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These are the user uploaded subtitles that are being translated: 1 00:00:02,350 --> 00:00:04,091 PREVIOUSLY ON IN PLAIN SIGHT... 2 00:00:04,134 --> 00:00:07,398 I SPEND MY TIME EITHER PROTECTING YOU 3 00:00:07,442 --> 00:00:11,446 FROM THE WORLD OR THE THE WORLD FROM YOU. 4 00:00:13,274 --> 00:00:14,666 YOU ARE AN INCREDIBLE WOMAN, MARY, YOU KNOW? 5 00:00:14,710 --> 00:00:16,451 YOU'RE A GREAT MARSHAL AND I'M SURE YOU'RE A GREAT MOM. 6 00:00:16,494 --> 00:00:17,582 THANKS. 7 00:00:17,626 --> 00:00:19,062 WHAT ABOUT NORAH'S FATHER? 8 00:00:19,106 --> 00:00:21,325 MARK IS A GREAT DAD, 9 00:00:21,369 --> 00:00:24,067 BUT HE'S NOT-- I MEAN, WE'RE NOT. 10 00:00:24,111 --> 00:00:26,287 - WHO SAYS I'M A ROGUE MALE? - EVERYTHING ABOUT YOU. 11 00:00:26,330 --> 00:00:27,766 WELL, I'M KENNY. 12 00:00:27,810 --> 00:00:29,551 SORRY I CAN'T MAKE THIS A SLEEPOVER, 13 00:00:29,594 --> 00:00:31,205 ONLY HAVE THE SITTER TILL 11:00. 14 00:00:31,248 --> 00:00:33,946 THAT'S COOL. I DON'T REALLY DO THE SLEEPOVER. 15 00:00:33,990 --> 00:00:35,948 I GET THAT YOU DON'T LIKE MESSY, 16 00:00:35,992 --> 00:00:38,560 BUT MAYBE MESSY IS WHAT YOU NEED. 17 00:00:41,780 --> 00:00:43,913 OH, MY GOD, MARSHALL. 18 00:00:43,956 --> 00:00:47,569 - WOULD YOU--? - YES! 19 00:00:47,612 --> 00:00:50,224 THANKS FOR FALLING ON TOP OF ME INSTEAD OF HER. 20 00:00:50,267 --> 00:00:51,529 HOW'D THAT GO OVER? 21 00:00:51,573 --> 00:00:53,009 I TOLD HER IT WAS JUST INSTINCT. 22 00:00:53,053 --> 00:00:54,315 YOU DOUCHE. 23 00:00:54,358 --> 00:00:56,534 SHE GETS IT. YOU'RE MY PARTNER. 24 00:00:56,578 --> 00:00:58,058 UH, I GOTTA TAKE THIS. 25 00:00:58,101 --> 00:00:59,363 IT'S MARY. 26 00:00:59,407 --> 00:01:00,930 DON'T APOLOGIZE. SHE NEEDS YOU. 27 00:01:00,973 --> 00:01:04,281 I GET IT. 28 00:01:04,325 --> 00:01:06,544 ASSISTANT A.D. CAMPBELL, WHAT A PLEASANT SURPRISE. 29 00:01:06,588 --> 00:01:08,894 ALMANZA'S SHUTTING DOWN ABQ WITSEC. 30 00:01:08,938 --> 00:01:11,114 - WHAT? - YOU HEARD ME. 31 00:01:11,158 --> 00:01:14,639 BRANDI, SHE'S BEEN DRINKING A LOT. 32 00:01:14,683 --> 00:01:16,598 APPARENTLY, SHE WENT ON A BENDER LAST WEEK. 33 00:01:16,641 --> 00:01:18,339 I'M LEAVING IN THE MORNING. 34 00:01:18,382 --> 00:01:20,732 - WHAT? - MY BABY NEEDS ME. 35 00:01:22,691 --> 00:01:23,866 DADDY? 36 00:01:23,909 --> 00:01:24,997 I'M GONNA PUT YOUR SUITCASE 37 00:01:25,041 --> 00:01:27,783 RIGHT NEXT TO MINE, MARY. 38 00:01:29,437 --> 00:01:31,656 30 YEARS WE DON'T SEE EACH OTHER, 39 00:01:31,700 --> 00:01:33,658 NOW WE'RE THICK AS THIEVES. 40 00:01:33,702 --> 00:01:35,138 YOU'RE UNDER ARREST--AGAIN. - YOU'RE GOOD. 41 00:01:35,182 --> 00:01:36,618 LET'S GO. 42 00:01:36,661 --> 00:01:37,880 NO! 43 00:01:38,924 --> 00:01:40,100 GET A GODDAMN AMBULANCE. 44 00:01:40,143 --> 00:01:41,536 IT'S OKAY, DADDY. 45 00:01:41,579 --> 00:01:43,451 I'M HERE WITH YOU NOW, OKAY? 46 00:01:57,726 --> 00:01:59,554 FANTASTIC. YEAH. 47 00:01:59,597 --> 00:02:03,035 OOH, I LIKE... PERFECT. 48 00:02:05,560 --> 00:02:07,170 COME ON, GIRLS, TIME TO GET READY. 49 00:02:07,214 --> 00:02:11,043 REALLY, LET'S GO. TODAY. 50 00:02:11,087 --> 00:02:12,871 OKAY, YOU HAVE FOUR GO-SEES TOMORROW. 51 00:02:12,915 --> 00:02:14,830 TWO UPTOWN, ONE MID, 52 00:02:14,873 --> 00:02:16,745 AND ONE DOWNTOWN WITH JOHN SIMKASS. 53 00:02:16,788 --> 00:02:18,573 JOHN SIMKASS IS A CREEP. 54 00:02:18,616 --> 00:02:21,358 JOHN SIMKASS IS A SUCCESSFUL CREEP, 55 00:02:21,402 --> 00:02:23,273 SO PUT IN A LITTLE EFFORT. WEAR SOMETHING SHORT, OKAY? 56 00:02:23,317 --> 00:02:25,275 - OKAY. - CASEY, I'M SERIOUS. 57 00:02:25,319 --> 00:02:26,624 - YEAH, I KNOW. - I DON'T THINK YOU-- 58 00:02:26,668 --> 00:02:28,800 OH, MY GOD, WILL YOU JUST STOP IT? 59 00:02:28,844 --> 00:02:29,932 - CASEY-- - CAN I JUST HAVE FIVE MINUTES? 60 00:02:29,975 --> 00:02:32,935 I NEED FIVE MINUTES! 61 00:02:48,255 --> 00:02:51,214 HALF A MILLION IDENTITIES, HALF A MILLION LIVES, 62 00:02:51,258 --> 00:02:52,955 ON SOMETHING SO SMALL. 63 00:02:52,998 --> 00:02:55,131 I HAVE IT, YES, BUT PLEASE, 64 00:02:55,175 --> 00:02:56,263 CAN'T WE DO IT AFTER THE SHOOT? 65 00:02:56,306 --> 00:02:58,003 NOW, ANASTASIA. 66 00:02:58,047 --> 00:02:59,614 ACCESS CODES ARE PREPROGRAMMED. 67 00:02:59,657 --> 00:03:02,921 AMAZING. YOUR HACKER FRIENDS HAVE DONE VERY WELL. 68 00:03:02,965 --> 00:03:04,314 HERE'S YOUR MONEY. 69 00:03:04,358 --> 00:03:07,491 CHECK IT. 70 00:03:11,147 --> 00:03:12,714 WHAT IS THIS? 71 00:03:34,779 --> 00:03:37,086 AAH! 72 00:03:57,541 --> 00:03:59,326 I'M SURE HE'LL BE HERE ANY MINUTE. 73 00:03:59,369 --> 00:04:02,067 MM-HMM. 74 00:04:04,548 --> 00:04:05,941 HERE'S A COUPLE OF LOCAL CEMETERIES 75 00:04:05,984 --> 00:04:09,249 FOR YOU TO CONSIDER FOR BURIAL. 76 00:04:09,292 --> 00:04:12,382 THANKS. THANK YOU. 77 00:04:12,426 --> 00:04:16,430 AGAIN, I'M SO SORRY FOR YOUR LOSS. 78 00:04:26,831 --> 00:04:28,877 IT'S SO QUIET. 79 00:04:28,920 --> 00:04:33,621 BUT THAT'S GOOD. QUIET IS GOOD, RIGHT? 80 00:04:33,664 --> 00:04:34,796 DOESN'T FEEL GOOD. 81 00:04:34,839 --> 00:04:36,885 NOW I ONLY HAVE A FEW DAYS 82 00:04:36,928 --> 00:04:38,321 TO FIGURE OUT WHAT TO DO WITH HIM. 83 00:04:38,365 --> 00:04:43,195 I MEAN, I DIDN'T EVEN KNOW HIM. 84 00:04:43,239 --> 00:04:45,937 ANYWAY, LET'S GO. 85 00:04:45,981 --> 00:04:48,984 I NEED TO CLEAR MY HEAD BEFORE JINX GETS HERE. 86 00:04:49,027 --> 00:04:50,202 OH, RIGHT, JINX. GOOD. 87 00:04:50,246 --> 00:04:51,465 SHE CAN HELP YOU PLAN THE FUNERAL. 88 00:04:51,508 --> 00:04:54,337 A FUNERAL? FOR MY FATHER? 89 00:04:54,381 --> 00:04:58,907 HE'D RATHER DIE. 90 00:05:02,737 --> 00:05:05,130 HEY, STRANGER. 91 00:05:05,174 --> 00:05:06,871 HEY, KENNY, HI. 92 00:05:06,915 --> 00:05:08,177 YOU KNOW, I'VE BEEN THINKING ABOUT YOU. 93 00:05:08,220 --> 00:05:10,048 - YEAH, UH... - LEFT A COUPLE OF-- 94 00:05:10,092 --> 00:05:11,528 YEAH, NO, I GOT YOUR MESSAGES. 95 00:05:11,572 --> 00:05:12,877 I'M REALLY SORRY. I MEANT TO-- 96 00:05:12,921 --> 00:05:14,096 OH, NO, NO. IT'S NO BIG DEAL. 97 00:05:14,139 --> 00:05:15,706 NO, I KNOW. I JUST, UM-- 98 00:05:15,750 --> 00:05:18,535 SOME FAMILY STUFF CAME UP. 99 00:05:18,579 --> 00:05:19,580 DO YOU WANT TO SIT DOWN? 100 00:05:19,623 --> 00:05:21,451 THOUGHT YOU'D NEVER ASK. 101 00:05:21,495 --> 00:05:24,498 THESE HEELS ARE KILLING ME. 102 00:05:26,108 --> 00:05:27,544 I JUST DON'T GET IT. THEY'RE ADULTS, 103 00:05:27,588 --> 00:05:29,633 PLAYING WITH A BEANBAG IN THE BOILING SUN. 104 00:05:29,677 --> 00:05:32,070 I KINDA LOVE THAT YOU'RE ANGRY ABOUT HACKY SACK. 105 00:05:32,114 --> 00:05:33,681 - AREN'T YOU? - FURIOUS. 