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These are the user uploaded subtitles that are being translated: 1 00:00:02,001 --> 00:00:02,919 - POLICE SAY LATE LAST NIGHT, 2 00:00:03,002 --> 00:00:04,379 THEY APPREHENDED RODNEY GULLIVAN, 3 00:00:04,462 --> 00:00:07,590 AND FOUND A GUN AND NARCOTICS IN HIS TRUCK. 4 00:00:07,674 --> 00:00:09,968 HE WAS CHARGED WITH POSSESSION AND ASSAULT ON HIS FIANCEE, 5 00:00:10,051 --> 00:00:13,888 AND SHE IS IN THE HOSPITAL RECOVERING TONIGHT. 6 00:00:13,972 --> 00:00:14,973 MEANWHILE, ANOTHER WOMAN 7 00:00:15,056 --> 00:00:16,975 WAS SEXUALLY ASSAULTED BY BENJAMIN BRAIDER 8 00:00:17,058 --> 00:00:18,351 OF INDIANAPOLIS. 9 00:00:18,435 --> 00:00:20,854 THE UNIDENTIFIED WOMAN SUFFERED A BROKEN RIB AND A SPLIT LIP. 10 00:00:20,937 --> 00:00:23,815 SHE'S IN STABLE CONDITION TONIGHT. 11 00:00:23,898 --> 00:00:25,400 WELL, THAT'S IT FOR SPORTS. 12 00:00:25,483 --> 00:00:26,609 CHUCK. 13 00:00:26,693 --> 00:00:29,654 [haunting western music] 14 00:00:29,738 --> 00:00:37,662 ♪ ♪ 15 00:00:50,925 --> 00:00:52,886 - WHEN I WAS, I DON'T KNOW, 16 00:00:52,969 --> 00:00:54,888 I MIGHT'VE BEEN 13 OR SOMETHING, 17 00:00:54,971 --> 00:00:57,265 I HAD A WILLIE TALK VENTRILOQUIST DUMMY. 18 00:00:57,348 --> 00:00:59,601 - WILLIE TALK? - WILLIE TALK WAS HIS NAME. 19 00:00:59,684 --> 00:01:01,936 THAT WAS-- HAVE YOU EVER SEEN THOSE? 20 00:01:02,020 --> 00:01:04,855 HE'S GOT ON, LIKE, A WHITE AND RED STRIPED SHIRT, 21 00:01:04,938 --> 00:01:06,316 AND IT SAYS, "WILLIE TALK." - OH, MY GOD. 22 00:01:06,399 --> 00:01:09,360 - AND HE'S GOT A PLASTIC HEAD, AND HE'S LIKE...[mumbling] 23 00:01:09,444 --> 00:01:10,737 AND JUST, 24 00:01:10,820 --> 00:01:11,988 LIKE, A KIND OF STANDARD-LOOKING VENTRILOQUIST DUMMY. 25 00:01:12,071 --> 00:01:13,531 THEY'D HAVE THESE THREE TYPES OF DOLLS. 26 00:01:13,615 --> 00:01:16,283 THERE WAS, LIKE, A WILLIE TALK, A WILMA TALK, 27 00:01:16,367 --> 00:01:17,827 AND THEN-- - WILMA TALK. 28 00:01:17,911 --> 00:01:18,953 - THE GIRL VERSION. 29 00:01:19,037 --> 00:01:20,663 - BUT IT DOESN'T MAKE A PUN. 30 00:01:20,747 --> 00:01:23,082 - [chuckles] I KNOW. 31 00:01:23,166 --> 00:01:24,417 AND THEN--ARE YOU KIDDING ME? 32 00:01:24,501 --> 00:01:25,293 YOU KNOW WHAT? CAN I JUST TELL YOU SOMETHING? 33 00:01:25,376 --> 00:01:26,961 I'M GONNA ADMIT SOMETHING RIGHT NOW. 34 00:01:27,045 --> 00:01:30,423 JUST GOT THE PUN RIGHT NOW. - GEE. 35 00:01:30,507 --> 00:01:32,342 - JUST GOT THE PUN RIGHT NOW. 36 00:01:32,425 --> 00:01:34,219 I WAS SO EXCITED TO GET A WILLIE TALK 37 00:01:34,301 --> 00:01:37,597 'CAUSE MY GRANDPA'S-- MY GRANDPA'S NAME WAS WILLIE. 38 00:01:37,680 --> 00:01:40,850 AND MY MOM SAID, "LOOK, A VENTRILOQUIST DUMMY'S NAMED... 39 00:01:40,934 --> 00:01:42,560 AFTER YOUR GRANDPA." - DUDE. 40 00:01:42,644 --> 00:01:45,729 - I--OH, NO, I'M 43. 41 00:01:45,814 --> 00:01:47,190 I GOT IT RIGHT NOW. - OKAY, OKAY. 42 00:01:47,273 --> 00:01:49,609 - I'M LIKE, "OH, WILL HE TAL--" WHAT? 43 00:01:55,031 --> 00:01:57,158 - GOOD MORNING. 44 00:01:57,241 --> 00:02:02,497 CLIVE "DOUBLE DOWN" RUGGINS, I'M DANIEL TATE. 45 00:02:02,580 --> 00:02:06,167 I AM YOUR PAROLE OFFICER, AND I JUST WANT TO HELP YOU. 46 00:02:06,251 --> 00:02:08,252 - HOW THE HELL YOU SUPPOSED TO HELP ME, MAN? 47 00:02:08,336 --> 00:02:10,839 WHAT THE [bleep] YOU KNOW ABOUT THE STREETS, 48 00:02:10,922 --> 00:02:13,800 WHAT WITH YOUR DIPLOMAS ON THE WALL? 49 00:02:13,883 --> 00:02:15,134 - SETTLE DOWN. 50 00:02:15,218 --> 00:02:18,763 I KNOW THAT YOU MIGHT NOT BE ABLE TO RELATE TO ME, 51 00:02:18,847 --> 00:02:22,851 BUT I THINK I KNOW SOMEBODY 52 00:02:22,934 --> 00:02:27,230 WHO YOU CAN RELATE TO. 53 00:02:27,313 --> 00:02:28,398 LITTLE HOMIE. 54 00:02:28,481 --> 00:02:29,691 - WHAT UP? 55 00:02:29,774 --> 00:02:32,192 WHAT UP? IT'S MY FAVORITE CLIVE. 56 00:02:32,277 --> 00:02:35,238 [laughs] WHAT UP, DUDE? - NAH, DOG, LISTEN. 57 00:02:35,321 --> 00:02:38,533 HEY, MAN, I AIN'T TRYING TO TALK TO NO PUPPET, MAN. 58 00:02:38,616 --> 00:02:40,118 - IT'S NOT A PUPPET. 