All language subtitles for BLACKED Gorgeous Models Liz Jordan and Sarah Illus

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:42,200 --> 00:00:44,240 We all about to head out to dinner. Come eat with us. 2 00:00:44,620 --> 00:00:46,480 It's kind of late. Have a gig in the morning. 3 00:00:46,880 --> 00:00:47,759 Let's go. 4 00:00:47,760 --> 00:00:51,560 But what I'm trying to tell you, Jay, it's where studios are going low. 5 00:00:51,960 --> 00:00:53,000 I want to go high. 6 00:00:53,200 --> 00:00:54,200 I have a vision. 7 00:00:55,300 --> 00:00:56,380 So what does that look like? 8 00:00:58,300 --> 00:01:02,120 Think of it like a fashion ad with BBC as the crown jewel. 9 00:01:03,100 --> 00:01:04,959 That's why I want to go into business with you. 10 00:01:05,540 --> 00:01:06,920 Oh, you think I'm the man for the job? 11 00:01:07,700 --> 00:01:09,320 I know you're the man for the job. 12 00:01:09,940 --> 00:01:11,440 Do you guys have a name for the studio? 13 00:01:37,460 --> 00:01:40,280 This is the blueprint. 14 00:01:43,970 --> 00:01:44,970 dot com. 15 00:02:11,850 --> 00:02:13,210 This is where it all began. 16 00:02:13,830 --> 00:02:15,970 This is the blueprint. 17 00:02:31,030 --> 00:02:32,910 Must be around the men's clothing store up there. 18 00:02:33,310 --> 00:02:35,490 No, I'm a director. 19 00:02:35,810 --> 00:02:37,370 I make exotic pictures. 20 00:02:37,770 --> 00:02:38,770 Adult films. 21 00:02:38,930 --> 00:02:41,270 Hey, why don't you come out and join us at the party? 22 00:02:41,630 --> 00:02:42,630 Have a drink. 23 00:02:42,670 --> 00:02:44,010 Isaiah. Jason. 24 00:02:44,410 --> 00:02:45,410 Nice to meet you, Jason. 25 00:02:45,650 --> 00:02:46,650 Bye-bye. 26 00:03:14,000 --> 00:03:15,520 I'll take you up on that rain check now. 27 00:03:16,040 --> 00:03:18,160 We all about to head out to dinner. Come eat with us. 28 00:03:18,380 --> 00:03:20,320 It's kind of late. I have a gig in the morning. 29 00:03:23,040 --> 00:03:24,960 So, you're the guy, huh? 30 00:03:26,400 --> 00:03:27,400 I don't know about that. 31 00:03:27,740 --> 00:03:28,740 You an actress? 32 00:03:28,900 --> 00:03:29,900 Marketing. Let's go. 33 00:03:32,620 --> 00:03:33,459 I'll follow. 34 00:03:33,460 --> 00:03:34,460 I'll lead. 35 00:03:52,680 --> 00:03:57,440 But what I'm trying to tell you, Jason, is where studios are going low, I want 36 00:03:57,440 --> 00:03:58,239 to go high. 37 00:03:58,240 --> 00:03:59,720 They go left, I go right. 38 00:04:00,840 --> 00:04:01,880 I have a vision. 39 00:04:02,940 --> 00:04:06,820 I'm going to wipe off all of the frosting and let the beauty stand on its 40 00:04:06,820 --> 00:04:07,820 own. 41 00:04:08,420 --> 00:04:09,560 So what does that look like? 42 00:04:10,080 --> 00:04:13,040 Well, for starters, we throw everything out the window. 43 00:04:13,600 --> 00:04:16,779 Throw away the cheap lingerie and kill the harsh life. 44 00:04:17,180 --> 00:04:18,200 Okay, let's go. 45 00:04:18,540 --> 00:04:21,560 Take this light down and use the light God gave you. 46 00:04:22,400 --> 00:04:26,460 Natural light. And let it really wrap around the nuances of the body. 47 00:04:26,660 --> 00:04:27,660 Much background. 48 00:04:30,160 --> 00:04:32,760 I have an idea. We're looking for natural looks. 49 00:04:33,460 --> 00:04:36,280 Enhancing their beauty rather than cake on a new face. 50 00:04:37,880 --> 00:04:42,300 We dress them to the nines with purposeful color choices and designer 51 00:04:42,300 --> 00:04:44,380 lingerie. How much did you spend on all this? 52 00:04:44,660 --> 00:04:45,720 Don't look at the tax. 53 00:04:47,060 --> 00:04:48,060 You too. 54 00:04:55,210 --> 00:04:57,370 We throw out the exaggerated looks and poses. 