Original subtitles

(HORN HONKS)

(SIREN WAILS)

-Stell. -Yeah.

Caller said she was around here somewhere.

I'd love to know how she got in.

Leon, where's the stop where all the trains come on?

Lawson, there's a break in the fence here.

She might have wandered in from the station.

LAWSON: Copy that.

(HORN BLARES)

(HORN BLARES)

Got her!

-Lawson, there's a train coming. -Yeah, I got it!

Hey! Hey!

Hey!

You OK? Are you alright, sweetheart?

Are you hurt?

(SIGHS)

Pretty badly traumatised.

Hasn't said a word since we found her.

KERRY: Right.

-STELLA: OK, honey. -Hi. I'm Kerry. What's your name?

At the moment she's called Princess.

Princess?

Well, that is a very pretty name.

(WHISPERS) I'll get some coloured pencils.

Do you want to jump out? Here.

Would you like something to eat or something to drink while you're here?

No? Listen, Princess, can you tell me where you live?

No? Are you sure?

OK, sweetheart, we're gonna find you something so fun to do.

Come on, let's see if we can find Michael.

(CLOSES DOOR)

-DHS turned up yet? -Nah, they're running late.

So the kid will stay with us for a little while.

-LEON: (OVER RADIO) Kerry. -Leon's got something.

So, I figured, as you would, that the young lady got into the yards

through the break in the fence that Stella found.

So I backtracked from there.

Now, North Melbourne is the closest station, right,

but it's semi-industrial.

So I checked out all the City Loop stations, and sure enough...

There she is, yeah.

Little Red Riding Hood with unidentified adult male.

Then, wait for it...

(TYPES) ..Little Red now all alone.

No doubt she was abandoned.

Who would do that?

Drive.

Drive. Go! Go!

(ENGINE STARTS)

DOMINIC: Intense relationships are great, but they don't last.

They always turn weird.

-Not always. -Yeah, yeah.

Think about the person you had the best sex in your life with, huh?

And where are they now, eh?

See? You know what I'm talking about.

It's companionship that lasts. That's what's important.

It's not very romantic.

You got the whole multi-tasking thing down pat.

Yeah, well, when you have a kid, Shannon,

you learn to do 15 things at once.

Sandrine's idea of multi-tasking is doing everything around the house

whilst nailed to a cross.

Sounded a bit bitter, eh?

Is everything alright at home?

You know me, Josh - everything is perfect.

LEON: (OVER RADIO) Josh, there's a report of

what looks like a car-jacking, assailant with a weapon.

Spring Street, near Parliament House, heading your way.

Black Series 7 BMW, rego Papa Bravo Sierra 433.

Copy that. Travelling.

-I'll get the car. -Yeah, yeah.

Do you wanna tell me what this is all about?

You don't recognise me, do you?

You don't know me.

I remember you.

JOSH: Excuse me! Police! Move!

-Get down! Get down! -WOMAN: What?!

-What?! -SHANNON: Get down!

-Shit. Drive. -Stop the car! Stop the car now!

-I can't. -DRIVE!

SHANNON: Stop the car now!

-Stop! Police! -Stop! Get out of the car!

Dom, where are you?

Yeah, coming. Just around the corner.

(SIREN WAILS)

-Left. Left! -Alright.

(SIREN WAILS)

JOSH: Go, go, go, go!

Oh, shit.

Must you leave them on the seat?

You owe me lunch.

(SIGHS) Garlic sauce, man.

Car's registered to a Justice Kate Hawker. Family Court.

Shit.

Alright, we're gonna need Air Wing in on this and all available units.

Also, the judge's car will have a GPS in it,

and the Department of Justice has a database on...

On all high-profile personnel.

Yeah, I know.

Position's coming up on the screen now.

They just turned into Victoria Parade.

Can you just hang on a minute?

The state intelligence wanna know why you're doing

a rego on Justice Hawker.

She's been abducted.

JOSH: When we get up here we should get a visual.

OK, let's get up on his arse.

SHANNON: OK, I've got her number. You ready?

Yep, do it.

-(PHONE RINGS) -Is that yours?

Yeah.

-I don't think so. Not yet. -(PHONE BEEPS)

Keep trying.

KERRY: Yeah, Josh, all the flags are out.

We've got Air Wing monitoring at 2km,

we've got backup cars running parallel to your route.

What's your surrender plan?

Yeah, working on that. Shannon's trying him on the judge's phone.

If we can't make contact or get him to agree to pull over

we'll try for a mobile intercept.

