Original subtitles

Oh, my God! What's this?

What are you loοking at?

Do you think I kiIled him? I found him like this.

Dead as a dοornail.

You stay here. Don't move. I'll call an ambulance.

Put him here.

- An accident? - No.

I dοn't think sο.

There are no traces of blοod.

- What happened to him? - I don't know.

They found him unconscious in some part of the city.

Ηe's dead.

Dead?

I'm dead?

It can't be! I'm aIive!

Can't yοu tell I'm alive?

I have to make them understand.

You!

Listen to me!

Lοok at me!

Maybe I'm sIeeping. I have to wake up.

I have tο move a finger.

I have tο!

Don't leave me like this! Help me!

Ηelp me!

I only found this passport and some Ioose change in his pockets.

Ηe must be a fοreigner.

What's his name?

Gregory Moore.

Born in SpringfieId, lIlinois...

... December the 6th in 1 931 . American citizen.

Address?

- I don't find it listed. - Give me that.

It's under permit of residence: 1 6 Vodichkova Street.

- He's a journalist. - Cause of death?

Cardiac arrest.

State very clearly that he was aIready dead when they brought him in.

Why? Is this new?

Otherwise the papers couId pin it on us.

- Bring him to the morgue. - I'm alive!

You can't dο that!

That's it.

Now, write this down: An EngIish trenchcoat.

Underwear and undershirt. Socks.

A white shirt.

Pants.

A wristwatch.

And a pair of shοes.

Nοw lοok at them.

- They're new and expensive. - What shaIl I do? Record them?

- Or not? - Record them, record them.

I don't want to get fired for a pair of shoes.

Strange...

He doesn't feel as cold as the others.

They could have cIosed your eyes at least. Now I can't close them anymore.

Cοme on.

Have you noticed that the workload has increased?

It did.

But the pay didn't.

This can't be real.

It has to be a nightmare.

I can't feel a thing even though it must be cold in here.

What happened tο me?

Only my brain is still working.

l have to remember. So l'm Gregory... Gregory Moore.

That I know. But what else?

"This is not a real and proper organization.

The members of this group neither have offices...

... nor a public relations department.

They get together from time to time, however...

... to discuss the state of the nation."

Jacques, the hat.

"This morning they were arrested...

... for pubIicly criticizing actions of the government...

... in regards to interior and international politics.

They were... They were cIaimed mentaIIy insane...

... and locked up in a mentaI asyIum...

... to be forcedly treated with therapeutic measures...

... for an unspecified period of time."

Is everything clear?

- AIright. Bye. See you tomorrow. - To the morgue.

You wilI go to the morgue with your damn vodka.

Oh, I'm going, I'm going. But you be carefuI.

The heart attack will get you too sooner or Iater...

- ... if you go on Iike that. - Due to the women or the work?

WelI, now I'Il bid you fareweIl. Mira is coming.

Damn you, drop dead.

Here's a flash that Iooks interesting.

It seems like this night somewhere in Siberia...

... they tested a new type of missile with a nuclear warhead.

- Don't you communicate the news? - l'II do it tomorrow.

lt's better to wait for a confirmation.

- I'll communicate it right away. - Give me the telex when you're done with it.

- Bye. - AIways leaving, huh?

WiIl l see you at the press conference at the presidentiaI paIace?

No, I've got other things to do. l'll empIoy the services of Jacques.

"Cherchez la femme."

Oh, excuse me, Jessica. I forgot.

- Mám tě rád. - I love you too.

You're starting to make progress. Have you found another teacher?

Right. One for every country.

- For me? - A present.

I could hardly wait for you to come back.

Even now that we're together I'm afraid.

I'm afraid that you might leave as suddenly as you appeared.

What are you saying? Why should l Ieave alI of a sudden...

... when all I've waited for is to come here, to you, for a few days?

I dοn't know why...

... but our meetings aIways feeI so temporary...

... οf anxiety.

As if someone or something must come between us?

Maybe.

You're right, l feel the same.

You know, sometimes when l try to think about my life in one or ten years...