59 00:02:40,201 --> 00:02:41,452 IT'S LITTLE HOMIE, 60 00:02:41,536 --> 00:02:43,246 AND I WOULD LIKE FOR YOU TO TALK TO HIM, CLIVE. 61 00:02:43,329 --> 00:02:47,417 SEE, I USED TO WORK IN THE JUVENILE CORRECTION SYSTEMS, 62 00:02:47,500 --> 00:02:50,795 AND I FOUND THIS METHOD VERY EFFECTIVE. 63 00:02:50,879 --> 00:02:52,922 - I AIN'T NO JUVENILE, MAN, OKAY? 64 00:02:53,006 --> 00:02:54,257 - HE'S RIGHT. 65 00:02:54,340 --> 00:02:56,259 DOES HE LOOK LIKE A KID TO YOU? 66 00:02:56,341 --> 00:02:57,594 COME ON! HE'S A GROWN-ASS MAN. 67 00:02:57,677 --> 00:03:00,638 - SEE? WHAT? 68 00:03:00,722 --> 00:03:03,766 - LOOK, IT'S VERY IMPORTANT 69 00:03:03,850 --> 00:03:07,186 FOR YOUR PAROLE THAT YOU TALK TO LITTLE HOMIE. 70 00:03:10,315 --> 00:03:11,441 - WHAT'S UP, LITTLE HOMIE? 71 00:03:11,524 --> 00:03:15,653 - [laughs] THAT'S BETTER, MY NEGRUMPS. 72 00:03:15,737 --> 00:03:18,114 HEH, WHAT YOU GETTING INTO THESE DAYS, MAN? 73 00:03:18,197 --> 00:03:19,407 WHAT IT IS? WHAT IT IS? 74 00:03:19,490 --> 00:03:22,160 YOU GOT A JOB YET? 75 00:03:22,243 --> 00:03:25,788 - [sighs] I'M TRYING, MAN, BUT NO ONE WILL HIRE ME. 76 00:03:25,872 --> 00:03:30,627 - YEAH, HEY, [bleep] ALL THAT NOISE, MAN. 77 00:03:30,710 --> 00:03:32,503 BETWEEN YOU AND ME, MAN, 78 00:03:32,587 --> 00:03:35,590 AIN'T NOBODY TRYING TO HIRE A [bleep] WITH A RECORD. 79 00:03:35,673 --> 00:03:38,091 BUT HEY, MAN, WHAT YOU NEED TO BE DOING 80 00:03:38,176 --> 00:03:42,680 IS GET BACK INTO SOME CRIMES, MANG. 81 00:03:42,764 --> 00:03:44,974 - [stammers] WHAT'S GOING ON, MAN? 82 00:03:45,058 --> 00:03:47,310 - ARE YOU TALKING TO ME? - YEAH. 83 00:03:47,393 --> 00:03:49,145 - WELL, YOU SHOULD BE TALKING TO LITTLE HOMIE RIGHT NOW. 84 00:03:49,228 --> 00:03:51,814 - WHAT IS GOING ON? - YEAH, BITCH! 85 00:03:51,898 --> 00:03:52,649 TALK TO ME! 86 00:03:52,732 --> 00:03:54,442 LOOK AT ME WHEN I'M TALKING TO YOU! 87 00:03:54,525 --> 00:03:55,860 - OKAY, OKAY, FINE. 88 00:03:55,944 --> 00:03:58,821 - [panting] 89 00:03:58,905 --> 00:04:01,282 DAMN! 90 00:04:01,366 --> 00:04:03,701 SO, YOU SMOKING WEED, [bleep]? 91 00:04:03,785 --> 00:04:05,453 - NO, MAN. NO, NO, LITTLE HOMIE. 92 00:04:05,536 --> 00:04:06,496 I'M DONE WITH DRUGS. 93 00:04:06,579 --> 00:04:08,998 - [laughs] 94 00:04:09,082 --> 00:04:11,501 [bleep]. I GOT SOMETHING. 95 00:04:11,584 --> 00:04:13,878 UH-OH, UH-OH, UH-OH. 96 00:04:13,962 --> 00:04:17,589 LOOK AT THIS HERE, NEGRUMPS. 97 00:04:17,673 --> 00:04:20,093 SMOKE THIS WEED! 98 00:04:20,176 --> 00:04:21,177 - NO, NO, NO, NO, NO, NO, MAN. 99 00:04:21,260 --> 00:04:21,719 I'M DONE, MAN. YOU HEAR ME? 100 00:04:21,803 --> 00:04:22,845 I'M DONE WITH DRUGS. 101 00:04:22,929 --> 00:04:25,264 I AIN'T DOING ALL THAT. 102 00:04:25,348 --> 00:04:26,349 - I DON'T KNOW. 103 00:04:26,432 --> 00:04:29,811 LITTLE HOMIE SEEMS PRETTY SERIOUS ABOUT THAT. 104 00:04:29,894 --> 00:04:31,688 - HERE. 105 00:04:31,771 --> 00:04:32,438 - WHAT? LOOK, I'M CONFUSED, MAN. 106 00:04:32,522 --> 00:04:34,232 WHAT DO YOU WANT ME TO DO HERE? 107 00:04:34,315 --> 00:04:35,858 - WELL, I WANT YOU TO CLEAN UP YOUR ACT, 108 00:04:35,942 --> 00:04:38,069 BUT YOU'RE NOT TALKING TO ME RIGHT NOW. 109 00:04:38,152 --> 00:04:40,697 YOU'RE TALKING TO LITTLE HOMIE. 110 00:04:40,780 --> 00:04:42,573 - NOW SMOKE THAT [bleep] 111 00:04:42,657 --> 00:04:46,536 OR I'LL SMOKE THIS BITCH RIGHT HERE. 112 00:04:46,619 --> 00:04:49,998 - OH, MY GOD. 113 00:04:50,081 --> 00:04:51,165 HE'S NOT MESSING AROUND. 114 00:04:51,249 --> 00:04:53,293 I THINK YOU BETTER DO WHAT HE SAYS. 115 00:04:53,376 --> 00:04:55,044 - OKAY, ALL RIGHT. LITTLE HOMIE, MAN. 116 00:04:55,128 --> 00:04:57,547 JUST RELAX, MAN. RELAX, LITTLE HOMIE. 117 00:04:57,630 --> 00:04:59,382 TAKE IT EASY. I'M JUST-- I'M GONNA SMOKE IT DOWN. 118 00:05:04,470 --> 00:05:05,888 WAIT, WAIT, NO, NO, NO, NO, NO, NO, 119 00:05:05,972 --> 00:05:08,891 NO, YOU CAN'T FOOL ME. 120 00:05:08,975 --> 00:05:11,060 YOU'RE TRYING TO TRICK ME, MAN. 121 00:05:11,144 --> 00:05:12,520 NO, I'M DONE WITH THE WEED. 122 00:05:12,603 --> 00:05:14,313 [gunshot] 123 00:05:14,397 --> 00:05:15,773 OH! 124 00:05:15,857 --> 00:05:18,818 - [chuckles] 125 00:05:18,901 --> 00:05:21,320 CATCH, [bleep]. 