All language subtitles for In.Plain.Sight.S05E06.The.Medal.of.Mary.1080p.AMZN.WEB-DL.DD+5.1.H.264-playWEB_track3_[eng]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek Download
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,218 --> 00:00:02,393 PREVIOUSLY ON IN PLAIN SIGHT... 2 00:00:02,437 --> 00:00:03,568 - WHAT ARE THESE? - LETTERS I'VE RECEIVED 3 00:00:03,612 --> 00:00:04,178 FROM DADDY OVER THE LAST 20 YEARS OR SO. 4 00:00:04,221 --> 00:00:05,875 JAMES WILEY SHANNON. 5 00:00:05,918 --> 00:00:08,051 HUSBAND OF JINX, FATHER OF MARY AND BRANDI. 6 00:00:08,095 --> 00:00:10,445 SPEND 30 YEARS ON THE FBI'S MOST-WANTED LIST 7 00:00:10,488 --> 00:00:12,229 FOR MULTIPLE ARMED BANK ROBBERIES. 8 00:00:13,274 --> 00:00:14,623 WHAT THE HELL IS THIS? 9 00:00:14,666 --> 00:00:16,233 I HAVE A WARRANT TO SEARCH THE HOUSE. 10 00:00:16,277 --> 00:00:17,539 I WAS JUST WONDERING WHEN I CAN EXPECT A CREW 11 00:00:17,582 --> 00:00:19,062 AT MY HOUSE TO FIX YOUR MESS. 12 00:00:19,106 --> 00:00:22,674 WHEN HELL FREEZES OVER. 13 00:00:22,718 --> 00:00:24,676 - UH, THIS IS SCOTT GRIFFIN. - HI. 14 00:00:24,720 --> 00:00:26,069 HE'S OUR BROTHER. 15 00:00:26,113 --> 00:00:27,114 YOU DON'T KNOW WHERE OUR FATHER IS? 16 00:00:27,157 --> 00:00:29,029 NO, HE JUST WALKED OUT ONE DAY. 17 00:00:29,072 --> 00:00:30,247 YOU NEVER ATTEMPTED TO, YOU KNOW, 18 00:00:30,291 --> 00:00:32,075 LOOK FOR HIM? 19 00:00:32,119 --> 00:00:34,077 THE DAY I FIND HIM, I'D CUFF HIM AT HELLO. 20 00:00:34,121 --> 00:00:35,731 GUYS LIKE DAD DON'T CHANGE. 21 00:00:35,774 --> 00:00:37,080 THE PICTURE YOU'RE GONNA FIND IS OF A GUY 22 00:00:37,124 --> 00:00:38,603 WHO HELD UP BANKS, DITCHED ME AND MOM 23 00:00:38,647 --> 00:00:40,127 AND A BABY IN A CRIB, 24 00:00:40,170 --> 00:00:42,738 AND THEN GOT A NEW FAMILY AND BAILED ON THEM TOO. 25 00:00:42,781 --> 00:00:44,957 MARY. IT'S ME. 26 00:00:45,001 --> 00:00:46,437 UHH! OH! 27 00:00:46,481 --> 00:00:49,875 JAMES WILEY SHANNON... YOU'RE UNDER ARREST. 28 00:00:59,581 --> 00:01:00,799 SO THAT'S HIM. 29 00:01:00,843 --> 00:01:02,540 THE MAN, THE MYTH. 30 00:01:02,584 --> 00:01:04,107 YEAH, I DON'T KNOW ABOUT THAT. 31 00:01:04,151 --> 00:01:07,241 YOU KIDDING? GUY'S ON TWO MOST-WANTED LISTS: 32 00:01:07,284 --> 00:01:09,286 FBI AND THE MARSHAL'S. 33 00:01:09,330 --> 00:01:10,592 HEY, LOOK, CLEMMY, I GOTTA MAKE A CALL. 34 00:01:10,635 --> 00:01:12,898 YOU MIND? 35 00:01:27,696 --> 00:01:28,827 HEY. 36 00:01:28,871 --> 00:01:30,264 WHAT ARE YOU DOING HERE? 37 00:01:30,307 --> 00:01:32,614 I TOLD YOU STAY HOME. I CAN HANDLE THIS. 38 00:01:32,657 --> 00:01:34,006 4:00 IN THE MORNING HAIR, BY THE WAY, 39 00:01:34,050 --> 00:01:35,399 IS NOT YOUR BEST LOOK. 40 00:01:35,443 --> 00:01:38,228 SO...YOU OKAY? 41 00:01:38,272 --> 00:01:39,925 WHAT THE HELL HAPPENED? 42 00:01:39,969 --> 00:01:41,231 WHAT DO YOU MEAN? I TOLD YOU WHAT THE HELL HAPPENED. 43 00:01:41,275 --> 00:01:43,015 - IN THE CLIFF NOTES. - MARSHALL. 44 00:01:43,059 --> 00:01:45,931 OKAY, OPENING UP IS NOT YOUR BAILIWICK, 45 00:01:45,975 --> 00:01:47,629 BUT THE GUY COMES IN FROM THE COLD 46 00:01:47,672 --> 00:01:49,370 AFTER THREE DECADES. 47 00:01:49,413 --> 00:01:51,850 FORGIVE ME FOR WANTING THE UNABRIDGED VERSION. 48 00:01:51,894 --> 00:01:53,243 I ONLY CALLED 'CAUSE I DIDN'T WANT YOU 49 00:01:53,287 --> 00:01:54,592 HEARING ABOUT THIS MESS FROM ANYONE ELSE. 50 00:01:54,636 --> 00:01:55,680 I'M FINE. 51 00:01:55,724 --> 00:01:58,161 MARY...IT'S ME. 52 00:01:58,205 --> 00:02:01,077 OKAY? 53 00:02:01,121 --> 00:02:02,557 ALL RIGHT, LOOK. 54 00:02:02,600 --> 00:02:04,733 I TALKED TO THE SPECIAL AGENT IN CHARGE. 55 00:02:04,776 --> 00:02:06,648 THERE'S NOTHING ELSE FOR YOU TO DO HERE. 56 00:02:06,691 --> 00:02:08,606 LET'S GO. I'M GONNA FOLLOW YOU HOME. 57 00:02:08,650 --> 00:02:10,347 I DON'T NEED A GODDAMN ESCORT. 58 00:02:10,391 --> 00:02:12,871 I'M GONNA FOLLOW YOU HOME. 59 00:02:21,053 --> 00:02:22,316 MARSHALL. 60 00:02:22,359 --> 00:02:23,665 - MARY. - MARSHALL. 61 00:02:23,708 --> 00:02:25,971 - MARY. - DOING A MARSHALL-MARY THING? 62 00:02:26,015 --> 00:02:27,886 - DID YOU GET MY MESSAGES? - ALL FIVE OF THEM. 63 00:02:27,930 --> 00:02:29,192 THIS CLOSE TO PUSHING "RESTRAINING ORDER" 64 00:02:29,236 --> 00:02:30,889 TO THE TOP OF MY AMAZON WISH LIST. 65 00:02:30,933 --> 00:02:33,022 WE'RE JUST-- YOU OKAY? 66 00:02:33,065 --> 00:02:34,676 - FINE. - MARY, IT'S THE DAY AFTER 67 00:02:34,719 --> 00:02:36,939 THE NIGHT YOU ARRESTED YOUR OWN FATHER. 68 00:02:36,982 --> 00:02:38,680 THIS IS THE PART WHEN YOU TALK. 69 00:02:38,723 --> 00:02:40,116 WHAT'S THE BIG DEAL? HE SHOWED UP ON MY DOORSTEP. 70 00:02:40,160 --> 00:02:41,378 I SLAPPED ON THE CUFFS, READ HIM MIRANDA, 71 00:02:41,422 --> 00:02:43,119 AND DROPPED HIM OFF AT THE FBI. 72 00:02:43,163 --> 00:02:46,078 HONESTLY, THE IMAGE OF YOU AND PIA DOING THE LAMBADA 73 00:02:46,122 --> 00:02:47,558 IS WAY MORE UPSETTING. 74 00:02:47,602 --> 00:02:49,386 IT'S LIA. WE DON'T DO THE LAMBADA. 75 00:02:49,430 --> 00:02:51,040 IN ANY CASE. 76 00:02:51,083 --> 00:02:52,215 I HAVE TO TAKE THIS. 77 00:02:52,259 --> 00:02:53,521 OH, SHAME. 78 00:02:56,350 --> 00:03:00,354 SO...THE RETURN OF THE MYTHICAL FATHER. 79 00:03:00,397 --> 00:03:03,705 THAT PROVOKES A MYRIAD OF UNANSWERED QUESTIONS. 80 00:03:03,748 --> 00:03:06,229 LOOK, HE MADE HIS CHOICES, I'M MAKING MINE. 81 00:03:06,273 --> 00:03:08,362 AND MINE IS TO SKIP ANY STROLLS DOWN MEMORY LANE. 82 00:03:08,405 --> 00:03:09,754 MAYBE HIS NEW FAMILY FEELS DIFFERENTLY. 83 00:03:09,798 --> 00:03:11,974 HE WAS WITH THEM A HELL OF A LOT LONGER. 84 00:03:12,017 --> 00:03:13,584 SPEAKING OF MYTHICAL FATHERS, WHY AREN'T YOU AT THE AIRPORT, 85 00:03:13,628 --> 00:03:14,933 PICKING UP YOURS? 86 00:03:14,977 --> 00:03:16,500 ABIGAIL'S GETTING HIM. 87 00:03:16,544 --> 00:03:18,328 WE FIGURED THE ENORMITY OF YOUR FATHER SHOWING UP 88 00:03:18,372 --> 00:03:20,200 TRUMPED ANY AIRPORT DRIVE-BY. 89 00:03:20,243 --> 00:03:21,549 YOUR FIANCEE AND YOUR FATHER 90 00:03:21,592 --> 00:03:23,159 ARE MEETING FOR THE FIRST TIME, MARSHALL. 91 00:03:23,203 --> 00:03:24,160 YOU NEED TO GO DEAL WITH YOUR OWN DADDY ISSUES. 92 00:03:24,204 --> 00:03:25,727 CHOP-CHOP! 93 00:03:25,770 --> 00:03:27,250 IF THERE'S ONE THING WE KNOW ABOUT ABIGAIL, 94 00:03:27,294 --> 00:03:28,730 IT'S SHE'S GOT A THING FOR OLDER GUYS. 95 00:03:28,773 --> 00:03:31,907 HEY...YOU DON'T HAVE TO TALK TO ANYONE. 96 00:03:31,950 --> 00:03:33,865 BUT IF YOU DO, YOU HAVE TO TALK TO ME. 97 00:03:33,909 --> 00:03:34,997 DEAL? 98 00:03:35,040 --> 00:03:37,608 BEAT IT. 99 00:03:37,652 --> 00:03:39,654 TELL YOUR DAD I SAY HI. 100 00:03:46,748 --> 00:03:49,620 AW, DADDY, WHAT ARE WE DOING HERE? 101 00:03:49,664 --> 00:03:51,187 MAKING A LIST. 102 00:03:51,231 --> 00:03:53,015 CHECKING IT TWICE, YOU KNOW? 103 00:03:53,058 --> 00:03:55,060 LIKE SANTA. 104 00:03:55,104 --> 00:03:57,498 RIGHT, 'CAUSE I BELIEVE IN SANTA. 105 00:03:57,541 --> 00:03:58,542 LOOK, YOU WANT STUFF DONE RIGHT, 106 00:03:58,586 --> 00:04:00,283 NEVER TRUST YOUR PARTNER. 107 00:04:00,327 --> 00:04:01,719 YOU DO IT YOURSELF. 108 00:04:01,763 --> 00:04:03,808 AND ALWAYS... 109 00:04:03,852 --> 00:04:05,462 KEEP A LIST. 110 00:04:05,506 --> 00:04:06,811 I DON'T GET IT. 111 00:04:06,855 --> 00:04:08,422 WHAT'S THE POINT OF A PARTNER 112 00:04:08,465 --> 00:04:10,293 WHEN YOU'RE JUST GONNA DO IT ALL YOURSELF? 