106 00:05:33,724 --> 00:05:37,728 - RIGHT. - WHAT IS THIS, 1992, RIGHT? 107 00:05:37,772 --> 00:05:40,427 MMM, I GOTTA GO. OLIVER'S BADMINTON LESSON. 108 00:05:40,470 --> 00:05:43,125 CAN'T START 'EM TOO YOUNG. - SO TRUE. 109 00:05:43,168 --> 00:05:45,606 SEE YA. 110 00:05:45,649 --> 00:05:49,131 - HEY, UM, DON'T BE A STRANGER. - DON'T BE A DOUCHE BAG. 111 00:05:49,174 --> 00:05:53,265 SWEET TALKER. 112 00:05:53,309 --> 00:05:54,919 ONE OF THE SADDEST THINGS I EVER SAW 113 00:05:54,963 --> 00:05:57,008 WAS A SHOEBOX OF PHOTOS AT A SWAP MEET, 114 00:05:57,052 --> 00:05:59,010 50 CENTS FOR THE BOX. 115 00:05:59,054 --> 00:06:01,056 SOMEONE'S ENTIRE LIFE IN TATTERED YELLOW PICTURES 116 00:06:01,099 --> 00:06:03,580 THAT YOU JUST KNOW WERE MOVED FROM ATTIC TO BASEMENT 117 00:06:03,624 --> 00:06:05,626 TO ATTIC AGAIN, ONLY TO WIND UP 118 00:06:05,669 --> 00:06:08,629 ON A CRAPPY CARD TABLE IN GALLUP. 119 00:06:08,672 --> 00:06:10,108 I DON'T GET IT. 120 00:06:10,152 --> 00:06:13,808 THIS COMPULSION WE HAVE TO HOLD ON TO THINGS. 121 00:06:13,851 --> 00:06:17,681 TICKET STUBS, BETTING SLIPS. 122 00:06:17,725 --> 00:06:19,944 IT'S WEIRD, ISN'T IT? 123 00:06:19,988 --> 00:06:23,165 GOING THROUGH HIS STUFF? IT'S LIKE A... 124 00:06:23,208 --> 00:06:26,298 SAD LITTLE TREASURE HUNT. 125 00:06:27,561 --> 00:06:29,519 YOU'RE KEEPING HIS RACING FORM? 126 00:06:29,563 --> 00:06:31,695 YEAH, BEING AT THE TRACK WITH HIM, 127 00:06:31,739 --> 00:06:34,219 THAT'S MY EARLIEST MEMORY. 128 00:06:34,263 --> 00:06:38,963 PICKING BUSTED TICKETS OFF THE FLOOR AT MONMOUTH PARK. 129 00:06:39,007 --> 00:06:41,488 YOUR FATHER LIVED FOR THE TRACK. 130 00:06:41,531 --> 00:06:43,446 HE LIVED AT THE TRACK. 131 00:06:43,490 --> 00:06:44,447 MIGHT AS WELL HAVE BEEN HIS HOME. 132 00:06:44,491 --> 00:06:46,014 MARY? 133 00:06:46,057 --> 00:06:48,756 - BRANDI? - HEY. 134 00:06:48,799 --> 00:06:52,716 HI. 135 00:06:52,760 --> 00:06:55,371 MOM, WHY ARE YOU NOT SURPRISED? 136 00:06:55,415 --> 00:06:58,418 REALLY? 137 00:06:58,461 --> 00:06:59,854 UNBELIEVABLE. TWO KNOCKED-UP UNWED MOTHERS, 138 00:06:59,897 --> 00:07:02,857 MULTIPLE REHABS, DADDY ISSUES ALL THE OVER PLACE. 139 00:07:02,900 --> 00:07:04,728 THIS FAMILY IS SO JERRY SPRINGER. 140 00:07:04,772 --> 00:07:07,557 PLEASE, AT LEAST TELL ME YOU KNOW WHO THE FATHER IS. 141 00:07:07,601 --> 00:07:09,211 I CANNOT TELL YOU THAT. 142 00:07:09,254 --> 00:07:10,734 AND YOU WENT AWOL FROM REHAB. 143 00:07:10,778 --> 00:07:12,127 - I DIDN'T GO AWOL. - SHE DID NOT GO AWOL. 144 00:07:12,170 --> 00:07:13,824 I DID MY DAYS, AND JILL SAID THAT 145 00:07:13,868 --> 00:07:15,304 SHE THOUGHT IT WAS OKAY FOR ME TO GO. 146 00:07:15,347 --> 00:07:17,437 - OH, JILL DID. - SHE'S MY SPONSOR, MARY. 147 00:07:17,480 --> 00:07:19,874 AND ALSO MOM NEEDS MY HELP WITH THE PARTY-- 148 00:07:19,917 --> 00:07:21,092 - BRANDI! - WHAT PARTY? 149 00:07:21,136 --> 00:07:22,442 WHAT PARTY? 150 00:07:22,485 --> 00:07:24,835 IT'S JUST A SMALL GATHERING--TINY. 151 00:07:24,879 --> 00:07:27,229 GATHERING FOR WHAT? WHY DO WE HAVE TO GATHER? 152 00:07:27,272 --> 00:07:29,013 FOR PERSPECTIVE, MARY. FOR CLOSURE. 153 00:07:29,057 --> 00:07:31,538 FOR YOUR FATHER AND SCOTT, YES. 154 00:07:31,581 --> 00:07:33,540 WE'LL JUST INVITE A FEW FRIENDS. 155 00:07:33,583 --> 00:07:34,976 DAD DIDN'T HAVE FRIENDS HERE! 156 00:07:35,019 --> 00:07:37,326 DAD DIDN'T HAVE FRIENDS! - WELL, I DO! 157 00:07:37,369 --> 00:07:39,154 SINCE I GOT SOBER, I'VE MADE A LOT OF 'EM. 158 00:07:39,197 --> 00:07:40,721 - MOM-- - COME ON, MARY, COME ON! 159 00:07:40,764 --> 00:07:42,853 IT'S HALF-SOIREE, HALF-WAKE. 160 00:07:42,897 --> 00:07:45,203 WE'RE NOT HAVING A WAKE, THAT'S RIDICULOUS, 161 00:07:45,247 --> 00:07:46,901 AND WE'RE NOT HAVING IT HERE. THAT'S A PROMISE. 162 00:07:46,944 --> 00:07:48,946 COME HERE, BUDDY. COME ON. I KNOW, BUT IT'S TIME. 163 00:07:48,990 --> 00:07:50,818 WE'RE GOING TO BED. - MARY, LISTEN. 164 00:07:50,861 --> 00:07:54,169 WE'RE ALL GOING TO DEAL WITH THIS IN OUR OWN WAY. 165 00:07:54,212 --> 00:07:56,127 INSTEAD OF DIVING INTO A BOTTLE, 166 00:07:56,171 --> 00:07:57,651 I'M GOING TO SURROUND MYSELF WITH FRIENDS. 167 00:07:57,694 --> 00:08:00,305 BUT DON'T KID YOURSELF, KIDDO. 168 00:08:00,349 --> 00:08:02,569 WE'RE ALL ADDICTED TO SOMETHING, INCLUDING YOU. 169 00:08:02,612 --> 00:08:05,746 YOU ARE ADDICTED TO THIS IDENTITY, 170 00:08:05,789 --> 00:08:08,618 THIS LITTLE GIRL ABANDONED BY HER FATHER. 171 00:08:08,662 --> 00:08:13,449 BUT UNTIL YOU LET THAT GO, YOU WILL NEVER LET ANYONE IN, 172 00:08:13,493 --> 00:08:17,322 NOT REALLY. 173 00:08:17,366 --> 00:08:20,848 SINCE 1970, THE FEDERAL WITNESS PROTECTION PROGRAM 174 00:08:20,891 --> 00:08:23,067 HAS RELOCATED THOUSANDS OF WITNESSES-- 175 00:08:23,111 --> 00:08:24,852 SOME CRIMINAL, SOME NOT-- 176 00:08:24,895 --> 00:08:26,984 TO NEIGHBORHOODS ALL ACROSS THE COUNTRY. 177 00:08:27,028 --> 00:08:29,900 EVERY ONE OF THOSE INDIVIDUALS SHARES A UNIQUE ATTRIBUTE, 178 00:08:29,944 --> 00:08:31,032 DISTINGUISHING THEM FROM THE REST 179 00:08:31,075 --> 00:08:33,034 OF THE GENERAL POPULATION. 180 00:08:33,077 --> 00:08:36,559 AND THAT IS... SOMEBODY WANTS THEM DEAD. 181 00:08:46,003 --> 00:08:50,225 SO IT WAS JUST THE TWO OF YOU AT THE FUNERAL HOME? 182 00:08:50,268 --> 00:08:53,315 WOW, INTIMATE. 183 00:08:53,358 --> 00:08:56,361 IT'S HER FATHER, AB. SHE'S MY PARTNER-- 184 00:08:56,405 --> 00:08:58,059 MARSHALL, I NEED YOU TO REMOVE THE PHRASE 185 00:08:58,102 --> 00:08:59,930 "SHE'S MY PARTNER" FROM YOUR ARSENAL. 186 00:08:59,974 --> 00:09:01,410 I KNOW SHE'S YOUR PARTNER. - "MY ARSENAL"? 187 00:09:01,453 --> 00:09:03,064 I DON'T WANT TO BE THAT GIRL, OKAY? 188 00:09:03,107 --> 00:09:05,849 DON'T MAKE ME THAT GIRL, THAT INSECURE-- 189 00:09:05,893 --> 00:09:08,548 YES, SHE'S YOUR PARTNER, AND SHE IS YOUR FRIEND, 190 00:09:08,591 --> 00:09:11,115 YOUR BEST FRIEND, BUT-- - AB, YOU'VE GOTTA UNDERSTAND-- 191 00:09:11,159 --> 00:09:12,943 WHEN DO WE COME FIRST? 192 00:09:12,987 --> 00:09:14,597 I MEAN, MARSHALL, SKIPPING AN APPOINTMENT 193 00:09:14,641 --> 00:09:16,643 TO MEET WITH OUR MINISTER? - I WASN'T SKIPPING. 194 00:09:16,686 --> 00:09:19,515 CANCELLING, LAST-MINUTE, BECAUSE MARY NEEDS YOU AGAIN. 195 00:09:19,559 --> 00:09:21,038 LOOK, MARY AND I-- 196 00:09:21,082 --> 00:09:23,171 I GET IT. 197 00:09:23,214 --> 00:09:25,913 YOU KNOW WHAT? I DON'T GET IT. 198 00:09:25,956 --> 00:09:27,741 I DON'T. I DON'T EVEN THINK YOU DO, 199 00:09:27,784 --> 00:09:29,394 NOT REALLY. 