Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Danish
Dutch
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
Cut.
Cut. Well, we're done.
One minute, please.
We're done, right?
Tell me it's done.
I'm realizing we're missing something.
What are we missing?
We need you to touch it.
I have to touch it. Stop, stop. It's not like that. You don't have to do that.
I know, but I'm seeing it now and...
You have to play it. Guys, shall we close here? No, no, no, no, wait, wait.
I saw it spectacular.
Let's see, don't invent things at the last minute, come on. What's going on,
guys? Eh, nothing, I think we have to do one more thing. What is it? One more
thing. One action. Let's see, Maren, Maren.
Give me a second.
Look, I had understood that this was the last song. I told you it was the last
one, you can't continue and continue as it is sung to you. But I see it very
clearly, Paolo. What do I have to do then?
Eh, nothing, you stay there, stay there. Pierre, eh, one second.
He's going to play it and then he'll turn around and we'll do the last layer
and that's it.
That's it.
Mati.
Juan, Juan, put it on the monitor. Look at it, look at it. I don't need to see
it. We're wasting time. Come on, come on, come on, come on.
Okay,
okay, okay.
Mattia? Yeah. Hi, I'm Richard from Poland. So nice to meet you. I'm Matthew
from New York. I don't know if you're from England. Did you land all right?
And how was your flight?
Good. It was good. See you at the show. Yeah, see you. Bye.
Um, Pala, right? Yes, springtime. Where's Pala? Um, Pala, also known as
Palazzine, is one of the many residences for the costuino, and it's all really
confusing. Where are you going? To Pala. No, you can't go to Pala.
Was this your macaroni? The show's at 5.30, not at 6. We have to go now. What
did you bring?
I was thinking, Pala, I think we're going to rehearse. We have to go home.
Every night.
Federico, why are you still here? I'm rehearsing. You're late.
What do you mean I'm late? Hi, I'm... The show's not at 6, it's at 5.30, and
you're opening.
In the beginning, there was a kiosk and a national selection panel.
The pair.
Do we know?
You've been officially hijacked for the next three years of your life.
There will be singing. There will be dancing. There will be nights spent
writing impossible deadlines.
There will be languages you never heard of and smells you never thought humanly
possible.
I'm talking to you, Rumi. And now, for the first time at UWC Adriatic, the
second years of...
they're welcome to our fair settings to perform.
What is your traditional dance from your country?
I don't know.
Of course you know. Tango.
Tango. Tango.
Tango. Tango.
Tango.
Tango.
That was amazing, man. Hi, hi, excuse me. Hello, everybody. I'm Alexander. I'm
a first year. Good to meet you all. Hey, are you a first year? Me too.
Hey, Alexander from Sweden.
That was astonishing. You're like an Argentinian Fred Astaire. No, I'm not
Fred Astaire. Yes, you are. I need to be your friend.
Wait, where are you guys going?
To Johanna's room.
Who's Johanna?
The second year.
Are we going?
Yeah. Come along. Come on. Let's go.
Have you seen The Meaning of Life?
No.
Have you seen The Meaning of Life?
We'll watch The Meaning of Life.
Las tetas enormes de espadas, de escudos, pelos al viento y temores.
Bueno, ¿y ustedes?
¿Contentos? ¿Obra maestra?
Obra en construcción.
Me voy siendo.
¿Cómo quieres?
¿Te acompañas?
Dale.
Javier, ¿no?
Sí. Sí,
estamos filmando. Silencio.
Listo. Y... ¡Acción!
This place is crazy.
Crazy was the evil knight who once lived here. Evil what?
Evil knight!
Be careful, because it's supposed to break.
Come quickly, I want to show you up here.
But also be careful. It is
said
that once upon a time, this castle was home to an evil, jealous knight.
who had a beautiful, beautiful and kind wife.
She was so beloved by the people of Duino.
Everybody loved her and she loved them.
And this drove the knight wild with jealousy.
So, one night, he wrapped her in a beautiful piece of white silk and he
lured her all the way around the castle walls, up the steps and into the tallest
tower, this one.
And he pulled her in very close like this.
And he said to her,
If you can't love me, and only me, then you will love nobody.
And he pushed her out of the window, and her body went flying.
