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[dramatic music]
- I never imagined that anyone in my family
would be labeled a serial killer.
- She's been living on that farm for 13 years.
It wouldn't surprise me if there were others.
- I said, my son is dead.
My son is dead, isn't he?
- It was jarring seeing that quantity of blood everywhere.
[dramatic music]
- Always kept notes.
If I thought they were evil, I put evil.
- She used her sex to lure men in.
It's arousing, it's intoxicating, it's powerful.
[dramatic music]
- The only way of dealing with her rage
was to seek revenge.
[dramatic music]
[calm music]
- Losing Kenny the way I lost him is unbearable.
If you lose your child through a sickness, a car accident,
you know, that's tragic, but the way I lost Kenny?
No.
- I was the chief secretary.
And when somebody would call,
they're calling the department, they're calling me.
So, I'm the first line of fire.
I received a phone call and this woman said,
I'm not sure really who to talk to.
- I said, I have a 24 year old son
that is learning disabled and he's missing.
- Carolyn sounded scared, of course, it's her son.
His age is 24, but he wasn't really 24.
- He couldn't read, he couldn't write,
his social skills weren't there.
I never made him feel as though that, that he had a problem
because I wanted him to be like everybody else.
[tense music]
The roommate said that Kenny never came home,
that he didn't take any of his clothing with him.
And his vehicle was still parked outside.
I didn't know what to think, but I knew something was wrong.
And then that night I got a phone call
and it was from Kenny.
And he said, mom, I can't go home.
And I heard, "Let me speak to her."
And she grabbed the phone from Kenny
and she said, ma'am, he's 24 years old.
Leave him the [beep] alone, we're [beep] happy.
And she hung up.
Imagine hearing this woman say this to you.
And there's nothing as a mother you can do.
- She told me that he's supposedly
in Epping with a Suzanne woman.
And I go, Suzanne?
She said that she was blonde, driving a Cadillac.
And the more that I spoke to her,
the red flags were just going up.
And I'm like, that's Sheila.
[ominous music]
- Sheila, she was born on the 4th of July.
And when she would have a little temper tantrum,
my dad would say, well there's that firecracker.
[ominous music]
- She had a very violent,
domineering father who both physically abused her
and likely emotionally abusing her.
- To the outside world, my daddy was fun to be around
if you didn't know him, but he'd drink to excess.
And he was mean when he was drinking.
And it was...
[dramatic music]
[sniffling]
- I was probably nine or 10 and Sheila
who again is four years younger than me
and our dad came home drunk.
- You could hear him rusting through the corn.
And I just laid really still.
Then I could hear him kicking something, screaming.
And I started crawling, whispering "Mother, mother."
[dramatic music]
- So, now, she's got the dilemma of loving her father.
And part of the confusion was that hatred
was also fused with love and sex.
And what does this child do with that?
I mean, there are all sorts of shame, guilt, rage,
and to make it even worse, longing.
[dramatic music]
- I'm like, I kind of have a gut,
just my feeling is because it was Sheila.
- Sheila was very well known amongst all the officers.
The Epping police department had been
there on her property hundreds of times.
It's a hundred plus acres of farmland,
but she was viewed as a nuisance caller.
I would put it that way.
- She's very intimidating and she's loud.
And she's gonna take over the conversation.
So I said to Gallagher,
is there any way that you can go to the farm
just to look into the matter and see if Kenny's there?
Her son.
- We went to Sheila's residence, knocked on the door.
Sheila answered.
We asked if Kenneth Countie was there.
Sheila was just like, you know, "Why are you here?
This is ridiculous.
He's here, but you can't talk to him."
We said, "We're just here to make sure that he's okay."
And eventually he came to the door.
He told us that he was fine
and was there of his own free will.
- I'm thinking to myself, okay, she's 47 years old.
She's with a 24 year old man,
the way that she spoke to me as a mother,
I was determined to get my son.
[dramatic music]
- He was in a store wheelchair.
He looked like he had been injured in some way.
So we asked if he needed medical attention
and he was just simply not talking to us.
[dramatic music]
- Sheila would call every day, almost.
She would just be talking about anything and everything.
So she called the department on the 23rd,
it was about noontime.
And I said, hey, how's that relationship going with Kenny?
And she goes, oh, he left during the middle of the night.
[dramatic music]
[dramatic music]
- I got a phone call that Sheila had called the department
to say that Kenny left her in the night, that he was gone.
[dramatic music]
- So when we arrived at Sheila LaBarre's property,
as we walked back, there was what appeared to be a mattress.
And we noticed that the debris in the front yard
was the charred remains of a fire pit.
But the main thing that we noticed was a piece of flesh.
And it had some bones sticking out
of the piece of flesh on either side of it
and it was pretty large.
We may be looking at some type of a,
a crime scene or some type of evidence destruction.
And then we heard a woman's voice yelling at us.
It was Sheila.
