Afrikaans
Akan
Albanian
Amharic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranî)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
♪♪
Sea Spray... when you have to smell your very best.
Cut.
Let's take five, people.
Oh, for God's sake, the line is "Sea Spray...
"for when you have to feel your very best."
"Feel", not "smell". Can't she read?
It's a deodorant commercial. She got confused.
Oh, I never should have let you talk me into hiring her.
My mistake.
Grace, the girl is on the cover of Vogue.
Tell her if she doesn't get it right on the next take,
she can go back on the cover of Vogue.
Where's Peter Angelli?
I've got an appointment downtown in 20 minutes.
Will you be home for dinner?
Richard, I told you this morning, I've got a board meeting tonight.
- Do you want me there? - It's business, Richard.
I just thought you might want me there.
It's business, Richard.
Peter! Over here.
Don't wait up for me. I'll be home late.
- Problems with the boy wonder? - Hmm.
You should've let me handle this, Grace.
Peter, you were with my dad when he started this business,
so I'm not going to play games with you.
Hi, Peter.
Two years ago, you were our busiest commercial director.
But, you know, economics are changing.
The advertisers, they're not buying as many new campaigns,
and when they do buy one,
they want to make sure that what they're buying looks new.
Your commercials look old.
Don't sugarcoat it, Grace.
Is this your way of saying you want me to run a desk?
No, no desk.
I'm sorry, Peter, but I'm taking you off of salary,
effective the first of next month.
Now, Grace, look, please... The way things are,
if you fire me now, at my age, I won't be able to get a job again.
I am really very sorry.
Damn it!
Peter, I would like to get into my car now, please.
You wouldn't have a car if it hadn't been for me!
I helped your father build this company!
I know, but Dad's gone,
and I make the decisions for Harker Productions now.
If you ask me, the wrong Harker is dead.
You're fired!
It's over!
Can't you do anything, Richard?
It's her company.
I'm sorry, Peter.
Yeah.
Grace!
- My God. I know what you think. - Really?
Get her out of the house, Richard, now.
I'll see you in the den.
Grace.
I know I hurt you.
I made a mistake. It was a terrible mistake.
I made a mistake expecting anything more from you.
What do you mean?
She wasn't the first, she won't be the last.
Grace, sweetheart...
they don't mean anything to me. You know that.
Come on, I love you.
Oh, stop it.
Love never had anything to do with our arrangement.
You married me because you wanted a ready-made life on the fast track.
I married you for exactly the same reason you slept with that girl.
Let's not delude ourselves.
How can you say that?
It's the truth, and I'm tired of lies.
Have a drink, Richard.
You can sleep in the guest bedroom.
Oh, Grace, please.
I'll call my lawyer on Monday. I want a divorce.
Meet me in the studio in ten minutes.
I don't care, just meet me there!
Do you think she'll change her mind?
Grace Harker Maitland change her mind?
Grace wants a divorce, Grace gets a divorce.
End of discussion.
So, you get yourself a good lawyer.
Kevin, I signed a prenuptial agreement.
How bad?
Bad.
Richard...
Look, I don't know what to say.
Oh.
Oh, this is your problem, too.
Ohh.
You think she's going to keep my big brother on the company payroll
after I'm gone?
If this happens, we are both on the street, buddy boy,
just like Angelli.
And I put up with too much for too long to end up with nothing.
Well, what are you going to do?
I don't know.
I guess I will try to talk to her again.
Hey, Louie, is my brother here yet?
He got in a few minutes ago, Mr. Maitland.
- Very good. - See you later.
- What did you do? - Come on!
What did you do?
Uh, how much is it going to cost?
When you don't paint a place, the paint starts to peel,
the wood gets exposed.
The next thing you know, it starts to rot.
No good, Mr. Matlock. No damn good.
How much?
Ron...
if I had any idea I was dealing with the Michelangelo of Atlanta,
I never would have wasted your time or mine.
Have a nice day.
I can do a real nice job for you.
Have a nice day.
- It's highway robbery. - What?
The last time I had this house painted,
it was under $200...
Scraping and everything.
The last time you painted this house,
Richard Nixon was running for Vice President.
Ben, I just got a call from an old family friend.
He's being brought in for questioning about a murder,
and he needs a lawyer.
- No, not me. - Oh, Ben.
Every time I try to get a little work done on the house,
another case gets in the way.