113 00:04:10,337 --> 00:04:12,208 WHEN DID YOU STOP BELIEVING IN SANTA? 114 00:04:12,252 --> 00:04:14,297 WHEN DID I START? 115 00:04:16,560 --> 00:04:20,042 OH, MAN. OKAY. 116 00:04:22,349 --> 00:04:24,220 SO IN RUNS MARSHALL. 117 00:04:24,264 --> 00:04:26,701 COULDN'T HAVE BEEN MORE THAN FOUR AT THE TIME. 118 00:04:26,744 --> 00:04:29,791 DECKED OUT IN NOTHIN' BUT A HOLSTER AND A COWBOY HAT. 119 00:04:31,401 --> 00:04:33,838 TALK ABOUT MAKIN' YOUR GRAND ENTRANCE. 120 00:04:33,882 --> 00:04:36,319 OH, THE RETURN OF THE PRODIGAL SON. 121 00:04:36,363 --> 00:04:38,800 - HEY, DAD, HOW'S IT-- - MARSHALL! 122 00:04:38,843 --> 00:04:41,019 OH, HEY. 123 00:04:41,063 --> 00:04:42,760 HEY, UH... 124 00:04:42,804 --> 00:04:43,848 HEY. 125 00:04:43,892 --> 00:04:45,676 THOUGHT YOU HAD A SITUATION. 126 00:04:45,720 --> 00:04:47,635 - I DO. I DID. - HOW'S MARY? 127 00:04:47,678 --> 00:04:49,463 SHE'S FINE. 128 00:04:49,506 --> 00:04:51,639 CLAIMS TO BE. I'M ALL YOURS. 129 00:04:51,682 --> 00:04:53,249 AH, IT'S GREAT TO SEE YOU. 130 00:04:53,293 --> 00:04:54,729 YOU'RE LOOKING GOOD, SON. 131 00:04:54,772 --> 00:04:55,773 THANKS, DAD. 132 00:04:55,817 --> 00:04:56,861 YOU TOO. 133 00:04:56,905 --> 00:04:58,341 UH, SORRY, LET ME JUST-- 134 00:04:58,385 --> 00:05:01,736 HEY. 135 00:05:01,779 --> 00:05:04,826 SERIOUSLY? 136 00:05:04,869 --> 00:05:08,351 YEAH, I'LL BE THERE AS SOON AS I CAN. 137 00:05:08,395 --> 00:05:10,658 SORRY, SOMETHING'S ABOUT TO BLOW UP. 138 00:05:10,701 --> 00:05:12,355 NOT LITERALLY, BUT-- - YOU TWO JUST GOT HERE. 139 00:05:12,399 --> 00:05:13,878 GO, WE'RE GETTING TO KNOW EACH OTHER. 140 00:05:13,922 --> 00:05:15,402 IT'S FINE. GO. THE LESS YOU'RE AROUND, 141 00:05:15,445 --> 00:05:16,533 THE MORE DIRT I GET ON YOU. 142 00:05:16,577 --> 00:05:17,621 UH-OH, WHAT DOES THAT MEAN? 143 00:05:17,665 --> 00:05:19,449 BAND CAMP. 144 00:05:19,493 --> 00:05:20,842 OH, MAN. 145 00:05:20,885 --> 00:05:23,410 YOU'LL NEVER LIVE THAT DOWN. 146 00:05:29,851 --> 00:05:31,766 WHAT THE HELL HAPPENED, O'CONNOR? 147 00:05:31,809 --> 00:05:33,637 LAST TIME I CHECKED, YOU WENT AFTER MY SISTER 148 00:05:33,681 --> 00:05:36,553 AND I SINGLE-HANDEDLY BOUNCED YOUR BALLS BACK TO THE ACADEMY. 149 00:05:36,597 --> 00:05:39,382 YEAH, WELL, IT TURNS OUT F. SCOTT FITZGERALD WAS WRONG. 150 00:05:39,426 --> 00:05:41,384 THERE ARE SECOND ACTS IN AMERICAN LIFE. 151 00:05:41,428 --> 00:05:43,430 FBI IN A NUTSHELL. 152 00:05:43,473 --> 00:05:45,257 CROOKED COP IN PINSTRIPES WHO, 153 00:05:45,301 --> 00:05:46,520 ONCE UPON A TIME, CRACKED A BOOK. 154 00:05:46,563 --> 00:05:47,695 INSPECTOR SHANNON, IF I WERE YOU, 155 00:05:47,738 --> 00:05:49,261 I'D STEER CLEAR OF ANY TALK 156 00:05:49,305 --> 00:05:51,394 ABOUT BEING BOUNCED BACK TO THE ACADEMY. 157 00:05:51,438 --> 00:05:53,396 WHAT THE HELL'S THAT SUPPOSED TO MEAN? 158 00:05:53,440 --> 00:05:54,397 SORRY, TRAFFIC. 159 00:05:54,441 --> 00:05:56,486 HOW FAR ALONG DID YOU GET? 160 00:05:56,530 --> 00:05:57,487 WHAT THE HELL'S THAT SUPPOSED TO MEAN? 161 00:05:57,531 --> 00:05:59,359 WE'RE GETTING TO IT. 162 00:05:59,402 --> 00:06:00,969 THE BUREAU'S FULLY AWARE OF THE UNREPORTED CONTACT 163 00:06:01,012 --> 00:06:03,014 YOU'VE HAD WITH BOTH LAUREN AND SCOTT GRIFFIN. 164 00:06:03,058 --> 00:06:05,016 ARE YOU KIDDING ME? 165 00:06:05,060 --> 00:06:06,931 THEY SOUGHT ME OUT, GENIUS, 166 00:06:06,975 --> 00:06:08,542 AND ONLY 'CAUSE THEY DIDN'T KNOW WHERE HE WAS EITHER. 167 00:06:08,585 --> 00:06:10,239 I MEAN, WHAT THE HELL? - BOTTOM LINE, INSPECTOR, 168 00:06:10,282 --> 00:06:11,327 I'M HERE, I'M RUNNING THIS, 169 00:06:11,371 --> 00:06:12,546 AND YOU COULD USE A FRIEND. 170 00:06:12,589 --> 00:06:13,677 SO COULD I. 171 00:06:13,721 --> 00:06:16,114 EW. STAN, WHAT'S GOING ON? 172 00:06:16,158 --> 00:06:17,507 AGENT O'CONNOR NEEDS YOUR HELP. 173 00:06:17,551 --> 00:06:20,554 YOU DO? YOU NEED MY HELP. 174 00:06:20,597 --> 00:06:22,382 TO BE HONEST, I DON'T KNOW WHAT ELSE I HAVE FOR YOU, AHAB. 175 00:06:22,425 --> 00:06:23,731 I HOOKED YOUR GREAT WHITE WHALE. 176 00:06:23,774 --> 00:06:25,385 PRACTICALLY THREW HIM IN THE BOAT. 177 00:06:25,428 --> 00:06:27,604 WHAT NOW? YOU WANT ME TO MOUNT HIM ON THE WALL? 178 00:06:27,648 --> 00:06:29,389 YOUR FATHER'S NOT THE GREAT WHITE WHALE. 179 00:06:29,432 --> 00:06:31,216 WHAT HE HAS TO OFFER... 180 00:06:31,260 --> 00:06:33,436 THAT'S THE GREAT WHITE WHALE. 181 00:06:33,480 --> 00:06:35,090 IN EXCHANGE FOR A REDUCED SENTENCE 182 00:06:35,133 --> 00:06:37,832 AND A COVETED CELL IN THE WITSEC UNIT AT WOODBRIDGE, 183 00:06:37,875 --> 00:06:40,356 JAMES SHANNON WILL ROLL ON HIS FORMER COLLEAGUE, 184 00:06:40,400 --> 00:06:43,925 CORMAC "SULLY" SULLIVAN. 185 00:06:43,968 --> 00:06:45,666 NO WAY. 186 00:06:47,537 --> 00:06:50,148 TWO MOST-WANTEDS. 187 00:06:50,192 --> 00:06:51,585 WOW, WELL DONE. 188 00:06:51,628 --> 00:06:53,238 JAMES IS WILLING TO HAND THEM SULLY 189 00:06:53,282 --> 00:06:54,805 ON A SILVER PLATTER. 190 00:06:54,849 --> 00:06:56,372 THE THING IS, MARY, 191 00:06:56,416 --> 00:06:59,244 HE'LL ONLY TALK TO YOU. 192 00:07:02,422 --> 00:07:05,468 SINCE 1970, THE FEDERAL WITNESS PROTECTION PROGRAM 193 00:07:05,512 --> 00:07:07,644 HAS RELOCATED THOUSANDS OF WITNESSES-- 194 00:07:07,688 --> 00:07:09,472 SOME CRIMINAL, SOME NOT-- 195 00:07:09,516 --> 00:07:11,561 TO NEIGHBORHOODS ALL ACROSS THE COUNTRY. 196 00:07:11,605 --> 00:07:14,477 EVERY ONE OF THOSE INDIVIDUALS SHARES A UNIQUE ATTRIBUTE 197 00:07:14,521 --> 00:07:15,609 DISTINGUISHING THEM FROM THE REST 198 00:07:15,652 --> 00:07:17,393 OF THE GENERAL POPULATION. 199 00:07:17,437 --> 00:07:21,179 AND THAT IS, SOMEBODY WANTS THEM DEAD. 200 00:07:30,232 --> 00:07:31,755 THIS IS BULLSHIT, STAN. I'M A WITSEC INSPECTOR. 201 00:07:31,799 --> 00:07:33,496 IF I WANTED TO BE A DOUCHE BAG SPECIAL AGENT, 202 00:07:33,540 --> 00:07:34,845 I WOULD HAVE GONE TO DOUCHE BAG SPECIAL AGENT SCHOOL. 203 00:07:34,889 --> 00:07:36,368 I'M NOT SAYING YOU HAVE TO DO IT-- 204 00:07:36,412 --> 00:07:38,153 LOOK, I DON'T EXPECT MUCH OUT OF DOJ, 205 00:07:38,196 --> 00:07:39,894 BUT IS THIS OFFICE SERIOUSLY GOING TO BITE DOWN THIS HARD 206 00:07:39,937 --> 00:07:42,026 ON A BIG FISH STORY PEDDLED BY ONE OF ITS MOST-WANTED? 207 00:07:42,070 --> 00:07:43,680 - MARY-- - COME ON, GUYS. 208 00:07:43,724 --> 00:07:45,334 HE'S WORKING AN ANGLE. 209 00:07:45,377 --> 00:07:49,469 SULLY...KNOWS ABOUT JINX AND BRANDI. 210 00:07:49,512 --> 00:07:52,036 WHAT? 211 00:07:52,080 --> 00:07:53,777 WE'RE NOT SURE HOW. 212 00:07:53,821 --> 00:07:55,344 IT'S UNFOLDING MINUTE BY MINUTE, BUT ACCORDING TO JAMES, 213 00:07:55,387 --> 00:07:57,085 SULLY KNOWS ABOUT JINX AND BRANDI. 214 00:07:57,128 --> 00:07:59,479 HE KNOWS THEY'RE IN FLORIDA, AND HE KNOWS WHERE. 215 00:07:59,522 --> 00:08:00,523 ARE THEY OKAY? 216 00:08:00,567 --> 00:08:02,525 WE'RE WORKING ON IT. 217 00:08:02,569 --> 00:08:04,005 ARE THEY SAFE? 218 00:08:04,048 --> 00:08:05,528 - WE'RE WORKING ON IT. - OH, MY GOD. 219 00:08:05,572 --> 00:08:07,704 WE'RE WORKING ON IT, MARY. 220 00:08:15,233 --> 00:08:17,105 I DON'T KNOW IF HE'S B.S.'ING ME OR WHAT, 221 00:08:17,148 --> 00:08:18,889 THE OLD GUY'S A CHARMER. 