Before her body hit the water, it became rock.
The white rock that sits directly beneath where we are right now.
The Dharma, Bianca.
You're full of shit.
No, I'm not full of shit. That's a true story. You made that up. No, I didn't.
She walks around Domino now as a ghost.
Wait,
wait.
This take is raw.
Este churrasco está crudo.
Crudo?
Este churrasco está crudo.
I would
like to have sexual relations with you.
Te quiero garchar. Te quiero garchar.
It was good, huh?
It was good?
My Spanish is getting good.
You know, your English is excellent.
No, it's not.
Yes, it is. It really is.
Yours is amazing.
Mommy's British.
How did you learn it?
I watched American films with English subtitles, and your ear just magically
taught you the language.
Aren't you supposed to help me?
Look, on the first view, To say, to swear, I love thee.
I mean, what does thee mean?
You. Thee is you. I love you.
Thee is you?
Yes, I love you. I love thee. You.
What is it in Spanish?
Te quiero.
Kind of.
But the actual translation of te quiero would be I want you.
Oh.
Italian.
Ti voglio bene.
I want you good.
So, what is te amo?
Te amo is a lot.
So just the same as I love you.
Te amo in Spanish means a lot more than I love you in English. You don't say te
amo to everyone.
There's more?
You know how cats look like?
They don't care about anyone?
This better be good, Mati.
Wait.
If they choose you, they look straight into your eyes and they blink.
Really? Yeah. I don't believe that. Yeah, it's true.
In Argentina.
In Argentina.
Hey guys!
Hi Jenny, great concert!
Thanks for the service!
I know, I know.
Don't make me remember, shut up. Come on.
Tell me.
Where are we?
We're in the United World School of the Adriatic, Dad.
Hi. Hi, Matthew.
Hi, Gum. Hi. Hey.
Gum.
Why are you so paranoid?
It's like a Venetian propaganda.
You're so weird.
Take this.
Your old man. I'm asking you to give it to him.
I hope you're having a lot of fun with the Italian girls from the school.
What's the name of this place?
This place has the name of a well-known German poet, who wrote Duino's Elixirs.
His name was Rilke, so... What did he
say?
How long are you staying? What? Get out of here.
Tell him in a week. They are the banana-banana.
A week. It's summer break in Argentina.
Oh, camera.
I wonder where the fish has gone.
Is it in the Gapur? It was the most elusive fish. And it went wherever I
could go.
Listen, everybody's at Charnista and I want to hear all about you, Pablo.
Come.
Follow me. There's a party in Charnista Beach, a beach that we meet quite often.
Here we are.
I've
got
to go and dance.
I'm sorry.
You should. Is that okay? Do you mind? Yeah.
Yeah, I'm going to dance.
One, two, three, go!
Kick your leg like my leg.
Yeah.
50 hours, and I'm here. So, yeah, that's my story.
Wow.
Now, I will never complain about anything ever again.
And what about you, Alexander?
Why do you come here?
Not quite as dramatic as yours.
My family owns a villa two hours away.
Money!
But I've always been obsessed with UWC, and I've wanted to come here since I can
remember, despite my father wanting me to go to military school.
Military?
Right? In his defense, I've always been a nightmare.
There once was a young boy from Scandinavia.
And you might think it odd when I say that despite education and rank and high
station, it was a tiny little shit in each every way.
Is that what you told the headmaster?
Tell me that wasn't funny.
Alexander wrote an email posing as the headmaster, saying... Your presence is
kindly requested without fail. I know I did the way I wrote it.
I would be consumed in that overwhelming existence which we are just able to
enjoy as I request your presence at my dungeon tonight. There will be group
activities like cucumber deep-throating, clitoral ticklers, and dildo
craftsmanship.
What's a dildo?
Tell me that wasn't funny. Bet you've got yourself a warning.
You're crazy, Alex.
Maybe. Your turn, putana.
Oh, come on.
You never told us.
Dango!
Dango! Dango!
Dango! Dango!
I don't know. I guess I didn't like living in Argentina.
Why?
Because I always imagined myself starting from scratch, where no one
knew me.
So when I saw that this place existed, I applied without telling my family.
I only told him.
My dad is a carpenter and my mom has three jobs.