Now, I've got to draw the line somewhere, Michelle.
I'm going to get this old house painted if I have to do it myself.
Ben, he's a family friend. I can't turn him away.
Well, hell, you're a lawyer. Take it yourself.
Well, yeah, I am a lawyer.
Yeah, the best in Atlanta.
Yeah? Except for you.
- I'm a house painter. - Ha ha!
OK, I'll do it.
I'd better get on downtown.
If you want to talk to somebody, I'll be right here...
or up there.
Mr. Angelli, I understand you had an argument with Grace Maitland
on the film set yesterday afternoon.
Don't answer that.
And didn't you say to her, "The wrong Harker is dead"?
I was angry. She said she was going to fire me.
Peter, if you want me to represent you,
you're going to have to do what I say.
I'm sounding guilty here, and I'm not.
I would like to discuss this.
Do you still have a job now that she's dead?
Don't answer that!
Richard Maitland and his secretary
spoke with Mrs. Maitland at 7:40 A.M.
She was found by the maid at 8:50, an hour and ten minutes later.
Somebody pushed her down the stairs.
Mr. Angelli, where were you between 7:40 and 8:50 this morning?
My client was at home asleep, alone.
When was the last time you were in the Maitland house?
Christmas.
- And you haven't been back since? - No.
- No? - No.
Well, then, tell me...
How did these get on the staircase?
I own four or five pair of those glasses.
How am I supposed to know how they got there?
I think you do know.
Counselor, I'm afraid I'm going to have to charge your client with murder.
Here's to life insurance, big brother.
$2 million.
May not be worth as much as her estate,
but at least the insurance money is all mine.
Ours.
Well, that's what I meant. Ours.
Get rid of these.
Who is it?
Some fat guy. I never saw him before.
Hi there.
You got some lawn out there.
That's tremendous.
You don't mow it yourself, do you?
No, of course not.
Of course not. Do you know what kind of blisters
you'd get on your hands if you did that?
Excuse me, who are you?
I'm Max Sugarman, North American Mutual Life Insurance.
May I come in?
What a lawn.
Wow!
Excuse me?
Look at this house.
I thought the lawn was big.
- Mr. Sugarman... - Max, please.
Oh, you have a gift shop.
I've got to bring something back.
Hi there.
Mr. Sugarman, I don't need insurance.
I don't sell insurance.
You'd be surprised how many people make that mistake.
I think it's the outfit.
I've got to get a new outfit.
Mr. Sugarman, my wife just died, so if you don't mind...
I am so sorry about your wife.
Actually, that's why I'm here. I'm an adjuster.
An adjuster?
North American Mutual carried a $2 million policy on your wife,
and you're listed as the sole beneficiary.
Yeah, that's right. Grace wanted it that way.
Well, under those circumstances... $2 million...
We have to investigate.
Investigate?
Strictly routine.
Do you have a pen?
A pen? Yes, I think I do.
Uh, do I have to sign something?
No, I do.
Thank you.
This will take a second.
Sign, sign, sign. Sign, sign, sign.
Your wife...
Did she have any enemies?
No.
What about Peter?
I don't think so.
Well, don't worry.
I've taken enough of your time.
Sorry to bother you.
This is some house.
- Mr. Sugarman? - Yes?
My pen?
Pen. Right.
I've got to get one of these on a chain.
Then again, I'd probably lose the chain.
We'll keep in touch.
I don't understand. Is there a problem?
I thought the police charged Peter Angelli with Grace's murder?
Yeah, well, that's easy for them to say.
It's not their money.
Peter's innocent, Ben.
I'm sure of it.
And the evidence against him is all circumstantial.
Somebody must have planted those sunglasses.
What do you think?
If I buy 20 gallons, I can get this for half price.
That's an awful color.
You think so?
You don't want a goldfish orange house.
Well, I thought I'd try something new.
No, stick with green and white.
But they won't give me a discount on green and white.
Oh, that must be Conrad. Do you want some help?
I'd rather get a little further into the case?
You're not really going to paint this place yourself, are you?
At the prices these painters charge, I'm seriously considering it.
Mr. Matlock.
Max Sugarman... North American Mutual Insurance.
Thanks, I don't need any.
No, no, no. I understand you represent Peter Angelli.
May I come in? Thank you.
Wow, what a nice house.
Very traditional.
