL AND ELIZABETH, AS I HAD TO GET PERMISSION.

ELIZABETH, AS I HAD TO GET PERMISSION. >> THIS MURDER DOESN'T MATCH THE

PERMISSION. >> THIS MURDER DOESN'T MATCH THE OTHERS.

>> THIS MURDER DOESN'T MATCH THE OTHERS. IT COULD ONLY MEANS ONE THING --

OTHERS. IT COULD ONLY MEANS ONE THING -- THERE ARE TWO MURDERERS.

IT COULD ONLY MEANS ONE THING -- THERE ARE TWO MURDERERS. >> [ CLEARS THROAT ]

THERE ARE TWO MURDERERS. >> [ CLEARS THROAT ] LESLEY?

>> [ CLEARS THROAT ] LESLEY? >> YES?

LESLEY? >> YES? >> WE NEED TO TALK.

>> YES? >> WE NEED TO TALK. YOU THINK I DID THIS?

>> WE NEED TO TALK. YOU THINK I DID THIS? THERE'S NO REASON FOR ANYONE TO

YOU THINK I DID THIS? THERE'S NO REASON FOR ANYONE TO THINK IT WAS ME.

THERE'S NO REASON FOR ANYONE TO THINK IT WAS ME. I REMEMBER EVERYTHING THAT'S

THINK IT WAS ME. I REMEMBER EVERYTHING THAT'S HAPPENED SINCE WE'VE BEEN HERE.

I REMEMBER EVERYTHING THAT'S HAPPENED SINCE WE'VE BEEN HERE. >> I WANT TO BELIEVE YOU, BUT...

HAPPENED SINCE WE'VE BEEN HERE. >> I WANT TO BELIEVE YOU, BUT... >> I WOULD NEVER HURT MARCIA.

>> I WANT TO BELIEVE YOU, BUT... >> I WOULD NEVER HURT MARCIA. I LOVED HER.

>> I WOULD NEVER HURT MARCIA. I LOVED HER. >> [ Voice breaking ] AND NOW

I LOVED HER. >> [ Voice breaking ] AND NOW SHE'S DEAD BECAUSE OF ME.

>> [ Voice breaking ] AND NOW SHE'S DEAD BECAUSE OF ME. >> NO.

SHE'S DEAD BECAUSE OF ME. >> NO. >> IT WAS MY FAULT.

>> NO. >> IT WAS MY FAULT. BECAUSE OF MY INSTRUCTIONS,

>> IT WAS MY FAULT. BECAUSE OF MY INSTRUCTIONS, MARCIA GOT INTO THAT CASKET.

BECAUSE OF MY INSTRUCTIONS, MARCIA GOT INTO THAT CASKET. I INITIATED EVERYTHING!

MARCIA GOT INTO THAT CASKET. I INITIATED EVERYTHING! >> WE ALL MUST DIE EVENTUALLY.

I INITIATED EVERYTHING! >> WE ALL MUST DIE EVENTUALLY. MARCIA -- SHE -- SHE LIKED YOU.

>> WE ALL MUST DIE EVENTUALLY. MARCIA -- SHE -- SHE LIKED YOU. SHE SAID YOU WERE HELPING HER,

MARCIA -- SHE -- SHE LIKED YOU. SHE SAID YOU WERE HELPING HER, THE FIRST PERSON TO DO SO IN

SHE SAID YOU WERE HELPING HER, THE FIRST PERSON TO DO SO IN ALL THESE YEARS.

THE FIRST PERSON TO DO SO IN ALL THESE YEARS. >> I'M SO SORRY, GUY.

ALL THESE YEARS. >> I'M SO SORRY, GUY. >> I DON'T KNOW WHAT HAPPENED UP

>> I'M SO SORRY, GUY. >> I DON'T KNOW WHAT HAPPENED UP THERE, BUT WE NEED TO FIND OUT.

>> I DON'T KNOW WHAT HAPPENED UP THERE, BUT WE NEED TO FIND OUT. >> WE WILL.

THERE, BUT WE NEED TO FIND OUT. >> WE WILL. >> I UNDERSTAND THE OTHERS, BUT

>> WE WILL. >> I UNDERSTAND THE OTHERS, BUT THIS -- THIS MR. CASEY --

>> I UNDERSTAND THE OTHERS, BUT THIS -- THIS MR. CASEY -- DID YOU KNOW HIM IN PARIS?

THIS -- THIS MR. CASEY -- DID YOU KNOW HIM IN PARIS? >> NO.

DID YOU KNOW HIM IN PARIS? >> NO. I THINK HE WORKED WITH CHARCOT

>> NO. I THINK HE WORKED WITH CHARCOT MUCH EARLIER.

I THINK HE WORKED WITH CHARCOT MUCH EARLIER. >> THERE IS SOMETHING QUITE

MUCH EARLIER. >> THERE IS SOMETHING QUITE ODD ABOUT THE MAN.

>> THERE IS SOMETHING QUITE ODD ABOUT THE MAN. >> HE WOULD HAVE NO REASON TO DO

ODD ABOUT THE MAN. >> HE WOULD HAVE NO REASON TO DO THIS.

>> HE WOULD HAVE NO REASON TO DO THIS. >> AT THIS POINT, NO ONE WOULD

THIS. >> AT THIS POINT, NO ONE WOULD HAVE A REASON TO KILL MARCIA,

>> AT THIS POINT, NO ONE WOULD HAVE A REASON TO KILL MARCIA, WHICH MAKES THIS ALL THE MORE

HAVE A REASON TO KILL MARCIA, WHICH MAKES THIS ALL THE MORE BAFFLING.

>> AH, YOU'VE RETURNED. MR. CASEY WAS JUST SHARING WITH ME THE MOST FASCINATING STORY.

MR. CASEY WAS JUST SHARING WITH ME THE MOST FASCINATING STORY. >> IT SEEMS THAT MR. CASEY AND

ME THE MOST FASCINATING STORY. >> IT SEEMS THAT MR. CASEY AND DR. CHARCOT BECAME ACQUAINTED

>> IT SEEMS THAT MR. CASEY AND DR. CHARCOT BECAME ACQUAINTED THROUGH THE SPIRITUALIST

DR. CHARCOT BECAME ACQUAINTED THROUGH THE SPIRITUALIST MOVEMENT.

THROUGH THE SPIRITUALIST MOVEMENT. >> WELL, DR. CHARCOT FELT THAT

MOVEMENT. >> WELL, DR. CHARCOT FELT THAT THE MEDIUM'S TRANCE, UM, MIGHT

>> WELL, DR. CHARCOT FELT THAT THE MEDIUM'S TRANCE, UM, MIGHT BE VERY BENEFICIAL TO HIS

THE MEDIUM'S TRANCE, UM, MIGHT BE VERY BENEFICIAL TO HIS UNDERSTANDING OF HYPNOSIS.

BE VERY BENEFICIAL TO HIS UNDERSTANDING OF HYPNOSIS. >> SO, YOU BELIEVE IN THE

UNDERSTANDING OF HYPNOSIS. >> SO, YOU BELIEVE IN THE OCCULT?

>> SO, YOU BELIEVE IN THE OCCULT? >> OH, I BELIEVE IN A GREAT MANY

OCCULT? >> OH, I BELIEVE IN A GREAT MANY THINGS IN THIS WORLD THAT CANNOT

>> OH, I BELIEVE IN A GREAT MANY THINGS IN THIS WORLD THAT CANNOT BE SO...EASILY EXPLAINED BY

THINGS IN THIS WORLD THAT CANNOT BE SO...EASILY EXPLAINED BY SCIENCE, YEAH.

BE SO...EASILY EXPLAINED BY SCIENCE, YEAH. >> THAT'S WHY WE'RE GOING TO

SCIENCE, YEAH. >> THAT'S WHY WE'RE GOING TO HAVE A SéANCE.

>> THAT'S WHY WE'RE GOING TO HAVE A SéANCE. [ THUNDER CRASHES ]

HAVE A SéANCE. [ THUNDER CRASHES ] >> ELIZABETH?

[ THUNDER CRASHES ] >> ELIZABETH? MISS WILLIAMS?

>> ELIZABETH? MISS WILLIAMS? [ THUNDER CRASHING ]

MISS WILLIAMS? [ THUNDER CRASHING ] I'LL JUST, UH -- I'LL JUST WAIT

[ THUNDER CRASHING ] I'LL JUST, UH -- I'LL JUST WAIT IN HERE.

I'LL JUST, UH -- I'LL JUST WAIT IN HERE. >> OH, MARCIA.

IN HERE. >> OH, MARCIA. IT'S SO DREADFUL.

>> OH, MARCIA. IT'S SO DREADFUL. DO YOU THINK WE'LL BE SAFE?

IT'S SO DREADFUL. DO YOU THINK WE'LL BE SAFE? >> I THINK THERE'S A REASONABLE

DO YOU THINK WE'LL BE SAFE? >> I THINK THERE'S A REASONABLE EXPLANATION THAT EXTENDS BEYOND

>> I THINK THERE'S A REASONABLE EXPLANATION THAT EXTENDS BEYOND MURDER.