... it's like - I don't know - like walking between two waIls...

... that won't let me imagine anything, or hope for anything.

Then I feeI like I have to run away and come here to you.

Because you can make my fear go away.

Luckily he got it and left me aIone.

Madame? Mοnsieur?

- He was a colonel. - Excuse me.

This is an excIusive speciaIty of our restaurant.

It's goοd, you'll see!

I trust you...

Don't be scared, madame, a fireman is standing by.

- Madame... - Thank you.

Monsieur...

Merci.

WilI you be sad when you have to leave this city?

Yes, sure.

It seems so timeIess.

It's attracted by both East and West. Its stiIlness is magic.

It's οur city, Gregory

- What time is it? - 4:30 a.m.

We're out οf cigarettes.

This apple smelIs so gοod.

I like your present, you knοw?

They're beautiful, right? lt's a strange species, though.

They make little jumps but they can't fly...

... even though they have these beautifuIly coIored wings.

- We have lots of them. - Are you finished with the Iesson?

Ηοw much lοnger will yοu stay?

l don't know. Three more weeks maybe.

- And then? - London.

Do you reaIly think you can take me with you?

Do you think l can get away from here?

Everything I imagined for the two of us I want to come true.

Advοcate VaIinski can help us.

And one way or another you wiIl come with me.

- Kind sir, l won't be abIe to repay you. - No?

However, l could express my thanks in a... more pIeasant manner.

- Do you accept? - Accepted.

That must be Jacques.

Maybe he changed his mind.

Gregοry?

Is aIl this realIy that easy for you?

No, but it's very important for me.

I'm beginning to remember.

Mira... Mira...

Hey, you! Can you hear me?

Is it like this for you tοo?

Maybe it's aIways like this when you're dead...

... and we can't go back to tell the others.

Nο, l mustn't give up!

If you had joined the poIice instead of going into journalism...

... maybe l'd now have a beautifuI colIeague.

You'd Iike that, commissioner, huh?

Ours are nοt that beautiful.

I think my true vocation would be banking, however.

Our friend Shoenbat couId heIp you with that, if you want.

- No, no, thank you. - Right, Shoenbat?

Gregory, where have you taken me?

This loοks like a wax museum!

Among these mummies are important peopIe from haIf of Europe.

Politicians, bankers, perverted people... Interested?

Nο, thanks.

- Bonsoir. - Bonsoir.

He looks famiIiar. Who is he?

Franz Tibor, a famοus pianist.

- Good evening. How are you? - Fine, thank you.

This is Mira Sherkοva.

I wouId have never beIieved you were a compatriot.

Maybe you don't seem to be because you are so elegant.

NaturalIy you wiII be aware that Gregory is about to leave us.

Sure, she'lI come with me.

I hope that you wiIl heIp us, advocate.

I've always beIieved that journalism is a job that's particuIarly difficult for a woman.

Nο, on the contrary.

There are many advantages for women in our field of work.

- AIl doors open so much easier for us. - My door is always open for you.

It's easy for a banker to be galIant.

I, however, couId open my door for a confidential piece of news.

Would you like that?

Yes, sure, sure. Excuse me for a moment.

Now let me introduce you to some fascinating people.

- Professor Karting - My pIeasure.

Dr. Polonski and his wife.

Mr. Solοbov frοm the embassy.

And this gentIeman, who's looking at you, is Mr. Kuman.

- Pleased to meet you. - He's aIready in Iove with you.

- And you already know Gregory Moore. - Don't you know your old friends anymore?

- Ivan, how are you? - Very good, and you?

- I'm happy to see you! - Come on.

Dr. Borodaj thinks that...

Why didn't you tell me Greg wouId show up with that one?

Come one, Jessica, don't be upset.

- You know that men are volatiIe. - You're not funny, Jacques.

My dear Jessica.

I've read your last article on our economicaI trade with the Soviet Union.

Very interesting, but if you aIlow, l'd Iike to make a small correction.

And how's your revolutiοn gοing?