222 00:08:18,933 --> 00:08:20,891 HE'S A CHARMER BY TRADE, POTENZA. 223 00:08:20,935 --> 00:08:24,634 IT'S NOT A PERSONALITY, IT'S AN M.O. 224 00:08:24,678 --> 00:08:26,984 WHY ARE JINX AND BRANDI IN TROUBLE? 225 00:08:27,028 --> 00:08:29,073 U.S. MARSHALS ARE SCRAMBLING AS WE SPEAK 226 00:08:29,117 --> 00:08:31,467 TO TRACK DOWN MY MOTHER AND MY SISTER--WHY? 227 00:08:31,511 --> 00:08:33,382 IT'S A LONG STORY. 228 00:08:33,425 --> 00:08:37,473 THEN YOU BETTER GET STARTED. 229 00:08:37,517 --> 00:08:39,910 40 YEARS AGO, I MET CORMAC SULLIVAN 230 00:08:39,954 --> 00:08:42,957 IN THE BACK ROOM OF MONAGHAN'S. 231 00:08:44,915 --> 00:08:46,917 I CALL. 232 00:08:50,442 --> 00:08:53,228 SIX DAYS LATER, I PULLED MY FIRST BANK JOB. 233 00:08:55,926 --> 00:08:57,711 I DON'T BLUFF, JIMBO. 234 00:08:57,754 --> 00:09:00,322 WE SHOULD TALK. 235 00:09:00,365 --> 00:09:02,629 WEEK LATER, I WAS PART OF SULLY'S CREW. 236 00:09:02,672 --> 00:09:04,413 I ROSE PRETTY QUICK AS A TOP EARNER. 237 00:09:04,456 --> 00:09:08,591 I HAD A KNACK FOR GETTING INTO PLACES, AND OUT. 238 00:09:08,635 --> 00:09:11,507 YEAH...JERSEY, FLORIDA, OUR DRIVEWAY. 239 00:09:11,551 --> 00:09:13,291 I NEVER CLAIMED TO BE AN INNOCENT. 240 00:09:13,335 --> 00:09:15,555 I ROBBED BANKS WITH MY EYES WIDE OPEN. 241 00:09:15,598 --> 00:09:17,034 I LIKED IT. 242 00:09:17,078 --> 00:09:19,907 I LIKED THE LIFE. 243 00:09:19,950 --> 00:09:21,082 AFTER A COUPLE OF YEARS, 244 00:09:21,125 --> 00:09:23,345 SULLY TRUSTED ME COMPLETELY. 245 00:09:23,388 --> 00:09:26,609 WELL...AS MUCH AS HE TRUSTED ANYBODY. 246 00:09:26,653 --> 00:09:28,524 TWO THINGS ABOUT SULLY. 247 00:09:28,568 --> 00:09:31,919 HE WAS RUTHLESS AND HE WAS RECKLESS. 248 00:09:31,962 --> 00:09:33,964 AND THE FEDS WERE CLOSING IN. 249 00:09:34,008 --> 00:09:36,097 JINX, WHY WOULD YOU TALK TO THE FBI? 250 00:09:36,140 --> 00:09:38,578 - THEY'LL PROTECT US! - YOU CAN'T TRUST THESE PEOPLE! 251 00:09:38,621 --> 00:09:41,624 SULLY TOLD ME IF I EVER LEFT THE FOLD... 252 00:09:41,668 --> 00:09:44,584 HE'D KILL MY FAMILY. 253 00:09:44,627 --> 00:09:47,717 I BELIEVED HIM THEN. STILL DO. 254 00:09:47,761 --> 00:09:49,066 MUST HAVE BEEN HARD FOR YOU ROBBING BANKS 255 00:09:49,110 --> 00:09:50,415 WITH ONE HAND TIED BEHIND YOUR BACK. 256 00:09:50,459 --> 00:09:51,939 THAT'S NOT WHAT I'M SAYING. 257 00:09:51,982 --> 00:09:54,637 I'M SAYING THAT THE GUY'S GOT REACH, OKAY? 258 00:09:54,681 --> 00:09:55,986 EVEN IN PRISON. 259 00:09:56,030 --> 00:09:57,248 THE MURDER CHARGE. 260 00:09:57,292 --> 00:09:58,859 HE KNIFED A GUY AT THE TRACK. 261 00:09:58,902 --> 00:10:01,209 SLIT HIS THROAT. 262 00:10:01,252 --> 00:10:03,515 AH, EVEN WHEN HE WAS INSIDE, 263 00:10:03,559 --> 00:10:06,388 I DIDN'T FEEL SAFE GOING BACK TO JERSEY. 264 00:10:06,431 --> 00:10:08,129 DIDN'T THINK IT WAS RIGHT. 265 00:10:08,172 --> 00:10:10,610 I LOVED YOUR MOTHER. 266 00:10:10,653 --> 00:10:13,874 SHE AND YOU... YOUR SISTER... 267 00:10:13,917 --> 00:10:15,527 YOU WERE LOOSE ENDS. 268 00:10:15,571 --> 00:10:19,183 YOU GOT ANY IDEA WHAT SULLY DOES TO LOOSE ENDS? 269 00:10:21,272 --> 00:10:24,493 BUT...I NEVER STOPPED THINKING ABOUT YOU. 270 00:10:24,536 --> 00:10:26,364 SHUT UP! YOU SHUT UP. 271 00:10:26,408 --> 00:10:28,236 I SWEAR TO GOD, YOU SHUT UP. 272 00:10:28,279 --> 00:10:30,194 AM I GONNA HAVE TO GO IN THERE? 273 00:10:30,238 --> 00:10:32,022 YEAH, THAT'LL WORK. SHE DOESN'T EVEN WANT YOU IN HERE. 274 00:10:32,066 --> 00:10:33,371 SHE'S FINE. SHE'S GOT THIS. 275 00:10:33,415 --> 00:10:36,897 WHY ARE JINX AND BRANDI IN DANGER? 276 00:10:39,290 --> 00:10:41,641 THREE YEARS BACK, SULLY SPRUNG HIMSELF 277 00:10:41,684 --> 00:10:43,207 FROM MAX SECURITY. 278 00:10:43,251 --> 00:10:45,688 WEEK LATER, HE MADE CONTACT. 279 00:10:45,732 --> 00:10:49,561 SAID HE WANTED TO RAMP THINGS BACK UP. 280 00:10:49,605 --> 00:10:52,216 HE MADE IT CLEAR HE'D BEEN KEEPING TABS ON ME, 281 00:10:52,260 --> 00:10:53,348 THE FAMILY. 282 00:10:53,391 --> 00:10:55,655 FAMILIES. PLURAL, RIGHT? 283 00:10:55,698 --> 00:10:57,091 THE SHANNONS AND THE GRIFFINS. 284 00:10:57,134 --> 00:10:59,789 I TOLD HIM I WAS DONE, FINISHED. 285 00:10:59,833 --> 00:11:03,227 AND THEN HE SENDS ME GLOSSIES OF SCOTTY AND LAUREN. 286 00:11:03,271 --> 00:11:08,711 AT THEIR WORK, THE TRACK, AT A GODDAMN BARBECUE, SO... 287 00:11:10,104 --> 00:11:11,496 I LEFT AGAIN. 288 00:11:11,540 --> 00:11:14,195 AT LEAST THIS TIME, THE KIDS WERE GROWN. 289 00:11:18,590 --> 00:11:21,202 DAD...WHAT THE HELL? 290 00:11:21,245 --> 00:11:22,943 MOM'S REALLY UPSET. 291 00:11:22,986 --> 00:11:24,945 I MEAN... 292 00:11:24,988 --> 00:11:26,424 YOU'VE ONLY BEEN BACK TWO DAYS. 293 00:11:26,468 --> 00:11:29,166 - SCOTTY-- - THE WORST THING... 294 00:11:29,210 --> 00:11:30,515 THAT A MAN CAN DO IS INTENTIONALLY 295 00:11:30,559 --> 00:11:33,780 HURT THE PEOPLE THAT HE LOVES. 296 00:11:33,823 --> 00:11:35,607 NOW, YOU'VE SAID THAT. 297 00:11:35,651 --> 00:11:37,218 LOOK, LISTEN TO ME, SON. 298 00:11:37,261 --> 00:11:38,219 LISTEN TO ME. LOOK AT MY EYES. 299 00:11:38,262 --> 00:11:40,743 LOOK AT ME. HEY. 300 00:11:40,787 --> 00:11:43,615 BEING LEFT, LEAVING... 301 00:11:43,659 --> 00:11:46,270 IT'S BAD ON BOTH ENDS. 302 00:11:46,314 --> 00:11:49,665 PEOPLE COME BACK. 303 00:11:52,233 --> 00:11:54,409 ALL RIGHT. 304 00:12:00,284 --> 00:12:03,287 I'LL BE HOME BEFORE YOU KNOW IT, KID. 305 00:12:03,331 --> 00:12:05,725 I'LL BE HOME IN NO TIME. 306 00:12:05,768 --> 00:12:07,291 SO WHY NOW? 307 00:12:07,335 --> 00:12:09,424 WHAT CHANGED? 308 00:12:09,467 --> 00:12:13,515 SULLY HAD A LOT OF RULES WHEN IT CAME TO ROBBING BANKS. 309 00:12:13,558 --> 00:12:15,430 ME, I JUST HAD ONE. 310 00:12:15,473 --> 00:12:18,694 NO KILLING, NO VIOLENCE OF ANY KIND. 311 00:12:18,738 --> 00:12:20,652 WE FINESSE OUR WAY IN. 312 00:12:20,696 --> 00:12:24,221 BUT THIS LAST JOB, SULLY WENT OFF THE RAILS. 313 00:12:28,312 --> 00:12:29,966 2,000 BUCKS? 314 00:12:30,010 --> 00:12:32,273 ALL RIGHT, SO THE KID'S INTEL WAS BAD. 315 00:12:32,316 --> 00:12:33,796 CUT HIM A BREAK, HUH? 316 00:12:33,840 --> 00:12:36,190 SCREW YOU, JIMBO, AND YOUR GODDAMN CODE. 317 00:12:36,233 --> 00:12:38,409 WE GOT A NEW CODE NOW--MINE. 318 00:12:38,453 --> 00:12:39,671 DON'T DO THIS, SULLY. 319 00:12:39,715 --> 00:12:42,762 DON'T-- 320 00:12:42,805 --> 00:12:44,720 RIGHT, YOU SIGNED A DEAL WITH THE DEVIL. 321 00:12:44,764 --> 00:12:47,027 A GUY WHO KILLS FOR A LIVING, FOR FUN, 322 00:12:47,070 --> 00:12:48,985 BUT IT NEVER HAPPENED ON YOUR JOBS, SO-- 323 00:12:49,029 --> 00:12:51,205 YOU CALL IT THE WAY YOU SEE IT, MARY. 324 00:12:51,248 --> 00:12:53,511 I'M HERE TO HELP... 325 00:12:53,555 --> 00:12:55,731 STOP THIS GUY. 326 00:12:55,775 --> 00:12:57,820 HEY... 327 00:12:57,864 --> 00:13:02,433 NOW YOU TALK, PARTNER. 328 00:13:04,044 --> 00:13:06,481 HEY, PARTNER. 329 00:13:06,524 --> 00:13:08,178 YOU, UH--YOU GOT AN UPDATE FOR ME? 330 00:13:08,222 --> 00:13:10,398 YEP, I GAVE JINX TWO ASPIRINS 331 00:13:10,441 --> 00:13:12,182 AND ONE GLASS OF WATER. 332 00:13:12,226 --> 00:13:13,836 BUT SHE'S STILL SLEEPING IT OFF. 333 00:13:13,880 --> 00:13:15,359 CALL HER MOMMY. 334 00:13:15,403 --> 00:13:16,883 YOU WANT ME TO PACK HER BAGS? 335 00:13:16,926 --> 00:13:18,493 HMM? 336 00:13:18,536 --> 00:13:19,842 YOU KNOW... FOR THE TRIP. 337 00:13:19,886 --> 00:13:21,539 OH...YEAH. 338 00:13:21,583 --> 00:13:26,501 UH, NO, NO. NO, MOMMY'LL GET IT. 339 00:13:26,544 --> 00:13:27,807 HOW'S THE LITTLE SQUISH DOING? 