EXPLANATION THAT EXTENDS BEYOND MURDER. >> DR. PARKER WAS MAKING SUCH

MURDER. >> DR. PARKER WAS MAKING SUCH HEADWAY WITH US.

>> DR. PARKER WAS MAKING SUCH HEADWAY WITH US. I CAN'T IMAGINE HAVING TO STOP.

HEADWAY WITH US. I CAN'T IMAGINE HAVING TO STOP. >> HAD YOU MET MARCIA BEFORE THE

I CAN'T IMAGINE HAVING TO STOP. >> HAD YOU MET MARCIA BEFORE THE GROUP?

>> HAD YOU MET MARCIA BEFORE THE GROUP? >> NO.

GROUP? >> NO. I BELIEVE SHE ONLY JUST ARRIVED

>> NO. I BELIEVE SHE ONLY JUST ARRIVED IN AMERICA.

I BELIEVE SHE ONLY JUST ARRIVED IN AMERICA. >> THERE IS SOMETHING SINISTER

IN AMERICA. >> THERE IS SOMETHING SINISTER ABOUT THE TWO OF THEM, DON'T

>> THERE IS SOMETHING SINISTER ABOUT THE TWO OF THEM, DON'T YOU THINK?

ABOUT THE TWO OF THEM, DON'T YOU THINK? >> GUY AND MARCIA -- AND VAL,

YOU THINK? >> GUY AND MARCIA -- AND VAL, FOR THAT MATTER -- ALL SEEM TO

>> GUY AND MARCIA -- AND VAL, FOR THAT MATTER -- ALL SEEM TO HAVE A HINT OF DARKNESS.

FOR THAT MATTER -- ALL SEEM TO HAVE A HINT OF DARKNESS. I SUPPOSE ANYONE WITH A TOUCH OF

HAVE A HINT OF DARKNESS. I SUPPOSE ANYONE WITH A TOUCH OF MADNESS MUST HAVE SOMETHING

I SUPPOSE ANYONE WITH A TOUCH OF MADNESS MUST HAVE SOMETHING SINISTER IN THEM.

MADNESS MUST HAVE SOMETHING SINISTER IN THEM. >> DO I STRIKE YOU AS MAD?

SINISTER IN THEM. >> DO I STRIKE YOU AS MAD? >> I DIDN'T REALIZE YOU SUFFERED

>> DO I STRIKE YOU AS MAD? >> I DIDN'T REALIZE YOU SUFFERED FROM HYSTERIA.

>> I DIDN'T REALIZE YOU SUFFERED FROM HYSTERIA. >> I DON'T BELIEVE I SUFFER FROM

FROM HYSTERIA. >> I DON'T BELIEVE I SUFFER FROM HYSTERIA, BUT IF I WERE MAD,

>> I DON'T BELIEVE I SUFFER FROM HYSTERIA, BUT IF I WERE MAD, WOULD I KNOW IT?

HYSTERIA, BUT IF I WERE MAD, WOULD I KNOW IT? [ THUNDER CRASHES ]

WOULD I KNOW IT? [ THUNDER CRASHES ] >> A SéANCE?

[ THUNDER CRASHES ] >> A SéANCE? THIS IS NO TIME FOR SUCH LUNACY.

>> A SéANCE? THIS IS NO TIME FOR SUCH LUNACY. [ CHUCKLES NERVOUSLY ]

THIS IS NO TIME FOR SUCH LUNACY. [ CHUCKLES NERVOUSLY ] >> IT'S THE PERFECT TIME.

[ CHUCKLES NERVOUSLY ] >> IT'S THE PERFECT TIME. WITH MR. CASEY'S HELP, WE MIGHT

>> IT'S THE PERFECT TIME. WITH MR. CASEY'S HELP, WE MIGHT ASK MARCIA WHAT HAPPENED TO HER.

WITH MR. CASEY'S HELP, WE MIGHT ASK MARCIA WHAT HAPPENED TO HER. >> ABSOLUTELY NOT!

ASK MARCIA WHAT HAPPENED TO HER. >> ABSOLUTELY NOT! >> I UNDERSTAND YOUR RELUCTANCE.

>> ABSOLUTELY NOT! >> I UNDERSTAND YOUR RELUCTANCE. >> I'M NOT JUST RELUCTANT.

>> I UNDERSTAND YOUR RELUCTANCE. >> I'M NOT JUST RELUCTANT. I ABSOLUTELY FORBID IT.

>> I'M NOT JUST RELUCTANT. I ABSOLUTELY FORBID IT. IT COULD BE DISASTROUS FOR MY

I ABSOLUTELY FORBID IT. IT COULD BE DISASTROUS FOR MY PATIENTS.

IT COULD BE DISASTROUS FOR MY PATIENTS. >> WE MAY LEARN SOMETHING THAT

PATIENTS. >> WE MAY LEARN SOMETHING THAT SOMEONE IN THIS HOUSE IS KEEPING

>> WE MAY LEARN SOMETHING THAT SOMEONE IN THIS HOUSE IS KEEPING HIDDEN FROM US.

SOMEONE IN THIS HOUSE IS KEEPING HIDDEN FROM US. WE MAY LEARN THAT THERE'S MORE

HIDDEN FROM US. WE MAY LEARN THAT THERE'S MORE AT WORK HERE THAN JUST --

WE MAY LEARN THAT THERE'S MORE AT WORK HERE THAN JUST -- >> SéANCES ARE HOGWASH.

AT WORK HERE THAN JUST -- >> SéANCES ARE HOGWASH. ONCE THIS STORM PASSES,

>> SéANCES ARE HOGWASH. ONCE THIS STORM PASSES, SCIENTIFIC ANALYSIS WILL --

ONCE THIS STORM PASSES, SCIENTIFIC ANALYSIS WILL -- >> DR. PARKER, WE CANNOT ANALYZE

SCIENTIFIC ANALYSIS WILL -- >> DR. PARKER, WE CANNOT ANALYZE THAT WHICH WE CANNOT SEE OR

>> DR. PARKER, WE CANNOT ANALYZE THAT WHICH WE CANNOT SEE OR TOUCH.

THAT WHICH WE CANNOT SEE OR TOUCH. THIS IS AN EXTRAORDINARY

TOUCH. THIS IS AN EXTRAORDINARY SITUATION.

THIS IS AN EXTRAORDINARY SITUATION. IT REQUIRES AN APPROACH FAR

SITUATION. IT REQUIRES AN APPROACH FAR BEYOND YOUR SCIENTIFIC METHOD.

IT REQUIRES AN APPROACH FAR BEYOND YOUR SCIENTIFIC METHOD. >> AND WHAT TYPE OF APPROACH DO

BEYOND YOUR SCIENTIFIC METHOD. >> AND WHAT TYPE OF APPROACH DO YOU RECOMMEND HERE?

>> AND WHAT TYPE OF APPROACH DO YOU RECOMMEND HERE? >> WELL, WE MUST APPEAL TO A

YOU RECOMMEND HERE? >> WELL, WE MUST APPEAL TO A HIGHER POWER.

>> WELL, WE MUST APPEAL TO A HIGHER POWER. >> JUPITER? ZEUS?

HIGHER POWER. >> JUPITER? ZEUS? OR PERHAPS BEELZEBUB?

>> JUPITER? ZEUS? OR PERHAPS BEELZEBUB? >> DO NOT TAKE THE SPIRITS SO

OR PERHAPS BEELZEBUB? >> DO NOT TAKE THE SPIRITS SO LIGHTLY, MADAME.

>> DO NOT TAKE THE SPIRITS SO LIGHTLY, MADAME. THERE'S A MURDERER AMONG US NOW.

LIGHTLY, MADAME. THERE'S A MURDERER AMONG US NOW. IN ORDER TO EXPOSE HIM, WE MUST

THERE'S A MURDERER AMONG US NOW. IN ORDER TO EXPOSE HIM, WE MUST COMMUNICATE WITH THE VICTIM.

IN ORDER TO EXPOSE HIM, WE MUST COMMUNICATE WITH THE VICTIM. >> VAL, SAY SOMETHING.

COMMUNICATE WITH THE VICTIM. >> VAL, SAY SOMETHING. HELP ME PUT A STOP TO THIS

>> VAL, SAY SOMETHING. HELP ME PUT A STOP TO THIS NONSENSE.

HELP ME PUT A STOP TO THIS NONSENSE. >> THIS IS HOW WE COULD FIND OUT

NONSENSE. >> THIS IS HOW WE COULD FIND OUT WHAT HAPPENED TO MARCIA.

>> THIS IS HOW WE COULD FIND OUT WHAT HAPPENED TO MARCIA. >> WHAT?

WHAT HAPPENED TO MARCIA. >> WHAT? HOW COULD YOU POSSIBLY BELIEVE

>> WHAT? HOW COULD YOU POSSIBLY BELIEVE THIS?

HOW COULD YOU POSSIBLY BELIEVE THIS? >> BACK HOME, WE OFTEN TURNED TO

THIS? >> BACK HOME, WE OFTEN TURNED TO THE FORTUNE TELLERS IN TIMES OF

>> BACK HOME, WE OFTEN TURNED TO THE FORTUNE TELLERS IN TIMES OF CRISIS.