126 00:05:21,404 --> 00:05:26,868 [laughs] 127 00:05:26,951 --> 00:05:27,785 DUMBASS! 128 00:05:27,869 --> 00:05:30,121 NOW YOUR FINGERPRINTS IS ON THE WEAPON! 129 00:05:30,204 --> 00:05:33,875 YOU IN THIS WITH ME NOW, RIGHT? 130 00:05:33,957 --> 00:05:35,209 - OKAY, LITTLE HOMIE, YEAH. 131 00:05:35,293 --> 00:05:38,755 - HMM. 132 00:05:38,838 --> 00:05:40,548 - OH! OH! 133 00:05:49,182 --> 00:05:51,433 - YOU FAILED THE TEST. 134 00:05:51,517 --> 00:05:56,939 I HAVE NO CHOICE BUT TO REVOKE YOUR PAROLE. 135 00:05:57,023 --> 00:05:59,609 - WHAT? OH, MAN. 136 00:05:59,692 --> 00:06:01,277 AIN'T THIS ABOUT A BITCH? 137 00:06:01,360 --> 00:06:03,196 - ON YOUR FEET, BABY BOY. 138 00:06:03,279 --> 00:06:04,280 - GET HIM OUT OF HERE. 139 00:06:04,363 --> 00:06:05,782 - COME ON. 140 00:06:05,865 --> 00:06:09,786 - I CAN'T BELIEVE THAT NEGRUMPS ACTUALLY THOUGHT I KILLED YOU. 141 00:06:09,869 --> 00:06:11,621 - I KNOW, RIGHT? 142 00:06:11,704 --> 00:06:12,538 - HE'S HERE. HE'S HERE. 143 00:06:12,622 --> 00:06:14,457 - COME ON, BABY, COME ON. GET YOUR SIGN. 144 00:06:14,540 --> 00:06:14,999 BRANDON, BRING THE CAMERA. 145 00:06:15,083 --> 00:06:17,835 COME ON. LET'S GO. 146 00:06:17,919 --> 00:06:19,587 HERE YOU GO. 147 00:06:19,670 --> 00:06:20,713 HOLD IT OUT. 148 00:06:20,797 --> 00:06:23,299 HOLD IT OUT RIGHT FOR DADDY, SO DADDY CAN SEE. 149 00:06:23,382 --> 00:06:24,884 HERE YOU GO. 150 00:06:24,967 --> 00:06:28,304 - ROCKY! OH, MY BOY. 151 00:06:28,387 --> 00:06:31,307 THERE'S MY BOY. - HE GOT ME A TEDDY BEAR. 152 00:06:31,390 --> 00:06:31,974 - HOW'S MY ROCKY DOING? - HE DID BRING YOU A TEDDY BEAR. 153 00:06:32,058 --> 00:06:33,017 - OH, MY GOSH, LOOK AT THIS. 154 00:06:33,101 --> 00:06:34,018 LOOK AT THIS GOOD BOY. 155 00:06:34,102 --> 00:06:36,479 YO, HEY, HEY, YOU WANT THAT? 156 00:06:36,562 --> 00:06:37,814 YOU WANT THAT TOY? YOU WANT THAT TOY? 157 00:06:37,897 --> 00:06:38,940 YOU WANT THAT TOY? - WHY ISN'T HE COMING, MOMMY? 158 00:06:39,023 --> 00:06:40,483 - THAT'S A GOOD BOY. - HE'S COMING, HE'S COMING. 159 00:06:40,566 --> 00:06:42,360 - OH, MY GOSH, I LOVE YOU SO MUCH, ROCK. 160 00:06:42,443 --> 00:06:42,985 OH, HEY, LET'S GO. 161 00:06:43,069 --> 00:06:45,071 COME ON, BOY. 162 00:06:45,154 --> 00:06:46,280 GOOD DOG. GOOD DOG. 163 00:06:46,364 --> 00:06:47,532 THERE WE GO. 164 00:06:47,615 --> 00:06:49,117 OH, I MISSED YOU SO MUCH. 165 00:06:49,200 --> 00:06:50,909 THAT'S MY ROCKY! YES, GOOD BOY. 166 00:06:50,993 --> 00:06:56,332 THAT'S MY ROCKY! 167 00:06:56,415 --> 00:06:58,459 - WHO'S YOUR FAVORITE ACTOR ALL TIME? 168 00:06:58,543 --> 00:06:59,585 - MY FAVORITE ACTOR OF ALL TIME? 169 00:06:59,669 --> 00:07:00,920 - STILL WORKING TODAY. - WHO'S YOURS? 170 00:07:01,003 --> 00:07:02,296 DO YOU KNOW YOURS OFF THE TOP OF YOUR HEAD? 171 00:07:02,380 --> 00:07:06,384 - MY FAVORITE IS PROBABLY... 172 00:07:08,970 --> 00:07:10,555 YOU. 173 00:07:10,638 --> 00:07:13,015 - NO, YOU CAN'T DO THAT. - YOU'RE MY FAVORITE ACTOR. 174 00:07:13,099 --> 00:07:13,808 - NO, NO, NO. 175 00:07:13,891 --> 00:07:16,018 - WHAT IS YOURS, BUT SERIOUSLY? 176 00:07:16,102 --> 00:07:19,147 WORKING, LIVING. 177 00:07:19,230 --> 00:07:21,315 YOU KNOW, DON'T-- AND FEEL FREE TO NOT SAY ME. 178 00:07:21,399 --> 00:07:23,484 ALL I'M SAYING IS YOU'RE MY FAVORITE ACTOR. 179 00:07:23,568 --> 00:07:26,154 - OH, MY GOD. - WHO'S YOUR FAVORITE ACTOR? 180 00:07:26,237 --> 00:07:28,531 IT SHOULDN'T BE THAT HARD. 181 00:07:28,614 --> 00:07:30,366 IT SHOULD BE SOMEONE WHO JUST COMES OFF THE TOP OF YOUR-- 182 00:07:30,449 --> 00:07:35,079 - YOU ARE. YOU ARE. 183 00:07:35,163 --> 00:07:37,415 - WHY? 184 00:07:37,498 --> 00:07:40,877 LIKE, WHAT IS IT ABOUT MY, I DON'T KNOW-- 185 00:07:40,960 --> 00:07:42,378 - IT'S THE SUBTLE--LIKE, 186 00:07:42,461 --> 00:07:43,421 A LOT OF THE SUBTLETY THAT YOU USE WHEN YOU'RE PERFORMING. 