200 00:09:29,438 --> 00:09:31,919 AND UNTIL YOU DO, UNTIL-- 201 00:09:31,962 --> 00:09:33,660 UNTIL YOU FIGURE THIS OUT, 202 00:09:33,703 --> 00:09:37,577 I THINK WE NEED TO PUT ANY APPOINTMENTS WITH MINISTERS-- 203 00:09:37,620 --> 00:09:40,449 ANY ANYTHING WITH MINISTERS--ON HOLD. 204 00:09:40,492 --> 00:09:42,364 ABIGAIL-- 205 00:09:42,407 --> 00:09:45,715 MARSHALL, I LOVE YOU. THIS ISN'T JEALOUSY. 206 00:09:45,759 --> 00:09:49,458 THIS IS IMPORTANT TO ME. IT'S IMPORTANT FOR YOU. 207 00:09:49,501 --> 00:09:54,028 JUST TALK TO HER. 208 00:09:55,377 --> 00:09:56,770 I HAVE TO GO TO WORK, SO DO YOU. 209 00:09:56,813 --> 00:10:01,601 DON'T FORGET TO FILL HIS WATER BOWL. 210 00:10:16,877 --> 00:10:18,574 MARY! WHAT ARE YOU-- 211 00:10:18,618 --> 00:10:20,881 YOUR FATHER DIED. YOU DON'T HAVE TO BE HERE. 212 00:10:20,924 --> 00:10:23,187 YEAH, KNOW ME LESS. 213 00:10:23,231 --> 00:10:26,321 SO AS IF MY LIFE'S NOT ENOUGH OF A WALKING PAIN IN THE ASS, 214 00:10:26,364 --> 00:10:28,671 I'VE BEEN CHASING MY FATHER UP, DOWN, AND INTO THE GROUND-- 215 00:10:28,715 --> 00:10:31,021 - NOT LITERALLY. - NOT LITERALLY, NO, NOT YET, 216 00:10:31,065 --> 00:10:32,806 'CAUSE APPARENTLY WHEN SOMEONE'S LIFE ENDS, 217 00:10:32,849 --> 00:10:35,286 THE LIST OF CRAP YOU HAVE TO DEAL WITH HAS ONLY JUST BEGUN. 218 00:10:35,330 --> 00:10:37,811 I'VE GOT THREE DAYS TO DECIDE WHAT TO DO WITH HIM. 219 00:10:37,854 --> 00:10:40,552 I MEAN, DO I BURY HIM HERE OR NEW JERSEY? 220 00:10:40,596 --> 00:10:42,032 DO I GET HIM ONE OF THOSE... 221 00:10:42,076 --> 00:10:43,991 YOU KNOW, AND WHAT DO I WRITE ON IT? 222 00:10:44,034 --> 00:10:46,558 OH, AND GUESS WHO'S BACK AND GUESS WHO'S KNOCKED UP, 223 00:10:46,602 --> 00:10:50,867 AND IF YOU GUESSED BRANDI, YOU'D BE RIGHT--BOTH TIMES. 224 00:10:50,911 --> 00:10:53,391 - WOW, SERIOUSLY? - YEAH, SERIOUSLY. 225 00:10:53,435 --> 00:10:56,481 AND AS IF ALL THAT'S NOT, LIKE I SAID... 226 00:10:56,525 --> 00:10:58,309 - ENOUGH? - AS IF ALL THAT'S NOT ENOUGH, 227 00:10:58,353 --> 00:11:01,138 I AM SADDLED WITH THE WORST WITNESS IMAGINABLE. 228 00:11:01,182 --> 00:11:02,444 THE MODEL? 229 00:11:02,487 --> 00:11:05,012 THE MODEL. WHY NO STORY THINGIES? 230 00:11:05,055 --> 00:11:07,275 MODELS ARE VAPID AND ENTITLED AND ALWAYS FORGIVEN 231 00:11:07,318 --> 00:11:08,929 FOR BEING TWO HOURS LATE. 232 00:11:08,972 --> 00:11:13,237 SO LOOK, YOU AND I, WE NEED TO HAVE A LITTLE TALK. 233 00:11:13,281 --> 00:11:14,586 "OOH, LOOK AT ME, I'M A MODEL. 234 00:11:14,630 --> 00:11:16,110 "I'M SO SKINNY, I CAN BARELY STAND. 235 00:11:16,153 --> 00:11:18,329 LOOK, I WEAR MY RIBS ON THE OUTSIDE!" 236 00:11:18,373 --> 00:11:20,984 HONESTLY, THE ONLY SLIVER OF SILVER LINING I CAN SEE 237 00:11:21,028 --> 00:11:23,508 BETWEEN THE DOPEY LITTLE DOE EYES AND THE ANOREXIC LIMBS 238 00:11:23,552 --> 00:11:24,814 IS THAT I'M PRETTY SURE ON MOST DAYS, 239 00:11:24,858 --> 00:11:26,207 I GET TO EAT HER LUNCH. 240 00:11:26,250 --> 00:11:28,078 MARY, WE REALLY NEED TO HAVE A TALK. 241 00:11:28,122 --> 00:11:31,168 RIGHT, WE BETTER GET IN THERE. HELP HER SIGN HER M.O.U. 242 00:11:31,212 --> 00:11:32,692 IN CRAYON, I ASSUME. 243 00:11:32,735 --> 00:11:36,739 MARSHALL, LET'S GO. CHOP-CHOP. 244 00:11:36,783 --> 00:11:38,567 I'M NOT GONNA LIE TO YOU, CASEY, 245 00:11:38,610 --> 00:11:41,831 THE FIRST FEW WEEKS CAN BE TOUGH AND LONELY, 246 00:11:41,875 --> 00:11:43,833 BUT JUST KEEP BEARING IN MIND THE GOOD YOU'RE DOING. 247 00:11:43,877 --> 00:11:45,313 THAT COULD REALLY HELP. 248 00:11:45,356 --> 00:11:47,054 I DON'T KNOW HOW MUCH GOOD I DID. 249 00:11:47,097 --> 00:11:49,230 WE'RE TALKING ABOUT IDENTITY THEFT ON A GLOBAL SCALE. 250 00:11:49,273 --> 00:11:50,710 THAT DRIVE YOU RECOVERED CONTAINS 251 00:11:50,753 --> 00:11:53,582 THE PERSONAL INFORMATION FOR OVER 500,000 PEOPLE. 252 00:11:53,625 --> 00:11:55,845 PENSIONS, SAVINGS ACCOUNTS. 253 00:11:55,889 --> 00:11:58,065 PETROV WASN'T ABOUT TO DONATE THAT MONEY TO UNICEF. 254 00:11:58,108 --> 00:12:00,545 WHAT AUSA PERILLO IS TRYING TO SAY, CASEY, 255 00:12:00,589 --> 00:12:02,547 IS YOU SAVED LIVES. 256 00:12:02,591 --> 00:12:04,941 THE RUSSIAN MAFIA IS AS BRUTAL AS THEY COME, 257 00:12:04,985 --> 00:12:06,900 BUT YOU'RE SAFE NOW. 258 00:12:06,943 --> 00:12:08,553 I'M NOT WORRIED ABOUT MY SAFETY. 259 00:12:08,597 --> 00:12:10,512 IF IT WERE UP TO ME, THEY'D HANG PETROV 260 00:12:10,555 --> 00:12:13,515 AND EVERY LAST ONE OF THEM IN FRONT OF THE HAGUE. 261 00:12:13,558 --> 00:12:18,041 YES, SHE'S HEARD OF THE HAGUE. WE'RE NOT ALL VACUOUS BIMBOS. 262 00:12:18,085 --> 00:12:21,871 SO WHAT ARE YOU WORRIED ABOUT? 263 00:12:21,915 --> 00:12:23,481 I WAS DISCOVERED AT 14 264 00:12:23,525 --> 00:12:27,094 IN FRONT OF A DAIRY QUEEN IN DUBUQUE. 265 00:12:27,137 --> 00:12:30,445 A YEAR LATER, I WAS PAYING OFF THE MORTGAGE, 266 00:12:30,488 --> 00:12:34,057 FUNDING MY MOM'S FUTILE CHEMO TREATMENTS, 267 00:12:34,101 --> 00:12:36,625 AND FENDING OFF MY STEPDAD WITH A WHIP AND A CHAIR. 268 00:12:36,668 --> 00:12:39,715 WOW. 269 00:12:39,759 --> 00:12:43,110 THAT'S A LOT FOR ANYONE, NEVER MIND A 14-YEAR-OLD. 270 00:12:43,153 --> 00:12:47,505 ALL I'VE DONE SINCE IS WHATEVER PEOPLE TELL ME TO. 271 00:12:47,549 --> 00:12:50,378 "STAND HERE, WEAR THAT, POUT NOW." 272 00:12:50,421 --> 00:12:55,383 THIS NEW IDENTITY? I NEVER EVEN HAD AN OLD ONE. 273 00:12:55,426 --> 00:12:57,907 OUTSIDE OF LOOKING PRETTY AND DOING WHAT I'M TOLD, 274 00:12:57,951 --> 00:13:02,346 I'M TOTALLY UNTRAINED. I'M USELESS! 275 00:13:02,390 --> 00:13:04,174 YOU'RE NOT USELESS, 276 00:13:04,218 --> 00:13:05,480 AND WE'RE NOT JUST ABOUT KEEPING YOU SAFE. 277 00:13:05,523 --> 00:13:07,656 WE'RE GONNA HELP YOU, OKAY? 278 00:13:07,699 --> 00:13:09,005 GET YOU SET UP. 279 00:13:09,049 --> 00:13:11,007 WE'LL FIND YOU A JOB, AN APARTMENT, 280 00:13:11,051 --> 00:13:12,748 YOU COULD MAYBE ENROLL IN COLLEGE. 281 00:13:12,792 --> 00:13:16,186 YEAH, CHANGE YOUR MAJOR FIVE TIMES LIKE THE REST OF US, 282 00:13:16,230 --> 00:13:20,103 FIGURE OUT WHAT YOU WANT TO BE WHEN YOU GROW UP. 283 00:13:20,147 --> 00:13:21,452 HOW DO I DO THAT? 284 00:13:21,496 --> 00:13:23,063 - I HAVE NO IDEA. - SHE HAS NO IDEA. 285 00:13:23,106 --> 00:13:27,241 WELCOME TO WITSEC. 286 00:13:27,284 --> 00:13:30,244 NO, I TOTALLY UNDERSTAND. 287 00:13:30,287 --> 00:13:34,770 YEAH, THANKS, LAUREN. YOU TOO, BYE. 288 00:13:34,814 --> 00:13:36,598 UNREAL. GUY'S GOT TWO FAMILIES-- 289 00:13:36,641 --> 00:13:38,339 TWO THAT WE KNOW OF-- AND WHO DRAWS THE SHORT STRAW 290 00:13:38,382 --> 00:13:39,906 ON PUTTING HIM IN THE GROUND? 