They couldn't say no to the full scholarship in Europe, so... Yeah, me
too. Is everybody here on a scholarship?
Yep. Am I the only asshole who's paying?
Yep.
No,
no, no, no, no.
But I gotta go film.
Go on.
And one night, she kind of cheated on him, and just like that, she was super
in love with him. You know what?
We could do like a documentary about the castle.
That you're talking all the time, and that we have testimonies of the people
who live here, people who know the legend of the castle.
No, no, no. The old man from the bar who's kind of crazy can also help us. He
surely must have... Stop!
¿Estás bien?
¿Qué te pasa?
Nada.
¿Es conmigo? ¿Te hice algo?
No tiene que ver con vos. ¿Y entonces?
¿Tiene que ver con lo que dijiste ayer?
¿Qué? Lo de Argentina.
Mati!
Hey, Mati! You need to come now!
Why did you have to do that? Why do you have to be the clown all the time?
It was just a joke. But why would you send another email?
I sent that one the same day as the first one, I swear.
You sent two?
You sent two?
Why would you do that?
What am I going to tell my parents?
Follow the line. Come on.
You sent me to forgive you.
You've been writing emails in my name.
This is...
I'm truly sorry, sir. I need to protect this community. I have a lot more left
to know, and I know it's not funny. Right now, I'm supposed to be meeting
about a student from Ethiopia from a refugee camp. I will do anything, sir.
You and your disgusting emails.
I said out!
Sir, he's... So sorry. This is not your battle. But I'll be responsible for him,
I swear. Leave.
Just eat your lunch.
We'll sign a petition.
We'll take it to the international committee.
It's over.
We'll get signatures, lots of them. And everyone will support you. You're
innocent. That's it.
That's it.
Can you? No, it's his name and signature. It's for Alexander. Guys,
please. Can you sign this? Anyone?
Can you sign this? Can you sign this?
Guys, come on.
I wonder where that fish is from.
Wouldn't you like to know?
But you never went down?
Well, I went down to eat a couple of times, just to buy food.
And? And what?
Did you sleep?
I almost did.
But you didn't show anything.
No, but showing you something now that's halfway through doesn't seem like a good
idea.
Besides, I still don't want to hear opinions.
Opinions? But I'm the producer of the movie, don't forget.
Lale, we'll go to your house in a bit, you show me a cord and you take it off.
No problem.
Hey.
What's up?
I have to apologize.
Why?
For trying to make you run away.
In 97?
Yes. I was really bad with you.
I think you're really bad now, Mati.
But did you forgive me?
What got into you?
I don't know.
I'm sensitive.
Well, well.
It's okay.
First, you don't have to apologize to me. That's it.
And second, you already apologized to me three times.
The month you came back, when ten years passed...
And when you wrote the script?
That's it.
That's it.
Yeah, that's it.
I'm sorry, huh?
What?
That was very well filmed.
For you.
And come on, with the cassettes, man.
Well, those cassettes would have come out really well.
No, but they got lost.
This is now a script and it's filmed.
It's filmed?
What?
What do you have to film again, Pablo?
Are you crazy, Matías?
You know the guitar that you're going to record again? We don't have that moment.
And well, you're a producer, right? I produced it.
Oh,
it came out too late, sorry.
What's up?
Hi, honey.
Hi, honey.
How are you? Yeah, but what happened?
How long have you not taken a bath?
I take a bath every day.
No, but it doesn't matter. Please, take a bath.
It's exhausting.
Are you okay?
Look at him.
Well. I wanted to see you.
I missed your birthday, but... Amazon!
Look, with a sword and everything.
Give me a hug.
Give me a hug.
Bien, Roma, bien.
Pasa.
Paolo.
¿Qué? ¿Paolo?
Sí. Paolo.
¿Cómo estás?
¿Todo bien?
¿Cómo estás?
Hola. ¿Cómo andan?
¿Cómo estás? ¿Todo bien? Bien, bien.
Vení, vení. Sentate.
¿Por qué no bajan un poco la televisión, por favor?
¿Y? Sentate.
Sentate.
Tell us.
No, it was good. It was good.
But how is Mati? And how is Mati going to be, seducing the girls?