Well aged. I like it.
If you don't mind me saying so, the outside could use a little paint.
Uh, Mr. Sugarman?
Are you connected with the Peter Angelli murder case?
North American Mutual Insurance held a policy on the victim.
I don't know if you guys need help, but we're working on the same case.
Let's work together.
This is Michelle Thomas, my associate.
She's in charge.
I have a very important appointment.
The paint store closes at 5:00.
- Green and white? - Green and white.
OK. Well, Mr. Sugarman.
Mr. Matlock?
I'd stick with the green and white.
- Mr. Sugarman... - Max, please.
Michelle.
Hello.
- Have a seat. - Thank you.
$2 million... That's some motive for murder.
Have you talked to the husband?
This afternoon.
Maitland was there with his brother.
- He didn't say too much but... - But?
I think they were drinking champagne,
and they didn't want me to know about it.
People don't usually drink champagne to drown their sorrows.
That's right. They use it for celebrations...
New Year's, weddings,
your Uncle Morty's store burning down.
It's an insurance joke.
Oh, oh.
Yeah, I think pooling our resources is a fine idea.
Great. I have the home office doing background research
on Maitland, Harker Productions, everything.
If you have anything, a lead... Anything...
My friend Christy's a model.
I think she's worked for Harker Productions.
Maybe she knows something about Richard Maitland.
I was going to call her myself,
but I'm due at Peter's trial hearing.
Great. That's wonderful. I'll call her.
Women love talking to me.
I think it's my animal magnetism.
Probably.
- Hi. - Hello. Yes, sir?
- Where are you going? - Anywhere.
You want a little job of work?
Yeah, I'd take one.
- Do you know how to paint? - A little bit.
- Hop in. - All right.
Are you hungry?
Well, I'll tell you... You put something in front of me,
turn your head and turn back real quick,
and if it ain't gone, I ain't hungry.
You like hot dogs?
How about fried chicken?
I like a man that speaks his mind.
You ain't going to rob me, are you?
No, I gave that up a long time ago.
Do I look like I need life insurance?
No, you don't.
A friend of a friend of mine tells me that you used to date Richard Maitland.
Ha! The worst year of my life.
- Would you? - Hmm, yeah.
The buckle... Would you buckle it, please?
- Just... - Yeah, all right.
Thank you.
Why do you want to know about Richard?
Someone killed his wife.
Oh! Oh, my God.
And you suspect Richard?
Richard may be scum,
but killing Grace was the last thing he'd do.
Why is that?
She was his ticket to first class.
She made him sign a prenuptial agreement.
And what was in this agreement?
He used to cry about it all the time.
If he ever left her or she ever left him, he got zip.
Would you?
Would I what?
- Zip me up. - Oh, yeah. Sure.
But isn't that a good enough reason for him to kill her?
For her money?
Grace inherited from her father.
When she dies, it goes to her younger brother.
Richard had nothing to gain from her death.
Yeah, just $2 million.
Sorry?
I'm just speaking to myself.
Is it possible that if a friend of a friend of mine
knows that you had an affair with Richard,
then his wife knew?
Yeah, that's why it ended.
Grace would shake the leash, and good dog Richard came to heel.
Are you going to wear that?
Me? No, no.
Much better on you.
Very nice.
See you around.
And cut.
Very nice.
Very nice, very nice.
Can we all listen up for a minute here?
- Hi. - Hi.
It's amazing, that guy actually gets paid
to sit there, kissing that girl.
Tough job.
I thought insurance was glamorous.
Mr. Sugarman, who's your lovely friend?
Michelle Thomas. I'm defending Peter Angelli.
You're an attorney? What a waste.
We know you're busy, Mr. Maitland.
- We just have one or two questions. - What?
Do you know a woman named Lisa Loomis?
I suppose Lisa told you about our affair?
She mentioned it.
She also mentioned your wife found out.
Grace found out because I told her.
Lisa was a foolish mistake, and Grace knew it.
It took some time, but we put our marriage back together...
Better than it was before.
Really?
You may find this difficult to believe, Miss Thomas,
but my wife and I loved and trusted each other.
Well, if she loved and trusted you, Mr. Maitland,
why did she make you sign a prenuptial agreement
that left you nothing in the event of a divorce?
You think I killed her?
No, no. Of course not.
- Maybe a little. - Well, I didn't.
In fact, I was making a video test at the time she died.