291 00:13:39,949 --> 00:13:42,996 YEAH, LISTEN, 292 00:13:43,039 --> 00:13:45,520 WE NEED TO SCHEDULE A TIME TO TALK. 293 00:13:45,563 --> 00:13:47,043 YEAH, ALL RIGHT, LOOK. 294 00:13:47,087 --> 00:13:48,392 LAST TIME YOU SCHEDULED A TIME WITH ME IS 'CAUSE 295 00:13:48,436 --> 00:13:49,959 YOU GOT SECRETLY ENGAGED. WHAT NOW? 296 00:13:50,003 --> 00:13:51,526 WHOA, WAIT. 297 00:13:51,569 --> 00:13:53,093 ARE YOU GUYS PRE-WEDDING PREGNANT? 298 00:13:53,136 --> 00:13:54,877 PLEASE TELL ME YOU'RE PRE-WEDDING PREGNANT. 299 00:13:54,921 --> 00:13:56,226 SERIOUSLY, MY FAMILY COULD REALLY USE THE COVER. 300 00:13:56,270 --> 00:13:58,402 HEY. MY OFFICE. 301 00:13:58,446 --> 00:14:01,188 CARVE OUT SOME TIME. 302 00:14:01,231 --> 00:14:05,845 MARY. I ONLY NEED MARSHALL, THANKS. 303 00:14:18,945 --> 00:14:22,557 MARSHALL HAS SENIORITY. HE'LL BE THE FIRST TO TRANSFER. 304 00:14:22,600 --> 00:14:24,254 WHAT ARE YOU TALKING ABOUT "FIRST TO TRANSFER"? 305 00:14:24,298 --> 00:14:26,778 TRANSFER WHERE? - DENVER. 306 00:14:26,822 --> 00:14:29,085 THEY'RE SHUTTING DOWN ALBUQUERQUE WITSEC, MARY. 307 00:14:29,129 --> 00:14:31,044 WE'RE DONE. 308 00:14:49,540 --> 00:14:54,241 ALL RIGHT, LET'S GET YOU A JOB. 309 00:14:54,284 --> 00:14:55,503 I KNOW THE OWNER OF THIS RESTAURANT, 310 00:14:55,546 --> 00:14:57,157 HE'S GOOD PEOPLE. 311 00:14:57,200 --> 00:15:01,552 COME ON. 312 00:15:08,995 --> 00:15:11,693 I'VE GOTTA SAY, I'M KINDA GLAD THIS "NO SLEEPOVER" THING 313 00:15:11,736 --> 00:15:13,129 ISN'T A STRICT POLICY. 314 00:15:13,173 --> 00:15:15,436 WELL, NORAH HAD AN OVERNIGHT 315 00:15:15,479 --> 00:15:18,047 WITH MARK'S MOM, AND I DIDN'T WANT ONE WITH MINE. 316 00:15:18,091 --> 00:15:19,701 PLUS, I'M GONNA BE WITH HER ALL DAY 317 00:15:19,744 --> 00:15:22,356 FOR THIS DUMBASS FAKE WAKE. 318 00:15:22,399 --> 00:15:24,358 "FAKE WAKE"? WHAT, DID SOMEBODY FAKE DIE? 319 00:15:24,401 --> 00:15:28,536 NO, SOMEONE ACTUALLY DID. MY FATHER. 320 00:15:28,579 --> 00:15:30,364 - WHOA, THAT'S WHAT CAME UP? - HMM? 321 00:15:30,407 --> 00:15:31,931 WHEN YOU SAID YOU DIDN'T RETURN MY CALLS 322 00:15:31,974 --> 00:15:33,671 BECAUSE SOME FAMILY STUFF CAME UP. 323 00:15:33,715 --> 00:15:36,587 THE FAMILY STUFF THAT CAME UP IS THAT YOUR FATHER DIED? 324 00:15:36,631 --> 00:15:39,547 YEP, SO I'VE GOT FAMILY IN TOWN. 325 00:15:39,590 --> 00:15:41,201 THAT'S FUN. 326 00:15:41,244 --> 00:15:44,160 PLUS, I MIGHT BE OUT OF A JOB IN ABOUT TEN SECONDS. 327 00:15:44,204 --> 00:15:45,466 IT HASN'T BEEN THE BEST WEEK. 328 00:15:45,509 --> 00:15:48,948 - YOU OKAY? - YEAH, I'M FINE. 329 00:15:48,991 --> 00:15:51,646 ALL RIGHT, I'M GONNA LET YOU GET AWAY WITH THAT, UH-- 330 00:15:51,689 --> 00:15:54,692 WITH THAT "I'M FINE"--FOR NOW. - YOU'RE GONNA "LET ME"? 331 00:15:54,736 --> 00:15:56,868 - YEAH. - "FOR NOW"? 332 00:15:56,912 --> 00:15:59,523 - FOR NOW. - HUH. 333 00:15:59,567 --> 00:16:02,135 ALSO GONNA VOLUNTEER MY SERVICES 334 00:16:02,178 --> 00:16:05,007 AS YOUR DATE TO THE FAKE WAKE. - YEAH, NO. 335 00:16:05,051 --> 00:16:07,009 COME ON, IT'LL BE FUN. I'VE NEVER BEEN TO A FAKE WAKE. 336 00:16:07,053 --> 00:16:09,403 NO, IT'S-- YOU'RE REALLY SWEET TO OFFER, 337 00:16:09,446 --> 00:16:15,539 BUT, I MEAN, YOU COMING TO THIS...WHATEVER IT IS, 338 00:16:15,583 --> 00:16:20,936 IT'S TOO MUCH WAY TOO SOON. 339 00:16:20,980 --> 00:16:22,720 IT'S SKIPPING STEPS. 340 00:16:22,764 --> 00:16:26,028 "SKIPPING STEPS." OKAY. 341 00:16:26,072 --> 00:16:27,029 OKAY. 342 00:16:27,073 --> 00:16:28,030 ANYWAY, I GOTTA-- 343 00:16:28,074 --> 00:16:30,902 - YEAH, GO. - OKAY. 344 00:16:30,946 --> 00:16:34,819 HEY. 345 00:16:38,998 --> 00:16:43,002 I'M REALLY SORRY ABOUT YOUR DAD. 346 00:16:45,526 --> 00:16:47,919 SEE YA. 347 00:16:49,225 --> 00:16:52,533 THANKS. 348 00:16:52,576 --> 00:16:56,232 SO YOU'RE GONNA BE OKAY WITH THIS? 349 00:16:56,276 --> 00:16:58,365 YEAH, I'M NOT ABOVE WAITING TABLES. 350 00:16:58,408 --> 00:17:00,715 IT LACKS THE GLAMOUR OF RUNWAY WORK, 351 00:17:00,758 --> 00:17:03,326 BUT AT LEAST IT'S REAL. 352 00:17:03,370 --> 00:17:05,633 PLUS, I'M ONLY IN IT FOR THE LONG HOURS AND CRAPPY PAY, 353 00:17:05,676 --> 00:17:07,374 SO... 354 00:17:07,417 --> 00:17:12,335 IT'S JUST GOING FROM MY OLD LIFE IN THE CITY TO THIS, 355 00:17:12,379 --> 00:17:16,818 IT'S ALL A LITTLE WHIPLASH-Y, YOU KNOW? 356 00:17:16,861 --> 00:17:18,472 I KNOW, BUT THAT'S NORMAL. 357 00:17:18,515 --> 00:17:23,999 IT'S JUST HARD. I DON'T KNOW ANYBODY HERE. 358 00:17:24,043 --> 00:17:27,524 IT'S BEEN EIGHT YEARS, AND I STILL MISS MY MOM. 359 00:17:30,484 --> 00:17:32,007 IS HUGGING AGAINST THE RULES? 360 00:17:32,051 --> 00:17:35,054 HUGGING? UH, WELL, IT IS, ACTUALLY. KIND OF. 361 00:17:35,097 --> 00:17:39,101 WHOA. WHOA. 362 00:17:39,145 --> 00:17:41,495 OKAY. OKAY. 363 00:17:47,457 --> 00:17:49,198 HOW YA HOLDING UP? 364 00:17:49,242 --> 00:17:51,548 GOOD, JUST HERE FOR THE FREE FOOD, SO... 365 00:17:51,592 --> 00:17:52,723 WELL, WHATEVER YOU THOUGHT OF HIM, 366 00:17:52,767 --> 00:17:54,986 LOSING A PARENT, THAT'S BIG. 367 00:17:55,030 --> 00:17:55,987 YOU KNOW WHAT'S BIG? BEING A PARENT 368 00:17:56,031 --> 00:17:57,467 AND STICKING AROUND. 369 00:17:57,511 --> 00:18:01,558 A LOT OF GUYS DON'T, AND YOU DID, SO THANKS. 370 00:18:01,602 --> 00:18:04,126 WELL, I'M NOT GOING ANYWHERE. I'M SERIOUS, I'M MOVING IN. 371 00:18:04,170 --> 00:18:06,998 THAT'S COOL, RIGHT? AND JINX IS BACK, 372 00:18:07,042 --> 00:18:09,392 I GOT KIND OF A MOTHER-DAUGHTER THING. 373 00:18:09,436 --> 00:18:12,439 SO STUPID. 374 00:18:15,529 --> 00:18:17,792 - SMARTWATER. - JUST CHECKING. 375 00:18:17,835 --> 00:18:20,229 - MM-HMM. - HEY... 376 00:18:20,273 --> 00:18:21,883 YOU KNOW WHEN I WAS THINKING ABOUT ADOPTION, 377 00:18:21,926 --> 00:18:23,885 I WAS WORKING WITH THIS REALLY GOOD AGENCY, 378 00:18:23,928 --> 00:18:27,628 AND I THOUGHT I SHOULD GET YOU THAT NUMBER, OKAY? 379 00:18:27,671 --> 00:18:31,719 - OH, UM, OKAY. - GOOD. 380 00:18:31,762 --> 00:18:34,025 HEY. 381 00:18:34,069 --> 00:18:35,766 WHERE'S GIDGET? 382 00:18:35,810 --> 00:18:37,855 ABIGAIL'S COMING LATER. 383 00:18:37,899 --> 00:18:40,075 OR NOT, I'M NOT SURE. HOW'S THIS? 384 00:18:40,119 --> 00:18:42,121 THE FAKE WAKE? THE FAKE WAKE'S RIDICULOUS. 385 00:18:42,164 --> 00:18:44,253 MY FATHER DIDN'T HAVE FRIENDS. THIS IS BASICALLY A REUNION 386 00:18:44,297 --> 00:18:45,733 OF JINX'S AA PALS. 387 00:18:45,776 --> 00:18:47,213 I'VE HEARD SIX DIFFERENT SOBRIETY STORIES. 