340 00:13:27,850 --> 00:13:29,286 I DON'T KNOW. 341 00:13:29,330 --> 00:13:31,985 THIS ONE SEEMS LIKE SHE'S GONNA BE TROUBLE. 342 00:13:34,248 --> 00:13:36,293 WELL, I'LL BE RIGHT BACK. 343 00:13:36,337 --> 00:13:38,992 COME ON, SWEETHEART. 344 00:13:39,035 --> 00:13:39,993 IT'S YOU AND ME. 345 00:13:40,036 --> 00:13:42,996 IT WAS ALWAYS YOU AND ME. 346 00:13:44,301 --> 00:13:46,086 I'M NOT YOUR PARTNER. 347 00:13:46,129 --> 00:13:47,652 WHAT THE HELL'S SHE DOING? 348 00:13:47,696 --> 00:13:49,829 SHE TURNS OFF THE MIC? - RELAX, O'CONNOR. 349 00:13:49,872 --> 00:13:51,178 SHE'LL GET IT DONE. WATCH. 350 00:13:51,221 --> 00:13:52,614 AND DON'T YOU TALK TO ME LIKE THAT. 351 00:13:52,657 --> 00:13:54,834 CERTAINLY NOT WITH THE FBI TAKING DOWN 352 00:13:54,877 --> 00:13:56,705 EVERY SYLLABLE ON THE OTHER SIDE OF THE ONE-WAY. 353 00:13:56,748 --> 00:13:58,228 YOU GOT IT? 354 00:13:58,272 --> 00:14:00,578 OKAY. 355 00:14:03,973 --> 00:14:06,584 NO ONE GIVES A CRAP ABOUT YOUR CODE OR YOUR CHILDHOOD. 356 00:14:06,628 --> 00:14:08,369 ALL THEY WANNA DO IS BRING SULLY IN. 357 00:14:08,412 --> 00:14:10,066 THE SOONER YOU HELP THEM DO THAT, 358 00:14:10,110 --> 00:14:13,591 THE SOONER JINX AND BRANDI ARE OUT OF THE CROSSHAIRS. 359 00:14:13,635 --> 00:14:17,421 SO... 360 00:14:17,465 --> 00:14:19,423 SO LET'S DRAW 'EM OUT. 361 00:14:19,467 --> 00:14:21,034 LET'S CLOSE THE BOOK ON THIS STORY 362 00:14:21,077 --> 00:14:22,470 ONCE AND FOR ALL. 363 00:14:22,513 --> 00:14:23,906 FINE. 364 00:14:23,950 --> 00:14:24,907 HAPPY? 365 00:14:42,664 --> 00:14:44,709 WE HAVEN'T BEEN ABLE TO TRACK DOWN JINX AND BRANDI. 366 00:14:44,753 --> 00:14:47,190 BUT DELIA JUST GOT ON A PLANE, ALL RIGHT? 367 00:14:47,234 --> 00:14:48,496 SHE'S GONNA COORDINATE WITH THE MIAMI OFFICE 368 00:14:48,539 --> 00:14:49,889 TO LOCATE AND BRING 'EM IN, 369 00:14:49,932 --> 00:14:51,455 ALONG WITH JAMES' OTHER FAMILY-- 370 00:14:51,499 --> 00:14:53,631 SCOTT, LAUREN, EVERYBODY. - YEAH, WHAT ABOUT-- 371 00:14:53,675 --> 00:14:55,459 NORAH AND MARK ARE FINE. 372 00:14:55,503 --> 00:14:56,765 AND MARSHALL'S RUNNING POINT. HE'S WITH THEM NOW. 373 00:14:56,808 --> 00:14:57,766 OKAY? 374 00:14:57,809 --> 00:15:01,596 YEAH, ALL RIGHT. 375 00:15:01,639 --> 00:15:02,945 I KNEW YOU WERE A MARSHALL, 376 00:15:02,989 --> 00:15:04,947 BUT WITNESS PROTECTION? 377 00:15:04,991 --> 00:15:06,340 THAT'S SOMETHIN'. 378 00:15:06,383 --> 00:15:07,950 ATTAGIRL. 379 00:15:07,994 --> 00:15:10,953 MM-HMM. 380 00:15:10,997 --> 00:15:12,433 STRIKES ME THAT YOU AND I 381 00:15:12,476 --> 00:15:15,436 ARE BOTH TWO SIDES OF THE SAME COIN. 382 00:15:15,479 --> 00:15:18,961 I MEAN, WE BOTH SPENT OUR LIVES PROTECTING PEOPLE. 383 00:15:20,571 --> 00:15:22,747 LOOK...GONNA PUT YOUR SUITCASE 384 00:15:22,791 --> 00:15:25,011 RIGHT NEXT TO MINE. 385 00:15:25,054 --> 00:15:28,492 YOU, UH--YOU WATCH OVER MOMMY AND THE BABY 386 00:15:28,536 --> 00:15:30,451 TILL I GET BACK, HEY, PARTNER? 387 00:15:30,494 --> 00:15:34,020 THIS IS FOR YOU, SWEETHEART. 388 00:15:34,063 --> 00:15:35,586 IT'S FOR YOUR FIRST COMMUNION. 389 00:15:35,630 --> 00:15:38,328 IT'S THE MEDAL OF MARY. 390 00:15:38,372 --> 00:15:41,331 THE BLESSED MOTHER. 391 00:15:41,375 --> 00:15:43,681 YOU WEAR IT... 392 00:15:43,725 --> 00:15:47,598 YOU KEEP EVERYONE SAFE. 393 00:15:47,642 --> 00:15:50,166 YEAH. 394 00:15:50,210 --> 00:15:52,212 YEAH, OKAY. 395 00:15:58,914 --> 00:16:01,134 PROTECTING PEOPLE? 396 00:16:01,177 --> 00:16:03,136 YOU'RE PROTECTING YOU. 397 00:16:03,179 --> 00:16:04,615 YOU ALWAYS WERE. 398 00:16:04,659 --> 00:16:06,487 FROM THE FBI, THE UNDERTOW OF A BAD MARRIAGE, 399 00:16:06,530 --> 00:16:08,315 FROM BASIC RESPONSIBILITIES. 400 00:16:08,358 --> 00:16:09,707 INSPECTOR, MAYBE NOW IS NOT THE BEST TIME-- 401 00:16:09,751 --> 00:16:11,579 WE'RE NOT TWO SIDES OF A COIN. 402 00:16:11,622 --> 00:16:12,841 YOU'RE JUST ONE MORE MOPE TO DRAG THROUGH THE PAPERWORK. 403 00:16:12,884 --> 00:16:16,410 READ IT AND SIGN ON THE LINE. 404 00:16:16,453 --> 00:16:18,978 MR. SHANNON, LET'S JUST LOOK THIS OVER. 405 00:16:19,021 --> 00:16:20,980 NO NEED TO. 406 00:16:21,023 --> 00:16:25,506 I TRUST MY DAUGHTER. 407 00:16:25,549 --> 00:16:28,248 SHOW ME WHERE. 408 00:16:36,212 --> 00:16:38,649 SULLY, CLOSE AS ORGANIZED CRIME GETS 409 00:16:38,693 --> 00:16:40,216 TO A ONE-MAN BAND. 410 00:16:40,260 --> 00:16:42,218 HE KEEPS EVERYBODY IN THE DARK. 411 00:16:42,262 --> 00:16:44,351 HE HIRES BY THE JOB, 412 00:16:44,394 --> 00:16:46,744 SURROUNDS HIMSELF WITH JUST A FEW KEY PEOPLE. 413 00:16:46,788 --> 00:16:48,355 DEFINE "A FEW KEY PEOPLE." 414 00:16:48,398 --> 00:16:50,922 ME. TWO OTHER, BACKERS. 415 00:16:50,966 --> 00:16:52,881 AND FINN. 416 00:16:52,924 --> 00:16:54,578 YEAH, LIKE I SAID, HE'S SMART. 417 00:16:54,622 --> 00:16:56,058 IT'S WHAT KEEPS HIM INSULATED 418 00:16:56,102 --> 00:16:57,973 AND ON YOUR MOST-WANTED LIST. 419 00:16:58,017 --> 00:16:59,453 OR IT DID, HUH? 420 00:17:02,717 --> 00:17:07,635 YEAH, HANG ON A SEC. 421 00:17:07,678 --> 00:17:09,071 HEY, WHAT DO YOU GOT? 422 00:17:09,115 --> 00:17:10,725 WE CHECKED JINX'S APARTMENT. 423 00:17:10,768 --> 00:17:13,032 NO SIGN OF HER, BUT NO SIGN OF TROUBLE EITHER. 424 00:17:13,075 --> 00:17:15,121 WE GOT DEPUTIES HEADED OVER TO BRANDI'S REHAB. 425 00:17:15,164 --> 00:17:16,600 THEY'VE ALREADY PICKED UP JAMES' EX-WIFE 426 00:17:16,644 --> 00:17:17,688 AND THEIR TWO DAUGHTERS. 427 00:17:17,732 --> 00:17:18,994 OKAY, WHAT ABOUT SCOTT? 428 00:17:19,038 --> 00:17:20,691 I'M WITH HIM NOW. 429 00:17:20,735 --> 00:17:22,693 HE'D LIKE A WORD. 430 00:17:22,737 --> 00:17:26,132 PUT HIM ON. 431 00:17:26,175 --> 00:17:27,481 MARY, HEY. 432 00:17:27,524 --> 00:17:28,743 HEY, YOU OKAY? 433 00:17:28,786 --> 00:17:30,614 THIS IS CRAZY. MY HEAD IS SWIMMING. 434 00:17:30,658 --> 00:17:32,486 WE CAN'T JUST PACK UP AND GO. 435 00:17:32,529 --> 00:17:34,444 I GOT A HOUSE, AN OFFICE THAT I JUST OPENED. 436 00:17:34,488 --> 00:17:36,272 - I KNOW. - I CHAIR A G.A. MEETING NOW. 437 00:17:36,316 --> 00:17:38,274 SCOTT, LISTEN TO ME. IT'S NOT SAFE. 438 00:17:38,318 --> 00:17:40,450 MORE TO THE POINT, I DON'T BELIEVE A WORD THAT DAD SAYS. 439 00:17:40,494 --> 00:17:42,713 I HEAR YOU, TRUST ME. DO ME A FAVOR, OKAY? 440 00:17:42,757 --> 00:17:44,889 JUST THINK ABOUT IT. ALL RIGHT, I'VE GOT-- 441 00:17:44,933 --> 00:17:46,848 I'VE GOT COLLEAGUES IN WITNESS PROTECTION 442 00:17:46,891 --> 00:17:49,459 WHO ARRANGE THIS TYPE OF THING ALL THE TIME. 443 00:17:49,503 --> 00:17:54,073 NO. NO, MARY. 444 00:17:54,116 --> 00:17:55,726 I'M NOT GONNA PUT MY LIFE IN "PARK," NOT ANYMORE. 445 00:17:55,770 --> 00:17:57,206 I'M NOT. 446 00:17:57,250 --> 00:17:59,339 IT'S A GAMBLE I'M WILLING TO TAKE. 447 00:18:01,080 --> 00:18:03,821 HE'S THE GREEDIEST BASTARD I EVER MET. 448 00:18:03,865 --> 00:18:05,562 GOOD NEWS IS, HE'S DESPERATE. 449 00:18:05,606 --> 00:18:08,217 ALL SULLY WANTS NOW IS A CABANA 450 00:18:08,261 --> 00:18:10,350 ON SOME ANONYMOUS ISLAND AND A BANK BALANCE 451 00:18:10,393 --> 00:18:12,874 THAT'LL KEEP HIM THERE TILL THE SUN GOES DOWN. 452 00:18:12,917 --> 00:18:17,748 SO...I FIGURE, MAKE CONTACT... 