OK, well, we'll keep looking for potential suspects.

There's gotta be some case narrative on whoever this is.

No-one does this without some sort of build-up.

(HELICOPTER WHIRRS)

What are you doing?

I know you feel like you must have been poorly treated,

but, really, what do you hope to achieve?

JOSH: What's he doing with that belt?

What - is he gonna walk her around like a dog?

(PHONE RINGS)

You really should answer that.

The police take this kind of stuff incredibly seriously.

Yeah?

My name's Senior Constable Shannon Henry.

I'm a police negotiator and I'm in the vehicle behind you.

-Yeah? -Can you tell me your name, Mr...

-No. -Why don't you tell me?

I don't want you to know my name.

Look, you can follow me, do what you like,

I just want her to understand a little bit of how I feel,

then I'll let her go.

Leon, we really need to know who this guy is.

LEON: Yeah, I've been looking through the court records.

There's about 30 guys it could be.

Plus half a dozen websites filled with pissed-off divorced dads

who've got it in for the Family Court.

Whatever problem you've got, we can sort it out.

Just pull the car over and let Justice Hawker go.

Is she OK? She must be very worried.

Are you worried?

-Yeah. -She's sorta worried, I suppose.

Quite worried, yeah.

Why is a belt around her neck?

-Well, that's the thing, you see. -What's the thing?

Can you turn off your sirens?! I can't think with it going.

OK, if you let me speak with Kate.

She's driving.

You can hold the phone to her ear.

If you let me speak with Kate, I'll turn the siren off.

What do you want to speak to her about?

I just wanna make sure that she's OK.

OK, turn the siren off.

(STOPS SIREN)

There's a copper wants to talk to you.

-Hello? -Hello, Justice Hawker.

My name's Senior Constable Shannon Henry.

I'm a police negotiator. Are you hurt at all?

-No, I'm OK. -Do you know him.

Yeah, I do.

He's upset about a judgement I made against him in a custody hearing.

But we are talking, so hopefully we'll be able to

understand each other's position better.

Can you tell me his name?

I think he made it clear he didn't want you to know that.

Can you tell me why he's put a belt around your neck?

No, he hasn't said anything.

But I'm sure we can talk reasonably about what's troubling him.

You're doing really well, Kate.

-Thanks. -Do whatever he says.

Once we get a dialogue started we'll work our way through it.

OK.

Oh, Jesus.

-It's a bloody nail gun. -Shit.

You see this? You see it?

If anything happens to me, this pulls the trigger.

You try to take me down, she goes down, OK?

You kill me, you kill her.

-OK?! -OK.

Now, back off, I want some space.

Give him some space, don't crowd him.

What the hell is that thing?

It's a dead man rig.

You try and drop him and his body weight pulls the trigger.

You're gonna have to talk him down, there's no other way.

Well, could you give me at least an estimated time?

Look, she's five years old, she's not saying anything,

there's obviously some deep trauma.

LEON: (OVER RADIO) Kerry, I think I know who he is.

I need you or your people to start seeing this kid as a priority.

Look, I don't give a shit how overstretched you are,

you are the Department of Human Services and that's your job.

That's a frame grab taken from TR-2.

Now, this guy here is Oliver Goddard, taken a year ago

when his wife put out an intervention order against him.

Allegedly, he was violent towards her

and was threatening to take the kids.

Oh, that's definitely a match.

We've got a name for you. It's Oliver Goddard.

He's been divorced for three years.

A couple of kids - Dylan and Amy.

Presiding judge over the custody battle was Justice Kate Hawker.

SHANNON: OK, Leon, I need everything you've got on him.

History of violence, where he works, what school the kids go to,

anything you've got on the ex - is she seeing somebody else -

what he pays in child support, the whole catastrophe.

I'll get it to you as soon as possible.

27.5% of his net income for the first child,

and it's tiered at 7.5% for every child after that.

Two kids, he'll be paying 34.5%.

That's if he earns under 75 grand a year.

No wonder he's unhappy.

Feb this year, Justice Hawker granted the ex sole custody

and gave her permission to move with the kids to Perth.

JOSH: We need to get him off the road, out of that car.

We might be in luck.

We're passing by his house in Clifton Hill.

Alright, let's get some uniforms around the house.

-What's the address? -31 Salisbury Street.

(PHONE KEYS BEEP)

DOMINIC: Maybe he just wants to show her

what sort of life he had planned for the kids.

(PHONE RINGS)

Hello. Shannon speaking.