Can we see this...
Make an appointment with my secretary and you can see it tomorrow.
After you do, I expect your company to pay my claim.
And if they don't, I'll see you in court.
♪ Gonna have a little talk with Jesus ♪
♪ When I get home tonight ♪
♪ Gonna tell him all about my troubles ♪
♪ And I know he'll make them right ♪
♪ Then I'll ask him to forgive me ♪
♪ For the things that I've done wrong ♪
♪ Gonna have a little talk with Jesus ♪
♪ When I get home tonight ♪
Oh, that's wonderful.
Um, Billy, you're...
You're not making a lot of progress.
Yeah, well, it is slow, but it's coming along.
Uh, I'm trying not to scrape off the house with all that old paint.
Oh, yeah, well...
why don't you come down and have a peanut
and we'll talk about it?
Don't mind if I do.
Uh, I thought you said you knew how to paint?
No, I said I'd done some painting...
Barns and outhouses and stuff like that.
Oh, barns and outhouses and stuff like that.
Yeah.
Where did you get that guitar?
Well, I bought this off a fellow who was, uh...
Let's say, in a hurry to catch a train, and I gave him a dollar for it.
A dollar?
Yeah, well, he was in a hurry, and a dollar's all I had.
A dollar?
Yeah. It didn't look like much then,
but I tightened up the loose joints
and I scraped all the cracked finish and garbage off of it,
and then I sanded it,
just like I've been doing to that window up there.
Well, Billy, a house is not like a guitar.
You just kind of scrape it and then paint it.
Yeah.
Then I refinished it.
Took more than five months, off and on...
You know, when I'd stay in a place long enough.
But now it sounds just like an organ.
Well, when you can...
It won't sound like an organ,
but, with any kind of luck, it might look like a house.
♪ I'm the life of the party ♪
♪ I'm everybody's friend ♪
♪ The center of attention ♪
♪ That's how it's always been ♪
♪ They love to see me coming ♪
♪ And they hate to see me go ♪
♪ But it's just a game I'm playing ♪
♪ And I'll never let them know ♪
♪ And I can almost hear your laughter ♪
♪ When I turn out the light ♪
♪ And the life of the party ♪
♪ Dies a little every night ♪
♪ Yeah, the life of the party ♪
♪ Dies a little every night ♪
Ooh, I'll take two of these.
And two of these.
And, oh, these look good. I'll take two of these.
- Like anything? - No.
- Hi, guys. - Hi.
Max says that you think Richard Maitland may have killed his wife.
He was having an affair. If she found out and wanted a divorce,
he would have been left without a dime.
Oh.
So, he set up your client to try to get $2 million
of my company's money.
That's a lot of donuts.
The trouble is, Richard Maitland claims he has an alibi
on videotape at his studio.
Maybe Conrad ought to go over there and look around.
Maybe he'll get a lead.
Maitland said he'd show us the tape this morning,
but you and I have a pretrial hearing in five minutes.
Max, could you...
I'm on my way.
There you go.
Enjoy them.
Don't look at me. I don't eat that stuff.
Left you holding the bill, huh, Mr. Matlock?
How is the focus?
Looking good.
We do video tests on every commercial we produce.
We need to see how the product looks on screen,
whether the set needs any special lighting or presentation.
Well, so, this is the test you made
the morning your wife was killed?
Kevin was behind the camera. I handled the product.
I thought your brother was in sales.
How come he was working the camera?
We're a very small company.
Everybody does double duty on all sides of the camera.
Well, they're talking about regional saturation...
How do you do that?
Very well.
I remember we left a TV on during the test.
See the monitor in the background?
The Channel 9 morning show was on.
Now, if you watch carefully,
you can see the time whenever they do the news.
7:45.
Five minutes after my secretary and I called Grace.
Now, watch.
I saw War and Peace this way. It took me eight minutes.
Oh, 9:00.
Ten minutes after Grace was found dead.
You can run the tape back and forth, Mr. Sugarman.
There isn't a cut longer than five minutes.
Really?
You can check it against the morning show.
I was there from 7:45 until 9:00.
Satisfied?
What can I say? That's some alibi.
You can say that you're going to pay my claim.
Oh, hey. Oh.
- Excuse me. - Who the hell are you?
Johnson, Mr. Maitland. I came to work on your machines.
- Well, then work on it. - OK.