Fred Astaire, they say.
Fred Astaire, they say to his grandson.
The place is a paradise.
A paradise?
Yes.
Do you want me to show you?
Did you film?
Yes.
We're in the Coliseum of the United World of the Adriatic, Dad.
Here I am, Mati.
It's incredible.
It's a paradise, really.
It's big. But isn't it small?
With what they give you to eat.
You eat badly.
No, like a lot.
What's the name of this place?
This place has the name of a well-known German poet who wrote... You like it.
It's called Alexander.
It's Swedish.
Ah, Swedish.
Tiene pinta de brinquito.
Qué bueno, mi amor.
Qué bonito.
What's the deal, though?
Tell me that wasn't funny. You're crazy, Adam.
Becky, you tell me that wasn't funny? No, you're just mad.
What's up, Susana?
Yeah. Come on!
It was spectacular.
Thank you very much.
No, please.
Bye. See you later. Paolo.
Can I ask you what happened?
You can tell me.
Yes.
I think Matias and I are not as friends as you thought.
No sé, cuando fui para allá me esperaba otra cosa. Que estuviese más tiempo
conmigo. No sé, que hagamos cortos como hacíamos antes o... no sé.
¿Vos sabés que es su mejor amigo?
Sí, sí.
Paolo, ¿te puedo pedir un favor?
Sí.
¿Me dejas el video un día más?
Te prometo que te lo devuelvo.
Sí, sí, sí, no hay problema.
No sabes cuánto te lo agradezco.
Buenas noches.
Cuídate.
Are you coming?
Want me to get you some food?
I'll tell the tutor you're still safe, okay?
Uh-huh.
Rest up.
¿Qué te pasa?
Me tengo que ir.
¿A dónde te vas a ir?
A ver a mi hijo.
¿Pero por qué te vas a ir? ¿Qué dices?
Me voy a Italia.
¿Pero por qué? ¿Te puedes calmar? Porque tu hijo está mal.
Está bien.
Give me, I don't know, time to get money, to ask someone, I don't know.
But I'll take care of it.
I'll take care of it.
What does it say?
What does it say?
We'll just keep it here.
Deputada, consider yourself invited to Christmas to my family's villa. Please
say yes.
Alexandra. Are you going to go?
You have to go.
Come on.
If you're not going, we are going.
We're going to go. If you don't go, I'll go.
Mati, this is Paolo. How are you?
I have Ruben on standby, just in case.
And I also spoke to the festival representative in USA. They want to see
something.
Come on, talk to me.
I'm worried about your silence.
I don't know, let me know.
Whatever you need, whatever.
I'm here for whatever you want.
Hey, and well, I don't want to be heavy, but remember that the date is May 20th.
A hug.
Come here.
Great to see you.
Come in.
Ah!
Can't believe I finally get to meet you, Matthias. Come on, just get over here.
Come on in. Oh,
it's lovely to meet you. Nice to meet you too. Let's have a look at you.
Yep, you're adorable.
Come on,
here you come. Come on, get him from the door. Shut that door.
Right. Welcome to our home. Well, it's our holiday home, actually. It used to
belong to Alexander's grandmother, Astrid, but we usually end up here at
Christmas. Sort of like a family tradition.
Now, don't be scared. She did have quite the taste. Okay, Mum, come on. He
doesn't need the whole history lesson.
I'm guessing you've never had a Swedish Christmas before, have you?
Fred is there.
I'll see you both at dinner.
All right?
Come on.
My bedroom's on the first floor. You will be sleeping with me.
Well, not with me.
Oh, Chuck.
Have a lovely day.
I've got to show you my room.
You're going to love it.
I said, sandals.
In Papua New Guinea. You're going to get us killed.
Oh, it's a woman, I said.
Put your boots on if you want to live another day.
Your toes are like fish fingers to them. He did. He did say that.
And one of them had a face, didn't he? Do you remember? He had a big old jaw. I
mean, he was like that.
He really actually looked like he could eat someone. This was the only time in
my life I've been truly petrified. I can attest to that.
How on earth would you want?
I'm a surgeon.
Nothing scares me.
I'm talking about frightening. You have to tell them about Dora. The Italian.
I can.
Why?