388 00:18:47,256 --> 00:18:48,866 I BUMPED INTO A GUY EARLIER. 389 00:18:48,910 --> 00:18:50,738 HE TRIED TO MAKE AMENDS ON THE SPOT. 390 00:18:50,781 --> 00:18:53,001 I SWEAR TO GOD, THESE ARE THE LEAST ANONYMOUS ALCOHOLICS 391 00:18:53,044 --> 00:18:55,003 I'VE EVER MET. - HOW'S THE FOOD? 392 00:18:55,046 --> 00:18:56,787 STRONG. THE FOOD'S STRONG. 393 00:18:56,831 --> 00:18:57,832 WHY DO YOU THINK I'M NOT LOCKED IN MY ROOM? 394 00:18:59,050 --> 00:19:00,443 EXCUSE ME, EVERYONE. 395 00:19:00,487 --> 00:19:01,836 EVERYONE. 396 00:19:01,879 --> 00:19:03,838 - HERE WE GO. - EASY. 397 00:19:03,881 --> 00:19:07,842 I JUST WANTED TO THANK ALL OF YOU FOR COMING. 398 00:19:07,885 --> 00:19:12,020 HEY, WHAT'D YOU MEAN BEFORE, NOT SURE ABOUT ABIGAIL? 399 00:19:12,063 --> 00:19:14,762 SHE JUST MIGHT NOT COME. 400 00:19:14,805 --> 00:19:17,199 SHE'S KINDA... SOMETHING... 401 00:19:17,243 --> 00:19:19,332 MAD, I GUESS. 402 00:19:19,375 --> 00:19:21,029 ABIGAIL'S GOT A MAD SWITCH? 403 00:19:21,072 --> 00:19:22,639 I THOUGHT SHE WAS ALWAYS SET TO PERKY. 404 00:19:22,683 --> 00:19:25,555 AND IT SEEMED APPROPRIATE TO HONOR THOSE 405 00:19:25,599 --> 00:19:28,079 WHO ARE NO LONGER WITH US. 406 00:19:28,123 --> 00:19:32,127 AND IN THAT SPIRIT, I'VE PREPARED A SHORT SONG. 407 00:19:32,171 --> 00:19:34,042 - DEAR GOD. - JUST BREATHE. 408 00:19:34,085 --> 00:19:35,522 OH! 409 00:19:35,565 --> 00:19:37,393 WHAT THE HELL? 410 00:19:37,437 --> 00:19:40,614 I SWEAR TO GOD, MARK INSTALLED THOSE STUPID SOLAR PANELS, 411 00:19:40,657 --> 00:19:42,137 AND NOW I HAVE A BLACKOUT? 412 00:19:42,181 --> 00:19:43,921 SERIOUSLY, WHERE THE HELL'S THE FLASHLIGHT? 413 00:19:43,965 --> 00:19:47,621 I'M ACTUALLY GLAD THE LIGHTS WENT OUT. 414 00:19:47,664 --> 00:19:49,231 YOU THINK YOU'RE GLAD? SHE WAS GONNA SING. 415 00:19:49,275 --> 00:19:51,842 I MEANT BECAUSE WE NEED TO TALK. 416 00:19:51,886 --> 00:19:53,670 ENOUGH WITH THE "NEED TO TALK" CRAP, OKAY? 417 00:19:53,714 --> 00:19:55,455 OUR OFFICE IS BEING FOLDED INTO DENVER. 418 00:19:55,498 --> 00:19:56,934 I KNOW. DELIA TOLD ME. 419 00:19:56,978 --> 00:20:00,851 THIS ISN'T ABOUT OUR OFFICE, MARY. 420 00:20:00,895 --> 00:20:03,941 P.S., I SHOULD TELL YOU NOW, NO CLUE WHERE THE FUSE BOX IS. 421 00:20:03,985 --> 00:20:07,902 WHAT I SAID BEFORE ABOUT ABIGAIL BEING MAD-- 422 00:20:07,945 --> 00:20:10,296 OH, MY GOD. OH, MY GOD. 423 00:20:10,339 --> 00:20:11,558 WHAT? WHAT? 424 00:20:11,601 --> 00:20:14,256 HERE. 425 00:20:14,300 --> 00:20:16,476 LOOK. 426 00:20:16,519 --> 00:20:18,869 WHAT AM I LOOKING AT? 427 00:20:18,913 --> 00:20:20,784 MY CHILDHOOD, 428 00:20:20,828 --> 00:20:23,134 FLASHING BEFORE MY EYES. 429 00:20:25,659 --> 00:20:28,662 JESUS. 430 00:20:39,629 --> 00:20:42,241 WHAT WOULD YOU SAY? 100 GRAND? 431 00:20:42,284 --> 00:20:45,156 ACCORDING TO THIS PAYOUT RECEIPT, 162. 432 00:20:45,200 --> 00:20:50,292 THERE'S A NOTE. 433 00:20:50,336 --> 00:20:52,903 "MY DEAR NORAH, WISH I COULD'VE GIVEN YOU MORE." 434 00:20:52,947 --> 00:20:54,818 GREAT, NOW I GOTTA TURN THIS OVER TO TREASURY. 435 00:20:54,862 --> 00:20:56,559 ADD THAT TO THE LIST. 436 00:20:56,603 --> 00:21:00,911 HOLD ON, A PAYOUT RECEIPT, A PHOTO OF HIM AT THE TRACK 437 00:21:00,955 --> 00:21:02,391 WITH THE RACING FORM. 438 00:21:02,435 --> 00:21:04,698 YOUR FATHER'S OBVIOUSLY GONE TO SOME EFFORT 439 00:21:04,741 --> 00:21:06,003 TO PROVE THIS MONEY'S LEGITIMATE. 440 00:21:06,047 --> 00:21:07,309 WHAT'S YOUR POINT? 441 00:21:07,353 --> 00:21:09,659 MAYBE THE REASON HE CAME BACK WAS, 442 00:21:09,703 --> 00:21:13,272 YES, TO RECONCILE WITH YOU, BUT ALSO TO LEAVE YOU THIS 443 00:21:13,315 --> 00:21:15,361 AS A FINAL GESTURE. - PLEASE. 444 00:21:15,404 --> 00:21:17,363 THE GUY ABANDONED OUR FAMILY FOR 30-PLUS YEARS. 445 00:21:17,406 --> 00:21:18,668 HE THINKS HE CAN MAKE UP FOR IT 446 00:21:18,712 --> 00:21:20,366 WITH A LITTLE RETROACTIVE CHARITY? 447 00:21:20,409 --> 00:21:22,106 NO THANKS. - YOU KNOW, TECHNICALLY, 448 00:21:22,150 --> 00:21:23,717 THE MONEY BELONGS TO NORAH. 449 00:21:23,760 --> 00:21:25,675 TECHNICALLY, THE MONEY DOESN'T BELONG TO ANYONE! 450 00:21:29,331 --> 00:21:30,506 - HEY. - HEY. 451 00:21:30,550 --> 00:21:32,334 - HEY. - YOU BETTER GET OUT HERE. 452 00:21:32,378 --> 00:21:34,336 MOM IS THREATENING TO SING AGAIN. 453 00:21:39,602 --> 00:21:41,430 McQUEEN. 454 00:21:41,474 --> 00:21:42,866 CASEY? 455 00:21:42,910 --> 00:21:47,697 OKAY, CALM DOWN. BOTHERING YOU HOW? 456 00:21:47,741 --> 00:21:49,133 ALL RIGHT, ONE SEC. 457 00:21:49,177 --> 00:21:51,440 GRAB YOUR COAT. ALTERCATION AT SCALO'S 458 00:21:51,484 --> 00:21:53,877 IT'S HER FIRST DAY. SHE'S OFF TO A FLYING START. 459 00:21:53,921 --> 00:21:57,707 HEY, CALL A.P.D., GIVE CHAFFEE A HEADS UP. 460 00:21:57,751 --> 00:21:59,579 CASEY, JUST SIT TIGHT. 461 00:21:59,622 --> 00:22:01,842 I'M GONNA STAY WITH YOU. MARY'S ON HER WAY. 462 00:22:05,367 --> 00:22:08,196 HEY, THANKS FOR GETTING HERE SO QUICKLY. 463 00:22:08,239 --> 00:22:10,241 INSPECTOR, SHE'S INSIDE. I GOT A GUY ON THE DOOR. 464 00:22:10,285 --> 00:22:13,027 THANKS, ABIGAIL. 465 00:22:14,681 --> 00:22:17,988 HEY. I GOT THIS, THANKS. 466 00:22:19,512 --> 00:22:21,209 CASEY? YOU CAN COME ON OUT. 467 00:22:21,252 --> 00:22:22,993 IT'S ME, IT'S MARY. 468 00:22:23,037 --> 00:22:27,389 COME ON, IT'S SAFE. 469 00:22:27,433 --> 00:22:29,260 WHAT THE HELL? 470 00:22:29,304 --> 00:22:31,872 OH, MY GOD, COME HERE. 471 00:22:31,915 --> 00:22:33,700 GODDAMN IT, LET'S GET YOU OUT OF HERE. 472 00:22:33,743 --> 00:22:35,266 ARE YOU OKAY? - YEAH. 473 00:22:35,310 --> 00:22:39,488 OH, MY GOD. 474 00:22:39,532 --> 00:22:41,403 FAIR WARNING, DICKHEAD, NEXT TIME YOU SEE ME, 475 00:22:41,447 --> 00:22:43,187 YOU'LL GET YOUR ASS KICKED BY A GIRL. 476 00:22:43,231 --> 00:22:45,538 WHO THE HELL ARE YOU? YOU CAN'T THREATEN ME LIKE THAT. 477 00:22:45,581 --> 00:22:47,714 OH, GEEZ, YOU KNOW WHAT? 478 00:22:47,757 --> 00:22:50,064 I THINK I LEFT MY "GIVE A CRAP" IN MY OTHER JACKET. 479 00:22:50,107 --> 00:22:51,544 THAT'S A TOUGH BREAK. 480 00:22:55,939 --> 00:22:57,811 NO, I DON'T EVEN KNOW HIM. 481 00:22:57,854 --> 00:23:01,292 I JUST WENT OUT BACK FOR A SMOKE AND HE HIT ON ME. 482 00:23:01,336 --> 00:23:02,729 I SAID NO. 483 00:23:02,772 --> 00:23:04,600 YOU CAN FILL IN THE BLANKS AFTER THAT. 484 00:23:04,644 --> 00:23:07,081 OKAY, INSPECTOR, I'M ASSUMING YOU AND YOUR FRIEND 485 00:23:07,124 --> 00:23:09,039 WOULD RATHER TAKE CARE OF THIS IN MY OFFICE LATER. 