THE FORTUNE TELLERS IN TIMES OF CRISIS. >> WHY WOULD YOU WANT TO DO

CRISIS. >> WHY WOULD YOU WANT TO DO THIS?

>> WHY WOULD YOU WANT TO DO THIS? NO, VAL --

THIS? NO, VAL -- >> ENOUGH OF THIS.

NO, VAL -- >> ENOUGH OF THIS. THIS IS MY HOME, AND WE SHALL

>> ENOUGH OF THIS. THIS IS MY HOME, AND WE SHALL HAVE THIS SéANCE.

THIS IS MY HOME, AND WE SHALL HAVE THIS SéANCE. >> MRS. LEE, THIS IS A TERRIBLE

HAVE THIS SéANCE. >> MRS. LEE, THIS IS A TERRIBLE I--

>> MRS. LEE, THIS IS A TERRIBLE I-- >> NO, DR. PARKER.

I-- >> NO, DR. PARKER. THIS WILL HAPPEN.

>> NO, DR. PARKER. THIS WILL HAPPEN. [ CLOCK TICKING ]

>> [ SIGHS ] WHAT KIND OF GAME ARE YOU PLAYING, SIR?

WHAT KIND OF GAME ARE YOU PLAYING, SIR? [ THUNDER CRASHES ]

PLAYING, SIR? [ THUNDER CRASHES ] >> I DO NOT PLAY GAMES, MADAME.

[ THUNDER CRASHES ] >> I DO NOT PLAY GAMES, MADAME. IF YOU'LL EXCUSE ME.

>> I DO NOT PLAY GAMES, MADAME. IF YOU'LL EXCUSE ME. >> HOW COULD YOU DO THIS?

IF YOU'LL EXCUSE ME. >> HOW COULD YOU DO THIS? YOU SHOULD BE INVESTIGATING

>> HOW COULD YOU DO THIS? YOU SHOULD BE INVESTIGATING MARCIA'S DEATH, NOT PULLING

YOU SHOULD BE INVESTIGATING MARCIA'S DEATH, NOT PULLING PARLOR TRICKS.

MARCIA'S DEATH, NOT PULLING PARLOR TRICKS. >> MY ONLY AIM HERE IS TO FIND

PARLOR TRICKS. >> MY ONLY AIM HERE IS TO FIND OUT THE TRUTH, MADAME, AND IF

>> MY ONLY AIM HERE IS TO FIND OUT THE TRUTH, MADAME, AND IF VAL BELIEVES IN THE SPIRITS,

OUT THE TRUTH, MADAME, AND IF VAL BELIEVES IN THE SPIRITS, THEN PERHAPS THE SPIRITS CAN

VAL BELIEVES IN THE SPIRITS, THEN PERHAPS THE SPIRITS CAN UNVEIL SOME TRUTHS ABOUT HIM.

THEN PERHAPS THE SPIRITS CAN UNVEIL SOME TRUTHS ABOUT HIM. >> METAPHORICALLY?

UNVEIL SOME TRUTHS ABOUT HIM. >> METAPHORICALLY? OR ARE YOU ACTUALLY SERIOUS?

>> METAPHORICALLY? OR ARE YOU ACTUALLY SERIOUS? >> PERHAPS IT WOULD BE MORE

OR ARE YOU ACTUALLY SERIOUS? >> PERHAPS IT WOULD BE MORE ATTRACTIVE TO YOU IF YOU WOULD

>> PERHAPS IT WOULD BE MORE ATTRACTIVE TO YOU IF YOU WOULD THINK OF IT AS A SCIENTIFIC

ATTRACTIVE TO YOU IF YOU WOULD THINK OF IT AS A SCIENTIFIC EXPERIMENT, YEAH?

THINK OF IT AS A SCIENTIFIC EXPERIMENT, YEAH? >> "SCIENTIFIC"? HA!

EXPERIMENT, YEAH? >> "SCIENTIFIC"? HA! DR. FREUD WOULD SAY THE MEDIUM

>> "SCIENTIFIC"? HA! DR. FREUD WOULD SAY THE MEDIUM PERCEIVES ONLY HIS OWN

DR. FREUD WOULD SAY THE MEDIUM PERCEIVES ONLY HIS OWN SUBCONSCIOUS.

PERCEIVES ONLY HIS OWN SUBCONSCIOUS. >> YOUR FRIEND DOESN'T BELIEVE

SUBCONSCIOUS. >> YOUR FRIEND DOESN'T BELIEVE IN THE POWERS OF THE OCCULT,

>> YOUR FRIEND DOESN'T BELIEVE IN THE POWERS OF THE OCCULT, THEN?

IN THE POWERS OF THE OCCULT, THEN? >> OH, FOR GOODNESS' SAKES, HOW

THEN? >> OH, FOR GOODNESS' SAKES, HOW COULD YOU BELIEVE IN ANYTHING SO

>> OH, FOR GOODNESS' SAKES, HOW COULD YOU BELIEVE IN ANYTHING SO IRRATIONAL?

COULD YOU BELIEVE IN ANYTHING SO IRRATIONAL? >> YOU BELIEVE IN A SéANCE OR

IRRATIONAL? >> YOU BELIEVE IN A SéANCE OR NOT.

>> YOU BELIEVE IN A SéANCE OR NOT. IT WILL OPEN THOSE PEOPLE'S

NOT. IT WILL OPEN THOSE PEOPLE'S MINDS!

IT WILL OPEN THOSE PEOPLE'S MINDS! >> YOU MIGHT DAMAGE THEM!

MINDS! >> YOU MIGHT DAMAGE THEM! >> "THEM." THEM OR VAL?

>> YOU MIGHT DAMAGE THEM! >> "THEM." THEM OR VAL? ARE YOU AFRAID VAL MIGHT REVEAL

>> "THEM." THEM OR VAL? ARE YOU AFRAID VAL MIGHT REVEAL HIMSELF TO BE THE MONSTER HE

ARE YOU AFRAID VAL MIGHT REVEAL HIMSELF TO BE THE MONSTER HE BELIEVES HE'S BECOMING?

HIMSELF TO BE THE MONSTER HE BELIEVES HE'S BECOMING? >> I CAN HELP VAL SEE THAT THIS

BELIEVES HE'S BECOMING? >> I CAN HELP VAL SEE THAT THIS IS ALL IN HIS MIND!

>> I CAN HELP VAL SEE THAT THIS IS ALL IN HIS MIND! >> ALLOW ME THIS ONE EXPERIMENT!

IS ALL IN HIS MIND! >> ALLOW ME THIS ONE EXPERIMENT! IF IT FAILS, I WILL DIVULGE

>> ALLOW ME THIS ONE EXPERIMENT! IF IT FAILS, I WILL DIVULGE MYSELF.

IF IT FAILS, I WILL DIVULGE MYSELF. >> FINE!

MYSELF. >> FINE! >> AND BEGIN A PROPER

>> FINE! >> AND BEGIN A PROPER INVESTIGATION.

>> AND BEGIN A PROPER INVESTIGATION. [ THUNDER CRASHES ]

INVESTIGATION. [ THUNDER CRASHES ] WHERE IS GUY?

[ THUNDER CRASHES ] WHERE IS GUY? >> IN HIS ROOM.

WHERE IS GUY? >> IN HIS ROOM. HOPEFULLY YOU CAN UNDERSTAND HE

>> IN HIS ROOM. HOPEFULLY YOU CAN UNDERSTAND HE COULD NOT MAKE IT.

HOPEFULLY YOU CAN UNDERSTAND HE COULD NOT MAKE IT. >> OF COURSE.

COULD NOT MAKE IT. >> OF COURSE. DR. PARKER.

>> OF COURSE. DR. PARKER. WOULD YOU JOIN US, MADAME?

DR. PARKER. WOULD YOU JOIN US, MADAME? NOW, IF YOU WOULD ALL HOLD THE

WOULD YOU JOIN US, MADAME? NOW, IF YOU WOULD ALL HOLD THE HAND OF THE PERSON SITTING ON

NOW, IF YOU WOULD ALL HOLD THE HAND OF THE PERSON SITTING ON EITHER SIDE OF YOU, ALL THE WAY

HAND OF THE PERSON SITTING ON EITHER SIDE OF YOU, ALL THE WAY AROUND.

EITHER SIDE OF YOU, ALL THE WAY AROUND. >> [ EXHALES SHARPLY ]

AROUND. >> [ EXHALES SHARPLY ] THAT'S IT.

>> [ EXHALES SHARPLY ] THAT'S IT. MRS. LEE, I'M AFRAID IT'S A

THAT'S IT. MRS. LEE, I'M AFRAID IT'S A NECESSITY.

MRS. LEE, I'M AFRAID IT'S A NECESSITY. YEAH. WELL DONE.

NECESSITY. YEAH. WELL DONE. >> I REALLY THINK THAT SUCH

YEAH. WELL DONE. >> I REALLY THINK THAT SUCH THINGS AS SéANCES SHOULD BE

>> I REALLY THINK THAT SUCH THINGS AS SéANCES SHOULD BE OUTLAWED.