We explained that we were trying to find Kenneth.
She said, "Well, he's not here anymore."
We asked if we could go inside and look around,
make sure he wasn't there and she said, yes.
The house was cluttered with belongings.
There were rabbits everywhere and the house smelled.
After we finished looking around the house,
we went back outside.
I pointed to a bone in the fire pit
and I said, this piece of flesh in this bone, what is it?
And she looked right at us and she just simply stated,
"It's from a rabbit or a pedophile, I don't know."
And at that point I said, "You just said
it's from a pedophile, what do you mean?"
And she said, "No, no, no, no.
It's from a rabbit, that's what it is."
And all of a sudden, Sheila threw us off the property.
But I was going to apply for a search warrant
because I believed that that was
a piece of Kenneth Countie in that fire pit.
[dramatic music]
- She didn't go through that ugly duckling stage, you know,
she just went from a pretty little girl
right into good looking young lady.
She was very smart and talented.
All the local high schools had a little beauty pageant.
And whoever advanced from that would be
in a actual junior miss pageant.
And one of Sheila's teachers had wanted her to enter.
So Sheila did, and she got to read a poem.
- Some of Sheila's poems that she had written
give us a window into a very troubled young woman.
Some men give treasures, some men give pleasures.
Some men give nothing at all.
Some men like daughters, some men like nieces,
some men prefer broken pieces.
She was a broken piece.
She was broken from early on.
- She knew how to dress, the seductive type dress.
She could flaunt it.
She was very sexual.
Didn't hide the fact.
- This way Sheila could use her charm,
use her beauty, her sexual prowess
to make these men do whatever she wanted them to do.
And that's the type of relationship she wanted.
- She really, and truly could read people
and could figure out their weaknesses.
And she just had that uncanny ability to use them,
befriend them, or destroy them.
[dramatic music]
- I got a phone call saying to me
that we couldn't find Kenny.
He was no where to be found.
I said, "My son is dead, my son is dead, isn't he?"
[dramatic music]
- When we arrived to serve the search warrant,
Sheila was a mess.
She had actually, when we arrived
been on her hands and knees in the fire pit,
just sifting by hand through it.
It was obvious at that point that she was probably
trying to get rid of evidence.
My initial fear that the large piece of flesh
and bone would be gone was absolutely true.
It was gone.
- We still had an incredible amount of the evidence
to examine, but we didn't have enough
at that point to arrest her.
Sheila LaBarre was free to go after
that initial interview with the detectives.
So she left.
[dramatic music]
[tense music] [birds chirping]
- Sheila was not in custody at this point.
We were trying to find out exactly what we had.
I think some of the most damaging evidence
was the sifting of the burn piles.
We were regularly bringing buckets
full of bones and other ash to the anthropologist.
We located evidence within the home,
including a knife, what they believed
to be blood on the knife.
You could see blood spatter
in the living room against the wall and in the kitchen.
Her bathroom downstairs,
there were blood stains covered with dust.
And then there was fresh blood.
It was jarring, seeing that quantity of blood everywhere.
[dramatic music]
- As a young adult, Sheila wanted to be loved
by somebody in a way that isn't hurtful.
[dramatic music]
Well, it was wonderful, you know, in the beginning.
- It was just one fight after another.
It was always a knock down brawl.
- In a sense, that's a repetition
of what she must have experienced as a kid.
On some level she must have been saying, I don't get it.
How can this be?
This loving man is all of a sudden horrendous.
- She told me the story of in the coma.
There were a lot of men around her bed
with long white beards wearing white robes.
They told her that she was an angel
and she was being sent back to Earth.
- That's sort of a rebirth experience.
She now lives as a new life
with everything that she wants here on earth.
Now she's powerful enough to protect herself.
- And so she decided she was gonna have to,
I guess, find new territory.
[dramatic music]
- At this point, it was our burden to prove
that the remains that we found
was the remains of Ken Countie.
Sheila.
My main focus was just to lock her into
a statement of what happened to Ken Countie.
- She was accusing Carolynn of being a pedophile.
Same thing she was saying about Ken.
She was saying that Ken was a pedophile.
She was just making all this up.
You killed that kid.
[dramatic music]
[inquisitive music]
- Even though on the tape, she says, "He's in that bag."
Even though she tells the officers,
"I was burning rabbits or a pedophile,"
she just continued saying that
she had no idea where Ken was.
- [Detective] Doesn't have to be a motel.
You can stay wherever you'd like to stay.
- She was not allowed to return to her home.
There was a search warrant on that home.
So she had to go elsewhere.
Our next hurdle was to prove that
Sheila LaBarre had murdered Ken Countie.
[dramatic music]
- In the beginning, she was just Sheila Bailey Jennings.
She didn't become Sheila LaBarre until
she moved in with Dr. LaBarre.
She was 27 years old, and she answered an ad
that Dr. LaBarre had put in a magazine.