It says nothing. Oh, the dirtier the better.
Tell the story. They're not going to stop until you tell it. And don't worry
about me. I've heard it all before. I raised these two boys. I'm not a boy.
I'm your stallion.
Okay, so we were doing this show in college for the second year.
And there's this moment with Dora, the Italian girl. Yes, I like it.
And she's playing our math.
teacher, and now I'm playing our physics teacher.
But, you know, we were supposed to do a stage kiss.
You kiss the stage?
No, it's a stage kiss. It's like a pretend kiss.
I did a bit of drama when I was in England before I moved to Sweden to
marry Popeye here. So I may have done a couple of stage kisses in my time. You
hussy! We'll hear your stories later. Let him finish. Go on. You were kissing
the floor of the stage. Right. No, no, no.
Like a...
like a long peg mouth closed.
So I go to kiss her and she enters my mouth with her tongue in front of the
entire audience.
It was so awkward.
It was so weird.
Oh, what a bloody cheek.
What did he do? Well, he let her. Of course he did. Did you? I hope he did.
Was she cute?
No, not really. Ah, she was.
No, it was weird. It was weird.
Night-night.
You know, there is Kungrya Akademin in Stockholm, right? The Academy of Fine
Arts. I could check about applications for you.
You know I don't speak Swedish, Alex.
I can teach you.
It's literally 20 minutes away from the military college.
Oh, the military college.
Yeah.
I start after New Year's.
Please don't.
Sorry.
It was just a joke.
You know, when I got to Duino, the only thing I really wanted was to impress the
headmaster.
Look where that got me.
That was not smart.
I blew my cover.
I joked too much.
Everyone misses you.
Do you remember the opening show?
I could see the terror in your face.
First day, everybody watching you.
You just did it.
Same thing with the headmaster.
You stood up to him and your English got better in a second.
I'd never heard you speak so eloquently.
You had balls.
That's why I love you so much.
Hey! Come on, it's dinner.
Don't ask me how I got your number.
I really hope you don't mind them. You must think I work for the CIA or
something. I was just wondering if you received the invitation for my wedding
on the 14th of May.
Big kisses.
Come.
Katrina!
Save me!
Come on in, you come.
This is Katrina.
She's just come back from boarding school in Provence. It's my college that
only... Everyone in Europe gives their student until the 22nd.
Mattias. Yes, nice to meet you.
Mattias, you can marry my daughter if you provide a good hunt.
And a good wine cellar.
Right. Would you like some salmon?
Am I a famous porn star?
No, ma'am.
Am I married to a football player?
Definitely not. And you can't ask a new question.
Why? Next.
Okay, my turn.
Am I a guy?
Yes. Am I clever?
Yes. Am I dead?
Yes.
I'm Dostoevsky.
Oh, come on!
That's my girl.
You cheated. I did not. You look through the glass. I still think I'm a famous
porn star politician.
Chichilina. Chichilina. I'm Chichilina. No, Mom, you're not.
Disqualified.
Skål to Matthias! Matthias!
Your family now.
I want to thank you.
for buying my ticket and inviting me to stay here at Christmas.
Well, thank you for putting up with him.
He's got no friends left.
Honey. Yeah, well, what you did was very stupid, son.
Very, very stupid. Well, I think it was incredibly unfair, and he didn't deserve
it. Well... And we've said everything we need to say about it.
You didn't do anything wrong, Alex.
Sorry, Dad. Nothing good came out of Duino.
I mean, apart from the fact that I met you there.
I love you, too.
My sensitive R.G.
Two men loving each other.
Excuse me.
Um, when did you arrive?
Um, on Wednesday.
Matias? Yes.
Ah, Mama Roma.
It's Mama Gigi.
Yes, yes, Matias is here. Matias, it's your mom. Hang on, just wait, wait,
wait. It's your mom on the phone.
Everything's perfect.
Everything's surreal.
They're divine.
What?
How?
Wait, wait, wait, wait.
They bought flight tickets to come here.
You can come and spend Christmas... Oh, how do you say it?
Navidad.
Navidad aquí.
Just tell them to come to us and I won't take no for an answer.
May I have some? Yeah, of course.
You take pictures?
How do you know that?
Because I saw the camera in Alexander's room.