55 00:04:58,030 --> 00:05:00,430 Okay, let's get into stills. 56 00:05:03,430 --> 00:05:05,330 Now, drop your arms. 57 00:05:07,190 --> 00:05:08,390 Now stand up straight. 58 00:05:09,850 --> 00:05:10,850 Drop your chest. 59 00:05:12,470 --> 00:05:13,570 Relax your face. 60 00:05:16,990 --> 00:05:18,170 Less expressive. 61 00:05:21,570 --> 00:05:23,310 Even less expressive. 62 00:05:27,390 --> 00:05:28,390 Zero expression. 63 00:05:31,470 --> 00:05:32,550 Okay, now give me the camera. 64 00:05:32,930 --> 00:05:34,790 I think we got it. Now hold that. 65 00:05:39,610 --> 00:05:40,610 Don't move. 66 00:05:54,800 --> 00:05:55,800 Do not smile. 67 00:05:58,480 --> 00:06:02,580 Think of it like a fashion ad with BBC as the crown jewel. 68 00:06:03,060 --> 00:06:05,580 Just one big, beautiful cock. 69 00:06:06,780 --> 00:06:09,220 You really have a mouth for marketing. 70 00:06:11,200 --> 00:06:12,820 Do you guys have a name for the studio? 71 00:06:13,140 --> 00:06:18,000 You know, when I close my eyes, I see the name in big, clean letters against 72 00:06:18,000 --> 00:06:21,400 black. And it's so simple, so bold. 73 00:06:22,010 --> 00:06:24,690 But it says everything and more in the span of a breath. 74 00:06:27,030 --> 00:06:28,030 Blacked.com. 75 00:06:29,150 --> 00:06:30,150 That's a good name. 76 00:06:30,890 --> 00:06:33,650 You know, she's not lying about that crown piece, Jason. 77 00:06:34,270 --> 00:06:37,230 Everyone thinks that the girl carries the theme, that the guys are 78 00:06:37,230 --> 00:06:40,670 interchangeable. I mean, the viewers aren't watching them anyway, right? 79 00:06:41,790 --> 00:06:42,790 Wrong. 80 00:06:42,950 --> 00:06:45,870 The guys, they're half the equation. 81 00:06:46,730 --> 00:06:48,770 It's not enough for the woman to be exceptional. 82 00:06:49,400 --> 00:06:55,380 but for the men to be exceptional too i mean you could work out all day down all 83 00:06:55,380 --> 00:07:00,340 the pineapple juice and zinc morning noon and night but if you ain't got any 84 00:07:00,340 --> 00:07:06,860 juice down there in that mr torpedo area then we're all dead in the water i mean 85 00:07:06,860 --> 00:07:12,840 we got 15 16 people standing around pulling focus just in lights powdering 86 00:07:12,840 --> 00:07:19,750 noses and whatnot but this all hinges on that one There's no man that could get 87 00:07:19,750 --> 00:07:20,750 the job done. 88 00:07:23,150 --> 00:07:24,570 Oh, you think I'm the man for the job? 89 00:07:24,930 --> 00:07:26,610 I know you're the man for the job. 90 00:07:27,350 --> 00:07:29,270 That's why I want to go into business with you. 91 00:07:31,190 --> 00:07:33,570 So, will you come to set? 92 00:07:34,390 --> 00:07:35,490 Oh, he'll come. 93 00:07:38,530 --> 00:07:39,530 For you? 94 00:07:39,950 --> 00:07:40,950 I just might. 95 00:07:41,510 --> 00:07:42,510 Is that what you want? 96 00:07:43,530 --> 00:07:44,530 More than you know. 97 00:07:55,080 --> 00:07:56,080 Oh, my God. 98 00:08:56,010 --> 00:08:58,510 I love you. 99 00:10:16,970 --> 00:10:17,970 Good at that tongue. 100 00:10:18,690 --> 00:10:20,930 Both of you are. 101 00:11:12,040 --> 00:11:13,040 Yes. 102 00:11:59,600 --> 00:12:00,600 Thank you. 103 00:13:04,360 --> 00:13:05,720 I'm going to give this all back home. 104 00:13:57,580 --> 00:13:59,740 survive a long-distance relationship. 105 00:13:59,960 --> 00:14:03,800 But with Kane, everything was perfect. 106 00:14:04,440 --> 00:14:07,640 I want to be something really special for these last couple days. 107 00:14:07,960 --> 00:14:13,540 I always had this fantasy sex with a lot of guys at the same time. 108 00:14:13,880 --> 00:14:16,300 How does it feel to have your biggest fantasy come true? 7442

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