THINGS AS SéANCES SHOULD BE OUTLAWED. THEY'RE COMPLETELY IRRATIONAL.

OUTLAWED. THEY'RE COMPLETELY IRRATIONAL. >> DR. PARKER, MADAME, I THINK

THEY'RE COMPLETELY IRRATIONAL. >> DR. PARKER, MADAME, I THINK YOU'LL FIND THERE ARE THINGS

>> DR. PARKER, MADAME, I THINK YOU'LL FIND THERE ARE THINGS BEYOND SCIENCE, IF YOU WILL

YOU'LL FIND THERE ARE THINGS BEYOND SCIENCE, IF YOU WILL ALLOW YOURSELF A LITTLE FAITH.

BEYOND SCIENCE, IF YOU WILL ALLOW YOURSELF A LITTLE FAITH. >> [ GASPS ]

ALLOW YOURSELF A LITTLE FAITH. >> [ GASPS ] >> ROBERTA?

>> [ GASPS ] >> ROBERTA? FOCUS ON THE CANDLE.

>> ROBERTA? FOCUS ON THE CANDLE. IT'LL HELP.

FOCUS ON THE CANDLE. IT'LL HELP. >> [ SIGHS ]

IT'LL HELP. >> [ SIGHS ] >> YEAH, THAT'S IT.

>> [ SIGHS ] >> YEAH, THAT'S IT. ALL RIGHT.

>> YEAH, THAT'S IT. ALL RIGHT. NOW...

ALL RIGHT. NOW... WE ARE SUSPENDED IN THE MIST...

NOW... WE ARE SUSPENDED IN THE MIST... [ THUNDER CRASHES ]

WE ARE SUSPENDED IN THE MIST... [ THUNDER CRASHES ] ...TRAPPED IN TIME.

[ THUNDER CRASHES ] ...TRAPPED IN TIME. HERE IN THIS LESSER REALITY, I

...TRAPPED IN TIME. HERE IN THIS LESSER REALITY, I CALL UPON THE SPIRITS OF THE

HERE IN THIS LESSER REALITY, I CALL UPON THE SPIRITS OF THE OTHER WORLD TO REVEAL

CALL UPON THE SPIRITS OF THE OTHER WORLD TO REVEAL THEMSELVES, TELL US THEIR

OTHER WORLD TO REVEAL THEMSELVES, TELL US THEIR SECRETS.

THEMSELVES, TELL US THEIR SECRETS. >> THIS IS A TRICK.

SECRETS. >> THIS IS A TRICK. >> NO.

>> THIS IS A TRICK. >> NO. NO. BACK HOME I'VE SEEN THIS.

>> NO. NO. BACK HOME I'VE SEEN THIS. IT'S THE PARTING OF THE VEILS.

NO. BACK HOME I'VE SEEN THIS. IT'S THE PARTING OF THE VEILS. >> I CALL UPON THE GUARDIANS

IT'S THE PARTING OF THE VEILS. >> I CALL UPON THE GUARDIANS OF THE GATE.

>> I CALL UPON THE GUARDIANS OF THE GATE. STAND ASIDE, THAT OUR DEARLY

OF THE GATE. STAND ASIDE, THAT OUR DEARLY DEPARTED LOVED ONES MAY FIND US,

STAND ASIDE, THAT OUR DEARLY DEPARTED LOVED ONES MAY FIND US, SHOW US WHAT LIES BEYOND THE

DEPARTED LOVED ONES MAY FIND US, SHOW US WHAT LIES BEYOND THE VEIL.

SHOW US WHAT LIES BEYOND THE VEIL. [ SPIRITS SHRIEKING ]

VEIL. [ SPIRITS SHRIEKING ] >> STOP THIS.

[ SPIRITS SHRIEKING ] >> STOP THIS. [ MAN GROANING ]

>> STOP THIS. [ MAN GROANING ] >> THEY'RE ALL DEAD.

[ MAN GROANING ] >> THEY'RE ALL DEAD. BUT THEY WON'T STOP TALKING TO

>> THEY'RE ALL DEAD. BUT THEY WON'T STOP TALKING TO ME, WON'T LEAVE US ALONE.

BUT THEY WON'T STOP TALKING TO ME, WON'T LEAVE US ALONE. >> PAPA, NO!

ME, WON'T LEAVE US ALONE. >> PAPA, NO! >> [ SCREAMING ]

>> PAPA, NO! >> [ SCREAMING ] >> SPEAK TO US, MARCIA!

>> [ SCREAMING ] >> SPEAK TO US, MARCIA! >> [ SCREAMING ]

>> SPEAK TO US, MARCIA! >> [ SCREAMING ] >> TELL US THE TRUTH OF YOUR

>> [ SCREAMING ] >> TELL US THE TRUTH OF YOUR DEMISE!

>> TELL US THE TRUTH OF YOUR DEMISE! >> ROBERTA, YOU MUST FLEE.

DEMISE! >> ROBERTA, YOU MUST FLEE. >> SPEAK TO US, MARCIA!

>> ROBERTA, YOU MUST FLEE. >> SPEAK TO US, MARCIA! WITH YOUR AID, WE MAY TAKE WING

>> SPEAK TO US, MARCIA! WITH YOUR AID, WE MAY TAKE WING AND FLY ABOVE THE PRECIPICE...

WITH YOUR AID, WE MAY TAKE WING AND FLY ABOVE THE PRECIPICE... >> [ SCREAMING ]

AND FLY ABOVE THE PRECIPICE... >> [ SCREAMING ] >> ...FLY FREE AS BIRDS...

>> [ SCREAMING ] >> ...FLY FREE AS BIRDS... FLY, FLY TO A GREATER

>> ...FLY FREE AS BIRDS... FLY, FLY TO A GREATER UNDERSTANDING!

FLY, FLY TO A GREATER UNDERSTANDING! >> THERE IS DANGER HERE,

UNDERSTANDING! >> THERE IS DANGER HERE, ROBERTA.

>> THERE IS DANGER HERE, ROBERTA. YOU MUST FREE YOURSELF BEFORE

ROBERTA. YOU MUST FREE YOURSELF BEFORE THE EVIL FINDS YOU.

YOU MUST FREE YOURSELF BEFORE THE EVIL FINDS YOU. >> NO.

THE EVIL FINDS YOU. >> NO. MARCIA, NO!

>> NO. MARCIA, NO! >> WHAT? WHAT IS IT?

MARCIA, NO! >> WHAT? WHAT IS IT? WHAT ARE YOU HEARING?

>> WHAT? WHAT IS IT? WHAT ARE YOU HEARING? >> [ GASPING ]

WHAT ARE YOU HEARING? >> [ GASPING ] >> ROBERTA, YOU CAN FLY!

>> [ GASPING ] >> ROBERTA, YOU CAN FLY! YOU ONLY NEED TO TRY!

>> ROBERTA, YOU CAN FLY! YOU ONLY NEED TO TRY! I PROMISE YOU CAN FLY AND BE

YOU ONLY NEED TO TRY! I PROMISE YOU CAN FLY AND BE FREE!

I PROMISE YOU CAN FLY AND BE FREE! >> ROBERTA, WHAT ARE YOU

FREE! >> ROBERTA, WHAT ARE YOU HEARING?

>> ROBERTA, WHAT ARE YOU HEARING? >> BE FREE, ROBERTA!

HEARING? >> BE FREE, ROBERTA! FLY AWAY! FLY FREE!

>> BE FREE, ROBERTA! FLY AWAY! FLY FREE! >> YES. FREE AS A BIRD.

FLY AWAY! FLY FREE! >> YES. FREE AS A BIRD. I CAN FLY!

>> YES. FREE AS A BIRD. I CAN FLY! >> NO!

I CAN FLY! >> NO! >> ROBERTA!

>> NO! >> ROBERTA! [ THUNDER CRASHES ]

>> ROBERTA! [ THUNDER CRASHES ] IT WAS GUY!

[ THUNDER CRASHES ] IT WAS GUY! HE WAS LEANING OVER HER!

IT WAS GUY! HE WAS LEANING OVER HER! >> BUT WHY?

HE WAS LEANING OVER HER! >> BUT WHY? WHY WOULD HE DO THIS?

>> BUT WHY? WHY WOULD HE DO THIS? >> THIS MATCHES THE MURDERS IN

WHY WOULD HE DO THIS? >> THIS MATCHES THE MURDERS IN ENGLAND AND PARIS EXACTLY!

>> THIS MATCHES THE MURDERS IN ENGLAND AND PARIS EXACTLY! >> SO, GUY IS THE KILLER!

ENGLAND AND PARIS EXACTLY! >> SO, GUY IS THE KILLER! >> CERTAINLY SEEMS THAT WAY,

>> SO, GUY IS THE KILLER! >> CERTAINLY SEEMS THAT WAY, YES.

>> CERTAINLY SEEMS THAT WAY, YES. >> WHAT MURDERS?

YES. >> WHAT MURDERS? WHAT ARE YOU TALKING ABOUT?