453 00:18:17,792 --> 00:18:23,189 FLOAT THE IDEA OF ONE LAST, BIG SCORE. 454 00:18:23,232 --> 00:18:25,234 AND WATCH HIS EYES GO WIDE. 455 00:18:25,278 --> 00:18:26,931 SIMPLE AS THAT, HUH? 456 00:18:26,975 --> 00:18:29,108 WELL, NOTHING'S AS SIMPLE AS THAT. 457 00:18:29,151 --> 00:18:31,806 NAH, SULLY TRUSTS NOBODY COMPLETELY. 458 00:18:31,849 --> 00:18:33,373 NOT EVEN ME. 459 00:18:33,416 --> 00:18:35,331 WHAT HE DOES TRUST IS MERCHANDISE. 460 00:18:35,375 --> 00:18:37,028 HE'LL SEND A GO-BETWEEN. 461 00:18:37,072 --> 00:18:40,336 THEN, I'M GUESSING, HE'LL AUTHENTICATE. 462 00:18:40,380 --> 00:18:42,773 WE HOOK SULLY WITH A LITTLE SAMPLE. 463 00:18:42,817 --> 00:18:43,992 TELL HIM ABOUT THE MOTHER LODE 464 00:18:44,035 --> 00:18:46,516 STASHED IN A SANTA FE VAULT. 465 00:18:46,560 --> 00:18:48,083 HE'LL THINK ABOUT IT. 466 00:18:48,127 --> 00:18:50,564 GET COMFORTABLE. 467 00:18:50,607 --> 00:18:51,913 HE'LL SET A MEET. 468 00:18:51,956 --> 00:18:54,350 THE MERCHANDISE. 469 00:18:54,394 --> 00:18:55,699 WHERE'S THAT? 470 00:18:55,743 --> 00:18:56,961 IT'S CLOSE. 471 00:18:57,005 --> 00:18:58,746 MARY AND I WILL GET IT. 472 00:18:58,789 --> 00:19:01,270 YOU AND MARY? NO. WRITE DOWN AN ADDRESS. 473 00:19:01,314 --> 00:19:03,098 I'LL SEND AGENTS-- - NO, NO, SORRY-- 474 00:19:03,142 --> 00:19:04,839 IT'S NON-NEGOTIABLE! - GODDAMN IT, SHANNON! 475 00:19:04,882 --> 00:19:05,883 ALL RIGHT, ALL RIGHT, ALL RIGHT. 476 00:19:05,927 --> 00:19:07,407 I'LL TELL YOU WHAT. 477 00:19:07,450 --> 00:19:08,973 NOW, JAMES, YOU GOTTA BE REASONABLE HERE. 478 00:19:09,017 --> 00:19:11,150 ALL RIGHT? HE RIDES WITH MARY. 479 00:19:11,193 --> 00:19:13,195 BUT WE ARE ON YOUR TAIL, WATCHING YOU. 480 00:19:13,239 --> 00:19:15,415 THAT'S A BEST-CASE. 481 00:19:19,114 --> 00:19:20,376 HEY. 482 00:19:20,420 --> 00:19:21,812 MARSHALL, WHAT ARE YOU DOING HERE? 483 00:19:21,856 --> 00:19:23,074 TELL ME YOU'VE GOT NORAH AND MARK 484 00:19:23,118 --> 00:19:24,380 STASHED IN A POCKET SOMEWHERE. 485 00:19:24,424 --> 00:19:25,816 I HAVE A DETAIL ON THEM. 486 00:19:25,860 --> 00:19:27,514 WE'RE MEETING UP AT MARK'S JOB SITE 487 00:19:27,557 --> 00:19:28,950 AS SOON AS I'M DONE HERE. 488 00:19:28,993 --> 00:19:31,518 LISTEN, MY DAD IS IN TOWN FOR THE WEEKEND. 489 00:19:31,561 --> 00:19:33,433 - NO, I KNOW. - AND HIS ARRIVAL, 490 00:19:33,476 --> 00:19:35,348 TOTALLY PLANNED, IT'S THROWN ME. 491 00:19:35,391 --> 00:19:37,219 JUST HIM SHOWING UP. 492 00:19:37,263 --> 00:19:38,481 WHAT'S YOUR POINT? 493 00:19:38,525 --> 00:19:40,527 YOUR DAD SHOWED UP UNANNOUNCED, 494 00:19:40,570 --> 00:19:42,964 OUT OF THIN AIR, AND YOU'RE HAVING TO BE 495 00:19:43,007 --> 00:19:46,750 PROFESSIONAL AT A TIME WHEN PERSONAL ISSUES, 496 00:19:46,794 --> 00:19:49,840 30 YEARS OF DEEPLY PERSONAL ISSUES-- 497 00:19:49,884 --> 00:19:54,236 WELL, LET'S JUST SAY "THROWN" DOESN'T EVEN TOUCH IT. 498 00:19:54,280 --> 00:19:58,240 MARY...TALK TO ME. 499 00:19:58,284 --> 00:20:00,938 I'VE BEEN TALKING ALL DAY. 500 00:20:00,982 --> 00:20:03,114 YEAH. 501 00:20:03,158 --> 00:20:05,029 OKAY. 502 00:20:05,073 --> 00:20:06,466 I'LL GET BACK TO THE BABY. 503 00:20:06,509 --> 00:20:11,210 GOOD. THANKS. 504 00:20:11,253 --> 00:20:14,300 HEY...WE MADE THE CALL. 505 00:20:14,343 --> 00:20:16,258 YOU READY TO SADDLE UP AND BAIT THE HOOK? 506 00:20:16,302 --> 00:20:18,173 WHERE WE GOING? THE MIXED METAPHOR STORE? 507 00:20:18,217 --> 00:20:20,871 NOPE. MY SAFE HOUSE. 508 00:20:20,915 --> 00:20:22,917 IN OLD TOWN. 509 00:20:32,492 --> 00:20:35,103 I WAS SORRY THINGS WENT SOUTH WITH THE LATIN KID. 510 00:20:35,146 --> 00:20:38,454 THE BALLPLAYER. 511 00:20:38,498 --> 00:20:42,197 TAKE A LEFT AT THE NEXT LIGHT. 512 00:20:42,241 --> 00:20:45,461 AND BRANDI AND THE CAR DEALER, PETER. 513 00:20:45,505 --> 00:20:47,463 YOU KNOW WHAT? ENOUGH, OKAY? 514 00:20:47,507 --> 00:20:51,032 WE NEEDED A FATHER, NOT A STALKER. 515 00:20:51,075 --> 00:20:52,468 IF YOU HONESTLY THINK I'M MOVED 516 00:20:52,512 --> 00:20:56,342 BY YOU KEEPING WATCH OVER ME, OVER US-- 517 00:20:56,385 --> 00:20:58,213 YOU LOST THE RIGHT TO MOVE ME WHEN YOU LEFT. 518 00:20:58,257 --> 00:20:59,997 WHEN YOU LEFT A SEVEN-YEAR-OLD IN CHARGE-- 519 00:21:00,041 --> 00:21:02,783 MY COMING BACK WOULD HAVE PUT YOU IN DANGER. 520 00:21:02,826 --> 00:21:05,873 OR PUT YOU IN JAIL. 521 00:21:05,916 --> 00:21:09,485 TAKE THE NEXT RIGHT. 522 00:21:09,529 --> 00:21:11,313 TRYING TO KEEP YOU SAFE. 523 00:21:11,357 --> 00:21:12,836 RIGHT. 524 00:21:12,880 --> 00:21:16,275 WALKING AWAY FROM YOU, IT WAS... 525 00:21:16,318 --> 00:21:19,060 OH, THE BEST THING AND THE WORST THING 526 00:21:19,103 --> 00:21:20,975 I EVER DID IN MY LIFE. 527 00:21:21,018 --> 00:21:23,282 SOUNDS KIND OF HOLLOW SAYING IT OUT LOUD. 528 00:21:23,325 --> 00:21:26,720 SOUNDS KIND OF HOLLOW HEARING IT OUT LOUD. 529 00:21:26,763 --> 00:21:29,200 ALL THIS "PARTNERS" B.S. 530 00:21:29,244 --> 00:21:33,379 YOU DON'T EVEN KNOW WHAT THE WORD MEANS. 531 00:22:00,580 --> 00:22:01,929 MARK? 532 00:22:01,972 --> 00:22:03,583 - MARY. - MARY. 533 00:22:03,626 --> 00:22:05,149 - GEORGE. - MARK. 534 00:22:05,193 --> 00:22:07,804 WHO THE HELL'S GEORGE? 535 00:22:09,415 --> 00:22:12,069 SOLAR PANELS. 536 00:22:12,113 --> 00:22:14,202 YOU BOUGHT SOLAR PANELS AS A WAY TO, WHAT, WEASEL IN? 537 00:22:14,245 --> 00:22:16,509 YOU OUT OF YOUR GODDAMN MIND? 538 00:22:16,552 --> 00:22:18,946 IT'S ENOUGH YOU SPY ON US LIKE SOME CREEPY PEEPING TOM. 539 00:22:18,989 --> 00:22:20,556 YOU GOTTA TRY THIS B.S. END AROUND TO GET 540 00:22:20,600 --> 00:22:22,123 QUALITY TIME WITH YOUR GRANDDAUGHTER? 541 00:22:22,166 --> 00:22:24,386 WAIT, GEORGE IS YOUR FATHER? 542 00:22:24,430 --> 00:22:25,909 YES. NO! THAT'S--HIS NAME'S NOT-- 543 00:22:25,953 --> 00:22:27,302 GEORGE IS NORAH'S GRANDFATHER? 544 00:22:27,346 --> 00:22:29,260 HIS NAME'S NOT GEORGE, OKAY? 545 00:22:29,304 --> 00:22:31,350 YOU'RE NOT GEORGE C. PARKER? 546 00:22:32,612 --> 00:22:34,004 GEORGE C. PARKER. 547 00:22:34,048 --> 00:22:36,006 HE SOLD THE BROOKLYN BRIDGE... 548 00:22:36,050 --> 00:22:38,008 SIX TIMES. - HILARIOUS. 549 00:22:38,052 --> 00:22:39,793 I ONLY MET HER A HANDFUL OF TIMES, 550 00:22:39,836 --> 00:22:41,229 BUT I'LL TELL YOU SOMETHING, 551 00:22:41,272 --> 00:22:43,057 THIS KID HAS GOT A GRIP LIKE AN IRON VISE. 552 00:22:43,100 --> 00:22:45,494 HEY. HEY, HEY! JUST DON'T, ALL RIGHT? 553 00:22:45,538 --> 00:22:47,061 FOLKS, I'M GONNA HAVE TO ASK YOU TO CLEAR OUT. 554 00:22:47,104 --> 00:22:48,192 ALL RIGHT, MARSHALL, GET 'EM OUT OF HERE. 555 00:22:48,236 --> 00:22:49,368 NOW. LET'S GO. 556 00:22:49,411 --> 00:22:51,457 MARY, I SWEAR, I HAD NO IDEA. 557 00:22:51,500 --> 00:22:53,981 SO LONG, LAURA. I'LL SEE YA! 558 00:22:54,024 --> 00:22:56,505 INSPECTOR SHANNON, A KNOWN FUGITIVE IS A FIVE-MINUTE DRIVE 559 00:22:56,549 --> 00:22:59,421 FROM MAKING FUNNY FACE AND BABY TALK WITH YOUR DAUGHTER. 560 00:22:59,465 --> 00:23:01,989 YOU MISS THAT? WHAT KIND OF INSPECTOR ARE YOU? 561 00:23:02,032 --> 00:23:03,860 HELL, WHAT KIND OF MOTHER ARE YOU? 562 00:23:03,904 --> 00:23:05,601 - HEY, HEY, HEY, FLATHEAD. - YOU THINK WHAT, O'CONNOR? 