187 00:07:43,504 --> 00:07:45,715 - SUBTLETY. - YOU KNOW WHAT I MEAN? 188 00:07:45,798 --> 00:07:48,217 SOMETIMES, THERE'S, LIKE, A LOT GOING ON BACK HERE, 189 00:07:48,301 --> 00:07:49,343 AND WELL, IT'S YOU KNOW, IT'S-- 190 00:07:49,427 --> 00:07:50,344 YOU CAN SEE WHAT YOU'RE THINKING. 191 00:07:50,428 --> 00:07:51,554 - YOU WANT TO PUT IT ON THE BACK. 192 00:07:51,637 --> 00:07:53,097 YOU WANT TO PUT IT IN THE BACK 'CAUSE 193 00:07:53,181 --> 00:07:55,850 IF IT'S HAPPENING INSIDE, YOU WANT THE AUDIENCE TO FEEL IT. 194 00:07:55,933 --> 00:07:58,060 YOU DON'T WANT 'EM TO SEE IT. 195 00:07:58,144 --> 00:08:00,521 - MM-HMM, YUP. YUP. - WELL, GOOD ANSWER. 196 00:08:00,605 --> 00:08:01,564 - YOU KNOW WHO ELSE I LIKE, THOUGH? 197 00:08:01,647 --> 00:08:02,899 I DO LIKE ROBERT DE NIRO A LOT. 198 00:08:02,982 --> 00:08:04,066 - AH, HE'S A HACK. - A LOT OF HIS EARLY WORK. 199 00:08:04,150 --> 00:08:07,153 - HE'S BULL[bleep]. 200 00:08:07,236 --> 00:08:08,529 - REALLY? 201 00:08:17,288 --> 00:08:19,165 - YOU GUYS SEE ANYTHING? 202 00:08:19,248 --> 00:08:20,582 - NOTHING YET. 203 00:08:20,666 --> 00:08:24,420 - OKAY. 204 00:08:24,503 --> 00:08:28,174 WE'LL WAIT UNTIL DARK, AND THEN SNEAK BACK ACROSS THE LINE, 205 00:08:28,257 --> 00:08:30,343 AND REJOIN OUR UNIT. 206 00:08:30,426 --> 00:08:31,093 [distant gunfire] 207 00:08:31,177 --> 00:08:33,095 DID YOU GUYS HEAR SOMETHING? 208 00:08:33,179 --> 00:08:36,557 [machine gun fire] 209 00:08:42,480 --> 00:08:43,397 OH, HELL. 210 00:08:52,573 --> 00:08:55,201 - THESE AMERICANS PROVE TO BE NO OBSTACLE AT ALL. 211 00:08:55,284 --> 00:08:59,956 SEARCH THE HOTEL. - YEAH. 212 00:09:00,039 --> 00:09:03,084 - YOU'VE DONE WELL TO SECURE THIS POSITION. 213 00:09:03,167 --> 00:09:06,295 THAT COULD BODE WELL FOR PROMOTION. 214 00:09:06,379 --> 00:09:10,675 SPEAKING OF WHICH, GUESS WHO I SAW AT THE MARKET THE OTHER DAY. 215 00:09:10,758 --> 00:09:11,676 - WHO? 216 00:09:11,759 --> 00:09:13,135 - OH, I DON'T KNOW, ADOLF HITLER. 217 00:09:13,219 --> 00:09:14,512 - I LOVE HITLER. 218 00:09:14,595 --> 00:09:17,890 - WHO DOESN'T? BUT YOU EVER SEE HIM IN PERSON? 219 00:09:17,974 --> 00:09:19,809 - OH, YEAH. AT THE NUREMBERG RALLY. 220 00:09:19,892 --> 00:09:21,727 IT WAS VERY INSPIRATIONAL. 221 00:09:21,811 --> 00:09:22,812 - I KNOW IT WAS. I WAS THERE. 222 00:09:22,895 --> 00:09:24,021 EVERYONE WAS THERE. 223 00:09:24,105 --> 00:09:27,733 BUT UP CLOSE, IT'S A WHOLE DIFFERENT THING. 224 00:09:27,817 --> 00:09:28,985 FOR INSTANCE, IT WAS THE WEEKEND, 225 00:09:29,068 --> 00:09:32,613 AND THE LITTLE HAIRS HAD JUST STARTED TO GROW ON THE SIDES 226 00:09:32,697 --> 00:09:33,489 OF THE MUSTACHE, LIKE THIS. 227 00:09:33,572 --> 00:09:36,492 SO I WALK UP TO HITLER, CASUALLY... 228 00:09:36,575 --> 00:09:39,495 - HERR COMMANDANT. - THAT'S RUDE. 229 00:09:39,578 --> 00:09:41,122 I'M IN THE MIDDLE OF A STORY. 230 00:09:41,205 --> 00:09:43,124 YOU'RE NOT INTERESTED IN A STORY ABOUT OUR FUHRER? 231 00:09:43,207 --> 00:09:44,165 - YEAH, BUT-- - OKAY, GOOD. 232 00:09:44,250 --> 00:09:45,710 EVA WAS THERE AS WELL, 233 00:09:45,793 --> 00:09:48,004 TALLER THAN YOU THINK OR HITLER'S SHORTER, 234 00:09:48,087 --> 00:09:48,879 HARD TO SAY. 235 00:09:48,963 --> 00:09:52,591 BUT ANYHOO, I'M BUYING SOME BREAD. 236 00:09:52,675 --> 00:09:54,885 HITLER'S BUYING SOME BREAD. - UM, I MUST-- 237 00:09:54,969 --> 00:09:57,638 - SO, I'M ASSUMING YOU'VE GOT A BETTER HITLER STORY? 238 00:09:57,722 --> 00:10:01,851 - BUT NO, BUT-- - THEN MAYBE DON'T INTERRUPT. 239 00:10:01,934 --> 00:10:03,978 - YES, SIR. - SO I GIVE HIM A SALUTE, 240 00:10:04,061 --> 00:10:06,355 AND HE GIVES ME ONE OF THOSE HALF HITLER SALUTES, YOU KNOW, 241 00:10:06,439 --> 00:10:08,065 DOWN, LOW, VERY COOL. - RIGHT. 242 00:10:08,149 --> 00:10:10,109 - YOU KNOW? - RIGHT. 243 00:10:10,192 --> 00:10:12,028 - HERE'S WHAT YOU FORGET. - YEAH. 244 00:10:12,111 --> 00:10:14,280 - HE DOESN'T SAY "HEIL HITLER." - UH-HUH. 245 00:10:14,363 --> 00:10:15,156 [fly buzzing] - ISN'T THAT FUNNY? 