>> WHAT MURDERS? WHAT ARE YOU TALKING ABOUT? >> DR. CHARCOT SENT ME TO

WHAT ARE YOU TALKING ABOUT? >> DR. CHARCOT SENT ME TO PROTECT DR. PARKER FROM YOU,

>> DR. CHARCOT SENT ME TO PROTECT DR. PARKER FROM YOU, THINKING YOU MIGHT TRY TO HURT

PROTECT DR. PARKER FROM YOU, THINKING YOU MIGHT TRY TO HURT HER!

THINKING YOU MIGHT TRY TO HURT HER! >> I ONLY RECENTLY FOUND OUT!

HER! >> I ONLY RECENTLY FOUND OUT! I DIDN'T BELIEVE THEM!

>> I ONLY RECENTLY FOUND OUT! I DIDN'T BELIEVE THEM! >> THERE'S SOMETHING WRONG WITH

I DIDN'T BELIEVE THEM! >> THERE'S SOMETHING WRONG WITH ALL OF THIS.

>> THERE'S SOMETHING WRONG WITH ALL OF THIS. THE WOUND ON HER NECK MATCHES

ALL OF THIS. THE WOUND ON HER NECK MATCHES THE MURDERS IN ENGLAND AND

THE WOUND ON HER NECK MATCHES THE MURDERS IN ENGLAND AND PARIS, BUT GUY WAS NEVER IN

THE MURDERS IN ENGLAND AND PARIS, BUT GUY WAS NEVER IN ENGLAND, AND VAL WAS!

PARIS, BUT GUY WAS NEVER IN ENGLAND, AND VAL WAS! >> GUY WAS IN ENGLAND!

ENGLAND, AND VAL WAS! >> GUY WAS IN ENGLAND! >> WHAT? WHEN?

>> GUY WAS IN ENGLAND! >> WHAT? WHEN? >> WHEN I WAS GOING TO OXFORD.

>> WHAT? WHEN? >> WHEN I WAS GOING TO OXFORD. HE WAS STUDYING -- HE WAS

>> WHEN I WAS GOING TO OXFORD. HE WAS STUDYING -- HE WAS STUDYING ACTING.

HE WAS STUDYING -- HE WAS STUDYING ACTING. HE WAS USING A PSEUDONYM.

STUDYING ACTING. HE WAS USING A PSEUDONYM. >> YOU MUST HURRY!

HE WAS USING A PSEUDONYM. >> YOU MUST HURRY! IT'S ALBERT!

>> YOU MUST HURRY! IT'S ALBERT! >> OH, ALBERT, NO!

IT'S ALBERT! >> OH, ALBERT, NO! WHAT HAPPENED?

>> OH, ALBERT, NO! WHAT HAPPENED? >> WE HEARD A CRASH AND THEN A

WHAT HAPPENED? >> WE HEARD A CRASH AND THEN A SCREAM.

>> WE HEARD A CRASH AND THEN A SCREAM. WE FOUND HIM LIKE THIS.

SCREAM. WE FOUND HIM LIKE THIS. >> [ Weakly ] I'M NOT AFRAID

WE FOUND HIM LIKE THIS. >> [ Weakly ] I'M NOT AFRAID ANYMORE.

>> [ Weakly ] I'M NOT AFRAID ANYMORE. >> WHO DID THIS TO YOU?

ANYMORE. >> WHO DID THIS TO YOU? GUY?!

>> WHO DID THIS TO YOU? GUY?! >> AAH!

GUY?! >> AAH! >> STAY THERE, VAL.

>> AAH! >> STAY THERE, VAL. >> YOU'RE THE ONE WITH THE

>> STAY THERE, VAL. >> YOU'RE THE ONE WITH THE CURSE?

>> YOU'RE THE ONE WITH THE CURSE? >> YOU CALL IT A CURSE.

CURSE? >> YOU CALL IT A CURSE. I CALL IT A GIFT!

>> YOU CALL IT A CURSE. I CALL IT A GIFT! >> [ Crying ] PLEASE LET ME GO.

I CALL IT A GIFT! >> [ Crying ] PLEASE LET ME GO. >> I'LL RIP OUT YOUR THROAT!

>> [ Crying ] PLEASE LET ME GO. >> I'LL RIP OUT YOUR THROAT! >> BUT MARCIA, YOUR OWN

>> I'LL RIP OUT YOUR THROAT! >> BUT MARCIA, YOUR OWN SISTER -- WHY WOULD YOU?

>> BUT MARCIA, YOUR OWN SISTER -- WHY WOULD YOU? >> NO. I DIDN'T KILL HER.

SISTER -- WHY WOULD YOU? >> NO. I DIDN'T KILL HER. CAN'T YOU SEE THAT?

>> NO. I DIDN'T KILL HER. CAN'T YOU SEE THAT? >> BUT WE SAW YOU OVER ROBERTA'S

CAN'T YOU SEE THAT? >> BUT WE SAW YOU OVER ROBERTA'S BODY!

>> BUT WE SAW YOU OVER ROBERTA'S BODY! >> AND POOR ALBERT HERE.

BODY! >> AND POOR ALBERT HERE. >> IT'S JUST A DELUSION, GUY.

>> AND POOR ALBERT HERE. >> IT'S JUST A DELUSION, GUY. THIS ISN'T REAL.

>> IT'S JUST A DELUSION, GUY. THIS ISN'T REAL. >> THE CURSE IS REAL.

THIS ISN'T REAL. >> THE CURSE IS REAL. >> [ CRYING ]

>> THE CURSE IS REAL. >> [ CRYING ] >> [ BREATHING HEAVILY ]

>> [ CRYING ] >> [ BREATHING HEAVILY ] AND YOU BELIEVE THAT NOTHING CAN

>> [ BREATHING HEAVILY ] AND YOU BELIEVE THAT NOTHING CAN STOP YOU?

AND YOU BELIEVE THAT NOTHING CAN STOP YOU? [ THUNDER CRASHES ]

STOP YOU? [ THUNDER CRASHES ] ARE YOU FAMILIAR WITH YOUR OWN

[ THUNDER CRASHES ] ARE YOU FAMILIAR WITH YOUR OWN FOLKLORE, GUY?

ARE YOU FAMILIAR WITH YOUR OWN FOLKLORE, GUY? IT STATES A WOODEN STAKE MUST

FOLKLORE, GUY? IT STATES A WOODEN STAKE MUST PIERCE THE HEART OF A VAMPIRE IN

IT STATES A WOODEN STAKE MUST PIERCE THE HEART OF A VAMPIRE IN ORDER TO KILL HIM.

PIERCE THE HEART OF A VAMPIRE IN ORDER TO KILL HIM. >> BUT SURELY YOU KNOW, DOCTOR,

ORDER TO KILL HIM. >> BUT SURELY YOU KNOW, DOCTOR, THAT ALL FOLKLORE IS NOT BASED

>> BUT SURELY YOU KNOW, DOCTOR, THAT ALL FOLKLORE IS NOT BASED IN REALITY.

THAT ALL FOLKLORE IS NOT BASED IN REALITY. >> I HOPE YOU'RE WRONG.

IN REALITY. >> I HOPE YOU'RE WRONG. AH!

>> I HOPE YOU'RE WRONG. AH! >> UGH!

AH! >> UGH! [ LAUGHS ]

>> UGH! [ LAUGHS ] YOU ARE GOING TO HAVE TO BE

[ LAUGHS ] YOU ARE GOING TO HAVE TO BE FASTER THAN THAT.

YOU ARE GOING TO HAVE TO BE FASTER THAN THAT. >> ARE YOU READY FOR THE THREE

FASTER THAN THAT. >> ARE YOU READY FOR THE THREE OF US?

>> ARE YOU READY FOR THE THREE OF US? [ EVIL LAUGHTER ]

OF US? [ EVIL LAUGHTER ] >> DO YOU BELIEVE IN THE CURSE

[ EVIL LAUGHTER ] >> DO YOU BELIEVE IN THE CURSE NOW?

>> DO YOU BELIEVE IN THE CURSE NOW? >> [ EXHALES SHARPLY ]

NOW? >> [ EXHALES SHARPLY ] I'M HAVING A HARD TIME BELIEVING

>> [ EXHALES SHARPLY ] I'M HAVING A HARD TIME BELIEVING WHAT I'M SEEING.

I'M HAVING A HARD TIME BELIEVING WHAT I'M SEEING. >> AUNTIE, HE SAID HE DIDN'T

WHAT I'M SEEING. >> AUNTIE, HE SAID HE DIDN'T DO IT.

>> AUNTIE, HE SAID HE DIDN'T DO IT. IF HE DIDN'T, WHO DID?

DO IT. IF HE DIDN'T, WHO DID? >> I CAN'T EXPLAIN WHAT I'VE

IF HE DIDN'T, WHO DID? >> I CAN'T EXPLAIN WHAT I'VE SAW, BUT...

>> I CAN'T EXPLAIN WHAT I'VE SAW, BUT... >> WILL HE RETURN FOR US?

SAW, BUT... >> WILL HE RETURN FOR US? >> NO, NO, NO.