563 00:23:05,645 --> 00:23:07,124 I'M AIDING AND ABETTING? THE ONLY THING I WANT TO 564 00:23:07,168 --> 00:23:08,822 AID AND ABET IS THE SAFETY OF MY FAMILY, 565 00:23:08,865 --> 00:23:10,606 THE CAPTURE OF CORMAC SULLIVAN, AND THE RESULTING 566 00:23:10,650 --> 00:23:13,000 AND RAPID DEPARTURE OF GEORGE C. PARKER OVER HERE. 567 00:23:13,043 --> 00:23:15,045 YOU DUMBASS. LET'S GO. 568 00:23:21,878 --> 00:23:24,968 I CASED A LITTLE SHOP IN SANTA FE A FEW MONTHS BACK. 569 00:23:25,012 --> 00:23:27,493 ANYTHING ON THE SIDE, YOU HAD TO CUT SULLY IN. 570 00:23:27,536 --> 00:23:30,060 ONE OF HIS RULES. ONE I BROKE. 571 00:23:30,104 --> 00:23:32,149 UH, THIS WAY. 572 00:23:48,775 --> 00:23:52,082 FIRST TIME I EVER DID THIS WITH AN AUDIENCE. 573 00:24:09,578 --> 00:24:12,189 THAT OUGHT TO FLUSH HIM OUT. 574 00:24:18,413 --> 00:24:22,112 COME ON, SHANNON. 575 00:24:22,156 --> 00:24:23,113 GOOD. 576 00:24:23,157 --> 00:24:24,245 YOU LIKE IT? 577 00:24:24,288 --> 00:24:27,422 HOME SWEET HOME. 578 00:24:42,698 --> 00:24:45,919 COME ON, COME ON. GET IT DONE, GET IT DONE. 579 00:24:45,962 --> 00:24:47,268 TAKE OFF THE DRESS, O'CONNOR. 580 00:24:47,311 --> 00:24:49,400 ALL HE HAS TO DO IS LIE FOR FIVE MINUTES. 581 00:24:49,444 --> 00:24:52,055 GOT A HUNCH HE'LL MANAGE. 582 00:24:56,277 --> 00:24:57,583 WE GONNA GET ON WITH THIS OR WHAT? 583 00:24:57,626 --> 00:24:59,715 CHRIST, FINN. 584 00:24:59,759 --> 00:25:02,718 YOU DON'T GO IN FOR MUCH FOREPLAY, DO YOU? 585 00:25:02,762 --> 00:25:05,808 THE JEWELER I MET IN SANTA FE HAS GOT OVER 100 OF THESE 586 00:25:05,852 --> 00:25:07,201 IN A VAULT. 587 00:25:07,244 --> 00:25:10,900 STREET VALUE'S AT LEAST 10 MIL. 588 00:25:10,944 --> 00:25:14,556 INTEL ON THIS IS ROCK SOLID. 589 00:25:14,600 --> 00:25:16,819 HE'S GOT SECURITY, BUT, UM... 590 00:25:16,863 --> 00:25:17,951 NOT SO MUCH. 591 00:25:17,994 --> 00:25:20,823 SULLY WAS, LET'S SAY, 592 00:25:20,867 --> 00:25:23,173 DISAPPOINTED TO HEAR YOU'VE BEEN FREELANCING. 593 00:25:23,217 --> 00:25:26,437 I'M GUESSING HE'LL BE LESS DISAPPOINTED NOW. 594 00:25:38,537 --> 00:25:39,581 GOOD GUESS. 595 00:25:39,625 --> 00:25:42,584 TOOK THE CHEESE AND... 596 00:25:42,628 --> 00:25:44,760 SMILING. 597 00:25:44,804 --> 00:25:46,153 SMILING'S GOOD. 598 00:25:46,196 --> 00:25:47,589 THIS IS A BIG ONE, FINN. 599 00:25:47,633 --> 00:25:48,982 SO TELL THE OLD BASTARD 600 00:25:49,025 --> 00:25:51,985 I'M ONLY SOMEWHAT SORRY FOR FREELANCING. 601 00:25:52,028 --> 00:25:54,465 GOT THAT RIGHT. 602 00:25:54,509 --> 00:25:57,512 WE'LL BE IN TOUCH. 603 00:26:00,689 --> 00:26:02,822 JUST GOTTA WAIT ON SULLY'S CALL. 604 00:26:02,865 --> 00:26:04,519 IT'S CHRISTMAS. 605 00:26:04,563 --> 00:26:06,042 - HAPPY HOLIDAYS. - WE'LL CLEAN UP AND DEBRIEF. 606 00:26:06,086 --> 00:26:08,305 HEY, INSPECTOR... 607 00:26:09,437 --> 00:26:10,438 GOOD WORK. 608 00:26:10,481 --> 00:26:13,572 SUCK IT, DOUCHE BAG. 609 00:26:16,183 --> 00:26:17,837 SHE WAS IN THE BJORN THE WHOLE TIME, 610 00:26:17,880 --> 00:26:19,882 AND I NEVER HAD HER NEAR THE ACTUAL CONSTRUCTION. 611 00:26:19,926 --> 00:26:22,363 IT'S NOT LIKE I HAD HER UP ON THE ROOF WITH A CHOP SAW. 612 00:26:22,406 --> 00:26:23,886 NO, YOU HAD HER ON A SERIES OF PLAY DATES 613 00:26:23,930 --> 00:26:25,105 WITH A KNOWN FUGITIVE. 614 00:26:25,148 --> 00:26:26,715 - IT WASN'T-- - I MEAN-- 615 00:26:26,759 --> 00:26:28,630 MARY, CAN YOU JUST BE RATIONAL FOR ONE MINUTE? 616 00:26:28,674 --> 00:26:30,501 AS FAR AS I KNEW, IT WAS JUST AN OLD GUY 617 00:26:30,545 --> 00:26:32,155 LOOKING TO BUY SOLAR. 618 00:26:32,199 --> 00:26:33,940 FORGIVE ME IF I CAN'T BE ON THE LOOKOUT 619 00:26:33,983 --> 00:26:36,116 EVERY SECOND OF EVERY DAY. 620 00:26:36,159 --> 00:26:39,075 I CAN'T BE SUSPECT OF EVERYONE, LIKE YOU ARE. 621 00:26:39,119 --> 00:26:43,950 WOULD YOU MIND WATCHING NORAH? I NEED HER. 622 00:26:43,993 --> 00:26:46,561 KNOW WHAT? DON'T EVEN START. 623 00:26:46,605 --> 00:26:48,258 OKAY? DON'T DEFEND HIM. 624 00:26:48,302 --> 00:26:50,043 BECAUSE IF BEING ON THE LOOKOUT ISN'T IN HIS SKILL SET, 625 00:26:50,086 --> 00:26:51,566 MAYBE HE SHOULDN'T TAKE CARE OF NORAH. 626 00:26:51,610 --> 00:26:52,959 - YEAH. - CALL ME CRAZY. 627 00:26:53,002 --> 00:26:54,656 BUT WHEN IT COMES TO BEING A FATHER, 628 00:26:54,700 --> 00:26:55,918 I KIND OF FIGURED HAVING HALF A GODDAMN INSTINCT 629 00:26:55,962 --> 00:26:57,398 IS IN THE JOB DESCRIPTION! 630 00:26:57,441 --> 00:26:58,660 RESIST THE URGE TO DRAW YOUR WEAPON. 631 00:26:58,704 --> 00:27:02,925 OH, MY GOD. 632 00:27:02,969 --> 00:27:05,928 I-I'M SORRY, MARY, 633 00:27:05,972 --> 00:27:08,061 BUT I...AGREE WITH HIM. 634 00:27:08,104 --> 00:27:09,932 - GOD. - I DO. 635 00:27:09,976 --> 00:27:12,543 - UH-HUH. - AND I GOTTA TELL YOU-- 636 00:27:12,587 --> 00:27:15,590 SOMEONE'S GOT TO, FINALLY-- 637 00:27:15,634 --> 00:27:20,726 YOU CAN'T KEEP PUSHING PEOPLE AWAY. 638 00:27:20,769 --> 00:27:23,293 YOUR ISSUES WITH YOUR DAD, 639 00:27:23,337 --> 00:27:27,950 YOUR MISTRUST OF THE WORLD. 640 00:27:27,994 --> 00:27:30,213 IT WILL-- 641 00:27:30,257 --> 00:27:33,434 IT WILL MESS UP THAT KID. 642 00:27:33,477 --> 00:27:35,566 DON'T LET NORAH LOSE HER FATHER 643 00:27:35,610 --> 00:27:37,699 JUST BECAUSE, ONCE UPON A TIME, 644 00:27:37,743 --> 00:27:39,745 YOU LOST YOURS. 645 00:27:41,747 --> 00:27:43,749 ALSO, YOUR CELL'S ABOUT TO RING. 646 00:27:43,792 --> 00:27:46,577 WHAT DO YOU MEAN, MY CELL'S ABOUT TO RING? 647 00:27:46,621 --> 00:27:49,711 O'CONNOR JUST CALLED. SULLY MADE CONTACT. 648 00:27:49,755 --> 00:27:51,582 THE MEET IS TOMORROW NIGHT. 649 00:27:51,626 --> 00:27:53,933 WE POSTED A DETAIL FOR YOU FRONT AND BACK. 650 00:27:53,976 --> 00:27:55,586 IT'S PRECAUTIONARY. 651 00:27:55,630 --> 00:27:58,633 BUT...ANYWAY... 652 00:27:58,677 --> 00:28:02,115 WHAT I SAID. 653 00:28:02,158 --> 00:28:04,160 GOOD NIGHT. 654 00:28:19,828 --> 00:28:21,482 HEY. 655 00:28:21,525 --> 00:28:22,744 MOM, IT'S ME AGAIN. 656 00:28:22,788 --> 00:28:24,920 AND AGAIN AND AGAIN. 657 00:28:24,964 --> 00:28:26,356 JUST CALL ME BACK. 658 00:28:26,400 --> 00:28:28,358 PLEASE. 659 00:29:35,034 --> 00:29:38,689 VERY NICE, MRS. SOON-TO-BE MANN. 660 00:29:38,733 --> 00:29:40,822 DO YOURS, DO YOURS. DO YOU HAVE IT IN YOUR POCKET? 661 00:29:40,866 --> 00:29:42,955 MM-HMM, YEAH. 662 00:29:42,998 --> 00:29:45,958 HERE GOES NOTHIN'. 663 00:29:46,001 --> 00:29:47,524 OH, NO. 664 00:29:47,568 --> 00:29:49,875 I DID MY BEST, BUT I HAD TO GUESS. 665 00:29:49,918 --> 00:29:51,398 PRICE YOU PAY FOR NOT SHOWING UP. 666 00:29:51,441 --> 00:29:53,182 IT'S FINE. I CAN WEAR IT ON MY PINKY. 667 00:29:53,226 --> 00:29:54,227 OR, YOU KNOW, YOURS. 668 00:29:54,270 --> 00:29:55,576 I'LL GET IT RESIZED. 669 00:29:55,619 --> 00:29:56,882 I'LL GET IT RESIZED. 670 00:29:56,925 --> 00:29:58,971 I LOVE IT. THANK YOU. 671 00:30:01,756 --> 00:30:03,236 CHAFFEE. 672 00:30:03,279 --> 00:30:04,672 YEP. THANKS. 673 00:30:04,715 --> 00:30:06,326 BYE. 674 00:30:06,369 --> 00:30:07,849 MY TURN TO SAY DUTY CALLS. 675 00:30:07,893 --> 00:30:09,372 SETH, I'M STILL TAKING YOU TO THE AIRPORT. 676 00:30:09,416 --> 00:30:10,852 WILD HORSES WOULDN'T KEEP ME FROM IT. 677 00:30:10,896 --> 00:30:12,419 THEY'LL ONLY SLOW ME SOME. 678 00:30:12,462 --> 00:30:15,814 - DON'T GIVE IT A THOUGHT. - SEE YA LATER. 