Last try... When do I get my money?
Yeah, well, can I get a copy of that tape?
I've stood for this long enough, Sugarman.
I'll see you in court. Out.
Out?
- Out. - Out.
You don't validate, do you?
- What's he looking for? - It's just routine. Relax.
You said there was going to be no problem.
Something's wrong. Something's not right.
Will you just relax?!
What if they don't give us the money? What are we going to do?
Sugarman's seen the tape. They don't have a choice.
They'll have to pay off.
My God, Richard, what's happening to us?
- We should never have done it. - We've done it.
I wish you'd just shut...
All right, now, zoom in.
- OK, I'm in. - Now crank it up to...
Maybe we should watch the tape one more time.
Max, we've seen it six times already.
Bear with me. Have a little patience.
And in the second place,
the longest cut I saw was only four minutes.
Not enough time to go home.
Right. Richard Maitland was there from 7:45 to 9:00,
just like he said.
Which means he didn't kill her.
And if Kevin was running the camera...
He didn't kill her, either. But that doesn't make any sense.
You heard them.
He was coming apart. In another minute,
he would have admitted the whole thing.
Stop the tape.
Can you blow that up?
Sure.
9:30.
Maitland's watch says 9:30.
Grace Maitland was killed before 9:00.
They must have taped the morning show
and played it back after she was dead.
They killed her.
Hey, Billy?
Yeah?
You've been painting on that same window for two days.
Two days you've been painting on it,
and you got more paint on the floor than you did on the window.
I guess I'm not cut out for this kind of work.
Yeah, I guess not.
Well, come on in. I'll fix us something for lunch.
Sorry I couldn't do a little better.
Well, I'm just going to have to hire a real painter.
That's what I should have done to start with.
They're sky-high.
You can't keep your hands off that thing, can you?
Well, it's with me day and night.
It's about the only friend I've got.
Sometimes me and this guitar make enough money out on the street
that we have enough food to eat
and a place to stay for two or three days.
- Hmm. - Ha ha!
♪ Come sit by my side ♪
♪ Little darling ♪
♪ Come lay your cool hand ♪
♪ On my brow ♪
♪ And promise me ♪
♪ That you will never ♪
♪ Be nobody's darling ♪
♪ But mine ♪
♪ Nobody's darling ♪
♪ But mine, love ♪
♪ Be honest ♪
♪ And faithful and kind ♪
♪ And promise me ♪
♪ That you will never ♪
♪ Be nobody's darling ♪
♪ But mine ♪
♪ You're as sweet as ♪
♪ The flowers in springtime ♪
♪ You're as pure as the dew ♪
♪ From the rose ♪
♪ I'd rather be ♪
♪ Somebody's darling ♪
♪ Than a poor boy ♪
♪ That nobody knows ♪
♪ Nobody's darling ♪
♪ But mine, love ♪
♪ Be honest ♪
♪ Be faithful and kind ♪
♪ And promise me ♪
♪ That you will never ♪
♪ Be nobody's darling ♪
♪ But mine ♪
I didn't know you played the ukulele?
Oh, yeah.
I've been wanting to pick a piece with you ever since I heard you play.
- All right. - That was fun.
You know, Billy,
you're never going to make a living
running around the country doing odd jobs.
You're no good at it.
I've got to do something.
Well, you ought to try something that you're good at.
Like what?
Like picking and singing.
- You think so? - Oh, yeah.
Yeah, you sing the old-timey way,
not that... not that country rock 'n' roll stuff.
And you've got that twang to your voice.
- Yeah? - Oh, yeah.
Yeah, we ought to get you a cowboy outfit.
I mean, you can't tell.
You sing good, and you're fairly good looking.
You never know, you might have some kind of future.
- Where's Richard? Mr. Maitland? - He left.
Something's wrong. I got a message.
- I was supposed to pick him up. - He left.
- Where did he go? - He was in a hurry.
I think he said the studio.
I just came from there.
What are they doing?
Putting the furniture in storage.
Who told them to do that? The estate?
No, Mr. Maitland.
Look, I'm sorry, I don't know what's going on.
But if you find Mr. Maitland, you ask him, okay?
- Is my brother here? - He just left.
- Do you know where he went? - No.
Let me check with the secretary.
Hi, Peggy. Louis, at the gate.
How are you doing?
Mr. Maitland's brother is here, trying to find out where he went.