He was about 57 years old, had his practice,
he had the 115 acre farm.
He had a lot of money, but he was incredibly lonely.
- She actually sent topless photographs of herself,
and she used that to ensnare Dr. LaBarre.
She used her sex to lure men in to get things from them.
- She actually was able to convince him
that he should change all the legal documents
in his will so that she became the heir to everything.
- She genuinely has a brief period
of stability with, you know,
somebody who is something of a father figure as it were.
[dramatic music]
And then he dies and the rug has been
totally pulled out from underneath her.
- All of this with him seemed to
start triggering memories in me and fears
and things traumatic.
[dramatic music]
- After Dr. LaBarre passed away,
she started with the phone chats.
And the first time I'd heard anything about pedophilia
was when she said she was talking to a guy
and she would ask questions
and see if they were interested in kids.
- Always kept notes usually when I talk
to these men on Telemates, I just jotted notes down.
If I thought they were evil, I'd put evil.
- And I said, "Why are you doing that?"
And then this is where the conversation come about
from the white bearded men that
she was sent back to Earth to venge pedophilia.
- She's saying, "I came back from God.
He sent me back as an angel to kill pedophiles.
All sex offenders must die."
[dramatic music]
- We had a large amount of personnel
doing the search within the house.
And then one of the detectives approached me
and said that they found a bank statement
with the name of Michael Deloge with Sheila's address.
We found an identification card of Michael Deloge
and they started finding other documents
with Michael Deloge's name.
So now we don't know, who is Michael Deloge?
I kind of got a sick feeling in my stomach at that point.
[dramatic music]
- We didn't know if we would find more
bodies on the property or not.
There could have been more victims.
[dramatic music]
I contacted his mother, asked if she's heard from him.
She said, "No, I haven't heard from him from a very long time."
And she was very concerned.
The last time that she saw Mike was when
he visited her with Sheila LaBarre, his new girlfriend.
- And she said that she was
in fear for Mike because of Sheila.
[dramatic music]
An arrest warrant was issued for Sheila LaBarre
but she had fled the area.
[dramatic music]
I was just about all set to go on America's Most Wanted
at one point, when I was told
she was located and arrested by Revere Police Department.
A truck driver who had been
watching the news, recognized her.
She was a woman that he had driven into Massachusetts.
She said that she was an angel
and that she was put on this Earth to hunt down
and kill pedophiles.
[dramatic music]
[dramatic music]
- She picks up Michael Deloge knowing
that he's a desperate, vulnerable human being.
He's homeless, nobody is taking care of him.
And he thinks he's won the lottery.
At this point, the men that she had relationships with
were her means of getting revenge.
Her means of expelling her hate.
- She starts developing this persona
of the revenging angel
and the narrative becomes stronger in her mind
as time goes on.
[dramatic music]
[tense music] [crickets chirping]
- I'm not someone who planned any of this,
- Sheila could have chose many things,
to assault Michael Deloge.
She could have chose a club, a knife, a pair of scissors.
[dramatic music]
[dramatic music]
- There's blood spatter on the walls that belongs to him.
So he clearly was stabbed at some point.
She stabbed him to death
and she dismembered him with a knife.
[dramatic music]
- Yeah, I think that Sheila,
if you take a look at the totality
of what she had done to these people,
she certainly fits the profile of a serial killer.
- We're pretty sure that Ken's the last one she killed.
But what happened before?
Who knows how many victims are out there?
She's been living on that farm for 13 years.
It wouldn't surprise me if there were others.
- We did turn up the tailbones
on the outskirts of the property
that we have been unable to match
to any person at this stage.
[dramatic music]
- Sheila absolutely would've
continued to kill in horrific ways.
And I think that's true of all serial killers.
For Sheila, this is building up over the years
to be sort of the avenging angel
that God sent to take care of pedophiles.
Kill sex offenders.
Does this have anything to do with your dad?
Very likely it does.
- Sheila was not able to escape her past.
She was broken into pieces.
There was never much that enabled her
to put any of the pieces back together in a healthy way.
The only way of dealing with her rage
was ultimately to retaliate and seek revenge.
- At some point, you move from just
abusing these guys to finally saying, you know what?
I have the right to kill them.
And you cross that line.
That line where you make your first kill,
it's arousing, it's intoxicating, it's powerful.
You can't have more power than controlling
whether somebody lives or dies.
That is the ultimate power.
- I never imagined that anyone in my family
would be labeled a serial killer.
Sheila was probably the most intelligent one of all of us.
Beautiful girl.
Funny, had it all.
Never in a million years
did I think that she would trade all of that
for a small cell with a bunk
where they don't even give you a pillow.
[dramatic music]
- I had a son who was a loving, caring son
and he trusted, trusted everybody.
As much as you try to instill in him that
there are bad people out there,
he never thought anybody was bad.
Even though I know that in my heart and mind,
he's gone, I still wait for that day,
he comes home.
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