679 00:30:17,511 --> 00:30:20,079 KNOW WHAT YOUR MOTHER WOULD SAY IF SHE WERE HERE? 680 00:30:20,122 --> 00:30:22,864 ABIGAIL'S THE GIRL WE ALWAYS HOPED YOU'D BRING HOME. 681 00:30:22,908 --> 00:30:24,605 THANKS, DAD. 682 00:30:24,648 --> 00:30:27,303 YOU KNOW, I--I CAN'T HELP NOTICING, 683 00:30:27,347 --> 00:30:31,917 EVER SINCE YOU RETIRED, THAT THE OLD GRUFF YOU IS M.I.A. 684 00:30:31,960 --> 00:30:33,005 I'M NOT FINISHED. 685 00:30:33,048 --> 00:30:34,310 THERE HE IS. 686 00:30:34,354 --> 00:30:36,965 THING IS, MARRIAGE... 687 00:30:37,009 --> 00:30:39,359 THERE'S NO ROOM FOR GUESSWORK. 688 00:30:39,402 --> 00:30:41,013 GOTTA BE SURE. 689 00:30:41,056 --> 00:30:44,277 AND WHO YOU'RE THERE FOR AT 4:00 IN THE MORNING... 690 00:30:44,320 --> 00:30:46,366 THAT'S THE ONE. 691 00:30:46,409 --> 00:30:47,933 SO YOU GOTTA ASK YOURSELF-- 692 00:30:47,976 --> 00:30:49,804 THIS ABIGAIL... 693 00:30:49,848 --> 00:30:54,896 IS SHE THE GIRL YOU ALWAYS HOPED YOU'D BRING HOME? 694 00:31:18,267 --> 00:31:20,922 MARY...DELIA JUST CALLED. 695 00:31:20,966 --> 00:31:22,663 YOUR MOM AND SISTER ARE SAFE. 696 00:31:22,706 --> 00:31:24,752 MY GOD, THANK GOD. WHAT--WHERE WERE THEY? 697 00:31:24,795 --> 00:31:26,667 THE REHAB WAS DOING SOME SORT OF FAMILY RETREAT. 698 00:31:26,710 --> 00:31:28,930 NO CELLS, NO EMAILS, LIKE THAT. - OF COURSE. 699 00:31:28,974 --> 00:31:30,453 MIAMI FIELD OFFICE HAS THEM LOCKED DOWN. 700 00:31:30,497 --> 00:31:31,933 - GOOD, THANKS. - OKAY? 701 00:31:31,977 --> 00:31:34,762 - YEAH, THANK YOU. - ALL RIGHT. 702 00:31:34,805 --> 00:31:36,503 HEY, J. EDGAR. 703 00:31:36,546 --> 00:31:37,983 WE CAN'T SCRAPE UP A LITTLE KEVLAR 704 00:31:38,026 --> 00:31:40,942 AS A JUST-IN-CASE? - NO. NO, NO. 705 00:31:40,986 --> 00:31:44,119 NO BODY ARMOR, NO WIRES. 706 00:31:44,163 --> 00:31:45,512 JUST LIKE WITH FINN. 707 00:31:45,555 --> 00:31:48,123 SULLY WILL SPOT KEVLAR A MILE OFF. 708 00:31:48,167 --> 00:31:49,690 I'LL BE FINE. 709 00:31:49,733 --> 00:31:51,735 HE DOESN'T LEAVE YOUR SIGHT. 710 00:32:11,146 --> 00:32:13,540 SO THAT BOTTLE OF MEDS 711 00:32:13,583 --> 00:32:15,281 THAT YOU LEFT OUT IN THE KITCHEN. 712 00:32:15,324 --> 00:32:16,282 - HEH. - WHAT? 713 00:32:16,325 --> 00:32:17,805 FOUND MY MEDS, HUH? 714 00:32:17,848 --> 00:32:19,372 I NEVER KNOW WHERE THE HELL I PUT 'EM. 715 00:32:19,415 --> 00:32:22,984 AM I SUPPOSED TO BELIEVE YOU HAVE CANCER OR-- 716 00:32:23,028 --> 00:32:25,160 YEAH, THE CANCER'S LEGIT. 717 00:32:25,204 --> 00:32:27,423 I WISH IT WASN'T. 718 00:32:27,467 --> 00:32:29,425 STAGE THREE, BUT, UH... 719 00:32:29,469 --> 00:32:33,603 DON'T WORRY ABOUT IT. 720 00:32:33,647 --> 00:32:36,650 ANYTHING ELSE YOU WANNA KNOW? 721 00:32:36,693 --> 00:32:40,088 YEAH. 722 00:32:40,132 --> 00:32:42,830 WERE WE EVER ACTUALLY THREATENED... 723 00:32:42,873 --> 00:32:45,006 BY SULLY OR... 724 00:32:45,050 --> 00:32:46,660 DID YOU JUST DECIDE TO RUN? 725 00:32:46,703 --> 00:32:48,009 FROM WHAT I HEAR, JAIL'S NO FUN, 726 00:32:48,053 --> 00:32:49,837 AND JINX COULDN'T HAVE BEEN EASY. 727 00:32:49,880 --> 00:32:51,447 JINX WASN'T EASY. 728 00:32:51,491 --> 00:32:53,188 I HEAR THE SAME THING ABOUT JAIL, 729 00:32:53,232 --> 00:32:54,624 BUT, OH, YEAH. 730 00:32:54,668 --> 00:32:56,887 SULLY THREATENED YOU. 731 00:33:02,154 --> 00:33:05,070 I KEEP THINKING ABOUT THAT PLAYGROUND ON FAIRVIEW 732 00:33:05,113 --> 00:33:07,376 THAT YOU USED TO TAKE ME TO. 733 00:33:07,420 --> 00:33:08,943 WITH THE RED MONKEY BARS. 734 00:33:08,987 --> 00:33:11,424 YEAH. 735 00:33:11,467 --> 00:33:14,079 I WENT BACK, SOME BREAK FROM COLLEGE, 736 00:33:14,122 --> 00:33:16,037 AND THE SLIDE... 737 00:33:16,081 --> 00:33:18,518 IN MY MEMORY, IT WAS HALFWAY TO THE SKY. 738 00:33:18,561 --> 00:33:21,042 AND WHEN I WENT BACK, IT WAS... 739 00:33:21,086 --> 00:33:22,783 SO SMALL. 740 00:33:22,826 --> 00:33:25,829 IT WAS BARELY OFF THE GROUND. 741 00:33:25,873 --> 00:33:29,050 ALL THESE YEARS. 742 00:33:29,094 --> 00:33:32,880 I BUILT YOU UP. 743 00:33:32,923 --> 00:33:34,490 GOOD, BAD, OR UGLY, 744 00:33:34,534 --> 00:33:38,625 YOU WERE ALWAYS...GIANT. 745 00:33:38,668 --> 00:33:41,845 YOU WERE ALWAYS JESSE JAMES. 746 00:33:43,195 --> 00:33:47,068 TURNS OUT I WAS JUST A GUY. 747 00:33:48,635 --> 00:33:52,030 SLIDE AT THE PLAYGROUND ON FAIRVIEW. 748 00:33:54,728 --> 00:33:57,557 WELL, I GUESS I WON'T SEE YOU SO MUCH... 749 00:33:57,600 --> 00:33:59,515 AFTER THIS, FOR A WHILE. 750 00:33:59,559 --> 00:34:01,082 PROBABLY NOT. 751 00:34:01,126 --> 00:34:04,259 I DON'T KNOW WHAT TO BELIEVE, EVEN NOW. 752 00:34:04,303 --> 00:34:07,306 BUT I APPRECIATE WHAT YOU'RE DOING. 753 00:34:07,349 --> 00:34:09,525 AND, UM... 754 00:34:09,569 --> 00:34:11,875 I WANTED YOU TO HAVE SOMETHING. 755 00:34:16,097 --> 00:34:18,056 IT'S TO KEEP YOU SAFE. 756 00:34:26,629 --> 00:34:29,067 WHEN YOU GET TO WHERE I AM... 757 00:34:29,110 --> 00:34:33,114 AND I'M NOT TALKING ABOUT MY AGE... 758 00:34:33,158 --> 00:34:37,640 THERE'S AN OCEAN OF REGRET. 759 00:34:37,684 --> 00:34:41,992 THESE LAST COUPLE OF DAYS WITH YOU ALL PISSED OFF 760 00:34:42,036 --> 00:34:45,866 AND...FULL OF RESENTMENT AND SUSPICION-- 761 00:34:45,909 --> 00:34:50,088 YOU GOT EVERY RIGHT TO THAT. 762 00:34:50,131 --> 00:34:55,745 THESE HAVE BEEN ABOUT THE BEST DAYS OF MY LIFE. 763 00:34:55,789 --> 00:34:57,834 ISN'T THAT A REMARKABLE THING? 764 00:35:00,533 --> 00:35:05,625 DAYS THAT ARE... TO BE PROUD OF AND... 765 00:35:05,668 --> 00:35:09,237 YOU CAN IMAGINE I DON'T HAVE A WHOLE LOT OF THOSE. 766 00:35:09,281 --> 00:35:11,718 ANYWAY... 767 00:35:11,761 --> 00:35:13,502 JUST WANT TO TELL YOU THAT... 768 00:35:13,546 --> 00:35:17,115 EVERYTHING THAT YOU'VE BECOME 769 00:35:17,158 --> 00:35:21,162 WITH THE NOTHIN' THAT I GAVE YOU... 770 00:35:21,206 --> 00:35:26,036 WELL, THAT MAKES ME REALLY-- 771 00:35:26,080 --> 00:35:29,736 COME ON, SHANNON. LET'S GO. 772 00:35:29,779 --> 00:35:32,130 WE'LL TALK MORE. 773 00:35:32,173 --> 00:35:33,435 THANK YOU. 774 00:35:33,479 --> 00:35:34,958 YEAH. 775 00:35:35,002 --> 00:35:38,179 OKAY. 776 00:36:21,048 --> 00:36:22,876 JIMBO. 777 00:36:22,919 --> 00:36:25,008 HEY, SULLY. 778 00:36:25,052 --> 00:36:26,749 IT'S GOOD TO HEAR YOUR VOICE. 779 00:36:26,793 --> 00:36:29,230 WISH I COULD SAY THE SAME, SHANNON. 780 00:36:29,274 --> 00:36:31,058 YOU THINK I'M WALKING AROUND THIS LONG 781 00:36:31,101 --> 00:36:34,279 WITHOUT AN "IN" AT THE BUREAU? 782 00:36:34,322 --> 00:36:35,715 SAY HELLO TO YOUR SON. 783 00:36:35,758 --> 00:36:37,456 WE'VE GOT CONTACT WITH SUBJECT. 784 00:36:37,499 --> 00:36:39,371 STAND BY. SULLY JUST CALLED. 785 00:36:39,414 --> 00:36:40,502 - DAD? - SCOTT? 786 00:36:40,546 --> 00:36:42,069 - DAD? HEY. - NO. 787 00:36:42,112 --> 00:36:43,723 - I'M OKAY. - NO, NO. SCOTT? 788 00:36:43,766 --> 00:36:45,159 NOW SAY GOOD-BYE TO YOUR SON. 789 00:36:45,203 --> 00:36:46,160 NO, NO, SULLY, NO-- 790 00:36:47,857 --> 00:36:50,251 SCOTT! AH, SH-- 791 00:36:50,295 --> 00:36:53,211 JESUS. 792 00:36:53,254 --> 00:36:54,864 I DON'T BLUFF, JIMBO. 793 00:36:54,908 --> 00:36:57,127 YOU--AGH! 794 00:36:57,171 --> 00:36:59,956 TELL THAT PRETTY DAUGHTER OF YOURS I SAY HI. 795 00:37:01,523 --> 00:37:02,916 OH, MY GOD. 796 00:37:02,959 --> 00:37:04,787 ALL SIERRA UNITS, WE GOT AN EMERGENCY. 797 00:37:04,831 --> 00:37:06,528 TARGET DOWN. TARGET DOWN! 798 00:37:13,318 --> 00:37:15,711 HEY. HOW YOU DOIN'? YOU OKAY? 799 00:37:15,755 --> 00:37:17,496 YOU'RE GONNA BE FINE, DADDY. 