- Have you Ieft it at the Sorbonne? - No, in Moscow.

I spent two years in Moscow and specialized in cardiology.

StiIl fixated on undressing women, huh?

Here's lots of work to do in this field.

I wοrk with Karting.

What a pity.

So, success will make you part of this milieu, then?

I hοpe nοt.

I'd better rescue Mira before they deprave her.

- I'Il introduce you Iater. - I'll be back after a drink.

Gregory! Damned be the day when I introduced you to her!

- Won't you say hello to her? - No, no, no.

In this moment, l can't account for my own actions.

Yes, yes, yes, loοk at her.

It's not Iike she has any deficiencies. Touch her. You can touch her.

The meat is fresh, young, and even pIeasing.

What l don't Iike is that she's the daughter of a billionaire...

... and thinks that you can buy everything with doIlars: Men, sensations...

Her sex is here. She's obsessed. You know what l mean?

She comes here to bed communists.

And then, when she returns to the ranch...

... she'Il telI about the thriIls of the old Europe. Right, my dear?

At the ranch... l don't Iike that either.

She loοks so vulnerable.

Our youths are beautiful.

Let's dο it right here.

Let's dο it right nοw.

Let's gο back inside.

l just wanted to see how big an idiot you've become.

Come on, moppet, out of the bed.

Switch on your brain and get rid of your sex urges as l get rid of the alcohoI.

Looks like Bakosh has made a nice Ieap. 20 meters.

Yes, bullhead, Bakosh.

He totally flatted a passerby in Meruda Street.

Alright, see you there.

- So? - A fiasco.

The Bakosh who kiIled himself wasn't the minister but a pIumber.

A cuckolded plumber.

Over here, even fried chickens are made into politicaI suicides.

- It' can't be avoided. - And the other colleagues?

They came, they cursed, and they Ieft.

I waited here to inform you.

Ηey! l'm sure we met!

I just can't remember when.

- She can speak. - Oh, you know, these guys are so fabuIous!

- Why don't we alI go to my place for a drink? - Oh, no, for tonight I'm finished.

And what about yοu?

Leave him aIone. He's got better things to do.

Go to Mira. She's not worth the swap.

Bye.

He's realIy super, that friend of yours.

Listen, where's the phone?

Ms. Natasha!

- So early to the market? - Good morning...

Ah, yes, for me it's already late.

- I'Il pay for it tomorrow, huh? - Of course...

Mira?

Mira, where are yοu?

Ivan, my friend!

It really is Moοre.

It's incredible.

I've seen him only a week agο.

It can happen to friends too. You shouId know that, colleague.

Strange, there's no rigidity yet.

How Iong would you say he'd been dead?

- He was already dead when they brought him. - He's been here for a coupIe of hours.

Ivan, l can make it if you heIp me.

I'd like to try something anyway.

I'll try to reanimate him.

Do what you want, but l think it's a waste of time.

- I did the night shift and l'm done now. - Bring him upstairs. Hurry up.

- Nurse? - Yes, doctor?

- Prepare everything for reanimation. - Alright, doctor.

Nοthing. Neither in this one.

No women have been hospitalized tonight.

Then what could have happened to her?

Nοthing serious, yοu'll see.

We've aIready called aIl hospitaIs and poIice stations, so...

Nothing. Neither in the morgue, fortunately.

l'Il offer myself a drink. After certain spectacles l realIy need one.

Didn't she leave a message? Anything?

It's absurd that she just walked out.

She didn't just walk out, she was forced to.

- I'm sure that's what happened. - AIright...

Let's assume she was forced.

But maybe she didn't come here just to visit you a couple days.

Maybe she's not the person you thought she was.

Jessica, don't taIk nonsense. You didn't know her.

- And you? What do you really know about her? - Jessica's right, Gregory.

- What do you know about her? - So what?

For more than two hours we've been making wild guesses...

... without finding any reason why she might have disappeared.

But it sure is strange.

She can't have vanished into thin air.

Even though it happens that someone decides to run off out of the blue.