246 00:10:15,239 --> 00:10:16,866 [slap] 247 00:10:16,949 --> 00:10:17,283 - AH! HERR COMMANDANT-- 248 00:10:17,366 --> 00:10:18,868 - OH, WAIT. 249 00:10:18,951 --> 00:10:20,202 I THINK MAYBE NEXT TIME, 250 00:10:20,286 --> 00:10:22,705 I'LL TELL HIM HOW UNINTERESTED YOU ARE IN MY STORY. 251 00:10:22,788 --> 00:10:24,332 - OH, NO, NO, NO, NO. - IS IT A JEALOUSY THING? 252 00:10:24,415 --> 00:10:26,000 - NO, NO, NO. - YOU KNOW, I DIDN'T MEET HITLER 253 00:10:26,083 --> 00:10:27,084 TO HURT YOUR FEELINGS. 254 00:10:27,168 --> 00:10:31,088 - [stammers] PROCEED, OF COURSE. 255 00:10:31,172 --> 00:10:33,507 - SO I SAY TO HITLER, 256 00:10:33,591 --> 00:10:35,343 "I'VE ACTUALLY BEEN QUITE BUSY." [wrapper crinkles] 257 00:10:35,426 --> 00:10:38,888 HITLER LAUGHS, AND THEN SAYS, 258 00:10:38,971 --> 00:10:40,681 "YOU AND ME BOTH." 259 00:10:40,765 --> 00:10:42,391 I MEAN, HE'S THE FUHRER. 260 00:10:42,475 --> 00:10:44,977 IT'S SO FUNNY BECAUSE IT'S AN UNDERSTATEMENT. 261 00:10:45,061 --> 00:10:47,396 I MEAN, HE'S SUPER BUSY. 262 00:10:47,480 --> 00:10:48,564 AS HITLER WAS TAKING HIS LEAVE OF ME-- 263 00:10:48,647 --> 00:10:49,982 - OKAY, I HAVE TO INTERRUPT YOU RIGHT NOW. 264 00:10:50,066 --> 00:10:51,233 - EXCUSE ME? DURING THE CINEMA? 265 00:10:51,317 --> 00:10:54,153 THE STORY HAS A BUILD. 266 00:10:54,236 --> 00:10:57,198 BUT IF YOU KEEP INTERRUPTING, YOU KILL THE MOMENTUM. 267 00:10:57,281 --> 00:11:01,994 - I'M TRYING TO TELL YOU THAT BODY IS MOVING. 268 00:11:02,078 --> 00:11:02,953 - THAT'S RIDICULOUS. 269 00:11:03,037 --> 00:11:04,413 THE AMERICAN'S ARE ALL DEAD. 270 00:11:04,497 --> 00:11:06,374 BUT IF IT KEEPS YOU FROM INTERRUPTING 271 00:11:06,457 --> 00:11:09,502 MY AWESOME HITLER STORY, I'LL PROVE IT TO YOU. 272 00:11:09,585 --> 00:11:12,046 - YES. VERY GOOD, SIR. 273 00:11:29,146 --> 00:11:30,815 [grunts] 274 00:11:35,027 --> 00:11:36,695 [grunts] 275 00:11:42,743 --> 00:11:42,785 [grunts] 276 00:11:44,787 --> 00:11:44,829 [grunts] 277 00:11:46,831 --> 00:11:48,624 [grunts] 278 00:11:48,707 --> 00:11:52,878 WOW. I'LL NEVER GET USED TO THOSE FINAL DEATH THROES. 279 00:11:52,962 --> 00:11:54,463 - DEATH THROES? 280 00:11:54,547 --> 00:11:58,092 HERR MULLER, WHAT IS WRONG WITH YOU? 281 00:11:58,175 --> 00:11:59,301 THOSE ARE NOT DEATH THROES! 282 00:11:59,385 --> 00:12:02,054 YOU ARE BEING AN IDIOT! 283 00:12:07,560 --> 00:12:13,732 - INSUBORDINATE AND CHURLISH. 284 00:12:13,816 --> 00:12:16,068 PITY. 285 00:12:16,152 --> 00:12:18,362 THIS IS THE BEST PART OF THE STORY. 286 00:12:18,446 --> 00:12:20,823 AS HITLER WAS TAKING HIS LEAVE OF ME, HE SAID, 287 00:12:20,906 --> 00:12:22,074 "WELL, THERE'S NO POINT 288 00:12:22,158 --> 00:12:23,576 IN GETTING BREAD IF YOU'RE NOT GOING TO GET--" 289 00:12:23,659 --> 00:12:24,827 AND AT THE SAME TIME 290 00:12:24,910 --> 00:12:26,662 HITLER SAID "CHEESE," I SAID "CHEESE." 291 00:12:26,745 --> 00:12:29,165 AND THEN, HITLER AND I BOTH SAID, "JINX." 292 00:12:29,248 --> 00:12:31,041 WELL, IT WAS JUST, LIKE, TWO REGULAR, EVERYDAY PEOPLES. 293 00:12:31,125 --> 00:12:36,255 YOU GUYS MISSED THE FIRST PART, BUT THIS IS ALL ABOUT HITLER. 294 00:12:36,338 --> 00:12:38,132 - SO, YOU WAS--YOU WAS A PLAYER. 295 00:12:38,215 --> 00:12:41,719 YOU WAS A DOWN DOGGIE, ROOTIN', TOOTIN'... 296 00:12:41,802 --> 00:12:43,387 - I WAS A DOWN DOGGIE PLAYER, YES. 297 00:12:43,471 --> 00:12:44,889 - I MEAN, BEFORE YOU WERE-- BEFORE YOU WERE MARRIED, 298 00:12:44,972 --> 00:12:48,017 YOU WERE LIKE... [scatting] 299 00:12:48,100 --> 00:12:48,642 BLIP, BLIP, BLIP, BLIP, BLIP, BLIP. 300 00:12:48,726 --> 00:12:50,853 - NOT A LOT OF THE BLIPS. 301 00:12:50,936 --> 00:12:52,855 - NO BLIPS. - YOU KNOW, I WOULD DATE A GIRL 302 00:12:52,938 --> 00:12:54,064 FOR A LONG TIME, AND THEN THERE'D BE, LIKE, 303 00:12:54,148 --> 00:12:55,774 LITTLE SEGMENTS IN THE MIDDLE WHERE, YOU KNOW, 304 00:12:55,858 --> 00:12:57,568 A LOT OF STUFF WOULD HAPPEN WITH A LOT OF PEOPLE. 305 00:12:57,651 --> 00:12:59,653 - BIP, BIP, BIP, BIP, BIP, BIP. - YOU KNOW? 306 00:12:59,737 --> 00:13:01,113 COLLEGE WAS FUN, I'M NOT GONNA LIE. 307 00:13:01,197 --> 00:13:02,114 COLLEGE WAS FUN. IT WAS A FUN TIME. 308 00:13:02,198 --> 00:13:05,075 TIME OF EXPLORATION, TIME OF SCAMPSLORACIOUS. 