What do you photograph?
Landscapes.
Faces. I love faces.
What do you love about faces?
How to make them the most beautiful they can be.
How about you?
I love the universe.
I love the stars.
I'm going to be the first woman on Mars.
Wow.
Will you photograph me one day?
I'd love to know how you see my face.
Yeah, sure.
What do I do now? Can you sit by that rock?
Yeah.
Like this?
Yeah, and look over your left shoulder.
Come here.
Come here.
Okay.
Can you look at me as if you were dead?
Dead? Thank you.
There's something really sexy about an artistic guy.
Some people would have a problem with that.
Those people are stupid.
You're beautiful.
You're beautiful.
He's such a funny snore, doesn't he? Yes.
It's a little pee.
What are you two laughing at?
Nothing, Mum.
Look at him.
Come on, time for bed.
No, no, no, you guys, stay, stay.
Enjoy the fire.
Got a bit more burn yet.
Come on, you.
Oh, I've become... When did you get so heavy?
Come on.
Hello.
Do you like my sister?
What did you say?
Do you like my sister?
What?
She's a teacher. So?
No, she's a twin.
And? No.
Are you sure?
Yeah.
Okay. Just checking.
Look, look.
Look who I found.
Hola, hijos.
This is Alexander, my son.
It's beautiful.
It's beautiful.
Oh, I don't understand.
Oh, I don't understand. I feel so stupid.
Beautiful. Oh, yes.
What did you say?
Gracias.
Can we adopt him?
He's such a good boy. Can we adopt him?
Adopt dad? Yes, adopt dad.
I crossed the line.
Fair enough.
He's been really, he's been such a good boy.
It's been lovely to have him.
How do you do that?
Good job.
That's good.
Did you learn before?
She's really good.
Amen.
Ha, ha, ha. La verdad no entiendo por qué la traes a la conversación. Bueno,
la traigo acá porque se parece a Catalina.
¡Catrine!
¡No es Catalina! Bueno, pero el componente, Catrine. Escúchame, ¿te
gusta o no te gusta Catalina? Mi amor, ¿estás contento que vinimos?
¿No tienen hambre ustedes dos? Es una casa increíble, en serio.
No, no, no, contestame. ¿Te gusta? ¿Hay onda?
¿Por qué no la dejás tranquila, por favor? Hay hambre, hay más hambre. Un
abrazo, mamá.
Vengo de lejos.
I think
my favorite one
is Cinema Paradiso.
For me, it's Spice World. It's up there with Schindler's List and the piano.
Where did he learn to tango?
It's his family tradition.
And how do you do that hooky stuff?
Do you mean the sacada? Yeah.
Do I push my leg in front?
Okay. Just feel my signal here on your back and follow, okay?
Like when a man tells a woman what to do.
Okay, just... See?
Yeah, this one, I go like this.
And we will turn around.
That's so cool.
Bravo.
Why are you here?
What do you mean?
Always around like a fucking mosquito.
Hey, it's okay. No, it's not.
Hey, hey, hey, hey, hey, hey.
Stop, stop, stop, stop.
Are you okay?
What's wrong with you?
What are you doing? What do you mean?
What the fuck are you doing?
What the fuck are you doing with my sister?
My family is not an opportunity for you to get laid.
If you break her heart, we'll fucking kill you.
You coming?
Uno de arroz. Oh, right, OK. Uno. Sorry.
Yes, just one.
No, no. Uno.
Uno. Oh, right, OK, one. Sorry.
Right. In you go.
Oh, um... Katerina, the way she... the way she looks
at Matthias, huh? Lovely.
I think she's got a, uh...
A huge crush, a big crush.
Oh, how do you say?
She likes him. I think she likes him.
I know.
The boys, they've... The boys.
They've got a very strong friendship, haven't they? Very strong.
They're very good friends.
Muy unidos. Yes.
Pero... Do you think it's
dangerous?
No.
No. Yeah.
Now...
So lovely to see you. Will you come again next year?
What? I think I'm falling in love with you.
What? I love you.
I love you too.
We will definitely go to Argentina. Good to have you.
Well, young man, good to have you. Thanks for coming.
Yes, yes. I don't know what I'm saying yes to.