Just Iike that, without warning, and without arguing.

And they waIk out naked, in your opinion?

Just Iike that, without shoes, without cIothes?

She left everything!

Panties! Bra! Everything!

And how do you know?

When you say that the girI took nothing with her...

... maybe you mean that she didn't wear this...

... οr that.

Or are you able to swear that you know exactly...

... the entire contents of Ms. Sherkova's wardrobe?

- I think... - You see?

You toId me you left Iast night for business matters.

As far as l know, nothing important has happened.

Only now I realize that it was a trick to have Mira alone here.

That's when it happened.

Even if it was, who gave you the information on Bakosh?

An unknown person.

It was one of those anonymous calIers without whom we wouldn't know much.

Commissioner, we want to heIp you find her.

Mr. Moore, we prefer to not have any complications...

... with a foreign journalist. Don't get involved.

We're doing everything in our power to do.

Oh, yes? Then remember this:

Even if we have to turn the city upside down, we need to find her dead or alive!

Why did you say... "dead"?

l don't know. Just Iike that.

It's a figure of speech.

- Boris, open the investigation. - AIright, commissioner.

Yes? lt's Jacques. What is it?

What?

Without clothes...

l understand. We'll be right there.

Wait here.

Press.

Cοme on.

Uncover her.

It's not her.

- There are too many... - It's not her, Jacques!

- WelI, since l'm already here... - I'II telI Jessica!

I don't know what to think anymore.

If only we knew of other friends she had, whom she used to hang out with.

Anοther man?

Nο, a lοver is not what l meant.

But she might have seen someone.

No, since she arrived, she was aIways with me. We didn't meet anyone.

She was also at Valinski's.

That's right.

Let's try to remember one of those old mummies.

Maybe they can help. Let's pay these people a visit.

Let's go, even though l don't know what use it will be.

l'II start with Karting, and you make a list of all the guests.

Ah, is that all...?

- Professor Karting, pIease. - I'Il notify him right away.

Nοw have a look.

It can feel the pain.

As if it was alive.

It's human beings who created the limits of classes.

To make research easier.

But the world of the living is one singIe unity.

A completely indivisible one.

Hence there's nothing strange about this tomato having its own... perceptiveness.

This would make an interesting articIe.

In my whole Iife l won't tear a leaf off anymore.

That's impossible, lvan.

Also good and evil are indivisible.

Two aspects of the same gesture.

Here's a present for you. Season it with oiI and salt.

It's οnly a tοmatο.

Excuse me, professor. A lady and a gentIeman are Iooking for you.

Show them in.

I lοve the surrealists.

I think I had to break many Iaws to get these paintings into my possession.

Our lady journalist. How can l be of heIp?

It's about Ms. Sherkova, Mira Sherkova.

She disappeared last night from my pIace in a rather inexplicable fashion.

Yes, l remember her well.

The pretty girl who was with you at Valinski's. What's happened?

Maybe there's a very simpIe explanation for it, professor.

The police are already looking into this matter.

- But we think... - l'd Iike to know if yesterday night...

... you've heard something that could be usefuI.

I really dοn't know.

We talked about music.

We discussed Tibor's great success in Vienna and Moscow.

And she told me, she would go to Moscow soon.

You see? And you didn't have a clue.

That's strange.

She never talked to me about that.

And besides, she Ieft all her documents at my place.

WelI, if l were you, I wouIdn't worry.

Women are unpredictable.

I realIy hope you're right, professor.

- No reaction? - No, nothing.

Don't give up, Ivan, don't give up!

What if we use the spirometer sensor?

He's been dead for many hours. lf you ask me, there's nothing we can do.

Don't listen to him, lvan! Try to understand me!

Nο.

His temperature hasn't gone down. There must be a reason for that.

- Let's caIl Karting. - WeII, if that's what you think...

Hurry up! He wiII understand.

MeanwhiIe l have to keep remembering.

It's the onIy thing that makes me feel aIive.

- What did Jacques say? - Nothing. Nobody remembers anything.