We're going inside the house for a few minutes.

Am I speaking with Oliver Goddard?

Well done, you worked it out.

-Ollie. -Ollie, I'm coming over to you, OK?

Alright.

What's in the house you wanna show Kate?

I wanna show her the home that I made.

Show her that she's wrong about me.

Unhook Kate from the nail gun

and we'll talk about letting you go into the house.

Yeah, I do that and you shoot me. Come on.

Nobody's gonna shoot you, Ollie, but I can't let you go in there,

it's just not possible.

She needs to understand what she did to me.

I would like to see the home you made for your kids.

Shannon, get him out of the car if you can.

I'm not taking this off.

OK. Now, can you promise me you won't hurt Kate?

You'll let us go inside?

Yes.

-Drive. -I thought we were going inside.

-Drive. -JOSH: All units back off.

Let him through. Kerry, we're on the move again.

Hey! Hey! Hey, hey, hey. You gotta get me out of here.

There's this guy, he's got a gun on me.

You see that?

He was making me dig my own grave.

-You alright? -Yeah.

-You're not hurt? -Nah.

Aarggh!

(GROANS)

TR-1, respond to an assault at Yarra Bend Park.

A ranger's been attacked.

One male offender, left his vehicle and fled the scene.

TR-1. Copy that, VKC. We're on the way.

Leon, we're gonna need some uniforms down here and canine.

She's cold.

-G'day. -G'day, mate.

-Are you alright? -Yeah.

-So...so this is the grave. -That's what he said.

Said there was some guy with a gun making him dig it.

-Did you see anyone else? -No.

Then he attacks me.

-Which direction did he go in? -I'm sorry, I didn't see.

OK.

-Michael, you wanna get a rego check? -Yeah.

Leon, can I get a rego check...

So, he's digging and then you turn up.

He attacks you, you fight him off and what - he just runs?

-That's it. -OK.

WOMAN: (IN DISTANCE) The call should have been logged.

Rogers attended, but I need the details.

Can you give me a call when you have it?

Thanks.

OK.

OK, bye-bye.

Car's registered to an Anastasia Wilson, Beauty Street, Thornbury.

Lawson, I've found a wallet over here.

-It was under the car. -Take that.

Alright.

The guy who attacked you, what did he look like?

About my height, medium build.

-Yeah. -OK.

Leon, get a grab of this - suspect in the assault.

LEON: Hold nice and still. Got it.

Lawson.

Shit. Leon, we've got a body in the boot.

Female, a lot of head trauma.

KERRY: Yeah, I'll get on to CI and forensics.

Honey, you can't stay in here.

You have to go back and do your drawings and...

Is that your foot?

Did you cut yourself? Let's have a look.

Let's look here.

Oh, honey. What about the other one?

Do you think Coleman dumped the girl?

Well, the footage at the station's not exactly clear,

but he seems to fit the description.

The girl's still not talking.

And you're sure it's not her blood?

Nah, nah, she must have stepped in a pool of it, or something.

She probably saw the whole thing or the aftermath.

The wife is alive and well at home.

I've got a car outside Coleman's house, in case he turns up,

but the wire tap's half an hour off.

Alright, well, let's keep Mrs Coleman in the dark

for the moment, shall we?

We don't want her tipping him off.

Michael, Stella... do a quick search, OK?

50m grid. Just be careful. You never know, he still may be in the area.

KERRY: (OVER RADIO) Lawson, I need you to hang around there a bit.

CI's still travelling and the media's onto this.

So, being a senior, I need you to do the media briefing.

Oh, wait. Hang on. Can't they just wait?

Oh, see it as character building,

as preparation for a brilliant career.

Yeah, funny.

LEON: Kerry, the boot woman's got form.

A couple of small dope convictions and one for prostitution.

Could you check births, deaths and marriages,

see if she's got kids?

(SIGHS) Princess.

Not your day, is it?

MICHAEL: Hey, um...

..we're cool, right?

Yeah.

Good.

-Why wouldn't we be? -Oh, I dunno.

-Oh, get lost. -(LAUGHS) I'm cool.

Yeah, so am I.

Super chilled-out, cool daddy...

-That snake! Shit. -Where?

Snake, in there.

-It's... -I can't see it.

Well, it's in there.

OK, well, let's go around this way a bit.

-Huh? -I'm scared of snakes too.

-Yeah. -Come on.

Well, that's something we have in common.

OK, Michael, you know what?

Let's just concentrate on, you know...

We are cool, right?