>> WILL HE RETURN FOR US? >> NO, NO, NO. NO, NOW THAT WE KNOW WHO AND

>> NO, NO, NO. NO, NOW THAT WE KNOW WHO AND WHAT HE IS, HE'LL RETURN TO

NO, NOW THAT WE KNOW WHO AND WHAT HE IS, HE'LL RETURN TO PARIS, I SUSPECT, REGAIN HIS

WHAT HE IS, HE'LL RETURN TO PARIS, I SUSPECT, REGAIN HIS STRENGTH, FORM A NEW PLAN.

PARIS, I SUSPECT, REGAIN HIS STRENGTH, FORM A NEW PLAN. [ CLOCK TICKING ]

>> AND WHERE IS THIS MR. CASEY? >> SPEAKING TO THE POLICE ABOUT GUY.

>> SPEAKING TO THE POLICE ABOUT GUY. >> AND YOU'RE CERTAIN GUY KRUSEK

GUY. >> AND YOU'RE CERTAIN GUY KRUSEK IS BEHIND THE KILLINGS?

>> AND YOU'RE CERTAIN GUY KRUSEK IS BEHIND THE KILLINGS? >> IT HAS TO BE HIM.

IS BEHIND THE KILLINGS? >> IT HAS TO BE HIM. HE WAS RAVING LUNATIC.

>> IT HAS TO BE HIM. HE WAS RAVING LUNATIC. WE MUST STOP HIM, SIGMUND, OR --

HE WAS RAVING LUNATIC. WE MUST STOP HIM, SIGMUND, OR -- >> SIGMUND, YOU HAVE TO HELP US.

WE MUST STOP HIM, SIGMUND, OR -- >> SIGMUND, YOU HAVE TO HELP US. I THINK I MIGHT BE LOSING MY

>> SIGMUND, YOU HAVE TO HELP US. I THINK I MIGHT BE LOSING MY MIND.

I THINK I MIGHT BE LOSING MY MIND. I SAW HIM DISAPPEAR.

MIND. I SAW HIM DISAPPEAR. >> MY DEAR LESLEY, THE ANSWER TO

I SAW HIM DISAPPEAR. >> MY DEAR LESLEY, THE ANSWER TO THIS DILEMMA IS RIGHT IN FRONT

>> MY DEAR LESLEY, THE ANSWER TO THIS DILEMMA IS RIGHT IN FRONT OF YOU.

THIS DILEMMA IS RIGHT IN FRONT OF YOU. THINK FOR JUST A MOMENT.

OF YOU. THINK FOR JUST A MOMENT. WHAT COULD CAUSE ALL OF YOU TO

THINK FOR JUST A MOMENT. WHAT COULD CAUSE ALL OF YOU TO SEE THIS MASS DELUSION?

>> [ GASPS ] HYPNOSIS. >> WITH TALENT AND EXPERIENCE, IT WOULD BE POSSIBLE FOR A MAN

>> WITH TALENT AND EXPERIENCE, IT WOULD BE POSSIBLE FOR A MAN TO DO THIS TO A GROUP OF PEOPLE

IT WOULD BE POSSIBLE FOR A MAN TO DO THIS TO A GROUP OF PEOPLE WITHOUT THEM EVER KNOWING.

TO DO THIS TO A GROUP OF PEOPLE WITHOUT THEM EVER KNOWING. >> EXTRAORDINARY!

WITHOUT THEM EVER KNOWING. >> EXTRAORDINARY! VAL'S BLACKOUTS -- HE COULD HAVE

>> EXTRAORDINARY! VAL'S BLACKOUTS -- HE COULD HAVE BEEN FORCING VAL TO LOSE TIME.

VAL'S BLACKOUTS -- HE COULD HAVE BEEN FORCING VAL TO LOSE TIME. >> SO, THIS CURSE, IT -- IT'S

BEEN FORCING VAL TO LOSE TIME. >> SO, THIS CURSE, IT -- IT'S ALL IN OUR MINDS?

>> SO, THIS CURSE, IT -- IT'S ALL IN OUR MINDS? >> THERE ARE ALWAYS SCIENTIFIC

ALL IN OUR MINDS? >> THERE ARE ALWAYS SCIENTIFIC EXPLANATIONS FOR EVERY

>> THERE ARE ALWAYS SCIENTIFIC EXPLANATIONS FOR EVERY IRRATIONAL EVENT.

EXPLANATIONS FOR EVERY IRRATIONAL EVENT. >> VAL.

IRRATIONAL EVENT. >> VAL. >> GUY!

>> VAL. >> GUY! >> STAY HERE.

>> GUY! >> STAY HERE. [ OMINOUS MUSIC PLAYING ]

>> GUY'S THEATER OF THE MACABRE. SEEMS A GOOD STAGE FOR THE UNVEILING OF MANY TRUTHS, YEAH?

SEEMS A GOOD STAGE FOR THE UNVEILING OF MANY TRUTHS, YEAH? >> YOU HYPNOTIZED ME!

UNVEILING OF MANY TRUTHS, YEAH? >> YOU HYPNOTIZED ME! >> OF COURSE I DID.

>> YOU HYPNOTIZED ME! >> OF COURSE I DID. I AM AN ASSOCIATE OF

>> OF COURSE I DID. I AM AN ASSOCIATE OF DR. CHARCOT, AFTER ALL.

I AM AN ASSOCIATE OF DR. CHARCOT, AFTER ALL. >> YOU WERE IN PARIS!

IT WAS YOU. YOU MURDERED THEM! >> YOUR POWERS OF PERCEPTION ARE

YOU MURDERED THEM! >> YOUR POWERS OF PERCEPTION ARE GROWING, MADAME.

>> YOUR POWERS OF PERCEPTION ARE GROWING, MADAME. [ WATCH TICKING ]

[ THUNDER CRASHES ] >> THIS CAN'T BE REAL. >> DR. PARKER, YOU HAVE NO IDEA.

>> THIS CAN'T BE REAL. >> DR. PARKER, YOU HAVE NO IDEA. AND, YES...

>> DR. PARKER, YOU HAVE NO IDEA. AND, YES... UTTER DARKNESS, WAITING TO

AND, YES... UTTER DARKNESS, WAITING TO SWALLOW YOU UP.

UTTER DARKNESS, WAITING TO SWALLOW YOU UP. YOU CAN'T DO IT, CAN YOU?

SWALLOW YOU UP. YOU CAN'T DO IT, CAN YOU? YOU CAN'T OVERCOME YOUR OWN

YOU CAN'T DO IT, CAN YOU? YOU CAN'T OVERCOME YOUR OWN PHOBIA.

YOU CAN'T OVERCOME YOUR OWN PHOBIA. >> WHY WOULD YOU KILL THEM?

PHOBIA. >> WHY WOULD YOU KILL THEM? >> ROBERTA? ALBERT?

>> WHY WOULD YOU KILL THEM? >> ROBERTA? ALBERT? GUY'S APPETITE REVEALED HIS TRUE

>> ROBERTA? ALBERT? GUY'S APPETITE REVEALED HIS TRUE NATURE.

GUY'S APPETITE REVEALED HIS TRUE NATURE. THERE WAS NO NEED FOR ANY MORE

NATURE. THERE WAS NO NEED FOR ANY MORE TO DIE.

THERE WAS NO NEED FOR ANY MORE TO DIE. >> YOU SPEAK AS IF GUY REALLY IS

TO DIE. >> YOU SPEAK AS IF GUY REALLY IS A VAMPIRE.

>> YOU SPEAK AS IF GUY REALLY IS A VAMPIRE. THERE IS NO CURSE.

A VAMPIRE. THERE IS NO CURSE. THERE IS NO LEGACY.

THERE IS NO CURSE. THERE IS NO LEGACY. THERE IS NO SUCH THING AS A

THERE IS NO LEGACY. THERE IS NO SUCH THING AS A VAMPIRE!

THERE IS NO SUCH THING AS A VAMPIRE! >> MADAME!

VAMPIRE! >> MADAME! MAY I SPEAK PLAINLY WITH YOU?

>> WHAT IS THAT?

>> ALLOW ME, IF YOU WILL, TO END THIS RIDICULOUS CHARADE. I AM THE FIRST VICTIM OF

THIS RIDICULOUS CHARADE. I AM THE FIRST VICTIM OF VLAD TEPES.

I AM THE FIRST VICTIM OF VLAD TEPES. HE IMPALED ME, LEFT ME TO TWIST

VLAD TEPES. HE IMPALED ME, LEFT ME TO TWIST ON A METAL SPIKE FOR 24 HOURS

HE IMPALED ME, LEFT ME TO TWIST ON A METAL SPIKE FOR 24 HOURS BEFORE HE BIT ME.

ON A METAL SPIKE FOR 24 HOURS BEFORE HE BIT ME. CAN YOU IMAGINE THE KIND OF

BEFORE HE BIT ME. CAN YOU IMAGINE THE KIND OF SUFFERING IN THAT

CAN YOU IMAGINE THE KIND OF SUFFERING IN THAT TRANSFORMATION?

SUFFERING IN THAT TRANSFORMATION? SURELY NOT AS PAINLESS AS THOSE

TRANSFORMATION? SURELY NOT AS PAINLESS AS THOSE BORN WITH THE CURSE.

SURELY NOT AS PAINLESS AS THOSE BORN WITH THE CURSE. >> THAT'S NOT POSSIBLE.