Yeah, he just left. OK.
Really? OK, great. Thanks.
Peggy says she heard him call Miss Loomis.
He said something about coming right over.
He's seeing Lisa again?
She says everybody's looking for Mr. Maitland this morning.
Who else?
She mentioned an insurance man and a cop.
Oh, my God.
I'm coming.
- Where's Richard? - He isn't here.
Richard!
Look, Kevin, I just told you... Kevin...
He called you. He said he was coming here.
You just missed him. He left for the airport about 15 minutes ago.
I don't understand.
Yeah, he asked me to go with him.
I told him, "Not on your life."
He's leaving the country.
He mentioned Paris.
I got the feeling he plans to be gone a long time.
Anyway, do you mind? I was just about to take a shower.
Look, I'm sorry.
I'm sorry, I thought he was here.
Yoo-hoo? Kevin?
Hi, Kevin.
Remember me?
Max Sugarman, North American Mutual Insurance.
I know, you're probably saying to yourself, "I'm young, I'm healthy.
"I eat right. I don't need insurance."
That's where you're wrong.
Everybody needs insurance.
Your brother left town,
left you here all alone to talk to the police.
You need a lot of insurance, Mr. Maitland.
And Max Sugarman, North American Mutual Insurance,
is here to help you.
Look, how many times do I have to tell you?
Richard is not going to leave me to take the blame for everything.
No way.
Does your client understand his rights?
I told him he doesn't have to answer any questions...
And I am making a statement.
This wasn't my idea.
- Whose idea was it? - It was Richard's.
Richard knew Grace was going to divorce him?
Oh, yeah.
And if she did, he'd wind up broke.
I mean, we both would.
So, you decided to kill her?
No, no. That was Richard's idea.
How did you do it?
Richard came to work that morning and called Grace from his office.
We set up a cassette machine to record Atlanta This Morning.
And... then I met him out back, in my car.
We drove to the house...
and Richard killed her.
We came back to the studio.
We shot the test with the cassette playing in the background.
I mean, that way it looked as if neither one of us had ever left.
Richard said it would be the perfect alibi.
We'll get this typed up.
Are you sure you want to sign it, Mr. Maitland?
Do you have a pen?
Put Mr. Maitland in my office.
Michelle.
Max. How did it go?
Perfect.
You... Sugarman!
I want to know what's going on.
Your people had me down in your office all morning
waiting for my check.
Really? All morning?
Did you get paid?
No.
And then these two clowns showed up and dragged me down here.
If you had anything to do with this, Sugarman,
I swear I'll have you charged with harassment.
Not before we charge you with murder, Mr. Maitland.
They told...
They told me you left the country.
Oh, no, Richard didn't leave the country.
Did you, Richard?
Well, I understand I owe you a lot, Mr. Sugarman.
Please, Max.
Max arranged everything... The moving van,
getting the maid's cooperation, the people at the studio,
and Lisa Loomis.
She was the kicker, huh?
Nice girl.
I think she liked me.
So, Mr. Angelli, what now?
You know what they say... In my business,
there's no such thing as bad publicity.
Believe it or not, I am getting offers to direct from all over...
Commercials, music videos...
Did I hear somebody say something about music and videos?
Mr. Angelli, I'd like you to meet a friend of mine.
He's a slow painter but a fine singer.
With all your connections with commercials and the music world,
maybe you can help the boy out. I think he's got possibilities.
♪ I'm going to that road ♪
♪ Feeling bad ♪
♪ I'm going down that road ♪
♪ Feeling bad ♪
♪ I'm going down that road ♪
♪ Feeling bad, Lord, Lord ♪
♪ And I ain't gonna be treated ♪
♪ This way ♪
♪ Well, I'm down in the jail ♪
♪ On my knees ♪
♪ Down in the jail ♪
♪ On my knees ♪
♪ I'm down in the jail ♪
♪ On my knees, Lord, Lord ♪
♪ And I ain't gonna be treated ♪
♪ This way ♪
♪ They're feeding me on cornbread ♪
♪ And peas ♪
♪ They're feeding me on cornbread ♪
♪ And peas, yes, yes ♪
♪ They're feeding me on cornbread ♪
♪ And peas, Lord, Lord ♪
♪ And I ain't gonna be treated ♪
♪ This way ♪
www.tvsubtitles.net
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.