309 00:13:05,159 --> 00:13:07,620 - I MEAN, COLLEGE IS DIFFERENT, DIFFERENT FOR EVERYBODY. 310 00:13:07,703 --> 00:13:08,871 - IT IS. IT IS DIFFERENT FOR EVERYBODY. 311 00:13:08,954 --> 00:13:10,122 SOME PEOPLE GO THERE, AND THEY STUDY. 312 00:13:10,206 --> 00:13:11,373 BUT IT WAS-- 313 00:13:11,457 --> 00:13:13,083 IT WAS--WHICH IS INTERESTING. 314 00:13:13,167 --> 00:13:15,920 BUT I, PERSONALLY-- - TRIED TO STUDY. 315 00:13:16,003 --> 00:13:17,546 - THEY TRIED TO STUDY. 316 00:13:17,630 --> 00:13:19,131 - 'CAUSE THERE'S, YOU KNOW, SOME PEOPLE CAN'T STUDY WHEN 317 00:13:19,215 --> 00:13:23,344 THERE ARE OTHER PEOPLE BANGING, BANGING, BANGING, BANGING, 318 00:13:23,427 --> 00:13:26,055 AND GETTING LAID ALL THE TIME, 319 00:13:26,138 --> 00:13:27,306 OUTSIDE YOUR [bleep]-- 320 00:13:27,389 --> 00:13:30,684 - YOUR OTHER SIDE OF THE SUITE, UP--AT THE BUNK ABOVE YOU. 321 00:13:30,768 --> 00:13:31,727 - INSIDE OF YOUR SUITE. - HELLO. [whistles] 322 00:13:34,897 --> 00:13:37,858 [crowd chatter] 323 00:13:50,371 --> 00:13:53,123 - [clears throat] 324 00:13:53,207 --> 00:13:56,168 - HEY. WHAT...WHAT CAN I GET YOU? 325 00:13:56,252 --> 00:14:00,422 - HELLO, SIR. I WOULD LIKE A RUM AND COKE. 326 00:14:00,506 --> 00:14:02,841 - RUM AND COKE COMING UP. 327 00:14:02,925 --> 00:14:08,013 - [groaning] 328 00:14:08,097 --> 00:14:10,057 AHH, HEY. 329 00:14:10,140 --> 00:14:13,644 WHERE YOU FROM? 330 00:14:13,727 --> 00:14:14,937 ALL RIGHT, BABY. 331 00:14:15,020 --> 00:14:17,147 I'M GONNA SEE YOU ON THE DANCE FLOOR, GIRL. 332 00:14:17,231 --> 00:14:19,942 OH! AH. 333 00:14:20,025 --> 00:14:21,569 - HERE'S RUM AND COKE. IT'S GONNA BE $8. 334 00:14:21,652 --> 00:14:22,319 - $8, ALL RIGHT, MY GOOD MAN. 335 00:14:22,403 --> 00:14:26,949 LET ME...[exhales] 336 00:14:27,032 --> 00:14:30,869 [screams in agony] WALLET, YEAH! 337 00:14:30,953 --> 00:14:33,372 - [shushes] - WHOO! 338 00:14:33,455 --> 00:14:35,249 LET ME--I'MA GOT IT--I GOT IT. 339 00:14:35,332 --> 00:14:36,458 [bleep]! - OH! SHH! 340 00:14:36,542 --> 00:14:39,128 - AW, [bleep], MY WALLET! - HEY, HEY, HEY, HEY, COME ON. 341 00:14:39,211 --> 00:14:41,046 - HEY, YOU ALL RIGHT? - OKAY, I'M-- 342 00:14:41,130 --> 00:14:42,798 - YOU ALL RIGHT? - WHEW! 343 00:14:42,881 --> 00:14:44,133 [laughs] I TELL YOU WHAT. 344 00:14:44,216 --> 00:14:45,259 THIRD TIME'S THE CHARM, BROTHER. 345 00:14:45,342 --> 00:14:48,137 [panting] 346 00:14:48,220 --> 00:14:51,765 [screams in pain] 347 00:14:51,849 --> 00:14:52,474 YOU WANT SOME HELP? THERE IT IS. 348 00:14:52,558 --> 00:14:54,768 THERE IT IS. - YEAH, YEAH. 349 00:14:54,852 --> 00:14:56,061 YEAH, JUST TAKE THE CARD OUT. 350 00:14:56,145 --> 00:14:58,272 KEEP THAT OPEN FOR ME. CAN YOU HANG ON TO THAT FOR ME? 351 00:14:58,355 --> 00:14:59,607 - WILL DO. 352 00:14:59,690 --> 00:15:01,567 - IN FACT, LET ME GET A TEQUILA SHOT, BROTHER. 353 00:15:01,650 --> 00:15:03,027 ACTUALLY, MAKE IT TWO, MAN. 354 00:15:03,110 --> 00:15:05,321 ONE FOR ME, AND ONE FOR YOU, MY GOOD MAN. 355 00:15:05,404 --> 00:15:07,114 [screams in agony] 356 00:15:07,197 --> 00:15:09,408 - ALL RIGHT. 357 00:15:09,491 --> 00:15:11,452 TWO TEQUILA SHOTS COMING RIGHT UP. 358 00:15:11,535 --> 00:15:13,495 - HOW YOU DOING, GIRL? 359 00:15:13,579 --> 00:15:15,414 ALL RIGHT, NECTAR OF THE GODS 360 00:15:15,497 --> 00:15:16,332 UP IN HERE. - ALL RIGHT. 361 00:15:16,415 --> 00:15:18,959 - ALL RIGHT, LET'S GET THAT GOING NOW. 362 00:15:19,043 --> 00:15:20,002 ALL RIGHT, CHEERS. 363 00:15:20,085 --> 00:15:21,545 - YEAH, MAN. - ALL RIGHT, MI AMIGO. 364 00:15:21,629 --> 00:15:23,339 - CHEERS. 365 00:15:23,422 --> 00:15:26,258 - [screams] 366 00:15:26,342 --> 00:15:27,217 WHOO! 367 00:15:27,301 --> 00:15:29,094 AH! 368 00:15:29,178 --> 00:15:30,346 - IS--LEAVE-- - NO, NO, HOLD ON. 369 00:15:30,429 --> 00:15:31,847 THERE'S MORE THAN ONE WAY TO SKIN A CAT. 370 00:15:31,930 --> 00:15:33,015 - YOU WANT SOME HELP WITH THAT? 371 00:15:33,098 --> 00:15:34,266 - HOLD UP, LET ME JUST TRY TO GET UP IN HERE. 372 00:15:34,350 --> 00:15:36,810 - OH, MY GOD. - [screams] 373 00:15:36,894 --> 00:15:38,854 - OH, THAT'S-- - OH, THAT'S BURNING MY TONGUE. 