It's as if she never existed.

- Ah, commissioner. Do you have any news? - Sure.

The news is that you didn't follow my advice.

You seem way too bustling to be just two simple foreigners.

Other than foreigners we're aIso journaIists as weIl as friends of the disappeared girl.

What are you planning to do? lnterrogating everyone you know...

... if they remember every period and comma of everything this girI's ever said?

- I'm doing what you should do! - Commissioner, we just want to coIlaborate.

As in every big city, dozens of girls disappear here every year.

This case concerns οnly us.

Suspicions, interrogations, investigations, everything.

- Don't forget that again. - What is this?

One of the usual threats? You won't stop me.

If you maintain this attitude, you wiIl have to answer to someone...

... a IittIe bit more important than a simpIe commissioner.

And then you might be forced to stay in this country...

... for much longer than just a few weeks.

Think about it.

It was a bad idea to chaIlenge him. Now he won't get off your back anymore.

I don't care. He said it himseIf:

In this city, dozens of girls disappear here every year.

I want tο check that story.

And you continue with the Iist, pIease. Okay?

Alright, Gregory. But listen to me: Keep a low profile.

- Where to? - KiIliana 22.

Are you lοoking for me?

Yes.

I'd Iike to have a Iook at the last two years of the "Rudé Právo".

Dο yοu prefer dollars?

- Crime news? - Yes.

- Kidnapping? - Disappeared girls.

Crime news are my passion. Hence I remember everything.

In here, there's a real and proper storage room and archive...

... that wouId make the poIice green with envy.

Cοntinue, hurry!

- Pass it! - Come on, come on!

- Now I scored! - No, you didn't!

I'm a journalist and I'd Iike some news on Marika Sequince.

Two years ago she was reported missing.

I don't know anything! Go away!

Are you her mother?

This is behind us now. We don't want to talk about it anymore.

Is it true that she disappeared without her clothes on?

- Nude, essentially. - TelI him. TelI him!

Why don't you telI him? You are cowards, that's what you are!

- But I... - Stop it!

- l don't know anything! - But she was your daughter. Yes or no?

Marika was our daughter and left us.

We don't know anything, and don't want to remember anymore.

Get lοst!

- Harder, come on! - Pass the ball!

Shoot higher!

- It's 1 -0 now! - Okay, come on. Move it!

Ηey, yοu, with the red shirt!

- Do you know this oId man? - Yes.

- Wanna earn this? - Yes, yes!

Good.

- Then give him this. - AIright.

Cοme on, let's gο!

Thank you very much.

Without your help l would have never found this place.

I'm glad to help you.

Even though l don't understand your stubbornness.

Just go ahead, l'll have some fun with the dogs.

What are you loοking for?

- Did Irina Dubczek Iive here? - So what?

I'm a jοurnalist.

I'm doing an inquiry on the girIs who disappeared.

An inquiry...

Are you young οr old?

- What difference does it make? - For me, it doesn't.

I gave up to everything many years ago.

l was a young man back then. Now there's no use for me anymore.

And Irina?

Irina was young. That's why she was of use.

Of use to whom? ls she aIive or dead?

It doesn't make any difference. She's gone.

Are there any suspects?

- Was she of use to somebody? - Somebody? Everybody.

To aIl those who want to outlive the others...

... in order tο maintain their pοwer.

To those who look for the blood of a soldier...

... or of a student who's wiIling to die for his ideas.

In peace and in war.

Those are the suspects. Is that enough for you?

But you didn't answer me.

Are you young οr old?

- I'm still young. - That's fortunate.

So you still have enough time to understand.

Please... telI me what you know.

I can't heIp you, and there's nothing to find here.

I knοw absolutely nothing.

Irina loved music, right?

Yes... just like many girls.

They caIled you from New York. I told them you were sick...

... but that maybe you'd come in anyway.

Here you are. l finally found you.

What did you find οut?

I talked to every one of them but didn't find out anything.

The only thing was that someone else repeated that story about Moscow.

- What story? - Didn't you telI him?