Michael, we're cool.

DOMINIC: Say he is taking her on a tour of his life,

what's on this side of town he wants to show her?

JOSH: Is there anything in his file?

Nothing showing up.

So, he shows her what a good dad he was, what then?

I'm hoping he'll run out of puff and let her go.

You think a guy who rigs up something like that's

just gonna let her go?

Can you see anything?

You could hide an army in there and you wouldn't see a thing.

-Except for snakes. -(PHONE RINGS)

-Lawson Blake. -Oh, hi. It's Jacinta Burns here.

Who? Sorry...sorry, do I know you?

No, you don't, actually, we've never met.

But we do have a lot of the same friends.

Yeah, really? And who gave you my number?

I'm a journalist.

Hey, listen, how would you feel about me

doing a story on Tactical Response?

I think it's best you call my boss and chat to her.

I'm fairly busy right now, thanks.

I hear you're giving a briefing on the body in the boot at Yarra Bend.

That was quick, I only just found out myself.

Well, you know, that's my point.

I've just finished a job in Nunawading

and it's gonna take me a little bit of time to get to you.

-How much longer? -15 minutes.

Make it 10. Don't speed.

Ha. Thanks, Senior Sergeant.

LEON: Anastasia Wilson, never married, one daughter the right age,

no father on the birth certificate.

KERRY: What's her relationship with Coleman?

Oh, who knows?

His wife's still listed as living with him in Abbotsford.

So...I don't know, maybe Anastasia Wilson's his girl on the sly.

What's the kid's name?

-Britney Lee Wilson. -Lee?

Yeah, Lee.

So, it's Britney LEE Wilson, LEE Coleman.

What do you reckon - that's a coincidence?

Coleman's definitely the kid's father?

Hey. Hi.

Hi, sweetheart.

Do you know what? I'm gonna play a little game with you.

And I'm gonna try and guess what your real name is.

Wanna play with me? Eh?

OK, alright, for my first guess, it's gonna be...Emily.

No. OK, what about Siobhan?

I'm not really good at this, am I?

Alright, for my last guess, it's gonna be...Britney.

Hello, Britney.

(FLIES BUZZ)

How old do you reckon she is?

Senior Sergeant Blake.

Thanks for waiting.

OK, ladies and gentlemen, I think we can get started.

-If that's alright by you. -Oh, sure, that's fine by me.

Good afternoon, ladies and gentlemen.

Thanks for waiting.

What I'm gonna do is explain the situation...

..uh...briefly, the situation,

then I'll take questions.

This afternoon, we discovered the body of one deceased female

in the boot of the blue sedan you see behind me.

At this stage, the police are treating the death as suspicious.

Well, obviously.

What are you doing? Move!

Mr Goddard, where are we going?

-Move! -What is he doing?

Please, we can't keep driving around like this.

Go. Faster, faster! Drive!

Did his daughter go to school here?

Northcote Primary till the end of last year.

Does the judge have kids?

Leon, I need to know if Justice Hawker has any children.

If so, what school do they go to?

Yeah, daughter, Lauren, aged 15, attending Melbourne Girls' College.

We're putting an end to this now. Cut him off.

(SIREN WAILS)

Go! Go!

Just do as I say or I will kill you!

Turn in near the school now!

-No. -Drive!

Leon, get all available units to Melbourne Girls' College.

It looks like he's taking Hawker inside.

Call the school and get them evacuated immediately.

KATE: Please don't do this.

(HUBBUB)

-Get out of this area! -(GIRLS SCREAM)

-(RANTS INDISTINCTLY) -Slow down, Ollie.

I'm worried if Kate falls.

Just think what you're doing, Ollie.

(SIRENS WAIL)

(SIRENS BLARE, ANNOUNCEMENTS OVER P.A.)

DOMINIC: Clear this area! Let's go! Clear the building!

Everyone, out of the building!

10D's her form room, isn't it, hmm? 10D?

-Please. -Mum!

Lauren, please.

Lauren, I need you to turn around and walk away now.

Mum, what's going on? Who's this?

Do as the police officer says. It's OK.

-Mum, it's NOT OK. -Walk out of here now!

-I will kill her. I will! -MUM! MUM!

Don't you touch her!

You're gonna know how I feel!

Now, leave us alone!

I've actually read some of your stuff.

That one you did about the, um...the barrister who got arrested in drag.

Oh, yeah, Xavier O'Donnell.

-Yes, he tried to sue us over that. -What happened?

We let his lawyers see the stuff we didn't print.