BORN WITH THE CURSE. >> THAT'S NOT POSSIBLE. HE LIVED IN THE 15th CENTURY.

>> THAT'S NOT POSSIBLE. HE LIVED IN THE 15th CENTURY. YOU'D BE OVER 400 YEARS OLD.

HE LIVED IN THE 15th CENTURY. YOU'D BE OVER 400 YEARS OLD. >> YES.

YOU'D BE OVER 400 YEARS OLD. >> YES. YES.

>> YES. YES. BUT IN THAT TIME, I'VE WALKED IN

YES. BUT IN THAT TIME, I'VE WALKED IN THE DARKNESS AND BEEN A SLAVE TO

BUT IN THAT TIME, I'VE WALKED IN THE DARKNESS AND BEEN A SLAVE TO MY OWN HUNGER.

THE DARKNESS AND BEEN A SLAVE TO MY OWN HUNGER. >> ENGLAND. PARIS.

OH! YOU'RE MAD! >> YES. YES, MADAME, I AM MAD.

>> YES. YES, MADAME, I AM MAD. THE LONGER I LIVE, THE LESS OF

YES, MADAME, I AM MAD. THE LONGER I LIVE, THE LESS OF MY HUMANITY I HAVE.

THE LONGER I LIVE, THE LESS OF MY HUMANITY I HAVE. I HAVE LOST THE ABILITY TO

MY HUMANITY I HAVE. I HAVE LOST THE ABILITY TO CONTROL MYSELF, AND THAT IS WHY

I HAVE LOST THE ABILITY TO CONTROL MYSELF, AND THAT IS WHY I HAVE DECIDED TO DESTROY THE

CONTROL MYSELF, AND THAT IS WHY I HAVE DECIDED TO DESTROY THE DRAKUL LINE -- FIRST THE BARON,

I HAVE DECIDED TO DESTROY THE DRAKUL LINE -- FIRST THE BARON, THEN THE BARONESS, THEN MARCIA.

DRAKUL LINE -- FIRST THE BARON, THEN THE BARONESS, THEN MARCIA. ONLY GUY AND VAL REMAIN.

THEN THE BARONESS, THEN MARCIA. ONLY GUY AND VAL REMAIN. >> SO, YOU ARE A VAMPIRE WHO IS

ONLY GUY AND VAL REMAIN. >> SO, YOU ARE A VAMPIRE WHO IS KILLING OTHER VAMPIRES.

>> SO, YOU ARE A VAMPIRE WHO IS KILLING OTHER VAMPIRES. IS THAT WHAT I AM TO BELIEVE?!

KILLING OTHER VAMPIRES. IS THAT WHAT I AM TO BELIEVE?! >> MY GOD, MADAME, IF I HAVEN'T

IS THAT WHAT I AM TO BELIEVE?! >> MY GOD, MADAME, IF I HAVEN'T PERSUADED YOU OF THIS YET, I

>> MY GOD, MADAME, IF I HAVEN'T PERSUADED YOU OF THIS YET, I DON'T KNOW WHAT ELSE TO SAY.

PERSUADED YOU OF THIS YET, I DON'T KNOW WHAT ELSE TO SAY. YOU MUST BELIEVE ME, I TELL YOU!

DON'T KNOW WHAT ELSE TO SAY. YOU MUST BELIEVE ME, I TELL YOU! >> AH!

YOU MUST BELIEVE ME, I TELL YOU! >> AH! >> I COULD KILL THEM MYSELF, BUT

>> AH! >> I COULD KILL THEM MYSELF, BUT THERE IS NO GUARANTEE I WOULD

>> I COULD KILL THEM MYSELF, BUT THERE IS NO GUARANTEE I WOULD HAVE THE WILL TO TAKE MY OWN

THERE IS NO GUARANTEE I WOULD HAVE THE WILL TO TAKE MY OWN LIFE.

HAVE THE WILL TO TAKE MY OWN LIFE. YOU MUST KILL ME.

LIFE. YOU MUST KILL ME. I'LL MAKE IT EASY FOR YOU.

YOU MUST KILL ME. I'LL MAKE IT EASY FOR YOU. THEN YOU WILL KILL GUY AND VAL.

I'LL MAKE IT EASY FOR YOU. THEN YOU WILL KILL GUY AND VAL. >> I WON'T KILL VAL!

THEN YOU WILL KILL GUY AND VAL. >> I WON'T KILL VAL! >> THEN HE WILL KILL YOU -- IF

>> I WON'T KILL VAL! >> THEN HE WILL KILL YOU -- IF NOT TODAY, SOMEDAY.

>> THEN HE WILL KILL YOU -- IF NOT TODAY, SOMEDAY. [ EVIL LAUGHTER ]

NOT TODAY, SOMEDAY. [ EVIL LAUGHTER ] >> [ GASPS ]

[ EVIL LAUGHTER ] >> [ GASPS ] >> WE'RE RUNNING OUT OF TIME,

>> [ GASPS ] >> WE'RE RUNNING OUT OF TIME, DOCTOR.

>> WE'RE RUNNING OUT OF TIME, DOCTOR. YOU MUST END THIS.

DOCTOR. YOU MUST END THIS. IF YOU ALLOW US TO LIVE, WE WILL

YOU MUST END THIS. IF YOU ALLOW US TO LIVE, WE WILL CAUSE MORE HARM THAN YOU CAN

IF YOU ALLOW US TO LIVE, WE WILL CAUSE MORE HARM THAN YOU CAN POSSIBLY IMAGINE.

CAUSE MORE HARM THAN YOU CAN POSSIBLY IMAGINE. TAKE THIS. DO WHAT I ASK.

POSSIBLY IMAGINE. TAKE THIS. DO WHAT I ASK. >> [ EXHALES SHARPLY ]

TAKE THIS. DO WHAT I ASK. >> [ EXHALES SHARPLY ] I CAN'T.

>> [ EXHALES SHARPLY ] I CAN'T. >> MADAME, YOU HAVE NO CHOICE!

I CAN'T. >> MADAME, YOU HAVE NO CHOICE! [ HISSES ]

>> MADAME, YOU HAVE NO CHOICE! [ HISSES ] [ GASPS ]

[ HISSES ] [ GASPS ] [ GROANING ]

[ GASPS ] [ GROANING ] >> [ GASPS ]

[ GROANING ] >> [ GASPS ] [ BREATHING HEAVILY ]

>> [ GASPS ] [ BREATHING HEAVILY ] >> LESLEY!

[ BREATHING HEAVILY ] >> LESLEY! >> VAL?!

>> LESLEY! >> VAL?! WHERE ARE YOU?!

>> VAL?! WHERE ARE YOU?! >> GUY ATTACKED US!

WHERE ARE YOU?! >> GUY ATTACKED US! WE DON'T KNOW WHERE HE IS!

>> GUY ATTACKED US! WE DON'T KNOW WHERE HE IS! >> I'LL FIND YOU!

WE DON'T KNOW WHERE HE IS! >> I'LL FIND YOU! [ GASPS ]

>> I'LL FIND YOU! [ GASPS ] [ GROANING ]

I CAN DO THIS. [ EXHALES SHARPLY ] I CAN DO THIS.

[ EXHALES SHARPLY ] I CAN DO THIS. [ EXHALES SHARPLY ]

I CAN DO THIS. [ EXHALES SHARPLY ] I CAN DO THIS.

[ EXHALES SHARPLY ] I CAN DO THIS. I CAN DO THIS.

I CAN DO THIS. I CAN DO THIS. I CAN DO THIS.

I CAN DO THIS. I CAN DO THIS. >> GUY IS HERE SOMEWHERE.

I CAN DO THIS. >> GUY IS HERE SOMEWHERE. BE CAREFUL.

>> GUY IS HERE SOMEWHERE. BE CAREFUL. >> DARK. DARK.

[ GROANS ]

>> LESLEY! >> [ GASPS, WHIMPERS ]

[ Crying ] I CAN'T DO THIS. VAL, I'M SORRY! I CAN'T DO THIS. [ GASPS ]

VAL, I'M SORRY! I CAN'T DO THIS. [ GASPS ] [ CRYING ]

[ GASPS ] [ CRYING ] >> GUY, STOP. NO!

[ CRYING ] >> GUY, STOP. NO! [ CRASHING ]

>> GUY, STOP. NO! [ CRASHING ] [ BREATHING HEAVILY ]

[ CRASHING ] [ BREATHING HEAVILY ] [ SCREAMING ]

[ BREATHING HEAVILY ] [ SCREAMING ] >> THEY'RE ALL DEAD, BUT THEY

[ SCREAMING ] >> THEY'RE ALL DEAD, BUT THEY WON'T STOP TALKING TO ME, WON'T

>> THEY'RE ALL DEAD, BUT THEY WON'T STOP TALKING TO ME, WON'T LEAVE US ALONE.

WON'T STOP TALKING TO ME, WON'T LEAVE US ALONE. HAVE TO FREE YOU BEFORE THEY

LEAVE US ALONE. HAVE TO FREE YOU BEFORE THEY GET US.