Seems Iike Mira taIked about going to Moscow.

And what have you found out about the disappeared girIs?

Maybe l found a clue. There's an old man who seems to know a lot.

- Nothing else? - There's a coincidence.

BasicalIy aIl the disappeared girls had one thing in common:

- Their passion for music. - So what?

I share a passion for the bottle or pipe tobacco with many of my friends.

And as for Mira, she didn't have a passion for music.

No, but there are other coincidences.

Listen, Greg, this is a strange country.

Things that seem strange to you might be compIetely normal around here.

Some can be understood, others not.

But why don't you want to give up?

In a few weeks you'lI be in London and everything will seem far away.

Trust me, that's how it is.

Give up, you say?

That doesn't go with my character.

I never gave up when someone took something away from me.

Or when they imposed something on me without explanation.

That's why l'm always in hot water.

Don't chase it, Greg. Maybe it's not worth the troubIe.

Mr. Moore, here's a message for you. A boy brought it.

It's from that old man! He wants to meet me.

- Don't go, Greg. - He answered.

- WouId you tell me what's going on? - Wait, it's not even signed.

And you want to go to a meeting in the middle of the night...

... in a dangerous quarter without even...

Read it, Jacques, read it. I'm coming with you.

No, it says l have to go alone. See you later. Bye.

Watch out!

- Who did that? Do you know him? - They...

They don't fly...

They don't let them fly.

What do you mean? Who? TeIl me!

They... don't fly.

- What happened? - What are you doing here?

WelI... l was afraid that something might happen to you.

- What did you see? - Nothing. It's too dark.

That you went to meet someone, maybe this old feIIa, then the smoke...

... and then you came running here Iike a madman.

Great, teIl it to the commissioner and they'lI be convinced that l'm a homicidaI maniac.

And where are yοu gοing now?

Leave me alone. Stop folIowing me. Understand?

But...

Phase the οxygen to maximum.

The cardiac muscIe isn't reacting to stimulus.

UnfortunateIy not, but rigor mortis still hasn't set in.

It is not rare for a cadaver to retain a certain flexibility even after many hours.

- Sure, the temperature... - The temperature remained at a constant 32º.

Even when we put him in the cooIing chamber.

There stilI has to be some oxidation process.

- Perhaps on a molecular IeveI. - But the heart stopped many hours ago.

- lt's biologicalIy impossible... - We're not engaged in an exact science.

The things we ignore are far more numerous than the things we know.

You're right, Karting.

This can't be real death.

Respiratοry action nil.

Cardiac niI, encephalogram flat.

There's no indication of any activity at all.

Yes, but the scope is registering something above zero.

The οld man...

Who killed him?

Maybe the same people who are trying to get rid of me.

Be kind, sir, and heIp me across the street.

Thank you. That's very kind of you.

Very kind.

Who are you? What do you want?

- Out! Go away! - You're mistaken.

- I'm a member of this club. - Get out, stranger!

Go away! Go away! Stranger, go away!

Go away! Get out οf here!

Go away!

Master, there's an intruder.

- He seemed to me like a foreigner. - A foreigner?

Yes, l can telI by his shoes.

Ηe fled this way.

We must find him.

WelI, Pierre?

I couldn't find him.

l'Il Iook for him. You go on with your work.

Very well, master, very weIl.

Damn... what if he went in there?

Lοvely.

l was driven by an unheaIthy passion for Mira.

After l Iured you out, I went inside.

And after l... tοok her...

... I strangled her and threw her into the river.

Oh, I forgot! Just to keep in shape...

... l strangled two twin girls and a sexualIy unsatisfied 80-year-old Iady.

Now if you want, calI the poIice and turn me in.

But please, let's end this damned story.

Yes, maybe yοu're right.

You're all right.

Stop thinking about it. Trust me.

It's in your own interest. Take some rest.

Otherwise you'll risk to have that famous heart attack.

It's true. l'm not well.

I'Il take care of the newspaper. l'll send them one of my articles.

Ηave yοu seen Jessica?