486 00:23:09,083 --> 00:23:11,172 YEAH, THANKS, ABIGAIL. I'LL CALL YOU. 487 00:23:11,215 --> 00:23:14,654 GOOD THEN. KEEP THE ICE ON IT, CASEY. 488 00:23:14,697 --> 00:23:16,873 LET'S GO. 489 00:23:19,746 --> 00:23:21,704 WHAT ARE YOU DOING HANGING IN AN ALLEY 490 00:23:21,748 --> 00:23:23,663 WITH SOME DRUNK ASSHOLE YOU DON'T KNOW? 491 00:23:23,706 --> 00:23:26,013 IT ISN'T MY FAULT, WE'RE NOT ALLOWED TO SMOKE IN FRONT. 492 00:23:26,056 --> 00:23:27,710 NO, IT ISN'T YOUR FAULT YOU GOT ATTACKED, OF COURSE NOT. 493 00:23:27,754 --> 00:23:29,146 THIS IS ABOUT YOU PUTTING YOURSELF IN THAT POSITION! 494 00:23:29,190 --> 00:23:30,583 GETTING AWAY FROM FAT, DRUNK, AND STUPID 495 00:23:30,626 --> 00:23:31,932 OVER THERE WAS A FLUKE. 496 00:23:31,975 --> 00:23:33,063 YOU'RE LUCKY YOU GOT BACK INSIDE! 497 00:23:33,107 --> 00:23:34,543 ALL RIGHT, IT WAS STUPID! 498 00:23:34,587 --> 00:23:37,154 YEAH, BUT YOU'RE NOT. CASEY, WAKE UP. 499 00:23:37,198 --> 00:23:40,767 IDIOT GUYS IN ALLEYWAYS ARE ALWAYS GONNA HIT ON YOU. 500 00:23:40,810 --> 00:23:42,638 ALL RIGHT, I'LL BE MORE CAREFUL. 501 00:23:42,682 --> 00:23:44,727 I HOPE SO, 'CAUSE THE GUYS YOU'RE TESTIFYING AGAINST 502 00:23:44,771 --> 00:23:46,903 ARE NOT EXACTLY KNOWN FOR FORGIVE AND FORGET. 503 00:23:46,947 --> 00:23:48,775 YOU DON'T HAVE TO WORRY ABOUT THE CASE. 504 00:23:48,818 --> 00:23:50,472 I'LL DO WHAT I'M TOLD. THAT'S WHAT I'M GOOD AT. 505 00:23:50,516 --> 00:23:53,432 WHAT? HEY, I DON'T CARE ABOUT THE CASE. 506 00:23:53,475 --> 00:23:58,437 I CARE ABOUT YOU. I CARE ABOUT KEEPING YOU SAFE! 507 00:23:58,480 --> 00:24:01,004 I'M FINE, ALL RIGHT? CAN WE JUST GO? 508 00:24:01,048 --> 00:24:04,312 I'M FINE! 509 00:24:08,751 --> 00:24:10,100 - HEY. - HEY. 510 00:24:10,144 --> 00:24:11,711 - HOW IS SHE? - SHE'S ON HER COUCH 511 00:24:11,754 --> 00:24:14,322 WITH A BAG OF PEAS ON HER FACE. 512 00:24:14,365 --> 00:24:16,063 YOU KNOW, SHE'S ACTUALLY A GOOD KID. 513 00:24:16,106 --> 00:24:18,152 SMART, TOUGH. SHE KEPT SAYING SHE'S FINE, 514 00:24:18,195 --> 00:24:20,241 BUT SHE'S CLEARLY MORE AT SEA THAN SHE THOUGHT. 515 00:24:20,284 --> 00:24:21,808 I MEAN, I WAS DOING MY "BAD COP" THING. 516 00:24:21,851 --> 00:24:24,724 - YOU HAVE A "GOOD COP" THING? - NO, I DON'T. 517 00:24:24,767 --> 00:24:25,855 ANYWAY, I DON'T KNOW. I JUST DON'T KNOW 518 00:24:25,899 --> 00:24:27,204 IF I GOT THROUGH TO HER. 519 00:24:27,248 --> 00:24:28,771 MAYBE PUT IN A CALL TO DR. FINKEL. 520 00:24:28,815 --> 00:24:31,295 IT'S DONE. THEY'RE TALKING TOMORROW. 521 00:24:31,339 --> 00:24:34,429 GOOD WORK. 522 00:24:34,473 --> 00:24:36,518 HEY. 523 00:24:36,562 --> 00:24:41,175 I HAD MY GUY AT TREASURY RUN A RANDOM SAMPLE 524 00:24:41,218 --> 00:24:43,351 OF THE SERIAL NUMBERS. - MARSHALL. 525 00:24:43,394 --> 00:24:45,745 NONE OF THE BILLS IN THAT CASE WAS EVER REPORTED STOLEN. 526 00:24:45,788 --> 00:24:48,617 OUTSIDE OF WHATEVER YOUR FATHER PUT DOWN ON THE HORSE, 527 00:24:48,661 --> 00:24:50,532 I THINK THE MONEY IN THE SUITCASE IS CLEAN 528 00:24:50,576 --> 00:24:52,099 AND HE WANTED IT THAT WAY. 529 00:24:52,142 --> 00:24:54,405 HE WANTED IT THAT WAY? LOOK, YOU CAN BE A HARDY BOY 530 00:24:54,449 --> 00:24:56,799 OR DR. FREUD, PAL, BUT YOU GOTTA PICK. 531 00:24:56,843 --> 00:24:58,584 SPEAKING OF HARDY BOYS, WHAT'S UP WITH NANCY DREW 532 00:24:58,627 --> 00:25:00,237 AND THAT MASSIVE BUG UP HER ASS? 533 00:25:00,281 --> 00:25:03,371 SHE WAS ICE COLD AT THE SCENE, CALLING ME "INSPECTOR." 534 00:25:03,414 --> 00:25:06,026 WHAT'S THAT ABOUT? - IT'S ABOUT THAT TALK 535 00:25:06,069 --> 00:25:07,288 THAT WE NEED TO HAVE. 536 00:25:07,331 --> 00:25:10,726 CAN WE JUST GO OUT TO THE BALCONY? 537 00:25:10,770 --> 00:25:13,555 BALCONY. WHAT, ARE YOU GONNA THROW YOURSELF OFF 538 00:25:13,599 --> 00:25:15,078 OR RECITE SHAKESPEARE, 'CAUSE ONLY ONE OF THOSE 539 00:25:15,122 --> 00:25:16,079 IS GONNA GET ME OUT THERE. 540 00:25:16,123 --> 00:25:20,301 MARY, PLEASE, JUST... 541 00:25:20,344 --> 00:25:24,348 WE HAVE TO TALK. 542 00:25:31,530 --> 00:25:34,054 WHAT'S UP? 543 00:25:34,097 --> 00:25:37,623 OKAY, UH... 544 00:25:37,666 --> 00:25:41,714 EVER SINCE-- NOT LONG AFTER WE MET, 545 00:25:41,757 --> 00:25:47,371 I KNEW WE'D HAVE TO HAVE THIS-- THIS CONVERSATION. 546 00:25:47,415 --> 00:25:48,764 I NEVER IMAGINED IT ON THE BALCONY. 547 00:25:48,808 --> 00:25:52,420 - JESUS, MARSHALL. - THIS IS HARD, OKAY? 548 00:25:52,463 --> 00:25:56,946 WE DO A LOT OF TALKING WITHOUT TALKING, SO-- 549 00:25:56,990 --> 00:26:00,297 ARE YOU DYING OR WHAT? SPIT IT OUT ALREADY. 550 00:26:00,341 --> 00:26:02,561 YOU'RE MY PARTNER. 551 00:26:02,604 --> 00:26:03,736 YOU'RE MY BEST FRIEND. 552 00:26:03,779 --> 00:26:06,869 AND... 553 00:26:06,913 --> 00:26:11,482 I LOVE YOU. 554 00:26:11,526 --> 00:26:13,659 OH. 555 00:26:13,702 --> 00:26:15,878 I-I DON'T MEAN. YOU KNOW WHAT I MEAN. 556 00:26:15,922 --> 00:26:19,708 I LOVE THIS. WHAT WE HAVE. 557 00:26:19,752 --> 00:26:22,581 THIS--IT'S INDEFINABLE. 558 00:26:22,624 --> 00:26:27,324 AND UP UNTIL NOW, NOTHING'S EVER COME ALONG TO JEOPARDIZE THAT. 559 00:26:27,368 --> 00:26:29,326 MARSHALL, YOU'RE MY BEST FRIEND. 560 00:26:29,370 --> 00:26:30,632 YOU'RE MY ONLY FRIEND. 561 00:26:30,676 --> 00:26:34,723 I MEAN, FORGET FRIEND, YOU'RE... 562 00:26:34,767 --> 00:26:35,768 YOU KNOW? 563 00:26:35,811 --> 00:26:40,424 I KNOW. I LOVE THAT. 564 00:26:40,468 --> 00:26:43,210 BUT THAT'S THE PROBLEM. 565 00:26:43,253 --> 00:26:45,647 OH. 566 00:26:45,691 --> 00:26:47,083 'CAUSE YOU'RE GETTING MARRIED. 567 00:26:47,127 --> 00:26:50,913 YEAH. I'M GETTING MARRIED. 568 00:26:50,957 --> 00:26:54,090 I LOVE ABIGAIL, DEEPLY. 569 00:26:54,134 --> 00:26:59,618 AND BECAUSE I DO, THAT'S WHY I NEED YOU TO, 570 00:26:59,661 --> 00:27:01,924 UM, TO DO SOMETHING FOR ME. 571 00:27:01,968 --> 00:27:03,143 ANYTHING. 572 00:27:03,186 --> 00:27:06,233 I NEED YOU TO, UH... 573 00:27:06,276 --> 00:27:07,800 TO RELEASE ME. 574 00:27:07,843 --> 00:27:11,455 I NEED TO BE FREE ENOUGH TO HAVE A LIFE WITH ABIGAIL, 575 00:27:11,499 --> 00:27:15,764 AND I NEED YOU TO BE OKAY ENOUGH FOR THAT TO HAPPEN, 576 00:27:15,808 --> 00:27:19,246 BECAUSE-- 577 00:27:19,289 --> 00:27:22,858 BECAUSE IF YOU CALL, I'LL COME. 578 00:27:22,902 --> 00:27:25,905 EVERY TIME. 579 00:27:30,431 --> 00:27:33,173 WOW. 580 00:27:34,522 --> 00:27:38,918 I DON'T KNOW A LOT THESE DAYS. 581 00:27:38,961 --> 00:27:42,835 ALL I KNOW IS MORE THAN ANYTHING IN THE WHOLE WORLD, 582 00:27:42,878 --> 00:27:46,534 I WANT YOU TO BE HAPPY. 