Hey, I don't suppose I can have a look at

Coleman's driver's licence, can I?

-Just help with a description. -Oh, yeah.

I don't see why that would be a problem.

Thanks.

-STELLA: What have you lost? -The wallet.

-Oi! -Oh.

Here you go. That's him.

Michael.

OK, well, I'm done here. Thanks for that.

OK.

It was a nice presser, by the way.

Yeah, it really wasn't.

I enjoyed it.

(HUBBUB)

GODDARD: (IN DISTANCE) I was a good father.

I cooked meals for 'em and took 'em to rugby and gymnastics.

What do you think his end game is? He hasn't made any demands.

You'd think if he wanted a peaceful outcome, you know,

he'd put something on the table.

Reverse the decision, get the kids back -

he hasn't mentioned anything like that.

He wants to make her feel something -

terrify her, I don't know.

-What are you thinking? -We need the option to drop him.

-We do that and he'll kill her. -We do nothing, she's dead anyway.

The rig relies on his body weight triggering it, right?

If we get a shot in the head, stop him from falling,

maybe it won't go off.

I'm glad that's a call I don't have to make.

Except someone's gotta be there to stop him falling.

Me. It's not gonna come to that.

-What if it does? We need the option. -Do you want me to take the shot?

No, it's my decision, so if anyone's gonna take the shot it's gonna be me.

-OK? -Mm-hm.

Right, let's work on getting the daughter out of there.

OK, go, Josh. Go, go, go.

GODDARD: Your mother or your father - which one would you say?

-Which one would you say? -KATE: I want you to go, actually.

Shannon, I'm in position.

Ollie, it's OK. I just want to take Lauren out of here.

We're just talking. There's no stress.

Isn't that right, Lauren, eh?

No. She's a good girl.

Very polite. Obviously well brought up. Well done to mother and father!

She has to come out of here, Ollie.

-Lauren. -Go with the police officer.

No, Mum, I can't. He'll kill you. I'm staying.

He can't hurt me, and I don't think he'll hurt you while I'm here,

would you, Mr Goddard?

I think from everything you said you care about what happens to children.

Shannon, we need to move the kid.

Ollie, do you really wanna put her through this?

She's a child.

I need Justice Hawker to understand something.

I can't do that properly with just words.

And Lauren's helping me. So thank you, Lauren. I mean it, thank you.

You wanna make her understand what complete helplessness feels like?

Yeah!

I think she understands that, Ollie.

You have all the power. Why don't you put the gun down?

You've achieved your goal and nobody's been hurt.

Three years it's been.

I've been at the mercy of a machine that doesn't care about me,

what I feel or want or need.

It's deprived me of the thing I am in my heart, which is a father.

My children were all I had!

And this woman wielded the machine that took everything away from me.

These are things that we can discuss,

but Lauren doesn't need to be here for that.

Lauren's making her own decisions now,

and she's gonna have to get used to it.

-Just go, please. -That's not fair, Ollie.

-That's not fair. -JOSH: How far is she now?

She's still 10ft away.

Shannon, come on. We need to get the girl out.

But when I see you playing mind games with a child

I wonder if you are what you say.

What would you know about anything that I am?

Only what you're showing me, Ollie.

Show us you're a good father.

Who's manipulating who now, eh?

Do you think I'm that stupid that I'll be sucked in by that shit?!

(ALL SHOUT AT ONCE)

Walk out of here now, Lauren.

Do as you're told, please!

Lauren, listen to your mother and walk out of here now.

I'll be alright.

Please!

(SCREAMS) Mum! Get off me!

-(WAILS) -DOMINIC: Come on.

Get her out of here.

SHANNON: I think you're a good father who's been misunderstood.

OK, I have the shot. I repeat, I have the shot.

GODDARD: What are you doing?

-I think you're confused. -Confused?

-Get out. -I think you love your children.

-I do. Of course I do! -Well, they must miss you.

Probably don't even know who I am now.

You coached Dylan's soccer team.

You tried to rebuild something of what you had - I saw the house.

This woman took away everything that I am.

How long did it take to put up the trampoline in the yard?

-Not yet. -They take ages, don't they?

The instructions are impossible to follow.

Was that for a special occasion?

-Christmas. -Closer now.

You'd have been up all night for your kids.

-That's a good father. -She's in reach.

I repeat, she is in reach.

It was ready for them in the morning.

They didn't come.

(GROANS)

They didn't come.

I'm gonna take this, OK?

Just let it go, Ollie.