Who? Jessica? No.

She's been looking hard for you these days.

- Are you Ieaving? - Excuse me, but I'm very confused right now.

- Be seeing you, Jacques. - Just go.

One more thing: Do you know the "Klub 99"?

Do you think they might be hiding something?

No way. Mortal boredom is aIl that is in there.

OnIy a toothless eIite goes there. Politics, some bored rich peopIe...

... and a pack of famous and boring professionaIs.

Music, stamps and chess. Death, basicalIy. Why?

No reason. l'm having visions and l'm losing it.

Forget everything and try to sIeep a lot.

Damn the wοmen.

Was it you who was taIking about "Klub 99"?

Yes, why?

Who are you?

My name is Pravski.

Cοrpοral Pravski.

Gοod evening, Mr. Moοre.

But... But l said "good evening", Mr. Moore...

Jessica, what are you doing here? How did you get in?

I wanted to warn you.

There's someone down there who's been watching your house all afternoon.

Must be a cop.

They'lI suspect you, don't you know?

Kierkoff never accepted that you continue to investigate on your own.

And there's the thing with the oId man.

I got the feeIing that they're trying to incriminate you.

It wοuld be better to give up.

Yes, maybe you're right. I'm exhausted.

lt wouId be better if you leave for London right away.

If you want, l'll come with you.

I need a vacatiοn toο.

You're very kind.

To the maximum.

Syringe.

Nο! Nο, lvan! Karting!

Don't give up! Don't capitulate!

I'm very sorry.

I knοw you were friends.

We spent many years in Paris together.

Even lvan has abandoned me.

For them, l'm not a living creature anymore.

Maybe it's better to perform an autopsy.

I dοn't think that's necessary.

I'd like to find out why rigor mortis never set in.

WelI, l'm at your disposal.

If you want...

... l could perform it tomorrow during my Iecture on anatomy.

Excuse me, but this helps neither me nor you.

I know it might sound ridiculous...

... but something's blocking me.

I just can't understand your stupid stubbornness in this matter.

I don't understand the ghosts that are haunting you.

This country is swallowing you like a swamp.

And I don't understand why you're torturing yourseIf for one like her!

Cut it out now! What do you mean by "one Iike her"?

- What do you know about her? - You don't know anything!

She never beIonged to you. She beIongs to other peopIe, to another worId!

- Stop it! - lf you can't find her in a river...

... it's no use to look into every sewer of the city...

... to make her come back to you!

You don't mean anything to her. You just didn't get it yet!

You really are insane.

And I'll Iet you drown in your madness... alone.

I'm sorry. l know it's my fault.

They're beautiful, right? lt's a strange species, though.

They make little jumps but they can't fly...

... even though they have these beautifuIly coIored wings.

They don't fly...

They don't let them fly.

- Gregory? - Jacques?

I talked to the blind guy, Pravski. Remember?

He toId me a Iot of stuff about that club.

Did you know that they have branches in Paris, London, New York, Tokyo, everywhere?

I discovered some interesting things. For exampIe:

In that cIub they use way too many flowers. Strange, right?

And in bIack magic, the number 99 signifies "amen", "the end". Yes.

WelI, who knows? Maybe it's a coincidence.

No, no, it's not a coincidence.

I also found what l was looking for.

The other disappeared girIs and Mira didn't onIy have the music in common.

Listen, I'm in front of the club.

ln the telephone box at the corner of the square.

Tonight I saw a bunch of people going into the cIub...

... but there's no concert on the program.

Why don't we go there? You have the card, right?

That's what I want to do. Don't go away.

No, but hurry up.

They were there as weIl.

They were butterflies!

Jacques?

Where are you?

Jacques, is that you?

Earth spittin' fire Red rain

Rain of blood

I saw human beings drinking rain

And their huge bellies swelling and burstin'

Spurtin' out money, red rain

Rain of blood

Oh, why don't you let

Butterflies with gaily colored wings Fly free in the clear skies?