583 00:27:46,577 --> 00:27:50,059 SO I'M GONNA SAY THIS ONCE AND ONLY ONCE. 584 00:27:51,713 --> 00:27:56,631 I WANT YOU TO MARRY ABIGAIL. SHE MAKES YOU HAPPY. 585 00:27:57,980 --> 00:28:04,073 I LIKE HER. AND I LIKE YOU TOGETHER. 586 00:28:04,117 --> 00:28:07,076 I KNOW. 587 00:28:07,120 --> 00:28:08,382 I HIDE IT WELL. 588 00:28:10,514 --> 00:28:12,952 YEAH. 589 00:28:12,995 --> 00:28:15,215 OKAY. 590 00:28:15,258 --> 00:28:16,869 OKAY. 591 00:28:16,912 --> 00:28:18,740 - SO... - OKAY. 592 00:28:18,784 --> 00:28:22,352 SHALL WE GET ON WITH THE REST OF OUR LIVES? 593 00:28:22,396 --> 00:28:27,140 YOU FIRST. 594 00:28:53,340 --> 00:28:54,776 I JUST GOT OFF WITH PERILLO. 595 00:28:54,820 --> 00:28:56,604 FOR THE LOVE OF GOD, REPHRASE. 596 00:28:56,647 --> 00:28:58,171 PERILLO JUST CALLED. HE'S PISSED. 597 00:28:58,214 --> 00:28:59,912 PERILLO WAS BORN PISSED. 598 00:28:59,955 --> 00:29:02,131 GUY GETS IN FIGHTS WITH WOMEN IN LINE AT BABIES "R" US. 599 00:29:02,175 --> 00:29:03,959 LET ME GUESS, CASEY. 600 00:29:04,003 --> 00:29:05,526 TWO HOURS LATE FOR TRIAL PREP. 601 00:29:05,569 --> 00:29:07,049 SHE'S NOT LATE. SHE'S ON MODEL TIME. 602 00:29:07,093 --> 00:29:08,616 TWO HOURS LATE IS HALF AN HOUR EARLY. 603 00:29:08,659 --> 00:29:11,662 MARY, I'VE BEEN TRYING TO GET HER ALL MORNING. 604 00:29:11,706 --> 00:29:14,187 NO ANSWER. 605 00:29:14,230 --> 00:29:17,320 HUH. I'M ON IT. 606 00:29:24,414 --> 00:29:27,417 CASEY? 607 00:29:28,636 --> 00:29:32,205 CASEY, IT'S MARY. OPEN UP! 608 00:29:41,170 --> 00:29:45,218 CASEY! CASEY! 609 00:29:45,261 --> 00:29:48,090 YEAH, I NEED AN AMBULANCE TO 50 LEWIS STREET, 610 00:29:48,134 --> 00:29:49,352 POSSIBLE OVERDOSE. 611 00:29:54,270 --> 00:29:57,578 THAT 12-YEAR-OLD E.R. DOCTOR SAID THE O.D. 612 00:29:57,621 --> 00:29:59,841 COULD HAVE BEEN ACCIDENTAL, BUT HE DOUBTS IT. 613 00:29:59,885 --> 00:30:02,757 I KNEW SHE WAS STRUGGLING, I JUST-- 614 00:30:02,801 --> 00:30:04,193 DON'T BEAT YOURSELF UP. 615 00:30:04,237 --> 00:30:06,152 I SAW HER AND I MISSED IT TOO. 616 00:30:06,195 --> 00:30:08,763 I'LL STAY WITH HER UNTIL SHE WAKES UP, KEEP YOU POSTED. 617 00:30:08,807 --> 00:30:10,678 THANKS, SHELLY. 618 00:30:10,721 --> 00:30:12,462 SHE'S A GOOD KID. 619 00:30:12,506 --> 00:30:16,510 DON'T HATE HER 'CAUSE SHE'S BEAUTIFUL. 620 00:30:25,171 --> 00:30:28,130 HEY. - HEY. 621 00:30:28,174 --> 00:30:29,784 WHO, WHOA, WHOA. 622 00:30:29,828 --> 00:30:31,090 WHAT THE HELL IS THIS? 623 00:30:31,133 --> 00:30:33,875 - DID YOU GET FIRED? - NOPE. 624 00:30:33,919 --> 00:30:35,572 PROMOTED. - WHAT? 625 00:30:35,616 --> 00:30:36,922 YOU MADE REGIONAL CHIEF? 626 00:30:36,965 --> 00:30:38,445 ACTUALLY, DEPUTY DIRECTOR. 627 00:30:38,488 --> 00:30:40,969 WHOA, WHOA. DEPUTY DIRECTOR OF WITSEC? 628 00:30:41,013 --> 00:30:42,884 THE TOP JOB IN D.C., WOW. 629 00:30:42,928 --> 00:30:44,190 DIBS ON PLANNING HIS GOODBYE DINNER. 630 00:30:44,233 --> 00:30:46,105 AW, RATS, YOU BEAT ME TO IT. 631 00:30:46,148 --> 00:30:47,976 STAN, CONGRATS. 632 00:30:48,020 --> 00:30:50,544 THIS IS--MARSHALL! YOU HEAR THIS? 633 00:30:50,587 --> 00:30:52,328 I HEARD. 634 00:30:52,372 --> 00:30:56,419 WELL, FIRST ORDER OF BUSINESS: ALBUQUERQUE WITSEC STAYS PUT. 635 00:30:56,463 --> 00:30:58,073 - GOOD. - THAT'S RIGHT. 636 00:30:58,117 --> 00:31:00,293 TURNS OUT THIS OFFICE HAS SOME NEWFOUND PULL IN D.C. 637 00:31:00,336 --> 00:31:02,208 HOW SOON TILL WE GET A NEW CHIEF? 638 00:31:02,251 --> 00:31:03,644 ALREADY GOT ONE. 639 00:31:03,687 --> 00:31:05,037 GIVE ME A NAME, I'LL LOOK HIM UP. 640 00:31:05,080 --> 00:31:06,952 YEAH, GOOGLE "PENCIL-PUSHING ASS-HAT." 641 00:31:06,995 --> 00:31:11,086 NO NEED TO GOOGLE, JUST TURN AROUND. 642 00:31:18,006 --> 00:31:19,399 DOUCHE BAG. 643 00:31:19,442 --> 00:31:21,357 I CAN'T BELIEVE YOU BURIED THE LEAD. 644 00:31:21,401 --> 00:31:23,055 WITH ALL THAT'S GONE ON THIS WEEK, 645 00:31:23,098 --> 00:31:26,275 MY MAKING CHIEF HARDLY QUALIFIES AS THE LEAD. 646 00:31:26,319 --> 00:31:29,975 IT'S PRETTY ANCILLARY. - DON'T SAY "ANCILLARY." 647 00:31:30,018 --> 00:31:32,847 - WHY NOT? - I DON'T KNOW, IT'S ANNOYING. 648 00:31:32,891 --> 00:31:35,110 IT'S THE EXACT WORD FOR WHAT I'M TRYING TO CONVEY. 649 00:31:35,154 --> 00:31:36,895 DON'T SAY "CONVEY." 650 00:31:36,938 --> 00:31:42,030 DON'T YOU HAVE A WITNESS AND A HOSPITAL TO GET TO? 651 00:31:42,074 --> 00:31:44,076 OH... 652 00:31:44,119 --> 00:31:46,643 YOU MAKING CHIEF, 653 00:31:46,687 --> 00:31:49,820 IT'S PRETTY GREAT. 654 00:31:56,088 --> 00:31:57,959 I KNOW THIS IS HARD FOR YOU. 655 00:31:58,003 --> 00:31:59,178 HEY. 656 00:31:59,221 --> 00:32:02,007 HEY, MARY. WE HAD A GOOD CHAT. 657 00:32:02,050 --> 00:32:05,271 I'LL SEE YOU TOMORROW, CASEY. - THANKS, SHELLY. 658 00:32:09,753 --> 00:32:10,972 I'M SORRY. 659 00:32:11,016 --> 00:32:13,409 YOU DON'T HAVE TO BE SORRY. 660 00:32:13,453 --> 00:32:14,845 LOOK, CASEY, YOU'VE ALWAYS HAD PEOPLE, YOU KNOW, 661 00:32:14,889 --> 00:32:16,630 AGENTS, HANDLERS, 662 00:32:16,673 --> 00:32:19,763 TELLING YOU WHERE TO GO AND WHAT TO DO. 663 00:32:19,807 --> 00:32:22,897 YOU DON'T HAVE THAT ANYMORE. YOU HAVE ME AND YOU HAVE YOU. 664 00:32:22,941 --> 00:32:25,334 SO YOU GOTTA LEARN TO PROTECT YOURSELF, 665 00:32:25,378 --> 00:32:27,946 'CAUSE PILLS OR WHATEVER-- 666 00:32:27,989 --> 00:32:29,382 I CAN'T PROTECT YOU FROM THAT. 667 00:32:29,425 --> 00:32:32,951 I MEAN, ULTIMATELY, THAT'S UP TO YOU. 668 00:32:32,994 --> 00:32:36,737 I'M SUCH A MESS. 669 00:32:36,780 --> 00:32:40,697 YEAH, WELL, LIFE'S MESSY. 670 00:32:40,741 --> 00:32:42,830 LOOK, EVER SINCE YOUR MOM DIED, YOU'VE BEEN ON YOUR OWN, 671 00:32:42,873 --> 00:32:47,226 AND BELIEVE ME, I KNOW WHAT THAT'S LIKE. 672 00:32:47,269 --> 00:32:51,665 BUT YOU'RE TOO SMART, CASEY. YOU'RE TOO STRONG TO GIVE UP. 673 00:32:51,708 --> 00:32:53,972 BUT AT SOME POINT YOU HAVE TO SAY "SCREW THE PAST" 674 00:32:54,015 --> 00:32:55,234 AND JUST PLAY THE HAND YOU'RE DEALT, 675 00:32:55,277 --> 00:32:57,758 'CAUSE OTHERWISE-- 676 00:32:57,801 --> 00:33:01,762 WELL, THERE IS NO OTHERWISE. 677 00:33:01,805 --> 00:33:06,375 YEAH. 678 00:33:06,419 --> 00:33:08,464 I DON'T KNOW IF YOU'RE A MOM OR NOT, 679 00:33:08,508 --> 00:33:12,816 BUT I BET YOU'D BE A REALLY GREAT ONE. 680 00:33:17,125 --> 00:33:22,130 YEAH, UH, I DON'T KNOW ABOUT GREAT... 681 00:33:22,174 --> 00:33:25,655 BUT IT MAKES ME HAPPY. 682 00:33:27,831 --> 00:33:29,920 YOU KNOW THE LAST TIME I WAS REALLY HAPPY? 683 00:33:29,964 --> 00:33:33,794 IT WAS IN NINTH GRADE, IN SCHOOL. 