800 00:37:17,539 --> 00:37:19,324 YOU'RE GONNA BE FINE. JUST TAKE IT EASY, ALL RIGHT? 801 00:37:19,367 --> 00:37:21,282 - WHAT STAGE IS HE? - HE'S, UM, HE SAYS-- 802 00:37:21,326 --> 00:37:23,023 HE SAYS STAGE THREE. 803 00:37:23,066 --> 00:37:24,894 HE'S BEEN IN CUSTODY AND OFF HIS MEDS GOING ON 80 HOURS. 804 00:37:24,938 --> 00:37:26,548 I'M GONNA MAKE THIS RIGHT, SWEETHEART. 805 00:37:26,592 --> 00:37:28,289 I'M GONNA MAKE THIS RIGHT. 806 00:37:28,333 --> 00:37:29,638 - OKAY, DADDY. - OKAY, WE GOTTA GO. 807 00:37:29,682 --> 00:37:31,118 OKAY. OKAY, DADDY. YOU JUST REST. 808 00:37:31,161 --> 00:37:32,554 I'M GONNA SEE YOU OVER THERE, OKAY? 809 00:37:32,598 --> 00:37:34,164 I'LL SEE YOU OVER THERE. 810 00:37:34,208 --> 00:37:36,210 SORRY. 811 00:37:56,665 --> 00:37:58,928 GOT HERE AS FAST AS I COULD. 812 00:37:58,972 --> 00:38:00,321 MIAMI OFFICE IS SPREADING THE WORD. 813 00:38:00,365 --> 00:38:02,105 THEY'RE LOCKING DOWN THE STATE, SIR. 814 00:38:02,149 --> 00:38:03,846 MA'AM-- - PROBABLY DON'T CALL HER MA'AM. 815 00:38:03,890 --> 00:38:06,196 WE'LL FIND HIM. A MATTER OF TIME. 816 00:38:06,240 --> 00:38:07,807 THANKS, AHAB. 817 00:38:07,850 --> 00:38:09,417 BANG-UP JOB ON THE GREAT WHITE WHALE, BY THE WAY. 818 00:38:09,461 --> 00:38:11,332 SO MUCH FOR THAT CORNER OFFICE. 819 00:38:13,987 --> 00:38:16,250 I'M GONNA GIVE YOU SOME POWERFUL PAIN MEDICATION. 820 00:38:16,294 --> 00:38:18,034 IT'S GONNA MAKE YOU FEEL A LOT BETTER, OKAY? 821 00:38:18,078 --> 00:38:20,123 YEAH...LISTEN, LISTEN. 822 00:38:25,346 --> 00:38:27,043 DAMN IT! SHANNON'S GONE AWOL! 823 00:38:27,087 --> 00:38:28,915 HE KNOCKED OUT ONE OF MY GUYS AND THE EMT! 824 00:38:28,958 --> 00:38:30,220 HE ESCAPED ON FOOT. 825 00:38:30,264 --> 00:38:31,874 WHERE THE HELL WAS THE FOLLOW CAR? 826 00:38:31,918 --> 00:38:33,485 THIS IS MCQUEEN. I NEED AN APB STATEWIDE 827 00:38:33,528 --> 00:38:35,530 ON A JAMES WILEY SHANNON. - OH, MY GOD. 828 00:38:35,574 --> 00:38:38,185 AKA JAMES GRIFFIN. WE NEED TO SPIN UP-- 829 00:38:38,228 --> 00:38:39,882 - SHANNON! - HEY, EASY. 830 00:38:39,926 --> 00:38:41,536 I DON'T KNOW WHAT THE HELL IT IS WITH YOU PEOPLE. 831 00:38:41,580 --> 00:38:43,321 MUST BE SOMETHING IN THE BLOOD. 832 00:38:43,364 --> 00:38:44,931 DON'T EVEN THINK OF PASSING ME THE BUCK, O'CONNOR. 833 00:38:44,974 --> 00:38:46,628 IT'S YOUR GODDAMN LEAK THAT GOT SCOTT KILLED. 834 00:38:46,672 --> 00:38:48,064 YOU'RE GONNA STAND THERE, FEIGNING "OVERWHELMED," 835 00:38:48,108 --> 00:38:49,892 CLAIM THAT YOU HAD NOTHING TO DO WITH THIS? 836 00:38:49,936 --> 00:38:51,807 THAT YOU'RE NOT IN CAHOOTS WITH DEAR OL' DAD? 837 00:38:51,851 --> 00:38:53,374 ARE YOU BRAIN-DEAD? SERIOUSLY, IF I HOOKED YOU 838 00:38:53,418 --> 00:38:55,376 UP TO AN EKG OR WHATEVER... - NOT AN EKG. 839 00:38:55,420 --> 00:38:56,943 WOULD THERE BE SQUIGGLY LINES AND CRAP? 840 00:38:56,986 --> 00:38:58,074 'CAUSE I DON'T DO CAHOOTS WITH ANYONE, 841 00:38:58,118 --> 00:38:59,293 LET ALONE A KNOWN FUGITIVE 842 00:38:59,337 --> 00:39:00,903 ON THE FBI'S MOST-WANTED! 843 00:39:00,947 --> 00:39:02,427 JAMES SHANNON ASKING FOR HELP IS A NON-STARTER. 844 00:39:02,470 --> 00:39:04,080 KNOW WHY? 'CAUSE HE'S NOT STUPID. 845 00:39:04,124 --> 00:39:05,560 HE KNOWS I'D CUFF HIM AT THE DOOR, 846 00:39:05,604 --> 00:39:06,953 AND HE KNOWS IT 'CAUSE I DID IT, ASSHOLE! 847 00:39:06,996 --> 00:39:08,302 ALL RIGHT. 848 00:39:08,346 --> 00:39:09,521 YOU WANT TO ASSAULT A FEDERAL AGENT? 849 00:39:09,564 --> 00:39:11,392 I'M BEGGING YOU! UNBELIEVABLE. 850 00:39:11,436 --> 00:39:13,176 I ACTUALLY FEEL SORRY FOR THE GUY. 851 00:39:13,220 --> 00:39:15,178 ANYONE THAT SHARES BLOOD WITH YOU HAS GOT MY SYMPATHIES. 852 00:39:15,222 --> 00:39:17,311 ENOUGH, O'CONNOR! BACK OFF. 853 00:39:17,355 --> 00:39:20,227 HEY. - JUST LEAVE ME ALONE. 854 00:39:28,453 --> 00:39:30,977 EVERYTHING'S MYTHICAL WHEN YOU'RE SEVEN YEARS OLD. 855 00:39:31,020 --> 00:39:32,457 FATHERS, MOTHERS, 856 00:39:32,500 --> 00:39:34,284 SANTA, GOD. 857 00:39:34,328 --> 00:39:37,113 THE ALLEGED PROTECTIVE POWERS OF A GOLD MEDALLION. 858 00:39:37,157 --> 00:39:39,464 IT'S NOT THAT CERTAIN THINGS SEEM LARGER THAN LIFE. 859 00:39:39,507 --> 00:39:42,510 IT'S JUST LIFE SEEMS LARGER. 860 00:39:42,554 --> 00:39:44,382 BUT THE WORLD KEEPS SPINNING. 861 00:39:44,425 --> 00:39:46,079 AND IN A THOUSAND TINY SURRENDERS, 862 00:39:46,122 --> 00:39:48,690 OR SOMETIMES IN ONE FELL SWOOP, 863 00:39:48,734 --> 00:39:51,214 WHAT YOU'D SEEN AS TRULY MYTHICAL, 864 00:39:51,258 --> 00:39:53,434 YOU LEARN IS MERELY MYTH. 865 00:39:53,478 --> 00:39:55,871 THE GOOD NEWS, IF YOU CAN CALL IT THAT, 866 00:39:55,915 --> 00:39:59,135 IS THAT ULTIMATELY YOU FIND OTHER MYTHS TO BELIEVE IN, 867 00:39:59,179 --> 00:40:01,442 AND OTHER MEN AS WELL. 868 00:40:01,486 --> 00:40:03,705 YOU SEE THE MYTH FOR WHAT IT IS-- 869 00:40:03,749 --> 00:40:06,142 CLOSE-UP AND IN ITS BONES... 870 00:40:06,186 --> 00:40:08,884 SMALLER AND GREATER AND MORE LIKE YOU 871 00:40:08,928 --> 00:40:11,017 THAN YOU'D CARE TO ADMIT. 872 00:40:11,060 --> 00:40:12,758 IT NEVERTHELESS LEAVES YOU-- 873 00:40:12,801 --> 00:40:14,629 ALWAYS, EVERY SINGLE TIME-- 874 00:40:14,673 --> 00:40:16,892 SITTING FOOLISH, ON THE DOORSTEP, 875 00:40:16,936 --> 00:40:21,288 AWAITING ITS RETURN. 876 00:40:21,331 --> 00:40:23,899 HEY, YOU ALL RIGHT? 877 00:40:23,943 --> 00:40:25,684 I KNOW WHERE HE'S GOING. 878 00:40:25,727 --> 00:40:27,120 MY FATHER. 879 00:40:27,163 --> 00:40:29,165 HE'S GOING AFTER SULLY. 880 00:40:29,209 --> 00:40:30,950 HE'S GONNA KILL THE SON OF A BITCH. 881 00:40:30,993 --> 00:40:32,821 DOESN'T SOUND LIKE HIM. 882 00:40:32,865 --> 00:40:34,693 HE'S NEVER KILLED A SOUL. 883 00:40:34,736 --> 00:40:36,477 I MEAN, THAT'S HIS THING, NO? 884 00:40:36,521 --> 00:40:38,261 HE'S GOING AFTER HIM, TRUST ME. 885 00:40:38,305 --> 00:40:41,569 WHAT MAKES YOU SO SURE, MARY? 886 00:40:41,613 --> 00:40:43,615 'CAUSE THAT'S WHAT I'D DO. 887 00:40:46,661 --> 00:40:51,492 HEY, CHIEF MCQUEEN. SIR? 888 00:40:51,536 --> 00:40:53,581 I REMEMBER WHEN I WAS SEVEN. 889 00:40:53,625 --> 00:40:57,759 ALMOST SEVEN. I REMEMBER ASKING SOMEONE... 890 00:40:57,803 --> 00:40:59,587 "WHAT'S THE POINT OF HAVING A PARTNER 891 00:40:59,631 --> 00:41:03,591 IF YOU'RE JUST GONNA DO IT YOURSELF?" 892 00:41:03,635 --> 00:41:06,464 MY WHOLE LIFE... 893 00:41:06,507 --> 00:41:07,639 I THINK I HAVEN'T UNDERSTOOD THAT WORD, 894 00:41:07,682 --> 00:41:09,771 NOT REALLY. 895 00:41:09,815 --> 00:41:11,904 I DON'T KNOW. 896 00:41:11,947 --> 00:41:15,342 I JUST KNOW A PARTNER DOESN'T LEAVE YOU ON THE DOORSTEP. 897 00:41:15,385 --> 00:41:17,649 HE FOLLOWS YOU THERE. 898 00:41:17,692 --> 00:41:20,826 EVEN AT 4:00 IN THE MORNING. 899 00:41:20,869 --> 00:41:24,656 I WONDER WHAT YOUR DAD WOULD SAY ABOUT THAT? 900 00:41:24,699 --> 00:41:25,787 SAME AS HE ALWAYS SAID. 901 00:41:25,831 --> 00:41:28,355 "NEVER TRUST YOUR PARTNER." 902 00:41:30,139 --> 00:41:32,272 WHAT'S WITH THE CHESHIRE CAT? 903 00:41:33,882 --> 00:41:36,189 I DON'T KNOW, JUST... 904 00:41:36,232 --> 00:41:40,193 MY FATHER PROBABLY SHOULD HAVE TAKEN HIS OWN ADVICE. 905 00:41:40,236 --> 00:41:42,891 I WANTED YOU TO HAVE SOMETHING. 906 00:41:47,505 --> 00:41:49,855 IT'S TO KEEP YOU SAFE. 63170

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.