HAVE TO FREE YOU BEFORE THEY GET US. [ INDISTINCT SPEAKING ]

>> PAPA, STOP! [ SPEAKING STOPS ] [ GASPING LIGHTLY ]

[ SPEAKING STOPS ] [ GASPING LIGHTLY ] VAL?

[ GASPING LIGHTLY ] VAL? VAL?

VAL? VAL? WHERE ARE YOU?

I'M COMING.

[ Crying ] VAL! VAL? >> WHERE IS GUY?

VAL? >> WHERE IS GUY? >> I DON'T KNOW.

>> WHERE IS GUY? >> I DON'T KNOW. IS SIGMUND...?

>> I DON'T KNOW. IS SIGMUND...? >> NO, I -- I BELIEVE HE'S

IS SIGMUND...? >> NO, I -- I BELIEVE HE'S JUST UNCONSCIOUS.

>> NO, I -- I BELIEVE HE'S JUST UNCONSCIOUS. GUY'S STRENGTH -- WE -- WE

JUST UNCONSCIOUS. GUY'S STRENGTH -- WE -- WE COULDN'T DO ANYTHING.

GUY'S STRENGTH -- WE -- WE COULDN'T DO ANYTHING. [ EVIL LAUGHTER ]

COULDN'T DO ANYTHING. [ EVIL LAUGHTER ] >> YOU HAVE MADE THIS TOO EASY,

[ EVIL LAUGHTER ] >> YOU HAVE MADE THIS TOO EASY, FOLLOWING ME TO PARIS.

>> YOU HAVE MADE THIS TOO EASY, FOLLOWING ME TO PARIS. [ CLICKS TONGUE ]

FOLLOWING ME TO PARIS. [ CLICKS TONGUE ] >> CASEY IS DEAD.

[ CLICKS TONGUE ] >> CASEY IS DEAD. I KILLED HIM.

>> CASEY IS DEAD. I KILLED HIM. >> THE OLD BASTARD DESERVED TO

I KILLED HIM. >> THE OLD BASTARD DESERVED TO DIE FOR WHAT HE DID TO MARCIA.

>> THE OLD BASTARD DESERVED TO DIE FOR WHAT HE DID TO MARCIA. ISN'T THAT RIGHT, COUSIN?

DIE FOR WHAT HE DID TO MARCIA. ISN'T THAT RIGHT, COUSIN? >> WHAT DOES HE MEAN?

ISN'T THAT RIGHT, COUSIN? >> WHAT DOES HE MEAN? >> NO.

>> WHAT DOES HE MEAN? >> NO. NO, HE IS RAVING LUNATIC.

>> NO. NO, HE IS RAVING LUNATIC. >> AH. I AM QUITE SANE, VAL.

NO, HE IS RAVING LUNATIC. >> AH. I AM QUITE SANE, VAL. BUT IT IS YOUR SANITY THAT IS

>> AH. I AM QUITE SANE, VAL. BUT IT IS YOUR SANITY THAT IS MOST DISCONCERTING.

BUT IT IS YOUR SANITY THAT IS MOST DISCONCERTING. >> SHOW YOURSELF!

MOST DISCONCERTING. >> SHOW YOURSELF! FACE US LIKE MAN!

>> SHOW YOURSELF! FACE US LIKE MAN! >> [ Echoing ] BUT I'M NOT A

FACE US LIKE MAN! >> [ Echoing ] BUT I'M NOT A MAN!

>> [ Echoing ] BUT I'M NOT A MAN! I'M A DRAKUL, JUST LIKE YOU,

MAN! I'M A DRAKUL, JUST LIKE YOU, VAL!

I'M A DRAKUL, JUST LIKE YOU, VAL! WE ARE ANIMALS, AND I WILL KILL

VAL! WE ARE ANIMALS, AND I WILL KILL HER LIKE AN ANIMAL.

WE ARE ANIMALS, AND I WILL KILL HER LIKE AN ANIMAL. >> YOU ARE A COWARD!

HER LIKE AN ANIMAL. >> YOU ARE A COWARD! UGH!

>> YOU ARE A COWARD! UGH! >> THIS CURSE MUST END!

UGH! >> THIS CURSE MUST END! >> NO.

>> THIS CURSE MUST END! >> NO. [ Echoing ] THIS CURSE WILL LIVE

>> NO. [ Echoing ] THIS CURSE WILL LIVE ON IN MY BLOOD AND IN YOURS!

[ Echoing ] THIS CURSE WILL LIVE ON IN MY BLOOD AND IN YOURS! AAH! OHH!

[ GASPS ]

>> I-I CAN'T TRUST YOU. CASEY SAID YOU AND GUY... >> YOU THINK I'M A VAMPIRE?

CASEY SAID YOU AND GUY... >> YOU THINK I'M A VAMPIRE? >> I-I DON'T KNOW.

I'M SORRY. >> [ GROANS ] WHERE IS HE?

>> [ GROANS ] WHERE IS HE? >> HE'S DEAD.

WHERE IS HE? >> HE'S DEAD. >> [ GROANING ]

>> HE'S DEAD. >> [ GROANING ] OH, DANKE SCHOEN.

>> [ GROANING ] OH, DANKE SCHOEN. THANK YOU, FRIENDS.

OH, DANKE SCHOEN. THANK YOU, FRIENDS. YOU SAVED MY LIFE.

THANK YOU, FRIENDS. YOU SAVED MY LIFE. >> [ EXHALES SHARPLY ]

YOU SAVED MY LIFE. >> [ EXHALES SHARPLY ] >> VAL.

>> [ EXHALES SHARPLY ] >> VAL. [ EXHALES SHARPLY ]

>> VAL. [ EXHALES SHARPLY ] QUITE THE EXPERIENCE, EH?

[ EXHALES SHARPLY ] QUITE THE EXPERIENCE, EH? KIDNAPPED BY A MADMAN.

QUITE THE EXPERIENCE, EH? KIDNAPPED BY A MADMAN. >> WELL, NOT MADMAN -- VAMPIRE.

KIDNAPPED BY A MADMAN. >> WELL, NOT MADMAN -- VAMPIRE. >> AH, RUBBISH.

>> WELL, NOT MADMAN -- VAMPIRE. >> AH, RUBBISH. NOT VAMPIRES -- JUST OVERWORKED

>> AH, RUBBISH. NOT VAMPIRES -- JUST OVERWORKED IMAGINATIONS, BOTH OF YOU.

NOT VAMPIRES -- JUST OVERWORKED IMAGINATIONS, BOTH OF YOU. >> YOU THINK THIS CURSE IS ONLY

IMAGINATIONS, BOTH OF YOU. >> YOU THINK THIS CURSE IS ONLY IN OUR IMAGINATION?

>> YOU THINK THIS CURSE IS ONLY IN OUR IMAGINATION? >> CASEY WAS A VAMPIRE.

IN OUR IMAGINATION? >> CASEY WAS A VAMPIRE. >> [ SIGHS ] MOST MARVELOUS, THE

>> CASEY WAS A VAMPIRE. >> [ SIGHS ] MOST MARVELOUS, THE HUMAN TENDENCY TO SEE WHAT WE

>> [ SIGHS ] MOST MARVELOUS, THE HUMAN TENDENCY TO SEE WHAT WE WANT TO SEE.

HUMAN TENDENCY TO SEE WHAT WE WANT TO SEE. I MUST WRITE THAT UP.

WANT TO SEE. I MUST WRITE THAT UP. >> YOU REALLY DON'T BELIEVE US?

I MUST WRITE THAT UP. >> YOU REALLY DON'T BELIEVE US? >> MY DEAR LESLEY, THERE ARE

>> YOU REALLY DON'T BELIEVE US? >> MY DEAR LESLEY, THERE ARE ALWAYS SCIENTIFIC EXPLANATIONS

>> MY DEAR LESLEY, THERE ARE ALWAYS SCIENTIFIC EXPLANATIONS FOR EVERY IRRATIONAL EVENT.

ALWAYS SCIENTIFIC EXPLANATIONS FOR EVERY IRRATIONAL EVENT. >> THERE IS SOMETHING MORE THAN

FOR EVERY IRRATIONAL EVENT. >> THERE IS SOMETHING MORE THAN SCIENCE.

>> THERE IS SOMETHING MORE THAN SCIENCE. >> [ Chuckling ] YOU -- YOU

SCIENCE. >> [ Chuckling ] YOU -- YOU STILL HAVE A LOT TO LEARN.

>> [ Chuckling ] YOU -- YOU STILL HAVE A LOT TO LEARN. [ WIND GUSTS ]

STILL HAVE A LOT TO LEARN. [ WIND GUSTS ] >> [ EXHALES SHARPLY ]

[ WIND GUSTS ] >> [ EXHALES SHARPLY ] >> I THINK NOW WOULD BE AN

>> [ EXHALES SHARPLY ] >> I THINK NOW WOULD BE AN EXCELLENT TIME FOR US TO GET THE

>> I THINK NOW WOULD BE AN EXCELLENT TIME FOR US TO GET THE TWO OF YOU TO A DOCTOR.

EXCELLENT TIME FOR US TO GET THE TWO OF YOU TO A DOCTOR. [ OMINOUS MUSIC PLAYING ]