684 00:33:33,837 --> 00:33:39,756 HOME WAS HELL, BUT SCHOOL WAS SAFE. 685 00:33:39,800 --> 00:33:43,804 I LIVED FOR THAT PLACE. 686 00:33:48,374 --> 00:33:53,074 UM, LOOK, I'VE GOTTA BE SOMEWHERE, 687 00:33:53,118 --> 00:33:55,250 BUT I'LL STOP BY TOMORROW, OKAY? 688 00:33:55,294 --> 00:33:56,817 OKAY. 689 00:33:56,860 --> 00:33:59,298 GOOD. WE'VE GOT SOME STUFF TO DISCUSS. 690 00:33:59,341 --> 00:34:01,387 WE DO? WHAT? 691 00:34:01,430 --> 00:34:03,780 SCHOOL. 692 00:34:11,788 --> 00:34:14,530 HI, THIS IS MARY SHANNON. 693 00:34:14,574 --> 00:34:20,362 YEAH, UM, I THINK I KNOW WHAT MY FATHER WOULD WANT. 694 00:34:23,626 --> 00:34:24,932 JOANNA? 695 00:34:24,975 --> 00:34:27,152 HEY, IN HERE. 696 00:34:27,195 --> 00:34:29,241 - BRANDI? - I SENT HER HOME. 697 00:34:29,284 --> 00:34:30,807 I THOUGHT I COULD USE THE PRACTICE. 698 00:34:30,851 --> 00:34:32,200 "PRACTICE"? 699 00:34:32,244 --> 00:34:35,073 NOT A WORD THAT NECESSARILY SLOWS THE PULSE. 700 00:34:35,116 --> 00:34:36,335 HOW YOU DOING, BUB? 701 00:34:36,378 --> 00:34:37,597 - OH, HEY, MAMA. - HOW'S SHE DOING? 702 00:34:37,640 --> 00:34:38,598 LET ME JUST GO MAKE HER A BOTTLE. 703 00:34:38,641 --> 00:34:40,339 MARY, MARY. 704 00:34:40,382 --> 00:34:42,558 I FED HER, CHANGED HER, AND SHE'S GOOD. 705 00:34:42,602 --> 00:34:45,518 WE'RE--WE'RE HAPPY, SO MAYBE TAKE IT DOWN A NOTCH. 706 00:34:45,561 --> 00:34:49,304 WOW, OKAY. 707 00:34:49,348 --> 00:34:52,002 YOU DID GREAT. - YEAH. 708 00:34:52,046 --> 00:34:54,222 - THANKS. - WHAT'S THIS? 709 00:34:54,266 --> 00:34:57,573 I KEEP THINKING ABOUT THE WAY I LEFT, 710 00:34:57,617 --> 00:34:59,836 THE WAY I ALWAYS LEAVE. 711 00:34:59,880 --> 00:35:01,708 THINGS GO WRONG AND I JUST TAKE OFF. 712 00:35:01,751 --> 00:35:04,189 YEAH, WELL, THAT'S IN THE DNA. 713 00:35:04,232 --> 00:35:06,147 I DON'T WANT TO DO THAT ANYMORE. 714 00:35:06,191 --> 00:35:09,063 IT'S NOT GOOD FOR ME. IT'S NOT GOOD FOR... 715 00:35:12,849 --> 00:35:14,460 ANYWAY, MOM AND I WERE TALKING, 716 00:35:14,503 --> 00:35:18,203 AND I THINK I MIGHT WANT TO STICK AROUND. 717 00:35:18,246 --> 00:35:20,553 OH. 718 00:35:20,596 --> 00:35:22,337 OKAY. 719 00:35:22,381 --> 00:35:25,166 I MEAN, AREN'T YOU WORRIED ABOUT RUNNING INTO PETER? 720 00:35:25,210 --> 00:35:26,733 TERRIFIED. 721 00:35:26,776 --> 00:35:31,564 AS SCARY AS THAT IS, IT'S NOT NEARLY AS SCARY 722 00:35:31,607 --> 00:35:34,219 AS DOING THIS BY MYSELF. 723 00:35:34,262 --> 00:35:38,179 SO THEN YOU'RE KEEPING THE BABY? 724 00:35:38,223 --> 00:35:39,485 I WANT TO. 725 00:35:39,528 --> 00:35:41,487 I MEAN, YOU DID, 726 00:35:41,530 --> 00:35:44,707 AND I DON'T KNOW WHY, BUT THAT GIVES ME COURAGE. 727 00:35:44,751 --> 00:35:48,233 I REALLY THINK I CAN DO THIS, MARY, 728 00:35:48,276 --> 00:35:51,192 JUST NOT ALONE. 729 00:35:51,236 --> 00:35:54,413 RIGHT, WELL, I MEAN, I'M NOT GONNA LIE, 730 00:35:54,456 --> 00:35:59,026 IT'S NOT FOR SISSIES, OR SLEEPERS, APPARENTLY. 731 00:36:01,333 --> 00:36:04,945 BUT YOU CAN DO THIS. 732 00:36:04,988 --> 00:36:06,555 SQUISH, I KNOW YOU CAN. 733 00:36:06,599 --> 00:36:09,384 WE'LL DO IT TOGETHER, OKAY? 734 00:36:09,428 --> 00:36:13,475 OKAY. THANK YOU. 735 00:36:13,519 --> 00:36:17,218 YEAH, UM, LISTEN, I WANTED TO TAKE CARE OF SOMETHING. 736 00:36:17,262 --> 00:36:19,220 YOU DON'T MIND BEING HERE WITH NORAH? 737 00:36:19,264 --> 00:36:21,483 I LOVE BEING HERE WITH NORAH. 738 00:36:21,527 --> 00:36:23,355 - THANKS. - YEAH. 739 00:36:23,398 --> 00:36:27,228 OH, DADDY LEFT SOMETHING FOR US--FOR THE BABIES. 740 00:36:27,272 --> 00:36:28,882 I WANT TO TALK TO YOU ABOUT IT LATER, OKAY? 741 00:36:28,925 --> 00:36:31,232 OKAY. 742 00:36:31,276 --> 00:36:33,408 HEY. 743 00:36:33,452 --> 00:36:37,282 WELCOME HOME. 744 00:37:58,101 --> 00:37:59,973 NOBODY LIKES LETTING GO. 745 00:38:00,016 --> 00:38:01,453 FROM OUR EARLIEST MOMENTS, 746 00:38:01,496 --> 00:38:04,369 FROM BIRTH TILL WE'RE SIX FEET UNDER, 747 00:38:04,412 --> 00:38:07,459 OUR INSTINCT IS TO GRAB, GRIP, CLING. 748 00:38:07,502 --> 00:38:11,941 TO A FINGER, A BOTTLE, A BEST FRIEND. 749 00:38:11,985 --> 00:38:15,423 TO A FADED OLD RACING FORM. 750 00:38:15,467 --> 00:38:18,252 SOMETIMES WE HOLD ON FOR DEAR LIFE 751 00:38:18,296 --> 00:38:21,516 TO THE VERY THINGS THAT KEEP US FROM ACTUALLY LIVING IT, 752 00:38:21,560 --> 00:38:24,214 BUT THAT COMES WITH AN UPSIDE. 753 00:38:24,258 --> 00:38:29,219 IT'S THE WAY WE FEEL WHEN WE FINALLY LET GO. 754 00:38:29,263 --> 00:38:32,614 THE TRICK, I GUESS, IS TO NOT FIND A WAY AROUND 755 00:38:32,658 --> 00:38:36,009 THE CURVEBALLS LIFE SERVES UP, BUT TO LIVE WITH THEM 756 00:38:36,052 --> 00:38:38,664 IN HALFWAY-HAPPY, UNEASY ALLIANCE. 757 00:38:40,318 --> 00:38:43,538 AND TO SEARCH FOR NEW THINGS TO CLING TO, 758 00:38:43,582 --> 00:38:46,846 AND WHEN YOU FINALLY FIND THEM, TO HANG ON JUST AS TIGHT. 759 00:38:50,719 --> 00:38:52,939 AND AROUND AND AROUND WE GO, 760 00:38:52,982 --> 00:38:56,812 HOLDING ON UNTIL THE TIME COMES TO SAY GOOD-BYE. 761 00:38:59,728 --> 00:39:01,556 OH, NO, NO. 762 00:39:01,600 --> 00:39:04,167 AND LIKE IT OR NOT, READY OR NOT, 763 00:39:04,211 --> 00:39:07,562 YOU HAVE TO ACCEPT 764 00:39:07,606 --> 00:39:12,437 LIFE IS MESSY, ALWAYS AND FOR ALL OF US. 765 00:39:17,485 --> 00:39:22,708 BUT A WISE MAN ONCE SAID, "MAYBE MESSY IS WHAT YOU NEED," 766 00:39:22,751 --> 00:39:24,536 AND I THINK HE MIGHT BE RIGHT. 767 00:39:39,159 --> 00:39:41,379 SO... 768 00:39:41,422 --> 00:39:44,904 YOU BROUGHT A GUY. - OH, MY GOD. 769 00:39:44,947 --> 00:39:46,340 INTRODUCING HIM TO YOUR FRIENDS. 770 00:39:46,384 --> 00:39:47,994 INTERESTING. - IT'S NOT A BIG DEAL. 771 00:39:48,037 --> 00:39:49,387 ALL RIGHT, ALL RIGHT. 772 00:39:49,430 --> 00:39:51,867 STUPID. 773 00:39:51,911 --> 00:39:53,869 HONESTLY. 774 00:40:08,144 --> 00:40:10,451 - OH. - OH, DEAR, WORRY. 775 00:40:10,495 --> 00:40:13,454 BEFORE IT'S TOO LATE, I'D JUST LIKE TO RAISE A GLASS 776 00:40:13,498 --> 00:40:18,416 TO OLD FRIENDS, TO NEW BEGINNINGS, 777 00:40:18,459 --> 00:40:23,551 TO ALL OF US, BUT ESPECIALLY TO THE NEW DEPUTY DIRECTOR. 778 00:40:25,466 --> 00:40:27,033 STAN! 779 00:40:27,076 --> 00:40:28,469 YEAH, STAN! 780 00:40:28,513 --> 00:40:32,560 BON VOYAGE AND A FOND FAREWELL. 781 00:40:32,604 --> 00:40:33,996 - YEAH, STAN! - TO STAN. 782 00:40:34,040 --> 00:40:35,737 - CLINKITY CLINK, ALL RIGHT? - YES, YES. 783 00:40:35,781 --> 00:40:37,043 all: CHEERS. 784 00:40:37,086 --> 00:40:39,175 THAT WAS VERY NICE. 785 00:40:39,219 --> 00:40:42,657 DON'T SAY "FAREWELL." 56561

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