374 00:15:38,937 --> 00:15:40,898 - YOU KNOW WHAT? - WHAT? AHH. 375 00:15:40,981 --> 00:15:41,940 - I'M GONNA GET YOU ONE OF THESE. 376 00:15:42,024 --> 00:15:43,067 - YEAH? - TRY THAT. 377 00:15:43,150 --> 00:15:44,985 - THERE WE--ALL RIGHT. HELL, YOU A GENIUS. 378 00:15:45,069 --> 00:15:47,988 LET ME GET THIS GOING ON HERE. 379 00:15:48,072 --> 00:15:52,201 OKAY. 380 00:15:52,284 --> 00:15:53,202 - YOU JUST--THERE YOU GO. 381 00:15:53,285 --> 00:15:56,830 - MM-HMM. 382 00:15:56,914 --> 00:15:59,083 - WHOO! VAYA CON DIOS, MY DARLING. 383 00:15:59,165 --> 00:16:00,125 THAT'S-- - ALL RIGHT. 384 00:16:00,209 --> 00:16:01,418 - WHOO! ALL RIGHT. 385 00:16:01,502 --> 00:16:03,003 MUCHOS GRACIAS. - YUP. 386 00:16:03,087 --> 00:16:05,214 HEY. - YEAH. 387 00:16:05,297 --> 00:16:06,882 [grunts] UH-HUH? 388 00:16:06,965 --> 00:16:08,509 - SO I'M WORRIED ABOUT YOU. 389 00:16:08,592 --> 00:16:09,885 - OH, NO, I'M GONNA TELL YOU WHAT I'M WORRIED ABOUT. 390 00:16:09,968 --> 00:16:11,387 I'M WORRIED THAT THIS CLUB 391 00:16:11,470 --> 00:16:13,889 AIN'T POPPING OFF THE WAY IT SHOULD BE! WHAT? WHAT? 392 00:16:13,972 --> 00:16:14,932 [screams] 'CAUSE I--WAIT A SECOND. 393 00:16:15,015 --> 00:16:18,060 [rap song plays in background] WHAT? UH-OH. 394 00:16:18,143 --> 00:16:19,645 DJ, TURN IT UP! 395 00:16:19,728 --> 00:16:21,355 THAT'S MY TRACK RIGHT THERE. 396 00:16:21,438 --> 00:16:24,566 UH-HUH. WHAT IT IS! 397 00:16:24,650 --> 00:16:26,694 AAH! 398 00:16:26,777 --> 00:16:29,321 HA-HAAAAH! 399 00:16:29,405 --> 00:16:31,198 [grunts] UNGH! OH! 400 00:16:31,281 --> 00:16:32,991 [laughs] 401 00:16:33,075 --> 00:16:35,411 [trills tongue and laughs] 402 00:16:35,494 --> 00:16:36,704 - HEY, MAN, 403 00:16:36,787 --> 00:16:38,414 A BAR IS NOT THE PLACE FOR YOU TO BE RIGHT NOW. 404 00:16:38,497 --> 00:16:41,375 - [screams] 405 00:16:41,458 --> 00:16:44,753 WHOO, WHOO. 406 00:16:44,837 --> 00:16:46,296 LET ME--LET ME GET TWO MORE SHOTS OF TEQUILA. 407 00:16:46,380 --> 00:16:47,589 - UNH-UH. 408 00:16:47,673 --> 00:16:48,882 SORRY, PAL, YOU'RE 86'ED. 409 00:16:48,966 --> 00:16:49,591 - WHAT? HOW? WHAT NOW? 410 00:16:49,675 --> 00:16:50,843 AND WHAT--THAT'S PREPOSTEROUS. 411 00:16:50,926 --> 00:16:55,597 - LET'S GO, BUDDY. - [screams] 412 00:16:55,681 --> 00:16:56,807 - BE--BE GENTLE WITH HIM. 413 00:16:56,890 --> 00:16:59,935 - RIGHT THIS WAY. - AYE! AYE! AAH! 414 00:17:00,018 --> 00:17:01,937 OH, IT HURTS ALL OVER! 415 00:17:02,020 --> 00:17:03,313 HOW YOU DOING, GIRL? [screams] 416 00:17:05,858 --> 00:17:09,403 - FIRST TIME, I THINK WAS, LIKE, '87. 417 00:17:09,486 --> 00:17:13,281 IT WAS TWO GUYS IN A HEAVYWEIGHT BOUT. YEAH. 418 00:17:13,365 --> 00:17:15,867 NO, IT WAS THE FIRST TIME IN A HEAVYWEIGHT BOUT 419 00:17:15,951 --> 00:17:20,289 THAT THE TWO FIGHTERS ENDED UP GETTING MARRIED. 420 00:17:20,372 --> 00:17:22,458 - [Spanish accent] HELLO, MY GOOD SIR. 421 00:17:22,540 --> 00:17:25,002 I'D LIKE TO HAVE TWO SHOTS OF TEQUILA. 422 00:17:30,549 --> 00:17:32,634 [screams in agony] COME ON, BROTHER! 423 00:17:32,718 --> 00:17:34,845 WHY YOU GOTTA-- [groans] 424 00:17:34,928 --> 00:17:42,936 OH, MAN, THAT HURTS. 425 00:17:43,020 --> 00:17:44,563 - [sighs] 426 00:17:44,646 --> 00:17:47,649 [quirky, whimsical music] 427 00:17:47,733 --> 00:17:50,944 ♪ ♪ 428 00:17:51,028 --> 00:17:52,488 [bicycle bell rings] 429 00:17:52,571 --> 00:18:00,496 ♪ ♪ 430 00:18:05,125 --> 00:18:09,171 - OH, THERE YOU ARE, CEDRIC. 431 00:18:09,254 --> 00:18:10,339 - 'SUP, DUDE? 432 00:18:10,422 --> 00:18:12,341 - 'TIS WELL, CEDRIC. 'TIS WELL. 433 00:18:12,424 --> 00:18:13,425 - YEAH, CAN I ASK YOU A QUESTION, MAN? 434 00:18:13,509 --> 00:18:15,177 - MMM? 435 00:18:15,260 --> 00:18:17,805 - WHY THE HELL ARE YOU DRESSED LIKE THIS? 436 00:18:17,888 --> 00:18:19,973 AND WHAT THE HELL DID YOU DO TO YOUR BIKE? 437 00:18:20,057 --> 00:18:20,599 - YOU AIN'T HEARD? 