Why not?
I'll miss you, my friend.
Wait for me.
Have a great winter, Katrina.
Bye-bye. Bye-bye. Safe journey.
It's the second student that we saw here.
Los padres nos mandamos muchas cagadas.
No sabemos lo que hacemos.
Como llevar a un bebé de cuatro años a un psicólogo porque jugaba con las
muñecas.
Tus suegros, tus hermanos, tus amigas íntimas decían que tu hijo tenía un
problema.
Que había que agarrarlo a tiempo.
Antes de que todo el mundo se diera cuenta.
A los seis meses, los psicólogos nos dijeron que ya estabas bien.
Que ya no dibujabas muñecas, solo autitos.
Pero te me apagaste.
Ya no eras ese nene que se reía todo el tiempo.
I prayed to Jesus many times to save you from suffering in the future.
But now you're suffering and I'm happy.
Because you're suffering for love.
You're suffering because you fell in love.
And not for all the mistakes your parents made.
I'm sorry,
son.
I'm sorry.
Dad.
Sí, ma.
¿Cómo vas con la muestra? Porque vi que venía un montón de gente.
Mejor que no venga nadie.
¿Por?
No estoy preparada.
Está todo raro.
¿Y vos?
Para esta muestra no me ayudaste nada.
Te estoy ayudando ahora, ma.
Eso no es ayudar.
Te lo vengo pidiendo desde hace seis años.
Mami, tendría que estar trabajando en la película ahora mismo.
¿Qué haces acá si estás terminando la película? ¿También la terminaste?
Me dijiste que querías esta cosa, este video no sé para qué, esta máquina
vieja, y además yo no soy un técnico. ¿Qué querés ver con esto?
Las películas de Sisi y Peratriz.
¿En VHS?
¿No te las puedo bajar yo?
No, porque quiero ver los cassettes que me regalaste vos cuando tenías 13 años y
que compraste con tus propios ahorros.
¿Me la mirás?
It's good.
For me, it's crap.
You've done better.
It's not crap.
It's good.
Okay, tell me about the movie.
It has a form.
It has a form. Yes, it has a form, but, you know, you move one thing on one side
and another one on the other.
What's more, I have to deliver...
And I don't know what.
I don't know why it's not finished.
I don't know. I don't know. I don't know.
I don't know.
I don't know.
I don't know.
I don't know. I don't know. I don't know. I don't know. I don't know.
I don't know.
I don't know.
I
don't
know.
No.
There. Let's see if it works now.
There.
What
do
you have?
These are babies.
Don't you think these are babies?
La tiro a la mia. No, Hercule. Lo voy a tirar. No, no tires nada. Hey, hey, no.
No lo vas a tirar. No lo vas a tirar. Porque está bueno. Míralo bien.
La obra no está terminada.
La obra es una cagada.
No, no es una cagada. Porque acá, esto, que parece un nene, es porque... Me lo
dijiste para decir nene. Me lo dijiste para decir nene.
Come here.
Go watch the movie.
Now? Yes, now.
You told me you had it on the 10th and now it's the 12th. Come on.
Show me what you have.
I don't want it.
You don't want it?
I don't even care what you want. Show me what you have. Come on.
No.
No? No.
Okay. You know what?
Then I'm going to call Rubén.
I'm going to call him, I'm going to explain that we made a terrible mess and
that in the end, yes, we need him as an editor.
Because it's obvious that you can't separate us, okay?
What are you doing? Don't call Rubén. You're not going to call Rubén.
You have to let her go.
Only I know how this character feels, Paolo. I have to edit it.
Mati, I understand that the process is not easy.
But my job is that this movie ends at some point.
You know what?
What?
I thought that working on it would lose intensity, but no.
It's the other way around.
If it hurts me, it's because it works.
It works.
I start editing the scene of the farewell in the truck and I get a knot
in my throat.
Then I see the one in the forest and I feel horrible.
Y la veo a ella y es tan hermosa como cuando la conocí por primera vez. Pero
llego a la escena del cuarto de la noche y me falta algo.
¿Por tu culpa?
Es por tu culpa.
Porque vos sos el que está disfrutando de esto, ¿eh?
La estás pasando bien ahí, toqueteando la herida.