Just let it go.

That's it. Take two steps back.

Facedown on the ground!

Lower yourself to the ground, Ollie.

-It's gonna be OK. -Put your hands behind your back.

Thank you. Thank you.

(EXCITED CONVERSATION)

Mum!

(SOBS)

-Are you alright? -Yeah.

It takes a lot out of you.

Yeah, well, you did good.

I'd made the decision to shoot, so thank you.

I'm so sorry. At first I didn't know what I was doing. I'm so sorry.

-What? -You stink of garlic sauce.

Do I?

Lawson, you're gonna wanna hear this. Phone tap at Coleman's active.

She's ringing someone.

MAN: (OVER PHONE TAP) Hello?

-WOMAN: (OVER PHONE) Lee, it's me. -Hi.

There's a woman from the papers here who said the police...

Oh, shit!

You've done something horrible to a woman?

Don't believe a word anybody says. It's all a mistake.

How the hell did they get the address?

STELLA: Maybe from the phone book.

Stell, how many 'L. Coleman's do you think there are in the phone book?

Come on, let's get there.

Nah, mate. We're off.

-JACINTA: What's the problem? -What are you doing? Look over there.

We've got this place staked out,

hoping a murder suspect may come back,

and you've gone and ruined just about any chance of that happening.

I'm just doing my job. It's news.

Yeah, yeah, I've heard that argument before.

If I get the story, you might have a better chance of...

Oh, what? Give me a break.

All you wanted was the first interview with the wife.

Yeah, I did.

This is not a game of who gets the scoop, understand?

Well, I'm sorry, but in my line of work it is.

Jacinta, this is not about you and your line of work.

It's a murder investigation, do you get that?

Somebody died.

Yeah, I... You're quite right.

I'm sorry, I've crossed the line.

-I'll just, um... -Look.

-I'll stay out of your way. -Look.

You just need to stay away from this house for at least 24 hours.

'Cause I don't wanna have to charge you with obstructing justice, OK?

OK.

OK.

So, Liz is gonna take you to a very nice house.

You can spend the night there.

If you're lucky there's gonna be a treat there.

Oh, it just comes off, see?

Take care of yourself.

-Just keep me in the loop, OK? -Yep.

(ENGINE STARTS)

(PHONE RINGS)

-Yes? -Senior Sergeant.

I feel bad. I'd like to make it up to you.

Look, forget it. Don't worry about it.

Lee Coleman's called me.

He wants to turn himself in.

Before he does, though, he wants to tell his side of the story.

No, no. Look, where are you meeting him?

I get...I get to do the interview first.

No, Jacinta, do you understand? This guy's a murderer.

He's coming in of his own volition.

You won't be far away.

Let me do the interview and then you can have him.

Jacinta, just tell me where you're meeting him, OK?

Do you want to tell me what happened?

I've had a really shit day.

I want to admit that I killed my girlfriend.

Anastasia.

But it was an accident.

We were arguing and I...I had a brain snap and I hit her,

and I just kept hitting her, but I didn't mean to kill her.

She...she kept pressuring me to come live with her and Britney.

Britney's our daughter.

Tell me.

Ana just wanted it all out in the open...

..and I just wasn't ready for that.

I am so sorry. Everything's just on top of me.

Facedown! On the ground! Now!

Facedown! On the ground!

Hands behind you!

(COLEMAN SOBS)

Hands behind you! Stay there!

Make a fist with both hands.

Make a fist!

Up.

Ian Coleman, I'm placing you under arrest.

Make sure he's read his rights.

-Are you alright? -Hmm?

It wasn't much of an interview.

Right, yeah.

-Well, good luck with your story. -(ENGINE STARTS)

No thank you?

Thank you.

That's a pleasure.

(SIGHS)

Do you wanna go for a drink with me?

Are you asking me out?

For a drink.

So, you're not asking me out.

Yeah, kind of.

That's not very flattering, Michael.

Alright, I'm asking you out.

OK.

Then what?

You're so suspicious.

I'm not suspicious, I just want to know what you really want.

-And what's that? -You tell me.

A drink.

And then maybe we could...hang out.

We're cool, right?

Like, nothing's different?

Yeah. Yeah, just like old times.

We'll have a drink, we'll have a few more,

then it's, like, "Whose place - yours or mine?"

-Isn't that how it goes? -Yeah, right.

Then you knock me back. I'm used to it by now.

What if I don't knock you back?

Are you saying you wanna go again?

I don't want a relationship thing.

OK.

OK.