438 00:18:20,682 --> 00:18:23,519 I'M STEAMPUNK NOW. 439 00:18:23,602 --> 00:18:27,231 - YEAH, I DON'T KNOW WHAT THAT IS, MAN. 440 00:18:27,314 --> 00:18:31,151 - JULES VERNE AND [bleep]. 441 00:18:31,235 --> 00:18:34,613 - I SERIOUSLY THINK THAT YOU HAVE CRACKED, MAN, ALL RIGHT? 442 00:18:34,696 --> 00:18:36,115 LIKE, IN YOUR MIND. 443 00:18:36,198 --> 00:18:40,160 - NAH, I AIN'T CRACKED UP. 444 00:18:40,244 --> 00:18:42,079 I LIVE IN A CLOCK NOW. 445 00:18:42,162 --> 00:18:43,622 - THAT'S... 446 00:18:43,705 --> 00:18:46,083 - AH, UMBRELLAS AND BLIMPS, [bleep]. 447 00:18:46,166 --> 00:18:52,297 - YOU'RE WEARING A TOP HAT WITH A DOOR ON IT. 448 00:18:52,381 --> 00:18:55,717 - I'M JUST AN ILL-ASS LEMONY SNICKET UP IN THIS BITCH. 449 00:18:55,801 --> 00:18:58,595 BUT YOU, WHAT'S WITH YOU? 450 00:18:58,679 --> 00:19:00,430 - WHAT'S WITH ME? I'LL TELL YOU WHAT I'M. 451 00:19:00,514 --> 00:19:02,182 I'M A ILL-ASS NORMAL MOTHER[bleep] 452 00:19:02,266 --> 00:19:04,977 WHO BEEN WAITING FOR HIS FRIEND FOR A HOUR 453 00:19:05,060 --> 00:19:06,895 AND TEN MINUTES UNDERNEATH A GODDAMN BRIDGE 454 00:19:06,979 --> 00:19:09,439 WITH TWO HOMELESS [bleep]. 455 00:19:09,523 --> 00:19:13,151 - PERCHANCE, GOOD SIR, COULD YOU POINT ME IN THE DIRECTION 456 00:19:13,235 --> 00:19:16,321 OF THE NEAREST APOTHECARY? 457 00:19:16,405 --> 00:19:18,115 - IF YOU'RE TALKING ABOUT THE DRUG STORE, 458 00:19:18,198 --> 00:19:19,741 IT'S RIGHT THERE ON THE CORNER. 459 00:19:19,825 --> 00:19:21,535 - WHAT TIME DOES IT CLOSE? 460 00:19:21,618 --> 00:19:23,328 - IT CLOSES AT 10:00, MAN. 461 00:19:23,412 --> 00:19:24,913 YOU'VE BEEN THERE A MILLION TIMES. 462 00:19:24,997 --> 00:19:27,708 - HMM, I'LL CHECK JUST TO BE SURE. 463 00:19:27,791 --> 00:19:30,544 MAKE SURE IT'S STILL OPEN. - I'M TELLING YOU, LEVI, 464 00:19:30,627 --> 00:19:33,088 IF YOU PUT THAT PIECE OF PIPE UP TO YOUR EYE 465 00:19:33,172 --> 00:19:35,924 AND USE IT AS A TELESCOPE, I CANNOT BE YOUR FRIEND ANYMORE. 466 00:19:36,008 --> 00:19:40,262 THIS--YUP. - STILL OPEN. 467 00:19:40,345 --> 00:19:42,723 - ALL RIGHT, I HAVE TO GO THEN. SO... 468 00:19:42,806 --> 00:19:45,142 - YOU TRY IT. - NO, NO. 469 00:19:45,225 --> 00:19:47,936 I'M NOT GONNA TRY IT BECAUSE IT'S A PIECE OF PIPE, 470 00:19:48,020 --> 00:19:50,022 AND IT DOESN'T HAVE ANY LENSES IN IT. 471 00:19:50,105 --> 00:19:52,190 THEREFORE, IT'S NOT A TELESCOPE! 472 00:19:52,274 --> 00:19:57,279 - YES, BUT HOW COULD YOU BE SURE? 473 00:19:57,362 --> 00:19:59,948 SCIENCE. 474 00:20:00,032 --> 00:20:01,325 - I'M GONNA LOOK THROUGH THIS PIECE OF PIPE, 475 00:20:01,408 --> 00:20:02,784 AND IF IT DOESN'T WORK LIKE A TELESCOPE, 476 00:20:02,868 --> 00:20:05,162 THEN WE FINALLY DONE, MAN. 477 00:20:05,245 --> 00:20:05,621 LIKE, NOT HOMIES ANYMORE. 478 00:20:05,704 --> 00:20:07,289 WE'RE DONE. 479 00:20:15,047 --> 00:20:15,797 - OH, CEDRIC. 480 00:20:15,881 --> 00:20:20,636 WHY WOULD YOU THINK... 481 00:20:20,719 --> 00:20:24,264 IN A MILLION YEARS... 482 00:20:24,348 --> 00:20:26,308 THAT THAT WOULD ACTUALLY WORK? 483 00:20:26,391 --> 00:20:30,812 CEDRIC, IT'S JUST THAT YOU LOOK SO RIDICULOUS RIGHT NOW. 484 00:20:30,896 --> 00:20:35,984 - I LOOK RI-- 485 00:20:36,068 --> 00:20:38,403 I'M GONNA--HMM. 486 00:20:38,487 --> 00:20:41,448 - [sighs] SAY GOOD-BYE, RATATOUILLE. 487 00:20:41,531 --> 00:20:43,992 - WHAT? WHAT THE [bleep] IS THAT? 488 00:20:44,076 --> 00:20:47,079 [rat squeaks] OH, [bleep]! 489 00:20:47,162 --> 00:20:49,998 ♪ ♪ 490 00:20:50,082 --> 00:20:52,834 - CAN YOU IMAGINE IF WE HAD TO FIGHT IN WORLD WAR II? 491 00:20:52,918 --> 00:20:55,003 - JEEZ, WE WOULD NOT MAKE IT. 492 00:20:55,087 --> 00:20:56,922 WE WOULD NOT MAKE IT. 493 00:20:57,005 --> 00:20:58,799 - ♪ I'M GONNA DO MY ONE LINE HERE ♪ 494 00:20:58,882 --> 00:21:00,759 - OH, YEAH. 495 00:21:03,762 --> 00:21:05,180 - OOH, YEAH! 496 00:21:05,263 --> 00:21:06,306 [groans] 497 00:21:06,390 --> 00:21:10,143 [screams in agony] 498 00:21:10,227 --> 00:21:13,105 AAH! THERE IT IS! 499 00:21:13,188 --> 00:21:14,690 [screams] 500 00:21:14,773 --> 00:21:15,691 HA-HAAAAH! 35112

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