Puede que sí.
Mira, Mati, yo te banqué en todas.
In all of them.
The caprice of changing the actor in a week of filming.
The rush of filming.
Even the idea of you watching the movie.
I thought it was fine.
But I realized you can't.
You have to help him.
No, no, no.
Give me two days. No.
Give me two days, Paolo.
Tomorrow.
What did you just say? I could be consumed in that overshadowing.
last words for the camera come on for matthias something from another thing
Some last words for the camera?
For Mattias?
Something for another time?
Hey, Mattias.
Katrina again.
You must be so busy. I was thinking that even if you can't make it to the
wedding, I'm going to put your name on the getting list regardless, in case you
happen to fly to Italy.
What would mean the world to have you there?
Alexander wants to see you too.
What?
Yeah, this one.
Oops.
Hi.
You're so pregnant. I can't believe it. No.
Good to see you. Come on.
How are you? Good.
I read online you're making a movie about Duino.
I can't believe you're picking me up. I could have taken a taxi.
Picking you up is nothing.
You are amazing.
I'm so excited you're here.
I'm really sorry about your parents.
Thank you.
They really loved you, you know?
It's just one Christmas, but they saw you like a son.
Okay, Mr. Filmmaker.
I'm going to take you to your hotel.
What a surprise.
But it must be odd.
Talking about your life on film?
Yeah, it's a little odd.
And how about real life?
Well, I moved to London in the 2000s.
To study dance.
Wow. Yeah.
Yeah, but scoliosis and flat feet.
Kind of difficult to be Fred Astaire.
Fell in and out of love with anyone who paid me any attention.
Putana.
Yeah, pretty much.
Then I went, I moved back to Buenos Aires.
A little lost, actually.
I know the feeling.
How about you?
Me?
Well, I graduated, I got married,
got divorced, and then I started working with the royal family's business
affairs.
Yeah, that's pretty much it.
Riveting stuff.
That's pretty much it? Yeah.
Not much more to tell.
May I dance with my brother?
Of course, of course, yes. My honor.
And then he goes... He's not like an asshole.
My ex-wife used to call me that.
The ex-wife?
Yeah.
So, how about her?
Well, for starters, our sex life at 35 was less passionate than my parents at
60.
And you know that because... Because we got home one night to my parents' place
after some...
dull party, was the middle of the night and suddenly we heard this furious
barking. I got really frightened and I ran upstairs and it was coming from my
parents' bedroom.
The thing is, they never owned a dog.
To Didi and Gunnar.
Strange.
How things can disintegrate so quickly.
I've had it for years now, this dream.
And in it, I see myself from above like I'm watching someone else, like
a mouse trapped in a maze.
And I'm frantically digging through this dumpster where I know I've
hidden the body of someone I killed.
And I'm...
checking to see if it's still there.
And when I finally find it, I feel this
massive relief.
I could never kill anyone,
but no matter what,
that's...
overwhelming guilt that never leaves me.
Maybe you should get rid of the dead body.
The African dance.
You remember it. Come on. Come on. Come on. Come on. Come on. Come on. Come on.
Come on. Come on. Come on.
All right.
Thank you
Here's
the husband
Totally passed out in the master bedroom.
You're going to be a great mom.
Don't go.
I do love it here.
Stay.
I can't.
She's married already.
And I doubt that kid is yours.
Why are you always around?
Don't make it another 24 years, okay?
Well, ride sometime, okay?
I have.
Many times.
You think you know yourself when you were a kid.
We don't know anything.
Because you can't predict that.
What?
That thing, that feeling that stops you in your tracks, that doesn't let you
breathe.
Because when it's happening, you don't know that you'll never feel it again for
anyone.
And with time, you really wish you would.
Memory is sneaky.
It's inaccurate.
And then one day you see old images of that boy you were, that scared, stupid
and brave little boy you were.
And you realize you've added things to the past.
And now here it is, for real.
That face.
This gate. This staircase. This house.
The record of reality exactly as it was.
As it is.
Right now.
This is me.
I'll miss you, old friend.
I miss you too.
Buongiorno Buongiorno
Thank you.
Thank you.
Bye. Bye.
I don't
know.
is foreign
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.