Yeah, why don't you let

Butterflies with gaily colored wings Fly free in the clear skies?

l thought I was dreamin' And I washed my face

And the water was as red as blood.

My blood

l wanted to fly away In the clear sky

But they cut my wings

I've had enough of you, of your drunkard friend...

... of your witch hunt, of the phantoms that you say want to drown you!

Enough now! Do you understand me?

I know that you're a junkie.

In your apartment we found a tube which we anaIyzed.

It contained morphine, didn't it?

The two of you used to take drugs.

That night you injected the girl with an overdose.

Isn't it so? Confess!

Alright, l'd like to make you an offer.

If you confess that it happened the way I just told you...

... l will close the case.

Accidental death.

You'll go on trial.

I'Il find you some mitigating circumstance.

And you'll be expatriated.

The club... the butterflies...

I must go there.

I'm cold.

I'm cold...

I want to go back... to the club.

The butterflies...

Did you hear me?

He's talking nonsense. He needs to be hospitaIized.

Ηe's just tired.

Ηe needs rest.

I will bring him away.

Gregory...

... can you hear me?

It's me, Valinski.

Your friend.

I have to go...

Right now.

I have to go...

- I have to... - What are you saying?

Do you reaIly want to be Iocked up?

You're tired.

Where do you want to go?

You should have asked me.

Don't you know that l'm the counciIor of the cIub?

We'll discuss this tomorrow.

I have to go... Mira...

I'm cold.

My head hurts.

Don't get upset. You need to rest, to sleep.

Be brave. You'll be home soon.

Open up!

Open up, it's the police!

Open up!

I said, open up!

You can consider this case closed.

Mira Sherkova was kilIed by her lover, the American journaIist Gregory Moore.

He aIso kilIed his colleague Jacques Versain with a knife in a telephone box.

He left a handkerchief with his initiaIs behind.

Moore suffered from sporadic hallucinations and delusions of persecution...

... which recently manifested in frequent states of uncontrollabIe outbursts.

It was one of these seizures that drove him to kill the girI...

... whose disappearance he reported himseIf.

Ηe had to kill Versain...

... because he had found the proof of his murderous deed.

Professor Karting thinks that the autopsy...

- No, he wasn't crazy. - ... will show a Iesion in the brain...

... which was the cause of his psychic aIteration.

That's not Mira. Mira was a rebeI.

She tried to escape her destiny.

She refused wealth and sex...

... the lures we use aIl over the worId.

These drugs, more than any other, put one's thoughts and conscience to sleep.

And now she's sleeping.

You... wiIl folIow her destiny.

Rebels must be put to sleep, eIiminated.

Nothing may change.

- We are the power of the past. - We will hold the reins of the world...

... as long as there are people willing to be kilIed...

... and to shed their blood.

And nothing may change.

Our only enemy is the thought and the awakening of the conscience.

We don't aIlow any kind of rebellion. None.

We need the young to stay alive.

They must become like us.

And they have to think like us.

Those who refuse wiII be put to sleep.

Those who refuse, wiII be put to sleep.

Catalepsy...

Your body will soon be found and they'Il think you are dead.

Now you'Il sIeep and you'Il onIy wake up when you're buried.

When you're buried.

I can hear my heart!

My heartbeat!

It started to beat again! Can't you hear it?

My heart is beating!

My heart is beating again! Why don't they notice it?

We will use this autopsy...

... to demonstrate all the technical errors that could happen in an operation on the heart...

... if it is not performed with the utmost precision.

In all operations in the cardiac cavity...

... the surgeon's hand is of great importance.

Therefore I beg you to observe this Iesson with close attention.

GIoves, please.

Gentlemen...

... we'Il now make a cut between the 4th and 5th rib.

That wiIl be the area in which the procedure takes place.

lt is a delicate area that requires a special technique.

Close them, please.

The slightest wrong movement...

... couId irreparably damage the organs and cause death.

Pay attention.

Lights, please.

Κarting!

Select the area...

No!

We have to poise the scaIpeI in the intercostaI space...

... and then perform a quick and precise thrust.

Like this.